#2 i like the idea of bruce being haunted by talia seeing so much of her in damian

[airplanecrashingtowardstheground]

i see your "damian takes after bruce when he's older" and i raise you damian takes after bruce in the face but has his mothers eyes and build

[crimenight-a]

ONE OF THE MOST FAMOUS ATTRIBUTES ASSOCIATED WITH BATMAN is his seemingly uncaring    &    stoic nature.    it’s also one of the generalizations i openly despise;    the more recent batman media has shaped our understanding of his person in the wrong way.    while i agree that he does seem cold at times,    it’s not for the reason most people immediately think.    so,    in this meta,    i’m going to walk you through bruce’s story    &    explain why he is the way he is.

first,    i want to address the general perception concerning his emotional state.    readers/watchers,    alike,    think bruce’s apathetic nature is related to his trauma.    they’re only half right,    for it did indirectly lead him to change his outward expression of self,    but it’s not the direct reason.    even characters in the DC universe comment on bruce’s apparent lack of distress-like emotions:

❝   your ward    &    my daughter are in mortal danger !    indeed,    batman, they may already be dead !   yet you show no signs of agitation–   nor do you exhibit any curiosity concerning my humble self !    have you no feelings ?   ❞                                                                                                                                    -- batman (1940) #232

ra’s al ghul says this upon meeting bruce for the first time    &    enlisting his help in saving his daughter,    talia al ghul.    we see many variations of this repeat with superman,    wonder woman,    green lantern,    the flash,    &   many more.    so,    it’s not only the general public in our world that thinks batman doesn’t feel anything,    that thought process is also preserved in characters from within DC’s universe.    another type of media that’s to blame are the comedic types.    there’s so many cartoons    &    comics that depict a younger bruce to be very stoic    &    cold,    batman’s voice    &    intimidating nature are ridiculed by many heroes   (  i’m looking at you,    mcu tony/peter   ).   i won’t deny that these moments are very funny    (   especially when DC retaliates like in that batman lego movie where batman screams ‘IRON MAN SUCKS!’   ),   but in actuality,    it still adds to this prevailing idea that he really feels nothing.    i won’t lie   &    say i thought differently before i made this blog,    because i didn’t.    much to my surprise,    however,    it only took me a few issues from detective comics/the original batman run to understand that we’ve been wrong all along.

you may now be asking,    ‘if he’s not truly uncaring,    then why does he act like he is ?’    well,    let me point you to this single issue that i wish i could have every one of these new writers that dc hires read,    it’s detective comics’ (1989) second annual issue    (   if you’re interested,    you can read it here !     although,    a quick warning that this issue deals with the K/KK    &   it’s displayed as such on the cover;    be careful if you decide to read   ).   it follows a young bruce,    only seventeen    (   already quite buff    &   skilled,    might i add   ),   who asks to shadow a famous detective in what i believe is rural new jersey.    harvey harris was hailed to be one of the greatest detectives on the east coast,    there was nothing he couldn’t handle.    at that point,    bruce didn’t really know how he was going to go about waging a war on crime    (   he juggled with options like the FBI,    GCPD,    district attorney,    more legal positions   ),   but he knew detective work was something he’d probably have to do no matter what he chose.    so,    he sent a letter to harris,    asking to shadow him under the name frank dixon,    harris accepted with a warning that the case he had on his hands was incredibly violent    &    horrific.    throughout this issue,    we see many instances where bruce lets his emotions get the better of him    &    it ultimately leads to harris’s demise    (    indirectly,    yes,    but this is a pattern in bruce’s story.    if he did just one thing differently,    he could have saved his parents,    harvey harris,    &    COUNTLESS more people.    the fact haunts him to this day    ).   bruce    &    harris eventually track down the person who has been killing people in that small rural town,    &    he sees that he’s in the process of another murder.    i’m sure you can guess what bruce did,    he screamed    &    lunged for the man in a hot flash of rage,    the man pulls a gun.    bruce knocks him out in one swift punch,    but the gun still goes off    &    it, unfortunately,    hits harris.    in his dying moments,    he tells bruce something that sticks with him still to this day:

