#-there was no string linking him to Boyd??
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shychick-52 · 2 years ago
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That was adorable!! Thanks!! I love how unusually patient he was with her, considering his impatience and annoyance interacting with others at the best of times (and this was especially a difficult subject). I imagine being free from the demons of his past made it a lot easier, and made him want to change and become a better person overall, so maybe that helped in how he interacted with Webby.
I'm shocked he knew or remembered her name! He didn't call her 'Pink Girl' (even Frank confirmed he doesn't remember most people's names, except Scrooge ofc and Manny, but then Scrooge is his boss and Frank once said that he gave Manny his name).
Yes!! I'm so glad you brought up how Huey reunited Gyro with Boyd- AND helped him learn the truth about the demons of his past, which haunted him and destroyed his life for twenty years- because that's HUGE, and it bothers me Gyro never acknowledged that in any way in the rest of the last season (including simply calling him by name after that instead of Red Nephew or Hat Nephew, which would have been a subtle yet perfect mark of his character development).
For the two characters prompt: Gyro and Webby (the only one of the four kids who wasn't shown interacting with Gyro on-screen).
Very intriguing! I’m all for it.
I give you…
When in Japan…
Originated from this post.
“12:21! Perfect.”
Webby had just arrived at the Money Bin. Thanks to Huey, she was able to snag Dr. Gearloose for purposes relating to research on her family board, seeing as they had just taken a somewhat impromptu trip to Japan, where Dr. Gearloose received some clarity on his past.
According to Huey, Dr. Gearloose usually took a lunch break around 12:30. That gave Webby plenty of time to get to the lobby, mentally go over what exactly she wanted to ask him, and just wait.
Soon enough, at exactly 12:31, Dr. Gyro Gearloose emerged from the elevator, typing some calculations into his tablet.
“Dr. Gearloose!” Webby exclaimed.
The scientist’s head shot up from what he was working on. “Gah! Oh, Webby. There you are.”
“Oh! Sorry about that,” the girl responded. “I didn’t mean to startle you.”
“It’s fine,” Dr. Gearloose replied, wearily brushing it off. “So, what exactly is it that you want to know?”
“I want to be as up-to-date with my family board as possible,” Webby explained. “And given what Huey has told me about your trip, there definitely seem to be blanks that I want to fill in.”
“Okay, fine. But you’re not digging too, too deep, right?” Dr. Gearloose questioned. “Because there are some aspects of this whole thing that are still a sore subject for me.”
“Oh, not too far!” Webby assured. “So are we staying here or going somewhere else for this? I’m fine with whatever!”
“Well, I was going to head out for something…”
“Perfect!” Webby chirped. “Then let’s do that. Are we taking your car, or-?”
“Um, yes,” answered Dr. Gearloose. “Would you mind taking the back seat, though?”
“Not really!” replied Webby. “Besides, it’ll give me more space to write my notes.”
“Ah. Alright then.” And the two headed off to Dr. Gearloose’s car, a silver compact.
Webby ultimately decided to wait until they had left the garage to start asking questions. “So, first off: what was Japan like, exactly?”
“Well, I would’ve thought you’d have heard all about the experience from Red Ne-“
“Huey,” Webby corrected.
“Right. Huey.” The red-clad triplet had helped him reunite with Boyd; the least Dr. Gearloose could do is pay him some respect by remembering his name better.
“Well, I did hear some stuff about it from him,” Webby reasoned. “What was it like to you, though?”
Now that was something to really think on for Dr. Gearloose, seeing as he had such strong memories tied to Japan.
“Well, admittedly,” he began, “I didn’t really get to take it all in this time, considering everything surrounding Boyd, and being kicked out of Tokyolk rather swiftly. But for all the negative memories I associate with Japan over the course of my life, the positives are very strong, too. The scientific and technological history, the ambience, the food. Things like that have made it enjoyable for me.”
“Wow,” Webby gasped. “For all the adventures we’ve gone on with Uncle Scrooge, I’m surprised we haven’t had one in Japan yet.”
“Ah, intrepid man that he is, I’m sure it’ll happen someday,” reasoned Dr. Gearloose.
“I hope so!” Webby replied cheerfully. “So…tell me about Boyd.”
She noticed a faint smile creep across Dr. Gearloose’s beak in the rearview mirror. “Well, he was my first creation. So naturally, he’s always been special to me.”
“He sounds really interesting,” Webby interjected. “Would I like him?”
“I’m rather sure you would,” Dr. Gearloose answered. “Even over two decades later, he’s still endlessly curious about the world around him. I taught him a lot back then.”
Dr. Gearloose pulled up to a cafe just past the bridge.
“Oh! We’re here. Come, Webby, let’s continue this interview in there.”
“Right behind you!” she grinned. And the two got out of the car and made their way into the cafe.
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shychick-52 · 1 year ago
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What I liked and didn't like about Gyro in 'The Last Adventure' (long post)
This is a repost from my defunct blog. Just a summary of what I liked and thought they could've done better in how the last episode handled Gyro, especially his relationship with Boyd:
Gyro and Boyd at Webby's 'birthday party' at Funso's
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This was in the beginning of the series finale 'The Last Adventure', and was the very first time Boyd was seen since 'Astro B.O.Y.D.' (which was only the 6th episode of the third season and came out May 2020; 'The Last Adventure' was the final episode and came out March 2021… just let that sink in).
Liked: It was so AWESOME to FINALLY see Gyro and Boyd together again, and I squealed so hard at this scene when I first watched this episode! He's spending time with Boyd at a birthday party, eeeee! (And I touched on the significance of this scene in this post).
Liked: Boyd could have hung out with Huey and the other kids (which definitely would've been awesome too), but he chose to spend time with his dad instead! That is so cute!!
Missed opportunity: Does anybody else wish Gyro had actually been smiling at seeing his son enjoying himself as a 'definitely real boy'?? Like, c'mon! (And back during the third season, Frank was asked on his Tumblr blog if Gyro and Boyd’s relationship was improving, and he emphasized- and I quote- “Oh, yes. Very much so", but we never really learned what that looked like.) I mean, it probably did warm Gyro's heart to spend time with Boyd and see him just being the happy, free child he'd truly become, but still, he could've looked less indifferent or awkward!
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Missed opportunity: Gyro should have laughed here while shielding his face from the candy, instead of the irritated reaction when it hit him. Sheesh, Gyro, lighten up! ☹ Why’s he still so easily irritable, especially when it’s just Boyd having a good time?
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Missed opportunity: Now that Gyro's attention has shifted from solely Boyd and more onto the main event, he's really got his typical grumpy expression on and is standing a bit further away from everyone else. It’s very disappointing he wasn’t shown to be at least a little happier and closer with everyone. It’s the final episode, all Scrooge’s friends and family have gathered together in one place for this very important event (not only to celebrate Webby’s birthday, but to finally take down their greatest threat of all), and all these characters have changed and grown so much since the start of the series or when they were very first introduced (which even Frank and Matt, the show’s creators, admitted in an interview). It would have been more meaningful if Gyro had been smiling like everyone else to show his character development since 'Astro B.O.Y.D.' I know people don’t change overnight, and Gyro had a LOT of trauma that affected him for so many years, but still… it would have been nice to show him with a little more growth.
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Liked/Missed opportunity: During the entire scene where everyone was gathered around Webby for cake and the birthday song (which was the signal to destroy F.O.W.L.'s security cameras and launch their raid on their secret headquarters below Funso's), Boyd was sitting on Manny's arm instead of Gyro's shoulders. On the one hand, I like that Manny was holding Boyd because that tells me he became sort of an uncle-figure to him... but it would have been twice as cute if he was sitting on Gyro's shoulders, since that would've been more proof of how close they'd become!
Gyro and Boyd on Webby’s family board
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Liked: I LOVE that Boyd apparently became an official member of Team Science off-screen, and that there's a string linking Huey to Boyd to say they're best friends (because you wouldn't think so by his absence from the majority of the third season).
Missed opportunity: Why wasn't there a string linking Gyro and Boyd?? And why is there a string between Boyd and Doofus?? It was never actually confirmed whether or not Boyd went to live with Gyro or if he continued staying with the Drakes, but regardless, Gyro and Boyd are absolutely family (FAR more than Doofus was, since he only saw Boyd as a mere machine and an interloper in his family, and there's the little fact that Boyd never had a choice about being part of the Drakes' family... which is why I don't get why he'd choose to still live with them after 'Astro B.O.Y.D.' when he embraced his identity as his own free person with the ability to make his own choices)! Boyd was Gyro's first and greatest creation, his pride and joy, his son in every sense of the word!
Where was Boyd and Fenton after they found May and June?
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Missed opportunity: In this scene right after they find Webby's clones, we see Gyro, Huey, Lena, Beakley, Scrooge, Donald, and Della all gathered around, analyzing the clones and trying to figure out why F.O.W.L. created clones of Webby. But there's no reason why both Fenton and Boyd couldn't have been there too! They could have helped- Boyd is a highly resourceful Junior Woodchuck like Huey, and his brain is a supercomputer, making him super intelligent; and Fenton is a scientist (especially ever since Gyro promoted him at the end of 'Astro B.O.Y.D.')! And neither Fenton and Gyro nor Huey and Boyd interact at all in the final episode, so more missed opportunity to further develop their respective relationships too. And I mean, come on, why didn't they especially take what opportunities they had to have Gyro and Boyd share screentime or interact??
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In the same scene, most of the rest of the kids burst into the room, anxious to learn more about the mystery of Webby's clones too. But no Boyd (Gosalyn was nowhere to be seen in the mansion either, oddly enough, but I'm assuming she was there somewhere with Drake/Darkwing)!
In fact, we didn't see Boyd and Fenton again until later when everyone boarded the plane to go storm the Lost Library. I'm assuming in the above scene, Boyd was with Manny and Fenton (wherever those two were, but I'd like to think they were somewhere in the mansion too). It was a shame Boyd didn't at least interact with the other kids while everyone was at the mansion, because he didn't hang out with them for nearly the entire third season (not on-screen, anyway)!
"Look After Your Brother"
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Liked: SELF-EXPLANATORY. :D :D And I love how sincere, protective, and loving Gyro sounded and looked when he entrusted Lil Bulb with Boyd's safety. This was their most dangerous threat yet, and Boyd's first adventure with the Ducks, and Boyd and Gyro had been together again after 20 years for only some months... so, it only made sense for Gyro to worry about his son (and what makes it even more touching is that Boyd is a superpowered robot, more than capable of taking care of himself, but Gyro still worried about him). He trusted Lil Bulb with Boyd's life!!
(And Lil Bulb would indeed look after Boyd; after the plane crashed when the kids were onboard alone, following Dewey's sky-battle with Don Karnage, Boyd lost his body. So, Lil Bulb removed his bulb and attached Boyd's head onto his own body, which is how they stayed for most of the rest of the episode.)
Missed opportunity: They didn't exchange a single word to each other or even hug, despite knowing what a dangerous mission it was. :( :(
Why didn't Gyro seem more worried for Boyd?
Missed opportunity: I covered this in a separate post here, but throughout most of the rest of the episode ever since Gyro learned Bradford captured and planned to destroy everyone even remotely associated with Scrooge and his family (and Gyro spent the majority of the time captured himself, along with HDL, Webby, Gandra, and Ludwig Von Drake), he never once showed any sign he worried about or missed Boyd. Not once did he bring Boyd up.
