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Mahavidya: Names Of The 10 Really Powerful ┬аMahavidyas.
Whether seeking wisdom, protection, spiritual progress, or material fulfilment, the Mahavidyas offer a path to connect with the divine and explore the vastness of Sanatana Dharma.
Introduction to Dasa Mahavidyas Sanatana Dharma, or Hinduism, is rich with profound spiritual traditions and deities that embody various aspects of the divine. Among these, the Dasa Mahavidyas, or the Ten Great Wisdom Goddesses, hold a special place. Each Mahavidya represents a unique aspect of the divine feminine energy and offers a distinct spiritual path for seekers. In this blog, we willтАж
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Ma Kali & Kali Mantra: Meaning, Significance, and Benefits ЁЯк╖ЁЯкмЁЯз┐
Goddess Kali is the divine protector of the earth who is also known as Kalika in Hinduism. But due to the goddess' destructive power, Kali is also known as the Dark Mother. As per mythology, the word Kali comes from the Sanskrit word Kala, which means time. Goddess Kali, therefore, represents time, change, power, creation, preservation and destruction. The word Kali also means тАЬthe black oneтАЭ, the feminine noun of the Sanskrit adjective Kala. As per spiritual texts, Goddess Kali is considered a fierce form of Durga/Parvati and the consort of Lord Shiva. Besides being a destructor of bad powers of the universe, Kali ma is also a great giver to those who do good deeds and worship her with utmost devotion. Hence pleasing Kali ma allows the native a lot of compassion and blessings.
As per mythology, Kali maa is the first of the 10 Mahavidyas or manifestations of the Great Goddess. She is usually portrayed in a form where she dances or stands on her consort God Shiva, who lies calm and prostrated beneath her. Kali Maa is worshipped throughout the country but majorly in the seas of Bengal, Assam, Kashmir, Punjab, Himachal Pradesh, Kerala and Tamil Nadu, along with Nepal and Sri Lanka.
Over the centuries, the Goddess Kali has taken many forms to protect the Dharma and religion and destroy the one who commits sins. Astrologers say that Maa Kalika is the most awakened goddess in Hinduism and has walked the earth in four forms тАУ Dakshina Kali, Shamshan Kali, Mother Kali and Mahakali. All these forms have served different purposes, right from Raksha Slaughter to the healing of the earth and its natives.
Kali Mantra
Story behind the destructive form of Maa Kali
There was a notorious asura named Daruk who had pleased Brahma and thus was rewarded a boon. The boon allowed the asura to cause grief to the Gods and Brahmins. If this wasn't enough, Daruk also started setting his kingdom in heaven. Seeing this, all the Gods reached out to Brahma and Vishnu, where they were told only a lady can kill the evil Daruk.
Hearing this, all the Devtas donned a female form and went to fight Daaruk, only to get defeated by him. Post the failure, the Gods reached the Kailash mountain to share the ordeal with Lord Shiva. After listening to the Gods, Lord Shiva looked at Maa Parvati and said, "hey Kalyani I pray to destroy the evil Daruk and save the world." Listening to this, a part of Mother Parvati entered Lord Shiva.
That part of Bhagwati Mata entered the body of Lord Shiva and due to the poison in the throat of Shiva, Bhagwati Mata turned into a black Goddess. Lord Shiva felt that part inside of him and opened his third eye and appeared as Goddess Kali in a fierce form.
Just like Shiva, Maa Kali had a third eye and a lunar line. The throat had a sign of Karla poison, and she carries a trident. Seeing the fierce form of Mother Kali, Gods and Siddhas started fleeing. With the mere hum of Maa Kali, all the Asura army including Daruk was burnt to ashes. Yet, the fierceness of Kali wasn't over. The motherтАЩs anger began to burn the whole world. To save the world from the wrath, Shiva took the form of a child and appeared in front of Kali.
When mother Kali saw that child Shirupi, she became fascinated by that form. She embraced Shiva and started feeding him with her breasts. Soon, Maa Kali became unconscious due to Shivji drinking the wrath of mother Kali. In order to bring the Goddess into consciousness, Shivji performed Shiva Tandava. When mother Kali came back to her senses, she saw Shiva dancing and joined him, due to which she was also called Yogini.
The two forms of Goddess Kali
In Hinduism, Goddess Kali is mainly portrayed and worshipped in two forms. The first is the four-armed form, and the second is the 10-armed form, which is also known as Mahakali. Both these forms have different meanings attached to them.
Four-armed form
The Indian art portrays the four-armed Kali in black or blue colour. The eyes of Kali are red in colour which depicts rage. Her hair is shown dishevelled, small fangs sometimes protrude out of her mouth and her tongue is lolling. The Goddess wears a skirt made of human arms and a garland which is made of human heads. The four-arm form of kali stands on the calm and prostate Shiva. All her four hands hold a different thing, mainly a sword, a Trishul (trident), a severed head, and a bowl or skull-cup (kapala) catching the blood of the severed head.
In her left hands, Kali holds a sword and a human head. Here, the sword signifies divine knowledge, meanwhile the human head signifies the human ego, which must be slain by divine knowledge in order to attain moksha.
The right hands of Maa Kali holds the Abhaya (fearlessness) and Varada (blessing) mudras, which means her devotees will always be saved as she will guide them during and after life.
The Goddess also dons a garland consisting of human heads, variously enumerated at 108 or 51, which is why she is known as the mother of all the mantras in astrology.
The ten-armed form
The ten-armed form of Kali is her Maha Kali form. In her Maha Kali form, she is depicted as shining like a blue stone. Maha Kali has as many as ten faces, ten feet and three eyes for each head. All her ten hands carry various components, each of which represents the power of one of the Devas or Hindu Gods. This power is depicted in the form of the weapons that Maha Kali carries. The implication is that Mahakali is responsible for the powers that these deities possess and the implication is in line with the interpretation that Mahakali is identical to Brahman.
At times, people also tend to worship the тАЬek mukhiтАЭ or one-headed idol of Maha Kali displayed with ten arms, signifying the same concept.
The power tools of Kali are the Kundalini Shakti (the power of spiritual electricity); the Kriya Shakti, the power to creatively affect the universe; and Iccha Shakti, the power of will that personally compels our physical movements and actions, while in the universe it causes the galaxies to rush away from one another into the cosmic night. The chanting of various mantras helps the native have these energies for themselves.
How to chant the Kali mantras
Goddess Kali represents the colour black, and hence darkness appeals to her. This is how you should chant the Kaali Mantras.
Although Kaali Mantra can be chanted in the morning, hours after sunset are more feasible to recite these mantras.
It is best that you chant the Kaali Mantra on a new moon day (Amavasya). Wear the colour Red during the Maa Kali mantra recitation or Puja as Red is the colour that appeases the Goddess.
Also, if you plan to keep an idol or picture of Goddess Kali while reciting the mantra, you must make sure to keep it on a red cloth.
When reciting the Mantras, offer red flowers, fruits and sweets to Maa Kali. Always sit facing the East or North direction when reciting the Kali mantras.
As soon as you begin the recital, you will feel a certain vibration filling your being with strength and confidence.
Any Kali mantra you pick up, it is advised that you chant the Kaali mantra for 40 days to gain all its benefits.
For better benefits, don't eat non-vegetarian food or avoid eating onion and garlic as well.
Important Kaali Mantra
1. Kali Beej Mantra
Kreem is the Ekakshari beej mantra associated with Goddess Kali. As such, the beej mantra doesn't have a specific meaning, but it represents the vibrations that aid the spiritual and mental state of the mind. Chanting the Kali beej mantra connects the native with the energies of Goddess Kali. These transformational energies help the native in fighting evil forces around and within him. It is said that chanting the Kali beej mantra with utmost devotion grants different things - right from devotional to material - to the native depending upon the quality of his or her mind.
The Kali Beej mantra is:
|| реР рдХреНрд░реАрдВ рдХрд╛рд▓реА ||
Om Krim Kali
Meaning- K stands for full knowledge,
R means she is auspicious,
I mean she bestows booms, and
M means that she gives freedom.
тАШSalutation to the Supreme.тАЩ
Benefits of chanting the Kali Beej mantra
As per astrologers, the Kali beej mantra chanting protects one from all the evil forces.
Also, chanting the Kali beej mantra with full devotion fulfils all your desires and brings positivity to the environment you reside.
The mantra is also recited to uplift the confidence of the native.
Best time to recite the Kali beej mantra After sunset
Number of times to chant this mantra 108 daily for 40 days
Who can recite the Kali beej mantra? Anyone
Chant this mantra facing East or North direction
2. Kali Mantra
Although Goddess Kali looks frightening, she always tends to listen to her devotees' prayers as she is very fond of them. The prayers are better communicated to the Goddess if the devotee chants the Kali Mantra when praying to Goddess Kali. The Kali mantra mentioned below is said to heal the native of his worries and brings him closer to God. The Kali mantra is simple and transforms the devotee to Pure consciousness to help him make better decisions in life.
The Kali Mantra is:
|| реР рдХреНрд░реАрдВ рдХрд╛рд▓рд┐рдХрд╛рдпреИ рдирдордГ ||
Om Kring Kalikaye Namah
Meaning- This mantra is a sound representation of the Mother.
Benefits of chanting the Kali mantra
As mentioned above, the Kali mantra helps in transforming the devotee into pure consciousness, meaning the chanting helps in making his mind clutter-free.
The chanting of this Kali mantra rewards the native with utmost wisdom and knowledge.
The mantra relives one of all sorts of emotional pain. If you are having a hard time controlling your emotions, this mantra is very useful for you.
The mantra is said to bring the native unmatched courage.
Best time to recite the Kali mantra After sunset
Number of times to chant this mantra 108 daily for 40 days
Who can recite the Kali mantra? Anyone
Chant this mantra facing East or North direction
3. Maha Kali mantra
The Maha Kali mantra is not used much due to its purgative nature. However, the one who properly knows how to use the mantra can benefit from the unmatched courage and strength the mantra recitation promises to deliver. Maha Kali is the great divine form of Maa Kali and bestows the natives with the power to accept things around him and change accordingly. If you chant this mantra on a regular basis, you will end up feeling a thrust of positive vibrations around you, which will prompt you to make things happen for you.
The Maha Kali mantra is:
|| реР рд╢реНрд░реА рдорд╣рд╛ рдХрд▓рд┐рдХрд╛рдпреИ рдирдордГ ||
Om Sri Maha Kalikayai Namah
Meaning - I bow my head to the Divine dark goddess Mother, Kali or I salute the Divine Mother, Kali.
Benefits of chanting the Maha Kali mantra
One must appease the Divine Mother by chanting this mantra in her honour in order to obtain her grace.
The Maha Kali mantra acts like a shield that saves anyone against the tough times ahead of him.
Reciting the Maha Kali mantra brings stability to the life, and helps the native better decide what is right and what is wrong for him.
Best time to recite the Maha Kali mantra After sunset
Number of times to chant this mantra 108 daily for 40 days
Who can recite the Maha Kali mantra? Anyone
Chant this mantra facing East or North direction
4. Kalika-Yei Mantra
Some problems in our life are just way too complex. The complexity is such that they keep us on our toes, barring us from enjoying and living life as it is meant to be. The Kalika-Yei mantra is for such problems. The mantra is especially useful for students and working professionals who constantly are under the stress of life, finding it hard to manage their personal and professional goals. The mantra also aids problems, doesn't matter how big.
The Kalika-Yei Mantra is:
|| реР рдХрд▓рд┐рдВ рдХрд╛рд▓рд┐рдХрд╛-рдпрд╝реЗрдЗ рдирдордГ ||
Om Klim Kalika-Yei Namaha
Meaning - Hail to the Goddess Kali, bless us with a conscious and insightful mind. Make us intelligent and wise.
Benefits of chanting the Kalika-Yei mantra
As mentioned above, the Kalika-Yei mantra is believed to bring relief from all kinds of problems, no matter how complex it is.
The mantra chanting is really useful for students and working professionals and helps them do better in life.
The mantra is protective of your life. It saves you from the danger of bad eye/buri nazar and hence keeps your progress intact.
Best time to recite the Kalika-Yei mantra After sunset
Number of times to chant this mantra 108 daily for 40 days
Who can recite the Kalika-Yei mantra? Anyone
Chant this mantra facing East or North direction
5. Kali Gayatri Mantra
The Kali Gayatri mantra is one of the most useful mantras if you seek quick success in life. For the natives struggling at growing in their careers, the Kali Gayatri mantra comes to the rescue as its vibrations fill the native with positive energies. The mantra provides success, well-being and happiness to the native.
The Kali Gayatri mantra is:
|| реР рдорд╣рд╛ рдХя┐╜я┐╜рд▓реНрдпреИ
рдЫ рд╡рд┐рджреНрдорд╣реЗ рд╕реНрдорд╕рди рд╡рд╛рд╕рд┐рдиреНрдпреИ
рдЫ рдзреАрдорд╣рд┐ рддрдиреНрдиреЛ рдХрд╛рд▓реА рдкреНрд░рдЪреЛрджрдпрд╛рдд ||
Om Maha Kalyai
Cha Vidmahe Smasana Vasinyai
Cha Dhimahi Tanno Kali Prachodayat
Meaning - Om Great Goddess Kali, the One and only one, who resides in the Ocean of Life and in the Cremation Grounds that dissolve the world. We focus our energies on you, may you grant us boons and blessings.
Benefits of chanting the Kali Gayatri mantra
As the native chants the kali Gayatri mantra, his mind becomes divinely transformed and passes from the gross state of worldly affairs into KaliтАЩs subtle light of pure consciousness.
The Kali Gayatri mantra helps the native in accomplishing tasks successfully.
The mantra recitation is said to free the native from all fears of life to help him take the needed step.
Best time to recite the Kali Gayatri mantra After sunset
Number of times to chant this mantra 9 times daily for 40 days
Who can recite the Kali Gayatri mantra? Anyone
Chant this mantra facing East or North direction
6. Dakshina Kali Dhyan Mantra
Dhyan is a state of mind which helps you connect with the divine in numerous ways. Also called the Karpuradi Stotra, the regular chanting of the Dhyan mantra aids the native to connect with the energies of Maa Kali, which are fearfulness, courage, boldness, valour and more. However, to have the best of this mantra, the native needs to chant the Dakshina Kali Dhyan mantra regularly and with the correct pronunciation.
