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#06 Draw Results
zosanbrainrot · 3 months
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PART 4!!
01 02 03 04 05 06
I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!
Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao
In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:
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I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.
So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......
It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.
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I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.
So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.
In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.
I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol
Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao
Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao
Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!
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yuveenti-blog · 2 months
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Astrology Observations 08/06/2024
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🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿🧿
🌞The Light & Dark Side To You Based On Your Sun & Moon Sign ( The Sun is what we are consciously aware of can see clearly, it represents the most positive traits in us as well. The moon rules our subconscious and what we can’t see clearly, it represents our dark traits).🌕
Aries Sun: Aries looks straight into fear and still decides to go in. These individuals feel accomplished when they conquer what they fear. They are driven to feel life in all its intensity, they do not and will not settle for a mediocre life. They want nothing more than to be surrounded by confident, successful, and fully-lived people. They want to inspire others by their actions but they are the one to continually motivate those around them, their positivity creating momentum for others in their life. They truly do believe everyone is capable. They have been through a lot of rough experiences and have built so much internal strength that they can shrug off many things. They have a distinct laugh and are certainly funny themselves. They utilize their experiences as lessons so they have a lot of wisdom to share. These are people who feel uncomfortable lying and prefer honesty as it helps them feel authentic. They grew up feeling different in many ways so they had to build a lot of confidence around their difference and learned that standing out and being different is bad, so they can actually be a lot more comfortable with theirselves than others who may feel the need to conform. An Aries is proud of their uniqueness and thrive off of utilizing it when no one is on the same boat as them.
Taurus Sun: Taurus people make you feel like you can cuddle in your bed and be alright. They do not bring an overwhelming and intense energy to rooms. They are the chill people who can remain chill even when chaos begins. They exude “ Queen and King” energy. They are truly meant to be an example of how you can manifest what you want. Inspirational and responsible. They are incredibly methodical when dealing with their goals. They don’t have time for questions without answers. When they go after what they want they know what they are doing and the end results. They are the kind of people who enjoy slow living, but they aren’t cheap. They require quality in their lives so they will continue on until they get it. It can be difficult to find Taurus who aren’t ultimate manifestors. Most Taurus get what they want or close to it in this lifetime. They are very classy and well-mannered people who take care of others very well.
Gemini Sun: Gemini’s have a charm about them that draws you to them without speaking. They seem interesting from a distance. They at times exude energy similar to Leo. They walk with confidence as if others are watching and they stand in a way to invite others in. When they do speak they garner a lot of attention. A lot of people gather to laugh, listen, and debate. Gemini’s are the master networkers. They can upgrade their lifestyle with their ability to be amongst different crowds and capture their attention. Geminis are also great at persuading others, so they do great in jobs where sales is important. Gemini’s are the kind of people who can move to a different state and seem like they’re from there. They don’t struggle to pick-up and move on, they always can upgrade and they know this internally. That is why they seem scatterbrained because they are searching for what is going to improve their life the most. And with this skill they can always offer you an idea to improve yours. They are fast learners and bring great energy to wherever they go.
Cancer Sun: A Cancer’s intelligence lies in how they perceive. They have environmental intuition and absorb information from wherever they are. Their wisdom lies in what they feel and what they know through their intuition. They can be insightful. They have a lot of drive towards their goals and often have such a lovely aura that they get the support needed to succeed. Cancers are nurturers because their instinct is to support, love, and care. They take action when someone needs or wants their support. These people are kind and enduring, they can go through a lot and still give.
Leo Sun: Leo’s like the Sun need to shine. Whatever they start with in life they want to maximize. Leo’s don’t operate small-minded, like Aquarius their goals are on a wide-scale which is why a lot of celebrities are Leo. They want to reach the masses. They strive to reach the top and will not allow themselves to be devalued. Leo’s have the self-respect other signs desire. This is innate to them. They preserve their selves and are careful who they let in to their life. These are very affectionate individuals and they radiate warmth. They have a confidence that isn’t based on circumstances, it’s a deep well of knowing whoever they are, they are great or will be great one day. Very loyal people that take friendship serious as well. They have a personality that people are drawn to. They can brighten other people’s days.
Virgo Sun: A Virgo is one of the greatest assets in any environment. They are solution oriented, nurturing, orderly, and modest. They know how to help because they can see issues easier than others and they have a pragmatic mind to create solutions. You can count them on a Virgo to extend their grace to others in times of need. They are realistic and it helps to guide them in their life because they don’t have grand ideals. Their ideals are very real and tangible so they know what steps to take to get what they want. A Virgo lives a life that allows them to not be distracted or influenced in negative directions. They can catch themselves faster than others and their minds will have them improving without putting in the effort others have to. They are intelligent people whose intelligence is deep and analytical. They convey their knowledge in digestible form so they often are relied on.
Libra Sun: Libra’s want the best for everyone. They think everyone deserves to live a beautiful life and they feel sensitive towards the downtrodden or the unfortunate. They get happy for others happiness and they want to show support to others all the time. They can be very charming and alluring because they always want to make others feel seen and heard. They can take your side just so that you feel understood. They like to go out, enjoy themselves and are into the aesthetics and vibes of places so they know where to bring their friends. These are peaceful people with hippie souls. They have an eye for beauty in everything from clothes, shoes, furniture, homes, and cars.
Scorpio Sun: Scorpio’s always fascinate other people. This is due to their complex nature. They have very chill demeanor’s, they can exude confidence without doing anything. A lot of times a Scorpio is a great person inside and out. They are chill because they do not want to overwhelm anyone with their internal worlds. At heart they are very sensitive, passionate, loyal, and loving. They do not give up on much of anything because they do not change their minds once they set out on something. They have a lot of drive and take action when needed. They see into other people’s soul, yet they do not want to hurt others. They respect others need for privacy just as they want theirs respected. They do not jump to conclusions. They aim to be clear and accurate which means that when a conclusion is made it has proper assessment.
Sagittarius Sun: A Sagittarius is concerned with joy. They aim to enjoy their lives and the path that allows them that they will follow. They are honest because they seek truth above all else. They connect to others from a very human disposition which makes others drawn to them for their authenticity. They have a sense of freedom most do not have. They understand freely speaking, freely thinking, and freely doing. While others feel restrained, a Sagittarius feels courageous and ready to explore. A Sagittarius is in a constant state of expansion and will always aim to improve theirselves and lives. People are drawn to them because their energy pulls others in and their smile makes others feel comfortable in their presence.
Capricorn Sun: Capricorns are the true definition of move in silence. These are the quiet millionaires. These are the people who have what others want, but no one understands how. It is not for others to know because they know to get what they want they have to put in hard work. They take life seriously in the sense that they don’t give themselves the space to feel comfortable without having the things they truly desire. That means these are responsible people who do not prioritize play over what needs to be done. These are excellent workers as they know that a job must and has to be done in a certain way to keep things running smoothly. They are realistic which grants them the ability to see things clearer than others as there is no fog to sift through. When they walk around they exude a confidence that makes you feel that they are powerful. When they open their mouths to talk, people can’t help but to pay attention. They don’t move on whim, they are intentional when they decide to move and have assessed all the avenues before deciding on the one ahead of them. They embrace the taboo, odd and unconventional ways of life and that gives them access to an entire different caliber than most which can make them even more understanding of how humans functions in this world. Incredibly smart and very calm people.
Pisces Sun: Pisces are not fully human because apart of who they are was and is left in the spiritual realm. Which is why oftentimes they do better living amongst people who understand and prioritize spirituality and the creative side of life. They are true unconditional lovers who bare their flesh to connect with others intimately and transcend to different realms. They are wise souls who have experienced much and continue to have access to insights intuitively. They are very open and receptive and can see the world in ways other people can’t. They have a healing energy that when coming into other lives often brings happiness and luck. They are highly compassionate and bring sensitivity to the brashness of the world.
Dark Side Based on Moon Sign:
Aries Moon: These people are very dark when they become dark. Their passion turns into pure anger, bitterness, and hatred. Their courage turns into destructive recklessness. Their honesty turns into manipulation and their positivity turns into complete negativity. They have a switch and when it is flipped it can bring out the worst in everyone around them. Their playful nature turns into violence and they can easily snap and physically harm someone just as quickly as they can do with their mouth. Their desire to be strong and powerful turns into a very jealous disposition and when they can’t take it anymore they seek to dominate those they feel are more powerful than them. Just as fast as they can motivate you, they can cut you so deep with their words that you’ll lose so much of your confidence in that one moment.
Taurus Moon: These people can abhor hard-work and fall into complete laziness. They can get so comfortable they don’t want to move and can convince themselves that they are fine when they aren’t. They will pin all the work they do not want to do on others around them and become increasingly demanding by the day. They will treat people like they are their assistant. They will put so much effort into their desires and give others desires the bare minimum. They do not take advice but they enjoy letting people think they care. Sometimes this is just their way of striking up a conversation with others ( pretending to care). They can play cordial and genuinely do not like you. They will talk behind your back and smile and shake hands in your face. When they begin to think they are succeeding they will easily fall into jealousy which can make them bitter. They are incredibly superficial especially about looks. They may act like they care about your heart, but they get absorbed in the physical attractiveness of others. They try to buy/spend their way out of depression and when it doesn’t work, falls harder into depression.
Gemini Moon: Lost souls who often times project a lot. They put high expectations on others that they cannot live up to themselves. They seek to cover up their confusion with knowledge. They have a restlessness that can make them anxious individuals and they need constant stimulation like a child. They struggle to deal with their own minds especially without other people around them. This is also the reason they become moody and irritated easily which can lead to harsh and hurtful words. They can hurt others and not understand the repercussions to their actions. When you need these people emotionally they are cold and puzzled. They can talk too much just for the sake of hearing their own selves.
Cancer Moon: These people are perpetual victims who will justify their worst behavior by talking about someone else. They may have so many emotions bursting out of them at once and then when someone else is emotional they become cold and dry. They save all their compassion for theirselves and don’t leave any for other people. The constant mood changes can make you feel like you’re walking on eggshells. They can demand a lot from others and turn resentful when they don’t get what they want. They can fall into laziness easily just seeking and wanting comfort to the point they begin to hurt theirselves. They eat away their pain, go through many emotional breakdowns, and pity themselves hoping someone pulls them out of their own demise.
Leo Moon: These people are like children who need attention and validation all the time. Their closeness to you is contingent upon how great you are at making them feel special, loved, and adorned. You must make them feel good or they will not want you around. They don’t crave the truth because lies are comforting to their ego’s. They can be pointless to give advice to as they are fixed and set in their ways and won’t budge for others. They feel like they are better than other people when they have more, do more, or are successful. They will lie and manipulate like no other leaving you confused and gaslit. They will care more about how they appear than who they are on the inside so often times they are completely chaotic internally. Extremely dramatic people who want to be the boss, on top, or above you and if they cannot be that they will run away. They can use people and discard them when they feel good again.
Virgo Moon: These people don’t realize how annoying they become which is what makes them worst, they stick around even once people are annoyed with them. They complain to complain. Which leaves you feeling increasingly negative after your interactions with them. They have a distorted perception of what is real and isn’t, oftentimes they equate everything negative and boring to real. They don’t know how to mind their business. They are too concerned with what others think and that makes them worry others with their worries. They act like robots when other people are emotional. They lose their minds over small details. They have weird habits and they don’t know how they feel so they make-up and lie about their feelings.
Libra Moon: These people drag others down because they don’t know what they want. They fluctuate frequently and expect others to deal with this inconsistency. They cannot cope with their emotions without looking to a drug, alcohol, and s*x. They want to be seen as angels, while playing like the devil. They’re chronic gossipers who don’t have the balls to be real to people. They fall for anyone who gives them validation and are easily manipulated. When not feeling well they become whiny babies. Their main interest is self-interest they just need others for the validation.
Scorpio Moon: These people are insane but pretend they’re chill. Their nature is obsessive so they do not truly know what chill is. When they’re quiet they are collecting information and making assessments of others. These are the kind of people who scheme on others. They do not admit to being wrong. They will put them selves around people just so they can put the blame on others. It is always them being done wrong even if they’re the one scheming behind others backs. They become bitter easily. They are very moody and their light and beauty disappears when they become depressed. They wallow in their sadness. They are controlling, power hungry, jealous, and manipulative. They have great liars and want to know everyone else’s secrets while hiding theirs.
Sagittarius Moon: These people are very forceful bullies who need weaker people around them to feel strong and capable. They don’t have any filter so they go about their lives in chaos. They are impatient with others but want others to wait so long for them. They get annoyed with others quickly. Constantly moving makes them feel productive even if they need to go to sleep and take care of theirselves. They’re self-absorbed into their own lives and can forget about people quickly. They have very bad mouths but are sensitive to what other people say. They have grandiose ideas with no follow through. They are very contradicting people who pick fights.
Capricorn Moon: These people are impossible to please. They act more humble than they actually are. They judge every little thing that doesn’t live up to their standards. They don’t even want to deal with their emotions so when they feel upset with others they don’t talk about it and form grudges. You are either good or bad to them and it’s very easy for you to become bad. They do not mind hurting other people’s feelings since they don’t deal with their emotions enough to care. They think they are better than others and are selective in who they get close to. They need to either use you, benefit from you, or look better having you in their lives. They look down on people with less than them. They want to have a lot of authority so they do not care for others opinions or others telling them what to do. They can take theirselves too serious and be slow to do things for others.
