#* answered meme {faith of the heart} | Explore Tumblr posts and blogs

panharmonium · 11 months ago

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Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.

Hi @riemmetric! It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)

It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start. People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them. That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great! I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.

In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7. If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi. That’s not up for interpretation; it’s the text. But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.

[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great! But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]

Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.” She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”

[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]

So, from the top:

1. the girl with the crush

Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1. She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father). But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.

The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time. This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:

From that point on, it’s a process of her putting little pieces together. She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does. Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation. She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:

(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)

I’m not criticizing Naruto for his response here. I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.

(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home. Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!” And everyone else in the room is like, “....,” because they know better. Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)

Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark. This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.

(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).

Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling. There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.

Is this part of her approach irrational and immature and inadvertently self-centered? Of course it is! But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!”

Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention. The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants. She’s begging him to stay for the same underlying reason that Naruto is: she cares about him. She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t. But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).

It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction. She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:

Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him). “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish. It’s irrational. It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.

Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation. They both still think they can fix him themselves. They both think they can save him themselves. They both think they can convince (or force) him to do what they want, what they think is in his best interests. Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything. Their attempts to keep him in the village are immature and unrealistic, yes. What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests. They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.

Naruto and Sakura are children. They’re afraid of losing somebody they care about. Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES. He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him. He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.

2. the greater good

If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.” She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me. It’s like a curse mark.”

(INCREDIBLE. How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )

[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has. Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about? Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him. He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side. Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]

[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets. I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys. She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation). But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]

Anyway. Back to a more measured response.

Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much. Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki? Good, appropriate. The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does? Also extremely appropriate, very in-character for both of them. Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden? Juicy! AND thematically significant (promises!!!! the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again). Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start? HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT. Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)? BRUH. Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win?? INCREDIBLE. (Literally the first time I watched this, I said, “Finally!!! It’s Sakura’s turn to go off the rails!” I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.) And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!” I love her for that.

And then, of course, in the end - her not being able to do hurt Sasuke after all. Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him. She cares about him too much. This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others. She can’t do it, and Sasuke almost kills her for her compassion.

I love the dynamic this sets up between her and Sasuke, for a few reasons:

1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1). This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be. Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too. Time didn’t just stop for them when he left. While he was turning into someone new, so were they. They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.

(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear. Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return. He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him. And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance.

(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)

(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way. The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him. And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)

2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back. She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago). That’s huge! Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter. She stayed her hand. She spared his life. She loved him too much to hurt him, even when he’d given her every reason to take him down. She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain. Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.

The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation. This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down. Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).

3. she only wants to save you

The last stage in their relationship is what Sakura settles into during the war arc. She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.

She has no intention of pursuing Sasuke romantically. She knows full well that Sasuke isn’t interested in her. She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”). She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her. She’s well-aware that he left her to die in the lava pit. She’s also well-aware that none of this is enough to make her stop loving him. He doesn’t have to care about her - she still cares about him. She still wants to help him. She still wants to save him.

This is not hidden, hard-to-parse character development. It’s explicitly articulated on the page:

Sakura’s not trying or wanting to make you hers! She only wants to save you.

I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality. The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7). He’s locked into a false pattern of thinking. His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.

Sakura’s not trying or wanting to make you hers! She only wants to save you.

Sasuke matters to Sakura as more than a love interest. He always has. She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise. Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective. Kakashi is the one who’s explicitly positioned as the voice of the narrative here. We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.

[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god. She’s finally going to let him have it. It’s finally happening - ” I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me). But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]

[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.” That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her. He thinks about all of them. Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine. He cared about her once. He cared about all of them. She’s trying to reach the part of him that still does, if it exists.]

[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]

4. the shadow of my family

This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.

I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story. I can’t read/watch Naruto while hating one of the protagonists and loving the other three. It doesn’t work like that for me. The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.

That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine. My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.

Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive. That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else. You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story.

TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.

