#*gone deeper* has so many different meanings

[sluglore]

Explaining The Iterator's Purpose (And Why They Weren't Made to Circumvent The Echoes)

Alright, I know there's already been a few posts like this out there, like this older one from @halvedforest, and this recent one from @noizepushr, which are both good posts, but I've been meaning to touch up and cross-post my own older misconceptions post from reddit for a while now, and provide a deeper, more expanded analysis as to why this misconception exists and explain what's actually going on, so here it finally is haha I'll also be using the term 'Benefactor' instead of 'Ancient', if people are confused about that, I intend to make a post about it eventually ^^

( If you're confused on who out there even believes this, this idea originated from Rain World YouTube lore videos, long before Downpour was ever a thing! It is unfortunately still quite prominent on there... but it's definitely getting better :3 )

This misconception stems from misreading the singular pearl to ever mention the echoes, being the Bright Red farm arrays pearl, so let me begin by attaching the specific section below:

“There were some horror stories though... That if your ego was big enough, not even the Void Fluid could entirely cross you out, and a faint echo of your pompousness would grandiosely haunt the premises forever. So even when the Void Fluid baths became cheaper, some would still starve and drink the bitter tea.” (Bright red Farm Arrays pearl dialogue)

Note the specific usage of “some” here. Echoes weren't presented as an issue significant to re-center Benefactor society around, (let alone build the iterators for) but as some horror stories which only "some" people (likely on the fringes of society) would believe in. Nowhere are we given anything that alludes to the existence of Echoes being regarded as a societal problem to address, much less have anything to do with the Iterators.

Additionally, although we know for a fact that echoes do exist, its fairly possible that most of Benefactor society didn't, as LTTM doesn't even know what they are either, regarding them as nothing more than superstition. On the very next line, LTTM confirms that the void baths continued all the same, while again mentioning that "some" would still choose to abstain from them, and drink the bitter tea.

Then what’s the purpose of the iterators if they weren't created to circumvent the echoes? What is The Big Problem that they are even trying to solve in the first place? Well, both FP, LTTM, and the Exterior colored pearl dialogue spell the answer out for you. In fact, it's the first thing FP even tells you!

“The good news first. In a way, I am what you are searching for. Me and my kind have as our purpose to solve that very oscillating claustrophobia in the chests of you and countless others. A strange charity - you the unknowing recipient, I the reluctant gift. The noble benefactors? Gone.” (Five Pebbles dialogue to Survivor) (Monk's version also hits similar notes)

Five pebbles introduces himself as a “reluctant gift," with his purpose being "to solve that very oscillating claustrophobia in the chests of you and countless others," meaning to solve the cycles for everyone and everything else.

If you bring Looks to the Moon a neuron, she has the chance to repeat the same exact explanation to you.

"We were supposed to help everyone, you know. Everything. That was our purpose: a great gift to the lesser beings of the world. When facing our inability to do so, we all reacted differently. Many with madness.”

FP, LTTM, and the rest of their kind were created to serve the rest of the world in finding a method of total mass ascension, of ending the cycle entirely for everyone.... and everything. Not only including the fauna of the world, like the slugcat, but the bedrock, microbes and even gases, as explicitly stated in this snippet from the Exterior pearl dialogue below:

“The Moral Argument: Five Pebbles is our Creation, and we have Parental Obligations towards him. As an Iterator, he is also a Gift of Charity from Us to The World (unable to reach Enlightenment by itself - being composed mostly of Rock, Gas, dull witted Bugs and Microbes - and towards which We thus have Obligations)” (Pale Green Exterior pearl dialogue)

Here we have the Benefactors define it very clearly, that as an iterator, Five Pebbles is a "Gift of Charity from Us to The World." It's important to note that many misinterpret the next section in parentheses as being about FP himself, but if it were, it would be the only time FP is ever referred to as “it”. What's really being described is the world, “unable to reach enlightenment by itself, being composed mostly of rock, gas, dull witted bugs and microbes” The world is unable to reach Enlightenment on it's own and therefore, that's why the iterators were created. (Also- when you think about it, the description of "being composed of rock, gas, and dull witted microbes" doesn't even really fit FP's description lol)

Quick but necessary tangent, the concept of non-living things being apart of the cycle is a little confusing, and tricky to quickly answer without going deep into cycle lore discussion, (I have an entire post in drafts dedicated to clearing this up) but it's actually incredibly important for understanding what The Great Problem is! To shed some light, it's not that non-living matter are able to somehow comprehend the cycles, but that the entire physical world itself is actually an intrinsic part of the cycles.

If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea. If you drill far enough into the earth you begin encountering a substance called Void Fluid. The deeper you go, the less rock and more Void Fluid. It's believed that there is a point where the rock completely gives way - below that would be the Void Sea. When that stone you placed on the ground has finally done its time in the sediments, it meets the Void Fluid and is dissolved, leaving the physical world. (Teal Subterranean pearl dialogue)

There's a reason that 'Cycles' is always plural in Rain World, because there's multiple of them! Organic life is in cycles, the physical bedrock of the world is in cycles, even the very concept of civilization is in cycles. In order to ascend everything, that means ascending not only all living things, but the entire physical universe itself! That's what the Great Problem really is :D (Also technicallyyy it's only ever referred to as "the big problem" and not "the great problem", the latter term stems entirely from the community but it's whatever i just wanted to quickly mention that. great problem definitely sounds cooler LOL)

In conclusion, Iterators are described as "Gifts to the World" not once, not twice, but three entire times throughout base game Rain World's dialogue, one from FP, one from LTTM, and one from the Benefactors. Rain World lore holds many unanswered, purposefully ambiguous questions, but the Iterator's purpose is not one of them!

If you're confused/interested in analysis of the Benefactor's motivations and perspectives on Ascension, I made a post a little while back containing my thoughts right here :)

[satorusugurugurl]

heyy!! how ru? soooo, i was thinking about jjk men found out that reader has problems with food, if you are okay with it, could you write it? if you r not its okay! you are a great writer and i love reading your stuff!! kisses!

JJK Men: When You Have an Issue With Food

Characters: Gojo Satoru, Nanami Kento, Ryomen Sukuna

Word Count: 3,907

Warning: Themes of eating disorders, issues with food, negative body image, suggestiveness, fluff in the end

A/N: Thank you for the request, Nonnie! As someone who has struggled with issues regarding an eating disorder, this took me a bit of time to figure out, but I feel proud of it. Please seek out resources if you struggle as well! There are so many helpful resources that have helped me!

Gojo Satoru:

Satoru loved sweets. He developed his love in high school when stimulating his brain, which led to him developing a sweet tooth, so you could always count on him to bring home all sorts of sweets, which was nice. You enjoyed it until someone at work mentioned that it looked like you gained weight. You brushed it off at first, but it struck a nerve when she said you might lose your boyfriend if you continued eating the sweets. Did you put on a few pounds since you started dating Gojo? Was it all the sweets you had been enjoying with him?

The comment had you poking at your stomach in the mirror with a pout. That woman blatantly announcing their view in front of your coworkers was rude. It was embarrassing and had you questioning if Satoru had noticed if you gained weight. You need to stop indulging in sweets, or more people might start making comments about your weight. Or the worst-case scenario was that Satoru would leave you.

That same day, you went straight to the gym when you got home. You heard footsteps rushing to the door when you returned to your apartment. Satoru nearly tackled you as he kissed your cheeks repeatedly as you headed for the kitchen.

“Hi, Toru!” You giggled as Satoru shuffled with you into the kitchen, not once letting you go. “How did the mission go?”

“It was boring! I wish I could’ve brought you with me!” White strands of hair fly as he yanked his head away from your face. “But I brought you home some souvenirs.” He handed you a pink bag with a cute cat label. “Macaroons from France! This shop is known for its take on different flavors. Peanut butter and jelly blueberry and cinnamon roll. I bought one of every flavor for us to try.” His smile was wide and warm, leaving you feeling sick.

“Oh, thanks.” You placed the bag onto the counter with an evident frown. One Satoru saw your unenthusiastic reaction, and it made him pout.

“What’s wrong? You love macaroons.”

“I do. I just—” Nausea twisted in your stomach. “I can’t eat them anymore.”

The combination of ‘I do’ and ‘I can’t’ had Satoru reeling in stunned silence. “What do you mean you can't? Did you develop a macaroon allergy while I was gone?”

“No, I can’t keep eating sweets, Toru.”

Satoru could tell something had happened while he was gone. Usually, you jumped at the chance to try an exotic sweet he’d bring home. For you to be so dismissive wasn’t like you at all. He’d only been gone for a week, and suddenly, you had an aversion to sweets.

His fingers gently grab your chin between his thumb and forefinger. The second his eyes meet yours, he can feel your anguish. Tears glimmer in your eyes as a little hiccups sound in your chest. Seeing you in such a state had your boyfriend searching you for injuries only to realize it wasn’t on the surface but deeper.

“Sweetheart.” The tenderness and concern in his voice make you cry harder. “Baby, what’s wrong? Talk to me.” Satoru pulls you to the couch, sitting you directly on his lap.

“M-My c-co—“ si s wreck through you as you try to speak, “my coworker—”

“Your coworker what? Who do I need to Hollow Purple?”

Satoru runs his hands gently up and down your back, which is soothing. “They were asking if I gained wei—weight. A-And they said that I would lose you if I gained more.” His hands stopped moving, and his eyes widened in disbelief.

“I’m sorry. What the fuck did you just say?”

You spilled your guts out, telling him everything from what they said to you to going to the gym. Never once amid your rant did he interrupt you. He just held you, pressing kisses against your tear-stained cheeks until you shuddered with a sigh once you were done.

“Baby, my sweet, beautiful girlfriend. Fuck them. Fuck those assholes; God, I hate people so much.” His hands grab your hips, making you straddle him to stare into his eyes. “I think you’re beautiful just the way you are. If you want different souvenirs, I’ll bring you something different. If you want me to bring you back, I will.” His hands gently stroke at your tear-stained cheeks. “But don’t let a bunch of assholes dictate what you can and can’t eat.”