Aquarius Moon: These people think they are superior to others even when they simply are strange. They are fixated on their grandiose ideas and become delusional. When you try to open their mind they become stubborn and condescending. They want others to blindly agree with them. They act like emotions do not exist for them because they don’t know how to feel their emotions without intellectualizing them. They can be assholes towards other people. They are unpredictable and will do and say things that will bring shock and surprise or complete chaos. They don’t know what’s truly good for them, they just pretend to. These people without space can be exhausting and annoying.
Pisces Moon: These people think they are smarter than they truly are. They believe in good things happening for them so they follow things blindly until it turns bad for them. When they’re around shitty and terrible people they become them. These individuals easily end up on drugs, in jail, homeless, and in the streets. They do not know how to take accountability or responsibility. Once they become emotional they can throw tantrums, wallow in pity, and brood for weeks, months, and years. They’re not dependable since their heads are in the clouds. They can be incredibly lazy, just floating by in life. They’re followers and at times they can completely neglect reality.
Who You Attract/What You Are Attracted To Based On Rising Sign ( Ascendant)
Aries Rising: Gemini, Leo, Libra, Scorpio, Pisces
Taurus Rising: Cancer, Virgo, Scorpio, Sagittarius, Aries
Cancer Rising: Virgo, Scorpio, Capricorn, Aquarius, Gemini
Leo Rising: Libra, Sagittarius, Aquarius, Pisces, Cancer
Virgo Rising: Scorpio, Capricorn, Pisces, Aries, Leo
Libra Rising: Sagittarius, Aquarius, Aries, Taurus, Virgo
Scorpio Rising: Capricorn, Taurus, Gemini, Libra
Sagittarius Rising: Aquarius, Aries, Gemini, Cancer, Scorpio
Capricorn Rising: Pisces, Taurus, Cancer, Leo, Sagittarius
Aquarius Rising: Aries, Gemini, Leo, Virgo, Capricorn
Pisces Rising: Taurus, Cancer, Virgo, Libra, Aquarius
🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️🧚🏽‍♀️
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AI “art” and uncanniness
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TOMORROW (May 14), I'm on a livecast about AI AND ENSHITTIFICATION with TIM O'REILLY; on TOMORROW (May 15), I'm in NORTH HOLLYWOOD for a screening of STEPHANIE KELTON'S FINDING THE MONEY; FRIDAY (May 17), I'm at the INTERNET ARCHIVE in SAN FRANCISCO to keynote the 10th anniversary of the AUTHORS ALLIANCE.
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When it comes to AI art (or "art"), it's hard to find a nuanced position that respects creative workers' labor rights, free expression, copyright law's vital exceptions and limitations, and aesthetics.
I am, on balance, opposed to AI art, but there are some important caveats to that position. For starters, I think it's unequivocally wrong – as a matter of law – to say that scraping works and training a model with them infringes copyright. This isn't a moral position (I'll get to that in a second), but rather a technical one.
Break down the steps of training a model and it quickly becomes apparent why it's technically wrong to call this a copyright infringement. First, the act of making transient copies of works – even billions of works – is unequivocally fair use. Unless you think search engines and the Internet Archive shouldn't exist, then you should support scraping at scale:
https://pluralistic.net/2023/09/17/how-to-think-about-scraping/
And unless you think that Facebook should be allowed to use the law to block projects like Ad Observer, which gathers samples of paid political disinformation, then you should support scraping at scale, even when the site being scraped objects (at least sometimes):
https://pluralistic.net/2021/08/06/get-you-coming-and-going/#potemkin-research-program
After making transient copies of lots of works, the next step in AI training is to subject them to mathematical analysis. Again, this isn't a copyright violation.
Making quantitative observations about works is a longstanding, respected and important tool for criticism, analysis, archiving and new acts of creation. Measuring the steady contraction of the vocabulary in successive Agatha Christie novels turns out to offer a fascinating window into her dementia:
https://www.theguardian.com/books/2009/apr/03/agatha-christie-alzheimers-research
Programmatic analysis of scraped online speech is also critical to the burgeoning formal analyses of the language spoken by minorities, producing a vibrant account of the rigorous grammar of dialects that have long been dismissed as "slang":
https://www.researchgate.net/publication/373950278_Lexicogrammatical_Analysis_on_African-American_Vernacular_English_Spoken_by_African-Amecian_You-Tubers
Since 1988, UCL Survey of English Language has maintained its "International Corpus of English," and scholars have plumbed its depth to draw important conclusions about the wide variety of Englishes spoken around the world, especially in postcolonial English-speaking countries:
https://www.ucl.ac.uk/english-usage/projects/ice.htm
The final step in training a model is publishing the conclusions of the quantitative analysis of the temporarily copied documents as software code. Code itself is a form of expressive speech – and that expressivity is key to the fight for privacy, because the fact that code is speech limits how governments can censor software:
https://www.eff.org/deeplinks/2015/04/remembering-case-established-code-speech/
Are models infringing? Well, they certainly can be. In some cases, it's clear that models "memorized" some of the data in their training set, making the fair use, transient copy into an infringing, permanent one. That's generally considered to be the result of a programming error, and it could certainly be prevented (say, by comparing the model to the training data and removing any memorizations that appear).
Not every seeming act of memorization is a memorization, though. While specific models vary widely, the amount of data from each training item retained by the model is very small. For example, Midjourney retains about one byte of information from each image in its training data. If we're talking about a typical low-resolution web image of say, 300kb, that would be one three-hundred-thousandth (0.0000033%) of the original image.
Typically in copyright discussions, when one work contains 0.0000033% of another work, we don't even raise the question of fair use. Rather, we dismiss the use as de minimis (short for de minimis non curat lex or "The law does not concern itself with trifles"):
https://en.wikipedia.org/wiki/De_minimis
Busting someone who takes 0.0000033% of your work for copyright infringement is like swearing out a trespassing complaint against someone because the edge of their shoe touched one blade of grass on your lawn.
But some works or elements of work appear many times online. For example, the Getty Images watermark appears on millions of similar images of people standing on red carpets and runways, so a model that takes even in infinitesimal sample of each one of those works might still end up being able to produce a whole, recognizable Getty Images watermark.
The same is true for wire-service articles or other widely syndicated texts: there might be dozens or even hundreds of copies of these works in training data, resulting in the memorization of long passages from them.
This might be infringing (we're getting into some gnarly, unprecedented territory here), but again, even if it is, it wouldn't be a big hardship for model makers to post-process their models by comparing them to the training set, deleting any inadvertent memorizations. Even if the resulting model had zero memorizations, this would do nothing to alleviate the (legitimate) concerns of creative workers about the creation and use of these models.
So here's the first nuance in the AI art debate: as a technical matter, training a model isn't a copyright infringement. Creative workers who hope that they can use copyright law to prevent AI from changing the creative labor market are likely to be very disappointed in court:
https://www.hollywoodreporter.com/business/business-news/sarah-silverman-lawsuit-ai-meta-1235669403/
But copyright law isn't a fixed, eternal entity. We write new copyright laws all the time. If current copyright law doesn't prevent the creation of models, what about a future copyright law?
Well, sure, that's a possibility. The first thing to consider is the possible collateral damage of such a law. The legal space for scraping enables a wide range of scholarly, archival, organizational and critical purposes. We'd have to be very careful not to inadvertently ban, say, the scraping of a politician's campaign website, lest we enable liars to run for office and renege on their promises, while they insist that they never made those promises in the first place. We wouldn't want to abolish search engines, or stop creators from scraping their own work off sites that are going away or changing their terms of service.
Now, onto quantitative analysis: counting words and measuring pixels are not activities that you should need permission to perform, with or without a computer, even if the person whose words or pixels you're counting doesn't want you to. You should be able to look as hard as you want at the pixels in Kate Middleton's family photos, or track the rise and fall of the Oxford comma, and you shouldn't need anyone's permission to do so.
Finally, there's publishing the model. There are plenty of published mathematical analyses of large corpuses that are useful and unobjectionable. I love me a good Google n-gram:
https://books.google.com/ngrams/graph?content=fantods%2C+heebie-jeebies&year_start=1800&year_end=2019&corpus=en-2019&smoothing=3
And large language models fill all kinds of important niches, like the Human Rights Data Analysis Group's LLM-based work helping the Innocence Project New Orleans' extract data from wrongful conviction case files:
https://hrdag.org/tech-notes/large-language-models-IPNO.html
So that's nuance number two: if we decide to make a new copyright law, we'll need to be very sure that we don't accidentally crush these beneficial activities that don't undermine artistic labor markets.
This brings me to the most important point: passing a new copyright law that requires permission to train an AI won't help creative workers get paid or protect our jobs.
Getty Images pays photographers the least it can get away with. Publishers contracts have transformed by inches into miles-long, ghastly rights grabs that take everything from writers, but still shifts legal risks onto them:
https://pluralistic.net/2022/06/19/reasonable-agreement/
Publishers like the New York Times bitterly oppose their writers' unions:
https://actionnetwork.org/letters/new-york-times-stop-union-busting
These large corporations already control the copyrights to gigantic amounts of training data, and they have means, motive and opportunity to license these works for training a model in order to pay us less, and they are engaged in this activity right now:
https://www.nytimes.com/2023/12/22/technology/apple-ai-news-publishers.html
Big games studios are already acting as though there was a copyright in training data, and requiring their voice actors to begin every recording session with words to the effect of, "I hereby grant permission to train an AI with my voice" and if you don't like it, you can hit the bricks:
https://www.vice.com/en/article/5d37za/voice-actors-sign-away-rights-to-artificial-intelligence
If you're a creative worker hoping to pay your bills, it doesn't matter whether your wages are eroded by a model produced without paying your employer for the right to do so, or whether your employer got to double dip by selling your work to an AI company to train a model, and then used that model to fire you or erode your wages:
https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids
Individual creative workers rarely have any bargaining leverage over the corporations that license our copyrights. That's why copyright's 40-year expansion (in duration, scope, statutory damages) has resulted in larger, more profitable entertainment companies, and lower payments – in real terms and as a share of the income generated by their work – for creative workers.
As Rebecca Giblin and I write in our book Chokepoint Capitalism, giving creative workers more rights to bargain with against giant corporations that control access to our audiences is like giving your bullied schoolkid extra lunch money – it's just a roundabout way of transferring that money to the bullies:
https://pluralistic.net/2022/08/21/what-is-chokepoint-capitalism/
There's an historical precedent for this struggle – the fight over music sampling. 40 years ago, it wasn't clear whether sampling required a copyright license, and early hip-hop artists took samples without permission, the way a horn player might drop a couple bars of a well-known song into a solo.
Many artists were rightfully furious over this. The "heritage acts" (the music industry's euphemism for "Black people") who were most sampled had been given very bad deals and had seen very little of the fortunes generated by their creative labor. Many of them were desperately poor, despite having made millions for their labels. When other musicians started making money off that work, they got mad.
In the decades that followed, the system for sampling changed, partly through court cases and partly through the commercial terms set by the Big Three labels: Sony, Warner and Universal, who control 70% of all music recordings. Today, you generally can't sample without signing up to one of the Big Three (they are reluctant to deal with indies), and that means taking their standard deal, which is very bad, and also signs away your right to control your samples.
So a musician who wants to sample has to sign the bad terms offered by a Big Three label, and then hand $500 out of their advance to one of those Big Three labels for the sample license. That $500 typically doesn't go to another artist – it goes to the label, who share it around their executives and investors. This is a system that makes every artist poorer.
But it gets worse. Putting a price on samples changes the kind of music that can be economically viable. If you wanted to clear all the samples on an album like Public Enemy's "It Takes a Nation of Millions To Hold Us Back," or the Beastie Boys' "Paul's Boutique," you'd have to sell every CD for $150, just to break even:
https://memex.craphound.com/2011/07/08/creative-license-how-the-hell-did-sampling-get-so-screwed-up-and-what-the-hell-do-we-do-about-it/
Sampling licenses don't just make every artist financially worse off, they also prevent the creation of music of the sort that millions of people enjoy. But it gets even worse. Some older, sample-heavy music can't be cleared. Most of De La Soul's catalog wasn't available for 15 years, and even though some of their seminal music came back in March 2022, the band's frontman Trugoy the Dove didn't live to see it – he died in February 2022:
https://www.vulture.com/2023/02/de-la-soul-trugoy-the-dove-dead-at-54.html
This is the third nuance: even if we can craft a model-banning copyright system that doesn't catch a lot of dolphins in its tuna net, it could still make artists poorer off.
Back when sampling started, it wasn't clear whether it would ever be considered artistically important. Early sampling was crude and experimental. Musicians who trained for years to master an instrument were dismissive of the idea that clicking a mouse was "making music." Today, most of us don't question the idea that sampling can produce meaningful art – even musicians who believe in licensing samples.
Having lived through that era, I'm prepared to believe that maybe I'll look back on AI "art" and say, "damn, I can't believe I never thought that could be real art."
But I wouldn't give odds on it.
I don't like AI art. I find it anodyne, boring. As Henry Farrell writes, it's uncanny, and not in a good way:
https://www.programmablemutter.com/p/large-language-models-are-uncanny
Farrell likens the work produced by AIs to the movement of a Ouija board's planchette, something that "seems to have a life of its own, even though its motion is a collective side-effect of the motions of the people whose fingers lightly rest on top of it." This is "spooky-action-at-a-close-up," transforming "collective inputs … into apparently quite specific outputs that are not the intended creation of any conscious mind."
Look, art is irrational in the sense that it speaks to us at some non-rational, or sub-rational level. Caring about the tribulations of imaginary people or being fascinated by pictures of things that don't exist (or that aren't even recognizable) doesn't make any sense. There's a way in which all art is like an optical illusion for our cognition, an imaginary thing that captures us the way a real thing might.
