#100 b.c
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theancientwayoflife ¡ 1 year ago
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~ Oval gem with bust of Io.
Culture: Greek or Roman
Period: Late Republican or Early Imperial Period
Date: 100 B.C.–A.D. 50
Medium: Glass
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cinemajunkie70 ¡ 2 years ago
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Rest in peace Raquel Welch!
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donmarcojuande ¡ 2 years ago
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RIP, Raquel.
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sharkspez ¡ 5 months ago
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Tumblr Biography: Julius Caesar 🕊️
Born into an 👑 aristocratic family in around 100 BC, Julius Caesar grew up in ⚠️ dangerous times. But would he ⬆️ rise above the 💥 chaos or be 🍽️ consumed by it?
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todaysbird ¡ 5 months ago
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do you have any cool rare corvids
i've tried so hard to answer this question and it just gets deleted every time, Tumblr please let the birds post
NOTE: rarity is subjective. I'm American, so a lot of these birds I've never seen, but that doesn't mean their populations are low or they're hard to find. I took rare to mean infrequently discussed/looked over in this case.
There's 100+ species of beautiful corvids, but hopefully this handful serves as a good sampler :)
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Albino ravens of Vancouver, B.C.; there's a high population density of albino birds here, and birds carrying the genes keep having more albino babies!
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Pied raven, a now-extinct color morph of the Common Raven
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Magpie-jays!!! There's two species, white throated and black throated (this one is black throated), and these guys are total jesters. Masters of silliness. They also live in matriarchal flocks!
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Javan green magpie! there's lots of colorful magpies (greens and blues!!), but I mentioned this fella specifically because they're sadly Critically Endangered at this time.
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PIAPIAC!!! This African species of corvid resembles a lot of crows, but with a smooth, shiny beak & vibrant eyes that can be purple to bright pink!
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Black-collared Jay - a handsome fella, not to be confused with his close relative, the White-collared Jay
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the Unicolored Jay - pretty common in their range in Mexico, but a handsome feller nonetheless
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TUFTED JAY!!! very silly head
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anthropologist-on-the-loose ¡ 8 months ago
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These were from two separate posts but I *NEEDED* them to be united
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Ceramic Crab Vessel with Double Spout from the Calima Region Colombia, 1500 B.C.-A.D. 100. And Porcelain Crab Tureen from Jingdezhen, China, 1736-95.
Beautiful. Magnificent. Two artful hand-crafted serving containers whose creation was separated by at least 1500 years and the largest ocean on the planet. Both with the same glorious form.
Carcinisation is eternal
Original posts from @theancientwayoflife (x) and @hieronymusarchives (x)
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beebopboom ¡ 11 months ago
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Aziraphale’s Flaming Sword
get your mind out of the gutter - seriously it’s gonna get worse
i’m sure someone has already pointed this out and some meta post have been made but I just wanted to infodump about the actual history behind this sword so yeah
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His sword is modeled after the Roman Gladius -or is it the other way around ;) - specifically the Pompeii version - so let’s just get into breaking this sword down
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The Hilt
This type of sword has a three part hilt consisting of a pommel (which is used to counterweight the blade), a grooved wood grip (so your fingers fit better and thus have a stronger grip), and a guard (protects the hands from slipping onto the blade)
The Blade
For the Pompeii version of this sword it has double-edge sides that are parallel and come to a short, strong point - typically it would be made out of steel
Size
Usually ranged from 18-28 inches as it continually got smaller and smaller over the years
The History
(the most widely excepted one at least)
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The Pompeii is actually one of the latest versions of the Roman Gladius so let’s go back to the beginning
The official origins of this sword have been up for debate but as for how it came under Roman influence that is credited to the Punic Wars in 3rd century B.C. (Republican Rome) - specifically to the Iberians who were allies to the Carthaginians and used a short sword that came to be called the “gladius Hispaniensis.” After the wars the Roman army (besides the cavalry) adopted these swords and began to make changes to better suit their needs.