Sincere cease the stream tears. “You think I’m perfect?” A smile graces your face, causing Satoru’s heart to flutter.

“Yes! I love you, whether you indulge in sweets or focus on going to the gym. Regardless of your choice, I’ll support you, whether I bring you home more treats or join you at the gym; say the word, and I’ll support you no matter what.”

You gently pressed your lips against him. To which he gladly reciprocated, holding you tight as you messily made out like horn-crazed teenagers. You happily munched on the macaroons Satoru brought home the next day at work when your phone rang. The woman who had commented on your weight, Tadashi, appears on the caller ID, making you roll your eyes

“Yes?” You asked, licking the crumbs off your lips.

“You have a delivery here in the front.”

You rush to the lobby and pass other assistant supervisors into the waiting room. The delivery man is hidden behind the arrangement of your favorite flowers. You melted as you stepped forward, the floral scent drawing you in.

“Hi, those are for me.” You helped your hands out to the vase.

“Yes, they are!” The flowers lowered, and your grind blindfold creased as he stared down at you.

“Toru?!”

“Just had to remind you how perfect and loved you are!” he placed the flowers down before rubbing his arms around you. “I also want hollow purple the assholes who hurt you.”

“No, Toru, please don’t do that.”

While murder was out of the question, Satoru decided on a different approach to let your coworkers know how much you were loved. He wrapped his arms around you before dipping you in front of all of your shitty coworkers just before kissing you. He made such a scene making out with you and grabbing your ass that you were left a blushing mess. He finally managed to pull away; he flipped off the woman who had made such terrible comments to you.

“Hope this proves that I’m never going anywhere.” he slaps your ass again, drawing a squeak from you. “She’s mine forever and always, no matter what!”

Nanami Kento:

Ever since high school, you have had a food issue. When you were a child, your grandparents often commented about you cleaning off your plate or having seconds. They would frequently call you chubby or warn you that man would like a woman who finished her meals before him.

Because of their comments, you never ate as much as you would like. Purposely leave as much food on your plate as possible without starving yourself. While the habit was unhealthy, it pleased your grandparents to the point they finally got off your back about your plate and weight. After their deaths, the harmful habit caused by their poisonous words scarred you your whole life.

No matter how hungry you were, you never finished your plate. A handful of the entire plate was eaten at every meal you ate. If you were still hungry, water helped with the lingering traces of hunger. Because of your seemingly peckish behavior, you were called a bird throughout high school and even into adulthood. You didn’t see it in a bad way. You were eating the way you did, which never bothered you. You were happy and content with your choices until you started dating Nanami Kento.

When he first asked you out, you thought the good-looking man was pulling a joke on you. Much to your relief, he was serious. He wanted to take you out for dinner and drinks, which you excitedly agreed to. Nanami took you to the best restaurants in town, and it was. You moaned as you ate until you had to force yourself to stop, as you were dangerously getting close to finishing your plate for the first time in years.

Your grandparents' words haunted you as you reluctantly put your spoon down. That was the first time he picked up on your issue. The way you assured him that you were full when your eyes still lingered on your food or how you moaned when you took a bite of the sweet dessert, going in for another spoonful only to freeze and drop your spoon.

Something didn’t seem right, but Nanami wouldn’t pry on the first date. Perhaps you weren’t that hungry, or you were nervous around him. There was no point in bringing it up right now. He wasn’t even sure if he’d get a second date.

But he got that second date and the third, and soon, he became your loving, doting boyfriend

A boyfriend who noticed you not cleaning your plate off wasn’t just a one-time occurrence but a habit of yours. No matter the meal, breakfast, lunch, or dinner, you never finished your plate. Even when you complained about how starving you were, you never ate until you were full.

You never looked satisfied whenever you ate; one would even say that you looked disappointed whenever your plate was taken away at restaurants. Or when you close the lid on your unfinished bento box. You wanted to eat, but something was preventing you from pushing past the limit you made for yourself

Nanami didn’t want to pry or embarrass you by bringing it up, but he could no longer hold his tongue after the two of you had gone to dinner. You stopped eating, and while he finished his meal, you chugged down an entire glass of water. Clearly, you were still hungry but not wanting to eat.

He decided he needed to bring up the manner in the comfort of his home, away from watchful eyes. So Nanami invited you to his condo for a homemade dinner featuring your favorite meal.

It was so good. The flavors were perfect, mouthwatering, and nearly orgasmic. You moaned eagerly, shoving more food into your mouth, losing yourself in the delicious meal made by loving hands; Nanami watched you while sipping on his wine, watching you eat until you stopped eating like always. The disappointment was evident on your face as you reluctantly put your fork down.

Now was the time to act.

“Darling, is the food not to your liking?” A sense of dread burned in your stomach as you looked up from your half-full plate at your boyfriend

“No, it was good! I’ve never tasted something so tasty.”

Nanami placed his wine glass down, licking his bottom lip. “ Are you just not hungry?” You shook your head, cheeks burning. “Then why don’t you eat more Love? You clearly want to.”

“But I don’t wanna lose you—”

Not expecting that to be your answer, Kento pulled his chair to your side, sat down, and gently grabbed your hands. You flushed as he brought them towards his mouth, pressing gentle kisses against your knuckles. Your boyfriend looked so distraught over your answer as if it had wounded him to the soul.

“Why do you think that? Have I made you feel if you were to finish your food, that would result in me leaving you? If I made you feel that way, I’m sorry.”

“Ken, no, no, wait a second.” Your fingers squeezed around his hand. “You didn’t do anything remotely close to making me feel that way.”

“Then why do you think you’d lose me if you were to finish a meal in front of me?”

Swallowing at the lump of dread in your throat, you sighed. “Well, it’s something my grandparents always used to say.” You told him everything about their crude remarks and terrible advice. You also confessed that despite their passing, their words still haunted you, making it hard for you to finish meals.

“That has to be the most asinine bullshit I’ve ever heard.” Kento snapped, irritation carved into his features. “People are so cold and cruel. They don’t understand that words can impact a person for the entirety of their lives.”

“Kento—”

“I can assure you that I would rather you finish your plate than starve yourself. Food is one of the many joys in life that is better shared and company.” He closed the small distance between you. “If you finish your plate, I won’t be disgusted or turned off. I promise you it’s the opposite; seeing you happy and enjoying yourself makes me happy.”

“It does?”

“You always look so happy when you eat something you like.” Nanami picked up your fork and is holding it out for you. “So please don’t let the cruel words of terrible people dictate how you live your life. I won’t be leaving anytime soon, so please eat as much as you’d like.”

Hearing those words from him, the man who stole your heart, made your soul soar. Confirming that your grandparents were terrible people and that he wouldn’t leave you left you feeling overjoyed. Like you had been set free. It was like Kento had taken bolt cutters to the chains wrapped around you for years. That rush of relief had you eating more food off your plate with a happy hum.

You ate all the food off your plate for the first time in years. Nanami grinned as he gently stroked your head, elated to you, so happy and satisfied. Seeing you in such a euphoric state delighted him; words could not describe it. Nanami Kento was falling hard for you, and he couldn’t wait to see what the future holds for you both.

Ryomen Sukuna (Modern AU):

“Big bro!” Sukuna Thomas is a slice of toast on Yuuji’s plate. “Bro!” The smaller boy pouts at his brother, who ultimately ignores him, tossing a butter knife into the sink. “Brother!”

“What?!” Sukuna snaps, running a hand down. His little brother is unfazed by his tone, happily munching away on the toast he had prepared for him.

“Big sis forgot her lunch again!” Yuuji always referred to you as his big sister, even though you were dating his older brother. Sukuna made a mental note to discuss calling you by either your last name or first name, whatever you preferred, when you got home from work.

“No, I handed it to her,” Sukuna is about to call Yuuji a brat for lying when he spots your Bento box wrapped in a cherry blossom cloth on the entrance table by the front door. He swears you’d lose your head if it weren't attached to your body. This was the third time you had forgotten your lunch this week. “Dumb little brat.” he snatches it off the entrance table to put it back in the fridge for you. “She’d if it wasn’t for delivery services and convenience stores. Always forgetting her shit.”

“She didn’t forget it.” Yuuji’s addition has his brother shutting the door to the fridge to box still in hand.

“The hell you mean she didn’t forget it?”

The smell of sterilized wipes makes your empty stomach twist. Maybe the fasting and the protein shake in the morning weren't cutting it anymore. This meant you would have to eat a bit more, which was something you didn’t want to do. Not when your beach trip with Sukuna and the boys was around the corner.

“Hey.” One of your coworkers tapped her knuckles on the door of the exam room you were cleaning. “Once you’re done here, you can take your lunch if you want.”

“Lunch?” You laugh, pulling your gloves off and tossing them in the trashcan. “If you count a protein shake as lunch, I’ll take it.”

“Oh,” your coworker covered her mouth, “ I think I just ruined the surprise.” Surprise? What the hell was she talking about? “Your boyfriend is in the lobby with your lunch.”

Oh fuck.

Without another word, you rushed through the office, heading to the lobby. Sukuna stood by the front desk with a scowl over his tattooed face. He was pissed, and you weren’t sure if you wanted to face him, but the plot to hide vanished the second his crimson eyes shot in your direction.

A chill ran down your spine as the sheer coldness in his gaze had you frozen in your spot until he motioned for you to come over with his index and middle finger. You approached him, smoothing out your scrubs, avoiding eye contact at all costs, which lasted for a second before Sukuna could use his fingers to lift your chin, forcing you to look into his eyes.

“Let’s take a walk.” The sharpness of his tone left no room for discussion

“Okay.”

He at least waited until he was outside to turn and glare down at you. You would have to thank him for that. “Care to explain how you forgot your lunch?” His jaw is clenched, and the veins are popping out of his neck as he attempts to hold back his anger.