The Dakshina Kali Dhyan mantra is:
|| реР рд╣реНрд░реАрдВ рд╣реНрд░реАрдВ рд╣реНрд░реБрдВ рд╣реНрд░реБрдВ рдХреНрд░реАрдВ рдХреНрд░реАрдВ рдХреНрд░реАрдВ рджрдХреНрд╖рд┐рдгрдХрд╛рд▓рд┐рдХреЗ рдХреНрд░реАрдВ рдХреНрд░реАрдВ рдХреНрд░реАрдВ рд╣реНрд░реБрдВ рд╣реНрд░реБрдВ рд╣реНрд░реАрдВ рд╣реНрд░реАрдВ ||
Om Hreem Hreem Hrum Hrum Kreem Kreem Kreem Dakshina Kalike Kreem Kreem Kreem Hrum Hrum Hreem Hreem
Meaning - Salutations to the Goddess who is the preserver of earth and saves the universe from all kinds of troubles.
Benefits of chanting Dakshina Kali Dhyan mantra
Recitation of this mantra releases you from the binding web of adult pretence.
Dakshina Kali Dhyan mantra energises you with positive energy so that you can achieve your goal no matter how tough.
The chanting of the Dakshina Kali Dhyan mantra brings peace, happiness, and satisfaction to the native.
Best time to recite the Dakshina Kali Dhyan mantra After sunset
Number of times to chant this mantra 9 times daily for 40 days
Who can recite the Dakshina Kali Dhyan mantra? Anyone
Chant this mantra facing East or North direction
7. Kali Chants
Apart from Kali mantras, there are also some Kali Chants a native can chant to seek the blessing of Goddess Kali.
The Dakshina Kali Dhyan mantra is:
реР рдХрд╛рд▓реА, рдХрд╛рд▓реА! реР рдХрд╛рд▓реА, рдХрд╛рд▓реА!
рдирдореЛрд╕реНрддреБрддреЗ, рдирдореЛрд╕реНрддреБрддреЗ, рдирдореЛ!
рдирдореЛрд╕реНрддреБрддреЗ, рдирдореЛрд╕реНрддреБрддреЗ, рдирдореЛ ||
Om Kali, Kali! Om Kali, Kali
Namostute, namostute, namo
Namostute, namostute, namo
рдЖрдирдВрдж рдорд╛рдВ рдЖрдирдВрдж рдорд╛рдВ рдХрд▓рд┐
рдЖрдирдВрдж рдорд╛рдВ рдЖрдирдВрдж рдорд╛рдВ рдХрд▓рд┐
рдЖрдирдВрдж рдорд╛рдВ рдЖрдирдВрдж рдорд╛рдВ рдХрд▓рд┐
реР рдХрд╛рд▓реА рдорд╛рдБ ||
Ananda Maa Ananda Maa Kali
Ananda Maa Ananda Maa Kali
Ananda Maa Ananda Maa Kali
Om Kali Maa
Overall benefits of Chanting the Kali mantras
The Kali mantras are one of the most powerful mantras in astrology and thus hold the capability to protect you from the hexes.
The Kali mantra chanting resonates with vibrations that calm you down and help you in attaining peace.
Reciting the Kali mantra awakens the inner consciousness of the person, and thus brings stability to his or her life.
Chanting the Kali mantra helps you maintain cordial and harmonious relations with your family and loved ones.
If you chant the Kali mantra regularly and with full devotion, the Goddess shall bring an end to all your sufferings.
Chanting the mantra on a regular basis safeguards the native from the disasters that may bestow upon his health, wealth and happiness.
The regular chanting of the Kali mantra gives you strength thereby making you more powerful than the problems you face.
The chanting of the Maa Kali mantra helps in making your life more radiant. You shall feel the positive vibes if you chant these mantras on a regular basis.
The mantras aid the native's financial position and help in removing all debts.
In terms of love life too, reciting the Kali mantra can help in resolving issues surrounding your love life and can help you in achieving success all the way.
It provides success, happiness, progress, and well-being.
The chanting of the mantra, and the vibrations that release from it, help in uplifting your health.
The Kali mantras ward away the bad eye and any evil that attempts to stop your growth in life.
The Mantras help you to find a good match for matrimonial purposes. Chanting of Kali Mantra ensures any delay in marriage is resolved.
The chanting of Goddess Kali Mantra brings stability to life. You can decide what is good for your life. You always end up with good decisions.
I hope you enjoyed this blog more to follow shortly,
Culture CalypsoтАЩs Blog ЁЯк╖ЁЯкмЁЯз┐
#ma kali#hinduism#Indian#shiva#spiritualjourney#goddess#dark goddess#deity#my blogs#spirituality#religion#parvati
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Kali is only temperamental and wrathful because she is hungry, and she represents the unsatisfied and unfulfilled wife that is the red, dry, cracked, earth awaiting the cooling rainfall that is the semen of her partner. A man has the spiritual duty to satisfy his lawful spiritual wife to the fullest, and to really do this, he has to offer her his "head", that is to say his entire ego and intelligence, which has its origin in his semen. His cosmic wife is satisfied by nothing less than absorbing every drop of his sexual energy, which is his own mind and consciousness, containing him totally as his energetic Universe (as in the origin story of the 10 Mahavidyas where she projects in every direction and so becomes his entire reality and all of his perception).
тАУ Claire Nakti
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Who is Lalita Mata, how did she originate?
It is told in Brahmanda Purana that taking the name of Lord Shiva once gives the same result as taking the name of Maha Vishnu a thousand times.┬аSimilarly, taking the name of Mother Lalita once gives results equal to taking 1000 names of Lord Shiva.┬аLet us know what we will know in today's article:-
1. Who is Lalita Mata?
2. How did Lalita Mata originate?
3. Mantra of Lalita Mata and 10 Mahavidyas
4. Benefits and advantages of reciting Lalita Chalisa
1. Who is Lalita Mata?
Lalita is the form of Mother Goddess Sati-Parvati.┬аLalita Mata is also known as Tripura Sundari, Shodashi and Lalita Tripurasundari.┬аMata Tripura Sundari is one of the 10 Mahavidyas.
There are three forms of Mother Lalita.┬аTripura Sundari in the form of an 8 year old girl, Shodashi at the age of 16 and the young form of mother Lalita is known as Tripura Sundari.┬аMother Lalita Tripura Sundari is expert in 16 arts, that is why she is also called Shodashi. Lalita Mata's birth anniversary is celebrated every year on the full moon date of Magh month.┬аDuring Navratri, Lalita Panchami fast is observed along with Skandamata on the fifth day of Navratri.┬аIt is also called Upang Lalita Vrat. According to the Puranas, Lalita Mata has two arms.┬аThis mother is of fair complexion and is seated on a bloody lotus.┬аAccording to the Dakshinamargi scriptures, Goddess Lalita has the place of 'Chandi'.┬аTheir method of worship is similar to that of Goddess Chandi.┬аThe meditative form of Goddess Lalita is very bright and luminous. Lalita Mata can be worshiped anytime but worshiping her on Lalita Jayanti or Lalita Panchami has special significance.┬аOn the day of Lalita Jayanti, there is a crowd of devotees of Mother Goddess in the temples.┬аSkandamata and Lord Shiva are also worshiped on this day.
By worshiping Goddess Lalita, devotees attain happiness, prosperity and salvation.┬аPeople become free from the bondage of life and death.
Lalita Mata's name comes third among the 10 Mahavidyas.┬аThe fast of Lalita Panchami is considered very auspicious and auspicious.┬аIt is believed that the person who worships Lalita Devi with true heart and full devotion gets the special blessings of Lalita Mata.┬аRegarding this fast, Lord Shri Krishna has said that this fast is going to give happiness and wealth.┬аThose who are childless get the happiness of having children.┬аThis fast is observed to pray for the happiness and long life of the child. Next we will know the mantra of Lalita Mata and which are the 10 Mahavidyas.┬аBut before that let us know the origin story of Lalita Mata.
2. How did Lalita Mata originate?
In the Puranas we find two stories about the origin of Lalita Mata.┬аAccording to the story of Devi Purana, the story of origin of Lalita Mata is related to the sacrifice (death) of Mother Sati.┬аWho is Goddess Sati?┬аLet us know how the story of mother Lalita's origin is connected with her death.
Sati Ji, the incarnation of Mother Adishakti, is the daughter of Maharaj Daksh.┬аWhen Sati saw Lord Shiva, she became fascinated by him and decided to marry him.┬аDespite Maharaj Daksh not wanting, he married Sati to Lord Shiva.
Although Maharaj Daksh married Sati to Lord Shiva but he was not satisfied with that marriage.┬аMother Sati married as per her wish.┬аDaksh did not like anything about Shivaji's behavior or attire.
Brahma Ji gave Maharaj Daksh the post of guardian of the people i.e. Prajapati.┬аAfter getting the post of Prajapati, Maharaj Daksh became more arrogant.┬аOften the attainment of great authority leads to arrogance in the mind.┬аWho is like this in the world?┬аOne who is not intoxicated by attaining dominance. Once Brahma ji organized a religious assembly to formulate the religion.┬аGreat sages and gods were present in this religious gathering.┬аLord Shiva was also present in that meeting.
When Daksh Prajapati arrived there, all the sages, sages and gods stood up to welcome him.┬аOnly Brahma ji and Lord Shankar remained sitting at their places.┬аBrahma ji is the mental father of Daksh Prajapati.┬аDaksh bowed to Lord Brahma. Daksh Prajapati did not like Shankar ji sitting because Brahma ji was his father, hence he felt it was right for him not to stand, but Shiv ji was his son-in-law, so his not standing and not greeting him felt like an insult to Daksh.┬аPrajapati Daksh was especially pained by the fact that his son-in-law Shankar ji did not salute him.┬аDistressed by this, Maharaja Daksh strongly condemned Shankar ji.┬аShankar ji was called uncivilized and corrupt.┬аThey even cursed him that he would not get any part in any yagya.┬аEven after this, Maharaj Daksh's anger did not subside.
Prajapati Daksh organized a huge yagya with the aim of humiliating Lord Shankar.┬аAll the sages, sages, gods and goddesses were invited to that yagya but Shankar ji and Mata Sati were not invited for the yagya. Seeing all the sages, sages and gods leaving in their respective planes, Goddess Sati asks Shankar ji where all these people are going.┬аThen Lord Bholenath Shankar ji tells Devi Sati that your father Maharaj Daksh has organized a huge yagya.┬аAll these people are going to participate in that yagya. Goddess Sati said тАУ Lord, I have not gone to my maternal home for a long time, a Yagya is being performed there, so my sisters will also definitely come.┬аIf you have permission, then both of us should also go there, even though they have not invited us, but it has been said that permission is not required to go to parents and teachers. Lord Shankar ji said that you are absolutely right that one does not need permission to go to parents and teachers.┬аOne can visit parents' and teachers' places even without inviting them.┬аBut here the matter is different.┬аIf someone believes in opposition then there is no benefit in going there.┬аMaharaj Daksh does not like our coming there, he has deliberately not invited us, hence it would not be entirely appropriate to go there.┬аTherefore, O Goddess, it would be appropriate to give up the idea of тАЛтАЛgoing there.
Even after the persuasion of Lord Shiva, Mother Sati started insisting on going to the Yagya.┬аWhen Mother Sati did not agree, Lord Shankar ji sent her along with his followers Veerbhadra and Nandi.┬аWhen Sati reached her peak, everyone started ignoring her.┬аMaharaja Daksh did not show him any respect.┬аWhen the sisters saw her, they started smiling sarcastically and said among themselves that look, Sati has come without invitation.┬аThere he met only his mother with love.┬аWhen Goddess Sati came to the Yagyashala, she saw that all the gods had come there but no one had come there for Lord Shiva.┬аSati asks her father Maharaj Daksh why such contempt for Lord Shiva?┬аMaharaj Daksh says very good and bad things about Shiva, he says that he does not consider Shiva as a god.┬аHe is the master of ghosts and devils.┬аGonna be naked.┬аThe one who applies crematorium ashes to his body and wears a garland of bones is not worthy of sitting in the ranks of the gods.┬аWho will give him away? Hearing the words of Maharaj Daksh, Sati's eyes turned red in anger and she started saying that even if the name of Lord Shiva comes up in the context of conversation unexpectedly, all the sins of the person taking his name are destroyed.┬аWho has the power to destroy the entire creation in a moment.┬аThey are my master.┬аYou hate Shiva like this.┬аYour end is near, Maharaj.
For a woman, her husband is heaven.┬аA woman who hears derogatory words about her husband has to go to hell.┬аYou have hatred towards Lord Shiva.┬аTherefore, I will immediately abandon this body of mine, born from your intercourse, because this body is like a skeleton for me.┬аSaying this, Sati meditated on Lord Shiva and burnt her body in the fire of Yagya Kund.┬аMother Sati's divine love for her husband is a great role model for women even today.┬аAngered by her father's insult to her husband, Sati jumped into the Yagya Kund and sacrificed her life.┬аIt is from here that the story of Sati becoming Shakti begins. Seeing Mata Sati immolating herself in the Yagya Kund, Veerbhadra got angry and cut off Daksh's head and threw it away.┬аWhen Lord Shiva came to know about this, he became distraught in love for Mother Sati and lost his senses.┬аAfter this, Lord Shiva became sad and started the Tandava dance by carrying the body of Mother Sati on his head.┬аHe started roaming around the world carrying the dead body of Mata Sati on his shoulder.┬аDue to this condition of Lord Shiva, the order of the entire world started deteriorating.
Seeing such a dire situation, Lord Vishnu was forced to cut the body of Mother Sati into pieces with his Sudarshan Chakra.┬аAfter this, wherever the body parts of Mata Sati fell, Shakti from her body parts began to reside at those places in various forms and Shakti Peethas were formed there.┬аIn this way, wherever Sati's body parts and jewelery fell, Shaktipeeths came into existence.
There is mention of 108 Shaktipeeths in Devi Bhagwat, while 72 Shaktipeeths are mentioned in Devi Geeta.┬аWhereas 51 Shaktipeeths have been discussed in Devi Purana.┬аIt is said that Mother Sati's heart had fallen in Naimishrai.┬аGoddess Sati left her body with Lord Shankar in her heart.┬аBy keeping Lord Shankar in the heart, she is called by the name of Lalita.┬аTherefore Naimish is considered to be a Linga Dharini Shakti Peetha place, here Lord Shiva is worshiped in the form of Linga and there is a temple of Mother Lalita Devi here.