But art is amazing. Making art and experiencing art makes us feel big, numinous, irreducible emotions. Making art keeps me sane. Experiencing art is a precondition for all the joy in my life. Having spent most of my life as a working artist, I've come to the conclusion that the reason for this is that art transmits an approximation of some big, numinous irreducible emotion from an artist's mind to our own. That's it: that's why art is amazing.
AI doesn't have a mind. It doesn't have an intention. The aesthetic choices made by AI aren't choices, they're averages. As Farrell writes, "LLM art sometimes seems to communicate a message, as art does, but it is unclear where that message comes from, or what it means. If it has any meaning at all, it is a meaning that does not stem from organizing intention" (emphasis mine).
Farrell cites Mark Fisher's The Weird and the Eerie, which defines "weird" in easy to understand terms ("that which does not belong") but really grapples with "eerie."
For Fisher, eeriness is "when there is something present where there should be nothing, or is there is nothing present when there should be something." AI art produces the seeming of intention without intending anything. It appears to be an agent, but it has no agency. It's eerie.
Fisher talks about capitalism as eerie. Capital is "conjured out of nothing" but "exerts more influence than any allegedly substantial entity." The "invisible hand" shapes our lives more than any person. The invisible hand is fucking eerie. Capitalism is a system in which insubstantial non-things – corporations – appear to act with intention, often at odds with the intentions of the human beings carrying out those actions.
So will AI art ever be art? I don't know. There's a long tradition of using random or irrational or impersonal inputs as the starting point for human acts of artistic creativity. Think of divination:
https://pluralistic.net/2022/07/31/divination/
Or Brian Eno's Oblique Strategies:
http://stoney.sb.org/eno/oblique.html
I love making my little collages for this blog, though I wouldn't call them important art. Nevertheless, piecing together bits of other peoples' work can make fantastic, important work of historical note:
https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art/famous-anti-fascist-art/heartfield-posters-aiz
Even though painstakingly cutting out tiny elements from others' images can be a meditative and educational experience, I don't think that using tiny scissors or the lasso tool is what defines the "art" in collage. If you can automate some of this process, it could still be art.
Here's what I do know. Creating an individual bargainable copyright over training will not improve the material conditions of artists' lives – all it will do is change the relative shares of the value we create, shifting some of that value from tech companies that hate us and want us to starve to entertainment companies that hate us and want us to starve.
As an artist, I'm foursquare against anything that stands in the way of making art. As an artistic worker, I'm entirely committed to things that help workers get a fair share of the money their work creates, feed their families and pay their rent.
I think today's AI art is bad, and I think tomorrow's AI art will probably be bad, but even if you disagree (with either proposition), I hope you'll agree that we should be focused on making sure art is legal to make and that artists get paid for it.
Just because copyright won't fix the creative labor market, it doesn't follow that nothing will. If we're worried about labor issues, we can look to labor law to improve our conditions. That's what the Hollywood writers did, in their groundbreaking 2023 strike:
https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/
Now, the writers had an advantage: they are able to engage in "sectoral bargaining," where a union bargains with all the major employers at once. That's illegal in nearly every other kind of labor market. But if we're willing to entertain the possibility of getting a new copyright law passed (that won't make artists better off), why not the possibility of passing a new labor law (that will)? Sure, our bosses won't lobby alongside of us for more labor protection, the way they would for more copyright (think for a moment about what that says about who benefits from copyright versus labor law expansion).
But all workers benefit from expanded labor protection. Rather than going to Congress alongside our bosses from the studios and labels and publishers to demand more copyright, we could go to Congress alongside every kind of worker, from fast-food cashiers to publishing assistants to truck drivers to demand the right to sectoral bargaining. That's a hell of a coalition.
And if we do want to tinker with copyright to change the way training works, let's look at collective licensing, which can't be bargained away, rather than individual rights that can be confiscated at the entrance to our publisher, label or studio's offices. These collective licenses have been a huge success in protecting creative workers:
https://pluralistic.net/2023/02/26/united-we-stand/
Then there's copyright's wildest wild card: The US Copyright Office has repeatedly stated that works made by AIs aren't eligible for copyright, which is the exclusive purview of works of human authorship. This has been affirmed by courts:
https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/
Neither AI companies nor entertainment companies will pay creative workers if they don't have to. But for any company contemplating selling an AI-generated work, the fact that it is born in the public domain presents a substantial hurdle, because anyone else is free to take that work and sell it or give it away.
Whether or not AI "art" will ever be good art isn't what our bosses are thinking about when they pay for AI licenses: rather, they are calculating that they have so much market power that they can sell whatever slop the AI makes, and pay less for the AI license than they would make for a human artist's work. As is the case in every industry, AI can't do an artist's job, but an AI salesman can convince an artist's boss to fire the creative worker and replace them with AI:
https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain
They don't care if it's slop – they just care about their bottom line. A studio executive who cancels a widely anticipated film prior to its release to get a tax-credit isn't thinking about artistic integrity. They care about one thing: money. The fact that AI works can be freely copied, sold or given away may not mean much to a creative worker who actually makes their own art, but I assure you, it's the only thing that matters to our bosses.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand
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dracwife · 1 year
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Safeshiptember Prompt List!
Hey everyone! As many of you may know, the current self.shiptember prompt list going around was created by/is being run by a pr*shipper, more information on that can be found here. Thank you to Chris for bringing this to the community's attention!
As a result, I wanted to make an alternative for those of us that still want to participate, but do not wish to associate with OP.
An important note: To avoid posting & associating with potential pr*shippers/etc. this event will be using the #safeshiptember & #safeshiptember2023 tags! Otherwise, go nuts, and tag me in your posts if you'd like!
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Text version below!
01: Fall weather
02: Masquerade
03: Relaxing
04: Dressing up
05: Meet-cute
06: Role swap
07: Fantasy AU / Modern AU
08: Retro
09: Camp
10: Falling asleep
11: Magic
12: Decorating
13: Beach
14: Helping hand
15: Apple cider
16: Apology
17: Moonlight
18: Smile
19: Myth
20: Scary movie
21: Sleepover
22: Jukebox musical
23: Flustered
24: Cooking
25: Morning
26: Tomorrow
27: Friends
28: Game
29: Dream
30: Wild card!
Use #safeshiptember & #safeshiptember2023
Feel free to skip days & use any medium you'd like, including writing, drawing, rendering, & more!
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unclewarwick · 2 months
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i am making this an art blog now, so i thought i should actually start posting my art here. i finished this drawing today and the rest of the art in this post is from newest to oldest. this post is most of my batman-related art since the last time i posted a big amount of batman art (which was december 2022).
i have a heavy preference for drawing batjokes but am trying to draw more and more of the rogues gallery. i have my own vague storyline ideas that include both batman and the joker being trans men, but in my story he is called bruceman/bat wayne.
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2024-07-10 -- i do an annual redraw of this meme. this was the fifth version. the first time i drew it (in 2021) was the first time i had tried to properly draw either of them, despite having a deep batman interest for a long long time, and drawing for even longer.
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2024-06-28 -- i spent 41 and a half hours on this one. my first big attempt at pixel art. it was from a bad chronic illness week so it was meant as a purposely ugly and simple drawing but it spiralled out of control.
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2024-07-05 and 2024-05-11 -- my concept art for the scarecrow.
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2024-04-22 and 2024-03-21 and 2024-02-11 -- the joker taunting bat wayne, an argument with alfred, a community meme redraw that i didn't like the end result of but was unwell while drawing so i give myself a break.
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2024-02-08 and 2024-02-06 -- the riddler being desperate for attention on social media, my two-face concept art
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2024-01-27 -- my take on the oft-parodied the amazing spider-man #601 cover art.
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2024-01-18 -- joker thinks he's being sneaky but doesn't know he's with the same person twice.
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2024-01-11 and 2024-01-10 -- catwoman being fun and sillie (from before i redesigned her weird mask and goggles that i originally tried to give her)
art from 1 and 8 december of 2023 that i posted on here
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both from 2023-09-10 -- a couple of quick low effort drawings from when i was feeling funky
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2023-08-06 and 2023-08-13 and 2023-08-18 -- mini comic where you can see the comic formatting skill developing in each part.. just a small story idea i had revolving around a double joke about bat wayne's Identity. and still figuring out how to draw the riddler.
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2023-08-02 -- my first depiction of riddler & first drawing of har-lee (my name for harley quinn) out of costume.
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2023-06-18 and 2023-06-15 -- my first drawings ever of har-lee; i did not stick with this costume design for her because i fixed it and made it actually look good and make sense at all a whole year later (character design is my weakness), and also just a simple meme.
youtube
2023-06-15 -- i don't have an animation program, so making this was a real struggle.
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2023-04-28 and 2023-04-23 -- bruceman picking up tampons in the middle of a fight, bruceman and joker "fighting".
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2023-04-04 and 2023-03-21 -- Earring Magic J, joker being the autistic, gay, trans dad of autistic, gay, trans pee-wee herman (including muffin the cat from batman: legends of the dark knight #50)
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all from 2022-11-14 -- a comic Not about being trans, no, not at all...
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2022-11-27 -- a fully rendered version of the last panel.
there's more that's not included here because of the 30 image limitation, but those are mostly further concept drawings of har-lee that i didn't like, and lower quality joke drawings. one bigger thing i've left out are stills from an animatic/animation project i started quite a while back (it's not even my only WIP of that kind) and haven't continued progress on for a while. i would prefer to share that all at once whenever it's finished.
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callsignspark · 5 months
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change your ticket home
a top gun maverick AU
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pairing: Bradley Bradshaw x Sherrie McHone (fem!OC)
summary: After a successful business trip on the West Coast, two Wells Corporation engineers have problems getting back home. Thank god for Bradley Bradshaw, a man who is determined to make their hours waiting in the terminal as enjoyable as possible. And if he and his pretty travel companion (and colleague) get closer along the way? Well that’s just a bonus.
warnings: difficulties of being a woman in a male-dominated field, minor misogyny from coworkers, yearning, pining, Bradley being an absolute sweetheart, it's vaguely alluded to but Sherrie is named after the Steve Perry song, American Airlines bashing bc this fic is based on a real and horrible experience I had a few years ago. and yes, the title is from the one direction song.
word count: 9.8k | masterlist
note: happy saturday! this has been in the works for almost a year and I'm so thrilled to finally be sharing it! this is dedicated to @gretagerwigsmuse, who gave so many wonderful ideas and has continually been a cheerleader for this fic. happy birthday!
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Friday, July 15, 2016 | 06:36 AM PST | San Diego, CA
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“If I fake a heart attack, we can get out of this meeting, right?”
She looks over at Bradley sprawled in the uncomfortable café chair in his navy suit, his arm slung over the back of her chair. He’s down to just his crisp, white button-up, jacket, and tie abandoned within the first ten minutes of the call.
“Suck it up, we’re almost done.” She rolls her eyes. “And Martin knows you’re a supremely healthy thirty-two-year-old, so no, I don’t think that will work.”
“Sherrie…” His whine is cut off by her hand covering his mouth as she unmutes her microphone and mentally praises his decision to sit so close to her. Not having to pull out both laptops was just an additional perk on top of her ability to silence him.
“That’s correct, Sean. We got them to agree to a small batch trail run for the connectors. We’ll be working together on running them through environmental testing before committing to a full contract.”
“And why are they agreeing to that? Because frankly, it makes no sense to me why they would want to do that.”
Bradley straightens up, his eyes narrowing at the Teams box showing the older man’s initials. “Well, Sean, as Sherrie explained before. Harris hasn’t produced connectors like this before, and they’re interested in the test results, specifically the shock data. So they agreed to take on half the burden so they can use the information for their own use. If this works how we think it will, this will be a huge boost for their business, even if the patent is shared.”
She looks at him, half admonishment and half appreciation, always a little bit amazed when he had her back, no matter how many times he had done it. “The contracts team is drawing up the final agreements and negotiating with their team next week, so best case scenario is we have reports with usable data by the end of the summer. Worst case, it’ll drift into the middle of Q1.”
“That’s great work you guys did out there, thank you. Alright, I think that covers everything we had to talk about today. McHone, Bradshaw - have a safe flight back, and everyone have a good weekend!” Martin ends the call before anyone can add anything.
Bradley laughs. “God, he’s just as sick of Sean as I am. I can’t wait until he retires.”
“He’s not that bad; you’re just grumpy because you had to dress up for the staff meeting, and then Martin said cameras off today.”
“I am upset about that! I will be logging yet another suggestion that we should have casual Fridays and casual travel policy. But I’m more upset because he talks down to you all the time! Like you haven’t been carrying this department on your back since we started ten years ago!”
“Carrying is an exaggeration, Bradley.” She looks up from where she’s putting her laptop away. “I think you have time to change into something comfy before we board.”
“American Airlines Flight 2307 from San Diego to Charlotte, Boarding Group A can now board.”
“Or not.” She giggles as he groans, reaching over to pull her other air pod out of his ear. “Come on, it’s a long flight; you can sleep on the plane. Just be thankful you’re not wearing an underwire bra and heels.”
“I don’t know how you do that.” He mutters, shooing her away when she tries to pick up her carry-on, throwing it over his shoulder alongside his own.
“I don’t either. I’m going to get a massage when we get back to Boston.”
“Ohhh, a massage sounds nice.” He subtly sticks his elbow out for her grab, which she gratefully does, letting his tall frame guide her to their gate. “You know you didn’t have to wear heels, right?”