The victory scene at the end
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Liked: It was cool actually seeing Gyro and Fenton share screentime, even though they didn't interact!
Missed opportunity: Why the heck was Boyd/Lil Bulb standing so far away from Gyro and the rest of Team Science there (especially after they were separated the entire time)?? He should have been right there with them (especially in front of Gyro, or even in his arms)!
The plane-ride home
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Liked: AHHHH. Boyd lying in Gyro's lap as he reattached his head, Gyro tenderly cupping his head, both smiling so lovingly at each other! Together again where they belong, safe. It's so beautiful. YES. JUST YES. You can really see the love between them in this scene.
Missed opportunity: Like the "Look after your brother" scene, it's sad they didn't say anything to each other or even hug one last time!
The end credits
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Liked: BEAUTIFUL. The very last we'll ever see of them, and Gyro is smiling the biggest, happiest smile he's ever done in the entire series. In fact, I feel like this is the moment that perfectly summed up Gyro's healing journey and development (which we didn't really see after 'Astro B.O.Y.D.', but this almost makes up for that). He looks so happy and free. It's like it just hit him all-at-once here that he's no longer burdened by the demons of his past, that he's got Boyd in his life, and that he's part of Scrooge's family too.
Yeah, so many of these little details could have easily been improved without costing much time and budget. But when they nailed it, they nailed it!
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bloo-is-batty · 6 years ago
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22 Question Game!
*inhale-exhale* lets give this a shot. I see them around a bit. Thought I'd make my own. Whoo!
Feel free to give it a whirl/@ ppl to try/ reblog. I'm gonna be a dink and tag @messybitch802 /@greatgooglymooglybobert to give it a try!
#1. Nickname(s)?: "Bloo" (around fellow nerds/artists), "Little One" (only my Da calls me that), "Miss Baker" (at work, I'm a night shift Baker), "Hun", Darlin', "Sugar/Sug", "Goddess" (by my BF) "Bitch-Cakes", "Lovey", "Ashie/Ashy-Lin" (What my GF @messybitch802 calls me. The last two are because my name is actually: Ashlyn)
#2. Height?: 5'5.
#3. Favorite physical feature?: Either my blue eyes or my chest area...where my fellow DDD's at yo?! Lolz
#4. Age or zodiac(s)?: I'll give ya both. Gonna be 26 in May, Taurus and year of the Rooster.
#5. Favorite condiment?: Maple Syrup. I put that shit on almost everything. It's my shame I must live with...and it has to be VERMONT MAPLE SYRUP!!! From any other place it's crap and I'll fight chu if you say otherwise (my state pride showing a bit)!
#6. Syfy or Fantasy?: Fantasy. Always.
#7. Manga or Anime?: Manga. I watch little Anime anymore, it just doesn't live up to the manga for me.
#8. Favorite Comedian(s)?: Maria Bamford, Eddie Izzard, Pete Holmes, Russell Howard, and John Mulaney.
#9. Musician?: Ugh!!! So haaaaaard....Imma be that arse that picks way more than one: Gorillaz, Tenacious D, Ninja Sex Party, Falling in Reverse, David Bowie, Christopher Lee, Billy Boyd, Elvis, Freak Kitchen, In This Moment, and Kerli.
#10. Song stuck in your head currently?: "Fire on Fire" by: Sam Smith
#11. Live action or animated movies?: Animation.
#12. You could speak to any Historical figure for 30minutes, who'd it be?: Either Grace O'Malley or Willam Wallace.
#13. Granted a super powers. Which?: Hands down, I want the Nightcrawler power-package!!! If the tail gets included, I'd die of joy!
#14. You get to punch anyone square in the face, "scott-free", who?: Reeeeal hard to pick...tyed between this one bitch I had the misfortune of knowing, OR this fucker we all know, that rhymes with "Dump". 'Nuff said.
#15. Dream Destination Trip?: New Zealand or Japan.
#16. Favorite smells?: Whiskey, Cigars, Fresh Hay, Leaves, Maple, Hot Chocolate, Lilies, Lilac, Roses, Bubblegum, and Peaches.
#17. Favorite Animal? Oxen or anything of a bulvine nature! Those eyes and "mooos" make me weep with joy.
#18. Following how many?: 56.
#19. Followed by how many?: 310! Thank you all btw!!!!!
#20. Other Tumblr Blogs?: @blooeyedspazz (my artist blog), @erebonerarkenstonerz (A comic featuring myself and @messybitch802) and @homewardhearts (a collabrative fan art/fan fic Hobbit projects I've got in the works. Still in the works at the moment.)
#21. Special Talents?: Besides drawing? Lol...Well, pretty good at making connections to things, brainstorming possible outcomes. Kinda like that wacko you see in films with tacks and string connecting to maps and photos and they are in a corner sweating, surrounded by empty coffee cups, mumbling in the fetal position "there must be a link...just haven't found it yet!". That, and I can memorize songs lyrics and poems pretty quickly. So my talents really have no usefulness to them. Lol
#22. Any Random facts about yourself?: I actually had a pretty popular Beetlejuice Webcomic for 3 years or so, called: The Ghost With The Most. Even won an award via Smackjeeves for it too, but ended up dropping it for personal reasons/loss of passion for it. Ha, and here's a quirky one for you: As a wee-one, my family had a taxidermy Great Horned Owl that I adored. I named him "Mr. Hooty-Who". Also, I've been told I have a habit of "staring". Only at people I like though. Gets on their nerves or creeps them out. I hardly notice that I do it. It just means I like them...right? They should be flattered!
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blackkudos · 6 years ago
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Willie Dixon
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William James Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.
Dixon also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs have been covered by some of the biggest artists of more recent times, such as Cream, Jeff Beck, the Doors, Led Zeppelin, the Rolling Stones, Steppenwolf, Bob Dylan, and Jimi Hendrix. The debut albums by the first six of those artists all feature at least one of his songs, a measure of his influence on rock music. Dixon is an inductee in the Blues, Rock and Roll, and Songwriters Halls of Fame.
Biography
Early life
Dixon was born in Vicksburg, Mississippi, on July 1, 1915. His mother, Daisy, often rhymed things she said, a habit her son imitated. At the age of seven, young Dixon became an admirer of a band that featured pianist Little Brother Montgomery. He sang his first song at Springfield Baptist Church at the age of four Dixon was first introduced to blues when he served time on prison farms in Mississippi as a young teenager. Later in his teens, he learned how to sing harmony from a local carpenter, Theo Phelps, who led a gospel quintet, the Union Jubilee Singers, in which Dixon sang bass; the group regularly performed on the Vicksburg radio station WQBC. He began adapting his poems into songs and even sold some to local music groups.
Adulthood
Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.
Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.
In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.
Pinnacle of career
Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.
Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
In December 1964, the Rolling Stones reached No. 1 on the UK Singles Chart with their cover of Dixon's "Little Red Rooster".
Copyright battles
In his later years, Dixon became a tireless ambassador for the blues and a vocal advocate for its practitioners, founding the Blues Heaven Foundation, which works to preserve the legacy of the blues and to secure copyrights and royalties for blues musicians who were exploited in the past. Speaking with the simple eloquence that was a hallmark of his songs, Dixon claimed, "The blues are the roots and the other musics are the fruits. It's better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues." In 1977, unhappy with the small royalties paid by Chess's publishing company Arc Music, Dixon and Muddy Waters sued Arc and, with the proceeds from the settlement, founded their own publishing company, Hoochie Coochie Music.
In 1987, Dixon reached an out-of-court settlement with Led Zeppelin after suing them for plagiarism in their use of his music in "Bring It On Home" and lyrics from his composition "You Need Love" (1962) in their track "Whole Lotta Love".
Dixon's health deteriorated increasingly during the 1970s and the 1980s, primarily as a result of long-term diabetes. Eventually one of his legs was amputated.
Dixon was inducted into the Blues Hall of Fame in 1980, at the inaugural session of the Blues Foundation's ceremony. In 1989 he received a Grammy Award for his album Hidden Charms.
Death and legacy
Dixon died of heart failure in Burbank, California, on January 29, 1992, and was buried in Burr Oak Cemetery, in Alsip, Illinois. After his death, his widow, Marie Dixon, took over the Blues Heaven Foundation and moved the headquarters to Chess Records. Dixon was posthumously inducted into the Rock and Roll Hall of Fame in the category Early Influences (pre-rock) in 1994. On April 28, 2013, both Dixon and his grandson Alex Dixon were inducted into the Chicago Blues Hall of Fame.
The actor and comedian Cedric the Entertainer portrayed Dixon in Cadillac Records, a 2008 film based on the early history of Chess Records.
Tributes
The French singer-songwriter Francis Cabrel refers to Dixon in the song "Cent Ans de Plus" on his 1999 album Hors-Saison. Cabrel cites the artist as one of a number of blues influences, along with Charley Patton, Son House, Blind Lemon Jefferson, Robert Johnson, Howlin' Wolf, Blind Blake and Ma Rainey.
The Canadian rock musician Tom Cochrane wrote the song "Willie Dixon Said", which is included on his 1999 album X-Ray Sierra.
Bob Dylan credited Dixon for the music of the song "My Wife's Hometown" on his album Together Through Life and gave special thanks to Dixon's estate.
Wikipedia
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justasocialmediastudent · 7 years ago
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Is social media really bae?
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Over the past few weeks, I have been talking about the identity crisis of Tumble, how social media relates to activism and political engagement. We all know that social media started off with the moto “to connect people worldwide”. Its reachability has been a great help in many ways to from communities and societies. It has linked millions and millions of individuals online and even brought some connections from online to offline. However, troll and social media conflicts exists. There is still this question: Is social media really bae?
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Bae has been up to something all the time
Danah Boyd mentioned in the book called It’s Complicated:
Although  new forms of drama find a home through social media, teens’ behaviour have not significantly changed. Social media have not radically altered the dynamics of bullying, but it has made these dynamics more visible to more people. - Danah Boyd
Our bae did nothing wrong by existing and became the medium of trolling and social media conflicts. Trolling and other social media conflicts (or the Internet plague) are everywhere online. It spreads like a plague, disease and social media happens to be the medium. You wouldn’t blame the ship that carries disease-carry rats for the plague outbreak, right? I agree to what Danah Boyd said, especially how Internet makes the conflicts more obvious. Memories stay forever on the Internet, so does mistakes. No matter what you do, you just can’t undo whatever has been done online. This leads to a huge question: Why do people troll or involve in conflicts?
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It’s all about ME!
Trollers love reactions from those who they trolled and bullies love to target those who are weak and powerless. The trollers and bullies have a sense of achievement or accomplishment after taking it all out on total strangers. This kind of behaviour is what people called narcissism.
Internet trolls are narcissists, psychopaths and sadists. - Dr. Golbeck
It’s all about themselves, the big word ME! They might have no reflections on their actions or might know that their actions are harmful towards others but hey, they can do it. No one would know. No one would care. It’s the INTERNET! The Internet then become the medium for them to spread this cyber plague. A case for this is the Tyler Clementi case. Tyler was ridiculed by his friends on Twitter after Tyler’s roommate recorded him kissing a boy in their room on his laptop web cam. This happened after he had come out. In the end, he jumped off the Washington Bridge. There is another case where a teenager called Hessay has committed suicide after receiving mean anonymous feedback from Sayat.Me.