“I uh—”

“And before you even think about telling me ‘you forgot’ for the third time this week, long and hard about how you wanna answer my question.”

“I left it behind.”

Sukuna nodded with a scoff. “So does this mean you haven’t forgotten your lunch all week, or have you purposely left it behind?” You give him a guilt-ridden nod. “Why?” His being short and questioning your motives was exactly how you imagined his reaction if he found out what you were doing.

“Because of my diet.”

“Diet, the fuck you mean your diet?”

Your cheeks burn as he repeats the word diet ten more times as if repeating it will help him understand your reasoning. Sukuna listens to you sigh in defeat before sitting on the fountain's edge in front of the medical complex where you work. His frustration blinded him so much that he didn’t notice how you pulled your bottom lip between your teeth or how your leg bounced anxiously.

He sat down, putting your bento box off to the side. “Why are you skipping meals on this ‘diet’?” The bastard was using air quotes now.

“My coworker showed it to me. Two meals with protein shakes and eat only one big meal or day I could tone up.”

“So you’re basically ‘starving’ yourself to tone up?”

“Can you stop using air quotes?”

“I will once you tell me why you’re skipping meals for the shitty diet you don’t even need to be on. If you want to focus on your health and getting toned up, do it. I’ll go to the gym and show you how to use the machines. I’ll even spot you. But so that you know, I think you’re perfect the way you are.”

“You’re obligated to say that because you’re my boyfriend.” Your attitude in your tone has said boyfriend glaring daggers. “You’re muscular and buff, and I’m—“ you pout, “ I’m just me.”

“Yeah, and I want you, all of you.” He’s getting fed up with the piss-poor attitude you have going on. “What’s with the self-hate.”

Sukuna was expecting more attitude or possibly the silent treatment, but you didn’t; instead, it was quiet as your delicate fingers rubbed against your pants. “I-I bought a new swimsuit for the trip to the beach and—” your boyfriend perked up, interest peaked. “And it’s a little snug in some places.”

“Snug?”

“Yeah.” When you first got the swimsuit, you saw nothing wrong with it, but a friend of yours pointed out that your bottoms were a bit snug in the ass region—seeing that your beach trip was two weeks away, your coworker recommended the not-so-awesome diet you were on since you wanted to tone up; because if your friend thought it was snug. You could only imagine what your boyfriend would think. “I just wanna look good for you.”

“Oi.”

“Ye-mph!” Just as you turned to look at him, he shoved the tip of a rice ball into your mouth.

“I need to see you in those bottoms.” There was a certain cuteness with how he puffed his cheeks out as you eagerly chewed on the rice ball. Once you finish swallowing, you grab it by the end and pull it out, holding the remainder of it in your hand

“You want to see?”

“Of course, why the fuck would you listen to some nobody? Let me see them, and I’ll tell you what I think.”

That was the last thing you wanted, but you knew he wouldn’t let this go until you did. Taking another bite of the delicious rice ball, you sighed in defeat. “I’ll show you, Sukuna,” He flicked his finger against your forehead. “What was that for?!” He shoved the second rice ball into your mouth, silencing you.

“For being a dumbass, eat your lunch and bring those bottoms back to my apartment.” He pressed a kiss against your cheek. “I gotta get back to work, but don’t forget I love you the way you are. Please don’t starve yourself because you assume I wouldn’t like something on you.”

You ate all your lunch while dreading the mere thought of him seeing you in the bottoms, which your friend had deemed too tight. The anxiety of what was to come had your day flying by, and before you knew it, you were peeking your head out of the bathroom of Sukuna’s apartment. Your boyfriend sat on the edge of the bed, watching you closely.

“Promise you’ll be honest. I’m dead serious, Kuna.”

“Promise.” When you stepped out of the bathroom, Sukuna’s eyes widened at the sight of the tight red bottoms you wore. They were snug and all the right ways. They were hugging your hips and the curve of your ass perfectly. The color complimented your skin tone. You were so fucking perfect. Your friend must have told you that your bottoms look too snug because they were jealous of you.

Sukuna stood up, crowding you against the wall, inhaling sharply as you hit the cool wall. Your tattooed boyfriend sunk to his knees, his lips and teeth nipping at your thighs up to the curve of your hips. The warmth of his mouth, how you gasped, your hands gripping the pink tufts of hair.

“Kuna.”

“Throw those fucking shakes away, babe. These are perfect.” His voice was muffled as he nipped harder at your skin.

“You don’t think they’re too snug?”

“No, they're perfect.” He whispered, drawing closer and closer to your core. “Now, let's have our own little experiment. I wanna see how well they do—” crimson eyes meet your panting flushed face, “when they’re wet.”

Forever Tag List:

@darkstarlight82 @pandoness @nealeart @simp-plague @sugurubabe @chilichopsticks

[eemamminy-art]

I was talking about this in a server but I wanted to put the thoughts here too

I think Zenos being the way he is stems so much from Emet-selch's beliefs that sundered people are lesser. Like it's the generational trauma that made Zenos that way in the sense of Solus' cruelty to Varis led to Varis' cruelty toward Zenos, but I also think that the loss of the ancient world and the contempt Emet-selch holds for humanity is also something he instilled in both Zenos and Varis. The notion that humanity is just inherently corrupt and evil, and that people will always resort to violence and harm toward one another because he's seen so many conflicts and nations that rose and fell over the millennia.

So in his kin, that sentiment is passed on. In Varis' case, he is aware of his grandfather being an ascian and is very much like, "I will be the exception to the rule, I will be the example of mankind standing above the ancients." Except, of course, Varis uses this mentality to justify some of the most horrific atrocities a person could commit, such as mass genocide through black rose, or killing his own family members in the civil war that followed Solus' death. Varis has this notion that he's an example of a "good" human, despite doing all of the terrible things that Emet-selch ascribes to humanity as a whole.

In Zenos' case, he was groomed to be a living weapon and has come out the other side of it with this bleak outlook. If humans are inherently cruel and evil and corrupt, why does anything matter? It made his baseline assume the worst in everyone, including himself, so his apathy is all-encompassing. There is no right or wrong, everyone kills everyone and it's all fucked up, so why bother trying to be "right"? What even are "right" and "wrong" anyway? It allows him to be someone who does horrific things, while searching for some kind of purpose or meaning. I wish we had gotten to see more of Fandaniel and Zenos interacting, because I think they are so similar in the sense of wanting for meaning and purpose but being so disillusioned with the world and with the cruelty of others that they themselves became cruel.

I think long before the "would you be happier had I a good reason?" speech and Alisaie's rebuttal to it, Zenos had this curious little seed embedded in him by his encounters with the warrior of light. It's not unlike how Lyse spends much of 4.0 both hating Fordola, and also being fiercely curious as to why she is the way she is and seeking to understand her. With Lyse though, she is guided by her strong sense of empathy and the notion that all of her people deserve their homeland returned to them regardless of their actions, while Zenos lacks empathy completely and up until now didn't really think about anyone, not even himself. But that curiosity is there, deep down, and I think it is a major driving force in keeping him going forward.

You could argue that Zenos' motivations are selfish: he does say himself that he is chasing the high of battle with a worthy opponent, and I think on some level that is true. But there is something deeper to it, something that really makes him question all he's known: "In that transcendent moment, what was it that I sought in you? And what was it that you sought in me?" He's seeking purpose, he's seeking the reason for what motivates people like the warrior of light to do good, and what "good" even is. It's so contrary to everything he's known, but it grabs hold of him until it becomes an obsession.

I think it's further elaborated on with some of Zero's story arc where she's learning about empathy, although her reasons for being that way are somewhat different from Zenos, I think they are similar on some level in that they can't really understand empathy or inherent goodness. She does eventually learn it, of course, and I'd like to think if given the chance to survive beyond the battle with the Endsinger, that Zenos could have gone on a similar journey too. That's what I envision anyway.

[ironladders]

"I circled half the globe searching for him, but he was gone."

Starscream ;_;

RIGHT?? IT'S SO SAD .

and i have sooo many thoughts about this whole situation with skyfire/starscream that's been presented to me, if you dont mind anon im gonna use your ask to ramble a little

(disclaimer im sure nothing i have to say here is particularly new & has been said by those who've been deep into TF longer than myself but i need to get this out my system anyways. and also im still watching through g1 so if im horribly mistaken about anything #oops)

unless i missed something, i don't think it's specified in "fire in the sky" how long starscream looked for skyfire?? but just thinking about that line.... he obviously didn't immediately go back to cybertron, he didn't just give up on skyfire. starscream cared about skyfire enough to look for him, only leaving after (i assume) he realized he didn't have the resources to conduct a proper search for his companion. and i mean can you imagine being starscream in that situation???? your partner just disappears into a storm, and no matter how far and long you look you're unable to find them????????

i get starscream, man. i'd also become awful if that happened to me.

and here's the thing: i stumbled upon this post which posits that the decepticons happening to stumble across skyfire in the ice was no incident, but starscream's own doing, and i LOVE this theory/headcanon so much. when i first watched the episode yesterday i was thinking that it was funny they just happen to be mining right where skyfire was frozen so it's nice to see my suspicions affirmed LMAO

i honestly love that episode so much because as i learn more about starscream and transformers as a whole i think little tidbits like that offer a deeper look into who he is (or was, idk) beyond just megatron's second-in-command. he was a scientist, an explorer, a friend. "was" isn't even the proper word here, because he still is all of those things, he just...... applies them differently, i suppose. which is the real tragedy in who he is as a character.

beyond starscream and his search for skyfire, you wanna know what i've REALLY been thinking about a lot with these two? when skyfire becomes a decepticon (for like a day lol but still), starscream immediately declares that when he overthrows megatron, skyfire will become his second-in-command. not any of the other seekers, not either of the waves, not literally anyone else who's been a decepticon for more than an hour, but skyfire. his long-lost science partner. on starscream's end, virtually nothing about his relationship with skyfire has changed. he still trusts him as much as he did millions of years ago, to the point he'd be willing to have him at his side as leader of the decepticons.