“You should shut up while I’m still thankful you yelled at Sean for me.”
“Yes, ma’am.”
Sherrie leans her head on his arm as they wait in the priority boarding line, one of the perks of traveling on the company’s dime. Normally, she would worry about being more professional while carrying her work bag that had the Wells Corporation logo embroidered on it, but she can’t bring herself to care. Yesterday’s meetings ran late, and the following client dinner had kept them out until almost midnight. After packing, going to bed late, and having to get up at 3:30AM to get to the airport, she was exhausted.
She takes her bag before they scan their tickets, not fighting when he grabs it again on their walk down the jet bridge.
“Where are you sitting again?”
“I’m in 16C.” She snorts at Bradley’s pout. “What? You knew we weren’t going to be sitting together.”
“But I’m going to be bored all the way back in 21D by myself.”
“Bud, you’re going to fall asleep in the first 30 minutes like you always do, and then I would be stuck for the next four hours with you leaning and drooling on me.”
Bradley whips his head around, “That is a baseless accusation. I do not drool!”
“You 100% definitely do drool, I’ve seen it.” Her smirk widens when his attempt to fight back is cut off by the flight attendants greeting them.
He ushers Sherrie on first, politely nodding to the flight crew before following her down the aisle, ducking down to whisper. “I do not drool.”
“You absolutely do drool. You also snore.”
She can feel eyes on them as they shuffle down the aisle, making eye contact with an older woman who raises her eyebrows in appreciation at the hunk of a man behind her.
This happens everywhere they go.
Bradley is such a gentleman, always opening doors and carrying her bags, that people never believe the two are just friends and coworkers. She’s had complete strangers fight with her when she says there’s nothing between them. Unable to accept that it’s just platonic.
As much as she wishes it could be more.
After years of learning all the little details of each other, she knows they would be good together. Their decade-long friendship allowing her to thoroughly analyze how well their personalities would mesh. They share the same beliefs and have the same interests; they even have overlapping friend groups. They’re made for each other.
On paper.
In reality, it will never happen.
She won’t let it.
“Is this good here?” Bradley’s question interrupts her weekly internal spiral; his big brown eyes blink at her over his shoulder as he puts her bag into the overhead compartment.
“That’s fine. Can you grab my water bottle out of the side pocket?
“Here ya go, ma’am. I’ll meet you by the water foundation when we land, okay?”
She nods, smiling as he hustles back to his seat to avoid a family almost flattening him in their haste to get to their assigned seats.
Her seat neighbors haven’t arrived yet, so Sherrie sits down without bothering to buckle, tucking her work bag under the row in front of her after pulling out her plane kit. Her pencil case from college that she’s repurposed to hold her headphones, phone charger, gum, hand sanitizer, and a few other small necessities.
Her phone buzzes as she’s storing her water bottle and the little bag away in the pocket of the seat in front of her.
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Bradley is woken up by his seat neighbor hitting his arm as he reaches to grab a drink, nodding at the guy’s apologetic face before trying to get comfortable again. Alan talked way too much at dinner last night, and it was a struggle to stay awake during the project manager’s third round of gushing over how brilliant and profitable Sherrie’s proposal would be for both companies.
“Sir? This is for you, do you want it?” The muffled question is accompanied by someone shaking his shoulder. He peels open his eyes to see the flight attendant holding out two packets of Biscoff cookies.
His face must be confused enough for the short woman to take pity on him. “Your friend up there said these are your favorite and asked me to give hers to you.”
His heart warms up, taking the treats and saying thank you. He enjoys the cookies, washing them down with the ginger ale he also got, thinking about how well Sherrie knows him. He forces himself to wait for them to finish snack service before he gets up to use the restroom.
“Thank you.” Bradley revels in the way Sherrie jumps when he pops her headphone out, purposefully brushing his lips against her ear. “Hmmm, you were right, your seatmate is cute.”
She glares up at him, a smile threatening to break through. “Isn’t he? He fell asleep five minutes after take off, just like you.”
“Yet, another baseless accusation!”
“I heard you snoring.”
“You shouldn’t lie in front of small children.”
“His mom said he’s seven months old; I don’t think we have to be concerned about teaching him to lie while he’s still in a car seat.”
“Probably shouldn’t chance it, though. Say I don’t snore.”
“You just said I shouldn’t lie. Should probably go to the bathroom before you start holding up traffic.” She puts her headphone back in, wiggling her fingers at him before going back to reading on her phone.
It gives him the strangest sense of déjà vu.
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Tuesday, March 25, 2005 | 10:43 AM EST | Charlottesville, VA
“…and he said you had already-” Bradley cuts himself off, realizing she can’t hear him. He chuckles; he should have known better than to just walk up and start talking.
He doesn’t know Sherrie McHone very well. They had taken all the freshman intro to engineering requirements together, and this year their classes had split into their chosen disciplines. His mechanical, hers electrical. But he knows her well enough to know that she can pretty much only be found without her headphones during class.
He remembers the first time they spoke last semester after he accidentally walked right into her. He had told Danny it’s because she’s so much shorter than him, but it’s really because he wasn't paying attention.
Sherrie had only taken one earpiece out to make sure he was okay before continuing onto her class, seamlessly weaving between upperclassmen as she shoved her headphone back in.
“Sherrie?” No response.
He lets out a tiny huff and checks his watch. Normally, he wouldn’t care that she’s clueless to his existence even as he’s right beside her, but he’s got a class soon, and he’s still two buildings away. So he does the only thing he can.
He pops her headphones out and steps back for fear of getting smacked.
Her head whips up, narrowing in on him freakishly fast. “What the fuck, Bradshaw?”
He’s surprised to learn that she knows his name.
“Sorry, Sherrie! I’ve been trying to talk to you for like five minutes, and you somehow haven’t noticed, but I’ve got class in 15 minutes, so I needed to get your attention.”
“Oh…” Her green eyes widen in surprise, the apples of her cheeks turning a light pink. “Sorry about that. What did you need? Wait. How did you find me?”
A fair question.
“Khondker told me where you sit.” He partially fibs.
All semester he had been watching her disappear after EE221, the one class they shared. It had taken him a while, but he was pretty sure he had found her secret study nook in the electrical engineering wing of the building. Their TA had only confirmed Bradley’s theory of where he could find his fellow sophomore.
“I don’t understand this last section we’ve been learning, and Khondker said you had already finished the homework and could help me. So could you?”
“He didn’t help you?” Sherrie raises an eyebrow in disbelief.
“He tried.” Bradley scratches the back of his head, remembering how frustrated the patient man had been after his third attempt at explaining. “I just really don’t understand circuit loops. And he thought having a classmate explain it to me would make it stick. That or he was just so sick of me, he’s pawning me off.”
He watches her think, her pencil rapidly tapping against her notebook, making him nervous.
“I don’t want to be rude, but if you don’t understand current loops, I’m not sure how much help I can be. I understand the material, but I’m not a miracle worker.”
Her bluntness makes him smile. “I’m not expecting miracles, just help with the homework. If you have time.”
“Okay, just as long as you don’t get your hopes up too much.” She grabs a bright pink notebook and opens it up. “So, I’m usually free-”
“I don't want to interrupt, but I do have to get to class, so could we figure out a time later today?”
“Sure, I’ll be here until my class at four. Feel free to sit down if I’m not here; it just means I’m grabbing food.” He nods, backing away. “Wait! Bradley! Go down this hall and out the side door. You’ll be like halfway there already.”
“Awesome, thanks!” He starts to jog down the hallway, looking back to see her putting her headphones back in. Waving back when she smiles and wiggles her fingers at him before going back to her homework.
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Friday, July 15, 2016 | 3:16 PM EST | Charlotte, NC
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“Our flight got delayed, and I’m hungry.”
Sherrie jumps, not expecting Bradley to get that close to her face three seconds after she exited the bathroom.
“Okay, I could eat. Where do you wan-”
“Auntie Anne’s.”
He’s walking away before she can even process what he said. She allows herself one second to appreciate the way he looks, walking through the concourse - navy slacks fitting his legs perfectly and all their bags thrown over his broad shoulders - before she’s clicking along after him.
“Bradshaw!” He freezes and turns, almost taking a lanky teenager out with her backpack. “Oh my god, Bradley! Be careful! You almost took that kid’s head off.”
His smile is sheepish as she shuffles them over to the wall. “I did not do that on purpose.”
She giggles and takes her backpack from his shoulder. “Yeah, I kinda figured. But you should have seen his face. His life flashed before his eyes. All sixteen years.”
“I can carry that Sherrie.”
“That’s okay, I got it. No! Bradley!”
He ignores her, smiling at her frustrated little stomp when he hands over her tan, cross-body purse out of her work bag. “You just carry that and make sure I don’t take out any toddlers or old ladies.”
“How am I supposed to do that if I’m ahead of you?” She snarks as he steers them toward the food stands.
“You’re smart; I’m sure you’ll figure it out.” Bradley laughs when she mocks him under her breath. “I can hear you, smartass.”
“You were meant to, Bradley.”
His heart flutters at the teasing wink she sends over her shoulder. It’s been twelve years since they became friends, and he still feels like that 20-year-old kid who was nervous to talk to the pretty red-headed girl he had a crush on.
He can feel eyes on them as her heels catch people’s attention, and he finds himself glaring at men who are shamelessly staring. Her shoes aren’t loud as they click along on the tile floor, but it’s hard to ignore the beautiful woman striding along in business casual.
It happens everywhere they go.
Sherrie has always been beautiful and painfully unaware of her effect on men. It never matters where they are - at work, the rare baseball game he forces her to attend, happy hour with their friends from school - she always catches attention. It doesn’t bother him because she never reciprocates, and he’s always the one to give her a ride back to her apartment.
Even if he wishes it was their apartment they were going to.
He’s watched her change over the last decade, seen her grow as a person. He’s risen through the ranks with her professionally, the two of them matching each other step for step with each promotion and raise. He’s publicly assured her that her hair still looks good as it’s deepened color with age, now less red and more auburn. He’s privately appreciated the way her body has changed, softer and curvier than when they were kids. Her wide hips are a frequent star in his daydreams.
It's the only place where they’ll ever be in a relationship.
He knows they’d be perfect together. Old friends who know each other so well they don’t even have to talk to communicate sometimes. Whose attitudes fit together like puzzle pieces, perfectly in sync with each other. He knows it won’t happen. Can’t happen.
“Grab us a table, and I’ll get the food.”
“Okay.” He doesn’t fight her about paying, knowing this will be covered under their per diem. “Don’t forget my-”
“You’re frozen lemonade, I know!”
Bradley rolls his eyes at the hand that waves over her shoulder, settling their bags at a table and keeping an eye on Sherrie while sending an update to Mav.
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His thumbs hover over the keyboard. He wants to tell his uncle the whole situation - that he’s not afraid to flirt with Sherrie.
“Everything okay?”
Bradley looks up to find her eyebrows furrowed as she sets a tray down.
“All good. Just sending my family an update that we’re delayed.”
She nods, sitting in the chair across from him. “Here’s your mini pretzel dogs, with mustard and a frozen lemonade. This is my pretzel nuggets, cheese sauce, and Diet Coke. Oh! And I got us these cinnamon sugar pretzels to share!”
“Thank you for remembering the mustard.”
“Bradley, when have I ever forgotten the mustard? Here, take some napkins.”
He shoves an entire mini pretzel dog in his mouth in lieu of answering her question, which they both know the answer to. Never. She has never forgotten his love for pretzels with mustard.
They eat in comfortable silence, the way only two friends can, occasionally dunking into each other's sauces as they scroll through their phones.
“Hey, how is your da- oh Bradley! You got mustard on your shirt!” His head snaps down to his shirt, groaning when he sees the yellow blob on his white button-up.
“Fuck! This is new, too!”
Sherrie dives into her bag, muttering about a stain stick, a triumphant noise escaping when she comes up successful. Scooting closer to him, she’s hit with a wave of nostalgia as she helps him clean his shirt.
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Friday, April 6, 2007 | 10:12 PM EST | Charlottesville, VA
“You should’ve been gone, knowing how I made you feel!”
Sherrie’s head pops up from the lab reports she’s grading.
“And I should've been gone, after all your words of steel!”
She knows that voice.
“Oh, I must've been a dreamer! And I must've been someone else!”
She knows that voice very well.
“And we should've been over!”
She rushes for the front door, hoping and praying that the idiot she’s become close friends with this year isn’t actually outside her townhouse.
“Oh! Sherrie, our love holds on! Holds on!”
She whips the door open and, sure enough, drunkenly singing to her neighbor's house is Bradley Bradshaw.
“Bradley!” She hisses at him, ignoring the flutters in her stomach when he points his big, goofy grin towards her and not the tulips the soccer girls next door planted in front of their bay window. “What are you doing? It’s 10 PM!”
“You didn’t come.”
“First man to ever care about that.” She mutters, snorting at her joke.
“What’s funny?”
“Nothing. What are you doing here?”
His puppy dog eyes are vicious, and she has the urge to slap her hand over her eyes so she doesn’t succumb to their power. “You didn’t come to the party!”
Sherrie sighs, she thought he might be disappointed she didn’t come to the annual Sigma Chi Easter Bash, but she never thought he would actually notice her absence. Or that it would result in a drunken serenade.
“Bradley, I told you I had a lot of grading and might not make it tonight.” She gently reminds him, stifling a laugh when he trips over his own feet while standing still. “You okay?”
“I have to pee. Can I come in?”
