#200 films of 1952 film 169

[project1939]

200 Films of 1952

Film number 169: Denver and Rio Grande

Release date: May 16th, 1952 

Studio: Paramount 

Genre: western 

Director: Byron Haskin 

Producer: Nat Holt, Harry Templeton 

Actors: Edmond O’Brien, Sterling Hayden, Kasey Rogers

Plot Summary: In 1870 as work begins on the Denver and Rio Grande Railroad, a rival group, led by McCabe, hopes to complete their own railway in the same area. McCabe is willing to resort to any means, including deadly violence, to sabotage the D & RG. Jim Vesser, one of the D & RG’s head men, fights back with his own extra-legal plan. 

My Rating (out of five stars): *** 

Although there is nothing spectacular about this film, I did find myself engrossed in it all the way through. I’m a big dork who has always found the history of building railroads and telegraph lines in early 19th century America kind of thrilling. In just a few years it totally transformed a country it was believed would take hundreds of years to populate. I also wanted to watch it because I love Sterling Hayden. Overall, it’s not a bad way to spend 90 minutes, even if it’s no cinematic masterpiece. (some spoilers)

The Good 

Kasey Rogers! She was the revelation of the film for me. She took a role that could’ve been boring and thankless and elevated it to one of the most interesting. I was really impressed with her acting. Reading about her in real life only increased my affection for her. She was on Bewitched in the 1960s, she was pretty liberal, and she wrote several books. Most badass of all, she got interested in Motocross racing in the 1970s and worked at getting more women into the sport! She helped establish the first association for a women’s pro-league! I found a new love! 

Sterling Hayden as a bad guy. I like him a lot as an actor, but he was so good at making me hate him in this! The gross fuzzy beard he wore definitely helped though! 

Edmond O’Brien. He was effective as a tough frontier dude- he really looked the part. He’s so much of a man’s man, I didn’t find him all that attractive personally, but I think a pretty boy type wouldn’t have worked as well in the role. 

I liked the hint of the romance that happened in it. We saw no kiss or direct evidence of it beyond a little flirting. A slight arm around the waist was more emotionally stirring than a smooch would have been. 

The story was interesting and filled with constant back and forth combat. There were several impressive explosions, and I’m not someone who’s really into that stuff. The movie didn’t give you time to get bored, even if you could fairly easily predict the final outcome. 

The use of real trains was also impressive. Most of them did not appear to be models. 

There was also a lot of nice location footage. 

Technicolor always looks better inside a studio than outdoors, but I thought it looked quite good here. 

The Bad: 

The “good guy” “bad guy” stuff was a little too simplistic at times. There weren’t many grey areas to add complexity.  

It wasn’t too difficult to predict how everything would turn out in the end. 

There were sooo many gunfights! Yes, I know it’s a western, and gun flights are obligatory, but I got pretty bored with them after a while. 

All the extra-legal stuff! It was brought up several times that Vesser should wait to let the law handle things rather than become a billboard for vigilante justice. I kept hoping the film wouldn’t reward him or glorify him for maneuvering outside the law. It did reward him, unsurprisingly. Worst of all, the Sheriff tried to give him some legal repercussions at the end, but when the General in charge of the whole project said, “You’ll have to arrest me too,” the Sherriff totally backed down. So not only did vigilante justice win in the end, it won by proving the law is less important the more power you have. That’s certainly true in real life, but I didn’t like that it was portrayed as a positive thing in this movie! 

The comedy relief characters fell flat to me. I like Zasu Pitts, but her escapades with the Irish engineer made me cringe instead of laugh. 

Re: the movie poster, who was Laura Elliot? Shouldn't the name Kasey Rogers have been there? Wait, I just figured it out- Rogers was billed under the stage name Laura Elliot earlier in her career. Huh.

[dweemeister]

2017 Movie Odyssey

So ends the 2017 Movie Odyssey. Last year, I wrote that I did not foresee ever surpassing the 200+ movie mark for a long, long time. But look what happened here (outside of May because that was a hectic time in the Master’s program for sure). The 2017 Movie Odyssey consisted of 232 films - 180 feature-length films and fifty-two shorts. A century of filmmaking was covered this year, from 1917 to 2017. If I do have one regret this year... it’s that African films were not featured this year (due to availability issues and me not having enough money; I tend to watch things legally if possible). I hope to assuage that next year for a more representative Movie Odyssey.