3. Mantra of Lalita Mata and 10 Mahavidyas
Dasa Mahavidya тАУ 10 forms of Goddess Shakti
1. Kali
2. star
3. Shodashi
4. Bhuvaneshwari
5. Bhairavi
6. Chhinnamasta
7. Dhumavati
8. Baglamukhi
9. Matangi
10. Kamala
Mantra of Lalita Mata:
'Om Shreem Hreem Kleem Ain Sau: Om Hreem Shreem Ka Ee La Hreem Ha S Ka Haal Hreem Sakal Hreem Sau: Aem Kleem Hreem Shreem Namah.'
4. Benefits and advantages of reciting Lalita Chalisa
Worship of any deity or god yields the desired results only when it is done with a true heart.┬аWe have written a separate detailed article on what are the benefits of reciting Shri Lalita Chalisa with full devotion and true heart.┬аYou can read that article by clicking below.
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at the time being, what is your goal with art creation, or even, what is your goal with reblagging art that you like?
the answer i used to give was "so i can represent myself before god".
it is a neat and clean answer: god, an infinite reservoir into which we can displace our impossible and inchoate wants. to succeed at art, we only need to sharpen and complexify our capacity to want. for example: i am sad, so i represent the sadness honestly in a comic, indulge it and give testimony to it; i do this loudly and boldly in hopes that somebody up there notices. in this way the story of my life becomes about--rather than the person who made me sad--the way in which i feel my sadness before the ultimate audience the LORD.
there is a lot missing from this picture, by design. a whole world of objects, mediums, people. art is a social practice, with other selves, hurt feelings, insecurities, and i have spent maybe most of my early 20s writing about and obsessing over the aspect of holiness and before-god-ness. in part to hide from this fact. but i think it is maybe about time i take a closer look at the Things of This World.
here is a list of 9 depraved and carnal submotives to art-as-performance-before-god... Number 9 Will Shock You!
(sorry i tried making this short but it got very long and pretentious and edgy again)
1. pride in my own genius, in seeing myself AS someone who is driven to create art, someone whose soul has been imbued into many art objects. i have felt this lately looking back on 2017 me: they are a strange and messy creature with sculpey dolls and drugs in the mail and posters of neolithic sculptures on my wall. it feels exhilarating to create while you are riding a wave of inspiration; it feels almost as nice to look back years later and recognize yourself in it. i love that i love and need art, i need to love art so i can love myself. if i don't, i will fall apart.
2. the sympathy of others in seeing my sadness decorated. it felt nice when k told me he cried reading my mahavidya comic. it felt nice for s to appreciate my cat comic. william godfrey said mary wollstonecraft's book was perfectly designed to make him fall in love with her--i have badly wished this to be said about me and the way i externalize myself. someone who loves my art and writing loves me for how i wish to be seen. they have bought into my vision. isn't it breathtaking to lie so successfully? art is resentment and repression. art saves me from truth. art is the only way to live with the feeling of being painfully and disgustingly insectoid.
3. transmutation of my ugly bits into something powerful and sharp, capable of doing damage, of alienating. i feel an immense amount of anger. did you know, i hate people when they like me and i hate them when they don't. i hate myself that i care. i don't know what i want but i know who i am. i make art to feel like a well-crafted weapon. i know who i am and so i surround myself in protective spells and i keep them away. could they ever understand? but i understand, and i make so few concessions for them. the perfect performance is one in which the audience is perfectly ignored.
but it's also the opposite of all these things!
because 4. i am always trying to get better skillwise, to prioritize the production and product above the romance of Being The Artist. and 5. i want sympathy, but not at the expense of honesty; i am trying to get closer to truth undecorated, to a purer and less sensationalized story of my life, one that i can separate from my art and draw from with greater restraint. and 6. please, please, please notice me! i care so much what you think.
so i think in the end it's confusing and i don't know. but maybe it's like this--do you know karen horney's 10 neurotic needs? i see a place for art in each of these--
fig 1.1: neurotic needs (note: the dominant partner is the LORD my GOD)
but maybe this isn't really honest either, and it's a lot simpler. because all of these things come out when i create art, but when i pull up a page it is just because 7. my friend wants me to draw a picture of her as a skuncc. or 8. i was bored in church and fascinated by the shape of a cat's head. or 9. a ferret is very cute, and so i must draw.
fig 1.2: human child
anyway, i don't think you should trust very much what i have to say about why i make art.
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Kali 1885тАУ1890. Publisher: Calcutta Art Studio. Lithograph Dimensions 11 15/16 x 16 1/16 in. / 30.3 x 40.8 cm. At bottom: Calcutta Art Studio 185 Bowbazar St
This print belongs to a set of five prints depicting the 10 Mahavidyas. The Mahavidyas, who first appear in late medieval Hinduism, are considered to be individual incarnations or manifestations of the Great Goddess, paralleling the ten incarnations of Vishnu.
An origin story relates them to ten forms assumed by Shiva's wife Sati, in her anger over the disrespect her father, Daksha, showed toward Shiva.
The Mahavidyas were particularly honored in the Bengal region. The first of the five prints, this image depicts Kali naked, holding a severed head and a bloody cleaver, and wearing a garland of skulls as well as a belt of severed arms. She stands astride a prostrate Shiva and is accompanied by jackals. (via Museum of Fine Arts Boston)
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Maa Baglamukhi Mantra Sadhna and Siddhi
Ten Mahavidyas are mentioned in ancient Tantra texts. 1. Kali 2. Tara 3. Shodashi 4. Bhuvaneshwari 5. Chhinnamasta 6. Tripura Bhairavi 7. Dhumavati 8. Baglamukhi 9. Matangi 10. Kamala. The importance of Maa Bhagwati Shri Baglamukhi is the most special among all the goddesses. The main benefit of worshiping Baglamukhi and chanting Baglamukhi Mantra is to clear the illusions and confusion of the devotees and give them a clear path to life. Goddess Baglamukhi carries a cudgel in her hands to smash the troubles faced by her devotees. The word Baglamukhi comes from the word Bagla or Valga, which means a saddle used to control a horse. This very powerful goddess is also known as Stambini Devi or Brahmastra Roopini. That is, it is strong enough to move the target without movement or movement. Worshiping Maa Baglamuhi and chanting baglamukhi mantra is a reliable way to take control of an enemy and defeat him. But ill-intentioned spells can only have a detrimental effect. Story related to Maa Baglamukhi The entire universe was flooded during the Great Flood. The creature is almost completely destroyed. During this time, Lord Vishnu called the Mother of the universe to save creation. In response to her call to herself, the Great Goddess took the form of Baglamukhi and descended from Haridra Sarovar (sea cage). After landing, the entire universe was illuminated by her majesty. She landed on Chaturdashi on Tuesday and saved the creatures and gods by quickly calming the storm. Another story of Maa Baglamukhi One day, a demon named Madan performed great penance and got the boon that whatever he said would come true. Although it was a great blessing, he misused it to trouble innocent and pious people. Everyone and the gods pray to the goddess Baglamukhi, who pulled out the tongue of the demon to still it. When Baglamukhi tried to kill the demon, he prayed that he himself would reach a high level. Therefore, it is also known as Baglamukhi. Precautions during Maa Baglamukhi Mantra Sadhana
Follow celibacy.
Wear yellow clothes.
Have one meal at the time.
Don't cut your hair.
Chant the mantra between 10 pm to 4 am.
Wrap the wick of the lamp in turmeric or yellow color and dry it. In meditation, this mantra with thirty-six letters is most fruitful.
Sadhana should be done alone, in a temple, on the Himalayas or by sitting with a Siddha Purush.
Method of mantra Siddha
The worship yantra of Shri Baglamukhi required in sadhna is made from gram lentils.
If possible, get it marked on a copper sheet or a silver sheet. The essential mantra is being given in brief so that when the seeker completes the mantra, then it will be convenient for him.
Baglamukhi gayatri mantra
"Om baglamukhyae cha vidmahe stambhinyai cha dheemahi tanno bagla prachodayat."
Mantra Meaning:
I meditate on Goddess Baglamukhi who can make the enemies motionless. Let the powerful goddess bless me with a clear sight.
Baglamukhi Mool Mantra
"Aum Hreem Baglamukhi sarv dushtanaam vaacham mukham padam stambhyaJivhaam keelya, buddhim vinashya hreem aum swaaha"
Mantra Meaning:
The mantra has Bheej sounds of Baglamukhi. It prays the goddess to make the enemies ineffective by arresting their vicious speech, feet and intelligence. Once their movements are restricted, they can never act against you.
Baglamukhi Mantras to Succeed in all Efforts
"Om Hreeng Aing Kleeng Shri Bagalanane Mam Ripoon Naashay Naashay Mamaishwaryaani Dehi Dehi SHeeghram Manovanchhitam Saadhay Saadhay Hreeng Swaahaa"
Mantra Meaning:
Oh Mata Baglamukhi, we pray that you destroy our sins, bring prosperity into our lives and fulfill our desires.
How to recite the Baglamukhi mantra
Morning is the best time to recite the Baglamukhi mantra. Take a shower and sit on the rug or wooden board. Take a rosary and use it to count chanting of mantra. The optimal number for the Baglamukhi mantra is 125,000 times. While chanting, place a picture of Maa Baglamukha in front of you and focus on its shape.
Yellow flowers are the best flowers to worship Maa Baglamukhi.
Benefits of chanting Baglamukhi Mantra
Eliminates all hassles and adds confidence, fearlessness and courage
Fills the minds and hearts of devotees with positive energy to move on the path to success with a great deal of flexibility. The enemy will no longer be able to face you. When they try to oppose you, they will be powerless and their plans will be in vain and ineffective.
Students achieve good grades and plan to focus more on learning.
Devotees win battles and competitions.
If there are ups and down in your life, this mantra will help you balance the pros and cons and create harmony at home and in your life.
SOURCE:┬аhttps://starzspeak.com/post/2895/maa-baglamukhi-mantra-sadhna-and-siddhi
FOR RELEVANT CONTENT VISIT:┬аhttps://starzspeak.com/
ALSO READ:
Baglamukhi Yantra: A symbol of protection, success and strength
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Dr. Narayan Dutt Shrimali Life Story in Hindi
┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬а ┬ардбреЙ. рдирд╛рд░рд╛рдпрдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА рдХреА рдЬреАрд╡рдиреА
реР рдЧреБрдВ рдЧреБрд░реВрднреНрдпреЛ рдирдордГ
реР рдкрд░рдо рддрддреНрд╡рд╛рдп рдирд╛рд░рд╛рдпрдгрд╛рдп рдЧреБрд░реВрднреНрдпреЛ рдирдордГ
рдЧреБрд░реБ рднрдЧрд╡рд╛рди рдХреА рдХреГрдкрд╛ рдЖрдк рд╕рднреА рдкрд░ рд╕рджрд╛ рдмрдиреА рд░рд╣реЗ ред
рдЬрдиреНрдо : 21 рдЕрдкреНрд░реИрд▓ 1935
рдирд╛рдо : рдбреЙ. рдирд╛рд░рд╛рдпрдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА
рд╕рдиреНрдпрд╛рд╕реА рдирд╛рдо : рд╢реНрд░реА рд╕реНрд╡рд╛рдореА рдирд┐рдЦрд┐рд▓реЗрд╢реНрд╡рд░рд╛рдирдВрдж рдЬреА рдорд╣рд╛рд░рд╛рдЬ
рдЬрдиреНрдо рд╕реНрдерд╛рди : рдЦрд░рдиреНрдЯрд┐рдпрд╛ рдкрд┐рддрд╛ : рдкрдВрдбрд┐рдд рдореБрд▓реНрддрд╛рди рдЪрдиреНрджреНрд░ рд╢реНрд░реАрдорд╛рд▓реА рд╢рд┐рдХреНрд╖рд╛ : рдПрдо.рдП. (рд╣рд┐рдиреНрджреА) рд░рд╛рдЬрд╕реНрдерд╛рди рд╡рд┐рд╢реНрд╡рд╡рд┐рджреНрдпрд╛рд▓рдп 1963. рдкреА.рдПрдЪ.рдбреА. (рд╣рд┐рдиреНрджреА) рдЬреЛрдзрдкреБрд░ рд╡рд┐рд╢реНрд╡рд╡рд┐рджреНрдпрд╛рд▓рдп 1965
рдпреЛрдЧреНрдпрддрд╛ рдХреНрд╖реЗрддреНрд░ : рдЖрдкрдиреЗ рдкреНрд░рд╛рдЪреНрдп рд╡рд┐рджреНрдпрд╛рдУрдВ рджрд░реНрд╢рди, рдордиреЛрд╡рд┐рдЬреНрдЮрд╛рди, рдкрд░рд╛рдордиреЛрд╡рд┐рдЬреНрдЮрд╛рди, рдЖрдпреБрд░реНрд╡реЗрдж, рдпреЛрдЧ, рдзреНрдпрд╛рди, рд╕рдореНрдореЛрд╣рди рд╡рд┐рдЬреНрдЮрд╛рдирдВ рдПрд╡рдВ рдЕрдиреНрдп рд░рд╣рд╕реНрдпрдордпреА рд╡рд┐рджреНрдпрд╛рдУрдВ рдХреЗ рдХреНрд╖реЗрддреНрд░ рдореЗрдВ рд╡рд┐рд╢реЗрд╖ рд░реВрдЪрд┐ рд░рдЦрддреЗ рд╣реБрдП рдЙрдирдХреЗ рдкреБрдирд░реНрд╕реНрдерд╛рдкрди рдореЗрдВ рд╡рд┐рд╢реЗрд╖ рдХрд╛рд░реНрдп рдХрд┐рдпрд╛ рд╣реИрдВ. рдЖрдкрдиреЗ рд▓рдЧрднрдЧ рд╕реМ рд╕реЗ рдЬреНрдпрд╛рджрд╛ рдЧреНрд░рдиреНрде тАУ рдордиреНрддреНрд░ тАУ рддрдВрддреНрд░, рд╕рдореНрдореЛрд╣рди, рдпреЛрдЧ, рдЖрдпреБрд░реНрд╡реЗрдж, рдЬреНрдпреЛрддрд┐рд╖ рдПрд╡рдВ рдЕрдиреНрдп рд╡рд┐рдзрд╛рдУрдВ рдкрд░ рд▓рд┐рдЦреЗ рд╣реИрдВ.