but on skyfire's end... the starscream in front of him is different from the one he knew. war and being a decepticon changed starscream for the worst, something that unveils itself very quickly to skyfire. one of the first things he asks starscream after becoming a decepticon is if starscream is genuinely happy about being a decepticon warrior over the scientist he used to be. skyfire can't believe that the person standing in front of him could be the starscream he once knew before being frozen. still, it's starscream, so skyfire ends up going along with things up until he can't ignore his morals and deny that he's on the wrong side anymore.

that is where the second tragedy happens for starscream: betrayl, by the man he'd waited to get back for so long. he finally got skyfire back, only to lose him all over again.

if skyfire had never crashed that day -- if they'd never gone closer to explore the earth in the first place -- would starscream had gone down such a dark path? would he have taken countless lives, and become the ruthless decepticon he is now? does it eat at skyfire, knowing that in his absence starscream lost who he once was? or perhaps he'd still be the same starscream, but skyfire would be at his side serving the decepticon cause. maybe they both would've been so drastically changed by the years of cybertron's war together.

skyfire is a living, formerly frozen relic of the past before everything went wrong. starscream has aged far beyond that, to the point of no return. as much as they surely both want it, and regardless of what happens to them, their bond can never go back to what it once was.

god i just. i need more!!! i need to watch more transformers and read more of the comics and see more of these two!! i watched tfp + some of the live action movies as a kid but this is my first time learning about skyfire and this thing he's got going on with starscream and it's fascinating to me i can't believe i didn't know about this before!!!!! but it's also so fucked up oh my god!!!!!

ok yeah ive gotten the brainworms out my system. idk how to end this here's screenshots i took that i found funny

[hanafubukki]

I'm a sucker for the "kissing scars" scenario and I just saw your tag about Lilia having them and now I can't stop thinking about it!!! aaaaaaaaAAAAAAAA

[about this post]

YOU AND ME BOTH ANONIE YOU AND ME BOTH AHHHH 🫂🫂💞💞

I headcanon that Lilia has scars. I mean how can he not? He fought in war. He was shocked by thunder. There is no way he doesn’t have scars. Inflicted on him or through training, he has them.

Look at his outfit? Love the outfit. Chef kiss. Sexy sexy fae. But you can’t tell me that armor will protect him from everything (unless it’s magicked?? Or something?? 🤔)

His general outfit is more speed and brunt force attack than defense (from what I can tell) so he has to have had some injuries.

I can see Lilia hide his scars with magic. He didn’t want his boys to worry. Even now, centuries later, he can feel them.

The pain has dulled but it’s still there, some days it hurts more than others. But he sees the smiles in front of him and he’s know each one was worth it. For this moment right in front of him.

When he attends NRC, the diasomnia uniform covers them without issue, and the moments they aren’t? A little magic will do the trick. Beside, he looks cuter this way, wouldn’t you say?

Can you imagine then? The vulnerability of him revealing these scars to you? You running your hands over them? Feeling the uneven skin.

Some scarred red as if new; some darkened with time. All of different sizes. Some too close to places that, for anyone else, would have been fatal.

Can you imagine then? Taking those hands and kissing them? Each and every scar? Can you imagine kissing the scars on his back. Those over his heart? The one by his neck, any deeper it would have spelled his end.

Imagine running ointments over his scars. Him blissfully sleeping. Lilia waking up refreshed for once in many years.

Aches nearly gone. All these years he had kept them hidden, managed the pain on his own, but with you; he has finally been able to rest and recover in a way he hasn’t in a long time.

He finally allowed himself to be vulnerable.

I can see Lilia, after book 7, not hide it anymore. There’s no point. The truth is known and he would rather reserve his magic than waste it.

He might not show it out in the open but in the dorm? In his room? When he’s with family and you? He doesn’t hide it anymore.

His scars are a part of him. They spoke of his past. It spoke of his sacrifices. A constant reminder of what led to his present.

It’s something he doesn’t need to hide anymore.

Not now and not ever again.

He is Lilia Vanrouge, the one who loves his family.

[gatorbites-imagines]

Andrew Peter Parker x male Deadpool reader, jus headcanons

TASM Peter Parker x Deadpool male reader

Headcanons

I always love when Peter is extra spidery. Been a while since I watched the amazing spiderman movies ngl.

I imagine this takes place after Peter comes back home after the No Way Home movie, so he has a deeper understanding of just how broad and different his universe is.

He keeps being spiderman like he’s always been, but at maybe you show up as a coworker at his job, or just during the night when he’s patrolling, but soon you two are spending a lot of time together.

Seeing as Deadpool is conscious about being inside a comic or media, I have the idea that you to some degree know this too, meaning you make jokes about the multiverse, or memes that don’t exist in your universe.

You would crack jokes about Peter having gone to a different dimension too, and make comments about villains that don’t exist in your universe, which would be what really caught Peters attention.

The white and yellow voices you have are all for you flirting with peter, as peter and as spiderman, and it leads to you guys having a relationship kinda like comic spiderman and Deadpool.

In the beginning Peter isn’t really sure what to do about you, especially seeing as you kill people, but you are super friendly, affectionate, and call him your soulmate.

Youd grow on him over time, and Peter would start looking forwards to seeing you around. He would even start getting worried if you don’t show up for a bit, even though he knows you taken contracts as an assassin and a gun for hire.

Cue you guys teaming up more and more, and you killing less when he’s around. You can’t fully stop, it’s just not in your nature, but you’ll try for Peter, which he appreciates.

Patrol always ends up with you guys eating something, sitting on the edge of a building, masks pushed up over your noses as you guys talk about whatever it is you can think of. If you have scars like most versions of Deadpool, Peter would be surprised at first, but would never judge you or look down on you for having them.

It takes Peter a while to realize he’s got feelings for you, as there’s part of him that scared to lose you like he did Gwen. Sure, you could heal from an atomic explosion, but that doesn’t keep the guilt and anxious thoughts from existing.

Your always very verbal about being in love with Peter, as he’s your other half and perfect partner, in your own words. Your flirt with him, bring him gifts, ask him on dates after every patrol, or ask him for a kiss when you’ve gotten hurt even though you’re healing.

Imagine your surprise when one day, after you had gotten impaled by a lamppost or something, you have your mask tucked up over your nose. And when Peter asks if there’s anything else he can help you with, after he’s patched you up, you pucker your lips and tell him he could kiss you better.

And for once, instead of scoffing and laughing, he actually leans in and kisses you. You immediately bluescreen, eyes wide as saucers as he gives a little grin and salute before he swings off into the night.

After that you crank your advances even more, and you guys share many more kisses before anything becomes official. You’re both dancing around the subject, but there are clear sparks and feelings between you.

Peter still struggles with the fear of losing you and not being enough, and deep down you have many insecurities of your own, but at some point you guys finally become official.

That’s also the first time you get to see him without a mask, if you don’t know each other during your day life. You swoon, flopping down on the ground with an arm over your eyes and a hand on your heart, gushing about how handsome he is.

Peter leaves you completely flustered when he compliments you in return when you take your mask off, especially if you have the usual Deadpool scars. Your yellow and white voices both agree Peter was the right choice.

You guys start officially dating, and going out during the day as much as you do during the night.

You shower him in gifts, since you have a lot of money doing your gun for hire job, compared to his job of the moment. You have a much better finance than he does, since you can work whenever you want compared to him trying to work a day job and also be spiderman.

Some of his coworkers, or most honestly, think you’re weird when you stop by his workplace if he forgot his lunch, or to bring him something.

But they can also see just how smitten you guys are. They’re more likely to be jealous, since their own partners won’t look at them with as much look as you do when looking at Peter.

When you guys move in together, it’s in a brand-new apartment. Peters isn’t big enough for the both of you, and people who want you dead know your current address.

The apartment is kind of a mess, with all your different accessories, weapons, webshooters, suits, the likes, all over the place. But its perfect for you two and just what you need.

Theres just some kind of peace to be with someone who knows the others’ secret identity, and someone you don’t have to worry will get hurt because of your hero, or antihero, work.

Peter still struggles to hold a day job, since you are as scatterbrained as him, or since your own schedule is super wack, so you don’t notice if he’s late or missing work. You could easily finance the both of you, but Peter being Peter won’t accept being a freeloader in his eyes.

Sure, you still kill people for money and just because you feel like it, but it’s a lot less than you use too, and there are moments Peter needs to step in and reel you guys’ in. But it doesn’t lessen the love you guys have for each other in any way, and when things get tough, you always have one another when it matters.

[miasmaghoul]

do you have any thoughts about mountains first time? doesnt have to be a whole ass prompt fill lol but who gets big boy?

(anon I regret to inform you that you sent this while i was disastrously high so you get a Weird One - warnings for terato/monsterfucking, mentions of blood (nonsexual), inhuman anatomy, scent kink, agendered character referred to as "it", use of cunt/clit to describe its anatomy, and some lore at the end)

I still have to finish that fic about his first time bottoming, that's with Omega. But his first time in general?

Well, technically...

Mountain was more feral than most when he was summoned, took a long time to settle into his vessel. He cost a number of siblings their lives before the higher ups decided it was a better idea to let him loose in a warded-off section of the forest. Let him work out the more animalistic traits in an environment better suited to his elemental nature.

He wanders the trees completely unglamoured, with furry, back-bent hooved legs and patches of moss, lichen and bark coating his limbs and torso. His antlers, still budding, grow faster like this and the trees in his path bear fresh gouges as a result. He hunts everything he can, tearing in with claws and elongated jaws alike. The scruffy mane of hair he sports lies matted with days worth of blood, sweat and grime, and it's the fourth night before Mountain finds his appetite sated.

Well, one of his appetites at least.

This new hunger is similar, but very different. He knows lust, of course - no being in Hell wouldn't - but ghouls don't have corporeal forms Downstairs. They feel things, sure, but in the way you "feel" and intense thought, or a specific fantasy. Like this, though, anchored to a physical being he's still learning the ins and outs of, the pressure sitting heavy between his thighs feels foreign. Foreign, but also hot and urgent and fuck he needs.

