#1) i generally don't even enjoy media about high schoolers so ????
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rewatching fantasy high for the fourth (4th) time....i might have a problem
#two things:#1) i generally don't even enjoy media about high schoolers so ????#2) i can count on one hand the amount of tv shows ive actually finished. i don't even rewatch them either#so why is fucking. dimension 20 the only thing where i've rewatched individual seasons that many times???#also if we consider d20 one show then it's still the ''longest'' show i've watched#it's the only show i've seen more than 6 seasons of#milestumblr
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Hi! I'm the Plato anon for before. First of, thank you so much for your offer, but I think I managed on me own. Second, could you elaborate on the "analysing as YA" vs "analysing as an adult" approach? I assumed that "discourse people" on this website generally don't go beyond "antagonist is bad because they are against the hero!" out of ignorance/lack of interest except to score Internet Fame Points, not that it was due a specific mindest. I also don't really read YA (except Tiffany Aching)
TIFFANY ACHING!! T_T ANON LET ME HUG YOU it’s like the only YA I actually liked in my entire life apart from nick hornby’s one book but that wasn’t typical lmao
THAT SAID, well your discourse people point is pretty much part of it but since I’m here and I can rant have the entire thing I was too tired to hash yesterday ;) so, in order:
first thing, we need to establish that ya books and **adult** books generally have different target audiences which is fine and good because obviously if you want to write a thing you’ll do that for An Audience That You Have In Mind; this doesn’t mean that adults can’t read ya or that teenagers can’t read **adult books** because everyone can read what they want (and personally for one I never cared for ya in my entire life not even when I was the target audience), but it simply means that some books are meant to be liked by one category first and eventual others later and they need to be talked about in that specific context first and everything else later - then there might be books that are aimed for kids/young readers or sold like that or that can be read on more than one level which can be appreciated for different things later in time (for example I read huck finn at sixteen and I absolutely loved it but it was a book that here is seen as good reading material also for eight year olds, and at eight I wouldn’t have liked it for the reasons I did at sixteen, and if I read it now I would still like it, while a bunch of the books for kids I read when I was seven is stuff I enjoyed then but forgot now and probably was good for that age but didn’t stick with me);
second thing, that means that when I discuss a young adult book aimed at teenagers I will never hold it to the standards I would hold a book aimed at a general adult audience, especially if it’s the kind of ya like dunno as stated the vampire diaries aimed at teenage girls which is obviously the kind where you have the fantasy world with the hot dark guy who swoons the high schooler protagonist off her feet etc because that stuff is basic teenage girl fantasy 101 and like... I’ll expect a bunch of romance tropes, the usual push and pull, the guy eventually being into her, the protagonist being someone a fourteen year-old can see herself in, probably a few sexual elements thrown here and there and so on, because that’s the shit marketed at fourteen year-olds who want to read that and like... it’s really not that deep. I can’t ask the vampire diaries to be moby dick because it’s not meant to be. or, if I read percy j/ackson - which is another thing I have zero interest in but I know about because I see tweets from the author - I expect to have a bunch of teens coming into their own coming from different backgrounds because the author wants to represent properly a lot of categories so most of his readers can have someone they can see themselves in and like if a thirteen year-old who suspects being lgbt or whatever sees themselves in the gay kid from per/cy jackson guess what that’s what that book is for, so I won’t judge it on like... being a faithful representation of greek myths or how good the style is or whatever, because even if to me it’s not top notch writing or has a plot idc about it has to be for teenagers and pre-teens, not for me, a thirty year old who again didn’t even like pre-teen aimed literature when she was a pre-teen;