#naruto #meta #replies #anyway that's that! hopefully that is a helpful answer #thank you for the question! i honestly don't think i would have ever gotten around to writing about this if i hadn't been directly asked #i love talking about the stories i enjoy (obviously; we all do; that's why we're here)#but i'm usually ¯\_(ツ)_/¯ about responding to takes that blatantly misread the narrative to justify hating a particular character or ship #mostly because a) it's whatever. as long as people mind their own business and leave me to enjoy myself they can do what they want #and b) some opinions are so divorced from the actual text that they're not worth discussing #like. what's the point of responding to random internet posts saying that sakura was selfishly pursuing sasuke as a lover the entire time #when that is textually and provably not the case?#if you're that committed to experiencing things in direct contradiction to what the narrative is asking of us then just go ahead #is it mildly annoying to me? sure. but so are lots of things and it's better to just let stuff go #like - i initially planned to take this piece of meta all the way up through sakura and sasuke's last scene together #the one where he tells her 'maybe next time' and finally reclaims and redefines itachi's forehead tap (INCREDIBLE. THIS SCENE.)#but ultimately i changed my mind because everything i wrote for that last section was coming out too harsh #i generally prefer to talk about fandom stuff in a chill/friendly approachable way #but i kept thinking about the most obscenely & disrespectfully inaccurate read of that scene i'd ever seen #and i couldn't figure out how to talk about it in a non-scathing way #that scene and the one where naruto gives sasuke's headband back are the ONLY well-written things about the finale of naruto #they are SO perfectly constructed and i can't respond to people slandering either one without feeling an urge to kill #so i just deleted it. partially because again - this is fandom; it's not that serious; people can do what they want #but also because i know i get extra frustrated about people picking over the text and plucking out isolated bits and pieces #to contort into blatantly misinterpreted mutant shapes that 'confirm' whatever pre-existing judgments or ships they had #instead of experiencing the story as a cohesive whole & keeping in mind the greater context of what it's always been trying to communicate #people on this website say 'we all interpret things differently :)' as if it means no one can ever be wrong about what a text is saying #newsflash: not all interpretations of a text are valid. things can't in fact mean whatever you want them to mean.#the ***story*** persists and exists even if the author is dead to you #if you choose to ignore that then that's fine; it's just fandom; who cares. but i'm not going to pretend you're 'analyzing' anything.#(ok now i'm really done. you can see why i deleted this section XD)

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driftward · 1 month ago

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send DIFFERENT for a scene from my muse's past that they feel changed their outlook / personality / etc, for the better or worse (For Zoissette! WoL or RP or both!)

Ahhh! Appreciate your patience, finally getting around to my inbox. I do love the asks! And I like this one in particular.

For most ask memes/prompts, I use them to make a quick fanfic, but for this one, I won't, and I'll explain why. The answer to this one is kind of Zoissette's entire story as a Warrior of Light, and I do hope to fully write it out one day.

This has Shadowbringers spoilers past this point, for those sprouts still playing through MSQ. I'll put down a readmore.

So, the moment of Zoissette's history that changed her outlook forever, for the better, was a moment between the end of events at Mt. Gulg, but before the team goes down underwater to catch up with Emet-Selch.

It was a fulcrum moment for her. She knew, at this point, that she was dying. As an arcanist, Zoissette had been tracking her aether balance, and comparing it to the people at Journey's End, and she knows she is somewhere past a lethal dose. Ryne, the Oracle of Light, had barely managed to stabilise her. She is okay for now, but she does not know for how much longer, and when she goes, she will turn into a Lightwarden - and take the First with her, as well as causing a calamity on the Source.

At this point, she is perpetually exhausted. The Light has built up within her, and she is not handling it great. There is a constant thin white film over her vision, like she'd just dunked her head in milk. There is a constant high-pitch ringing in her ears, like the sounds you hear when you first arrive on the First. She is cold, as Light is static, and ice a close element to it. She is cold, perpetually cold, and nothing she does helps her feel warm. She is not as clever, not as smart as she should be, the Light slowing her thoughts. She keeps catching herself having been staring off into space for long enough that she is not sure exactly how much time has passed.

And she is a threat that must be dealt with. And the Exarch's plan, slightly modified, is probably the best bet for a positive outcome. Take all that aether she is carrying, and make sure that when she dies, make sure it is not on the First. Try to pass into the rift between worlds and never come out, maybe, or go back to the Source and Flow to the aetherial sea and hope it can cushion the sudden flow, something, anything, just make sure that when she goes, she does not go on the First.

She sets up to do that. Gets everything ready. Quietly, so nobody tries to stop her from doing what must be done.

Because after all, she is Ishgardian. Is this not a knight's greatest duty? To die for one is a nearly holy duty. To die for an entire world? Duty demands it.

And just as she is about to take that last step, she stops herself.

She loves this world. She loves everyone in this world, she loves everyone in both worlds, in all worlds. And everything in them. And her friends love her, in return. She is cared for. She matters. If her life is necessary to balance the scales, so be it, but she wants to at least make the choice to try to find another answer first. For herself. For her friends. For the world itself, because she wants to keep living in it, keep experiencing it, keep exploring it.

She cares enough to die for it. She cares enough to try to live for it.

And that moment shifts her perspective on her entire life. Up until now, she approached the duty of being Warrior of Light with a kind of kind hearted weariness. A duty that had to be done. She had no choice in the matter, because someone had to do it, and, well, she is someone. She has the Echo, she has the tools, she has the faith of her comrades, she has the skills and abilities to meet these challenges, and so there is no question. She has to do these things, and she does them, but it is a burden.

At the moment when she chooses to live, however, that singular choice recontextualises her entire life up until that moment. In fact, no, she did not have to do any of it. But she did.

Because of course she did.

Because that's who she is.