рдЪрд░реНрдЪрд┐рдд рдХреГрддрд┐рдпрд╛рдБ : рдкреНрд░реИрдХреНрдЯрд┐рдХрд▓ рд╣рд┐рдкреНрдиреЛрдЯрд┐рдЬреНрдо, рдордиреНрддреНрд░ рд░рд╣рд╕реНрдп, рддрд╛рдВрддреНрд░рд┐рдХ рд╕рд┐рджреНрдзрд┐рдпрд╛рдБ, рд╡реГрд╣рдж рд╣рд╕реНрддрд░реЗрдЦрд╛ рд╢рд╛рд╕реНрддреНрд░, рд╢реНрдорд╢рд╛рди рднреИрд░рд╡реА (рдЙрдкрдиреНрдпрд╛рд╕), рд╣рд┐рдорд╛рд▓рдп рдХреЗ рдпреЛрдЧрд┐рдпреЛрдВ рдХреА рдЧреБрдкреНрдд рд╕рд┐рджреНрдзрд┐рдпрд╛рдБ, рдЧреЛрдкрдиреАрдп рджреБрд░реНрд▓рдн рдордВрддреНрд░реЛрдВ рдХреЗ рд░рд╣рд╕реНрдп, рддрдВрддреНрд░ рд╕рд╛рдзрдирд╛рдпреЗрдВ.
рдЕрдиреНрдп : рдХреБрдгреНрдбрд▓рд┐рдиреА рдирд╛рдж рдмреНрд░рд╣реНрдо, рдлрд┐рд░ рджреВрд░ рдХрд╣реАрдВ рдкрд╛рдпрд▓ рдЦрдирдХреА, рдзреНрдпрд╛рди, рдзрд░рдирд╛ рдФрд░ рд╕рдорд╛рдзреА, рдХреНрд░рд┐рдпрд╛ рдпреЛрдЧ, рд╣рд┐рдорд╛рд▓рдп рдХрд╛ рд╕рд┐рджреНрдзрдпреЛрдЧреА, рдЧреБрд░реБ рд░рд╣рд╕реНрдп, рд╕реВрд░реНрдп рд╕рд┐рджреНрдзрд╛рдВрдд, рд╕реНрд╡рд░реНрдг рддрдиреНрддреНрд░рдВ рдЖрджрд┐.
рд╕рдореНрдорд╛рди рдПрд╡рдВ рдкрд╛рд░рд┐рддреЛрд╖рд┐рдХ : рднрд╛рд░рддреАрдп рдкреНрд░рд╛рдЪреНрдп рд╡рд┐рджреНрдпрд╛рдУрдВ рдордиреНрддреНрд░, рддрдВрддреНрд░, рдпрдВрддреНрд░, рдпреЛрдЧ рдФрд░ рдЖрдпреБрд░реНрд╡реЗрдж рдХреЗ рдХреНрд╖реЗрддреНрд░ рдореЗрдВ рдЕрдиреЗрдХ рдЙрдкрд╛рдзрд┐ рдПрд╡рдВ рдЕрд▓рдВрдХрд╛рд░реЛрдВ рд╕реЗ рдЖрдкрдХрд╛ рд╕рдореНрдорд╛рди рд╣реБя┐╜я┐╜ рд╣реИрдВ. рдкрд░рд╛рд╡рд┐рдЬреНрдЮрд╛рди рдкрд░рд┐рд╖рджреН рд╡рд╛рд░рд╛рдгрд╕реА рдореЗрдВ рд╕рдиреН 1987 рдореЗрдВ рдЖрдкрдХреЛ тАЬрддрдВрддреНрд░ тАУ рд╢рд┐рд░реЛрдордгрд┐тАЭ рдЙрдкрд╛рдзрд┐ рд╕реЗ рд╡рд┐рднреВрд╖рд┐рдд рдХрд┐рдпрд╛ рд╣реИрдВ. рдордиреНрддреНрд░ тАУ рд╕рдВрд╕рдерд╛рди рдЙрдЬреНрдЬреИрди рдореЗрдВ 1988 рдореЗрдВ рдЖрдкрдХреЛ рдордиреНрддреНрд░ тАУ рд╢рд┐рд░реЛрдордгрд┐ рдЙрдкрд╛рдзрд┐ рд╕реЗ рдЕрд▓рдВрдХреГрдд рдХрд┐рдпрд╛ рд╣реИрдВ. рднреВрддрдкреВрд░реНрд╡ рдЙрдкрд░рд╛рд╖реНрдЯреНрд░рдкрддрд┐ рдбреЙ. рдмреА.рдбреА. рдЬрддреНрддреА рдиреЗ рд╕рдиреН 1982 рдореЗрдВ рдЖрдкрдХреЛ рдорд╣рд╛ рдорд╣реЛрдкрд╛рдзреНрдпрд╛рдп рдХреА рдЙрдкрд╛рдзрд┐ рд╕реЗ рд╕рдореНрдорд╛рдирд┐рдд рдХрд┐рдпрд╛ рд╣реИрдВ.
рдЙрдкрд░рд╛рд╖реНрдЯреНрд░рдкрддрд┐ рдбреЙ. рд╢рдВрдХрд░рджрдпрд╛рд▓ рд╢рд░реНрдорд╛ рдиреЗ 1989 рдореЗрдВ рд╕рдорд╛рдЬ рд╢рд┐рд░реЛрдордгрд┐ рдХреА рдЙрдкрд╛рдзрд┐ рдкреНрд░рджрд╛рди рдХрд░ рдЙрдкрд░рд╛рд╖реНрдЯреНрд░рдкрддрд┐ рднрд╡рди рдореЗрдВ рдбреЙ. рд╢реНрд░реАрдорд╛рд▓реА рдХрд╛ рд╕рдореНрдорд╛рди рдХрд░ рдЧреМрд░рд╡рд╛рдиреНрд╡рд┐рдд рдХрд┐рдпрд╛ рд╣реИрдВ. рдиреЗрдкрд╛рд▓ рдХреЗ рднреВрддрдкреВрд░реНрд╡ рдкреНрд░рдзрд╛рдирдордВрддреНрд░реА рд╢реНрд░реА рднрдЯреНрдЯрд░рд╛рдИ рдиреЗ 1991 рдореЗрдВ рдЙрдирдХреЗ рд╕рд╛рдорд╛рдЬрд┐рдХ рдПрд╡рдВ рдзрд╛рд░реНрдорд┐рдХ рдХрд╛рд░реНрдпреЛрдВ рдореЗрдВ рд╡рд┐рд╢реЗрд╖ рдпреЛрдЧрджрд╛рди рдХреЗ рд▓рд┐рдП рдиреЗрдкрд╛рд▓ рдореЗрдВ рдЖрдкрдХреЛ рд╕рдореНрдорд╛рдирд┐рдд рдХрд┐рдпрд╛ рд╣реИрдВ.
рдЕрдзреНрдпрдХреНрд╖рддрд╛ : рднрд╛рд░рдд рдХреА рд░рд╛рдЬрдзрд╛рдиреА рджрд┐рд▓реНрд▓реА рдореЗрдВ рдЖрдпреЛрдЬрд┐рдд рд╣реЛрдиреЗ рд╡рд╛рд▓реА рд╡рд┐рд╢реНрд╡ рдЬреНрдпреЛрддрд┐рд╖ рд╕рдореНрдорд▓реЗрди 1971 рдореЗрдВ рдЖрдкрдиреЗ рдХрдИ рджреЗрд╢реЛрдВ рдХреЗ рдкреНрд░рддрд┐рдирд┐рдзрд┐рдпреЛрдВ рдХреЗ рдмреАрдЪ рдЕрдзреНрдпрдХреНрд╖ рдкрдж рд╕реБрд╢реЛрднрд┐рдд рдХрд┐рдпрд╛. рд╕рдиреН 1981 рд╕реЗ рдЕрдм рддрдХ рдЕрдзрд┐рдХрд╛рдВрд╢ рдЕрдЦрд┐рд▓ рднрд╛рд░рддреАрдп рдЬреНрдпреЛрддрд┐рд╖ рд╕рдореНрдореЗрд▓рдиреЛрдВ рдХреЗ рдЕрдзреНрдпрдХреНрд╖ рд░рд╣реЗ.
рд╕рдВрд╕реНрдерд╛рдкрдХ рдПрд╡рдВ рд╕рдВрд░рдХреНрд╖рдХ : рдЕрдЦрд┐рд▓ рднрд╛рд░рддреАрдп рд╕рд┐рджреНрдзрд╛рд╢реНрд░рдо рд╕рд╛рдзрдХ рдкрд░рд┐рд╡рд╛рд░. рд╕рдВрд╕реНрдерд╛рдкрдХ рдПрд╡рдВ рд╕рдВрд░рдХреНрд╖рдХ тАУ рдбреЙ. рдирд╛рд░рд╛рдпрдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА рдлреМрдВрдбреЗрд╢рди рдЪреЗрд░рд┐рдЯреЗрдмрд▓ рдЯреНрд░рд╕реНрдЯ рд╕реЛрд╕рд╛рдпрдЯреА.
рд╡рд┐рд╢реЗрд╖ рдпреЛрдЧрджрд╛рди : рд╕рдореНрдорд▓реЗрди, рд╕реЗрдорд┐рдирд╛рд░ рдПрд╡рдВ рдЕрднрд┐рднрд╛рд╖рдгреЛрдВ рдХреЗ рд╕рдиреНрджрд░реНрдн рдореЗрдВ рдЖрдк рд╡рд┐рд╢реНрд╡ рдХреЗ рд▓рдЧрднрдЧ рд╕рднреА рджреЗрд╢реЛрдВ рдХреА рдпрд╛рддреНрд░рд╛ рдХрд░ рдЪреБрдХреЗ рд╣реИрдВ. рдЖрдкрдиреЗ рддреАрд░реНрде рд╕реНрдерд╛рдиреЛрдВ рдПрд╡рдВ рднрд╛рд░рдд рдХреЗ рд╡рд┐рд╢рд┐рд╖реНрдЯ рдкреВрдЬрд╛ рд╕реНрдерд▓реЛрдВ рдкрд░ рдЖрдзреНрдпрд╛рддреНрдорд┐рдХ рдПрд╡рдВ рдзрд╛рд░реНрдорд┐рдХ рджреНрд░рд╖реНрдЯрд┐рдХреЛрдг рд╕реЗ рд╡рд┐рд╢реЗрд╖ рдХрд╛рд░реНрдп рд╕рдВрдкрдиреНрди рдХрд┐рдпреЗ рд╣реИрдВ. рдЙрдирдХреЗ рдПрддрд┐рд╣рд╛рд╕рд┐рдХ рдПрд╡рдВ рдзрд╛рд░реНрдорд┐рдХ рдорд╣рддреНрд╡рдкреВрд░реНрдг рджреНрд░рд╖реНрдЯрд┐рдХреЛрдг рдХреЛ рдкреНрд░рд╛рдорд╛рдгрд┐рдХрддрд╛ рдХреЗ рд╕рд╛рде рдкреБрдирд░реНрд╕реНрдерд╛рдкрд┐рдд рдХрд┐рдпрд╛ рд╣реИрдВ. рд╕рднреА 108 рдЙрдкрдирд┐рд╖рджреЛрдВ рдкрд░ рдЖрдкрдиреЗ рдХрд╛рд░реНрдп рдХрд┐рдпрд╛ рд╣реИрдВ, рдЙрдирдХреЗ рдЧрд╣рди рджрд░реНрд╢рди рдПрд╡рдВ рдЬреНрдЮрд╛рди рдХреЛ рд╕рд░рд▓ рднрд╛рд╖рд╛ рдореЗрдВ рдкреНрд░рд╕реНрддреБрдд рдХрд░ рдЬрди рд╕рд╛рдорд╛рдиреНрдп рдХреЗ рд▓рд┐рдП рд╡рд┐рд╢реЗрд╖ рдпреЛрдЧрджрд╛рди рджрд┐рдпрд╛ рд╣реИрдВ. рдЕрдм 23 рдЙрдкрдирд┐рд╖рджреЛрдВ рдХрд╛ рдкреНрд░рдХрд╛рд╢рди рд╣реЛ рд░рд╣рд╛ рд╣реИрдВ. рдордиреНрддреНрд░ рдХреЗ рдХреНрд╖реЗрддреНрд░ рдореЗрдВ рдЖрдк рдПрдХ рд╕реНрддрдореНрдн рдХреЗ рд░реВрдк рдореЗрдВ рдЬрд╛рдиреЗ рдЬрд╛рддреЗ рд╣реИрдВ, рддрдВрддреНрд░ рдЬреИрд╕реА рд▓реБрдкреНрдд рд╣реБрдпреА рдЧреЛрдкрдиреАрдп рд╡рд┐рджреНрдпрд╛рдУрдВ рдХреЛ рдбреЙ. рд╢реНрд░реАрдорд╛рд▓реА рдЬреА рдиреЗ рд╕рд░реНрд╡рдЧреНрд░рд╛рд╣реНрдп рдмрдирд╛рдпрд╛ рд╣реИрдВ. рдЖрдкрдиреЗ рдЕрдкрдиреЗ рдЬреАрд╡рди рдореЗрдВ рдХрдИ рддрд╛рдВрддреНрд░рд┐рдХ, рдорд╛рдиреНрддреНрд░рд┐рдХ рд╕рдореНрдореЗрд▓рдиреЛрдВ рдХреА рдЕрдзреНрдпрдХреНрд╖рддрд╛ рдХреА рд╣реИрдВ. рднрд╛рд░рдд рдХреА рдкреНрд░рддрд┐рд╖реНрдард┐рдд рдкрддреНрд░ -рдкрддреНрд░рд┐рдХрд╛рдУрдВ рдореЗрдВ 40 рд╕реЗ рднреА рдЕрдзрд┐рдХ рд╢реЛрдз рд▓реЗрдЦ рдордВрддреНрд░реЛрдВ рдХреЗ рдкреНрд░рднрд╛рд╡ рдПрд╡рдВ рдкреНрд░рд╛рдорд╛рдгрд┐рдХрддрд╛ рдкрд░ рдкреНрд░рдХрд╛рд╢рд┐рдд рдХрд░ рдЪреБрдХреЗ рд╣реИрдВ.
