#**isn't there for him at all** LIKE!! WOW!!

[curapicas]

This whole scene is so mind-blowing that I missed the obvious shape of Laios' speech bubbles here. At first I thought it was a cheerful roundness laughing at the absurdity of what he's saying, but looking closer; it's wobbly. It's fake cheeriness, passive aggressive even. He just heard he was lied to for reasons he doesn't understand, and now this man is trying to sell an even more outrageous, sweeter lie?? Laios is SO hurt, and while he wasn't understanding what Kabru was saying, he was trying to be patient. Now he's not even trying to hide it.

So it's on Kabru to double down and convince he means it, which he does by /punching/ him and screaming "actually I DO want to be your friend, dumbass!!! I've been looking from afar and think you're interesting, you idiot!!! There’s things I find weird about you but that just made me invested enough to even eat harpy eggs!!!!!" and I just have to cry. I HAVE to

[demigods-posts]

i need a scene in season two when percy and annabeth go to save grover. and before the fight commences. percy and annabeth pause to tell him that they genuinely think he looks so pretty in that dress. and grover thanks them and tells them to focus on keeping him alive or he'll wear this dress to his funeral.

[courtmartialme]

woag .. otp

[puppetmaster13u]

Prompts in Memes 7

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

[natelia-aldelliz]

Soap & Gaz : =(

Ghost : What's going on with you two?

Gaz : Old people flirting =( it's like my divorced dad flirting with his new girlfriend in front of me all over again

Ghost : What happened?

Gaz : Well he and my mom got a divorce, which was for the best honestly, and then he got himself a girlfriend that was closer in age to me than him and -

Ghost : I don't give a shit about your parents Garrick, what happened right now.

Gaz : Oh =(

Soap : Nikolai was teaching us insults in russian, and Price told him he had a dirty mouth and Nik just smiled at him, y'know, like a smirk, and Price smiled back, ewwww

Ghost : Wait, you think Price flirting with his... friend is gross because they're old? You do know I'm not that much younger than Price, right?

Soap : Yeah, but you're not flirting with anyone, so it's okay =)

Ghost :

Gaz :

Soap : =) ?

Gaz : I can't believe you just said that. With your full chest too...

[mamawasatesttube]

timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done

[knickynoo]

You know, as I listened to the BTTF Minute podcast before, they got into a discussion about George and Lorraine's relationship in the Twin Pines timeline that I really liked.

In the episode, they're breaking down the McFly dinner scene and focusing in on when Lorraine is telling the story of how she and George met. And this is a scene I've mentioned in a post or two before, because it's just so sad. You can tell that Lorraine is still so in love with George—or at least in love with the version of him who kissed her on the dance floor that night. Her face brightens as she talks, and you can just hear the fondness in her voice. She's that young girl again, hopeful and in love and smitten with this guy who she helped care for when he was hurt.

But then the tone changes. She's brought back to reality—to a husband who is so wrapped in his own world that he doesn't even acknowledge her. He's facing away from her, eyes glued to the TV, unaware of the loving glance being directed his way. He doesn't even respond when she asks him if he remembers the night of that terrible thunderstorm.

All of a sudden, Lorraine is slapped in the face with reality. She's drained of that hope, and in its place is the realization that she's stuck with George. Stuck in a lonely marriage. Stuck in a life that young girl never would have pictured for herself.

Anyway, this is where I really liked the commentary the podcast hosts, Nick and Scott, gave regarding the scene.

In talking about George, they point out, "He never had to try. He never had to fight for her," and, "Literally, he got run over by love."

Which I think condenses the situation very well. George was hit by a car, carried into the Baines house, and all the groundwork was instantly laid for him. Lorraine fell head over heels for this poor, injured, awkward guy and established their relationship herself. George didn't have to fight; his dream girl was handed to him. And for someone like George, who is already very much a wallflower and doesn't stand up for himself or anyone else, it made it all that much easier to let his marriage go stale. Take Lorraine for granted, in a way.