Mountain paws at himself with rough, inexperienced hands until the sheath between his legs starts to swell. The ghoul watches as it grows, chest heaving when the flared head reveals itself. Already slick and throbbing, Mountain's stomach clenches when every inch is finally exposed and the length of it pulses.

It's then that a certain scent makes his nostrils flare, his eyes go wide, and something deep inside Mountain goes achingly tight. It's not the first time he's smelled it since he woke in the forest, naked and groggy, but it's the first time he's felt the urge to find its source. Now that he does, though?

He needs.

Mountain crashes through the trees on instinct alone, panting and drooling down his chin no matter how many times his hooves catch a root or a row of thorns tears at his flesh. The scent grows thicker the deeper he gets into the dense wood; it's something raw, something syrupy sweet yet intoxicatingly bitter. Like burning leaves on a hot autumn day, rich and earthen but undercut with a sharpness that could only mean desire.

The closer he gets, the more he recalls smelling it before. He remembers catching it when he was savoring the spoils of a hunt, one he'd spent melting into the trees to stalk a particularly jumpy buck. Remembers waking up once, in a small clearing he'd thoroughly marked, only to find a second scent joining his own. Not covering his, not a challenge - though Mountain took great pleasure in...reclaiming his territory anyway. More like an invitation, one Mountain had had no interest in following at the time. That wasn't what he had needed.

Now that he's close to drowning in that scent, though, his cock dripping as it wags between his thighs, Mountain has no idea how he's gone so long without it.

He crashes through the branches of an overgrown willow, blood pounding in his ears and groin in equal measure, and the shiver that wracks him is one shared with the source of this intoxicating scent.

It sits in a nest at the base of the willow, one tucked into its roots and flanked by flowering bushes. There are enough gaps in the tree's limbs to let patches of sunlight filter through, dappling the creature before him.

The one currently on all fours, presenting its flushed, swollen cunt and staring over its shoulder and directly into the center of his brain.

It must be another ghoul, something distant tells him. He only has flashes of the time before the forest, but he can faintly recall a pair of...humans, were they called? They shifted before his eyes, one into a being of black fur and unnatural smoke and the other into scales and fins. They spoke the language of the Pit, and that's the only reason Mountain remembers them.

This one, this creature, looks similar to him, he thinks. He only has a few interrupted reflections in brooks and streams to go by, but it's legs are like his. Back-bent, hooved, but the hair coating them is jet black instead of his own sun-stained auburn. Their torsos differ too - where Mountain could blend in with the bark of any tree, it is instead coated in a combination of thicker fur and sleek black feathers that rustle like the leaves above. No antlers atop it's head, but instead a pair of segmented horns that curl against its skull. It's smaller than he is, more angular, and the few facial features Mountain can see are just as sharp as the talons it has dug into the soft earth.

It makes a sound then, a rattling hiss of a thing, and Mountain growls in response. It's automatic, as is the way he drops to all fours for his final approach. It watches his every move, unnatural eyes wide and growing blacker by the second, and Mountain flinches when it tips it's head and a scratchy voice fills his skull.

New, it rasps in a familiar but broken dialect, forked tongue flicking between it's lips. Maybe a ghoul? It's speech is odd. You're new. New smell. Different.

Mountain watches it's cunt pulse, a thick trail of slick dripping from its hole straight down the fat nub of its clit. That shiny length flexes, and Mountain's cock responds in kind. He snarls as he crawls up to the creature, licking his jaws. That incredible scent, so thick he can taste it, would be enough to drive anyone mad.

Could feel you coming. Could...in the roots and stones...

Mountain barely registers the words floating through his head, but he really likes the way they fade into an audible sharp trill when he buries his nose into the source of his torment.

The taste of it is beyond compare, and Mountain can't help but drag his face through its copious slick while he wriggles his long, thick tongue inside. Desperate to coat himself in it, ears filled with the unearthly sounds of the creature offering itself to him on a silver platter. His hips work in useless, uncoordinated humps, cock jabbing at thin air as that tight hole clamps down around his tongue, and the overwhelming desire he feels to be inside the being before him hits him like a punch to the gut.

You....watching me...

Mountain manages the message as he moves to bracket that smaller figure. It nods, shudders when he settles against its back, snuffling at the crook of its neck. Using his snout to nudge its head, force it to expose its throat so he can feel it thrum under his tongue.

Watched...hunt. Watched me...kill...

It gives a chirrup, and Mountain feels its short, raised tail twitching against his stomach. His cock jumps, the broad head smacking against its clit, and Mountain's growl shakes the earth itself. Those same stupid humps take over, and Mountain stretches his jaws to wrap around the back of its neck to force it still. He uses the last of his brainpower to throw a final thought into its mind.

Why...bring me...to you?

Mountain sinks his fangs into its throat just enough to get a taste of what lives beneath its skin, and as his eyes roll back the creature moans.

Different, it whispers back, canting its hips when Mountain mindlessly tries to line himself up. So long...since something was different...

Mountain's grunting like a disobedient dog, every thrust bumping his cock against its thighs, its tail, it's mound. So focused on getting it inside without releasing the creature from the cage of his limbs that the frustration only builds, his snarls becoming more and more bestial until -

The body beneath him arches as best it can, and as Mountain's aching cock finally squeezes between swollen lips to pop inside there's no way to know which of them is louder.

Mountain doesn't remember much after that.

One day, though, he'll learn the story of the feral ghoul who haunts these woods. The product of a botched summoning, it was always destined to become a creature of instinct. Tied to the realm Above only because its summoner still lives, left to its own devices where it won't pose a threat.

One day Mountain will learn the story of what used to be Cowbell, and when he does nothing will keep him from going back to those woods.

[ineffable-suffering]

„It‘s always too late“ (ft. Crowley‘s watch)

I‘m currently on vacation in Greece and, naturally, re-reading Good Omens (the book) for the nth time. And you know what keeps bugging me and has been nagging at my brain ever since S2 dropped?

Crowley‘s line, right after he threatens Jim at the bookshop („If anything happens to Aziraphale because of this–“) which he follows up by saying: „It doesn’t matter. It‘s always too late.“

I cannot tell you just how much this silly line has been festering at some back end corner of my brain. Because what do you mean, „it‘s always too late?“ Too late for what? Has it ever been to late before? To change an outcome? Seemingly not, since they stopped the literal end of the World barely a few years ago. That‘s the most „too late“ definition there is, and they still turned it around so that it wasn‘t. Too late, that is.

So why say this? With such defeat, as well?

I don‘t remember if it‘s series canon, however, in the book, we get this little foot note about Crowley‘s watch:

„This watch gave the time in twenty world capitals and in a capital city in Another Place, where it was always one time, and that was Too Late.“

Knowing Neil, this specific wording resurfacing in S2 cannot be a coincidence. „It was custom made for Crowley“ – by who? I‘d wager that human watch makers certainly couldn’t make a watch that shows a time such as „Too Late“ in „Another Place“.

We know and see Crowley‘s watch in S1.

I think the prop department left out the „Too Late“ bit of it, which is understandable. But it‘s book canon anyway and what matters more to me here, is that Crowley definitely wears a different watch in S2.

It‘s very nicely and accurately framed in many shots as well, including the promotion pictures. Yet another thing I‘d wager to not be a coincidence. But that‘s merely speculation, of course. A lot of props and a lot of Crowley‘s appearance changed since S1 and changes even throughout S2.

Whether or not this has any deeper meaning or is simply a red herring, is for Neil and the prop department only to know.

All I‘m saying is: The mysterious custom-made, possibly non-human-made watch that said it was always „Too Late“ is gone or at least changed with some focus shifted onto it, and yet: It‘s still always too late, according to Crowley.

Is it a metaphore? For Crowley‘s Fall and it always having been „Too Late“ for him in „Another Place“ (e.g. Heaven)?

Or is it a hint? To the Second Coming? To Armageddon not having been the only end of the World? To the unofficial picture where the whole world seems to have been destroyed and the last thing standing is the bookshop? To that version of world, where it seems to be too late after all?

Or is it just a watch? And just a line? And I should just put my book down and go for another swim in the ocean in case this is just a sun-induced conspiracy theory?

Let me know your thoughts, I‘m sure this has been wondered about before!

[undying-love]

Everything that Paul and John's ex-girlfriends/wives have said about them

Cynthia

"John and Paul always had a special link between them, a chemistry that added to the heat."

Linda

"I was just some chick from New York when I walked into all of that. God, if I’d known what I know now…All I could do was sit there watching them [John and Paul] play these games.”

"They loved each other… they were friends, and it was deeper than any of us will ever know".

Yoko

"He [John] did put it that way, he was 'riding on the boat called Paul, and now I'm going to ride on a boat called Yoko." "I knew there was something going on there. From his [John] point of view, not from Paul’s. And he was so angry at Paul, I couldn’t help wondering what it was really about." "I’m sure that if he [Paul] had been a woman or something, he would have been a great threat, because there’s something definitely very strong between John and Paul." "I’m sure that in the case of Paul there’s that feeling that I’m the woman who took away his partner – it’s like a divorce." “I think it was like he was married to Paul. And now he was married to me so it was like a situation that he didn’t feel like he wanted to go back."

Jane

“When I came back after five months, Paul had changed so much. He was on LSD which I hadn’t shared. I was jealous of the spiritual experiences he’d had with John”. She told Ray Connolly that "to Paul, his relationship with John was more important than his relationship with her".

Peggy Lipton

"John didn't like me being there at ALL. He was mean and sarcastic [...] I got the idea that he thought Paul was an idiot to take a girl so seriously he'd actually invite her to dinner, when all he really needed to do was fuck her AFTER dinner."