рдЖрдк рдкреБрд░реЗ рд╡рд┐рд╢реНрд╡ рдореЗрдВ рдЕрднреА рддрдХ рдХрдИ рд╕реНрдерд╛рдиреЛрдВ рдкрд░ рдпрдЬреНрдЮ рдХрд░рд╛ рдЪреБрдХреЗ рд╣реИрдВ, рдЬреЛ рд╡рд┐рд╢реНрд╡ рдмрдВрдзреБрддреНрд╡ рдПрд╡рдВ рд╡рд┐рд╢реНрд╡ рд╢рд╛рдВрддрд┐ рдХреА рджрд┐рд╢рд╛ рдореЗрдВ рдЕрджреНрд╡рд┐рддреАрдп рдХрд╛рд░реНрдп рд╣реИрдВ. рдпреЛрдЧ, рдордиреНрддреНрд░, рддрдВрддреНрд░, рдпрдВрддреНрд░, рдЖрдпреБрд░реНрд╡реЗрдж рд╡рд┐рджреНрдпрд╛рдУрдВ рдХреЗ рдирд╛рдо рд╕реЗ рдЕрднреА рддрдХ рд╕реИрдХрдбреЛ рд╕рд╛рдзрдирд╛ рд╢рд┐рд╡рд┐рд░ рдЖрдкрдХреЗ рджрд┐рд╢рд╛ рдирд┐рд░реНрджреЗрд╢ рдореЗрдВ рд╕рдВрдкрдиреНрди рд╣реЛ рдЪреБрдХреЗ рд╣реИрдВ.
рд╕рд┐рджреНрдзрд╛рд╢реНрд░рдо :
рдбреЙ. рдирд╛рд░рд╛рдпрдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА рдлреМрдВрдбреЗрд╢рди рдЗрдВрдЯрд░рдиреЕрд╢рдирд▓ рдЪреЗрд░рд┐рдЯреЗрдмрд▓ рдЯреНрд░рд╕реНрдЯ рд╕реЛрд╕рд╛рдпрдЯреА рджреНрд╡рд╛рд░рд╛ рдирд┐рд░реНрдорд┐рдд рдПрдХ рднрд╡реНрдп, рдЬрд┐рд╡рдВрдд, рдЬрд╛рдЧреНрд░рдд, рд╢рд┐рдХреНрд╖рд╛, рд╕рдВрд╕реНрдХреГрддрд┐ рд╡ рдЕрдзреНрдпрд╛рддреНрдо рдХрд╛ рд╡рд┐рд╢рд╛рд▓рддрдо рдХреЗрдВрджреНрд░ рд╕рд┐рджреНрдзрд╛рд╢реНрд░рдо. рди рдХреЗрд╡рд▓ рднрд╛рд░рддрд╡рд░реНрд╖ рдЕрдкрд┐рддреБ рд╡рд┐рджреЗрд╢реЛрдВ рдореЗрдВ рдЙрдкрд░реЛрдХреНрдд рд╡рд┐рджреНрдпрд╛рдУрдВ рдХрд╛ рд╡рд┐рд╕реНрддрд╛рд░, рд╕рд╛рдзрдирд╛ рд╢рд┐рд╡рд┐рд░реЛрдВ рдХреА рджреЗрд╢рд╡реНрдпрд╛рдкреА рд╢реНрд░реНрд░рдВрдЦрд▓рд╛. рдкреНрд░рд╛рдХреГрддрд┐рдХ рдЪрд┐рдХрд┐рддреНрд╕рд╛ рд╡ рдЖрдпреБрд░реНрд╡реЗрдж рдЕрдиреБрд╕рдиреНрдзрд╛рди рд╡ рдЙрддреНрдерд╛рди рдХреЗрдВрджреНрд░. рдорд╛рдирд╡рддрд╛рд╡рд╛рджреА рдЕрдзреНрдпрд╛рддреНрдорд┐рдХ рдЪреЗрддрдирд╛ рдХрд╛ рд╡рд┐рд╕реНрддрд╛рд░.
рдореЗрд░реЗ рдЧреБрд░реБрджреЗрд╡ рдХреНрдпреЛрдВ рдЫрд┐рдкрд╛рдПрдВ рд░рдЦрддреЗ рд╣реИрдВ рдЕрдкрдиреЗ рдЖрдкрдХреЛ?
рдореБрдЭреЗ рдпрд╣ рдлрдХреНрд░ рд╣реИрдВ рдХреА рдореЗрд░реЗ рдЧреБрд░реБ рдкреВрдЬреНрдп рд╢реНрд░реАрдорд╛рд▓реАрдЬреА (рдбреЙ. рдирд╛рдпрд╛рд░рдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реАрдЬреА) рд╣реИрдВ, рдореБрдЭреЗ рдЙрдирдХреЗ рдЪрд░рдгреЛрдВ рдореЗрдВ рдмреИрдардиреЗ рдХрд╛ рдореМрдХрд╛ рдорд┐рд▓рд╛ рд╣реИрдВ, рдФрд░ рдпрдерд╛ рд╕рдВрднрд╡ рдЙрдиреНрд╣реЗрдВ рдирд┐рдХрдЯ рд╕реЗ рджреЗрдЦрдиреЗ рдХрд╛ рдкреНрд░рдпрд╛рд╕ рдХрд┐рдпрд╛ рд╣реИрдВ.
рдЙрд╕ рджрд┐рди рд╡реЗ рдЕрдкрдиреЗ рдЕрдВрдбрд░ рдЧреНрд░рд╛рдЙрдВрдб рдореЗрдВ рд╕реНрдерд┐рдд рд╕рд╛рдзрдирд╛ рд╕реНрдерд▓ рдкрд░ рдмреИрдареЗ рд╣реБрдП рдереЗ, рдЕрдЪрд╛рдирдХ рдирд┐рдЪреЗ рдЪрд▓рд╛ рдЧрдпрд╛ рдФрд░ рдореИрдВрдиреЗ рджреЗрдЦрд╛ рдЙрдирдХрд╛ рд╡рд┐рд░рдд рд╡реНрдпрдХреНрддрд┐рддреНрд╡, рд╕рд╛рдзрдирд╛рдордп рддреЗрдЬрд╕реНрд╡реА рд╢рд░реАрд░ рдФрд░ рд╢рд░реАрд░ рд╕реЗ рдЭрд░рддрд╛ рд╣реБрдЖ рдкреНрд░рдХрд╛рд╢тАж. рд▓рд▓рд╛рдЯ рд╕реЗ рдирд┐рдХрд▓рддрд╛ рд╣реБрдЖ рдЬреНрдпреЛрддрд┐ рдкреБрдВрдЬ рдФрд░ рд╕рд╛рдзрдирд╛ рдХреА рддреЗрдЬрд╕реНрд╡рд┐рддрд╛ рд╕реЗ рдУрддрдкреНрд░реЛрдд рдЙрд╕ рд╕рдордп рдХрд╛ рд╡рд╣ рд╕рд╛рдзрдирд╛ рдХрдХреНрд╖тАж. рдЬрдм рдХреА рдЙрд╕ рд╕рд╛рдзрдирд╛рддреНрдордХ рд╡рд┐рджреНрдпреБрддреН рдкреНрд░рд╡рд╛рд╣ рд╕реЗ рдкреВрд░рд╛ рдХрдХреНрд╖ рдЪрд╛рд░реНрдЬ рдерд╛, рдКрд╖реНрдгрддрд╛ рд╕реЗ рджрд╛рд╣рдХ рд░рд╣рд╛ рдерд╛ рдФрд░ рдорд╛рддреНрд░ рдПрдХ рдорд┐рдирдЯ рдЦрдбрд╛ рд░рд╣рдиреЗ рдкрд░ рдореЗрд░рд╛ рд╢рд░реАрд░ рдлреВрдВрдХ рд╕рд╛ рд░рд╣рд╛ рдерд╛, рдХреИрд╕реЗ рдмреИрдареЗ рд░рд╣рддреЗ рд╣реИрдВ, рдЧреБрд░реБрджреЗрд╡ рдШрдВрдЯреЛрдВ рдЗрд╕ рдХрдХреНрд╖ рдореЗрдВ?
рдмрд╛рд╣рд░ рдЬрди рд╕рд╛рдорд╛рдиреНрдп рдореЗрдВ рдЧреБрд░реБрджреЗрд╡ рдХрд┐рддрдиреЗ рд╕рд░рд▓ рдФрд░ рд╕рд╛рдорд╛рдиреНрдп рджрд┐рдЦрд╛рдИ рджреЗрддреЗ рд╣реИрдВ, рдХрдм рдкрд╣рд┐рдЪрд╛рдиреЗрдВрдЧреЗ рд╣рдо рд╕рдм рд▓реЛрдЧ рдЙрдиреНрд╣реЗрдВ? рдЙрд╕ рдЕрдерд╛рд╣ рд╕рдореБрджреНрд░ рдореЗрдВ рд╕реЗ рд╣рдо рдХреНрдпрд╛ рд▓реЗ рдкрд╛рдПрдВ рд╣реИрдВ рдЕрдм рддрдХтАжтАж рдХреНрдпреЛрдВ рдЫрд┐рдкрд╛рдПрдВ рд░рдЦрддреЗ рд╣реИрдВ, рд╡реЗ рдЕрдкрдиреЗ рдЖрдкрдХреЛ?
-рд╕реЗрд╡рд╛рдирдВрдж рдЬреНрдЮрд╛рдиреА резрепреорек рдЬрди. тАУ рдлрд░.
рдкрд░рдорд╛рд░рде рдХреЗ рдХрд╛рд░рдгреЗ рд╕рд╛рдзреВ рдзрд░рд┐рдпреЛ рд╢рд░реАрд░.
рдмрд╛рдд рдЙрд╕ рд╕рдордп рдХреА рд╣реИрдВ, рдЬрдм рдкреВрдЬреНрдпрдкрд╛рдж рд╕рджрдЧреБрд░реБрджреЗрд╡ рдЕрдкрдиреЗ рд╕рдВрдиреНрдпрд╛рд╕ рдЬреАрд╡рди рд╕реЗ рд╕рдВрдХрд▓реНрдкрдмрджреНрдз рд╣реЛрдХрд░ рд╡рд╛рдкрд╕ рдЕрдкрдиреЗ рдЧреГрд╣рд╕реНрде рд╕рдВрд╕рд╛рд░ рдореЗрдВ рд▓реМрдЯреЗ рдереЗ. рдЬрдм рд╡реЗ рд╕рдиреНрдпрд╛рд╕ рдЬреАрд╡рди рдХреЗ рд▓рд┐рдП рдИрд╢реНрд╡рд░реАрдп рдкреНрд░реЗрд░рдгрд╛ рд╕реЗ рдШрд░ рд╕реЗ рдирд┐рдХрд▓реЗ рдереЗ, рддреЛ рдЙрдирдХреЗ рдкрд╛рд╕ рддрди рдврдХрдиреЗ рдХреЗ рд▓рд┐рдП рдПрдХ рдзреЛрддреА, рдПрдХ рдХреБрд░рддрд╛ рдФрд░ рдПрдХ рдЧрдордЫрд╛ рдерд╛. рд╕рд╛рде рдореЗрдВ рдПрдХ рдЫреЛрдЯреЗ рд╕реЗ рдЭреЛрд▓реЗ рдореЗрдВ рдПрдХ рдзреЛрддреА рдФрд░ рдХреБрд░рддрд╛ рдЕрддрд┐рд░рд┐рдХреНрдд рд░реВрдк рд╕реЗ рдерд╛. рдЗрд╕рдХреЗ рдЕрд▓рд╛рд╡рд╛ рдЙрдирдХреЗ рдкрд╛рд╕ рдФрд░ рдХреБрдЫ рднреА рдирд╣реАрдВ рдерд╛. рди рд╣реА рдХреЛрдИ рджрд┐рд╢рд╛ рд╕реНрдкрд╖реНрдЯ рдереА рдФрд░ рди рд╣реА рдХреЛрдИ рдордВрдЬрд┐рд▓ рд╕реНрдкрд╖реНрдЯ рдереА, рдХреЗрд╡рд▓ рдЙрдирдХреЗ рд╣реМрд╕рд▓реЗ рдмреБрд▓рдВрдж рдереЗ рдФрд░ рдИрд╢реНрд╡рд░ рдореЗрдВ рдЖрд╕реНрдерд╛ рдереА. рдпрд╣реА рдЙрдирдХреА рдХреБрд▓ рдкреВрдВрдЬреА рдереА, рдЬрд┐рд╕рдХреЗ рд╕рд╣рд╛рд░реЗ рд╕рдВрдШрд░реНрд╕реНрдордп рдПрд╡рдВ рдЗрддрдиреЗ рд▓рдореНрдмреЗ рдЬреАрд╡рди рдХреА рдпрд╛рддреНрд░рд╛ рдкреВрд░реА рдХрд░рдиреА рдереА.
рдЬрдм рд╡реЗ рдХреБрдЫ рд╕рдордп рд╕рдиреНрдпрд╛рд╕ рдЬреАрд╡рди рдореЗрдВ рдмрд┐рддрд╛рдХрд░ рд╡рд╛рдкрд╕ рдЕрдкрдиреЗ рдЧрд╛рдБрд╡ рд▓реМрдЯреЗ, рддреЛ рдЧрд╛рдБрд╡ рд╡рд╛рд▓реЗ, рдкрд░рд┐рд╡рд╛рд░ рдХреЗ рд▓реЛрдЧ рдПрд╡рдВ рдХреНрд╖реЗрддреНрд░ рдХреЗ рд╕рднреА рдЧрдгрдорд╛рдиреНрдп рд╡реНрдпрдХреНрддрд┐ рдЙрдкрд╕реНрдерд┐рдд рд╣реБрдП. рд╕рднреА рдиреЗ рдЙрдирдХрд╛ рд╕рд╣рд░реНрд╖ рд╕реНрд╡рд╛рдЧрдд рд╕рддреНрдХрд╛рд░ рдХрд┐рдпрд╛, рд▓реЗрдХрд┐рди рд╕рднреА рдХреЗ рдордиреЛрдорд╕реНрддрд┐рд╖реНрдХ рдореЗрдВ рдпрд╣реА рдЧреВрдВрдЬ рд░рд╣рд╛ рдерд╛ рдХрд┐ рдЗрдиреНрд╣реЗрдВ рдХреНрдпрд╛ рдорд┐рд▓рд╛? рд╣рдореЗрдВ рднреА рдХреБрдЫ рджрд┐рдЦрд╛рдПрдВ.
рдЬрдм рдпрд╣ рдкреНрд░рд╢реНрди рд╕рджрдЧреБрд░реБрджреЗрд╡ рдЬреА рддрдХ рдкрд╣реБрдВрдЪрд╛, рддреЛ рд╡реЗ рдмрдбрд╝реЗ рд╣реА рдкреНрд░рд╕рдиреНрди рд╣реБрдП рдФрд░ рдЙрдиреНрд╣реЛрдВрдиреЗ рдХрд╣рд╛ рдХрд┐ рд╣рдорд╛рд░реА рднреА рдпрд╣реА рдЗрдЪреНрдЫрд╛ рд╣реИрдВ рдХрд┐ рдЬреЛ рдХреБрдЫ рднреА рд╣рдорд╛рд░реЗ рдкрд╛рд╕ рд╣реИрдВ рд╡рд╣ рдореИрдВ рд╕рднреА рдХреЛ рджрд┐рдЦрд╛рдКрдВ.