She’s pretty sure he’s just making excuses but lets him in any way; she doesn’t need to deal with him getting a public indecency charge on top of everything else. “Shoes off, Bradshaw. Bathroom is right here; I’ll be in the dining room.”
“Yes, ma’am!” He sloppily salutes her, losing his balance and thunking against the wall, one shoe still on.
Sherrie just blinks at him before returning to her spot at the dining room table, holding in the laugh threatening to escape. She settles in her chair, focusing on the mediocre reports her students had turned in.
“I washed my hands!” Bradley’s abrupt entrance startles her. “Can we have a snack? I’m hungry?
She watches in amusement as he shuffles to her fridge, riffling through the shelves before opening the freezer and gasping.
“I love pretzels. Can we make these? Please?”
The box of pretzels belongs to her roommate, but she’s not strong enough to deny Bradley’s big brown eyes two times in a row so she makes a mental note to buy Amna a new box the next time she goes to the store. “Yeah, we can. But no touching the oven when you’re drunk. Go sit down.”
“I’m not drunk!” He argues even as he follows her directions, plopping himself at the table and nosily leafing through her done pile. “Wow, lots of red here.”
“Bradley! Don’t look at those!”
“Why not?”
“Would you want some random student looking through your homework?”
His rebuttal gets cut off by the oven beeping, announcing it’s up to temp. After she pops the tray in the oven, she turns and catches him appreciating the pj shorts riding up her shapely legs.
“What?” Her head cocks in confusion.
“Nothin'… cute shorts.”
“Thank you.” He watches in fascination as she snips at him even while her cheeks turn pink. “It’s almost like I was dressed for comfort and not planning on being interrupted.”
“But you’re glad I’m here, right?”
“I’ve had worse company on a Friday night.” She nudges him out of her chair. “While those are baking, go find something to watch, and I’m going to finish grading this report.”
“Such a responsible TA.”
Pride fills his chest as Sherrie snorts at his joke and goes back to work. They’ve officially been friends since last year, but he still tries his hardest to make her laugh. She's always so busy and stressed, and she does the cutest little snort-laugh when he catches her off guard.
He puts on a random movie, just grabbing a VHS case with the Disney logo on the side, before plopping on the couch. “Is there a reason you have so many kids movies?”
“Those are Jayla’s, she collects them.” Sherrie answers, never looking up from the table. “What did you choose?”
“It’s a surprise!”
“You don’t remember, huh?”
“Nope! I’ll be quiet now.”
She hums a thank you in his direction, and Bradley keeps his promise, watching her work and staying quiet until the timer goes off. His chin hooked on the back of the couch; he follows her movement through the kitchen as she pulls the pretzels out and transfers them to a plate.
“Can I have mustard, please?”
“Sure can.” Sherrie smiles at his dopey smile as she makes her way to the couch. “Here, take these, then we can eat.”
He gulps down the painkillers she drops in his hand, chugging the rest of the apple juice after they’re gone, smiling when she absentmindedly praises him for listening. He shoves a bite of pretzel in his mouth and mashes the play button, and is pleasantly surprised to find A Bug’s Life was the mystery choice.
“I love this movie,” he garbles through a pretzel. “I love how Flick wins over the princess just by getting a chance to show off his true self.”
“That was shockingly wise for the drunk man sprawled on my couch.”
Bradley thanks her, already a bit more sober but not enough to pick up on her teasing. “So, why didn’t you come? Grading really couldn’t wait?”
“It probably could have, but I’m not a partier, Bradley. You know that.” She dips a piece of pretzel in the mustard. “Besides, I really didn’t think you would notice I wasn’t there, Mr. Popular.”
“You’re the only person I invited; of course, I noticed when you didn’t show up.”
“Really? No one else? Why?”
“I know it’s almost finals, but I wanted to hang out without any books in front of us; that’s all we do lately. Study. Plus, you’ve been extra stressed about something that you don’t want to talk about, and I just wanted you to relax since you won’t talk to me about whatever is bothering you.”
“That’s sweet of you, Bradley. It’s not that I don’t want to tell you; it’s just that my family has been…” She waves a hand through the air, a deep sigh escaping. “It’s complicated. I’m trying not to think about it too much.”
“Well, I’m here if you do want to talk.”
“Thanks bud. How about you? How’re your parents?” She takes one last chunk before nudging the plate in his direction and settling back into the corner.
“Mom is good; she’s close to being considered cancer-free. I think we’re gonna throw a party when she gets there.”
“That’s awesome, Bradley! I’m glad she’s doing so well. How’s your dad?”
“Mav isn’t my dad.”
A record scratch plays in Sherrie’s head as she freezes. She knows she’s heard Bradley talk about his dad, and she’d seen photos of his parents the one time she had visited his frat house last year. He had specifically pointed the photo out, telling her it was his parents. She had even been next to him when he was on the phone when he said “dad” to the person on the other end.
“My dad died when I was three. Mav is- was his best friend. I call him dad sometimes because he’s the closest thing I’ve got.”
Sherrie feels her heart break as Bradley sniffles and sadly shoves a mustard-covered pretzel in his mouth, unshed tears clumping his eyelashes. She’s never seen her friend like this before; she’s experienced many other emotions - frustration, joy, confusion - but the pain creasing his brow is new.
Comforting crying people has never been her forte, but instinctively - almost like they moved without her permission - Sherrie’s fingers run over his hair. Gently stroking the sun-streaked waves as a few tears escape down his cheeks and she scoots closer, letting her body press into his side and hoping the proximity helps.
“I’m sorry for crying on you.” He quietly apologizes after a few minutes of tears.
“S’okay. Family can be hard sometimes.”
“Complicated.”
“That too.” She hums, not moving as he swipes at his eyes and leans against her more, his head resting on her shoulder in a slouched position that can’t be comfortable.
“I love Mav; he’s my dad in all the ways it matters. It just sucks that my actual dad won’t be here for graduation. Like, I know he’s missed so much of my life already, but something about him missing college graduation is worse than everything else. It’s just so unfair; I barely remember him, but I just- I just miss him so much, Sherrie.”
Her heart cracks in half at the whispered confession. She can’t even imagine the pain of losing a parent at such a young age. The inability to remember one of the people responsible for giving you life, all memories fuzzy and most built from second-hand recollections of those who can remember. So she says the one thing she would want to hear.
“Tell me about him.”
Sherrie knows she said the right thing when his red-rimmed eyes brighten, and he immediately launches into a beloved story detailing his father’s love of pranks. She listens dutifully — laughing at the right moments and asking questions when Bradley gets carried away, forgetting that she doesn’t know all the people in his story — and feels her heart warm more and more. She’s always liked Bradley, probably more than she should, but it’s hard not to like him. He’s considerate, smart, and funny, not to mention handsome.
Thankfully, before she gets lost in thoughts of broad shoulders and strong jawlines, a big glob of mustard drops on Bradley’s t-shirt, abruptly cutting him off. The two stare in silence at the yellow condiment sitting on the black cotton shirt, somehow surprised at its appearance, before breaking down into giggles.
“C’mon Bradshaw,” Sherrie grabs his hand, pulling him off the couch. “I have a Tide pen we can use on that mess.”
Bradley follows her up the stairs and into the bathroom, teasing Sherrie about the way her tongue pokes out when she focuses. She takes the gentle taunts, grateful he’s focusing on that and not on her pink cheeks or the way her eyes keep darting to his toned stomach. She’s not sure it was completely necessary for him to strip his shirt off, but she won’t be complaining.
“Well,” A few minutes later, she interrupts his rambling story about a slip and slide. Or she thinks that’s what it’s about; she missed the first part. “I think this is as good as I can get it.”
“That’s okay; it’s not like it’s new or anything. Thanks, Sherrie.”
She steadfastly ignores the pounding heart in her chest as miles of golden skin gets covered back up, trying to not feel too disappointed by its disappearance.
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Friday, July 15, 2016 | 3:56 PM EST | Charlotte, NC
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“Oh, this is ridiculous!” Bradley complains a bit too loudly, ears going hot when several pairs of eyes curiously dart toward him, but his focus doesn’t stay on that for very long when he catches the face Sherrie makes. “What’s wrong?”
“Nothing!”
He squints suspiciously as she avoids eye contact. He usually takes her at her word and doesn’t push, but the frown pulling down the corners of her pink lips sets off bells in his head. “Sherrie, what’s wrong?”
“Nothing, Bradley. I’m fine.”
He grumbles at her lack of response but settles again in the spot they had claimed after finishing their snack. The gate was still packed, but they had found a prime location with outlets; the only downside was having to sit on the floor, something that is getting harder the older they get.
Bradley scans the area, trying to scout out some open chairs for them to grab, while Sherrie goes back to the movie they’ve been watching on his phone. His eyes drop away from the chairs in surprise when she scoots closer and leans on his shoulder. It’s not uncommon for them to sit close like this at home in Boston, sides pressed together, but she makes a point to be professional when they’re on travel.
“Hey,” he gently nudges her side, concern rising when she doesn’t lift her head, choosing to tilt her neck back, looking up at him with tired eyes. “Are you sure you’re okay?”
Panic grips his chest when tears start forming, clouding her green eyes. “Sherrie?! What’s wrong?”
“We were supposed to be halfway home by now, and I’m so uncomfortable. I’m sorry, Bradley, I’m just so tired.” She whimpers, hiding against his bicep.
It hits him like a glass of cold water. Of course, she’s uncomfortable. She’s been walking around in heels and her pantsuit since 4AM California time after getting maybe three hours of sleep. His suit and shoes are comfortable and easily wearable for twelve-plus hours, not to mention the jacket and tie that were ditched sometime after the mustard incident.
“Oh, Sherrie, it’s okay. Let’s go change, yeah? Then we’ll find a quieter place so you can close your eyes and maybe get some sleep.”
“But the policy…”
Bradley resists the urge to roll his eyes at her insistence on rule-following. “In the nicest way possible, Sher, fuck the policy. You’re uncomfortable, and I care about that way more than I could ever care about a stupid, archaic policy.”
He stands, unplugging their phones and gathering their bags on his shoulder before turning to his best friend, who is still on the floor. “C’mon, we’re putting comfy clothes on.”
“But Bradley-”
“No arguing.” He interrupts, helping her off the ground and directing them back towards the restrooms. “We’re not going to sit in our suits for god knows how much longer.”
“But Bradley, I don’t have anything to change into. We had such a packed schedule I didn’t bother to bring normal clothes.” He ignores the thumping of his heart when her hand grabs his forearm, warm fingers slipping under the edge of the rolled-up sleeve as she tugs to slow his pace. At that information, he slides them out of the flow of traffic and over to the wall, Bradley pressing her against one of the columns lining the concourse atrium.
“You don’t have any regular clothes? What about your pajamas?”
“I have a pair of leggings because I was going to do a training run in the gym last night, but that’s it. I can’t wear my pjs because… well, they’re not appropriate for public.”
“Your leggings are clean, though, right?” He asks, ignoring the thoughts of what non-public appropriate pajamas might look like.
“Well, yeah, dinner went so late I barely had time to sleep before we had to be up. I guess I could buy a shirt at one of the SmartShop- what are you doing?”
Bradley peers up from his knees, where he had started digging in his bag. “I’m grabbing one of my shirts for you. Would you prefer a t-shirt or a sweatshirt? Actually, you’re definitely gonna get cold, sweatshirt for you.”
He pulls the worn, gray crew neck out, shaking it out before handing it over.
“You still have this?” The disbelief in her voice makes him laugh.
“Of course, I still have that! Relay was always my favorite event of the year. And that year was my favorite one.”
As the philanthropy chair of Sigma Chi, part of his job was to sign the brothers up for volunteer events and fundraisers. With his mom’s diagnosis, he ensured their schedule included the campus’ annual Relay for Life event, pouring as many resources as he could into the fundraiser that directly helped advance cancer research.
“Wait, but why was junior year your favorite?” She asks, brushing her fingers over the cracked, screen-printed logo.
“Because that’s the reason we became friends, Sher.”
Surprised green eyes meet sincere brown eyes, a thousand words said in the silence of their stares, both remembering the lead-up to that day in April so many years ago.
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Bradley’s eyes widen in panic as everyone at the gate starts moving as a herd. They had finally found seats to relax in after changing, the group of passengers waiting with them shrinking as time went on. And now, with only ten minutes until boarding, their gate has changed again.
“Sherrie, wake up!” He feels bad shaking the snoozing woman off, but they have to move with the group to make it to the new part of Terminal A in time for their flight. “C’mon, honey, they changed the gate again — we gotta go!”
“What are you- again?! Shit!” She wipes the bleariness from her eyes, slinging her bags over her shoulder and grabbing the hand he holds out.
The two coworkers, along with fifty of their fellow passengers who have stuck this out, speed walk down the first branch of the terminal. The entire group picking up the pace when turning the corner towards the second branch where the new gate lives. By the time they hit the second branch, everyone is practically running — time ticking down to boarding — no one wanting to miss this flight.
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As if the blob of Flight 1121 passengers racing toward the end of the terminal didn’t garner attention from other gates, the entire terminal is staring by the time they reach gate A28, and several people start yelling in frustration.
“This is unbelievable!” An older gentleman’s unhappiness is interrupted by three simultaneous updates pinging everyone’s phones.
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Bradley’s head drops back in disbelief, wrapping his arm around Sherrie when her head thunks against his chest. He doesn’t even get a chance to comfort her before the gate agents are making announcements about getting people on other flights, providing hotel rooms, and the vouchers that will be shared.