❝   i never tried to teach you detection.    you already got the mind for it.    but when you let your emotions take control,    you just go blind.    i don’t know where you’re headed from here,    bruce,    but wherever it is,    remember…    you gotta control that anger.    when you get that into your head– really know it– then ol’ harvey will have done right by you.   ❞                                                                                                             -- detective comics (1989) annual #2

harris had been commenting on bruce’s anger for the entire time they’ve been together,    &    we can really see how bruce struggles with understanding his own emotions through his many warnings:

❝   nice spottin’,    by the way.    now,    if we could just do somethin’ about that temper..   ❞ ❝   son,    it’s rare i see a man who carries such rage so close to the surface.   ❞ ❝   harvey was right.    because i was a hothead..  ❞    (   bruce says this   )

the thing is,    bruce had been incredibly polite to mostly everyone.    the only times he lost his cool is when people didn’t cooperate with him    &    harris on the case,    or if they made fun of him for being a “pretty,    city boy.”    most of the time,    harris had to physically hold bruce back from doing something he’d quickly regret,    such as picking a fight with grown men twice his size    (   i would like to proudly add that bruce beat these guys shitless,    but they trashed his fancy red porsche :/   ).   i know i’m spending a lot of time on this single annual,    but it’s SO important when you realize that bruce really does have anger management issues to the point where he can’t hold back his own outbursts.    let’s compare that younger bruce to the one we know today,    there’s quite a stark difference,    isn’t there ?   the batman we’re familiar with would never jump into anything without thinking about it many times over.    that’s because bruce took what harris said to heart,    &    he worked damn hard to implement his advice:

❝   i had a crazy hate,    too.    but unlike carr,    i refused to let it blind me to reality.    to the truth.    i went over the entire case eleven times,    in each instances extracting more    &    more of my emotional involvement.    &    on the twelfth pass through–a coldly logical pass–i saw what had been bothering me.    &    i knew that it wasn’t over.   ❞                                             note: carr is the murderer that bruce lunged at    &    the one that killed harris.

for us,    removing our emotions    &    thinking about something logically can range from being impossible to incredibly difficult.    imagine,    then,    the mental strength bruce,    a boy who had always been obnoxiously transparent with his feelings,    had to exert in order to go through this case without feeling some immense distracting rage    (   this ties into one of his character’s core ideas:    batman’s will/willpower is insurmountable compared to even other superheroes    ).   he eventually found out that carr was nothing more than a human weapon that someone else had been manipulating,    but the point is:    bruce realized through this issue that he wasn’t good at solving cases because he could never separate his own emotions from the victim’s.    from then on,    he tried his best to be “coldly logical” with every case he comes across,    &    he eventually adopted this state of mind when he was in the batsuit regularly.    being batman requires a ridiculously high amount of awareness    &    general perception.    if he’s constantly angry    &    jumping to rash conclusions,    he’s not going to last long.

however,    this doesn’t mean that bruce doesn’t slip up    &    let his emotions get the best of him even as an adult.    one of the most apparent examples of this is when jason dies.    i think most of us know how terrible that was    &    how bruce blames himself.    in order to keep this meta from getting unnecessarily longer,    all we need to take away from that arc is that bruce quite honestly drowns with guilt because if he had chosen to go after jason instead of go after someone else,    jason would still be alive.    with that anger directed at himself    &    at the world in general,    he recklessly starts to fight anyone he sees while in the batsuit.    even petty criminals would be beaten within an inch of their lives,    he’d make mistakes that he never did before,    &    come home with horrible injuries.    he had no sense of self-preservation,    all he cared about was his anger    &    guilt.    notice how throwing caution to the wind puts bruce in considerably more danger,    thus this supports my point that bruce struggles with his emotions,    but learned to suppress them for the sake of helping    &    saving people.

it actually surprises me when people don’t seem to realize that bruce is empathetic almost to a fault.    he holds onto hope,    &    he always had,    even if it’s foolish to do so.    hope that someone is still alive,    hope that someone still had good in them,    hope in his own abilities.    there was once a case where the entire bat-family understood immediately that a boy had killed his own parents,    but bruce clung to the hope that maybe it wasn’t him,    maybe it was some other greedy politician or hired gun.    bruce knew he was wrong    &    that he was chasing essentially no one,    but the sheer hope that the boy was innocent kept him going in circles.    i wholeheartedly believe that bruce is an empath,    someone who is incredibly sensitive to another’s emotions,    with how quickly he understands how almost everyone feels.    there are times where bruce will show compassion before he shows anything else.    yes,    he aims to scare people with his dramatic antics:

❝   gotham city is hell.    we are all in hell.    &    i am the king of hell !   ❞                                                                                                      -- batman: legends of the dark knight #6

but the purpose of his promise was to make sure nothing like what happened to him ever happens to someone else again.    i’ve said this before,    &    i’ll say it again:    BATMAN IS A GLORIFIED BABYSITTER.    really,    scarecrow said this    &    i stole it from him,    but he wants to care for his city.    that’s why he funds all these free health clinics throughout gotham,    it’s why he opened new soup kitchens    &    funded existing ones.    he revolutionized gotham’s orphanage system,    he forced wayne enterprises to make new jobs,    he single-handedly dropped gotham’s unemployment rate by a substantial amount.    he hands money    &    opportunities to struggling families,    he sits with them    &    helps them through their pain.    he does all of this against his playboy persona,    i remember how most of gotham was confused when he was starting his charity projects since he was immediately said to be ignorant or even uncaring towards gotham’s poverty    &    crime issues.    he started the ‘rebuild gotham’ project(s),    he funded arkham.    he’s in active member of the gotham’s    &    new jersey’s political scene,    influencing massive changes.    his infamous ‘no killing’ rule can be attributed to the fact that bruce doesn’t know what led someone to doing the horrible thing that he’s chasing them for;    HE TRIES TO SEE THE GOOD IN EVERYONE.    i know that comes as a surprise,    mostly because bruce openly despised superman    (    despite clark being one of the kindest people anyone has ever met    )    in that batman v superman movie,    but this blog has never taken any inspiration from those films,    so we’re going to ignore that    &    i ask you to do the same when you’re referencing my portrayal.

bruce would never go to such lengths to bring gotham back from its dark days if it wasn’t for how much he cared for its people.    &    he wouldn’t care at all if he seemingly felt no emotions.    yes,    a part of him doesn’t know how he’d deal with his trauma if he hadn’t passionately pursued something like this,    but that doesn’t take away from the fact that bruce is a fundamentally compassionate man.    the way he takes care of the victims in each case,    personally comforting them    (    hugging, etc.   ),    accommodating them in any way he can.    there’s times where he gets so angry after seeing certain victims,    that he finds it hard to control himself even after decades of training his willpower;    THAT’S how vehement his emotions are.

seeing the good in everyone    &    personally feeling everyone’s pain are both very emotionally taxing traits,    &    he doesn’t suppress these qualities.    he allows himself to feel guilt    &    practice empathy because it keeps him going when all he wants to do is collapse.    bruce has never denied feeling emotions,    he never does it to intimidate his allies,    he just has a harsh way of looking at things because,    again,    he removes his own feelings from the mix.    most other superheroes,    like in the justice league,    sometimes marvel at how bruce almost never gives into his anger during important decisions.    i keep repeating my main points    &    this is all quite the speel,    but it’s INCREDIBLY IMPORTANT that you understand that bruce has never not felt his emotions just as strongly as everyone else,    if not stronger.    to end this off,    let’s see what bruce said in response to ra’s al ghul’s earlier question    (   this is something i find that summarizes what i’ve said in this meta really well    ):

❝   plenty of them !    but it won’t do me any good for me to allow my emotions to gain control…    not while there’s a job ahead !    for years,    i’ve trained myself to concentrate on the thing at hand–    later,    i’ll cry…    if i must !   ❞                                                                                                                                 -- batman (1940) #232

&    because i know how hard tumblr’s tiny font is to read,    here’s a link to this same meta, but on google docs !   read whichever version you want !

[victoriousscarf]

For the impression meme : Dick Grayson; Damian Wayne

(I tried to insert this picture later in the post but honestly it makes such a good header for me babbling about Dick so I’m leaving it where it is even tho this was an ACCIDENT) 

Dick Grayson:

First impressionLike, I know I watched the old animated Bats show and watched the movies etc so probably the first real time I went “Dick Grayson is a character” was the Val Kilmer movie which like, kill me. 