рдЧреБрд░реБрджреЗрд╡ рдЬреА рд╕рднреА рдХреЗ рдордзреНрдп рдореЗрдВ рдЦреЬреЗ рд╣реБрдП рдФрд░ рдЕрдкрдирд╛ рдПрдХ рд╣рд╛рде рдлреИрд▓рд╛рдпрд╛ рдФрд░ рдмрддрд╛рдпрд╛ рдХрд┐ рдЬрдм рдореИрдВ рдпрд╣рд╛рдБ рд╕реЗ рдЧрдпрд╛ рдерд╛ рддреЛ рдореЗрд░реЗ рдкрд╛рд╕ рдпрд╣ рдерд╛ рдФрд░ рд╣рд╛рде рдХреА рдмрдВрдзреА рдореБрдЯреНрдареА рдХреЛ рдЦреЛрд▓рд╛ рддреЛ рдЙрд╕рдореЗрдВ рдХреБрдЫ рдХрдВрдХрдг рдирд┐рдХрд▓реЗ. рдЙрдиреНрд╣реЛрдВрдиреЗ рдмрддрд╛рдпрд╛ рдХрд┐ рдпрд╣реА рдореЗрд░реЗ рдкрд╛рд╕ рдереЗ, рдЬрд┐рдиреНрд╣реЗрдВ рдореИрдВ рд▓реЗрдХрд░ рдЕрдкрдиреЗ рд╕рд╛рде рдЧрдпрд╛ рдерд╛ рдФрд░ рдЬреЛ рдХреБрдЫ рдореИрдВ рд▓реЗрдХрд░ рд▓реМрдЯрд╛ рд╣реВрдБ, рд╡рд╣ рдореЗрд░реА рд╣рд╛рде рдХреА рджреВрд╕рд░реА рдореБрдЯреНрдареА рдореЗрдВ рд╣реИрдВ. рд╕рднреА рд▓реЛрдЧ рджреВрд╕рд░реА рдореБрдЯреНрдареА рдХреЛ рджреЗрдЦрдиреЗ рдХреЗ рд▓рд┐рдП рдЖрддреБрд░ рд╣реЛ рдЙрдареЗ. рд▓реЗрдХрд┐рди рдЧреБрд░реБрджреЗрд╡ рдЬреА рдиреЗ рдЬрдм рджреВрд╕рд░реА рдореБрдЯреНрдареА рдЦреЛрд▓реА рддреЛ рд╕рднреА рд╣реИрд░рдд рдореЗрдВ рдкрдб рдЧрдП. рдХреНрдпреЛрдВрдХрд┐ рд╡рд╣ рдореБрдЯреНрдареА рдмрд┐рд▓рдХреБрд▓ рд╣реА рдЦрд╛рд▓реА рдереА. рд╕рднреА рдХреЛ рдЖрд╢рд╛ рдерд╛ рдХрд┐ рдЗрд╕рдореЗрдВ рдХреБрдЫ рдЕрдЬреВрдмрд╛ рд╣реЛрдЧрд╛, рд▓реЗрдХрд┐рди рдРрд╕рд╛ рд╣реБрдЖ рдирд╣реАрдВ.
рдЧреБрд░реБрджреЗрд╡ рдЬреА рдиреЗ рдмрддрд╛рдпрд╛ рдХрд┐ рдЬреЛ рдХреБрдЫ рдореЗрд░реЗ рдкрд╛рд╕ рдерд╛ рд╡рд╣ рднреА рдореИрдВ рдЧрдБрд╡рд╛ рдХрд░ рдЖ рд░рд╣рд╛ рд╣реВрдБ. рдореИрдВ рдмрд┐рд▓рдХреБрд▓ рд╣реА рдЦрд╛рд▓реА рд╣реЛрдХрд░ рдЖ рд░рд╣рд╛ рд╣реВрдБ. рдмрд┐рд▓рдХреБрд▓ рдЦрд╛рд▓реА рд╣реВрдБ, рдЗрд╕рд▓рд┐рдП рдЕрдм рдЬреАрд╡рди рдореЗрдВ рдХреБрдЫ рдХрд░ рд╕рдХрддрд╛ рд╣реВрдБ. рдореИрдВ рдЕрдкрдиреЗ рд╕рдиреНрдпрд╛рд╕ рдЬреАрд╡рди рдореЗрдВ рдХреЛрдИ рдЬрд╛рджреВ рдЯреЛрдиреЗ рдЯреЛрдЯрдХреЗ рд╕реАрдЦрдиреЗ рдирд╣реАрдВ рдЧрдпрд╛ рдерд╛, рд╣рд╛рде рд╕рдлрд╛рдИ рдХреА рдпреЗ рдХреНрд░рд┐рдпрд╛рдПрдВ рдпрд╣рд╛рдБ рд░рд╣рдХрд░ рднреА рд╕реАрдЦ рд╕рдХрддрд╛ рдерд╛, рд▓реЗрдХрд┐рди рдореИрдВ рдЕрдкрдиреЗ рдЬреАрд╡рди рдореЗрдВ рдкреВрд░реНрдг рдЕрд╖реНрдЯрд╛рдВрдЧ рдпреЛрдЧ, рд╕рд╣рд┐рдд рдпрдо, рдирд┐рдпрдо, рдЖрд╣рд╛рд░, рдкреНрд░рддреНрдпрд╛рд╣рд╛рд░, тАжтАжрдзрд╛рд░рдгрд╛, рдзреНрдпрд╛рди, рд╕рдорд╛рдзрд┐, рдХреЗ рдкреВрд░реНрдгрддреНрд╡ рд╕реНрддрд░ рдкрд░ рдкрд╣реБрдБрдЪрд╛рдиреЗ рдХреЗ рд▓рд┐рдП рд╣реА рдпрд╣ рд╕рдиреНрдпрд╛рд╕ рдорд╛рд░реНрдЧ рдЪреБрдирд╛. рдЕрдм рдореБрдЭреЗ рдЗрди рдХрдВрдХрдиреЛ рдкрддреНрдерд░реЛрдВ рдХреЗ рднрд╛рд░ рдХреЛ рдвреЛрдирд╛ рдирд╣реАрдВ рдкреЬреЗрдЧрд╛, рдЕрдЧрд░ рдвреЛрдирд╛ рдирд╣реАрдВ рдкреЬреЗрдЧрд╛ рддреЛ рдореИрдВ рд╕реНрд╡рддрдВрддреНрд░ рд╣реЛрдХрд░ рдмрд╣реБрдд рдХреБрдЫ рдХрд░ рд╕рдХрддрд╛ рд╣реВрдБ. рдХреНрдпреЛрдВрдХрд┐ рдЬреНрдЮрд╛рди рдХреЛ рдзреЛрдиреЗ рдХреА рдЬрд░реБрд░рдд рдирд╣реАрдВ рдкреЬреЗрдЧреА, рд╡рд╣ рд╕реНрд╡рдпрдВ рд╣реА рдЙрддреНрдкрдиреНрди рд╣реЛрддрд╛ рд░рд╣рддрд╛ рд╣реИрдВ. рд╕реНрд╡рддрдГ рд╣реА рдЙрд╕рдореЗрдВ рд╕реБрдЧрдВрдз рдЖрдиреЗ рд▓рдЧрддреА рд╣реИрдВ.
рдЙрд╕рдореЗрдВ рдЖрдирдВрдж рдХреЗ рдЕрдореГрдд рдХреА рд╡рд░реНрд╖ рд╣реЛрдиреЗ рд▓рдЧрддреА рд╣реИрдВ ┬ардФрд░ рд╡рд╣ рддрдм рддрдХ рдирд╣реАрдВ рдкреНрд░рд╛рдкреНрдд рд╣реЛ рд╕рдХрддрд╛, рдЬрдм рддрдХ рд╣рдо рдЗрди рдХрдВрдХрдиреЛрдВ рдПрд╡рдВ рдкрддреНрдерд░реЛрдВ рдХреЛ рдвреЛрддреЗ рд░рд╣реЗрдВрдЧреЗ. рдЕрдкрдиреЗ рдЗрд╕ рд╣рд╛рдб-рдорд╛рдВрд╕ рдХреЛ рдвреЛрдиреЗ рд╕реЗ рдХреБрдЫ рдирд╣реАрдВ рд╣реЛрдиреЗ рд╡рд╛рд▓рд╛ рд╣реИрдВ, рдЬрдм рддрдХ рдЗрд╕рдореЗрдВ рдЪреЗрддрдирд╛ рдирд╣реАрдВ рд╣реЛрдЧреА. рдЪреЗрддрдирд╛ рдХреЛ рдкрд╛рдиреЗ рдХреЗ рд▓рд┐рдП рдПрдХрджрдо рд╕реЗ рдЦрд╛рд▓реА рд╣реЛрдирд╛ рдкрдбрд╝рддрд╛ рд╣реИрдВ, рд╕рдм рдХреБрдЫ рдЧрдВрд╡рд╛рдирд╛ рдкрдбрд╝рддрд╛ рд╣реИрдВ, рд╕рдм рдХреБрдЫ рджрд╛рдВрд╡ рдкрд░ рд▓рдЧрд╛рдирд╛ рдкрдбрд╝рддрд╛ рд╣реИя┐╜я┐╜. рддрдм рдЬрд╛рдХрд░ рдЪреЗрддрдирд╛ рдкреНрд░рд╕реНрдлреБрдЯрд┐рдд рд╣реЛрддреА рд╣реИрдВ рдФрд░ рддрдм рдЙрд╕ рдкреНрд░рд╕реНрдлреБрдЯрд┐рдд рдЪреЗрддрдирд╛ рдХреЛ рджрд┐рдЦрд╛рдиреЗ рдХреА рдЖрд╡рд╢реНрдпрдХрддрд╛ рдирд╣реАрдВ рдкреЬрддреА рд╣реИрдВ, рдмрд▓реНрдХрд┐ рджреБрдирд┐рдпрд╛ рдЙрд╕реЗ рд╕реНрд╡рдпрдВ рджреЗрдЦрддреА рд╣реИрдВ, рдмрд╛рд░-рдмрд╛рд░ рджреЗрдЦрддреА рд╣реИрдВ, рдШреБрд░-рдШреВрд░рдХрд░ рджреЗрдЦрддреА рд╣реИрдВ. рдХреНрдпреЛрдВрдХрд┐ рдЙрд╕реЗ рдЗрд╕ рд╣рд╛рдб рдорд╛рдВрд╕ рдореЗрдВ рдХреБрдЫ рдФрд░ рд╣реА рджрд┐рдЦрд╛рдИ рджреЗрддрд╛ рд╣реИрдВ, рдЬрд┐рд╕реЗ рдЪреИрддрдиреНрдпрддрд╛ рдХрд╣рддреЗ рд╣реИрдВ. рдЪреЗрддрдирд╛ рдХрд╣рддреЗ рд╣реИрдВ, рдЬреНрдЮрд╛рди рдХрд╣рддреЗ рд╣реИрдВ. рдФрд░ рдЙрд╕реЗ рдЙрд╕ рдореБрдЯреНрдареА рдореЗрдВ рджреЗрдЦрдиреЗ рдХреА рдЬрд░реБрд░рдд рдирд╣реАрдВ рд╣реИрдВ, рдХреНрдпреЛрдВрдХрд┐ рд╡рд╣ рдореБрдЯреНрдареА рдореЗрдВ рд╕рдорд╛рдиреЗ рд╡рд╛рд▓реА рдЪреАрдЬ рдирд╣реАрдВ рд╣реИрдВ, рд╡рд╣ рдЗрд╕ рд╕рдорд╕реНрдд рд╕рдВрд╕рд╛рд░ рдореЗрдВ рд╕рдорд╛рдпрд╛ рд╣реИрдВ, рдЬреЛ рд╕рдм рдХреБрдЫ рд╕рдмрдХреЛ рджрд┐рдЦрд╛рдИ рджреЗ рд░рд╣рд╛ рд╣реИрдВ.
Books by Dr. Narayan Dutta Shrimali Ji:- 1. Practical Palmistry 2. Practical Hypnotism 3. The Power of Tantra 4. Mantra Rahasya 5. Meditation 6. Dhyan, Dharana aur Samadhi 7. Kundalini Tantra 8. Alchemy Tantra 9. Activation of Third Eye 10. Guru Gita 11. Fragrance of Devotion 12. Beauty тАУ A Joy forever 13. Kundalini naad Brahma 14. Essence of Shaktipat 15. Wealth and Prosperity 16. The Celestial Nymphs 17. The Ten Mahavidyas 18. Gopniya Durlabh Mantron Ke Rahasya. 19. Rahasmaya Agyaat tatntron ki khoj men. 20. Shmashaan bhairavi. 21. Himalaya ke yogiyon ki gupt siddhiyaan. 22. Rahasyamaya gopniya siddhiyaan. 23. Phir Dur Kahi Payal Khanki 24. Yajna Sar 25. Shishyopanishad 26. Durlabhopanishad 27. Siddhashram 28. Hansa Udahoon Gagan Ki Oar 29. Mein Sugandh Ka Jhonka Hoon 30. Jhar Jhar Amrit Jharei 31. Nikhileshwaranand Chintan 32. Nikhileshwaranand Rahasya 33. Kundalini Yatra- Muladhar Sey Sahastrar Tak 34. Soundarya 35. Mein Baahen Feilaaye Khada Hoon 36. Hastrekha vigyan aur panchanguli sadhana.