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I don’t know you, you don’t know me, so……
The concept of anonymity has been the idea of social media in connecting people and creating a safe space for everyone to voice their opinions. It was aimed to create a public sphere for everyone to take part in something without concerning their identity. There is this ideal “equality” for everyone online, but look at how it turns out. Trolling, bullying, harassments, and more ill-thoughts or ideology are being spread online. The idea of freedom of speech has been the shield for those who abuse it. The social media affords people to create fake identities online and start doing whatever they want to, including attacking people online.
Not long ago, when episode 14 of Darling in the Franxx aired, it causes the fandom to rage as the plot twist is unexpectedly different from the fans’ expectation. It leads to some fans string to use thrown-away twitter accounts to send death threats, curses, and harassments to the producer’s tweets.
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I don’t belong here
The sense of belonging also plays an important role in social media users behavior online. Most people went online to seek for connection with people, they want to build their own social circle that they feel they belong to. It’s all good when the people connects with one another in a community that are sharing the same hobbies or interests. However, it also forms societies where ideologies and information are being spread from communities to communities. For instance, a person may be inside of a community that loves pets, this person may also be inside a community that pro-guns. Imagine this kind of relationship where each person are in different communities as they have different interest and beliefs, the transmission of information will happen when they start sharing information from each of their own communities. It spreads like a ripple effect. Here are some examples of unhealthy or rather dangerous ideologies that exists online:
Pro-suicide : It’s not that long ago since the Blue Whale challenge came out, “preparing” or encourages teenagers to suicide in order to “become a whale”. It consists of 50 tasks over the span of 50 days which include mutilation, carving blue whale and watch horror or gory videos.There are posts on Tumblr that encourages suicide. Some are even forcing people to suicide.
Thinpo : I believe a lot of people has discovered the dark side of Tumblr that Tumblr is now trying to get rid of. Thinpo came from the word “thinspiration”. There are a huge community online that supports thinpo which also relates to eating disorder such as anorexia nervosa and bulimia nervosa. Majority of the people who supports thinpo would be also in the pro-ana community, where they believe that being thin to the bone and boney figures are attractive. However, they just cannot see that their health is declining and their bodies are slowing dying because of the unhealthy practices. For them, it hurts more to look in the mirror and to being called “fat”. Thinpo can be often found on blogs and Tumblr where they would write blogs about their tips on achieving the boney figure through excessive or extreme dieting or practices.
The two ideologies mentioned above are spread using hashtags, such as #Iamawhale, #proana and #thinpo. The social media affords exposure and findability through the hashtags function but the fact that it also affords unhealthy ideologies to be spreading is also an issue.
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Save them, save us
Now most of the social media have revised their community guidelines to prevent these kind of communities online. Does social media governance work? Well, I think it can restrict the access and minimize the spreading of cyber plague but not totally killing it. People will still find ways to get around any restriction or rules. I have seen some blogs that have taken down, came back with a new blog but with secret messages hidden in it, still convey the messages that broke the community guidelines. Bots can only block certain words but not hidden meanings. I think that social media classes should be given to parents and students at young age, so they would understand how Internet works in order to face and handle social media conflicts and trolling the best way.
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Social media is love, social media is life
In my opinion, the Actor Network theory can be applied here as social media is a tool used to connect with people, and people are the ones that created social media. Human and this piece of technology are influencing each other. This can also be related to grassroots ‘bystander’ activism, where activism happened because human made social media a medium to spread the awareness or issues, but social media also affords human to be able to connect and form communities and societies. An example of this will be the #MarchForOurLives campaign.
References
Chin, B n.d., ‘ Week 7 Digital Citizenship 3: Trolling & social media conflict ’, MDA20009 Digital Communites , Learning materials on Blackboard, Swinburne University Sarawak, 16 April 2018, viewed 16 April 2018.
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pale-silver-comb · 7 years ago
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"Have anyone told you you have the most intimidating nostrils I've ever seen?"
“Yeah, I won an award, junior year,” Derek answers, frowning at his new IKEA (bought and built, all in a soft Henley sweater; Stiles knows, he supervised) book-shelf, like he hasn’t just finished a seven hundred page tome on Egyptian artefacts. A seven hundred page tome on Egyptian artefacts alone.
Derek Hale: epic nerd and assembler of easy-to-build IKEA products. Of course, Stiles thinks, cursing his stupid Professor and DIY kinks. Why not? The worst part is, he doesn’t even think those kinks are sexual. It’s just….a thing. That he has. A Derek thing. The Butterflies That Live In His Stomach were trying so desperately to move on with their lives, too. They’d shopped around. Hired a real-estate agent. They were ready, goddammit!  
Derek settles on a book - Stiles is pretty sure it also has the word ‘artefacts’ in the title - and sighs, all feigned nostalgia, and glances over his shoulder. “It was a golden nose, too. Across the bottom it said,” he pauses, grinning, “Stiles Stilinski needs to get a life.”
Stiles opens his mouth, clutches his chest, because rude much? Is it his fault Derek’s nostrils belong in some kind of anatomy museum? Is it his fault his Saturday nights are spent playing video games in his underwear, when his week days are spent chasing down monsters and researching things like how Scott and Erica managed to contract chicken pox when stabbing them does, like, nothing? (Except get Erica excited because she’s a beautiful, terrifying weirdo.) The moment he tries to tell Derek this, however, a copy of - is that Pride and Prejudice? - is thrown at his head. 
Stiles doesn’t know if he’s more offended when Derek rolls his eyes when it misses him, or the concerned look that crosses his face when the book sails past him and lands in an empty pizza box, like Derek is worried if it’s okay or not. 
And to think, Stiles was going to screw up his courage and finally invite Derek to see a movie this weekend. In an actual theatre. Where people go to be normal. Well, the laugh is on Derek because Stiles is going to buy the big popcorn and he’s going to enjoy it all on his own. 
Yeah, that’ll show him. 
~
“Has anyone ever told you your eyebrows could star in a disturbing kid’s movie about caterpillars?” 
Stiles is drunk. No, he’s wasted. Hammered. Loaded. Completely and utterly shit faced. Which is probably why instead of ending up on his ass on the floor, Derek just pinches the bridge of his nose, tips his head against the back of the couch and says, “what.” Not even a hint of inflection.
This dude, Stiles thinks, and then laughs because, ohmygod, Derek is this dude now. Not that dude or whoa, what are you doing crawling through my window, dude? but this dude. And that’s kind of beautifully heart warming, in its own way. 
Really, Stiles should write into Hallmark. It could be a trilogy. A Gay Trilogy™. Bisexuals on ice. Except, without the ice because Stiles doesn’t know how to skate. Can Derek skate? Stiles totally bets Derek can skate.   
Speaking of Derek, he’s got this little crinkle on his forehead now, right between his eyebrows, and man, they really are very nice eyebrows. Animated but nice. A little dramatic but nice. Murderous but nice.
“What,” Derek says again, looking more confused than annoyed by the second. Stiles really wants to kiss him.
Instead, he stares. Stares and stares and stares.
Shit.
Slapping a hand over his mouth, he begins laughing uncontrollably and before he knows it, he’s clutching his sides and has his face pressed against Derek’s chest, because the hilarity is killing him. 
Because this is them now. Drinking peach-snaps at Derek’s loft, on a couch filled with throw pillows. Throw pillows. One is even soft and pink and frilly and another has a picture of the pack on it. Granted, no one is looking at the camera but Derek, Boyd and Kira and Derek is not so much looking at the camera as yelling at Stiles (holding the camera) for eating his secret stash of cookies, but it’s nice. It’s a nice picture. There is a plain black pillow too, of course. Somewhere. Stiles might be sitting on it, actually. He figures one can only expect so much when it comes to sour-wolves but Erica glued little cat ears on it last week and Derek said nothing. Fuck, he’d even smiled.
It says a lot about what a secret softie Derek is when it comes to vulnerable, drunk-ass people, because he doesn’t push Stiles away; just lets him laugh and laugh until he passes out, drooling on his chest. 
When Stiles wakes up, Derek’s sweater is pretty soaked through but he hasn’t moved an inch. He does, however, tell Stiles he snores like a deranged goose and that he owes him a pastry later.
He doesn’t even ask for a specific kind, Stiles chastises in his head, falling back to sleep. He’s in love with a pastry idiot. 
~
“Do you know when you smile, you brighten up the whole damn room?”
The question clearly catches Derek off guard because he falls head first…into a duck pond. 
Stiles’ first reaction is to jump in after him - he hates to admit it, but he gets a little nervous around water when Derek is with him; there have been several incidents where he’s unconsciously grabbed Derek’s hand in order to drag him away from pools and, one time, a very large puddle - but when Derek emerges, wearing his someone is about to die face, Stiles can’t be held accountable for the way he falls to the ground because, yup, that’s a tiny, outraged duckling perched on top of Derek’s head.   
“Oh my god,” he yells, rolling onto his back and kicking his legs in the air. He feels like a kid, grabbing his stomach, water practically pouring from his eyes. This was, quite possibly, the best day of his life.
Normally, Derek would be yelling threats - several, in fact, some in Spanish because he’s a show off - but he just stands there….in the middle of a fucking pond. The duckling is still sitting on his head, like he or she plans to set up home there and it’s so adorable Stiles thinks he actually coos out loud.
Still, Derek still doesn’t say anything. Not even when Stiles coos again, very, very deliberately. (And Scott said his middle name could never be Danger, pffft.) Stiles can’t actually guess what Derek is going to do but he doesn’t care. He looks a strange cross between wanting to murder someone - namely, Stiles - and a little kid who was told they couldn’t get a puppy only to get one on Christmas day anyway. 
Mostly, he just looks lost. And wet. Very, very wet. Somewhere out there, someone is playing It’s Raining Men and Stiles wants nothing more than to share this glorious moment with them. He’s just in the process of taking out his phone to at least snap a photo to send to the pack when - 
“Did you mean it?” Derek asks, and man, those water droplets just keep on running, don’t they. 
Stiles grins. “Did I mean for you to fall into a pond and adopt a new feathered friend? No but I think we can all agree-” 
“Stiles.” 
Derek growls and it would be effective - at least in getting Stiles to help him out of the pond - if it wasn’t for the fact his ears were turning a little pink. A lot pink, actually and - 
Oh.
Sitting up, Stiles drags his butt over to the edge of the pond.
“Yeah,” he says. “I meant it. I mean, smiles can’t literally light up rooms, I know that, but when you smile it’s like…” He sighs and flaps his arms, suddenly nervous, hitting Derek in the process. The duckling practically glares at him and Stiles briefly wonders if he has competition here. 
Right. Better make this good then. He clears his throat. 
“It’s like, everything just makes sense for a little bit, you know? I look at you and it’s not that smiling is rare for you, at least not anymore, but it’s still pretty thrilling to see it and when you do I’m like, that’s some quality shit right there but then I get confused because it’s like, do I wanna punch it? Kiss it? Pet it? Who knows. Usually it depends on what you’re wearing.” 