For all of you out there who supported the Movie Odyssey in your own ways – whether reading, liking, commenting, or reblogging a write-up or sitting down with me to a new movie or talking to me about any movie... my thanks to all of you. None of this possible without you, and I hope you find that, through this blog, classic movies seem more approachable and welcoming and you are inspired to see some and learn about them yourself. A Happy New Year to all, and I’ll see you for the 2018 leg of the Movie Odyssey very soon (oh boy the Winter Olympics and World Cup are gonna chip away at the final count next year)!

As many know, all ratings are based on my imdb rating and half-points are always rounded down. My interpretation of that ratings system can be found here. A 6/10 is considered the borderline between “passing” and “failing”. Feature-length narrative films, short films, and documentaries are rated within their respective spectrums.

JANUARY

1. Marnie (1964) – 6/10 2. The Moon Is Down (1943) – 7/10 3. Sense and Sensibility (1995) – 8.5/10 4. The Big House (1930) – 7.5/10 5. Manchester by the Sea (2016) – 7/10 6. The Far Country (1954) – 7/10 7. Kung Fu Hustle (2004, Hong Kong/China) – 7/10 8. Road to Singapore (1940) – 6/10 9. A Clever Dummy (1917 short) – 5/10 10. Hidden Figures (2016) – 7.5/10 11. Teddy at the Throttle (1917 short) – 7.5/10 12. The Last of the Mohicans (1920) – 7/10 13. Sweet Smell of Success (1957) – 10/10 14. The Red Turtle (2016, France/Belgium/Japan) – 9/10 15. Life, Animated (2016) – 7.5/10 16. In the Mood for Love (2000, Hong Kong) – 10/10

FEBRUARY

17. Lion (2016) – 7/10 18. It’s Always Fair Weather (1955) – 7.5/10 19. Fences (2016) – 8.5/10 20. Shenandoah (1965) – 7/10 21. Caged (1950) – 8/10 22. Pearl (2016 short) – 7.5/10 23. Blind Vaysha (2016 short) – 8/10 24. Asteria (2016 short) – 6/10 25. The Head Vanishes (2016 short) – 6/10 26. Once Upon a Line (2016 short) – 7/10 27. Pear Cider and Cigarettes (2016 short) – 8/10 28. Sing (2016 short, Hungary) – 7.5/10 29. Silent Nights (2016 short, Denmark) – 6/10 30. Timecode (2016 short, Spain) – 7/10 31. Ennemis intérieurs (2016 short, France) – 8.5/10 32. La femme et le TGV (2016 short, Switzerland) – 8/10 33. Joe’s Violin (2016 short) – 7/10 34. Extremis (2016 short) – 8/10 35. 4.1 Miles (2016 short, Greece) – 9/10 36. Nashville (1975) – 7.5/10 37. The Romance of Transportation in Canada (1952 short) – 7/10

MARCH

38. My Life as a Zucchini (2016, Switzerland) – 8/10 39. Lili (1953) – 7/10 40. The Man from U.N.C.L.E. (2015) – 6/10 41. Captain Blood (1935) – 9.5/10 42. Logan (2017) – 7/10 43. Friendly Persuasion (1956) – 9/10 44. Ducks and Drakes (1921) – 7/10 45. What Dreams May Come (1998) – 6/10 46. Bright Road (1953) – 6/10 47. Snow Gets in Your Eyes (1938 short) – 5/10 48. Jungle Cat (1959) – 6.5/10 49. The Salesman (2016, Iran) – 8.5/10 50. Good Scouts (1938 short) – 7.5/10 51. All in a Nutshell (1949 short) – 8/10 52. The Hound That Thought He Was a Raccoon (1960) – 7/10 53. Winter Storage (1949 short) – 7/10 54. Out of Scale (1951 short) – 8/10 55. The Incredible Journey (1963) – 7/10 56. Follow Me, Boys! (1966) – 7/10 57. Charlie, the Lonesome Cougar (1967) – 5.5/10 58. Belladonna of Sadness (1973, Japan) – 6/10 59. Ponyo (2008, Japan) – 7/10 60. My Cousin Rachel (1952) – 7.5/10 61. Road to Perdition (2002) – 9/10