“Again, we apologize, but if you have flexible travel plans, we ask that you please go to the end of the line so those with time constraints can be taken care of first. Thank you for your cooperation, folks!”
“Well, that’s us, huh?”
“Yeah, I guess.” Sherrie blows air out of her lips, a mischievous smile taking over her face. “Hey, at least this means extra per diem money.”
Bradley laughs as they move to the back of the squiggly line that’s forming, letting her take the bags so he can step away to call to update their supervisor and then his pet sitter. It only takes a few rings for his boss to pick up. “Bradshaw! What’s up? You okay?”
“Hey Martin, all good. Just wanted to let you know that our flight has gotten supremely delayed. We won’t be home until tomorrow morning sometime.”
“Jesus, do you guys need anything?”
“Nah, we’re good. The airline is putting us up in a hotel for the night and giving vouchers for a bunch of stuff. Just called to let you know and for a heads up on the expense report.”
“Well, that is the most important part!” Martin’s honking laugh makes Bradley chuckle as he glances to check on Sherrie’s progress in line. “How’s Sherrie? She good?”
“Yeah, she’s good. She’s holding our spot in line for getting new tickets and stuff.” And it looks like she’s made friends already, he silently adds, smiling at her interacting with the elderly couple in front of her.
“Good. Alright then, I’ll see you on Monday, but let me know if you guys need anything. And hey! If you two end up in the same hotel room — remember what I said on your first day!”
The line goes dead, and so does Bradley’s smile, his stomach churning like it does every time he remembers his first day at the Wells Corporation.
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Tuesday, July 10, 2007 | 11:15 AM EST | Boston, MA
“Will you calm down?”
“I can’t, Bradley. What if no one likes me? What if I fuck up?!” She hisses, working to appear calm as they wait for their supervisor to show up, but failing.
“First of all, we’re starting together, so you have at least one person that likes you. And you’re great, everyone will like you. Second, there will be mistakes, but we just graduated — they’re not going to let us do anything alone because we don’t know anything yet.”
Sherrie nods, tucking her hands under her legs and trying to breathe. Bradley’s words are encouraging, but he doesn’t know how difficult her internship was last summer. The older engineers she shadowed treated her like a glorified coffee girl and secretary. Even when she had pointed out a mistake they all had missed, there was no change — just the addition of making her type their reports to see if she could catch something the non-engineer tech writers would miss.
This is a brand new company, but misogyny wasn’t unique to Waite Green Construction. Every woman has to work twice as hard to prove her worth and intellect, no matter her age or experience. She’s just hoping her onboarding mentor will be the only other woman in the department; it would be the perfect way to gain a professional mentor once she’s out of the probation period.
“Good morning, kids! How was orientation?” Mr. Teresi walks into the conference room.
Bradley shakes his hand first, “It was good, sir. Nice to see you again.”
“Good to hear! Learn lots of new things.”
“Yes, I think we can be considered experts on trade secrets now.” Sherrie jokes, focusing on making sure her handshake is firm but not too firm.
“Wonderful. So, I’m guessing you two have been introduced, but just in case you haven’t. Bradley, this is Sherrie McHone; she’s an electrical engineer. And Sherrie, this is Bradley Bradshaw, a mechanical engineer.”
“We actually went to school together, sir.”
“We’re friends,” Bradley adds, the two of them exchanging small smiles.
“Oh, great! Well, that makes things easier getting started. Now let’s go over my plan for the two of you, and then we’ll get lunch, my treat for your first day.”
Their supervisor talks for half an hour, going over things they’ll need to be trained in and their first assignments. By the time he’s done, several notebook pages have been filled and highlighted with things that need to be looked up.
“Alright!” The older engineer claps, rubbing his hands together. “I’m sure your brains are overloaded with information, so go drop your things at your desks, and we’ll head to lunch.”
The recent graduates gather their notes and head for the door, quietly talking about a training they’ll be attending next week when he stops them. “One more thing, guys. They never mention it during R&D orientation, but I feel it’s necessary to mention it to new people. Here at Wells, there isn’t a fraternization policy among non-management coworkers or between any employees in different divisions. But we are a fairly small department, so keep in mind who you interact with and what impacts that may have at work.”
Sherrie feels the blood drain from her already pale face as her brand new supervisor stares at her the entire time he speaks, ignoring Bradley completely. She’s going to be sick. Less than four hours into the first professional role of her career, and it’s already happening.
This is the moment it starts, she thinks, her heart pounding in her throat as she robotically nods. It’s never the men that get these warnings. It’s always the women. Always us. Always me.
“I don’t care about that. But there are some people who will, even though they shouldn’t. And I want you guys to have the best experience here you possibly can. You’re both extremely bright, and I’m excited about your futures. I don’t want you to get bogged down by the opinions of others. Understand?”
“Yes, sir.” They answer in unison before filing out of the conference room.
“Sherrie, don’t worry about that. He’s just-”
“Trust me, Bradley. I know exactly what he was saying. I’m going to use the restroom, and then I’ll meet you guys at the elevator.”
“Sherrie…”
But she ignores her friend, shrugging her purse over her shoulder and keeping her face neutral as she heads for the single-stall ladies’ room. Fighting to hold the tears back until she’s inside for fear of being perceived as emotional. A quality no woman can afford to have in a professional setting.
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Friday, July 15, 2016 | 8:05 PM EST | Charlotte, NC
“Hey, everything? Martin says hi.”
“We’re good! This is Mr. and Mrs. Ludden; they’re going to visit their newest granddaughter. How’re Sophie and Louis?” Bradley smiles at the excited way she introduces them, putting a steadying hand on her back when she bounces up on her toes.
“Oh, congrats! They’re good; Marie can watch’em one more day, problem.”
“Good, we’ll have to get her a thank you present for the short notice.”
“You didn’t tell us you guys had kids!”
Bradley and Sherrie freeze in place, eyes widening in surprise at the older woman’s words.
“Oh- uh- we-” Sherrie giggles awkwardly. “Sophie and Louis are our cats; we don’t have kids.”
“I’m so sorry!” Mrs. Ludden gasps, hand covering her mouth in shock while her husband groans her name.
“Louise, how many times do we have to do this before you stop making assumptions?”
“It’s okay, innocent mistake,” Bradley assures them.
“Well, they’re such a cute couple. I just thought they would have adorable children, too!”
“Actually… we’re not…”
“Oh, lord. Let me guess. You’re not dating. You’re just friends.”
“Coworkers too, but we were friends first.” Sherrie suppresses a laugh when the older gentleman rubs a hand over his eyes in exasperation.
“Don’t even start, Clayton!”
“I wasn’t going to, dear.”
Bradley can’t help the laugh that escapes at the comfortable ribbing they give each other; it reminds him of his friendship with Sherrie. The easy way they tease, never going too far.
“Would you two like to join us after we get rebooked?” Bradley asks. “We’re going to use our food vouchers tonight to grab dinner before we head to whatever hotel they put us up in.”
The four adults move through the line, chatting about small things and comparing pictures of grandkids and cats. It’s a nice way to spend the time, especially when they get to share judging looks when a woman throws a tantrum and yells at the gate agent. But soon enough, they’re walking back to the main concourse and deciding what food to get.
“No, stop. You just sit here with the bags, and I’ll grab the food.” Bradley gently pushes Sherrie back into her chair, rolling his eyes as he talks over her protests. “I know. You want mac and cheese, Diet Coke, and whatever pulled pork flavor looks best.”
“He’s sweet,” Louise says, watching the two men make their way over to the BBQ place.
“He’s annoying.” Which makes her companion laugh. “Yes, he’s very sweet. I’m lucky to be such good friends with him.”
“Can I ask why the two of you aren’t together? He even knows what food to bring you.”
“It’s just never been like that between us. We’ve always just been friends. And he’s annoyingly smart, so he always remembers what I order.” Sherrie half smiles, pushing down the pain in her chest at the harmless curiosity, watching Bradley laugh at something Clayton says as she remembers the first time he remembered one of her favorites.
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Saturday, March 4, 2006 | 1:34 PM EST | Charlottesville, VA
“Thanks for meeting me on a Saturday, Bradshaw. It’s just such a busy semester.”
“No problem. You know you can call me Bradley, right?”
“Oh, sorry. Do you not like being called Bradshaw?” Sherrie blinks when a bottle of Diet Coke and a small bag of Skittles is set on the table in front of her. “What’s this?”
“Your favorite snack.”
“Right… but why?”
“Because you have that about 50% of the time when we meet up to work on this project. Now, I finished transcribing the interview with Commander Buck last night. Did you want to- Sherrie?”
She shifts her focus from the food to the boy across from her in the study nook they’ve claimed as theirs for the semester. “Why do you remember my favorite snack?”
“Because we’re friends?” Brown eyes look into hers, equally confused.
“We’re friends?”
“I hope so; otherwise, this is gonna get awkward when you hug me in a minute.”
“Why am I going to hug you?!”
Bradley laughs at her flabbergasted expression, but it doesn’t hurt her feelings like it does when other people laugh at her. Something about the tone of the laugh makes it feel like he’s laughing at her, but rather with her, and she just doesn’t know the joke yet.
“Because as team captain, I am happy to announce to the Relay Chair that Sigma Chi has officially raised $5,000 thanks to your idea.”
“Bradley, that’s incredible!” She doesn’t feel silly when she bounces around the table to hug his neck, rocking them back and forth in excitement.
“Well, if you think that’s good - let me show you what we’re anticipating to raise this month…”
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Friday, July 15, 2016 | 10:12 PM EST | Charlotte, NC
“I just don’t understand how we’re having such bad luck!”
Sherrie rolls her eyes as he unlocks the door. “Bradley, breathe. You’re being very dramatic right now.”
“How is “we’re out of rooms” a legitimate reason for the hotel to give? Not that I mind sharing with you, but like how is that possible? The airline specifically works with them to book rooms for things like this! And the airline! That gate agent who wanted to book us to fly into Hartford and then drive the rest of the way to Boston! That's insane!”
“I don’t know, the Bradley flying into Bradley joke was pretty funny.” She mutters, clicking the lights on as she checks the cleanliness of the room.
“It wasn’t.” Bradley pouts, flopping onto the bed closest to the door. “Do you want to shower first?”
“No, go ahead, but I’m going to wash my face first so I can do a face mask. I’m so dry from the airport air.” He listens to the sounds of water running and the quiet humming as she carefully applies the drenched sheet to her skin. “All yours!”
“Thanks, Sher. I won’t be long.”
He showers quickly but takes extra time cleaning his teeth, his mouth feeling gross after the long travel day. When he comes out, he’s surprised at how cozy the room feels. With only one lamp on, the air conditioning set low to keep the fan running, and an old movie on the TV, it almost feels like they could be at home in his living room. They silently move around each other, Sherrie heading to the bathroom with a pile of things while Bradley organizes his things for the morning, wanting to get as much rest as possible before their early alarm.
He scrolls through emails and texts while he waits for her to shower, turning the television off since he knows there’s a small chance of either of them making it five minutes after they kill the lights. He's updating Mav on tomorrow’s travel plans when Sherrie comes out of the bathroom, her hair wrapped in a towel. Bradley sees her packing things out of the corner of his eye, not fully paying attention until he plugs his phone in.
“That’s what you wear to bed?”
“Bradley!” He laughs at how she jumps, her hands coming down to cover her shorts.
“What? They’re cute! Very pink.”
Her face goes as pink as the pajama set she’s wearing. “Stop making fun of me!”
“I’m not! You know, I love strawberries.” He can’t help the way his eyes roam up and down her body, admiring from the spaghetti straps on her smooth shoulders to the scalloped edge of her shorts. “I see why you didn’t want to change into those at the airport.”
“Oh my god…” She huffs, climbing into her own queen bed and stuffing herself under the sheets. “You set an alarm, right?”
“Yes, ma’am. Want me to turn the light off?”
“Please. God, this day cannot be over soon enough.”
He chuckles and turns the lamp off, listening to her shuffle around in the sheets as she gets comfortable. It’s quiet for a few minutes, and he can hear her breathing leveling out, but he can’t keep quiet; the conversation at the airport running through his mind.
“Sher?” It takes a second, but she quietly hums in response. “We have to talk about it again.”
“No, we don’t.”
“Sherrie-”
“No, Bradley. We talked about this two weeks ago. Nothing has changed since then.”
“Yes, things have changed since then. You interviewed for that principal engineer position. Which if you get-”
“I’m not going to get it. They’re going to pick Trevor.”
“They’re going to pick you. You’re the best person for the job!”
“That’s not how it works, and you know it.”
He’s silent, the crushing weight on his chest feeling heavier when he hears her sniffle.
“Oh, Sherrie…” He slips out of his bed and into hers, wrapping the woman he loves in his arms. He lets her cry, knowing she’s frustrated and exhausted, only speaking up again when she’s calmed down. “I’m sorry, honey.”
“No, I’m sorry, Bradley. It’s not fair that we’ve been dancing around this for so many years, and I keep saying no. You deserve someone who isn’t afraid to be with you. Not a coward like me.”
“You’re not a coward; you’re one of the bravest people I know, Sherrie Anne McHone. I know how critical people are of women, in this field especially. And I love you, so I don’t mind waiting until we’re in a position that you’re confident won’t jeopardize your career. So, we’ll wait to hear about the job, and once you hear that you’ve gotten it, I’m treating you to the nicest dinner in Boston.”
“Bradley, we don’t know-”
“I know we don’t know. But think about how it would be if it does. Wouldn’t that be amazing?”
“But what about-”
“Doesn’t matter, honey.”