Derek blinks and Stiles groans because, yeah, he just said that out loud. In real time. To Mr McGrumpy himself. Who is currently not reacting.
Great.
“Uh, I mean,” he attempts to correct himself but it’s too late. Derek is already slowly pulling him in and pressing his lips to his in what is the single most innocent, chaste kiss of Stiles’ life - because, you know, duckling and head movements - but somehow, it still manages to be perfect. 
“Nice,” Stiles whispers, after, waggling his eyebrows.
Derek snorts and kisses him again.
~
“Turn it off,” Derek whines, nuzzling further into Stiles’ neck. “This is why I leave my phone in the kitchen. Like we discussed.”
Stiles tries to swat him, ends up kissing his temple. Sue him, he’s tired. “Says the person who can afford to leave their phone in the kitchen. We don’t all have supernatural hearing, asshole.”
Derek whines again. “You also have the worst taste in ringtones.”
Stiles gasps, suddenly sitting up. Well, he tries to. When your boyfriend is made of muscle and is half lying on top of you, it makes moving a lot more difficult. Not that Stiles is really complaining. Much. “I’ll have you know Bushes of Love is a Star Wars parody classic.”    
Derek rolls his eyes, Stiles can feel it, says, “just answer it, sweetums.” 
“Ugh,” Stiles grimaces, “I already told you I’m sorry for the pet-name thing. It was an accident!”
“Calling me your ‘slutty buddy’ in front of your dad was meant as a pet name?”
“It sounded better in my head!”  
Derek groans and wraps an “exasperated” arm around Stiles’ waist. Oh. So. Exasperated. Stiles grins. “Answer. Your. Phone.” 
Stiles finds his phone on the fifth try.
He has fifteen missed calls, all from Erica. Texts too. Every single one is a link to some article online, followed by a string of heart and eggplant emojis.   
“Young Love and the Ugly Duckling’,” Stiles reads, clicking on the link. “Uhhh, Derek?” He prods him. 
“What.” 
”There’s a picture of us in the online Beacon Gazette,” looking into each other’s eyes, like a pair of love sick fools, Stiles wants to add because, wow, is he really that obvious when he looks at Derek? To be fair though, Derek isn’t much better and he is the one with an angry bird on his head.
He prods Derek again and again until he finally gives in, makes him look at the phone. 
“Huh,” he says, blinking at it. “Fred looks pretty pissed that I’m kissing you.” His face breaks out in a smug grin and Stiles rolls his eyes. Hard. 
“You are aware Fred is a duckling, right?” 
“Yes.” Derek grins harder, showing all his teeth, although his cheeks do colour slightly when he catches Stiles’ eye. 
Stiles sighs, totally not fond. “They couldn’t have come up with a better title, though?” he asks, brandishing his phone. “The Ugly Ducking, really?” 
“Yeah,” Derek says, frowning. “I mean, I wouldn’t go as far as to call you ugly.” He laughs and Stiles smacks him across the chest with a loud, “hey!”
They both turn back to look at the picture. 
“We look so stupid,” Stiles whispers, shaking his head and biting his thumb. We fit, he thinks. We look like we fit. 
Leaning in, Derek smiles at him. “We do,” he agrees, burying his face back into the warmth of Stiles’ neck, muttering something about home and content and stupid Star Wars parodies.
Stiles snaps a selfie, captions it goals, and sends it to Erica. 
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hardheadedbighearted · 3 years ago
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It was Boyd's turn for hugs next; Ruby set Webby down and scooped him up, while Yang said, "Have you considered getting different colors of string to denote different sorts of relationships? Or use symbols to link different groups together? Like maybe a red heart to symbolize a romantic link or a pink diamond to indicate close friendship?"
hardheadedbighearted​:
“You did! Yang wanted to know if we were on your big family tree chart, and Skittles was saying that it’s gotten HUGE now!” Ruby scooped Webby up and swung her around in delight. Sure, they’d seen each other earlier, but there’d been Stuff. Now it was time for hugs.
Webby laughed as she was swung around. “She’s right!” she said cheerfully. “It’s so big at this point, it takes up two of the walls in my room!”
She chuckled weakly. “Unfortunately, it’s gotten really unorganized because of how big it is,” she admitted. “There’s just so many people in our family now, and I only have so much red string!”
A pause. “No, that’s a lie, I have an endless supply. But it’s getting all tangled up with all the connections I need to make!”
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thedaughterofkings · 8 years ago
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First Line Meme
Rules
List the first lines of your last 20 stories (or however many you have altogether).
See if there are any patterns.
Then, tag your favorite authors.
I got tagged by @clotpolesonly​, thank you!
I’m going to start with three fics that haven’t been published yet, but hopefully will be soon, so no links for those yet, sorry!
Marking ceremonies are supposed to be just that: ceremonies. Fully Grown (Teen Wolf, Sterek)
Stiles gets the idea as soon as Peter appears back on the scene - alive and smirking. The Resurrection Fic (Teen Wolf, Sterek)
Merlin catches the first glance of him through a crowded room. Merlin Reverse Bang Fic (Merlin, Merthur)
“Prongs, Prongs, Prongs!!!” untitled Marauders Ficlet (Harry Potter, James/Sirius/Remus if you squint a little)
Stiles has looked better. Soldier!Boyd christmas fic (Teen Wolf, Stoyd)
Sirius is hiding. another untitled Marauders Ficlet (Harry Potter, Prongsfoot, that is James/Sirius)
Stiles is late. Supreme technique (Teen Wolf, Stisaac)
Halloween sort of loses its appeal once you know what really goes bump in the night. To kiss or not to kiss (Teen Wolf, Sterek)
Stiles doesn’t remember why he thought this would be a good idea. Shining through (Teen Wolf, Stoyd)
When Stiles comes home from college there’s a wolf in his bed. Soft again (Teen Wolf, Sterek)
Stiles had grown up with the story. Rose and Thorn (Teen Wolf, Sterek)
Thursday night there’s a disturbance in the force. A Disturbance in the Force (Teen Wolf, Sterek)
Stiles has grown up to be a total bamf, okay? Sparks fly (Teen Wolf, Sterek)
“What have you done?” Words and Deeds (Teen Wolf, Stoyd)
Leonard isn’t the type to have a snowball fight. untitled snowball fight ficlet (Star Trek, McKirk)
Jim Kirk is waving at him. Handsome Strangers (Star Trek, McKirk)
It is in the second year of Arthur’s reign that Merlin decides to leave Camelot for good. The first year is busy beyond even Merlin’s imagination - Camelot accepts her new King immediately, but the surrounding kingdoms underestimate Arthur and attack at first chance. Homebound (Merlin, Merthur) (two sentences because the first one isn’t actually mine but the prompt)
Scott, Stiles, and Allison’s wedding ceremony is the most over-the-top thing Isaac has ever seen in his life. No strings attached (Teen Wolf, Disaac with a side of Stiles/Scott/Allison wedding)
Stiles has been dancing ballet for about fifteen years now - since he was ten years old, a little older than most. Pas de Deux (Teen Wolf, Stoyd)
“Move! You need to move quicker, Merlin!” untitled sparring ficlet (Merlin, Merthur)
Alright, patterns! :DD
Length: On average, my first sentence is 9.8 words long, which is pretty exactly the same length as it was last time I did this (see here), so my first lines still tend to be on the shorter side. This time the longest first sentence was 21 words long (Pas de Deux) and the shortest was again 3 words long (several times, eg Supreme technique). This means there is no huge outlier this time.
First Word: 13 of 20 first words are names, that is 65%, slightly up from last times 40%. Of those 13 names, 10 are the name of the main/pov character, so in 50% of the cases I start my fic with the name of my main character. There’s definitely a pattern discernible there!
Direct Speech: Only three of the 20 sentences are direct speech, one down from last time, so I don’t seem to particularly care for direct speech as a fic starter.
General Observances: Generally, my first sentences are less expository and more “throw the reader right into cold water and expect them to swim”. The few cases of direct speech are of course the most extreme examples of that particular pattern. There might be a slight tendency for longer fics to start with more expository first sentences (see for example Homebound or Pas de Deux) while the shorter fics tend to start right in the middle of the story with shorter first sentences (see for example: Stiles is late. Supreme technique). But I’m not sure that this pattern would still hold up when analysing a larger sample, so that’s a very tentative hypothesis! All in all, I think my tl;dr from last time still stands:
tl;dr: My first sentences tend to be short and throw the reader right into the story!
I tag: @bleep0bleep, @coffeeinallcaps, @trilliath, @pale-silver-comb and any author that wants to do this!
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nomi-dandekar · 8 years ago
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Your statement about lydia not giving a fuck about stiles for 5 seasons is incorrect. You don't understand the concept of foreshadowing nor can you understand how to follow the narrative. You basically want Lydia to be with that jackass Jackson who was an asshole to her
“okay so you’re one of those people who cannot follow the narrative of the story and the concept of foreshadowing.” Let’s see. 
3x11 - Lydia kissed Stiles for a panic attack and then proceed to date Aiden and it was stated that “Lydia likes him”. Lydia basically chose to date a guy that killed Boyd over Stiles and she did so for the rest of season 3 (until he was killed because the actor left my I add).
3x15 - I guess you refer to the scene that started the whole “red strings of fate” where Lydia said she’s guilty for getting him into trouble and it’s doubting her powers. What a dedication of love. Too bad she continues messing around with big bad wolf over there. 
season 4 Lydia being “jealous” is funny to me because literally the only confirmation of that is supposely “random stares” but completely ignore Lydia and the fact she said she doesn’t date teenage boys OR that she was busy about Jordan the whole time, but sure. And also how character regressive is that for Lydia, but not that character matters to yall. And since you guys claim Will Wallace, he said Lydia was never jealous. 
“season 5 she literally smiled through her pain to tell stiles everything was fine” - because that’s what she does? tell her friends she’s fine when she isn’t. Like she has done 1000 times with Scott? 
5x16 -  meaning the most fan servise scene of all times??? a scene that only made stydias happy even thought it ignored canon? and the fact Stiles did absolutely nothing while the other members almost die and he somehow managed to get the whole claim? not that is weird with tw and the fact their kiss his ass 24/7 and ignore Scott’s attempts to save his pack. 
Listen. Sty*dia had the possibility to be good following a rightful narrative that didn’t involve a guy obssesed with his childhood crush. No only is the idea of Sty*dia absolutelly weird and male-driven that gives the illusion a man can beg, idiolize and wait as long as he can because the girl will eventually fall for him at the end. That’s probably the most boring romantive narrative but okay I guess. 
The fandom itself invalidate Lydia’s wishes and links everything as romantic while also ignoring her interactions with Scott that are just as valid (I mean, she kissed him too does that mean she loves him??) but they would rather romantizice how Stiles saw Lydia on s1-2. But that’s another story. You want me to talk about canon? As I have said before if Jeff wanted to make Stdia romantic it would have been more belivable after the “kiss” on 3x11 but he decided to drop it. After the kiss Lydia and Aiden became official and Stiles never talked about the kiss again which is odd if we mention Stiles’ obssesive behavior. If anything after the kiss i believe a friendship was formed. Sty*dia grow up - he went from idiolizing her to actually see her as a real human being. The thing is just as Sty*dia grow up so did Scott+Lydia so the idea that Stiles is merely the only person to go crazy over Lydia is not accurate. 