But honestly the first time reading comics I remember sitting up and going oh this is a character, this is a person and I’m SO INTERESTED was reading Hush (again, good/terrible comic to read early) which means Jim Lee’s beautiful art (I may disagree with 90% of anything that man says or does and would like him to retire from DC as editor but man I can admit he draws so PRETTY) 

Yeah like that panel. And his snark about maybe this time the Joker won’t break out from Arkham for at least a month this time. 

And I was like yeah okay. This is good. Let me go add Nightwing comics to my massive library request list (All the librarians knew my name pretty fast okay)

Impression now

My FAVORITE. Like no I’m serious, he’s right up there with Luke Skywalker as all time favorite characters. And also this is why I’m so damned picky with him as a character because at his core, I think he’s an inherently optimistic character, not because he’s naive or stupid or sheltered, because he’s not. But despite the terrible things that have happened to him, and in fact despite his own nature (his temper, his distrust, his workaholic tendencies) and despite the terrible things that have happened to him over and over and over again, he still makes the conscious CHOICE to believe in goodness, in kindness and compassion, in the world being a better place. (And honestly he’s a lot like Luke “I am a Jedi like my Father Before me” Skywalker in this way). He’s still flawed, as I said he has such a temper, and is about as distrustful of people as Bruce is. But he can BUILD trust with people (unlike Bruce for like the majority of people) and everyone loves him for it. The superhero community trusts him in ways they don’t trust Bruce Wayne (which is fair considering how often Bruce like causes destruction simply due to his own massive trust issues, like the Tower of Babylon and Brother Eye). And yeah okay he’s my favorite, but there’s also this view of Dick in fandom and even the more recent writers that strips a lot of this complexity and shrewdness and leadership from him. And so like in current pre-Rebirth (I’ve been waiting for rebirth to settle a lot more than venturing in there) my impression is not great. And i dread what’s coming both there and in larger media. Favorite momentAh damn like where would I even start.

Like it’s sad that in some ways my favorite moment dealing with him ever actually doesn’t even feature him in it, and it’s Bruce talked with Earth 2 Superman and Supes saying that their world was so corrupt, so dark, so tainted compared to his and he couldn’t understand why this world survived when his own had been destroyed when it was much gooder and Bruce looks at him and you can tell he’s wondering that too and then he goes okay but what about Dick Grayson and Supes sorta goes eh? and Bruce is like if everything is so much worse here, is Dick Grayson tainted and corrupted compared to yours? And Earth 2 Superman says no, no he’s still good, and Bats goes great and fights him. You get the implication that if that hadn’t been the answer, Bruce might have been as willing to give up on this world as that Supes but no, Dick still was the same shining bright light, still such goodness in a dark world and that made the whole world worth fighting for. LIKE KILL ME. Kill me. 

And honestly I still love Dick being so good that even when all the other teen titans were down and Slade Wilson charges into his apartment even out of costume and with no warning Dick manages to jump out his window and escape where the element of surprise pretty much took down the rest of the team. That’s a classic. 

Idea for a story

I’m a sucker for aus, especially aus where the DCU is more or less the same expect Bruce didn’t raise Dick. There was one scan I found where an alternate Dick was raised by Zucco and honestly that haunts me to this day. Or a novel length exposition of the time he was a vampire hunter and Batman was a vampire who killed his parents and it ends with them being together in the night… forever. LIKE THESE ARE CANON AUS give me more of that weirdness. (A lot of Batman elseworld stories that are canon sorta downplay Dick and what I’m saying is don’t. Upplay him like crazy and how he effects Bruce at ever turn, in every world, how all the Robins exist with him through time)Unpopular opinionI hate him and Barbara. I mean, with caveats but I can’t ship it. Partly because I really got into comics around the time of Infinite Crisis, so when Barbara was blaming him for being sexually assaulted, (And there’s a lot of baggage in there because the author at the time was refusing to acknowledge it was rape so like there’s no way to deal with the aftermath of that if you’re not even saying it happened) he cheated on her (what) and I’m pretty sure they were engaged just in time for shit to totally blow up. And then we fast forwarded to one year later and like this stuff didn’t really come up or get worked through? But yeah it was just a period where i found them really messed up and unhappy with how it was written and all the new 52 stuff makes me want to scream and possibly tear my hair out.

