#...to be fair I haven't yet developed a name system for like four of my countries.

[davros42]

Rewatching Classic Doctor Who, some episodes I haven't seen in years, some of the animated reconstructions I haven't seen at all.

Marco Polo AKA Serial D

Hard to give this one a fair shake as it's video portion is entirely missing. It is one of the few original serials that has no existing motion visual elements. Thanks to the Loose Cannon folks for building a reconstruction from the audio and the prodigious number of still images available, we can at least try though.

The TARDIS arrives in the Pamir Mountains (AKA The Roof of the World) and promptly breaks down, presumably due to damage incurred during the Edge of Destruction. Or maybe just old age. It's not really clear, just that it'll take days to repair the part in question. After a few Yeti/Abominable Snowman fake outs (they'll get their chance yet) it is revealed that Marco Polo has stumbled upon the crew on one of his travels. The crew join Marco Polo's caravan since they have no shelter, food, or water thanks to the broken-down TARDIS. It doesn't help that the Doctor has developed altitude sickness, the writers having not invented the respiratory bypass system yet. However, Marco Polo contrives to steal the TARDIS in order to give it to Kublai Kahn and we spend the next five episodes going back and forth over it while Tegana the evil Mongol plots in the background and Marco Polo remains oblivious.

Oh, and Susan forms an especially close friendship with a girl named Ping-Cho. (My god, these bitches gay. Good for them.)

Eventually after many minor adventures (sandstorms, poisoning, kidnappings, fights, etc.) they finally arrive at the court of Kublai Kahn. The Doctor promptly loses the TARDIS in a game of backgammon. Ian gets captured (again). But Tegana loses to Marco Polo in an epic swordfight and kills himself. At that point Marco Polo returns the TARDIS key and the crew disappears in the manner of Tuxedo Mask, their work here done (but they didn't do anything).

A well-regarded serial at the time, it maintained the ratings of The Daleks and The Edge of Destruction and was sold on to nineteen countries for repeat viewing. It was a favorite of both Carole Ann Ford and William Hartnell. Apparently even the Walt Disney Company wanted the film rights. Can you imagine the Walt Disney Company getting their hands on Doctor Who? I wonder what that would be like.

Audio and still images alone have a hard time living up to that early reputation, however. The plot draaaaaaags without the evidently quite high visual production value behind it. I feel like this could have been a tight four parter but, ultimately, the core issue is that the TARDIS crew are more or less tourists. Marco Polo is the real star here: saving the crew, pressganging them into the caravan, eventually resolving the threat more or less by himself (but only after spreading the production costs out over seven episodes), and then deigning to send the crew on their way. Not the most... involved Doctor Who plot, really.

And just to get it out of the way, I wouldn't blame anyone for just writing this one off due to the yellowface casting, though it still manages to be less obviously racist in its depictions than Talons of Weng-Chiang despite being a decade older. Which is a low bar to clear, I suppose.

Next Time: Keys keys keys, Keys of Marinus. Let's see if Terry Nation has more up his sleeve than just Daleks.