Thus the Mainz-Fulham gladii came to be. It was their first attempts at making this devastatingly destructive sword the perfect sword for their use so they pretty much ended up retaining the shape (wasp-waisted) and only really making it shorter - mainly used to get through chainmail
Then the Pompeii version comes along with new parallel sides and a shorter tip - along with also making the whole sword smaller once again - mainly used to get through plate armor
This sword would then last the Roman legionary and auxiliary infantry until 2nd century A.D. when they are replaced with the spatha
But in the end this sword served the Roman Empire for more than three centuries, in both their Republic and Imperial times - that’s pretty damn impressive
Fighting Tactics
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The Romans are pretty iconic for their tight formations and their Scutum shields
They also carried three different types weapons with them - couple of spears/javelins, a short sword, and a dagger. Obviously we are going to focus on the short sword
Soldiers actually wore their swords on their right side instead of their left because they were in such tight formation they didn’t have room to draw it across their body
With the exception for a Roman Centurion - who were commanders of a unit of about 100 soldiers and 60 of these guys(and their men) made up a Legion - as they wore their swords on the left
Now for what made the gladius so useful to the Romans was that it is mainly a thrusting sword - quick and efficient stabbing - which worked best with their formation but because it was also a double-edged sword it was great at cutting too if their formation ever broke
What they would do is while they were in their formations and trying to advance on the battleground they would take their sword and thrust it beside or above the shield - if they hit their target it more than likely resulted in a fatal injury. Though they weren’t above cutting their opponents at the knees - quite literally because if the opportunity arose they would lift their shields above them and slash at their knees.
It was all a very efficient way of fighting that served them well
obviously this is a very condensed version of a lot of history but it is the Human history behind Aziraphale sword
(and yes this is the type of sword the Roman soldiers have on them at Jesus’s crucifixion)
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egypt-museum ¡ 3 months ago
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"The Bersha Procession", one of 100 wooden models from the tomb of Djehutynakht. This model shows the funerary procession, with offerings of tribute for the deceased. Three women with offerings of food and drink are led by a Priest carrying a wine jug and incense burner. Middle Kingdom, 11th Dynasty, c. 2010–1961 B.C. Deir el-Bersha, Tomb 10, pit A. Tomb of Djehutynakht Now in the Boston Museum of Fine Arts. 21.326
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theancientwayoflife ¡ 10 months ago
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~ Crab Vessel with Double Spout.
Place of origin: Colombia, Calima Region
Period: Ilama Period
Date: 1500 B.C.-A.D. 100
Medium: Ceramics
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thunderlingcloudie0fficial ¡ 1 month ago
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What your favorite Spider-Man(Peter’s) ship says about you
Mary Jane x Peter/Spidey: As basic as this ship is you’re not basic you’re just a logical realistic non-risk-talking probably will name their child Brad person and I am okay with you
Gwen Stacey x Peter/Spidey: You’re really like turning fluff into angst or a bit delusional and probably you’re favorite cinematic Spider-Man is Andrew Garfield,you’re also probably really sweet and kind
MJ(Michelle Jones)/ x Peter/Spidey :You 100% like the Tom Holland movies and don’t care about what anyone says(same) you’re favorite dynamic is ‘She was a punk x He did ballet’ and ‘Tall queen x Short king’ a lot don’t ya? You also like how awkward they were at the start and find it really realistic and relatable which is kinda refreshing for a fictional Hollywood couple in your opinion also if Tom and Zendaya broke up you’ll stop believing in love(MCU Spider-Man or general Mcu fans interact)
Felicia/Black Cat x Pete/Spidey: I know little to no knowledge about this ship but you probably like ‘Are we fighting? Are we flirting’ dynamic(and probably smut)
Wade/Deadpool x Petey/Spidey: You ether like Andrew Garfield’s Spider-Man or a comic fan,you are in love with making everything gay and see no problem with that which is cool,you also like hurt/comfort a lot by that I mean you’re obsessed with it, also insecure Wade and ‘I only care about the inside’ Peter is your Roman Empire(I don’t ship it but the fan base is huge so might as well make the writing huge as well)
Bobby/Ice man x Peter/Spidey: I have little to no knowledge to this ship or Ice man in general to the point I had to search his real name. I know Ice man appeared in a few Spider-Man shows and comics. Came after reading a one Reddit post about their relationship . They might not be as close in the comic but NOTHING will stop you from shipping them
St@rker or Miles x Peter: dni and please stay away from me
Johnny Storm/Human torch x Peter/Webs:oh you’re cool,I like you. You’re a big fan of ‘Rivals to lovers’. You jump up and down when you see a blonde x brunette couple and is ether a ride or die fan since 200 B.C or just came after watching Deadpool and Wolverine. Your also ether a Tom holland movies fan(I love you) or a comic fan ALSo do you prefer them as young adults or teenagers?