The thing is, it wasn’t only on late 3A and 3B that they became real friends instated of just a guy pinning after a girl. On 3A Stiles decided he was going to move on. Everything a couple needs to experience to be canon already happened with them. He told her he loved her, he saved her multiple times, they have been in relationships, they kissed, but, still, Lydia choose someone else but Stiles to be romantically involved. If you want to continue with canon, on 3B where Lydia was worried about Stiles well being and also experiencing her strong banshee powers - and still, commited in a relationship. Stiles found confort in another girl, a girl he fought for. A girl that wake him up from the kitsune. A girl he cared for even after she broke up with him, and send texts too. A girl he was scare of telling the truth about his heritage in case he would lose her (actually canon). After everything, after he decided that he wouldn’t be leaving her alone that action alone completely changed Stiles character that is often annoying and rude to vulnerability and compassion for someone who obviously didn’t experience it since her childhood. Season 4 Stiles was somehow less annoying when he isn’t pinning for a girl. That just shows that his feeings for Lydia changed (as stated for Scott in her weird conversation with Kira, because what else does Scira, the main couple, needed to do in their last scenes before they ditched Kira? talk about the white boring ship). 
Dylan even said it. He said Stiles is comfortable with just being friends with Lydia, and he will always love Lydia but there’s so much more than just waiting for a love to be reciprocate and he found that with Malia. Say what you want but there was not indication of Sty+dia canon on S4 only if you want to add the typical “Lydia is jealous and she will realize she loves him” because Lydia stealing her friends’ bf is so Lydia s1 that it hurts. In fact, season 4 actually made sty*dia likable because for once their writing wasn’t based on the typical unrecriprocate feelings but solid ground and partnership. While Lydia becomes friends with Malia and Kira, but also developing a supernatural connection with Jordan that was so casually dropped this season to push a romantic narrative. 
There’s so many reasons why Sty*dia doesn’t make sense at this point on time (unless they continue with the forced fanservice). If they make it canon 3 seasons ago, I would still have believe it. But not now, because Malia existed. Because she changed every dynamic. She made Stiles care and show a side of him he almost never shows. Stiles watched Lydia chose guys over him (and it’s okay because Lydia didn’t need to recriprocate just because he liked her), The whole “slow burn” “foreshawding” whatever you want to call it thing is bullshit because the fans keep ignoring Lydia’s wishes over and over and focusing on just one side of the ship and they think time determinates something when it doesn’t. Malia is in love with Stiles (and I do believe he loved her too) and Lydia Martin is not the same girl she used to be on season one that made out with Scott (her best friend’s boyfriend).
Now going to the current story line, you can’t even deny because it would make you look dumb that Sty*dia isn’t fan service for the last season, you just can’t. Casually since they knew they fave white boy (aka Dylan) was going to leave they needed to gain their ratings so you want to tell me they wasted 3 seasons and a half building romantic Stalia and possible Jordan+Lydia  to have such a terrible writing that didn’t even made sense in the canon world? Since you love “canon” so much explain to me how Stiles’ reaction towards Malia on 5B made ANY SENSE, but the fact they just wanted to throw that away as fast as possible to built whatever they are trying to do here. Let’s not ignore the obvious here, erasing everyones memory was a perfect scenario to just don’t bring Stalia in the picture because it makes it easier to just put Lydia with Stiles without making it less obvious that she did a bitchy move that only season 1 Lydia would ever made. 
Let’s not ignore that Lydia’s reactions to everything that is happening with Stiles is a HUGE character regression. Lydia would’ve find a way to bring Stiles back while also protecting her friends because what they are doing now (actually doing shit instated of sitting in a bed crying) is dangerous. To this point, Malia and Scott are the ones actually doing something. Hell, they even brough Theo back. Where’s Lydia from s5 that even when she couldn’t move she fought for her friends? If it was Malia ya’ll be screaming “Let her be independent!” but you only scream canon when it suits you. 
Lydia’s relationships were also bring to the side and ignored canon once again to fullfill the sad love narrative with ur faves. You want to make me believe Malia, Stilinski and Scott didn’t remember Stiles but Lydia did out of the power of her heart? Her relationship with the pack is broken because all she does is cry over a guy. And we all know actual Lydia knows better. They throw her canon (again) connection with Jordan because Sty*dias would be mad with such interaction, when also the only person who could prevent Jordan for going insane is Lydia’s banshee? But surprise, they suddenly can’t remember. 
You want to cry about canon but after s5 you would think Lydia would be stronger instated of crying her eyes out for a missing kid while the pack does all the work. Less throw all the traumatic experiences Lydia had to face in the past. Season 6 fucks with canon, not even over analized scenes to twist romantic feelings would change that. They needed to eliminate Lydia’s other relationships to make the audience believe her intense feelings for Stiles didn’t happen this season. 
LASTLY, “You basically want Lydia to be with that jackass Jackson who was an asshole to her” TELL ME WHERE I SAID THAT. Because as far as I am concern I didn’t state any particular liking or appreciation towards that ship. Please don’t tell me you twist canon in reality too. I couldn’t give a fuck about Jackson, I only stated the word “ironic” which probably means you need a dictionary. 
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parakeatswrites · 3 years ago
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1, 3, 7, 25 writer meta? 🥰
HAR, get ready for a long one!! 
I wrote this whole thing and it’s a LOT but a HUGE thank you for giving me an excuse to chat about my writing!! 😍
1. Tell us about your current project(s)  – what’s it about, how’s progress, what do you love most about it?
My WIP folder has 27 files in various states of writing / planning / abandonment. So here’s the ones that are posted on AO3:
- 🌄 Home to Me (the timetravel slowburn / they are married one) - I’m scared of writing the ending of this 😂 but i’m definitely in the home stretch of writing the draft and my brain Does Not Want To. 
- 💤 The Night Hides All Flaws (the ASMR, no-magic, university AU) - I just like writing this when I want to do pure awkward fluff. It’s incredibly self-indulgent.
Here’s the WIPs that are still drafts or just notes that I fall asleep thinking about:
- 🎠 the Witcher Fusion AU (very very loosely based on the Witcherverse concepts with no regard for timelines) where Adam was given as a child in payment to a Witcher and is now walking the Path. He keeps coming across the runaway Prince Gansey and his Crew etc etc It’s got a small mystery, action vibe to it so I’m taking my time putting in plot points. So here’s the tentative summary that I’ve written: 
Adam hadn’t been a Witcher for very long in the grand scheme of the Continent and he wasn’t the type of Witcher that got involved in grand adventures, or found himself in the middle of turning points in history. Adam had been trained because he was a child surprise - no more important than a cask of wine - and had made it to adulthood because he was smart. He wasn’t like the Witchers of yore, and he wasn’t trying to be. Give him a nekker nest or a few drowners over Destiny any day. Then again, the errant Prince of Gansey was determined to cross his Path with his merry band of misfits in search of adventure as often as possible. 
Adam had come inland for the winter, hoping to get a big payout to tide him through the season from the local Duchy of Springer Falls, but something wasn’t right with Duke Lynch and his brothers. The monster in the woods hadn’t been part of any bestiary Adam had seen, and the Duke seemed reluctant to hire Adam to dispatch it despite the threat to the surrounding farmland. The whole situation smelled of too much trouble for not enough coin, but of course Prince Gansey couldn’t leave a good mystery alone.
- 💥 Break and Enter meet-cute (a pynch fic which I can’t explain any better than that I think??) No text written yet, but some general chapter planning and now I’m just trying to figure out what it wants to be 
- 🌳🌲 Blue sacrificial bride - a bluesey fic, but Hear Me Out. Set in ~old medieval fairytale times~ and there is a Beast in the woods that demands human sacrifice every solstice etc etc and one day Maura is called to the Lords Manor or whatever and when she doesn’t come home Blue figures that she has been chosen as a sacrifice to the Beast. She rushes off to save her mom, but people who go into the forest Don’t Come Back dun dun duuun. Blue rolls up on a falling down castle in the woods etc etc meets a boy who is just Confused About Being Here but Having A Good Time (Gansey) and she has to work with him to try and escape the forest that is magically keeping them there. (It is Very Extremely ‘YA novel retelling of beauty and the beast’ meets ‘any weird folktale i want to include’). I haven’t written much yet because it will be Blue POV and I am not confident in that POV yet haha
- 🏫 A wip with no title (I am open to suggestions) that I’m hoping to post this fall that is a no-magic, Adam meets the gangsey post-university with the premise “What if Matthew was a lot younger and Adam was his tutor and Ronan has to pick him up from school but Adam is just like ‘You are not Declan’ and Ronan was like ‘No, but you are hot.’” I AM ONE MAN WITH ONE WISH and it is doting older brother Ronan who is a fool over an aloof Adam
-  💅 A series of notes I frantically wrote one night here is the most coherent part of them: 
Adam and Ronan are in a sort of paranormal fbi situation and are deployed undercover as a married couple. Adam doesnt know what Ronan's powers are (redacted) but he's got a (somewhat false) reputation as "the muscle" and Adam is like "ugh, they are going to make me stay in this house w this uncomfortable hetero dude". 
Ronan starts setting off fireworks in the backyard, and Adam thinks it’s gunshots and is like “Do you understand that we are UNDERCOVER??” 
And they have to be domestic and pretend to be married while they basically gather intel about a dangerous magical object in suburbia?? Gansey is their handler and just wants them to stop fighting and endangering the mission???
I will stop there, please, anyone is welcome to come STRAIGHT into my ask box / dms to talk to me about these.
3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (consider this permission to write it and/or share it anyway) 
Bet you didn’t think I have any more ideas after all that, right? BUT here’s a snippet from a character study oneshot for an Adam headcanon that will probably never see the light of day: 
It started when he had the graveyard shift at the factory, taking breaks with the exhausted moms who didn't mind sharing a smoke with him because he wasn't their kid. He kept it up because it calmed his nerves as he frantically tried to get the grades for the Aglionby scholarship, sneaking smokes out of Boyd’s jacket that always hung off the back of his office door. The double wide was always acrid with the smoke and old beer, so his father never noticed. He quit after starting at Aglionby, too worried about the smell of car oil on his uniform and he didn’t like what nicotine would signal to the other boys. At Mountainview, hanging around on the sidewalk behind the school with cigs was its own place in the social hierarchy. He didn’t want to find out what rung that would string him up on at Aglionby. 
Car oil might just mean that he was handy, had a useful hobby. At seventeen, new to the pristine halls of Aglionby, nicotine just meant trouble.  He didn't want trouble, he wanted to get out of Henrietta. He never told Gansey. Not because he was ashamed, but because Adam didn't have to tell Gansey everything. 
Adam was grateful that smokes seemed to be the only habit Ronan didn't pick up from Kavinsky. The smell curling off the Mitsubishi made his skin itch  with nameless wanting. (Near first semester midterms at Harvard and ronan came up to visit adam and "Did you smoke?" Adam asked, feeling immediately embarrassed. What was he doing sniffing Ronan's collar like some sort of dog. "Huh?" Ronan's brain hadn't caught up with the idea of talking instead of kissing and his only response was grunt and an insistent kiss to the corner of Adam's lips. Adam leaned back, now feeling like a jealous wife, "you smell like cigs." He wasnt sure what he was asking.