third, I can extra clarify it using the damned hp discourse, as in: when I say I’m tired of people not reading anything else or reading everything like hp, it means that they read it when they were growing up/were teens and it was aimed at them which is fine, but then twenty fucking years later when the people in question are way beyond their twenties (guys I’m almost 32 and I remember when the first one came out come on) when talking about any single piece of media in existence (movies, comics, other books) use hp characters/situations as the terms of paragon - like guys I had to read sn/ape comparisons with theon and ky/lo ren on the basis that THEY’RE GREY CHARACTERS as if sn/ape is the only grey character that ever existed, people keep on talking about vold/emort as the only bad guy that ever existed and so on, and like... you can’t talk about, idk, asoiaf or any book aimed at an adult audience like you’d talk about hp, because at this point I wouldn’t be surprised if I read comparisons between sn/ape and ivan karamazov and I think I don’t need to specify how completely nonsensical that would be;
now, with all of this explained, what I mean is: ya in general - which is not a fault per se of the genre since it’s aimed at teens and pre-teens - tends to have... very fixed narrative schemes depending on which teens it’s addressing - like, stuff like tvd or twilight is obviously the romance teenage girl fantasy where you have the girl fighting to be with the dark beautiful supernatural creature in question, per/cy jackson is more like I’ll give you a bunch of relatable characters having cool adventures against bad guys with the occasional redemption so we can see that people are redeemable but you still have right vs wrong, hp is sort of like that in the sense you get relatable-ish protagonist with relatable friends growing up throughout the entire thing and fighting on the good side vs the evil side including the usual death of the mentor plus people who seemed bad actually not being bad™ except that PJ has more povs and better rep from what I gather but that’s not the point so it’s basically the growing up journey for the young protagonist(s) the kid sees themselves in, then there’s stuff like hunger games where you actually have the dystopian worldbuilding just written to be enjoyable by younger people who don’t want to get too depressed (and ngl I haven’t read the books but I’ve seen the first two movies and guys the way everyone ignores the classist commentary in thg to discuss the love triangle is... a staple of the problem tbh) but still try to introduce deeper themes and have more nuanced characters and at the same time are still written to be enjoyed maybe by the more adult side of the target, and at the same time I can’t say that thg is the same as 1984 when it comes to target audience because 1984 doesn’t make the ugly dystopian themes more accessible using the love story/teenage protagonist etc;
at this point the problem is: if you only ever read ya and nothing else in your life (which is what a lot of people here do - guys again when I got here in 2011 if people didn’t discuss hp they discussed john gr/een, the only *adult*-aimed book I see discussed on tumblr is asoiaf... because of got X°DDD) then you end up seeing every other piece of literature expecting what you do out of a young adult and then you expect adult literature out of young adults/ya to approach certain implications the way an adult novel would, which is... frankly ridiculous;
specific examples: I see blogs which are principally about like ya fantasy books ie acotar or shadow/hunters or whatever shitting on grrm because AAAAH HE’S PROBLEMATIC/MISOGYNIST/HE HAS VIOLENCE AND RAPE IN THE BOOKS BLAH BLAH and like... spoilers: if I wrote a fantasy series aimed at fourteen year-olds who want their fantasy romance with the hot dark guy who is maybe a tiny bit problematic but turns their leaf for them I would hold back on blood and violence, if I wrote a fantasy for adults where I want to be realistic about misogyny I will not, and the fact that grrm gets judged on what happens and not how he writes it (and again, saying that a guy who has 1/3rd of his pov characters female except that it’s actually 50/50 because there are no throwaway povs except for mel while guys have a lot more of them and all the female povs have narrative weight [and mel has it before she gets one] and all of them have a different personality and he also has the same trope [brienne and arya] in two people with wildly different personalities and needs which is basically a goddamned miracle is a misogynist because there’s misogyny in his fantasy world is ridiculous imvho) which is.... exactly expecting of asoiaf what you’d expect out of acotar, when grrm and acotar’s writer write for wildly different audiences. now, if I had read acotar at 15 and asoiaf at 15 I’d have had no doubt re asoiaf being more