Parksborn: You are delusional. VERY delusional. A thing I noticed is this ship is shipped in every version of Spider-Man,heck! Even in the MCU even though there is no evidence of Harry but you still ship it therefore you and your friends delusional mind have yearned my respect bravo. You also live for the ‘Rich boy x Their street rat’ dynamic
Honorable mentions:
Comic: SpideyDevil(Matt x Pete),Flash x Peter(I forgot the name-),Chad x Peter(from Marvel Aventures)
MCU: Parley/Parkner(Harley x Peter)
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skf-fineart ¡ 4 months ago
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Statue of a Victorious Youth, Greek, 300–100 B.C.
Bronze with inlaid copper
59 5/8 × 27 9/16 × 11 in., 142 lb.
The J. Paul Getty Museum, Villa Collection, Malibu, California
A naked youth stands with his weight on his right leg, crowning himself with a wreath, probably olive. The olive wreath was the prize for a victor in the Olympic Games and identifies this youth as a victorious athlete. The eyes of the figure were originally inlaid with colored stone or glass paste, and the nipples were inlaid with copper, creating naturalistic color contrasts. Found in the sea in international waters, this statue is one of the few life-size Greek bronzes to have survived; as such, it provides much information on the technology of ancient bronze casting. 
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blueiscoool ¡ 7 months ago
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European Court Upholds Italy's Right to Seize Greek Bronze from Getty Museum
A European court on Thursday upheld Italy’s right to seize a prized Greek statue from the J. Paul Getty Museum in California, ruling that Italy was justified in trying to reclaim an important part of its cultural heritage and rejecting the museum’s appeal.
The European Court of Human Rights, or ECHR, determined that Italy’s decades-long efforts to recover the “Victorious Youth” statue from the Malibu-based Getty were not disproportionate.
“Victorious Youth,” a life-sized bronze dating from 300 B.C. to 100 B.C., is one of the highlights of the Getty’s collection. Though the artist is unknown, some scholars believe it was made by Lysippos, Alexander the Great’s personal sculptor.
The bronze, which was pulled from the sea in 1964 by Italian fishermen and then exported out of Italy illegally, was purchased by the Getty in 1977 for $4 million and has been on display there ever since.
The Getty had appealed to the European court after Italy’s high Court of Cassation in 2018 upheld a lower court’s confiscation order. The Getty had argued that its rights to the statue, under a European human rights protocol on protection of property, had been violated by Italy’s campaign to get it back.
The court ruled Thursday that no such violation had occurred.
“This is not just a victory for the Italian government. It’s a victory for culture,” said Maurizio Fiorilli, who as an Italian government attorney had spearheaded Italy’s efforts to recover its looted antiquities and, in particular, the Getty bronze.
The Getty has long defended its right to the statue, saying Italy had no legal claim to it.
Among other things, the Getty had argued that the statue is of Greek origin, was found in international waters and was never part of Italy’s cultural heritage. It cited a 1968 Court of Cassation ruling that found no evidence that the statue belonged to Italy.
Italy argued the statue was indeed part of its own cultural heritage, that it was brought to shore by Italians aboard an Italian-flagged ship and was exported illegally, without any customs declarations or payments.