APRIL

62. The X from Outer Space (1967, Japan) – 3/10 63. The Blue Gardenia (1953) – 6.5/10 64. Get Out (2017) – 7.5/10 65. Fantastic Planet (1973, France/Czechoslovakia) – 8/10 66. 5 Centimeters Per Second (2007, Japan) – 6/10 67. Your Name (2016, Japan) – 7.5/10 68. The Outlaw and His Wife (1918, Sweden) – 7/10 69. Mail Early (1941 short) – experimental film, score withheld 70. Boogie-Doodle (1948 short) – experimental film, score withheld 71. A Chairy Tale (1957 short) – 9/10 72. Very Nice, Very Nice (1961 short) – experimental film, score withheld 73. Fine Feathers (1968) – 7/10 74. What on Earth! (1967 short) – 8/10 75. Walking (1968 short) – 7/10 76. Notes on a Triangle (1966 short) – experimental film, score withheld 77. The Three Faces of Eve (1957) – 7.5/10 78. Peeping Tom (1960) – 7.5/10 79. Porco Rosso (1992, Japan) – 8/10 80. MacArthur (1977) – 6/10

MAY

81. Dr. Goldfoot and the Bikini Machine (1965) – 4/10 82. Scarlet Street (1945) – 8.5/10 83. Tremors (1990) – 7/10 84. The Crucified Lovers (1954, Japan) – 7.5/10 85. Akeelah and the Bee (2006) – 8/10

JUNE

86. Wonder Woman (2017) – 7/10 87. Pollyanna (1960) – 7.5/10 88. Mickey’s Polo Team (1936 short) – 8/10 89. Tales of Manhattan (1942) – 7/10 90. The Horse with the Flying Tale (1960) – 7/10 91. Sound of the Mountain (1954, Japan) – 9/10 92. Return of the Fly (1959) – 4/10 93. Friday the 13th (1980) – 4/10 94. The Tattooed Police Horse (1964) – 6/10 95. Dr. Jack (1922) – 7/10 96. Pat Garrett and Billy the Kid (1973) – 7/10 97. Friday the 13th Part 2 (1981) – 5/10 98. The Great Man (1956) – 8/10 99. Sparrows (1926) – 7.5/10 100. Seven Days to Noon (1950) – 9/10 101. My Neighbor Totoro (1988, Japan) – 8.5/10 102. The Pocket Man (2016 short, France) – 7/10 103. Snack Attack (2012 short) – 7/10 104. You Were Never Lovelier (1942) – 7/10 105. San Francisco (1936) – 7.5/10 106. Eraserhead (1977) – 6.5/10

JULY

107. The Beguiled (2017) – 7/10 108. Summer Magic (1963) – 6/10 109. The Southerner (1945) – 9/10 110. The Statue of Liberty (1985) – 6/10 111. They Live by Night (1948) – 8/10 112. A Little Romance (1979) – 6/10 113. Conflagration (1958, Japan) – 6.5/10 114. The Naughty Twenties (1951 short) – 5/10 115. The Fastest Gun Alive (1956) – 7/10 116. For Your Eyes Only (1981) – 6/10 117. A Man There Was (1917, Sweden) – 9.5/10 118. His Royal Slyness (1920 short) – 6/10 119. Now or Never (1921 short) – 6.5/10 120. Among Those Present (1921 short) – 6/10 121. Dawn of the Planet of the Apes (2014) – 7.5/10 122. Independence Day (1996) – 5/10 123. Yoyo (1965, France) – 8/10 124. The Man Who Knew Too Much (1934) -  6.5/10 125. War for the Planet of the Apes (2017) – 7.5/10 126. The Lady Vanishes (1938) – 10/10 127. Funny Face (1957) – 9/10 128. A Brighter Summer Day (1991, Taiwan) – 9.5/10 129. A Sailor-Made Man (1921) – 6/10 130. Much Ado About Nothing (1993) – 8/10 131. Dunkirk (2017) – 8.5/10 132. Lost Horizon (1937) – 8/10 133. The Man from Snowy River (1982) – 7.5/10 134. A Touch of Zen (1971, Taiwan) – 10/10

AUGUST

135. A Double Life (1947) – 6/10 136. Tokyo Chorus (1931, Japan) – 7/10 137. In a Heartbeat (2017 short) – 7.5/10 138. Valerian and the City of a Thousand Planets (2017) – 4.5/10 139. Twelve O’Clock High (1949) – 9/10 140. The Big Clock (1948) – 7/10 141. Pink Floyd – The Wall (1982) – 8/10 142. Record of a Tenement Gentleman (1947, Japan) – 9/10 143. Octopussy (1983) – 6/10 144. West of Zanzibar (1928) – 6/10 145. Take Me Out to the Ball Game (1949) – 7/10 146. Detroit (2017) – 5.5/10 147. That Funny Feeling (1965) – 6/10 148. Kid Galahad (1962) – 6/10 149. Tokyo Twilight (1957, Japan) – 10/10 150. In This Corner of the World (2016, Japan) – 7/10 151. The Bedford Incident (1965) – 7.5/10 152. Johnny Express (2014 short) – 6/10 153. Carpark (2013 short) – 6/10 154. Castle in the Sky (1986, Japan) – 8/10 155. The Goonies (1985) – 7.5/10 156. State of the Union (1948) – 6/10