Like okay the one time I really liked them was like in the 70s during Batman Family where like she has a phd and was at a congressional hearing and Dick came along as her assistant? Like, that was fun and cute and I really liked their dynamic. Modern comics? Not so much. Favorite relationship…. Yeah Dick and Bruce man. I’m reading this not as a romantic relationship but in GENERAL of any relationships ever nothing has driven my love for DC quite like Bruce Wayne and Dick Grayson and their clusterfuck of emotions about each other, the fact that no matter how or in what manner, they are fucked up in love with each other and it is incredibly destructive to both of them. They can’t like settle down and just care, because of who they are they’re constantly butting into and hurting each other and yet at the end of the day they are still the most important to each other. Favorite headcanonDick is demi sexual fight me. 

Damian Wayne

First impression

Okay I read Batman and Son like when it first came out in trade, having NO CLUE who Damian was gonna be, or how his arc was gonna play out so like my first memory is him kicking Tim through the fucking cases and going WHAT IS THIS. Like, I was pretty peeved when he showed up. I was like ugh, of course Bruce having a biological son had to happen sometime and yeah Talia, because Son of the Demon but uuuugh. That was to change. Impression nowHe is precious and must be protected, 11/10Favorite momentI mean, there’s a lot. But one panel that always sorta stood out to me was the time that Hush got plastic surgery to look like Bruce Wayne and confronted Dick and Damian like that. And there’s just this panel of Damian, barely coming up halfway Dick’s chest, putting himself between Dick and Hush like hell yes I will take you on, how dare you. And how protective of Dick it was, even though Dick was Batman and he was Robin, that didn’t even matter. 

So yeah that one panel stands out because it encompasses so much but I also love every time he loves an animal more than most humans. Idea for a storyIdk, I really like future Batman Damian again, as Morrison introduced him a couple times, including in Multiversity. I’d really be interested in the downright apocalyptic future he becomes Batman in and how the batfam backs him up, and how he creates his own because as much as his father, he cannot really work totally alone.  

Alternatively he and Billy Baston go on a series of misadventures and it’s as terrible as that sounds like it should be but also GREAT

Unpopular opinion… It’s really funny I can instantly pin down things I disagree with fandom on with Dick Grayson but so rarely with other characters. Idk? I love him? 

I guess a thing I’ve seen a lot is people not really exploring how he will change as he gets older and just sorta transpose how he is currently on his future self and obviously he’s going to grow up a lot and change and I don’t see that coming up a lot whereas I’m like super excited to see him grow up/explore him grown up in fics. Favorite relationship*Sigh* Well obviously Dick and Damian. I mean, again, this doesn’t even have to run romantically, I just loved their dynamic under Morrison. I loved the switch of Batman and Robin where Dick, who was the brightest Robin became the dark knight, with a little nugget of rage as his Robin. I still love that comics cares about them together but I feel like a lot of their later interactions misses the edge Morrison gave them. Favorite headcanon

Him and Connor Hawke hang out a lot and go to vegetarian restaurants and bookstores together and have very philosophical conversations about religion and art and literature and faith and how they view being heroes (and Damian coping with his past vs Connor growing up in a monastery) and what their fathers mean to them. 

Damian is very protective of Connor is what I’m saying, he’s the only intelligent conversation he gets sometimes. (Sometimes, way down the road, Jason joins them for bookstore excursions, looking for first editions to send Alfred and Damian is sorta pissy but he’s grown, he can handle this) 

[aion-rsa]

15 Best Episodes of Batman: The Animated Series

When “Batman: The Animated Series” was first announced, many people assumed it was just a grab for popularity from the movies, but it was much more. First airing in 1992, the TV series was a groundbreaking show that ran for 86 episodes and achieved critical acclaim for its dark tone, film noir visual style, complex writing and faithfulness to the comics.

RELATED: The 15 Best Villains in “Batman: The Animated Series”

It had a lasting impact, launching the DC animated universe, leading directly to “Superman: The Animated Series,” “Justice League” and others. It also set a new tone for children’s television, showing how an action series could be exciting and well-written while pushing boundaries. It was also just a lot of fun. Here at CBR, we decided it was long overdue to run down the 15 best episodes of the groundbreaking series.