рдмреНрд░рд╣реНрдорд╡реИрд╡рд░реНрдд рдкреБрд░рд╛рдг рдореЗрдВ рд╡реНрдпрд╛рд╕ рдореБрдирд┐ рдиреЗ рд╕реНрдкрд╖реНрдЯ рд▓рд┐рдЦрд╛ рд╣реИ, рдХрд┐ рднрдЧрд╡рд╛рдиреН рдХреЗ рдЕрд╡рддрд╛рд░реЛрдВ рд╕реНрд╡рд░реБрдк рдореЗрдВ рджрд╕ рдЧреБрдг рдЕрд╡рд╢реНрдп рд╣реА рдкрд░рд┐рд▓рдХреНрд╖рд┐рдд рд╣реЛрдВрдЧреЗ рдФрд░ рдЗрдиреНрд╣реАрдВ рджрд╕ рдЧреБрдгреЛрдВ рдХреЗ рдЖрдзрд╛рд░ рдкрд░ рд╕рдВрд╕рд╛рд░ рдЙрдиреНрд╣реЗрдВ рдкрд╣рд┐рдЪрд╛рдиреЗрдЧрд╛ред
рддрдкреЛрдирд┐рд╖реНрдардГ рдореБрдирд┐рд╢реНрд░реЗрд╖реНрдардГ рдорд╛рдирд╡рд╛рдирд╛рдВ рд╣рд┐рддреЗрдХреНрд╖рдгрдГ ред рдЛрд╖рд┐рдзрд░реНрдорддреНрд╡рдорд╛рдкрдиреНрдирдГ рдпреЛрдЧреА рдпреЛрдЧрд╡рд┐рджрд╛рдВ рд╡рд░рдГ рджрд╛рд░реНрд╢рдирд┐рдХрдГ рдХрд╡рд┐рд╢реНрд░реЗрд╖реНрдардГ рдЙрдкрджреЗрд╖реНрдЯрд╛ рдиреАрддрд┐рдХреГрддреНрддрдерд╛ ред рдпреБрдЧрдХрд░реНрддрд╛рдиреБрдордиреНрддрд╛ рдЪ рдирд┐рдЦрд┐рд▓рдГ рдирд┐рдЦрд┐рд▓реЗрд╢реНрд╡рд░рдГ рее рдПрднрд┐рд░реНрджрд╢рдЧреБрдгреИрдГ рдкреНрд░реАрддрдГ рд╕рддреНрдпрдзрд░реНрдордкрд░рд╛рдпрдгрдГ ред рдЕрд╡рддрд╛рд░рдВ рдЧреГрд╣реАрддреНрдЪреИрд╡ рдЕрднреВрдЪреНрдЪ рдЧреБрд░реБрдгрд╛рдВ рдЧреБрд░реБрдГ рее
рд╕рджрдЧреБрд░реБрджреЗрд╡ рдкреВрдЬреНрдпрдкрд╛рдж рдбреЙ рдирд╛рд░рд╛рдпрдгрджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА рдЬреА, рд╕рдВрдиреНрдпрд╛рд╕реА рд╕реНрд╡рд░реБрдк рдирд┐рдЦрд┐рд▓реЗрд╢реНрд╡рд░рд╛рдирдВрдж рдЬреА рдХрд╛ рд╡рд┐рд╡реЗрдЪрди рдЖрдЬ рдпрджрд┐ рдорд╣рд░реНрд╖рд┐ рд╡реНрдпрд╛рд╕ рджреНрд╡рд╛рд░рд╛ рдЙрдзреНрджреГрдд рджрд╕ рдЧреБрдгреЛрдВ рдХреЗ рдЖрдзрд╛рд░ рдкрд░ рдХрд┐рдпрд╛ рдЬрд╛рдП, рддреЛ рдирд┐рд╢реНрдЪрдп рд╣реА рд╕рджрдЧреБрд░реБрджреЗрд╡ рдЕрд╡рддрд╛рд░реА рдкреБрд░реВрд╖ рд╣реИрдВ, рдЬрд┐рдиреНрд╣реЛрдиреЗрдВ рдЕрдкрдиреЗ рд╕рд╛рдВрд╕рд╛рд░рд┐рдХ рдЬреАрд╡рди рдХрд╛ рдкреНрд░рд╛рд░рдореНрдн рдПрдХ рд╕реБрд╕рдВрд╕реНрдХреГрдд рдмреНрд░рд╛рд╣реНрдордг рдкрд░рд┐рд╡рд╛рд░ рдореЗрдВ рдХрд┐рдпрд╛ тАУ рд╕реБрджреВрд░ рдкрд┐рдЫрдбрд╛ рд░реЗрдЧрд┐рд╕реНрддрд╛рдиреА рдЧрд╛рдВрд╡ рдерд╛ред рдЬрдм рдЗрдирдХрд╛ рдЬрдиреНрдо рд╣реБрдЖ рддреЛ рдорд╛рддрд╛-рдкрд┐рддрд╛ рдХреЛ рдкреНрд░реЗрд░рдгрд╛ рд╣реБрдИ, рдХрд┐ рдЗрд╕ рдмрд╛рд▓рдХ рдХрд╛ рдирд╛рдо рд░рдЦрд╛ рдЬрд╛рдП тАУ тАШрдирд╛рд░рд╛рдпрдгтАЩред
рдпрд╣ рдирд╛рд░рд╛рдпрдг рдирд╛рдо рдзрд╛рд░рдг рдХрд░рдирд╛ рдФрд░ рдЙрд╕ рдирд╛рд░рд╛рдпрдг рддрддреНрд╡ рдХрд╛ рдирд┐рд░рдВрддрд░ рд╡рд┐рд╕реНрддрд╛рд░ рдХреЗрд╡рд▓ рдпреБрдЧрдкреБрд░реБрд╖ рдирд╛рд░рд╛рдпрдг рджрддреНрдд рд╢реНрд░реАрдорд╛рд▓реА рдХреЗ рд▓рд┐рдП рд╣реА рд╕рдореНрднрд╡ рдерд╛, рдЬрд┐рдиреНрд╣реЛрдиреЗрдВ рдЕрдкрдиреЗ рдЕрд▓реНрдкрдХрд╛рд▓реАрди рднреМрддрд┐рдХ рдЬреЗрд╡рдг рдореЗрдВ рд╢рд┐рдХреНрд╖рд╛ рдХрд╛ рдЙрдЪреНрдЪрддрдо рдЖрдпрд╛рдо рдЧреНрд░рд╣рдг рдХрд░ рдкреА.рдПрдЪ.рдбреА. рдЕрд░реНрдерд╛рдд рдбрд╛рдХреНрдЯреНрд░реЗрдЯ рдХреА рдЙрдкрд╛рдзрд┐ рдкреНрд░рд╛рдкреНрдд рдХреАред
#Dr. Narayan Dutt Shrimali#Dr Narayan Dutt Shrimali#Sadgurudev Dr Narayan Dutt Shrimali Ji#Gurudev Dr Narayan Dutt Shrimali Ji#nikhileshwaranand#Nikhil Ji
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Goddess Chinnamasta Dasha Mahavidyas Goddess Chinnamasta is considered as the Hindu God of courage and judgment, and comes in the fifth position among the 10 Mahavidyas. Chinnamasta is also known by the names Chhinnamastika and Prachanda Chandika. When compared to other Goddess she is believed to be in utmost furious form. Since she sacrificed herself by cutting the head she came to know by the name Chinnamasta. She is supposed to be the other form of Vajrayogini who had sacrificed by removing her own head. Chinnamasta also has cut-off her own head with a supreme sword and held the severed head in one of her hands. One of the three jets of blood that ejected out from her bleeding neck is directed to the mouth of her removed head whereas the other two blood ejections to the mouths of her associates. This signifies the spiritual success over desires by self control with powers of mind. Legend or Story of Goddess Chinnamasta There is an interesting story behind the incarnation of Chinnamasta. Once, Goddess Parvathi wet to have a bath in Mandakini River together with her two companions. After the bath the Goddess was thinking about the concepts of creation and life. Meanwhile, her two attendants became hungry and beg the Goddess for some food. She consoled and asked them to wait until they reached home. But when they started pleading again and again she cut off her own head from the neck region and made the blood to come out in three jet forms. One of these blood streams is entered in to the mouth of her severed head while the remaining two spurts are directed to the mouths of her companions which enabled them to quench hunger. After this sacrifice the Goddess Parvati is renowned as Goddess Chinnamasta. Iconography and Symbolism Goddess Chinnamasta is the insight of mystery and signifies spiritual truth regarding the fulfillment of worldly desires. In certain pictures she is depicted as standing on the body of a female who has been copulating with a male lying beneath her. It is from her navel that the divine Yoni Chakra is originated. Her body is covered by the four directions in place of clothes. She is believed to be eternal even though her head is removed from the body. Her two main qualities are highlighted by the features of her companions. The goddess is the image of sexual energy and her severed head is the symbol of inherent achievements. Her consciousness in creativity is represented by her garlands of skulls. For praying the Goddess Chinnamasta, different types of procedures are to be followed by the devotees.
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Kankhal is probably the oldest living area of Haridwar. It is where all the stories of Shiva and Sati continue to live in the temples and on the ghats of Ganga. During my trip to explore the ancient city of Haridwar, I got to explore it intimately. I discovered so many facets of this place that I think it should be on your list to explore next time you visit Haridwar.
Once upon a time, Haridwar existed in and around Kankhal. With time it grew and the central part went into the shadows.
Haridwar is also called Panchpuri, consisting of 5 smaller cities centered around Mayapuri or Maya Devi Temple. Kankhal is one of these 4 cities.
Visit a Dharamshala in Kankhal
Ruiya Dharamshala
Dharamshala is a predecessor of hotels and resorts. These are basic facilities meant for travelers and pilgrims visiting popular places like Haridwar. Families would come and stay here for a few days at nominal charges. They would take up some rooms and cook their own food and live here almost like locals.
Rich people, typically businessmen, would construct these Dharamshalas to earn their own Punya or merit. Look at the lovely cyclic economy where the rich construct for the benefit of those who can not afford to have a house in every place.
Ruiya Dharamshala
I visited the Ruiya Dharamshala that was built more than 100 years go in 1917. Sharma Ji, the caretaker of the Dharamshala, took me around. A simple board hung beneath the arch on a painted doorway announced the Dharamshala.
Pilgrims cooking at Ruiya Dharamshala
The architecture is a curious mix of a typical Indian Haveli and colonial architecture There is a Chabutra or sitting platform outside its main gate. It has a huge courtyard surrounded by a row of rooms on all four sides.
Women were sitting in the corridor and cooking for the day. Bathrooms and toilets are behind the main building, as an independent structure. There is a huge field with a temple where I could see a lot of birds even in the May heat. There is a library with many old and rare books.
Despite housing so many people, each of who were busy doing their own work, there was a certain calm to the place. Smiles were genuine and smiles welcoming.
At Ruiya Dharamshala, I met the quintessential Indian traveler or pilgrim. They are not in a hurry. No peer pressure to click pictures & they have time for you. They are here to spend time with Ganga Maiyya, take a bath in her holy waters and read a few scriptures or listen to their Gurus.
I strongly recommend you visit a Dharamshala in Kankhal Haridwar or any other pilgrim site that you may visit.
Sati Kund
Sati Kund
The Sati Kund today is more of an area in the town. I discovered it by chance when I noticed it on our way to Daksh Temple Complex. It looked like a dried up Kund or a step well, fairly large in size. Stepping into the complex I found a lot of small Yagna Kunds and small platforms indicating that rituals using fire are regularly performed here.
There was no one around to answer my queries. A small Shiva temple was full of devotees in the morning, but none of them could help me with any information. They all come to offer milk to the Shivalinga.
Yagna Kund at Sati Kund
Opposite the Sati Kund, there was a board mentioning Ancient Sati Temple. There was no way to reach this structure that looks absolutely abandoned.
I hope someone does some research on this and tells us what these structures are. More importantly, what kind of rituals are still being performed here.
Temples & Ashrams to See in Kankhal
Harihar Ashram
Rudraksha Tree
This is the Ashram of Swami Avdheshanand Giri Ji. It is said to have the Shivalinga made of Mercury or Para as it is called in Hindi. You can not really see it as the linga is covered with many things including flowers.
Rudraksha Seeds
However, the campus has an old Rudraksha Tree. You can also see bowls full of Rudraksha fruit in various stages.
Sri Yantra Mandir
Sri Yantra Temple
There is a relatively new but beautiful temple built in the shape of Sri Yantra. The Temple is not just made in the shape of Sri Yantra, inside it you see beautiful yantras being worshipped. In a large hall behind the temple, a Katha was being told. On a side in an open pavilion, Yagnas were being conducted.
Daksh Mahadev Temple Complex
This temple complex is at the heart of the heritage area. It is the venue of the oldest known story in Indian philosophy. So many stories in Indian scriptures and literature eventually go back to the story of Sati.
Daksh Mahadev Temple
Sati married Shiva against the wishes of her father, who then responded by not inviting her husband to a Yagna where everyone else was invited. Sati visits her fatherтАЩs home for the Yagna only to be insulted. She jumps in the Yagna fire and immolates herself. Shiva sends Veerbhadra in rage to destroy the Yagna and kill Daksha.
All the Shakti Peethas were created by the body parts of Sati that fell as Shiva roamed the earth holding her body and Vishnu had to cut it in pieces with his Chakra. Sati was reborn as the daughter of Himvan or the mountain. She did her Tapasya not too far from Kankhal, but that is a story for another day.
You enter the Daksh Mahadev Temple complex through a small gate with lions on both sides. A very simplistic imitation of what we see in our ancient stone temples.
Daksheshwar Mahadev Temple
This is the big temple in this complex. Different colors outline the contours of its arches and layers on Shikhara. Colors on a white background add a bit of vibrancy to the otherwise somber backdrop.
Ancient Banyan Tree тАУ Daksh Mahadev Temple
A huge Banyan tree stands next to the temple. Layers of Mauli or the red and yellow thread around the tree tells you it is a revered tree that is worshipped by the devotees visiting the temple.
I get into a queue of people entering the temple. We pass by a Yagna Kund that everyone bows to. Some people even drop a few coins in it. This is supposed to be the place where Sati jumped into the fire. The temple was later built by her father to honor Shiva. Hence, it gets the name тАУ Daksheshwar Mahadev тАУ the lord of Daksha.
The temple is beautiful in a very simple subtle way. However, due to huge crowds, it was not possible to stand there and admire it or understand its architecture.
Ganga Ghat & Temple
Ganga Temple
In Kankhal Haridwar, you are never too far from Ganga that flows on its either side. At Daksh Mahadev Mandir, a proper ghat is erected. Almost everyone takes a dip in the Ganga. In May, youngsters enjoyed the cool waters of Ganga by swimming in it. There are proper arrangements for those who want to take a dip but do not know swimming.
Next to the ghat is a small temple dedicated to Ganga. Ganga is personified here in her anthropomorphic form. I wish the temple was devoid of all the ceramic tiles that simply take away the energy.