SEPTEMBER

157. Beyond the Poseidon Adventure (1979) – 3/10 158. Muscle Beach Party (1964) – 4/10 159. The Nutty Professor (1963) – 7/10 160. Camille (1921) – 6.5/10 161. Aguirre, the Wrath of God (1972, West Germany) – 8/10 162. Independence Day: Resurgence (2016) – 2/10 163. It (2017) – 7/10 164. Ocean Waves (1993, Japan) – 6/10 165. Monterey Pop (1968) – 8/10 166. Don’t Look Back (1967) – 9/10 167. Tyrus (2015) – 8.5/10

OCTOBER

168. A Star Is Born (1937) – 8/10 169. Swiss Family Robinson (1960) – 6/10 170. Revenge of the Nerds (1984) – 5/10 171. Horton Hears a Who! (2008) – 6/10 172. Freaky Friday (1976) – 6/10 173. The Great Muppet Caper (1981) – 7.5/10 174. Mr. & Mrs. ’55 (1955, India) – 8/10 175. Island of Lost Souls (1932) – 9.5/10 176. The Little Broadcast (1943 short) – 6.5/10 177. Hoola Boola (1941 short) – 6/10 178. The Sleeping Beauty (1935 short) – 7/10 179. Tulips Shall Grow (1942 short) – 8.5/10 180. Charulata (1964, India) – 8/10 181. Together in the Weather (1946 short) – 6/10 182. John Henry and the Inky-Poo (1946 short) – 7.5/10 183. Philips Cavalcade (1934 short) – 7/10 184. Jasper in a Jam (1946 short) – 8/10 185. Tubby the Tuba (1947 short) – 9/10 186. The Puppetoon Movie (1987) – 7/10 187. Brides of Dracula (1960) – 7/10 188. Blackbeard’s Ghost (1968) – 7/10 189. Candleshoe (1977) – 6/10 190. Jigoku (1960, Japan) – 5.5/10 191. Blacula (1972) – 6/10 192. Willard (1971) – 4/10 193. Ben (1972) – 4.5/10

NOVEMBER

194. The Coward (1965, India) – 7/10 195. The Happening (2008) – 2/10 196. Tom Thumb (1958) – 6.5/10 197. Strike (1925, Soviet Union) – 7.5/10 198. Loving Vincent (2017) – 7/10 199. Destry Rides Again (1939) – 7.5/10 200. The Master Race (1944) – 6/10 201. Justice League (2017) – 6/10 202. Sissi (1955, Austria) – 7.5/10 203. Sissi: The Young Empress (1956, Austria) – 7/10 204. The Sandlot (1993) – 7/10 205. Olaf’s Frozen Adventure (2017 short) – 4/10 206. Coco (2017) – 8/10 207. Sissi – Fateful Years of an Empress (1957, Austria) – 7/10 208. The Florida Project (2017) – 8.5/10 209. The Mortal Storm (1940) – 7/10 210. The Breadwinner (2017) – 8/10 211. Spencer’s Mountain (1963) – 6/10 212. Lady Bird (2017) – 9/10

DECEMBER

213. The Four Horsemen of the Apocalypse (1921) – 8.5/10 214. The Secret Life of Bees (2008) – 7/10 215. Murder on the Orient Express (2017) – 5.5/10 216. So You Think You’re Allergic (1945 short) – 5/10 217. Three Billboards Outside Ebbing, Missouri (2017) – 7.5/10 218. The Shape of Water (2017) – 8.5/10 219. Lonely Are the Brave (1962) – 9.5/10 220. Star Wars: The Last Jedi (2017) – 7/10 221. They Won’t Forget (1937) – 8/10 222. It Came from Outer Space (1953) – 6.5/10 223. Brave Little Tailor (1938 short) – 8/10 224. The Story of Robin Hood and His Merrie Men (1952) – 6/10 225. The Sign of Zorro (1958) – 5/10 226. Kong: Skull Island (2017) – 6.5/10 227. Flipped (2010) – 6/10 228. Bardelys the Magnificent (1926) – 7.5/10 229. There’s No Business Like Show Business (1954) – 7/10 230. Swim Team (2016) – 7/10 231. Toby Tyler (1960) – 5/10 232. The Liberator (2013, Venezuela) – 6/10

All scores are subject to change (upgrades and downgrades) upon a rewatch.