“You don’t even know what I was gonna say.” Sherrie mumbles, cuddling further into his side, making it clear that he wasn’t allowed to leave.
“I know, but it doesn’t matter, whatever it is — we’ll figure it out.”
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Saturday, July 16, 2016 | 10:32 AM EST | Somewhere over Virginia
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“She’ll take a ginger ale; thank you so much.” Bradley balances his apple juice, the two packets of Biscoff cookies, and the bubbling soda he got for Sherrie. The smiling flight attendant moves past their row as he turns to his row companion.
They’re finally on their way home after waking up to more delay announcements. The additional time meant there was time to get coffee and some fruit from the hotel before their taxi back to the airport arrived, and the Luddens had even stopped to chat for a second at the gate, excited that they had gotten bumped up to first class since the flight was nearly empty.
All things considered, it had been a good morning even though Sherrie was insisting on working during the flight. Bradley is sure it’s an attempt to ignore their talk from last night, not wanting to dwell on the emotional moment when things are still so up in the air.
He looks over at the woman he’s known since he was eighteen, overwhelmed for a moment by how little things have changed since the first time he ever noticed her. Bradley fondly watches as she furiously types, hunched over her laptop with headphones, playing what he knows is eighties hair bands.
Her nose wrinkles in frustration, and suddenly it’s 2003 again, and he’s trying to get the attention of the red-haired girl whose table has the only empty chair left, something he desperately needs since this book can’t leave the library. He’s unable to get her attention and resorts to knocking on the table, heart skipping a beat when the prettiest green eyes he’s ever seen blink up at him. Bradley gestures at the empty chair, silently asking if he can sit, and is grateful when she nods because her smile is making his knees wobble. For the next hour, he tries to take notes for his paper, but he keeps getting distracted by the beautiful girl across from him. Bradley isn’t sure if he’s upset or happy when she packs up her stuff and leaves, giving him a little wave when she notices him watching her.
That had been thirteen years ago, and her intense focus still distracts him, but he’s not afraid to interrupt her this time. Fingers rub her arm that is covered in his sweatshirt again, but this time, he knows it smells like her shampoo instead of his cologne. Her smile still sends his heart skipping when she looks up at him, her pretty eyes widening in joy when she catches sight of the red snack packaging and the plastic cup holding her second favorite soda.
“Thank you!” She whispers, leaning across the empty middle seat in their row to kiss his cheek. “Oh, and we should go out to lunch when we get back! I want to try that new noodle place that opened in Southie.”
He just smiles when she immediately gets back to work; cheek puffed out from the cookie she stuffed in her mouth.
Maybe she’s not avoiding our talk from last night.
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Thursday, August 11, 2017 | 2:15 PM EST | Boston, MA
“You got a minute?” Bradley knocks on the edge of her cubicle. It may be a different floor of their building, but all of the office space is the same dated stuff from decades ago.
“Yeah, what’s up?”
“First of all…” He ducks down and presses a swift kiss to her plush mouth, still trying to make up for all those years he couldn’t. “And don’t say anything because I already checked before I did because I wanted to kiss my girl.”
He chuckles at the pink spots that shine on her cheeks. It’s been a year since Sherrie snagged the promotion, and they officially became an item, but she still turns a little red whenever he says something sweet.
“Second, you are all packed, right?”
“Yes, why?”
“I was gonna swing by the apartment and get our bags so we can head straight to the airport after work.”
“You took the afternoon off? Why?”
Bradley was expecting this question and smoothly fibs. “I worked the hours out with Martin for this week so I could run a few last-minute errands. Do you want me to grab snacks?”
“Okay, Mr. Secrets. When you’re at home, could you water the ivy? I forgot this morning, and I don’t want it to die while we’re gone.”
“Of course! Need me to do anything else?”
Sherrie hums, staring at the ceiling as she thinks. “One more kiss?”
“Yes, ma’am.” Bradley happily complies with her request.
“Okay, now you have to go. I have to finish prepping for this meeting where I get to yell at Sean.”
“That’s my girl. I’ll pick you up later. I love you.”
“I love you, too. Have fun with your mysterious errands.” Sherrie teases, and Bradley smirks back, knowing how much she would be freaking out if he knew what he would be doing while she professionally reamed out their least favorite colleague.
“Thanks, honey. Text me if you think of something.” Sherrie waves over her shoulder, already zoned back into her work.
Bradley doesn’t dare look at his buzzing phone until he’s safely on the elevator, pleased to see confirmation texts from their hotel and the airline. Would it be cheesy to quietly propose in the airport that was a catalyst in their relationship? Maybe, but he knew Sherrie would love it. He’s just hoping the TSA didn’t call out the ring that would be hiding in his carry-on.
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#deltasupremacy I also want to give a special thanks to @sometimesanalice, who gave so much encouragement through the texts despite having no idea what I was writing - you're the best! tagged some friends and most those who interacted with the original announcement post for this fic all those months ago!
tagging: @gretagerwigsmuse @sometimesanalice @laracrofted @theharddeck @hangmanbrainrot @hangmanssunnies @thesewordsareallihavetogive @princessphilly @katieshook02 @atarmychick007 @kmc1989 @a-court-of-roscoe-and-baby @misfitpeach @luckyladycreator2 @scarlettwidow19 @mini-bee-bee @midnightstarqueen @shamelessghostwagonwobbler
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dead-lights · 8 months
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1890-1940 // portraits of lilith vatore
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I wanted to try making wall decorations, so I made these and threw them into that massive painting from Vampires. It's sort of a mini decades challenge going from 1890-1940. Behold, the result:
My hc is that the Vatores were born in the late 1930s/early 1940s, so Lilith isn't actually old enough to have worn any of these clothes when they were first in style. I think she dressed up like it's old times and took a buncha pictures just to confuse people trying to figure out how old she is, but you may draw your own conclusions.
cc and full color below the cut
1890s
hair: granny bun by @saurusness
hat: fine feathered hat by @gilded-ghosts
earrings: rose in the garden earrings by @rustys-cc
dress: the ida dress by retro-pixels (direct link)
pose: from mademoiselle by @blackpanda-ts4
1900s
hat: striped bow hat by @lilis-palace
hair: bertha by @buzzardly28
earrings: arthur earrings by @yakfarm
outfit: dress: edwardian huntress dress by @elfdor
pose: also from mademoiselle
1910s
hair and flower accessory: gibson curl updo by @the-melancholy-maiden
earrings: arthur earrings by yakfarm
dress: rose lunch dress by @happylifesims
pose: also from mademoiselle
1920s
hair: maxie by @raindropsoncowplants
lipstick: clara by @chere-indolente
dress: 1920s evening dress 06 by happylifesims
pose: from the louise brooks posepack
1930s
hair: gigi by @simadelics
coat: 1930s female coat 02 by happylifesims
pose: from barstool poses ii by @katverse
1940s
hair & dress from forties film noir by gilded-ghosts
pose: from monday poses by @ratboysims
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frankensteinposm0 · 1 month
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Kurt Cobain drawing I made throughout this weeks <3
« Teenage angst has paid off well... »
I started this drawing as a sketch to de-stress and it turned into ‘my birthday present to myself’, and tbh I am very satisfied with the result. It's like the first or second time I am drawing flowers, but it was fun and they came out very pretty! ^^
About the flowers, these are lilies, which were his favourites (Lilium Stargazer and Lilium Bulbiferum).
Reference: ‘Kurt Cobain at The Palace, Hollywood CA (03/06/92)’
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nuralscolorfulart · 16 days
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Pokémon #134 - Vaporeon
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💙💧 POKÉMON FANART 💧💙
Due to running out of ideas as a result of finishing DTIYS entries, as well as focusing on collab parts that are unfinished, I'll be focusing on drawing Pokémon fanart once again.
This time, I draw the Water-type Pokémon and the first Eeveelution, Vaporeon, from the first generation.
Next Pokémon character? Comment below! ✨💕
Digitalized by me, on ibis Paint X (09/06/2024).
Title: Pokémon #134 - Vaporeon
Character: Vaporeon
Type: Pokémon fanart, Video game fanart
Day 250, 2024
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marilyn-not-monroe · 1 year
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Spuffy Realizations: Seasons 2-4
A huge reason that I love Buffy and Spike together so much is that nearly every episode has one or both of them realizing something that draws them closer to having a relationship with each other. I noticed while making this that Spike had the most revelations that he's falling for Buffy in Seasons 2-4, and Buffy starts noticing things in Seasons 5-7.
02/03- Spike realizes that Buffy’s different from any other Slayer.
02/06- Spike realizes that Buffy looks really good as a brunette.
02/07- Buffy realizes that she’ll let Spike eat her betrayer, as a treat.
02/10- Spike realizes that Buffy is the gnat in his ear, the gristle in his teeth, the bloody thorn in his bloody side.
02/11- Spike and Buffy realize they’d rather be fighting each other.
02/14- Spike realizes that the only way to kill Buffy is to love her.
02/17- Spike realizes that going after Buffy’s friends only results in a brassed-off Slayer, not a weakened Slayer.
02/21- Spike realizes he can’t wait to tell his friends (Buffy) that he has a big rock. See this post by @disco-tea
02/22- Spike realizes that he’d like to partner up with Buffy to take down Angel. Buffy realizes that the enemy of her enemy is your friend is all she’s got.
03/08- Buffy and Spike realize they have fun fighting side by side. See this post by @l0veisntbrains
04/03- Spike realizes he’s inexplicably attracted to blondes now.
04/07- Spike realizes that he holds Buffy in extremely high regard.
04/08- Spike realizes that Buffy is a person he can turn to when he’s in need (again).
04/09- Spike realizes that marrying Buffy will make him the happiest man on Earth. Buffy realizes that maybe they fought because they couldn’t admit how they really felt about each other. See this post by @raisedbythetv89
04/10- Buffy realizes it’s nearly impossible to have a loving and honest romantic relationship with a normal guy.
04/11- Buffy realizes she would like a partner who can hold his own in a fight and support her.
04/12- Spike realizes he would have liked a proper sendoff from Buffy.
04/13- Buffy realizes that she really enjoys having sex right after fighting.
04/14- Spike realizes that Buffy has tragic taste in men which definitely doesn’t peak his interest.
04/15- Spike realizes that he has no interest in any Slayer that isn’t Buffy.
04/16- Spike realizes that he really likes Buffy getting in his personal space and describing what she could do to him.
04/17- Spike realizes that he would really like some alone time with Betty to face her one-on-one. Buffy realizes she doesn’t like Spike treating her like she’s not a threat.
04/18- Spike realizes he cares about Buffy’s wellbeing enough that he considers helping to rescue her (for a few seconds).
04/19- Buffy realizes she has a nuanced view of good and evil, and she doesn’t like people who see in black and white.
04/20- Spike realizes he doesn’t have a valid reason anymore for not killing Buffy. See this post.
04/21- Spike realizes he doesn’t want to get staked by Buffy or leave town because he’s in love with her just because, so he better make things right with her in the only way she’ll consider valid: saving her friends.
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memberment · 29 days
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GOOD MORNING EVERYONE
So the Trinitarians brain worm is back and Morning Glory is now longer and biting the dust as far as my focus goes.
But like, I genuinely want to talk to anyone who's invested in what's to come as far as part two goes. SO PLEASE. I IMPLORE THE FOUR OF YOU WHO PERPETUALLY TAKE NOTICE OF MY SCREAMS INTO THE VOID.
We're all aware that Trin is a time loop fic. That is confirmed.
BUT THE PROBLEM IS HOW I'M GOING ABOUT DOING THAT. AND I NEED INPUT FROM PEOPLE THAT ARE NOT ME AS FAR AS PLEASES AND SPARKLES GO, YES?
Because like sure I'm writing it and like fuck everything else, let me tell my story. But it's the how of it all like if I'm gonna throw another 200 give or take hours into this I would at least like one person to be having a wonderful time drinking and driving (I have since remembered this is not a common phrase, I do not mean this in a literal sense, it's an expression) with me right?
Part two is going to be 50 chapters, give or take. (Part one is about 37 for reference.)
So the plan for part 2 rn is (ROGUHLY):
(1-10) is the second timeline. There are a lot of importants and I cannot just glaze over it all more than that. But we're also working in a bit of a shorter time period than the original events of the story and introductions do not need to happen again, right?
(11-40)ish would be me running through the next timelines in a set up structure -> what changes -> the results of said changes and then inevitably what sends our looper backwards. It wouldn't be running through all the timelines but the more notable ones in kind of a four chapter structure, I am not fully sold on four, but rough estimate yk.
And then 41-50 would be the finale of part two. It's literally the last timeline in its glory and then the epilogue which kicks off part three.
COULD AT LEAST ONE OF Y'ALL SIT THROUGH THAT OR DO YOU GUYS HAVE ANY NOTES AT ALL BECAUSE LIKE
I personally kinda like it but if not a soul is reading this I am throwing myself on the curb with the rest of the garbage LMFAOOO.
I NEED THOUGHTS. OPINIONS. COMMENTS. CONCERNS. ANYTHING.
Anyways, I'm going to work. I have off tomorrow and I broke the ff investment seal for today so insanity and updates will be here tonight and homework will be tomorrow.
HOPE EVERYONE HAS A GOOD DAY <3
(9:30) I am literally falling asleep as I lazily write this angel based on Danse Macabre. Expect all of maybe one more update tonight if the tacos I am abt to receive don't wake me up LMFAO.