Francie

"I have no doubt Paul loved John deeply. But as I said on the Westwood One show, he is twice widowed now. His two great loves [John and Linda] are gone." "He wasn't happy. But the big things that were driving him mad were beyond me. He kept on working and writing, but when John came over, all he could talk about was how much he loved Yoko. That disturbed Paul." "That Paul started painting after John's death is no coincidence. That competition, the clash, the ebb and flow of *that* relationship, was so central to Paul's being, the only love that comes close to being a reasonable comparison is his marriage to Linda and the births of his children." "Please remember, Jane Asher was his first great love (after Lennon)." "For a reason to hold a grudge, think about the possibility of this: She [Yoko] took John from him. And she didn't particularly want to share John with his "ex significant other" on certain levels." "Paul hates Yoko for stealing the love of his life away from him. No, not Linda.... John! Paul has never forgiven her for that." "When John and Paul split up (think of them as a couple for a moment) their second mates had to stand by them."

Dot

"Paul hated Stu. It's true that Paul had his eye on Stu's bass, but in fact, he was jealous of Stu, especially of Stu's friendship with John. What's more, Stuart flaunted it. Time and again, he put it under Paul's nose and gave it a scornful swish."

Maggie

“They would bounce off each other. Their perceptions were different. Paul was softer and John sharper but they could change roles. They were so intertwined and so tight on so many different levels."

[kingkatsuki]

Sanemi is mean. Or at least that’s what everyone says when they ask why on earth you like him.

“Why him?”

“Out of all the hashira.”

“How could you be with someone so mean?”

And it’s not your place to disparage what everyone else thinks about the infamous Wind Pillar. A man that strikes fear into the hearts of many. The scars that decorate his skin would be enough to swear even the bravest competitors away, and yet somehow they just pull you in deeper.

Because you agree with them, Shinazugawa Sanemi is mean. Except the difference is you like when he’s mean, don’t you?

Because he’s so mean when he’s pushing you onto your back with urgency, hurriedly bunching your kimono up around your hips as though he’s fighting for survival. Unbothered about how debauched you look spread out for him like the finest offering from the Gods above. Sanemi’s rough hands curl under the backs of your knees to pull you towards him, shamelessly breathing in the scent of your dripping cunt as he drags the tip of his tongue between your creamy folds. The sudden movement is enough to have your eyes rolling and your chest heaving as you beg for more.

“Is this all for me?” He asks as though he doesn’t already know the answer— know the way he has your clit throbbing and cunt drooling with minimal effort.

His nose bumps against your clit as he feasts on your cunt like a man starved. And maybe he has been. He’s gone without the taste of you for far too long, so you’ll have to forgive him for forgoing any niceties. It’s enough to have your toes curling and your fingers cording through his messy hair, nails grazing his scalp as you roll your hips against his face. An act that Sanemi treats as defiance as rough hands pin you down, dipping into the soft skin at your thighs as he holds you open and still for him. A guttural groan rumbles deep and low in his chest, a sound of rich timbre as you tug his hair at the base.

“Oh, fuck.” You feel him grin against your cunt when you curse, lilac eyes meet your half-lidded gaze for a moment before he brings his attention back between your thighs. Dipping his tongue inside your fluttering hole to lash against your walls, drinking you in as he uses his thumbs to spread you open.

“So tight I don’t even think you’ll be able to take my cock.” It’s so mean the way he goads you, taunting you with the prospect of splitting you open as your walls flutter in anticipation. It’s been so long since you’ve felt that delicious stretch you wonder if he’s right, not that you’d mind the ache of him fucking you back into the shape of him.

Sanemi’s tongue drags lower to follow the trail of spit and your slick that drools down your slit, stopping at your tight rim as he lays the flat of his tongue against it. Only someone truly henious would have you writhing and whining like this, uncaring about the way your cheeks burn or your tummy swirls as he pokes the tip of his tongue against it.

“I always have to clean up your mess,” He snorts, as though he isn’t the one that makes you this way every single time. His words only have you gushing more as pearlescent slick gathers at your hole, tempting him to lean forward to slurp it up as he crudely laps at your cunt.

But he’s meanest when he doesn’t let you cum. For he’s far too greedy and indulgent when it comes to you, and why would he want to spoil the perfect moment?

Two thick fingers curl inside your tight heat as they graze your spongy walls, crude sounds echo around you as he pumps them with precision. Ignoring your pleas to allow you to cum as he continues to flick your clit, working you towards your climax while simultaneously denying you every ounce of it.

“Please, please, please.” You chant, and really it’s extra mean the way Sanemi makes you beg for it. Pulling these pathetic noises from your lips as he cherishes every one of them. His cock thick, hard and drooling beneath his pants as it stains the fabric, eager to feel your tight cunt wrapped around him. But he won’t give that to you either— not yet. Because he’s just that mean.

“Don’t you dare cum.” He snarls, but he knows exactly what he’s doing.

“You’re mean.” You pout, biting back a moan when his laughter rumbles against your slit.

“I’m mean?” Sanemi repeats with an almost maniacal grin as he indulges in the word, “Is that why your pretty pussy’s gushing and you’re begging me to let you cum?”

Sanemi doesn’t give you a moment to respond before he closes his lips around your puffy clit to suck it with purpose. Persistent and rough as your thighs lock against the sides of his face, crying out for him as the pleasure rolls through you in harsh waves. His thick fingers bully their way inside your tight entrance to feel your walls clench around him as you cum hard. And he doesn’t stop as you continue to convulse around him.

His fingers poised against the spongy spot inside you as he hits it with each precise roll of his wrist, fucking your through your climax as he already finds himself searching for another. The familiar swirl in your pelvis too much to bare as you try to fight the sensation, to stop yourself from making a mess. But it’s exactly what he wants.

Fat, wet tears clump in your lashes as you feel yourself succumb to the pleasure. Writhing beneath him as he holds you steady, keeping you exactly where he wants you as a clear stream of liquid spills from between your thighs. Soaking his wrist and the sheets beneath you as he makes you squirt, eagerly following the swish of your hips as you try to escape the overwhelming sensation.

“I thought I told you not to cum, He smirks down at you, as though it isn’t entirely his fault that your body is now lax and quivering beneath him. Your climax so intense that your chest heaves as you remember to breathe, gulping in thick breaths of oxygen as Sanemi runs a knuckle between your messy folds, “So disobedient.” He smirks like everything isn’t his fault.

And barely a moment later he’s taking his heavy, aching cock in a large fist as he taps the veiny length of it against your swollen cunt. The blunt tip catches against your tight hole with each roll of his hips as you try desperately to coax him inside you, to feel him split you open.

“Oi, I thought you were begging for my cock,” He smiles tauntingly as he stares down at you in amusement, “I don’t hear much begging, sweetheart—”

See? He’s so mean.

[crumb]

i love how benson is, on the surface, this devil-may-care kind of character, going around shooting people, dragging randy around to fix his life and scaring the hoes in the process—but at the same time there are these little details that show how much he does care. I mean the big obvious one is his motivation for wanting to fix randy, fix randy and help him not turn out like benson and the rest of the people in the small town, we all know this and have gone over these themes. but the smaller details, unintentional or not, those are really nice. Benson being the only one at Burger Burgers Burgers who has his sleeves cuffed and his shirt tucked in. This is one of many details that shows Benson does care, he cares about how he looks and how he's perceived to some extent. because let's be honest, it does set his character apart from the stereotypical 'redneck working at a fast food joint'. Which then gives an added weight to when he walks outside for his cigarette and untucks his shirt. he's releasing himself from this more restrained version he's presented himself as up until that point. Which then ALSO makes Chris saying "Benson, why do you fucking care?" even funnier. because like... Benson basically responds by killing him which in a way is him saying "hey, you're right, why do I fucking care?" lmaoooo Benson is also the only one, other than Randy (and I guess hardy?) who is wearing BBB uniform trousers. Chris is wearing cargo joggers and Jess is wearing a mini skirt with fishnets. If benson really didn't care about that job, or how he looked at that job, would he be wearing 100% of the uniform, well fitted, cuffed, tucked, cleaned, and ironed? And then when changing outfits at his house he puts on a fuzzy yellow/green cardigan and graphic ringer tee, the choices of which feel very intentional and like they're his favorite pieces of clothing. Which I think must be true if you think about him knowing this is his swan song, he wants to go out looking good. But what he doesn't change? His trousers. You'd think after killing three people at a job you probably don't particularly like and dragging their bodies around, changing out of the uniform would be a relief, other than wanting to just get out of clothes that are recognizable to the restaurant. Which makes me think his BBB uniform trousers are the best/most well-fitting trousers he owns which in itself is interesting. I mean look at the clothes he gives randy, they're not that much different in body size so even on benson those jeans would've been oversized as hell. This somewhat cleaned up version of himself that he presents, especially pre-killing spree, juxtaposed to his home life and his car is, I think, a great representation of Benson as a person. His home life, the clutter, his Ma in the front room, the clothes he gives randy, the junk strewn around his car—versus his cleaned and cuffed and tucked uniform and his stylish cardigan and graphic tee (idc what you say i love the cardigan)—I think it shows someone who is struggling but putting on a brave front, trying to come off as put together, as someone who knows himself and doesn't care about other people's perceptions, but at the same time so desperately does care and hates that he cares, and hates that he can't seem to change things. he can only dress them up a little to look presentable to passersby. and maybe it's one of those "the walls are just blue because they're blue!!" type situations and the wardobe dept or kyle or carter or the art director and whoever else, maybe it's just simply style/design decisions by one or several of them and there's no subtextual meaning behind it all—but even if so, I love that, to me at least, it's developed this deeper meaning within the context of the film and the character.

Don't even get me started on the Kurt Cobain cardigan and Benson having a shotgun in his trunk.

[angrykittybarbarian]

The Qunari and how DATV handled Taash's character arc

Taash's character arc has been controversial for several reasons and while the grifters and rage tourists are bothered by their non-binary identity it is in fact not the problem.

The real problem in my opinion is rather the immature way in which this was handeled and the entirety of qunari culture along with it.

Because what I came to realize at a certain point is that Taash's character arc is about identity in a broader sense. Not just in regards to gender but also to culture.