THE DEMON’S QUEST

Written by the legendary Dennis O’Neil and Len Wein, and directed by Kevin Altieri, “The Demon’s Quest” was a two-part episode that first aired in May 1993. When Robin was kidnapped, Batman was confronted by Ra’s Al Ghul, who had figured out his secret identity as Bruce Wayne. Ra’s claimed he needed Batman’s help to track down his daughter, Talia. When Batman agreed, they were led on a global chase that leads to dark secrets.

“The Demon’s Quest” introduced Ra’s Al Ghul, a legendary villain in the comics but not well-known in any other adaptations, and showed the great intelligence and power he wielded that made him a threat to the Great Detective. It took the Dark Knight to other countries and made him a more global hero, and also showed how the series was dedicated to bringing the comic book world to life, not just showing Batman in an animated form. Besides all that, it was just plain awesome.

I AM THE NIGHT

“I Am The Night” (written by Michael Reaves, and directed by Boyd Kirkland) aired in November 1992, and focused on the motives behind Batman. Set on the anniversary of his parents’ death, the escape of the Penguin left Batman struggling with whether he had actually done any good in his fight against crime, especially when he tried to stop an escaped mob boss known as Jazzman. Along the way, he came across a young boy who scorned Batman, but later came to understand and appreciate his influence.

“I Am The Night” was one of a long line of surprisingly emotional episodes for the series, which wasn’t afraid to explore the psychological tone of Batman. His constant struggle against crime took its toll on him and he was plagued with uncertainty over his motives, but it also worked as a fun and exciting story. “I Am The Night” was a haunting and moving episode, unlike anything we expected to see in children’s television at the time.

ROBIN’S RECKONING

In February 1993, “Batman: The Animated Series” aired the two-part episode “Robin’s Reckoning,” written by Randy Rogel and directed by Dick Sebast. In the episode, Robin came across a mobster named Tony Zucco, the man who caused the death of his circus-performer parents, leaving him an orphan. Despite Batman’s efforts to stop him, Robin set out to get Zucco, and was forced to confront the man and see whether he would kill for his revenge.

“Robin’s Reckoning” was a surprisingly powerful and dark episode, exploring Robin’s grief, his origin and the price of revenge. It also tied into Batman’s own grief and pursuit of revenge for his own parents’ death. The episode has been critically acclaimed, earning the animated series an Emmy award for “Outstanding Animated Program (For Programming Less Than One Hour).” It’s also just a great treatment of Robin and one of the few Robin-focused episodes of the series.

IF YOU’RE SO SMART, WHY AREN’T YOU RICH?

Written by David Wise and directed by Eric Radomski, “If You’re So Smart, Why Aren’t You Rich” aired in November 1992 and introduced the Riddler to the series. When the frustrated computer game designer Edward Nygma was fired by his company, he was taunted by his boss with the title phrase. Nygma returned as the puzzle-obsessed criminal the Riddler, determined to punish his old boss for stealing from him. It was then up to Batman to match wits with him.

The Riddler had become known as a chaotic and hyperactive villain in the 1960s Batman TV series, but the animated series made him a much more deadly and stable enemy. Instead of a series of bad jokes, the Riddler used a wide variety of puzzles and games to exact his revenge, and the riddles were much more sophisticated and clever than the ’60s version. It was another great villain made better by the animated show.

READ MY LIPS

Written by Joe R. Lansdale, Alan Burnett and Michael Reaves, and directed by Boyd Kirkland, “Read My Lips” brought Scarface and the Ventriloquist into the animated series. In the May 1993 episode, Batman is fighting a crime spree led by a mysterious man known as Scarface, who turns out to be a ventriloquist’s dummy. Yes, in this episode, Batman’s nemesis is a wooden dummy or at least the meek man who controls the dummy and treats Scarface as if he’s alive.

The writers on the animated series did a great job on the big bads like Hugo Strange, but also had an amazing gift to take some of the worst and least interesting characters in Batman’s rogues gallery and make them the best. The Ventriloquist is a perfect example, a bizarre and demented villain who shines in this episode. When Batman stumbles across Scarface lying in bed, alone, there’s a moment where he watches it as if waiting for the doll to come to life. In a world of human crocodiles and evil clowns, a living doll kind of made sense.

JOKER’S FAVOR

The seventh episode of the animated series was “Joker’s Favor,” written by Paul Dini, directed by Boyd Kirkland, and airing in September 1992. In the episode, an average guy named Charlie Collins cursed out a car in traffic, only to discover the driver was the Joker himself. When Charlie begged for his life, the Joker made him promise to do him a favor. Years later, even though Charlie changed his name and left Gotham, the Joker tracked him down to collect.