Then, Scott got to talking about how George and Lorraine were brought together on accident and by an accident. It was George accidentally falling from the tree and then the literal being hit with a car accident that led him to Lorraine. And he goes on to say,

"Which, in a lot of ways, that's kind of what the movie's about, in that they fell in love with an accident, and it's just like, oh, love shouldn't be an accident. Love should be something that you earn and work for."

And like. Idk, I've been thinking about that all afternoon. Just. About the trilogy's whole message (to me, at least) boiling down to love, which I've made many a post about on this blog. But it's so true. Everything in these movies comes down to and is directed by love.

Marty's love for his parents. His love then helping to shape George and Lorraine's love. Marty's love for Doc, and Doc's love for Marty, and the way they are constantly saving each other and willing to sacrifice themselves. Doc's love for Clara. Marty's love for Jennifer. Marty's love for his siblings. The movie's "theme song" being "The Power of Love."

The movies wouldn't work if all these characters took the more passive approach. If they all grew comfortable and complacent like Twin Pines George is shown to be.

I dunno, it's just been ringing in my head for hours. Love shouldn't be an accident.

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[alpacacare-archive]

its DESTINY

[pocketramblr]

Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom

you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....

1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)

2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.

3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.

4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.

5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)

+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.

[butwhatifidothis]

Still baffled that Hopes so blatantly wrote Claude as the typical Evil Vaguely Middle Eastern Man set on destroying the Good White Nation for his Evil Vaguely Middle Eastern Nation that is often seen in fantasy settings - complete with him being seen as worse than a white woman who does many of the same evil deeds he does in-verse, even by his friends (should it be the bad ending route of SB) - and so many in the fandom were so eager to gobble that shit up. INSIST that "Clearly A Racist Stereotype" is LEAGUES better than "Subversion Of A Racist Stereotype" even. Like I don't think I'll ever get over how supremely fucked that is

[grahamcarmen]

[lafilleestmorte]

I have been thinking about Q.

Falling in love with the person leaving him notes at the cafe throws him completely off balance. It's his final year of high school, his world must revolve around his art and getting into college. But he's sitting thinking about this person he has never met and how natural it feels to love them and how deep this feeling has settled into his chest and how little he knows how to deal with it.

So he leaves. He goes to university. He spends a year making friends, dating around, drinking. His art surrounds him again and if he ignores the memory of that milk frappe boy whom he left behind then he can return to the person he understands. He loathes that he is able to live with having left him behind. He draws and fools around some more. And so the year ends, and, walking into a new semester, he meets Toey.

Q's mentee is. strange. For a fine arts major, he has the most peculiar relationship to art. He doesn't have the faintest clue of the skills that, to q, are simple as breathing. Armed with blunt pencils and a conviction like none other, Toey paints beauty into the world around him

It's like I'm sitting in a vast grassy field, with a gentle breeze under a bright sky. It's like I'm watching a masterpiece of art.

Q recognizes the way he's starting to care about Toey, but he's still trying to learn how to show it. Small gestures, little invitations. Quite moments with just the two of them. He remembers the milk frappe boy and regrets what he didn't do then. But he likes the person Toey is showing him how to be.

You said I didn't take care of you at all, so I'm treating you to some desserts.

It occurs to Q all at once that Toey might just as easily slip away. Because of a love beyond his hands or someone else who gets there faster or his own lack of action. Q refuses to lose the person he loves ever again. He's never been in love with a boy. He doesn't even know if Toey has a reason to like him back. But he doesn't have the time to give thought to his feelings or his fears. He needs to run towards Toey, faster than he himself thought it possible.

So when he finds out the truth, the feeling of betrayal is difficult to describe. The love that he had kept concealed - from everyone and from himself - out on display for all of his friends. A boy who made him want to reach out and hold onto his own genuine feelings, working behind him to catch him off guard.

The boy he has been in love with loves him back. He has always loved him back.

But the person he has been becoming now feels like he might slip away. How easy it would be to let him go. How easily he had left him in pain and silence, two years ago.

[fisheito]

eiden inspires me to new heights [working up the courage to negotiate prices at the farmer's market]

[new-austin]

Kirkwall's most eligible bachelors