While the gender aspect is handeld immaturely the cultural aspect is not really handled at all.

Let me elaborate:

I have already explained in a previous post how DATV sets up Taash's gender identity as a conflict with their mother while there is actually none.

The game desperately wants the player to believe that Taash being non-binary is a sore subject between them and Shathann but does not actually show it.

Instead we get Taash lashing out at their mother when she was simply asking questions. That kind of behaviour only served to paint Taash as a bratty teenager á la 'It's not a phase, mom-uh'.

Not only did this portrayal not achieve its intended emotional effect but also reinforced a harmful stereotype about trans and non-binary folk I have heared in the past few years too often: 'They are just confused.' 'They are too lost in emotion and make rash decisions.' 'They are just rebelling against their parents.' You get the gist.

The devs were so concerned with not offending anyone that they became even more problematic in turn.

The Youtuber Slandered Gaming made a, in my opinion, good suggestion on how this particular character arc could have been improved upon. He suggested Taash should have been firm in their non-binary identity. There shouldn't have been a question about it in the first place. Taash would have been subsequently more mature in their approach to the topic and the discussion could have been taken deeper than that coming out scene where we have to pretend Shathann was problematic for asking questions.

Perhaps Taash could have gone no contact because of several interpersonal differences with their mother, the non-binary identity being one of them.

It's why Dorian's character quest felt deeper. He was an adult who was sure of what he wanted. There was no question about him being gay. It was about how his father reacted to the fact and how Tevinter culture and society informed that reaction. It was all so tightly knit together that it was impossible to seperate. Talking about Dorian's sexuality had to involve discussing Tevinter society.

The same was done with Krem despite being a side character you potentially could completely ignore.

Circling back to Taash their character arc pales in comparison because it always remains on that surface level of "So, I'm non-binary. I will be offended if you ask questions and don't understand me right away.'

But the kicker is that the same template was right there. They simply had to fill it out and yet they didn't.

Taash's cultural identity could have been tied so much deeper and much more intrinsicially with their gender identity. Taash, aside from struggling to find their true gender, also struggles to navigate multiple cultures.

They are the child of a qunari who has been raised in Rivain.

Taash's story is not only the expereince of a trans/non-binary kid in a hetero- and binary-normative society, it is also the story of an immigrant kid.

And this is where Bioware missed a golden opportunity to explore what it means to not only be an immigrant kid but also a queer immigrant kid.

Many of us are raised by parents who have had no experience or touching points with queer identity up to the point of us coming out or are not tolerant at all because of rigid gender roles/ideas of morality they have grown up with in their home countries. Many of us do not come out at all to our parents because of that.

Given that Shathann seems to still be very much attached to the belief system of the Qun despite having left the core society this could have been an aspect thoroughly explored. We could have gained a more nuanced and humanized depiction of the Qun instead of having it presented to us via The Butcher or the Dragon King (cringe).

Shathann could have had a very rigid idea of gender and the roles she expected of each. The constant conflict between the more conservative mother and her more flexible child could have been shown very easily and beautifully. Shathann's general perfectionist tendencies would have played very wonderfully into this. It would have made Taash lashing out at her more believable.

And I think many of us immigrant kids could have empathized with and seen ourselves more in Taash, since many of us do know this constant struggle of trying to have a family, maintain a cultural identity while also wanting to be part of the countries we've been born/raised in. Many of us can exactly recall times when the way we wanted to live was in direct opposition to what our parents expected of us. This finds its expression in mundane things like the way we want to dress and, in case of some, extends to big life decisions (expectations of getting married, in regards to education, wether you want kids and a traditional family or not, purity culture in general, etc.).

For Taash it could have been Shathann berating the way they dressed, their very profession, going out and fighting because under the Qun only men fight or expecting them to observe certain traditions and rituals. And ultimately Shathann could have doubled down on her expectation from Taash to finally adhere to one specific gender role while refusing to understand the non-binary thing instead of simply asking questions.

This could have been so beautifully shown and resolved. It would have made the scene where Shathann finally uses the correct pronouns for Taash all the more meaningful. But Bioware adresses none of these things.

Did they really have not one single employee with an immigration background? Couldn't they have done some research? It's not so hard to find first person accounts on the internet or in the real world.

Instead the question of Taash's multiculturalism is adressed in one small quest where Rook has to make the decision for them wether they want to be rivaini or qunari.

Taash has appearantly no idea about what culture they want to practice and do not even entertain the idea of possibly being both.

The character that refuses to be bound by rigid gender roles appearantly draws the line at multiculturalism.

I cannot even begin to explain how this is so problematic on so many levels. It prepetuates this idea that people will always be seperate and if you happen to have a different cultural background you better abandone your parent culture if you want to participate in the culture of the place of your birth/upbringing.

In game it could have been an opportunity for Taash to recontextualize the Qun in a more flexible way. Seeing the positive aspects of the wisdom the belief system does have while questioning problematic parts. It would have brought nuance to the Qun that was previously othered as an orientalist religion in opposition to the Catholicism coded belief system of Andrastianism.

Without exploring these possibilities the Qun remains this strange system that is ultimately worse than anything else and not worth understanding. What semblence of nuance the Qun posessed in the previous three games has been sanded down to nothingness in DATV.

[writerthreads]

How to write a good plot twist

By Writerthreads on Instagram

I know plot twists have been a highly debated topic recently (ahem Disney twist villains), so I've decided to make a post on writing a strong plot twist that feels natural yet shocking. Hope this helps!

Make it unexpected but expectable

Unexpected: The best plot twists shock the reader, but they should never feel random or out of the blue. If the twist feels completely disconnected from everything that came before, it can seem like the author is forcing it for the shock value. To make it unexpected, you could lead characters down one path, only to reveal later that things are not as they seemed. However, try to avoid a twist that feels like a deus ex machina, where a sudden, unearned event resolves everything.

Inevitable: While the twist needs to be surprising, it also must feel like it was always meant to happen. This means leaving enough clues or subtle foreshadowing that when the twist is revealed, readers can look back and say, “ah, that makes sense.”

Keep characters consistent

Twists that involve characters acting out of character are incredibly frustrating. Even in a surprising twist, characters should behave aligned with their established personalities, motivations, and goals. A twist shouldn't have a character suddenly acting against everything the reader knows about them unless there’s a reason, like a hidden motive.

Think about your characters' desires, flaws, and inner conflicts, and use them to drive the twist. For example, a twist where a seemingly loyal friend betrays the protagonist should stem from a believable motivation that has been hinted at throughout the story.

Foreshadow, not broadcast

The best twists are hinted at, but subtly. Readers should be able to piece things together in hindsight, but not predict the twist well before it happens. It's easy to explain but hard to do successfully!

To make this work, use small, seemingly insignificant details that later take on new meaning. These could be lines of dialogue, symbolic objects, or minor events that have a deeper purpose. However, be careful not to overdo it. If the clues are too heavy, readers may guess the twist early.

Subvert expectations

A twist should challenge what readers believe about the story or characters. Playing with readers’ assumptions is a powerful tool. Lead them to expect one outcome, then deliver something entirely different, yet believable.

Consider what tropes or narrative expectations you’re working with, and how you can flip them. If readers expect a traditional happy ending, throw a wrench into it. If they’re expecting the villain to be defeated, reveal that the protagonist is actually aligned with them, or the villain wins (temporarily or permanently!).

Without spoilers, a good example would be Gone Girl!

Heighten the emotional impact

A plot twist should have emotional weight and alter the stakes of the story. The emotional response from your readers—whether it’s shock, sadness, or even excitement—depends on how well you’ve developed your characters and story. If the twist doesn’t change anything meaningful or deepen the conflict, it may feel flat or pointless. The twist should add emotional layers, making the story richer, not just surprising.

Time it right

When you deliver a twist is crucial to its impact. If it’s too late, you risk leaving too much time for the plot to lose momentum afterward. Conversely, if it's too early, and it can feel rushed or not fully explored.

A twist can come in the middle, shaking up the entire plot (e.g., changing who the villain is or shifting the main goal), or closer to the end, forcing the reader to reinterpret everything. However, leave time for the characters to respond to the twist so it doesn’t feel unresolved.

Don't overdo them

Too many twists in a single story can exhaust your readers and undermine the narrative. If your plot is constantly shifting directions with twist after twist, readers may feel like they can’t trust the narrative at all, which could work well if done purposefully, but otherwise might make the readers get tired and stop reading.

Test it out

Getting feedback from beta readers can help you fine-tune the twist and ensure it lands as you intend.

Some questions to ask: Did they see the twist coming? Did it feel believable? Did it enhance the story or feel forced?

Their reactions can help you adjust the twist until it becomes a masterpiece!

Hopefully these tips help you with your writing! Do you have a favourite plot twist in literature or movies/ TV shows? Let us know in the comments :)

[nevesmose]

So I don't want to leap right into saying "please create fascist symbolism for me" but sure, feel free to give it a try if you'd like to!

There are definitely a lot of elements you could play around with. Like the Aberdeen city council logo recently had a "futuristic" redesign that feels quite dystopian to me whenever I see it...

Why are the leopards so skinny and oppressive looking now? Why is it purple? Where has the crown gone? To be honest you could redesign the city flag with the purple colour and simplified coat of arms elements and it'd end up looking the part...

Purple on grey/black with the simple blocky towers and the much more aggressive, jagged looking flory-counterflory pattern would give it a suitably unpleasant vibe imo

In this house we support Aberdeenshire Shortlisted Design B

🫡

Also I figured it out, when you see it moving Design E doesn't just look generically fascist but in particular it looks like something a monarchist Helghast faction would use in a Killzone game.

[matan4il]

Buddie 612 meta

I don’t think we’ve had this much fodder with such few scenes in a long time, and I am LIVING!