7. What do you think are the characteristics of your personal writing style? Would others agree?
Not totally sure since I don’t think I can consciously control the characteristics or style of my writing. I also try to avoid noticing if I repetitively use the same words or phrases, since I’ll probably just become self-conscious. 
I do try to remember to keep a character’s physical surroundings present (even though I find a lot of place descriptions boring to read and write 😂) So I try to keep whole passages from feeling like just ‘talking heads’. Also I try to show the emotions of a character whose POV we’re not in, instead of having the ‘close 3rd person’ narration spell it out explicitly. 
I’ve also gotten a lot of comments on HtM that the writing style is ‘mysterious’ which is a HUGE compliment and I have no idea how I made that happen. 
I can’t speak for anyone else if they agree with how I’ve described my writing so feel free to reply / dm me to let me know 😂 you can give me a reality check.
25. What part of writing is the most fun?
I have answered this here too, but another part of writing I find fun is dialogue between friends when they’re just hanging out. The cadence of how people talk and the weird shit friends will joke about... Just love it!! 
CONGRATS if you read this far!! 
Here’s the link to the questions if anyone else wants to play 
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blackkudos · 8 years ago
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Willie Dixon
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William James "Willie" Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. A Grammy Award winner who was proficient on both the upright bass and the guitar and as a vocalist, he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.
Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", "I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These tunes were written during the peak of Chess Records, 1950–1965, and performed by Muddy Waters, Howlin' Wolf, Little Walter, and Bo Diddley; they influenced a generation of musicians worldwide.
Dixon also was an important link between the blues and rock and roll, working with Chuck Berry and Bo Diddley in the late 1950s. His songs have been covered by some of the biggest artists of more recent times, such as Cream, Jeff Beck, the Doors, Led Zeppelin, the Rolling Stones, Steppenwolf, Bob Dylan, and Jimi Hendrix. The debut albums by the first six of those artists all feature at least one of his songs, a measure of his influence on rock music. Dixon is an inductee in the Blues, Rock and Roll, and Songwriters Halls of Fame.
Biography
Early life
Dixon was born in Vicksburg, Mississippi, on July 1, 1915. His mother, Daisy, often rhymed things she said, a habit her son imitated. At the age of seven, young Dixon became an admirer of a band that featured pianist Little Brother Montgomery. He sang his first song at Springfield Baptist Church at the age of four Dixon was first introduced to blues when he served time on prison farms in Mississippi as a young teenager. Later in his teens, he learned how to sing harmony from a local carpenter, Theo Phelps, who led a gospel quintet, the Union Jubilee Singers, in which Dixon sang bass; the group regularly performed on the Vicksburg radio station WQBC. He began adapting his poems into songs and even sold some to local music groups.
Adulthood
Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.
Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.
In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records.
Pinnacle of career
Dixon signed with Chess Records as a recording artist, but he began performing less, being more involved with administrative tasks for the label. By 1951, he was a full-time employee at Chess, where he acted as producer, talent scout, session musician and staff songwriter. He was also a producer for the Chess subsidiary Checker Records. His relationship with Chess was sometimes strained, but he stayed with the label from 1948 to the early 1960s. During this time Dixon's output and influence were prodigious. From late 1956 to early 1959, he worked in a similar capacity for Cobra Records, for which he produced early singles for Otis Rush, Magic Sam, and Buddy Guy. He later recorded for Bluesville Records. From the late 1960s until the mid-1970s, Dixon ran his own record label, Yambo Records, and two subsidiary labels, Supreme and Spoonful. He released his 1971 album, Peace?, on Yambo and also singles by McKinley Mitchell, Lucky Peterson and others.
Dixon is considered one of the key figures in the creation of Chicago blues. He worked with Chuck Berry, Muddy Waters, Howlin' Wolf, Otis Rush, Bo Diddley, Joe Louis Walker, Little Walter, Sonny Boy Williamson, Koko Taylor, Little Milton, Eddie Boyd, Jimmy Witherspoon, Lowell Fulson, Willie Mabon, Memphis Slim, Washboard Sam, Jimmy Rogers, Sam Lay and others.
In December 1964, the Rolling Stones reached No. 1 on the UK Singles Chart with their cover of Dixon's "Little Red Rooster".
Copyright battles
In his later years, Dixon became a tireless ambassador for the blues and a vocal advocate for its practitioners, founding the Blues Heaven Foundation, which works to preserve the legacy of the blues and to secure copyrights and royalties for blues musicians who were exploited in the past. Speaking with the simple eloquence that was a hallmark of his songs, Dixon claimed, "The blues are the roots and the other musics are the fruits. It's better keeping the roots alive, because it means better fruits from now on. The blues are the roots of all American music. As long as American music survives, so will the blues." In 1977, unhappy with the small royalties paid by Chess's publishing company Arc Music, Dixon and Muddy Waters sued Arc and, with the proceeds from the settlement, founded their own publishing company, Hoochie Coochie Music.
In 1987, Dixon reached an out-of-court settlement with Led Zeppelin after suing them for plagiarism in their use of his music in "Bring It On Home" and lyrics from his composition "You Need Love" (1962) in their track "Whole Lotta Love".
Dixon's health deteriorated increasingly during the 1970s and the 1980s, primarily as a result of long-term diabetes. Eventually one of his legs was amputated.
Dixon was inducted into the Blues Hall of Fame in 1980, at the inaugural session of the Blues Foundation's ceremony. In 1989 he received a Grammy Award for his album Hidden Charms.
Death and legacy
Dixon died of heart failure in Burbank, California, on January 29, 1992, and was buried in Burr Oak Cemetery, in Alsip, Illinois. After his death, his widow, Marie Dixon, took over the Blues Heaven Foundation and moved the headquarters to Chess Records. Dixon was posthumously inducted into the Rock and Roll Hall of Fame in the category Early Influences (pre-rock) in 1994. On April 28, 2013, both Dixon and his grandson Alex Dixon were inducted into the Chicago Blues Hall of Fame.
The actor and comedian Cedric the Entertainer portrayed Dixon in Cadillac Records, a 2008 film based on the early history of Chess Records.
Tributes
The French singer-songwriter Francis Cabrel refers to Dixon in the song "Cent Ans de Plus" on his 1999 album Hors-Saison. Cabrel cites the artist as one of a number of blues influences, along with Charley Patton, Son House, Blind Lemon Jefferson, Robert Johnson, Howlin' Wolf, Blind Blake and Ma Rainey.
The Canadian rock musician Tom Cochrane wrote the song "Willie Dixon Said", which is included on his 1999 album X-Ray Sierra.
Bob Dylan credited Dixon for the music of the song "My Wife's Hometown" on his album Together Through Life and gave special thanks to Dixon's estate.
Wikipedia
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funface2 · 5 years ago
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How a joke about the milkman inspired Psychonauts' best level – PC Gamer
The Milkman Conspiracy started, as many great things do, in a Thai restaurant. Or maybe it didn’t. Tim Schafer can’t remember exactly. Somebody—perhaps him—came up with the phrase ‘I am the milkman, my milk is delicious’, and it may or may not have been during a Double Fine team meal. “I wish someone had said it at the restaurant, because their milk was delicious,” he says.
Either way, those eight words unified ideas that had been buzzing around his head for a conspiracy theory-themed Psychonauts level. It’s how most levels for the zany platformer started: Schafer brought the concept, the artists re-imagined it, the designers dreamt up the gameplay, and then the world builders and programmers brought it to life. So how did The Milkman Conspiracy go from a simple, silly phrase to one of the most beloved levels in a beloved game?
How did The Milkman Conspiracy go from a simple, silly phrase to one of the most beloved levels in a beloved game?
Schafer has always been fascinated by people who genuinely believed conspiracy theories, and wanted to know what was going on inside their heads. “I loved the movie Capricorn One when I was a kid, on faking the moon landing. Just the idea that someone would think [it was true] was so funny to me, in the same way some people think flat earthers are funny now, but I find it very sad, because it’s just a symptom of how scary and misleading the internet can be,” he says.
He drew up a chart of conspiracies and linked them all to a central character, Boyd. Some of the theories were famous, or taken from movies. Some were inspired by office chats, others by a homeless man named Doug, who lived on the streets nearby. “We’d pay him $10 a week to sweep our driveway,” Schafer says. “He had ups and downs. Certain days he thought the government was trying to do things with him, and some days he didn’t. It was interesting to talk to him… trying to get inside of his head was very inspirational for the level. I still see him around the neighbourhood.”
Psychonauts was an exercise in dealing with mental illness in a comic way—the team were conscious of never “punching down” and wanted players to empathise with the characters, Schafer says. For Boyd, that meant showing the problems he’d been wrestling with: Being fired from a string of jobs and having an alter-ego implanted in his mind by Psychonauts villain Oleander.
That alter-ego was, of course, the Milkman.
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Visually, Schafer imagined Boyd’s mind world as a giant spider’s web, with Boyd’s house at the centre. He also wanted it to give it a retro, ’50s spy vibe, and thought a suburban neighborhood would be the perfect setting: Relatively mundane on the surface, but hiding a dark secret. He gave the concept to his artists. 
Art director Scott Campbell tells me he wanted to emphasise paranoia, and he drew eyes and binoculars popping out of trashcans, mailboxes and bushes to make the player feel like they were being watched. He also came up with the G-Men, who kept an eye out for suspicious activities. 
“I based their outfits on the classic ’50s G-Men detectives in their overcoats and hats, reminiscent of the Spy vs Spy comics in Mad magazine and every single TV show from that time period,” he says. “I just loved that spies always wore those overcoats and people were supposed to not notice them in hotel lobbies or on park benches with their newspapers covering their faces, with just their eyes showing.”
Campbell says the team found it funny to simply give the G-Men a single object as a disguise, and have them act out what was clearly the wrong use for that object. It’s why you see G-Men using red stop signs to hammer in imaginary nails, or playing a bouquet of flowers like a guitar, and it’s the root of much of the level’s humour. 
Schafer recalls the initial magic of the level coming from a drawing by concept artist Peter Chan. “Suburbia is supposed to look mundane, but what if it was all just vaulted up against the sky? He had this drawing of the roads bent and twisted in the air, like [Boyd’s] thinking was twisting back on itself and illogical.
“And I was like, ‘woah’, the programmers were like, ‘woah’.”
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Schafer knew instantly that was the road to pursue, but he still had no idea what the gameplay would look like, so he brought in lead designer Erik Robson. Up until that point in the game, the team hadn’t used the player’s inventory much, and Robson was keen on an adventure game-style level where players combined items in their inventories to solve puzzles.
Those puzzles would be themed around the G-Men guarding certain areas, and the players would have to carry the right item to blend in. It fit well with Clairvoyance, a psychic power that let protagonist Raz see through the eyes of other characters, which had come from Schafer’s research into psychic abilities.
The trick, Robson tells me, was to make every possible item and Clairvoyance interaction entertaining, including failures. The team knew players would try to combine seemingly unconnected items, or try out their powers on inanimate objects, so they created a huge spreadsheet of every possible interaction, filling each box with a new idea.
“We know we have to have something fun for if I use the clairvoyance on the feather I’m holding, for example,” he says, “We knew those interactions would all be possible… it ends up being a situation where a bunch of creative people have to brainstorm and come up with fun solutions, and hopefully, that ends up being entertaining for a player.”