[olivierdemangeon]

  Steven Frederic Seagal, né le 10 avril 1952 à Lansing, dans le Michigan, aux États-Unis, est un acteur, producteur, scénariste, réalisateur, artiste martial et musicien qui détient la citoyenneté américaine, russe et serbe.

Ceinture noire 7e Dan en Aikido, Steven Seagal a commencé sa vie d’adulte comme instructeur d’arts martiaux au Japon; devenant par la même occasion le premier étranger à diriger un dojo d’Aïkido dans le pays. Il a ensuite déménagé à Los Angeles, en Californie, où il a travaillé comme instructeur d’arts martiaux sur “Jamais plus Jamais” (1983) où il a brisé accidentellement le poignet de l’acteur Sean Connery durant le tournage.

Steven Seagal a fait ses débuts d’acteur dans “Nico” en 1988. En 1991, il a joué dans quatre films fructueux. Il remporte plus de célébrité avec “Piège en Haute Mer” (1992) dans le rôle de Casey Ryback, un cuisinier, ancien Navy SEAL ayant maille à partir avec des terroristes. Cependant, “Terrain Miné” (1994) et “Piège à Grande Vitesse” (1995) rencontrent moins de succès au box-office.

Au cours de la seconde moitié des années 1990, on retrouve encore Steven Seagal dans trois autres métrages projetés en salle ainsi que le film paru en direct-to-video “Piège à Haut Risque” (1998). Dès lors, à l’exception de “Hors Limites” (2001) et “Mission Alcatraz” (2002), sa carrière a presque entièrement été tournée vers des productions présentées directement en vidéo. De 1998 à 2014, Steven Seagal est ainsi apparu dans un total de 27 films en vidéo. À l’âge de 58 ans, il est revenu sur le devant de la scène avec le personnage de Rogelio Torrez dans le film “Machete” (2010), son premier métrage largement diffusé depuis 2002.

Entre 2009 et 2013, il a tourné trois saisons de son reality-show “Steven Seagal: Lawman“, qui permettait de le suivre dans ses fonctions de shérif-adjoint de réserve à Jefferson Parish, en Louisiane (Saison 1-2) et dans le comté de Maricopa, en Arizona (Saison 3) . Il a également créé et joué dans deux saisons d’une série policière entre 2011 et 2012, intitulée “True Justice”, où il campe Elijah Kane, le chef d’une unité spécial d’investigation à Seattle.

Steven Seagal: Lawman

  Steven Seagal est également guitariste et a sorti deux albums studio, “Songs from the Crystal Cave” (2005) ainsi que “Mojo Pries” (2006) et a joué sur un certain nombre des bandes originales de ses films. Il a travaillé avec Stevie Wonder et Tony Rebel, qui ont tous deux joué sur son premier album.

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Songs from the Crystal Cave (2005)

Mojo Priest (2006)

  En tant qu’homme d’affaires, Steven Seagal a développé de nombreuses entreprises. Son chiffre d’affaires est estimé entre 5 à 16 millions de dollars pour l’année 2015. En 1997, il a commencé à travailler en étroite collaboration avec Young Living sur une ligne de produits thérapeutiques. En tant que fondateur de la Steven Seagal Enterprises, il a commercialisé sa propre boisson énergétique, Lightning Bolt, en 2005. En 2013, il a commencé à représenter le fabricant russe d’armes à feu ORSIS, apparaissant dans des campagnes promotionnelles.

Lightning Bolt

  En plus de ses réalisations professionnelles, Steven Seagal est connu pour ses positions écologistes, pour être un militant des droits des animaux, et comme partisan du 14e Dalai Lama, Tenzin Gyatso. Il est également connu pour son amitié avec Vladimir Poutine.

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Steven Seagal & le Dalai Lama

Steven Seagal & Vladimir Putin

  Voici la liste des films auxquels Steven Seagal a participé et dont nous proposons une critique sur ce blog :

“Piège en Haute Mer” (1992) ★★★★☆

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Piège en Haute Mer (1992)

STEVEN SEAGAL Steven Frederic Seagal, né le 10 avril 1952 à Lansing, dans le Michigan, aux États-Unis, est un acteur, producteur, scénariste, réalisateur, artiste martial et musicien qui détient la citoyenneté américaine, russe et serbe.