Okay, so first of all I have to mention the parallel between 217, when the team was coming in, one by one, to see the suspended Bobby, and this ep, with everyone dropping by one at a time to be there for the recovering Buck. The similarity is of course in the found family connection. In both cases we see the importance of the absent member of the team through these visits. The difference is in the way the team came to Bobby because they need him to be there for them as their captain and friend even when he’s not on the job. But in Buck’s case, they don’t need anything. They’re coming by because they want to be there for him when he needs his team members and friends. Buck’s parents needed a reason to love him. Buck’s found family in this ep is loving him anyway. ~~

I’m gonna scream about the couch in a second, but I have to admit that while I was watching the ep, the moment that REALLY had my eyes shoot wide open and my breaths go into hyperventilation is when Maddie reads the note saying Buck has gone out. Because as soon as it was made clear Buck had chosen to escape his apartment and all of his visitors, I knew where he was headed. First off, the very fact that everyone else came to him, while Eddie was the one person Buck chose to go to already had me biting my fists. Once more, like in so many other cases (for example, when the lightning hit and Eddie was filmed differently to everyone else in the 118, or the way he was the only absent person in Buck’s dream and the only one Buck remembered without needing a physical object to jog his memory), Eddie is singled out as having a unique space in Buck’s life that no one else occupies. And of course there is this domestic quality and element of choosing each other as we see them repeatedly opening the door for and to get to the other one. ~~

But just think of the meaning! This man puppy, who only ever wanted to be loved and who’s being showered with attention and care, is absolutely restless because he’s having a hard time and feels like he has to pretend with the people he loves the most, and therefore he’s failing to fall asleep on his own couch. He seeks comfort in a connection that’s even deeper than the people who have been to see him, where he can really be himself without pretense. And that’s what’s insane, because he was visited among others by Maddie and Hen, his loving blood and adoptive big sisters. NO ONE can claim that his r/s with them is anything other than deep, and yet when he needed something more, when he needed an escape, when he needed a place where he could simply rest and be himself, he went to Eddie’s. This isn’t just Buck standing in Eddie’s kitchen declaring, “I’m not really a guest” in 311. This is him being more of a guest in his own apartment than in Eddie’s house. This is him being home and safe and able to JUST BE in Eddie’s space.

This is Buck beginning his healing by sleeping on the SAME couch where Eddie did in 514, connecting their healing in a parallel that is going to make me tear my own hair out. Which actually connects us back to 407, when Buddie talk about Buck’s need for his loft to be his safe space. Now it’s canon that this desired safe space is Eddie’s home, and I will chew through every piece of glass out there before I calm down from this. Once again, there are opposite sex canon couples on TV who never get this level of soulmate development! ~~

Oh, I also found it very interesting that Buck tells Maddie about his list he goes through every time he wakes up, to make sure he’s not in the coma world. We didn’t see him going through those steps when he woke up on Eddie’s couch. Remember how I said Eddie had to be absent in the dream world or Buck might not have made it out of there? Well, this ep adds to that. By virtue of being the only one who’s fully absent, it means Eddie is the one person whose very presence is a cue for Buck that he’s in the real world and safe, the only one who, by simply being there, negates the need for a list. I AM MELTING. (my gif, please excuse the awfulness) ~~

Speaking of soulmates bonding, I have to point out the opposite sex soulmates we do have in this very ep. Bobby confesses that Athena is it for him because she makes him feel like he’s standing on solid ground, she helps him be himself by finding again a piece of him.

We also see her becoming a part of his healing process when he allows her to come to his AA meeting. This is exactly what we see Buddie going through in 612! Eddie is Buck’s solid ground, the person he can count on and who can provide him with rest (that’s what solid ground represents), who allows him to simply be himself, and Eddie is also a part of the healing process that Buck allows him into by seeking out Eddie, and by opening up to him when Eddie asks him to, after finally getting some rest on the couch... ~~

That brings me to the couch because that in itself is just... Wow, this show really hates my nails and wants me to chew on them fully, I see how it is. Let’s not forget for how long the couch metaphor has been with us! Once Taylor and Buck discussed their couches situation when she was moving in with him in 513, and it was clear there was an incompatibility issue because she was bringing in a couch while he already had one (meaning they had already failed to communicate about this pretty basic point), it was clear they’d have to choose only one and dispose of the other. Very tellingly Taylor doesn’t really leave room for choice, so Buck (who only asked her to move in out of guilt) gave up his for hers. That’s the start of the couch being a metaphor for his romantic relationships, and I can’t believe it started a whole season before this ep! And then when Taylor moved out in 518, he was left with none? But that wasn’t unhinged enough for our show, so they brought it into an even greater focus with the lasagna scene in 601, when it was made even clearer that the “right couch” for Buck is about his romantic partner, that he’s aware of that significance, and that he admitted to it IN EDDIE’S PRESENCE. I can’t believe Buck fell asleep like that on Eddie’s couch, when they BOTH KNOW what the couch means. This is the most naked two men have ever been with each other on a TV show without taking their clothes off! Then Buck’s parents get him a couch he doesn’t want, one that’s all wrong for him, one he didn’t get to CHOOSE, so unsurprisingly he can’t sleep on it. That would have been a lot already, but then this ep turns around and SLAMS US IN THE FACE with Eddie’s couch being the right one for Buck to fall asleep on and to do so effortlessly! Two seconds on it, and Buck was out. That’s okay, 911, I just have to work a double shift while I’m sick today, I didn’t need to also have my sanity. You absolutely can have everything left of it. (my gif, please excuse it) ~~

I know it’ll sound dumb, but I was happy crying over the beers in Eddie’s fridge and the zoomed in shot we got of them. Look, it’s their thing, right? We’ve seen the two of them sipping on beers together in the iconic 309 kitchen scene (NGL, the oral sex scene in my Blue Against Blue fic was inspired by this), and it’s been a repeated theme, so when I saw Eddie had no less than 6 beers easily accessible in the top shelf of his fridge, chilling away, it screamed “This is my Buck stash” to me.

I will forever be a mess that Eddie Diaz, tough war veteran, actually has a supply of beers ready in his fridge for whenever soft man puppy Evan Buckley drops by unannounced. Can you imagine when Eddie goes grocery shopping and he probably smiles softly to himself when he buys his Buck beers? These two are so domestic and in love and equally soft about each other, it’s gross. And by gross I mean I love it, please gimme more. ~~

Oh, but the domesticity just keeps leveling up in this ep! Because then Buck wakes up and makes his way to the kitchen, where he just… lets Eddie take care of him by serving water. And it’s so tender and husbandy, and affectionate, and connects so perfectly to Eddie asking Buck to share with him. Because Buck wouldn’t let others fuss over him, but he lets his hubby take care of him. And he doesn’t tell others, even ones who are significant people in his life, where he’s really at, but he will share everything with Eddie. Not to mention that it doesn’t take much to get him to open up. All Eddie has to do is ask, and despite Buck’s initial announcement not to, he just goes right ahead and spills. I am inhaling and exhaling into the palms of my hands.

Of course, tucked in there is also Buck asking Eddie about the shooting. We all remember Buddie holding eye contact through that and Eddie reaching out to him, right? Or everything that transpired between them in the ambulance, all of it so romantically coded... This scene tells us that Eddie doesn’t remember those bits. I find it interesting to consider that maybe Eddie really doesn’t. That maybe the reason he hasn’t figured out yet how he feels for Buck is because he blanked out on the way he turned to Buck during the most intense moments of his life, and the ones he thought were his last. ~~

I mentioned during the hiatus in replies to asks I got that I suspected just like the distance between Buddie in 5a served to bring them closer together in 5b as Buck helped Eddie with his healing, the same structure was being followed in s6, just in the reverse, where Eddie will eventually help Buck. You can’t imagine how deep and meaningful I find it, that the show has actually structured these two seasons as counter paralleling each other, and showing Buddie as being a vital part of this mutual healing, so I tried to demonstrate that with this gifset. ~~

Last one! The cardiologist. Look, I already mentioned in my previous weekly meta that the heart theme started with Eddie, and then it was expanded to Buck. I find it insane that the show really hammered it home by having the same cardiologist be the doctor for both men, and that while she’s at it, she hints to both that their issues are not purely physical. How long before the metaphor-loving Buck catches on? IDK, but every single choice about this ep feels incredibly deliberate, when so much is condensed into so few scenes.

(my weekly meta posts) (my Buddie gifs) (all of my content)

~~ I can’t explain how much I’m asking of the amazing @whosoldherout​ for the gif requests, and the results are always so stunning, I’m deeply grateful!

~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here. Thank you in advance for any reblog and like! I’m sick and took three different medications to be semi-functional, so I really hope you’ll like this. Please don’t hesitate to let me know if you did! xoxox

[narcidol]

Honestly what I love so much about this fangan is that no one is really 100% hateable. Like I was so sure that even if Ace gets development I'd still find him annoying, but I'm more neutral on him now. In fact, I actually sympathise with him a lot, which I never thought I would. unlike many other media, the flaws the characters have actually makes them more likeable, deeper and realistic, instead of just nuisances or extra trouble to make the plot more entertaining. Even the most dislikable and annoying characters have another side to them, because they're human. They don't just exist to be annoying or carry the plot. It makes you really think, they're just like a real people who has gone through a lot. They're humans in the end, no matter what they do or how bad they are. It's beautiful in a way.

Another thing I love about this fangan is that the talents the characters have aren't as important to their character. What's really important is their own unique stories, struggles, and how those things shaped them and their personality. Ace's execution was nothing about horses, or his talent in general. It's about his fear of death, because his fears are more important to the depths of him as a person, rather than his talent. It also really goes against how Hope's Peak works, if you think about it. HPA is a school that values talent more than anything.

Sometimes, I forget this is a fanmade Danganronpa, because it really feels like a whole different experience. Almost every thing, every little detail can have depth to them. Executions can have deeper, hidden meanings, MVs have literal ARGs to them, etc. It feels like even though the premise of the series is a killing game, it's way more about developing the characters themselves, watching them grow, get worse, seeing how they help others change, seeing how the deaths of the people they were supposed to hate affect them.