After years of further legal wrangling, an Italian court in Pesaro in 2010 ordered the statue seized and returned, at the height of Italy’s campaign to recover antiquities looted from its territory and sold to museums and private collectors around the globe.
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Thursday’s ruling by the Strasbourg, France-based ECHR was a chamber judgment. Both sides now have three months to ask that the case be heard by the court’s Grand Chamber for a final decision. But Thursday’s ruling was unanimous, with no dissenting judges, and the Grand Chamber can refuse to hear the case.
There was no immediate comment from the Getty, and its lawyers referred comment to the museum.
Italian Culture Minister Gennaro Sangiuliano praised Thursday’s decision as an “unequivocal ruling” that recognized the rights of the Italian state and its ownership of the statue.
“Following today’s ruling … the Italian government will restart contacts with U.S. authorities for assistance in the implementation of the confiscation order,” he said.
In a statement, he doubled down on Italy’s campaign to bring its looted treasures home, and noted that recently Italy has ceased cooperation with foreign museums that don’t recognize Italian legal confiscation orders.
Recently, Italy banned any loans to the Minneapolis Institute of Art following a dispute over an ancient marble statue believed to have been looted from Italy almost a half-century ago.
The Getty had appealed to the ECHR by arguing, among other things, that Italy’s 2010 confiscation order constituted a violation of its right to enjoy its possessions and that it would be deprived of that right if U.S. authorities carried out the seizure.
The ECHR however strongly reaffirmed Italy’s right to pursue the protection of its cultural heritage, especially from unlawful exportation.
“The court further held that owing, in particular, to the Getty Trust’s negligence or bad faith in purchasing the statue despite being aware of the claims of the Italian state and their efforts to recover it, the confiscation order had been proportionate to the aim of ensuring the return of an object that was part of Italy’s cultural heritage,” said the summary of the ruling.
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It wasn’t immediately clear what would happen next, though Fiorilli said the Getty had exhausted legal remedies and it’s now for U.S. the courts to enforce the Italian confiscation order.
“It’s not about guaranteeing the right to property, it’s about guaranteeing the internationally recognized value of every nation’s right to protect its cultural patrimony,” Fiorilli told The Associated Press over the telephone.
The statue, nicknamed the “Getty Bronze,” is a signature piece for the museum. Standing about 5 feet (1.52 meters) tall, the statue of the young athlete raising his right hand to an olive wreath crown around his head is one of the few life-sized Greek bronzes to have survived.
The bronze is believed to have sunk with the ship that was carrying it to Italy after the Romans conquered Greece. After being found in the nets of Italian fishermen trawling in international waters in 1964, it was allegedly buried in an Italian cabbage patch and hidden in a priest’s bathtub before it was taken out of the country.
Italy has successfully won back thousands of artifacts from museums, collections and private owners around the world that it says were looted or stolen from the country illegally, and recently opened a museum to house them until they can be returned to the regions from where they were looted.
The most important work to date that Italy has successfully brought back is the Euphronios Krater, one of the finest ancient Greek vases in existence. The Metropolitan Museum of Art in New York, which purchased it for $1 million in 1972 from an art dealer later accused of acquiring looted artifacts, returned it to Italy in 2008.
In 2010, the same year that Italy ordered the “Victorious Youth” statue confiscated from the Getty, a criminal trial ended in Rome against the Getty’s former curator of antiquities, Marion True. After years of trial, the Rome court ruled that the statute of limitations had expired on charges that True received stolen artifacts. She has denied wrongdoing.
In 2007, the Getty, without admitting any wrongdoing, agreed to return 40 ancient treasures in exchange for the long-term loans of other artifacts. Similar deals have been reached with other museums.
Under the 2007 deal, the two sides agreed to postpone further discussion of “Victorious Youth” until the court case was decided.
By Nicole Winfield.