my thing because again the subgenre acotar goes for is not my thing because I never related to that fantasy while brienne is my rep, but in general a 14yo girl who likes the acotar-like stuff will not care for grrm.... which is normal because grrm writes for adults of both genders, not teenage girls (I mean teenage boys also have their own subgenres for which the same rules are valid), and someone who likes percy jackson (aimed at both genders but like... pre-teens early teens) who doesn’t gaf for grrm won’t because it’s not aimed at them unless they like grrm for other reasons ie idk they realize that they relate to jon snow idk but you see my point, so like tldr that’s what I mean with if you only read ya you’ll expect adult writers to handle their themes like ya writers would and like... sorry but if I write stuff for adults I won’t feel the need to specify that the bad guy is B A D with neon lights because an adult should grasp that from the narrative, I don’t need to make sure it’s obvious bc it’s aimed at kids;
reverse: when I see people saying ‘the vampire diaries is problematic because it’s about people who are a hundred years old preying on teenage girls so we need to stop teenage girls from reading that kind of thing because it makes them think it’s okay to go with someone that much older than them’, we’re at the opposite problem in the sense that you’re asking a young adult novel what you would ask of AN ADULT NOVEL when there’s no point in it. like, a teenage girl knows perfectly that damon salvatore doesn’t exist and vampires don’t exist and werewolves don’t exist - the entire point of tvd is that she gets to fawn over the hot supernatural dude who changes for the better thanks to the female protagonist she most likely sees herself in and she gets to have a few nice fantasies about that which is like... normal for people who are developing their sexualities, most people wouldn’t actually want damon salvatore the way he’s exactly in canon irl because they know it’s a fantasy and so it should stay. like, sorry but as someone who watched the show because ian somerhalder is hot in her twenties and tried the first book and gave it up at page 30 because I couldn’t do it, I can 100% assure anyone that the biggest issues with tvd books are that the writing is really fucking bad (for my standards at least), with the tvd show that from S4 the writing spiraled downwards and no one wanted the magical vampire pregnancy witch twins ridiculousness, but none of the content actually was shit that anyone would take seriously like that and I wouldn’t expect tvd to approach that subject realistically. if I read a vampire book aimed at adults who actually wants to write such a relationship as creepy WELL YES OF COURSE I’D EXPECT IT TO BE OBVIOUS ABOUT IT BEING CREEPY, but if it’s aimed at freaking teenagers... it’s a fantasy and not really that deep, take it for what it is and let teenage girls enjoy thinking about smooching damon salvatore (or stefan or whoever) without assuming they need to be protected from Horrible Vampire Fiction™, same as no one goes bitching about unrealistic sex scenes in serialized romance books because people read them because they’re unrealistic and escapism, not because they expect nobel prize worthy exploration of themes from them;
now, ^^^^^^ would not happen if people actually read variedly and studied some decent lit analysis in school - but like, after I had to read I think at some point that of mice and men is ableist... THAT’S the damned point - with ya you can take a lot of the plot at face value, with adult lit you can’t and you have to see motivation beyond the action of the characters and you can’t do that if you only read books aimed at pre-teens/teenagers where obviously that’s... more spelled out than it would be in a book aimed at an adult audience;
that by the way also means wildly missing actual adult themes discussion in ya, because again, I haven’t read thg but from the two movies I’ve seen it’s fucking obvious that the whole thing is an anti us-classism commentary from how the districts are built to how the games are rigged to pretty much everything in the worldbuilding, but all the discourse I see on tumblr is about either the love triangle or katniss being miscast or president snow being a jerk and whatever else, but I never once saw anyone saying ‘heeeeey the people in katniss’ district are an in your face metaphor of poor people in the us of a belonging to certain categories while the first few districts are absolutely the 1% and the entire point of it is that she wants to tell you A CLASSIST SOCIETY IS BAD AND WILL LEAD TO REVOLUTIONS’, which to me was... like, glaring, it was literally what 90% of the entire thing was about and no one ever discusses it in a fandom-wide sense (I mean... I saw a bunch of hg posts back when the movies came out, I never saw this brought out), which... is a problem because it means that the moment people are put in front of a ya product that actually tackles that kind of issue.... they go and worry about the love triangle (which seemed to me the excuse to draw the people in the story) not about the social commentary, and like, maybe a twelve year-old won’t catch on the social commentary, a twenty-year old especially from the us should, and I don’t see that happening;