Sometimes those interactions would be simple: When used on a keypad, Raz is seen as a giant finger. But others would require more time and effort, and one of the brilliant things about Double Fine was that three designers were allowed to take three days to come up with the right concept.
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All the things that seem like antagonists, in the level, are… like an immune system trying to understand an alien body in its midst.
Designer Erik Robson
The Milkman Conspiracy ended up much larger than originally planned, partly because of the team’s relative gravity tech. The programmers came up with a way to flip gravity as you moved between the twisted, spiralling streets that Chan had drawn, and the camera would react in kind. It worked brilliantly, and the level naturally expanded as Robson took players off in different directions.
The sprawling design also fit into the theme, he says. “Broadly, the goal of every Psychonauts mind level was to express the personality of the character in whatever way possible. I think there was something appealing about it being an open-air maze. That’s a weird contradiction that seems consistent with Boyd: ‘I’m lost, but I can see everything. I see my goals, but I can’t suss out how I’m going to get there.'”
In the end, Robson feels Milkman sprawled too much. “There’s maybe two or three of those ambient houses when there should really only be one. As a level designer, my proclivity is to make things too big, so there might be a bit of guilt kicking in there.”
Robson also wishes the team could’ve better expressed Boyd’s inner turmoil throughout the level. The opening sequence, where the player uses Clairvoyance on Boyd and sees the conspiratorial scrawls he’s made on the walls of his house, is an example of when it worked, because it gave the player a sense of what was to come while revealing something about Boyd’s character, Robson says.
“All the things that seem like antagonists, in the level, are… like an immune system trying to understand an alien body in its midst. And that alien body is the what the Milkman represents, this thing that is there and buried, but he can’t get rid of, and he knows something bad is going to happen as a result. There are a bunch of things I think we did get, the sort of confusion and how nothing is quite what it seems, the open-air maze. But I think that would have been cool to kind of drive that emotional point home better.”
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Partly because of these niggles, Robson says he’s never thought of Milkman as a standout level. But he says it’s one of the funniest, and Schafer’s writing undoubtedly brings the whole thing together. Simply written down, the jokes—”The most pleasant sewers can be found in Paris, France”—have almost zero impact. But their deadpan delivery works so well in the context of the level, and the ultra-serious G-Men talking about how “rhubarb is a controversial pie flavor” as they try hopelessly to blend in with their given roles proves to be hilarious.
That was only possible because writing all the dialogue came last. After the designers and gameplay programmers had finished, Schafer would assess every piece of the level, and write dialogue based on all the work that came before. “That was the most solid foundation for the jokes to get layered on top,” Robson says. “Half of my memory of Milkman is playing it without any of that dialogue, so that stuff still almost feels like a sort of recent edition. And then after you’re done with the level, six or eight weeks later, this dialogue appears all of a sudden in the game.”
Schafer tells me he wanted Erik Wolpaw to write the dialogue, but Wolpaw ended up being too busy. “So I ended up writing all the G-Men dialogue myself and I’m so happy I did, because it was so fun,” he says. “It’s just that matter of fact, straight-laced: ‘Who was the milkman? What was the purpose of the goggles?’
“We just happened to be talking about pie a lot, about people thinking rhubarb can be dangerous if you cook it wrong. You can poison people. So it’s a very controversial variety of pie—being able to sneak stuff like that in was really fun. It was really relaxing to write in that flat tone. ‘My helicopter goes up and down.'” 
It’s those jokes that I, and many other players, remember best about The Milkman Conspiracy. But for Double Fine, it carries its own legacy: a reminder that “no one person makes a level”, Schafer says. “I didn’t think of the twisting roads, and I didn’t think of the way the G-Men functioned. But I still feel like the ideas that I cared about are in there, and each department got to contribute an essential part of the level. Any one piece of that, you took it away, and it’s not the same,” he says.
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Bài viết How a joke about the milkman inspired Psychonauts' best level – PC Gamer đã xuất hiện đầu tiên vào ngày Funface.
from Funface https://funface.net/best-jokes/how-a-joke-about-the-milkman-inspired-psychonauts-best-level-pc-gamer/
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mamusiq · 6 years ago
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Renaissance Composers 
This is a list of composers active during the Renaissance period of European history. Since the 14th century is not usually considered by music historians to be part of the musical Renaissance, but part of the Middle Ages, composers active during that time can be found in the List of Medieval composers. Composers on this list had some period of significant activity after 1400, before 1600, or in a few cases they wrote music in a Renaissance idiom in the several decades after 1600.
The Top Famous Renaissance Composers
by Aaron Green * August 17, 2018
The Renaissance Period was a vibrant time when knowledge and fine arts flourished. Artists like Leonardo da Vinci, Michelangelo, Botticelli, Raphael, and Titian were painting some of humanity's most awe-inspiring works of art. Wars like the War of Roses were fought between clashing dynasties in their arduous quests to rule, and great changes were made in the church during the Protestant Reformation. Generally classified as taking place between 1400 and 1600, these 200 years mark an incredible transformation and advancement in the world. And among those transformations was that of great music notation and composition. If it weren't for these great Renaissance composers, whose ground-shaking, mold-breaking musical ideas opened a floodgate of musical curiosity, the world of classical music we know today might be drastically different.
William Byrd (1543–1623) William Byrd is perhaps the greatest English composer of all time. With hundreds of individual works, Byrd seemingly mastered every style of music that existed during his lifetime, outshining Orlando de Lassus and Giovanni Palestrina. He was a pupil working under Thomas Tallis, also on this list. Apart from his choral works, Byrd is considered by many to be the first "genius" of the keyboard. Many of his piano works can be found in "My Ladye Nevells Book" and the "Parthenia."
Josquin Des Prez (1440–1521) Widely recognized by just his first name, Josquin Des Prez was Europe's most sought-after musician during his lifetime. His popularity, no doubt, was a result of his diverse interests, combining many contemporary styles of music. His originality and his ability to unveil the meaning and emotions of a text through music, both sacred and secular, added to his popularity. While he may not be the most well-documented composer, his reputation is strong, and much of Josquin's music survives today, with his masses and chansons being the most popular.
Thomas Tallis (1510–1585) Thomas Tallis, an English composer, flourished as a church musician and is considered one of the church's best early composers. Tallis served under four English monarchs and was treated very well. Queen Elisabeth granted him and his pupil William Boyd exclusive rights to use England's printing press to publish music—a first of its time. Although Tallis composed many styles of music, the majority of it is arranged for choir as Latin motets and English anthems. While Tallis' music is well-known, not much is actually known about his life.
Pierre de La Rue (1460–1518) Pierre de La Rue, a Frenco-Flemish composer and singer, wrote many styles of music (almost as much as Josquin). La Rue's repertoire consists entirely of vocal music. His style of voicing shows that he preferred low voice types, often composing Cs and B-flats below the bass clef. His most popular work, the "Requiem," and one of the earliest surviving Requiem masses, emphasizes the lower voices. Along with low voicing, various rhythmic patterns and long, flowing melodies are main characteristics of La Rue's music.
Claudio Monteverdi (1567–1643) Linking the Renaissance to the Baroque, Claudio Monteverdi's revolutionary music included the first dramatic opera, "Orfeo." An Italian composer, string player, and choirmaster, he was considered a pioneer in the realm of opera and an artist who served an integral transitional role between the Renaissance and Baroque periods. Much of Monteverdi's early years were spent composing madrigals: nine books in total. These books clearly mark the change in thinking and compositional style between the two musical periods. Book 8, "Ottavo Libro," includes what many consider to be the perfected form of the madrigal, "Madrigali dei guerrieri ed amorosi."
Giovanni Pierluigi da Palestrina (1526–1594) With over hundreds of published works, Italian composer Palestrina was the most famous representative of the Roman School of musical composition, greatly influencing the development of music in the Roman Catholic Church. Because the voicing is extremely well balanced and beautifully harmonized, Palestrina's polyphonic music is smooth, pure, and transparent in sound.
Orlando de Lassus (1530–1594) Orlando de Lassus, a Netherlandish or Franco-Flemish composer of the late Renaissance, was known for his smooth, polyphonic style. His beautiful motets combined the rich northern style of polyphony, the superb French style text-setting, and the expressive Italian melody. With over 2,000 written works for all styles of music, including all Latin, French, English, and German vocal genres, Lassus easily remains one of Europe's most versatile composers.
Giovanni Gabrieli (1553–1612) Giovanni Gabrieli, an Italian composer and organist, also bridges the Renaissance to the Baroque and is most known for his mastery in the style of the Venetian School. Gabrieli preferred composing sacred works; using the unusual layout of the San Marco Basilica in Venice, Italy, he was able to create stunning musical effects. Unlike those before him, Gabrieli meticulously created and planned the use of antiphone (a choir or group of instruments first heard on the left, followed by a response from another group of musicians on the right).
https://www.thoughtco.com/top-renaissance-period-composers-724387
https://en.wikipedia.org/wiki/List_of_Renaissance_composers 
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yahoo-puck-daddy-blog · 8 years ago
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Ryan's bad injury luck; Strader's return broadcast (Puck Headlines)
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Columbus Blue Jackets on Twitter.