The idea of a road rage incident making someone a target of the Joker is funny enough, but the Joker’s dogged pursuit of a normal man makes this one of the strangest things he’s ever done. The episode is also noteworthy as the first appearance of the Joker on the show, and also the first appearance of Harley Quinn in any medium. It’s a great episode and one of the Joker’s best on the series.

PERCHANCE TO DREAM

Directed by Boyd Kirkland and written by Laren Bright, Michael Reaves and Joe R. Lansdale, “Perchance to Dream” aired on October 19, 1992. In the episode, Batman was knocked out and woke up in a world where his parents never died, and he never became Batman. He’s engaged to Selina Kyle (who never became Catwoman), and seems to be a happy man. While it seems like his fondest wishes have come true, Bruce began to suspect something was horribly wrong and finds the disturbing truth.

For an action series, this was a bold move for the show, since there really wasn’t a villain in most of it. This is also a particularly emotional episode, showing how Bruce Wayne would trade all his skills and power for a happy life, and shows how much he lost in his pursuit of his war on crime. It’s a favorite among fans and even Kevin Conroy (who voiced Batman in the series) called it his favorite episode of the entire series.

NOTHING TO FEAR

“Nothing to Fear” aired in 1992, and was the 10th episode to air overall on the animated series. Written by Henry Gilroy and Sean Catherine Derek, and directed by Boyd Kirkland, “Nothing to Fear” introduced one of Batman’s most feared enemies, the Scarecrow. When a university in Gotham went through seemingly horrific attacks, Batman discovered a madman dressed like a scarecrow was behind them. A former professor who specialized in the study of fear, the Scarecrow was trying to get revenge on the university for firing him. When Batman was exposed to the Scarecrow’s gas, he began having hallucinations of his own greatest fear: his parents being disappointed in him.

Like many other episodes on the animated series, “Nothing to Fear” nailed and brought to life a villain from the comics. The Scarecrow’s origin was really good and his hallucinations scary. Batman’s hallucinations also really took a dramatic twist to the story, showing what the man who brings fear to evildoers actually fears himself.

HARLEY AND IVY

Written by Paul Dini and directed by Boyd Kirkland, the episode “Harley and Ivy” aired in 1993 and made a huge impact. In it, Joker’s sidekick girlfriend, Harley Quinn, broke up with the Joker and decided to strike out on her own. When she met Poison Ivy, the two went on a crime spree. As they proved to be surprisingly effective, the Joker tried to get her back with Batman set to take them both down.

This episode teamed up Poison Ivy and Harley Quinn for the first time, a pairing that’s proved so popular that they continued to be partners in the show, and even in the comic book continuity. The two will probably also be partnered on the pending “Gotham City Sirens” movie coming soon. The episode was also fun on its own and way more female-centric than others with a moment where they blew up a car full of catcalling men, making female viewers everywhere cheer.

FEAT OF CLAY

Written by Marv Wolfman and Michael Reaves, and directed by Dick Sebast (Part 1) and Kevin Altieri (Part 2), the two-part episode “Feat of Clay” aired in 1992, introducing Clayface. When the actor Matt Hagen is attacked by mobsters, he is forced to drink an experimental drug that turns him into a clay-like creature, able to change his shape and appearance at will. Calling himself Clayface, he set out to get revenge on the mobster, while fighting Batman who was trying to stop him from going too far.

Once again, the animated series showed a surprising range for action shows at the time with a dark and mature tone, even while staying safe for kids. The scene of Hagen being held down while the thugs poured the Renuyu into his mouth, even in silhouette, stood out as a horrifying scene for any show. The episode also made Clayface a sympathetic villain, reminding us of how the series reached for compassion even in criminals.

TWO-FACE

In 1992, the series aired another two-part episode, “Two-Face.” Written by Randy Rogel and Alan Burnett, and directed by Kevin Altieri, the episodes introduced the villain Two-Face, formerly known as district attorney Harvey Dent. Successful and well-respected by Gotham City, Dent’s face was scarred by acid, which caused his personality to warp. Originally a beacon of justice, he now was a man who flipped a coin to make all his decisions. He used his skills and knowledge to get revenge on the mobster who disfigured him.