and sorry but that is because if you only engage with content aimed at a younger audience than your target first you assume that every piece of literature should be consumable/readable/enjoyable by a younger audience (and sorry but no, some of us don’t want to write stuff making sure teenagers like it) and then ask of actual ya media to cater to their *adult* needs and not to the needs of the target audience because wow obviously if you’re 25 you won’t want out of literature what you wanted at fourteen;
and this also is valid for children’s media because again, I’m cutting it short, but adults watching st/even universe and sending people death threats because they don’t agree with their opinion of a cartoon aimed at an audience that’s at moooostttt eight years old is a thing that shouldn’t even fucking exist, and if you think steven/universe is that important at an adult age you need to re-assess your priorities;
tldr: adults should not expect media aimed at kids/teens to cater to their interests and shouldn’t analyze it the way they’d analyze a piece of media aimed at an adult audience and should not presume that every piece of media should have the scope/schemes of medias aimed at kids/teens because some of us don’t want to read that.
now, I’ll leave you with a nice short anecdote which hopefully will further clarify what I mean and add to another point which would be, kids and teens don’t give a fuck about what you, an adult, do: when everyone was in a frenzy about my little pony back in 2013 or so I had to see a ton of posts like ‘AAAAAH MEN/BOYS WHO ARE INTO MLP ARE STEALING THE SHOW FROM YOUNG GIRLS HOW DARE THEY ENJOY IT WE NEED TO KICK THEM OUT’ with added people saying that a ten year old male kid who tried to kill himself bc his friends bullied him bc he liked mlp deserved it and the likes, my only thought was that... when I was 8-10 in elementary school and was actually the target for cartoons and stuff, sailor moon was the rage between all girls my age me included, we’d spend recess playing pretend (and I’d get stuck playing sailor mars bc no one wanted her, sad) and our hugest first world problem in existence was that we needed technically a mamoru and of course no self-respecting boy in elementary school would have admitted under death threats to watching sailor moon because it was a girls’ thing (aaaaah gender roles in the early-mid 90s, how fun) so everyone despaired because ofc no one wanted to play mamoru... and the few times any guy actually showed up like HEEEEY I WANNA DO IT BUT PLEASE DON’T TELL MY FRIENDS I LIKE SAILOR MOON we’d all be like OMG YOU’RE OUR NEW FAVORITE PERSON PLEASE YOUR SECRET IS SAFE because we couldn’t believe we found the magical boy™ who wanted to do it, and if anyone had told us that the kid in question was stealing sailor moon from us we’d have laughed in their face.
like.
kids don’t ask of media what you, an adult do, and it’s unfair of you, an adult, to ask children’s/ya media to cater to your damned interests, which are amply catered to by the tons of adult literature around which also forces you to push on your views and read more challenging things and to not read/watch stuff at face value, which is why I would really appreciate it if the amount of 20yo people on here who I consider adults engaged with more adult media and let themselves be challenged instead of just going back to ya/kids’ things, which are good for teens and kids and can be enjoyed by everyone but should not be the only goddamned genre you measure all other literature against because then you get people saying that lolita is pro-pedo when it’s exactly the goddamned contrary, but if you think that pov character = protagonist = good guy (which is... staple kids/ya stuff for obvious reasons) then you decide that humbert humbert is someone you’re supposed to root for. too bad that you’re not and the author was an actual csa victim so it’s a completely ridiculous reading that wouldn’t happen if you didn’t read lolita the way you read hp.
... okay, I’m done, sorry for how long this was, I hope it cleared things for good xD
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