Sheetala Mata Temple
Ancient Murti of Sati
Right Behind the Daksheshwar Mahadev Temple is this Sheetala Mata Temple. Sheetala Mata is usually considered the goddess of communicable diseases like smallpox and chicken pox.
This is supposed to be the birthplace of Sati. The main Murti seems to be relatively new. Behind the main sanctum, I could find an ancient vigrah in stone. It has piercing eyes and 8 arms.
Dash Mahavidya Temple
Right next to Daksheshwar Mahadev temple, is this lovely temple dedicated to 10 Mahavidya forms of Devi.
Inside Dash Mahavidya Temple- Most beautiful of Devi Temples in Haridwar
At the heart of this temple is a giant Sri Yantra in Copper on a wall. Surrounding it, are the images of 10 forms of Goddess as Mahavidyas:
Kali
Tara
Tripura Sundari
Bhuvaneshwari
Bhairavi
Chhinamasta
Dhumavati
Baglamukhi
Matangi
Kamala
This is an important temple for the Shakti worshippers.
See More тАУ Devi Temples of Haridwar
Brahmeshwar Mahadev Temple
Right next to Dash Mahavidya temple is a smaller Btahmeshwar Mahadev temple. The name indicates that this would be a temple where Brahma worshipped Shiva.
Walking in the lanes of Kankhal Haridwar
It is a typical old town in North India. When you walk in the streets, you discover some strands from the past that bring an instant smile to your face.
Haridwar is a temple town, so no matter where you step, you will find a temple in sight тАУ old or new. Which ones you step into and which ones you pass by is totally an in-the-moment decision. Rest assured, they all will have a story associated with them.
Tailors
An old tailor
I chose to stop by a tailor who has spent all his life in this shop. At a ripe age of 70+, he still stitches a few shirts every day and is damn proud of it.
Vaidyas
They say every plant is nutrition for the body, and every plant in Dev bhumi Uttarakhand is Aushadi or medicine. Forests on the hills of Uttarakhand are known for their medicinal herbs.
Ayurveda Medicines being made
In the lanes of this heritage city, I saw a lot of Vaidyashalas. I stepped into a couple of them and met the Vaidyas. They were kind enough to entertain me despite the long queue of patients. They told me about the patients who come to Haridwar from all over the country.
I took a kind of guided walk around the pharmacy where the medicines were being prepared with minimal mechanization. They still use the pastel and mortar to powder the herbs. Many women say together packing the medicines.
Ayurveda is probably a lesser known small-scale industry of Uttarakhand. It was my discovery in this heritage city walk.
Haveli like Akhadas
The facade of Haveli like Akhadas
Walking around, I saw some lovely ornate doors and gateways. I assumed they belong to a Haveli of some rich family. On closer examination, most of them were doors to different Akhadas or religious organizations where Sadhus live.
Akhadas on one side led to Ganga on their other side. Can you ask for a better living space where Ganga flows right beside your home, as soon as it enters the plains from hills?
Sanskrit Schools in Kankhal
Old Sanskrit School
Somewhere in between homes and Akhadas, I stepped into an old Sanskrit school. It reminded me that this place should have a lot of Sanskrit and Vedic Pathshalas. Incidentally, the locals said most of them are not doing well.
What would stay with me is the lovely location of these schools, right next to Ganga.
Other famous landmarks include Ma Anandmayi Ashram, Ramakrishna Mission.
Travel Tips
Ghats of Ganga
Kankhal is located about 3 km South of the famous Har Ki Pauri in Haridwar. You can take any mode of transportation to reach here.
You can walk around the whole area if weather permits. Else, e-rickshaw may be the best option to see the place. Some of the streets are narrow.
Seek permission before you enter any private space like an Akhada or a school.
You can so all this in less than 2 hours. I think I spent almost a day there exploring the big and small things.
Enjoy the quintessential pilgrimage experience with the ancient aura.
The post Kankhal Haridwar Heritage Walk What To See & Experience appeared first on Inditales.
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Tara 1885тАУ1890. Publisher: Calcutta Art Studio. Lithograph Dimensions 11 15/16 x 16 1/16 in. / 30.3 x 40.8 cm. At bottom: Calcutta Art Studio 185 Bowbazar St
This print belongs to a set of five prints depicting the 10 Mahavidyas. The Mahavidyas, who first appear in late medieval Hinduism, are considered to be individual incarnations or manifestations of the Great Goddess, paralleling the ten incarnations of Vishnu.
An origin story relates them to ten forms assumed by Shiva's wife Sati, in her anger over the disrespect her father, Daksha, showed toward Shiva.
The Mahavidyas were particularly honored in the Bengal region. Tara appears similar to Kali, but she is pregnant and wears a tiger skin. She is depicted standing in a cremation ground surrounded by blazing fires. (via Museum of Fine Arts Boston)
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Kankhal is probably the oldest living area of Haridwar. It is where all the stories of Shiva and Sati continue to live in the temples and on the ghats of Ganga. During my trip to explore the ancient city of Haridwar, I got to explore it intimately. I discovered so many facets of this place that I think it should be on your list to explore next time you visit Haridwar.
Once upon a time, Haridwar existed in and around Kankhal. With time it grew and the central part went into the shadows.
Haridwar is also called Panchpuri, consisting of 5 smaller cities centered around Mayapuri or Maya Devi Temple. Kankhal is one of these 4 cities.
Visit a Dharamshala in Kankhal
Ruiya Dharamshala
Dharamshala is a predecessor of hotels and resorts. These are basic facilities meant for travelers and pilgrims visiting popular places like Haridwar. Families would come and stay here for a few days at nominal charges. They would take up some rooms and cook their own food and live here almost like locals.
Rich people, typically businessmen, would construct these Dharamshalas to earn their own Punya or merit. Look at the lovely cyclic economy where the rich construct for the benefit of those who can not afford to have a house in every place.
Ruiya Dharamshala
I visited the Ruiya Dharamshala that was built more than 100 years go in 1917. Sharma Ji, the caretaker of the Dharamshala, took me around. A simple board hung beneath the arch on a painted doorway announced the Dharamshala.
Pilgrims cooking at Ruiya Dharamshala
The architecture is a curious mix of a typical Indian Haveli and colonial architecture There is a Chabutra or sitting platform outside its main gate. It has a huge courtyard surrounded by a row of rooms on all four sides.
Women were sitting in the corridor and cooking for the day. Bathrooms and toilets are behind the main building, as an independent structure. There is a huge field with a temple where I could see a lot of birds even in the May heat. There is a library with many old and rare books.
Despite housing so many people, each of who were busy doing their own work, there was a certain calm to the place. Smiles were genuine and smiles welcoming.
At Ruiya Dharamshala, I met the quintessential Indian traveler or pilgrim. They are not in a hurry. No peer pressure to click pictures & they have time for you. They are here to spend time with Ganga Maiyya, take a bath in her holy waters and read a few scriptures or listen to their Gurus.
I strongly recommend you visit a Dharamshala in Kankhal Haridwar or any other pilgrim site that you may visit.
Sati Kund
Sati Kund
The Sati Kund today is more of an area in the town. I discovered it by chance when I noticed it on our way to Daksh Temple Complex. It looked like a dried up Kund or a step well, fairly large in size. Stepping into the complex I found a lot of small Yagna Kunds and small platforms indicating that rituals using fire are regularly performed here.
There was no one around to answer my queries. A small Shiva temple was full of devotees in the morning, but none of them could help me with any information. They all come to offer milk to the Shivalinga.
Yagna Kund at Sati Kund
Opposite the Sati Kund, there was a board mentioning Ancient Sati Temple. There was no way to reach this structure that looks absolutely abandoned.
I hope someone does some research on this and tells us what these structures are. More importantly, what kind of rituals are still being performed here.
Temples & Ashrams to See in Kankhal
Harihar Ashram
Rudraksha Tree
This is the Ashram of Swami Avdheshanand Giri Ji. It is said to have the Shivalinga made of Mercury or Para as it is called in Hindi. You can not really see it as the linga is covered with many things including flowers.
Rudraksha Seeds
However, the campus has an old Rudraksha Tree. You can also see bowls full of Rudraksha fruit in various stages.
Sri Yantra Mandir
Sri Yantra Temple
There is a relatively new but beautiful temple built in the shape of Sri Yantra. The Temple is not just made in the shape of Sri Yantra, inside it you see beautiful yantras being worshipped. In a large hall behind the temple, a Katha was being told. On a side in an open pavilion, Yagnas were being conducted.
Daksh Mahadev Temple Complex
This temple complex is at the heart of the heritage area. It is the venue of the oldest known story in Indian philosophy. So many stories in Indian scriptures and literature eventually go back to the story of Sati.
Daksh Mahadev Temple
Sati married Shiva against the wishes of her father, who then responded by not inviting her husband to a Yagna where everyone else was invited. Sati visits her fatherтАЩs home for the Yagna only to be insulted. She jumps in the Yagna fire and immolates herself. Shiva sends Veerbhadra in rage to destroy the Yagna and kill Daksha.
All the Shakti Peethas were created by the body parts of Sati that fell as Shiva roamed the earth holding her body and Vishnu had to cut it in pieces with his Chakra. Sati was reborn as the daughter of Himvan or the mountain. She did her Tapasya not too far from Kankhal, but that is a story for another day.
You enter the Daksh Mahadev Temple complex through a small gate with lions on both sides. A very simplistic imitation of what we see in our ancient stone temples.
Daksheshwar Mahadev Temple
This is the big temple in this complex. Different colors outline the contours of its arches and layers on Shikhara. Colors on a white background add a bit of vibrancy to the otherwise somber backdrop.
Ancient Banyan Tree тАУ Daksh Mahadev Temple
A huge Banyan tree stands next to the temple. Layers of Mauli or the red and yellow thread around the tree tells you it is a revered tree that is worshipped by the devotees visiting the temple.
I get into a queue of people entering the temple. We pass by a Yagna Kund that everyone bows to. Some people even drop a few coins in it. This is supposed to be the place where Sati jumped into the fire. The temple was later built by her father to honor Shiva. Hence, it gets the name тАУ Daksheshwar Mahadev тАУ the lord of Daksha.
The temple is beautiful in a very simple subtle way. However, due to huge crowds, it was not possible to stand there and admire it or understand its architecture.
Ganga Ghat & Temple
Ganga Temple
In Kankhal Haridwar, you are never too far from Ganga that flows on its either side. At Daksh Mahadev Mandir, a proper ghat is erected. Almost everyone takes a dip in the Ganga. In May, youngsters enjoyed the cool waters of Ganga by swimming in it. There are proper arrangements for those who want to take a dip but do not know swimming.
Next to the ghat is a small temple dedicated to Ganga. Ganga is personified here in her anthropomorphic form. I wish the temple was devoid of all the ceramic tiles that simply take away the energy.
Sheetala Mata Temple
Ancient Murti of Sati
Right Behind the Daksheshwar Mahadev Temple is this Sheetala Mata Temple. Sheetala Mata is usually considered the goddess of communicable diseases like smallpox and chicken pox.
This is supposed to be the birthplace of Sati. The main Murti seems to be relatively new. Behind the main sanctum, I could find an ancient vigrah in stone. It has piercing eyes and 8 arms.
Dash Mahavidya Temple
Right next to Daksheshwar Mahadev temple, is this lovely temple dedicated to 10 Mahavidya forms of Devi.
Inside Dash Mahavidya Temple- Most beautiful of Devi Temples in Haridwar
At the heart of this temple is a giant Sri Yantra in Copper on a wall. Surrounding it, are the images of 10 forms of Goddess as Mahavidyas:
Kali
Tara
Tripura Sundari
Bhuvaneshwari
Bhairavi
Chhinamasta
Dhumavati
Baglamukhi
Matangi
Kamala
This is an important temple for the Shakti worshippers.
See More тАУ Devi Temples of Haridwar
Brahmeshwar Mahadev Temple
Right next to Dash Mahavidya temple is a smaller Btahmeshwar Mahadev temple. The name indicates that this would be a temple where Brahma worshipped Shiva.
Walking in the lanes of Kankhal Haridwar
It is a typical old town in North India. When you walk in the streets, you discover some strands from the past that bring an instant smile to your face.
Haridwar is a temple town, so no matter where you step, you will find a temple in sight тАУ old or new. Which ones you step into and which ones you pass by is totally an in-the-moment decision. Rest assured, they all will have a story associated with them.
Tailors
An old tailor
I chose to stop by a tailor who has spent all his life in this shop. At a ripe age of 70+, he still stitches a few shirts every day and is damn proud of it.
Vaidyas
They say every plant is nutrition for the body, and every plant in Dev bhumi Uttarakhand is Aushadi or medicine. Forests on the hills of Uttarakhand are known for their medicinal herbs.
Ayurveda Medicines being made
In the lanes of this heritage city, I saw a lot of Vaidyashalas. I stepped into a couple of them and met the Vaidyas. They were kind enough to entertain me despite the long queue of patients. They told me about the patients who come to Haridwar from all over the country.
I took a kind of guided walk around the pharmacy where the medicines were being prepared with minimal mechanization. They still use the pastel and mortar to powder the herbs. Many women say together packing the medicines.
Ayurveda is probably a lesser known small-scale industry of Uttarakhand. It was my discovery in this heritage city walk.
Haveli like Akhadas
The facade of Haveli like Akhadas
Walking around, I saw some lovely ornate doors and gateways. I assumed they belong to a Haveli of some rich family. On closer examination, most of them were doors to different Akhadas or religious organizations where Sadhus live.
Akhadas on one side led to Ganga on their other side. Can you ask for a better living space where Ganga flows right beside your home, as soon as it enters the plains from hills?
Sanskrit Schools in Kankhal
Old Sanskrit School
Somewhere in between homes and Akhadas, I stepped into an old Sanskrit school. It reminded me that this place should have a lot of Sanskrit and Vedic Pathshalas. Incidentally, the locals said most of them are not doing well.
What would stay with me is the lovely location of these schools, right next to Ganga.
Other famous landmarks include Ma Anandmayi Ashram, Ramakrishna Mission.
Travel Tips
Ghats of Ganga
Kankhal is located about 3 km South of the famous Har Ki Pauri in Haridwar. You can take any mode of transportation to reach here.
You can walk around the whole area if weather permits. Else, e-rickshaw may be the best option to see the place. Some of the streets are narrow.
Seek permission before you enter any private space like an Akhada or a school.
You can so all this in less than 2 hours. I think I spent almost a day there exploring the big and small things.
Enjoy the quintessential pilgrimage experience with the ancient aura.
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