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tylermileslockett ¡ 7 months ago
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"Atalanta and the Argonauts" (#5)
When the call went out to Greece’s greatest heroes, for fame and glory, to join Jason and his quest for the Golden fleece, only the bravest answered the call. Heroes like Hercules, Orpheus, Telamon, Peleus, and yes, Atalanta mustered her courage and journeyed to join them.
Appollonius of Rhodes wrote the epic poem “Argonautica” about Jason’s quest for the golden fleece around the 3rd century B.C. based on a much older tale, (referenced in Homer and Pindar). Apparently Appollonius elevated the romantic relationship between Jason and Medea, which in turn inspired latin poetry and Virgil’s Aeneid. In Appollonius tale, Atalanta shows up to join the Argonauts, but Jason turns her away, fearing having such a beautiful woman on board would cause conflict between his men. However, In Appollodorus “Library” (1-2nd century A.D.)  he lists Atalanta as being one of the heroes who accompany Jason for the Golden fleece. Unfortunately, there are no surviving versions where we see the entirety of the journey with Atalanta involved, which begs the question; what would the adventure be like if Atalanta joined?
On the topic of sea quests, lets take a quick look at ancient Greek seafaring. The Argo ship is portrayed as a sort of Trireme (ancient warship with three rows of oars and curved prow). Developments in astronomy helped ancient sea sailors navigate through constellations like Ursa Minor (little dipper) , as well as moon cycles and eclipses. They also used “sounding weights” to measure sea depths, which helped to inform distances to land. There is evidence from around 100 B.C. of an ancient “Orrery” (solar model) tool for celestial navigation called the Antikythera Mechanism. This ingenious, hand-powered device contained gears and could predict and track astronomical positions and eclipses.
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judaismandsuch ¡ 5 months ago
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A bit about Minhagim (particularly in relation to the terms Sephardic, Ashkenazi, Yemmeni, Mizrahi, Beta Yisrael, etc.)
I saw this post, and I realized that what I take for granted knowledge wise may not be so, and people rarely talk about the intricacies of Minhagim.
(btw, what I am saying applies to all the different groups but for the rest of the post I'll be mainly using the Sephardic and Ashkenazi b.c. I am lazy)
We use the terms "Ashkenazi" and "Sefardic" (etc.) to refer to where our ancestors came from (or more likely lived in 1500s or so), which is fine! But that not 100% accurate. Or at least it would be more accurate to say that that is a secondary meaning that is used a lot, but there is a primary meaning which can get confusing.
The primary meaning of these terms is "Which bundle of Minhagim do you follow?"
Now seeing as minhagim are traditions that carry the weight of a law, usually it is your ancestry, but not always!
We will take 2 obvious cases first, then talk about some other ones:
First Someone who converted. Now obviously since they converted they have no (halachically) relevant Jewish traditions. So what do they take? One might be tempted to say "whatever area their ancestors were from" but honestly that makes no sense. They don't have a tradition from those people, just geographical happenstance.
Rather they are to take on the traditions of the community/location where they converted. So a Polish person might become Sephardic, or a Italian person Ashkenazi.
The Second is marriage. When people get married (with some exceptions) the wife is supposed to take on the husbands traditions (don't @ me, we can discuss gender in Judaism another year). So, a Ashkenazi woman who marries a Sephardic man is now Sephardic (though they would usually say that they follow Sephardic customs to avoid confusion).
And it is worth noting that many people keep their exes traditions even after getting divorced.
Now to some more interesting ones:
A Jew who was raised not religious in any way has no tradition! So if they become religious later in life, they can take on any minhag they desire. Usually they do end up taking their ancestral one, or the one of the community they live in, but there is no need! (lpt for those becoming religious: 1 hour between meat and milk is a valid minhag that you can take!)
And finally: Moving. If a Ashkanzi Jew moves to a purely Sephardi area, they are obligated to take on Sephardic customs! This is actually the big one, all the others kinda fall from it, but on the other hand it is basically not applicable anymore.
Way back when, when travel was a big deal, you would probably be the only Sephardi in Poland, so you couldn't really keep it.
Nowadays that basically everywhere is uber multicultural that ruling isn't applicable, but still interesting!