Here are your Puck Headlines: A glorious collection of news and views collected from the greatest blogosphere in sports and the few, the proud, the mainstream hockey media. Have a link you want to submit? Email us at [email protected]
• It’s spelled Nickelback. [Columbus Blue Jackets]
• Ottawa Senators forward Bobby Ryan could miss over a month with a possible broken right index finger. This continues a string of bad injury luck for the winger. [Ottawa Citizen]
• After missing the first 59 games of the 2016-17 campaign while battling through different forms of treatment for bile duct cancer, Dallas Stars play-by-play man Dave Strader returned to the broadcast booth Saturday and called his first game of the season. An inside look at Strader’s return with comments from Strader. [Dallas Morning News]
• Nashville Predators forward Ryan Johansen was upset at the Columbus Blue Jackets didn’t recognize him in their Sunday game. Johansen was drafted by the Blue Jackets in 2010 and played 309 games there until a trade last season. It was his first game at Nationwide Arena since the deal. [Tennessean]
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• What should a rental player cost at this year’s NHL trade deadline? [Sportsnet]
• It has become clear that the decision to replace Claude Julien with Bruce Cassidy in the middle of this season and how it ends for each will be what defines the time of Boston Bruins general manager Don Sweeney and his tenure with the Bs. [WEEI]
• The Arizona Coyotes celebrated the first team that played in the desert over the weekend. Several guys who were on that group, including Keith Tkachuk, Mike Gartner and Teppo Numinen came to Glendale to take part in the festivities. [Arizona Sports]
• NHL teams have been more cautious as they head into the trade deadline thanks to the entrance of the Vegas Golden Knights next season and the upcoming expansion draft. [SinBin Vegas]
• United Arab Emirates’ national team player and talented stickhandler Fatima Al Ali returned home to Abu Dhabi a week ago after a whirlwind trip to Washington D.C. In an interview, Thursday, the inspiring female hockey player was still clearly in the afterglow of meeting her favorite NHL player, Alex Ovechkin, and skating with her favorite NHL team, the Washington Capitals. [Russian Machine Never Breaks]
• The inevitable declines of Sidney Crosby and Alex Ovechkin will come sooner rather than later. Crosby will be 30 next season and Ovechkin will turn 32 before 2017-18. Since both are performing at high levels, we should take time to appreciate them more than ever. [Spector’s Hockey]
• On hockey in Mexico and where it stands globally and the NHL’s future there: “In the past 12 months, Mexico City has hosted Major League Baseball, auto racing’s Formula 1, UFC’s mixed martial arts, the NFL’s Monday Night Football, two regular-season NBA games, even wrestling’s WWE. For the NHL, a league also looking to expand its brand beyond its usual sphere of influence, Mexico could provide an interesting destination and a chance to gauge future outings beyond North America in an effort to popularize the game.” [ESPN]
• Eric Semborski, the Temple University goaltender who filled in as an emergency backup for the Chicago Blackhawks earlier this season at a game in Philadephia, got a cool new mask from the team for his efforts. [Second City Hockey]
• A look at the pieces the Tampa Bay Lightning could deal at the trade deadline if they decide to be sellers. [Raw Charge]
• Former NHLer Boyd Devereaux talks about both his love of music, and love of hockey. [Sports Illustrated]
• Breaking down a recent interview Jim Benning conducted on TSN 1040 in Vancouver. [Vancouver Courier]
• The second Global Girls’ Game is over. From the first puck drop in Dunedin, New Zealand, to the final buzzer in Toronto, Canada, the game was played over two days in 38 countries on six continents. Although the scores of course mattered for the players giving it all, the real winner in the end became girls’ and women’s hockey. [IIHF]
• On Friday, USA Hockey announced that 23 players from the women’s national team were invited to a training camp at the New England Sports Village in Attleboro, Mass. from Feb. 27 to March 2. The camp will feature only post-grad players on the national team. The roster includes 15 forwards, five defenders and three goaltenders. A total of 18 members of the 23 were part of U.S. team that won gold at the Women’s World Championship. [Excelle Sports]
• The Alaska Aces of the ECHL could suspend operations, leaving the team’s future in doubt. [The Sin Bin]
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• New York Riveters defenseman Ashley Johnston also works 50 hours a week at a robotics firm just outside of Albany — more than 150 miles from the Riveters’ home rink in Newark. [New York Post]
• After a 14-year NHL career, former St. Louis Blues defenseman Barret Jackman is adjusting to life outside of hockey. [St. Louis Post-Dispatch]
• Positional needs and potential swap scenarios in the Central Division for the upcoming trade deadline period. [Dobber Hockey]
Finally, The manager of the Reading High hockey team scores the goal of a lifetime.
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How a joke about the milkman inspired Psychonauts' best level – PC Gamer
The Milkman Conspiracy started, as many great things do, in a Thai restaurant. Or maybe it didn’t. Tim Schafer can’t remember exactly. Somebody—perhaps him—came up with the phrase ‘I am the milkman, my milk is delicious’, and it may or may not have been during a Double Fine team meal. “I wish someone had said it at the restaurant, because their milk was delicious,” he says.
Either way, those eight words unified ideas that had been buzzing around his head for a conspiracy theory-themed Psychonauts level. It’s how most levels for the zany platformer started: Schafer brought the concept, the artists re-imagined it, the designers dreamt up the gameplay, and then the world builders and programmers brought it to life. So how did The Milkman Conspiracy go from a simple, silly phrase to one of the most beloved levels in a beloved game?
How did The Milkman Conspiracy go from a simple, silly phrase to one of the most beloved levels in a beloved game?
Schafer has always been fascinated by people who genuinely believed conspiracy theories, and wanted to know what was going on inside their heads. “I loved the movie Capricorn One when I was a kid, on faking the moon landing. Just the idea that someone would think [it was true] was so funny to me, in the same way some people think flat earthers are funny now, but I find it very sad, because it’s just a symptom of how scary and misleading the internet can be,” he says.
He drew up a chart of conspiracies and linked them all to a central character, Boyd. Some of the theories were famous, or taken from movies. Some were inspired by office chats, others by a homeless man named Doug, who lived on the streets nearby. “We’d pay him $10 a week to sweep our driveway,” Schafer says. “He had ups and downs. Certain days he thought the government was trying to do things with him, and some days he didn’t. It was interesting to talk to him… trying to get inside of his head was very inspirational for the level. I still see him around the neighbourhood.”
Psychonauts was an exercise in dealing with mental illness in a comic way—the team were conscious of never “punching down” and wanted players to empathise with the characters, Schafer says. For Boyd, that meant showing the problems he’d been wrestling with: Being fired from a string of jobs and having an alter-ego implanted in his mind by Psychonauts villain Oleander.
That alter-ego was, of course, the Milkman.
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Visually, Schafer imagined Boyd’s mind world as a giant spider’s web, with Boyd’s house at the centre. He also wanted it to give it a retro, ’50s spy vibe, and thought a suburban neighborhood would be the perfect setting: Relatively mundane on the surface, but hiding a dark secret. He gave the concept to his artists. 
Art director Scott Campbell tells me he wanted to emphasise paranoia, and he drew eyes and binoculars popping out of trashcans, mailboxes and bushes to make the player feel like they were being watched. He also came up with the G-Men, who kept an eye out for suspicious activities. 
“I based their outfits on the classic ’50s G-Men detectives in their overcoats and hats, reminiscent of the Spy vs Spy comics in Mad magazine and every single TV show from that time period,” he says. “I just loved that spies always wore those overcoats and people were supposed to not notice them in hotel lobbies or on park benches with their newspapers covering their faces, with just their eyes showing.”
Campbell says the team found it funny to simply give the G-Men a single object as a disguise, and have them act out what was clearly the wrong use for that object. It’s why you see G-Men using red stop signs to hammer in imaginary nails, or playing a bouquet of flowers like a guitar, and it’s the root of much of the level’s humour. 
Schafer recalls the initial magic of the level coming from a drawing by concept artist Peter Chan. “Suburbia is supposed to look mundane, but what if it was all just vaulted up against the sky? He had this drawing of the roads bent and twisted in the air, like [Boyd’s] thinking was twisting back on itself and illogical.
“And I was like, ‘woah’, the programmers were like, ‘woah’.”
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Schafer knew instantly that was the road to pursue, but he still had no idea what the gameplay would look like, so he brought in lead designer Erik Robson. Up until that point in the game, the team hadn’t used the player’s inventory much, and Robson was keen on an adventure game-style level where players combined items in their inventories to solve puzzles.
Those puzzles would be themed around the G-Men guarding certain areas, and the players would have to carry the right item to blend in. It fit well with Clairvoyance, a psychic power that let protagonist Raz see through the eyes of other characters, which had come from Schafer’s research into psychic abilities.
The trick, Robson tells me, was to make every possible item and Clairvoyance interaction entertaining, including failures. The team knew players would try to combine seemingly unconnected items, or try out their powers on inanimate objects, so they created a huge spreadsheet of every possible interaction, filling each box with a new idea.
“We know we have to have something fun for if I use the clairvoyance on the feather I’m holding, for example,” he says, “We knew those interactions would all be possible… it ends up being a situation where a bunch of creative people have to brainstorm and come up with fun solutions, and hopefully, that ends up being entertaining for a player.”
Sometimes those interactions would be simple: When used on a keypad, Raz is seen as a giant finger. But others would require more time and effort, and one of the brilliant things about Double Fine was that three designers were allowed to take three days to come up with the right concept.
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All the things that seem like antagonists, in the level, are… like an immune system trying to understand an alien body in its midst.
Designer Erik Robson
The Milkman Conspiracy ended up much larger than originally planned, partly because of the team’s relative gravity tech. The programmers came up with a way to flip gravity as you moved between the twisted, spiralling streets that Chan had drawn, and the camera would react in kind. It worked brilliantly, and the level naturally expanded as Robson took players off in different directions.
The sprawling design also fit into the theme, he says. “Broadly, the goal of every Psychonauts mind level was to express the personality of the character in whatever way possible. I think there was something appealing about it being an open-air maze. That’s a weird contradiction that seems consistent with Boyd: ‘I’m lost, but I can see everything. I see my goals, but I can’t suss out how I’m going to get there.'”
In the end, Robson feels Milkman sprawled too much. “There’s maybe two or three of those ambient houses when there should really only be one. As a level designer, my proclivity is to make things too big, so there might be a bit of guilt kicking in there.”
Robson also wishes the team could’ve better expressed Boyd’s inner turmoil throughout the level. The opening sequence, where the player uses Clairvoyance on Boyd and sees the conspiratorial scrawls he’s made on the walls of his house, is an example of when it worked, because it gave the player a sense of what was to come while revealing something about Boyd’s character, Robson says.
“All the things that seem like antagonists, in the level, are… like an immune system trying to understand an alien body in its midst. And that alien body is the what the Milkman represents, this thing that is there and buried, but he can’t get rid of, and he knows something bad is going to happen as a result. There are a bunch of things I think we did get, the sort of confusion and how nothing is quite what it seems, the open-air maze. But I think that would have been cool to kind of drive that emotional point home better.”
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Partly because of these niggles, Robson says he’s never thought of Milkman as a standout level. But he says it’s one of the funniest, and Schafer’s writing undoubtedly brings the whole thing together. Simply written down, the jokes—”The most pleasant sewers can be found in Paris, France”—have almost zero impact. But their deadpan delivery works so well in the context of the level, and the ultra-serious G-Men talking about how “rhubarb is a controversial pie flavor” as they try hopelessly to blend in with their given roles proves to be hilarious.
That was only possible because writing all the dialogue came last. After the designers and gameplay programmers had finished, Schafer would assess every piece of the level, and write dialogue based on all the work that came before. “That was the most solid foundation for the jokes to get layered on top,” Robson says. “Half of my memory of Milkman is playing it without any of that dialogue, so that stuff still almost feels like a sort of recent edition. And then after you’re done with the level, six or eight weeks later, this dialogue appears all of a sudden in the game.”
Schafer tells me he wanted Erik Wolpaw to write the dialogue, but Wolpaw ended up being too busy. “So I ended up writing all the G-Men dialogue myself and I’m so happy I did, because it was so fun,” he says. “It’s just that matter of fact, straight-laced: ‘Who was the milkman? What was the purpose of the goggles?’
“We just happened to be talking about pie a lot, about people thinking rhubarb can be dangerous if you cook it wrong. You can poison people. So it’s a very controversial variety of pie—being able to sneak stuff like that in was really fun. It was really relaxing to write in that flat tone. ‘My helicopter goes up and down.'” 
It’s those jokes that I, and many other players, remember best about The Milkman Conspiracy. But for Double Fine, it carries its own legacy: a reminder that “no one person makes a level”, Schafer says. “I didn’t think of the twisting roads, and I didn’t think of the way the G-Men functioned. But I still feel like the ideas that I cared about are in there, and each department got to contribute an essential part of the level. Any one piece of that, you took it away, and it’s not the same,” he says.
(Image credit: Double Fine)
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Bài viết How a joke about the milkman inspired Psychonauts' best level – PC Gamer đã xuất hiện đầu tiên vào ngày Funface.
from Funface https://funface.net/best-jokes/how-a-joke-about-the-milkman-inspired-psychonauts-best-level-pc-gamer/
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