Brilliantly voiced by Richard Moll, the episode took the time to introduce the villain Two-Face in two episodes, and also introduced the idea that Dent was schizophrenic before his accident. Setting Bruce Wayne and Dent as friends, it’s more tragic when Two-Face tears them apart. The episode has drama and emotion on a level we had rarely seen in children’s television, let alone a Batman show. Just like the Riddler, the animated series was able to take a classic villain and make him even better.

BEWARE THE GRAY GHOST

In 1992, “Batman: The Animated Series” aired “Beware the Gray Ghost,” an episode (written by Dennis O’Flaherty and Tom Ruegger, and directed by Boyd Kirkland) about an aging actor who once played the superhero known as the Gray Ghost on TV, but was now long forgotten. His life changes when he gets a visit from Batman, who’s trying to track down an old episode because someone is copying a crime committed in it. Along the way, Batman gives the old man his dignity and his heroism back.

The episode delved deeper into Batman’s origin, revealing how his love of a pulp character inspired him to become Batman, something that had never been a part of his past in the comics, arguably but should have been. At his heart, Batman was just a fanboy like all of us. As if that weren’t enough, the episode had the 1960s’ Batman, Adam West, voice the Gray Ghost, bringing him full-circle into the Batman franchise.

THE LAUGHING FISH

In 1993, “Batman: The Animated Series” aired “The Laughing Fish,” where the Joker used a toxin to deform Gotham’s fish with hideous smiles and threatened the patent office to try to copyright them. Written by Paul Dini and directed by Bruce Timm, Batman had to protect the people whom the villain targeted while trying to track down the clown, and the episode ended with Batman fighting a giant shark. It really had everything we wanted from a Joker and Batman story.

“The Laughing Fish” was actually based on three different Batman comics; “The Joker’s Five-Way Revenge” from “Batman” #251 (from 1973 by Denny O’Neil with art by Neal Adams), “The Laughing Fish” from “Detective Comics” #475 and “Sign of the Joker” from “Detective Comics” #476 (1978, both by writer Steve Englehart with art by Marshall Rogers). It was funny and scary with great action sequences, and stands above all other Joker stories in the series, of which there were many.

ALMOST GOT ‘IM

In 1992, “Almost Got ‘Im” first aired, written by Paul Dini and directed by Eric Radomski. The episode was a frame story with five of Batman’s villains (Killer Croc, Penguin, Poison Ivy, Two-Face, and the Joker) all playing a poker game and telling a story of how close they came to killing Batman. The stories they tell range from funny (Killer Croc’s “I threw a rock at ‘im”) to the bizarre (Penguin covering him in nectar so hummingbirds would peck him to death), but all are very entertaining. The episode even had a twist ending.

“Almost Got ‘Im” was like five episodes in one with a wide variety of concepts and tone, giving each villain a chance to shine. The episode even managed to give the origin to the Batcave’s famous giant penny. It was a wonderful chance to show how the “BTAS” was willing to explore different story structures, not just “Batman meets villains and fights them.” No, this show tried to keep it fresh and interesting, and it succeeded in doing exactly that.

HEART OF ICE

Written by Paul Dini, and directed by Bruce Timm, “Heart of Ice” aired in 1992, and was about the origin of the ice-powered villain Mister Freeze. When a series of thefts go down in Gotham City, Batman discovered they were pulled off by Mister Freeze, a man with a gun that instantly freezes anything and is forced to wear a suit that keeps him in sub-zero temperatures. As Batman tried to fight Mister Freeze, he discovered the tragic origin of his enemy.

Throughout his incarnations prior to this episode, Mister Freeze was always a minor villain in Batman’s rogues’ gallery, a gimmick who was overshadowed by more popular villains like the Joker. “Heart of Ice” changed all that with a backstory involving his lost wife who was cryogenically frozen and an accident that gave Freeze his new icy curse while trying to save her. The origin was so moving that it was copied shot-for-shot in the 1997 movie, “Batman and Robin.” It was also a game-changer for “Batman: TAS,” an episode that won the show an Emmy for “Outstanding Writing in an Animated Program.”

What did you think of “Batman: The Animated Series?” Let us know in the comments which episodes were your favorites!

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