N.B. Not my best write up, I may redo it completely later
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prettyoddfever ¡ 2 months ago
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Local God doesn't fit Ryan Ross
I'm still getting a couple questions about this, so let's go through each line in the beginning of the song...
In 1998, you bought a B.C. Rich: Here's how Ryan described his actual first guitar that his dad bought as a present around 1999 (the year was generally ballparked in interviews): "I kept begging my dad for a guitar. I picked out an off-brand, a Harmony, I think, out of the Sears Christmas catalog. It came with a battery-powered amp. It was $100 for everything." That is such a far cry from a B.C. Rich.
You were a master shredder from the jump: Just no. Ryan told Ultimate Guitar that "In the beginning, probably about the first year, I just tried to do it on my own. It was really, really frustrating. So I took lessons for a little while." And the songs he was trying to play in the early years were easy. Spencer told Drum Magazine in 2007 that “blink-182 was a great band for Ryan to play to because the guitar parts were all three-chord songs. But Travis Barker’s drum parts were so far musically beyond that – it was just frustrating.”
Blew them all away with the Ritalin kids while I was shedding through my sophomore slump: None of this applies. Ryan & Spencer were basically just messing around in a garage for years. Here's Spencer reminiscing: “I set up my drum kit in my parent’s garage. Ryan would then come over and he’d bring his first little 25 watt amp with him and we’d go from there. We’d cover songs, try and write our own; it was great fun. A couple neighbors came over and complained about the noise... As long as we didn’t play too late, most people were really cool about it." Spencer talked about how they came up with original material that was "20 or 25 songs that were just horrific sounding, just horrible.” Ryan said that “they were some pretty terrible songs!" In late 2003 their band was trying to get into a small local battle of the bands, but meanwhile some of their peers like Kyle Lobeck were in solid bands that were playing actual shows (ex: Brown Eyed Deception). The Summer League wasn't in that scene.
You had so many chances to become a star, But you never really cared about that: Yeah he didn't seek fame itself, but he absolutely cared about the big chances that were presented to P!ATD because being bigger & more famous would allow the band to do what they wanted. So this one is iffy idk.
And all of this is just taking Local God at surface value without looking at the context of where it falls in the album. Viva Las Vengeance was brilliantly done in my opinion. The songs are deliberately arranged to tell a story, and Maggie symbolizes so much. It doesn't make sense to me for Local God to be about Ryan. I mentioned more in this post about how song lyrics are up for interpretation, though, so that's just my opinion.
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lexezombie ¡ 8 months ago
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So, any fellow Lute/Adam enjoyers? Angst enjoyers? or perhaps even Nextgen enjoyers--
I don't think I posted ALL of my nextgens for Hazbin, but I did post a few so ig this one can go next (sorry it's more doodled than clean lined lol)
This is Harp! (or Mockingbird)
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If it's not obvious, she's the daughter of Adam + Lute -- tho cus I like making ocs suffer, angst and my own AUs; she's been kicked out of Heaven
her whole thing takes place in the same little AU world my Sinner!Adam is in
some notes:
Lute named her (Harp)
She was born a little bit after Niffty killed Adam (if you can't see the age near her name, she's 13)
Was raised heavily militarized
Lute never told Heaven that she's Harp's mother
Lute also never told Harp that Adam is her dad, but she did talk about him
She had a huge fight with her mom and was thrown out of Heaven by her
The only reason she even found out Adam is her dad was because Lute commented on how much she looked like him during the fight
The cheek scars are from the fight (as is the missing wings)
She cut her own hair not long after being thrown to Hell
She looks so much like Lute post-haircut that Adam almost mistook her for Lute once they met in Hell
She 100% listens to P!nk lol
Mockingbird is actually what Adam calls her (it's based on a guitar; B.C. Rich Mockingbird to be exact)
I like to think her and Vaggie could bond given their similar circumstances with Lute (and the fashion taste...)
She'll probably grow up to be a She/He GNC Bisexual Woman <3
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