Also, I am almost saddened by not having something to post tm. Anyone want an early chapter of something that isn't Genesis/Desolation bc they're both on Monday?????? (I am feeling like a menace rn)
(10:19) tacos and the absolute yap session I just had did wake me up a bit. MAAAYBE might write some more. Idk I slept like three hours last night and went to work I'm kinda dead. But we're at 98.2k!!!!!!🥳
(11:06) okay we made it to 99.6k everything besides the flashback for 31 is done. I'm about to relax and watch something and figure out mechanics of some of this because god this series is A BEAST. Like, I still have six planned chapters left.
Pure insanity. I love it here. I hate it here.
Holy shit wait I just came to the realization that I started this fic exactly one month ago. I have belted out 99.6k for THIS FIC ALONE. (Moreso if we're including future shit that hasn't happened yet)
IN ONE MONTH.
THAT IS FUCKING CRAZY WHAT HTE FUCK LMFAOOOO
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I may or may not be cooking we’ll find out in 6-26 business hours
(5:28) So I just had a very interesting past few business hours. I read a fic I've been waiting ever so patiently to finish. That's cool, right. I go for a walk at 4 in the morning because I'm insane. Fantastic. I get home at five and I'm like ohhhh well what do I do now it's not sleep time yet. Oh write I'm supposed to be drawing.
Nope I reread the epilogue of morning glory and realized Tweek's first address is for my morning glory and Craig's last sign off is your morning glory and now I'm ready to throw myself on the curb with the garbage as I sob. Someone call a trusted adult for me thanks.
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studyblr-perhaps · 1 year
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17/06/23 || Saturday
It's been a while! I'd been on vacation to my aunt's place which is in the hills, and god I love it so much!! I always seem to be unable to click a good picture from a moving car, so I settled on drawing what I saw. And I am very glad at the result!
I've been in a slump lately in terms of studying, but today I continued reading for the project I'll be under the next semester, and it's genuinely so interesting! I am enjoying it so far.
I hope everyone's having a great day, and good nights for people who are going to sleep!
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jayecrockerdaily · 3 months
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020 - 07/06/2024
step 1: be mad step 2: draw tiny crockertier jaye step 3: ??? step 4: repeat if results not satisfactory
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goldenchocobo · 9 months
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2023 Art Dump
Not as much as last year, which would be a feat. A lot of Kingdom Hearts art, still, as well as OC things.
In the Keep Reading below, you can learn about each thing, if it interests you;
From Left-to-Right, Up-to-Down:
-Baldr and Bragi's battle stances (specifically from when they were fighting Cerberus in the Underworld). wanted to draw them like this, but never found a reason to post it as-is. I was going to include it in another compilation that sat in my Drafts for half a year (with other art on this dump).
-Character art for a friend's KH D&D character- a 'Nort replica with no memory of who he is, only that he's running from Vexen.
-Art in that compelation. It's from the first time you speak to Demyx. I like how it's the first thing he ever asks Roxas; I was going to do more, but... didn't.
-Interpretation of the Keyblade from Missing Link's promo image. I needed it for my KH D&D, as I was going to give the players a keyblade based on the stats they chose in their DttH. The keyblade didn't end up being used.
-Silly Bragi/Luxu doodle. I think he'd have to try hard not to ace any history exams, or at least know more than what he's currently being taught.
-Aerith and Cid shop 'interface' I drew for my KH D&D. I wanted a visual for my players instead of just vague descriptions, so I drew these, the portraits are the characters currently in the session.
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-Young Xehanort headshots. I was going to do more each time I wanted to draw, but didn't know what- but these two were the only two that I did.
-Working out the design for a Minotaur Heartless that appeared in my fic, Working Together, for Ventus and Vanitas to fight.
-His Dark Materials AU Sora with his Daemon Amica. I was going to draw some battle poses with them, but I honestly never felt like it, and didn't want to force myself.
-figuring out a design for Vanitas's glider for my fic.
-Ventus holding an escapee-flood from a WiP fic, (continuation of Working Together) Trial by Light.
-New Unversed Vanitas makes when he and Ventus are on 'kind of okay' terms, that Ventus calls a Mawkeepit from my fic. I wanted to nail out a design for them, so I could describe them better.
-New Unversed Vanitas makes when he felt betrayed. They're currently unnamed- as I'm having trouble coming up with a portmantu or word-association for 'Backstab, Weasel or snake' for the WiP fic. These aren't going to feature as heavily as the Mawkeepit, but I wanted to draw them so readers could get a better idea of how they looked.
-Art of the Mawkeepit crowding an Unconscious Ventus while being surrounded by Heartless for my fic.
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-Chocopuffs. Art from a Nyancave stream of Final Fantasy XVI, where the Northern British actors pronounce the 'cho' in chocobo the same way as the 'cho' in 'chocolate'- the result was chocopuffs, a cereal.
-Diabloceratops getting its toe bitten by a territorial turtle. didn't finish the WiP.
-Bi frog I drew for my Bi friend who likes frogs.
-Absolute monster of an art dump for my OCs, Lupin an Iberis. I wanted to give them a more modern take, so I drew them in modern clothing, with only one being of an older time period (bottom right) based on a photo of two men sitting together like that. I have refsheets for them and may post them if I routinely draw and post more are of these two.
-Neovinator in a pond/river based on a photo of a Grebe, and Daurlong sitting based on a photo of an emu.
-depiction of a woman I dreamt of. The dream was very real, and I'm certain I met death, and that is what she looked like. If you're interested in it, let me know and I post the rest, because it's long.
-Warrior cat OCs (and my friends) all from different clans going to a fourth to ask to speak to their medicine cat. the ginger one is mine and his name is Flipleaf.
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-Nyancave Sonic OC. I think they were playing Sonic 06 or Shadow the Headgehog when I drew it, I can't remember.
-Drawn when there was a Subathon and the Nyancave were playing Final Fantasy XII. The memberships were a steal!
-Painting of their cats (now older) Dante and Nia, looking at Christmas lights.
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crusherthedoctor · 6 months
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I like how Sonic 06’s defenders and their arguments never conform or line up with one another, like each of them has a different interpretation and headcanon to the game’s plot and characters.
Some say the Time Travel works in X way, others say it works in Y way, and so on, even though it’s never outright stated in the game any of this, and their own theories have their share of inconsistencies and holes with what the game shows us. Then there are the ones who say Mephiles is a 400 IQ villain whose actions were all according to his masterful and sadistic plan (despite all the other characters becoming fucking dumbass for all the ass plot to happen), and there are ones who says he’s supposed to be a dumbass and a coward, even though Eggman in the end props him up like a master manipulator who trolled them all, so I’m not exactly sure if the game confirms this view.
There is never a consensus on what exactly is the case on these things and it’s so funny to me. Maybe someone could say that because the story is so complex, deep and masterful, one could draw many interpretations from it. Like, yeah, it’s totally not because everything in the story is poorly explained, established, shown and executed, making everyone have the chance to fill in the gaps with any kind of bullshit the game shows and establishes or even what it doesn’t show and establishes lol.
Surge might have dethroned him as my least favourite Sonic villain of all time (funny how it didn't really take that much effort beyond simply being as annoying as possible for my tastes...), but Leslie the Dark is still a shoddy result who similarly did not earn his fandom acclaim. Much like how my personal distaste for Frontiers doesn't mean I'm suddenly going to start fawning over '06, or any other game I consider too flawed to consider good in the unironic sense.
You can tell Mephiles was set up to be the ultimate mastermind, and that him failing to line up with that role was not intentional. Notice you'll get fans gushing over how brilliant he is, but once you point out the issues with him, then they'll switch gears and act as though his flaws were deliberately woven into his portrayal. Either that, or that you can't expect perfection from a Sonic story (which is hilarious since most fans make a big deal about how they care more about the story than the gameplay, to the point of excusing certain installments of their non-nitpick shortcomings if they find the story to be halfway decent). It's no different to claiming Scourge was always meant to be a parody, despite how he would frequently be presented as the biggest and baddest threat with no irony whatsoever: it's a lazy excuse to justify bad writing, and very obviously such.
The only reason you could give Mephiles for going out of his way to convince Silver to kill Sonic is that he couldn't do so himself for whatever reason... which goes out the window when he ends up doing the deed himself anyway. It's not like he was too busy either, since up to that point, he spent the rest of his time fooling around with Shadow in ways that didn't really contribute anything to his ultimate plan. Or that he could have teleported all the Chaos Emeralds to his destination from the start, since it turns out he can do that as well, with no reason provided in the game as to why he didn't do so beforehand. While you can write a villain whose indulgements might occasionally drift from their overall scheme, you need to be smart about it, and provide context that doesn't compromise the story's structure.
This is what happens when prioritizing cheap power level thrills overwrites the plotting. To my dismay, this would not be the last time it becomes an issue in a Sonic game. *looks at Frontiers' shortsighted milking of super forms*
The recent push to retcon '06 in general as secretly brilliant is always going to be an example of why I don't take a statement as gospel just because it's a popular one. Yes, '06 does have some moments worthy of praise, and some ideas did have potential, but that doesn't mean the final overall product is actually good. The humans still look uncanny. The world still leans too far into realism for realism's sake. The gameplay remains as broken as ever, and no amount of praise given to Project '06 will change that the original game remains broken. Elise's character being reevaluated and appreciated is nice, but she was still used poorly in the plot. Silver might be powerful, but on top of being made to piggyback off of Shadow's popularity (and the majority of his creative process being little more than "think Trunks"), he was ultimately portrayed as a total idiot, and the way they framed him beating Sonic was just as unearned as Mephiles' kill, and contributed to Sonic's poor treatment in the game as a whole. Do I even need to go on, given what game that nearly killed the franchise we're talking about?
It's frustrating for me because not only can I express fondness for a less than stellar product while also acknowledging its quality with no issue at all (I am fully trained in the ways of Enter the Dragonfly and its lip flapping muppet models), I also happen to love stories that deliberately keep some of the details ambiguous in a way that's satisfying and intriguing instead of coming off as a cop out. So for people to hold up '06 as an example of that offends me lol, especially after so many years of later games being beaten over the head because fans cried up and down about not settling for mediocrity.
So we won't settle for perceived mediocrity, but outright shit is fair game?
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bizarrequazar · 7 months
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GJ and ZZH Updates — February 25-March 2
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This is part of a weekly series collecting updates from and relating to Gong Jun and Zhang Zhehan.
This post is not wholly comprehensive and is intended as an overview, links provided lead to further details. Dates are in accordance with China Standard Time, the organization is chronological. My own biases on some things are reflected here. Anything I include that is not concretely known is indicated as such, and you’re welcome to do your own research and draw your own conclusions as you see fit. Please let me know if you have any questions, comments, concerns, or additions. :)
[Glossary of names and terms] [Masterlist of my posts about the situation with Zhang Zhehan]
02-25 → Rare posted a photo ad featuring Gong Jun. (1129 kadian)
→ The Instagram posted a video from the latest scam concert.
02-26 → BEAST posted a teaser video featuring Gong Jun. (1129 kadian)
→ The Instagram posted another of the same.
02-27 → BEAST posted another teaser video (1129 kadian) and a photo ad featuring Gong Jun.
→ The Instagram posted three photos of "Zhang Zhehan" and "Zhang Mama" and seven of an aquarium. The previous Zhang Mama impersonator has visibly been replaced by a new one, likely due to the previous one being in declining health.
→ PRSR posted a photo ad featuring Gong Jun.
02-28 → Tissot posted a promotional video spoken by Gong Jun.
→ Gong Jun posted a commercial he did for BEAST. (10:42, 511 kadian possible if you push it) Caption: "Spring is coming, and the God of Flowers is about to wake up… I hope you can meet the golden finger and find the black vanilla"
→ BEAST posted a photo ad featuring Gong Jun. (1129 kadian)
→ Gong Jun's studio posted a behind the scenes video from the BEAST shoot. Caption: "The subtle fragrance stays and lingers for a long time. Meet @ Gong Jun Simon in the early spring~"
→ Xiao Chu (aka Nada), who moved to Canada at the end of last year, changed her LinkedIn profile to credit herself as the sole writer for Word of Honor, despite it being an adaptation and despite Xiao Chu herself admitting back in 2021 that it was a collaborative effort. There has also been speculation that her husband may have been involved in the writing, as his name is the one in the contract. Xiao Chu has openly been involved with the Zhang Sanjian scam, and has recently been hiring ghost writers.
02-29 → Nothing of note.
03-01 Addition 03-06: Gong Jun's studio posted a douyin with footage from the BEAST shoot. BGM is 偷心 by Jacky Cheung.
→ 361° posted a teaser commercial featuring Gong Jun. (1129 kadian) Fan Observation: The logo at the end of the video, which is used for Gong Jun's line with 361°, has what appears to be oranges added.
→ The makeup brand Za posted a photo ad teasing an upcoming endorsement with Gong Jun. (1129 kadian)
→ Gong Jun's studio posted fourteen photos from the BEAST shoot. Caption: "Spring returns to all things, @ Gong Jun Simon's warm fragrance awakens the radiant poetry."
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→ The Instagram posted ten photos of the new fake Zhang Mama.
03-02 → Za posted another photo ad teaser. (1129 kadian)
Additional Reading: → Late addition to last week: The cram school that included slander against Zhang Zhehan in their test prep books after 813 are facing scam claims and resulting refund requests of 40 million RMB. → [Here] (shirtless Sanjian warning) is a really good comparison showing how much photoshopping is being done to the photos posted on the Instagram, and [here] is one showing the height difference between two different Zhang Sanjians.
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This post was last edited 2024-03-06.
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