The world in which she had no choice in the matter, and the world in which she chose it at every opportunity, they're the same world. Because she would always make the choice she thought was right as best as she could, because she would always choose to defend, she would always choose life, she would always choose this path, of her own free will.

And that's huge for her. It turns her life from a burden to a joy. It turns the sorrow of hardship into something else, something which she can endure, which she willingly endures, knowing that even if she dies, even if she falters or falls, her actions might lead to hope for a better tomorrow. And even if it does not, she tried. She chose to take the risk, to make the attempt.

And so she does. She makes the choice to live. And the next day, she heads out with the Scions to the Tempest, to try to find that other answer, where she lives and the First is spared.

And I hope to capture this in my writings one day, in writing her story.

Thanks for the ask!

#answer hours #ask meme #shadowbringers #zoissette vauban #different #biot analysis

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quickcharlie · 7 months ago

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Denis Villeneuve discussing Dune Part 2 in an interview with the New York Times today, including whether he will be reading any FeydPaul fan fiction lol

He explains why Lady Jessica’s face is so heavily tattooed, whether Paul considers himself the Messiah and what he thinks of those Javier Bardem memes.

This weekend, “Dune: Part Two” muscles back into IMAX theaters with the verve of Timothée Chalamet rodeo- riding a giant sandworm. After nearly two months in theaters, the film is the current champion of this year’s box office race, with a total take of more than $680 million. (It’s also available to rent or buy on some streaming platforms.) The film’s success is thanks in part to audiences that have returned over and over to get lost in the rocky warrens and spiritual reckonings of the planet Arrakis. One admirer reports he’s seen the movie 25 times to date.

That there’s so much to explore in “Dune: Part Two” is a credit to its writer and director, Denis Villeneuve, who boldly reshaped Frank Herbert’s complex and cerebral 1965 novel “Dune.” Villeneuve split the book and its themes into two films: “Dune: Part One,” released in 2021, focused on the political struggles between two families, the Atreides and the Harkonnens. “Part Two” delves into religious fervor as the two surviving Atreides, young Paul (Chalamet) and his mother, Lady Jessica (Rebecca Ferguson), ingratiate themselves with Arrakis’s Indigenous desert tribe, the Fremen, by allowing the locals to believe that Paul is their Messiah — a prophecy that, if it comes to pass, will mean the slaughter of billions of victims across the galaxy.

Villeneuve has yearned to tell this story since he was a in . His devotion is palpable; every frame feels steeped in monkish contemplation. Yet, he’s also a visual dramatist who doesn’t want audiences to get tripped up by too much exposition. His scripts give only passing mention to core concepts like spice, a psychedelic dust that powers everything from space travel to Paul’s clairvoyant hallucinations.

Though Villeneuve doesn’t want to overexplain, he was willing to provide some answers in an interview via video where every question about the film — even silly questions! — was on the table.

Does Chalamet’s Paul Atreides actually believe he’s the Messiah? What’s the meaning of Jessica’s face tattoos? Villeneuve also got into the erotic lives of his desert dwellers and the extra narrative weight he threw behind Paul’s Fremen love interest, Chani, played by Zendaya. As Villeneuve said with a grin, “Chani is my secret weapon.”

Here are edited excerpts from our conversation.

The last time we spoke, you weren’t sure what to make of the sandworm-shaped “Dune” popcorn bucket. It went on to be so popular that it sold out in cities before opening day and is being resold online for around $175. What do you think of it now?

I thought that the bucket was an insane marketing idea. I laughed so much. It is so out there. I don’t know who designed it, but they’re a bit of a genius. I’m at peace with the bucket.

In this film, Javier Bardem’s character Stilgar is reduced to a guileless follower of Paul Atreides, who Stilgar believes is the new Messiah. His conversion is tragic. But also, Bardem’s awe-face has become a funny meme, and the second time I saw the movie, people laughed at almost every line he spoke. Did that reaction surprise you?

No. I am very happy when you say that he is a tragic figure. For me, he is the most tragic figure of all. The idea to bring humor to Stilgar was to make him lovable, to feel the humanity in that character. He’s not an austere figure, he has a big heart. But his beliefs, his faith, his reactions bring humor — and that is something I love about making a sci-fi film, because I can talk about that without offending people because it’s a fake religion. I designed all the prayers myself, so I know it’s fake. I find Stilgar very funny. And when people laugh, I’m happy because that was the intention.

Someone makes a dig that Stilgar has found a savior again. This is not even his first time? All his life he has been raised with that dream. So I suggest that every time a guy comes from outside with a lot of charisma, he hopes he’s found him. Like in the Bible, we have tons of prophets before Jesus came.

The arc of “Dune: Part Two” is Paul accepting that he must become the Messiah — and get billions of people killed. Does he truly believe that he is the Messiah? Or does he just decide to let the Fremen believe that he is? I don’t think he believes that he is the Messiah. I think he feels the burden of the heritage that the Bene Gesserit [the mystical sisterhood that Jessica belongs to] have laid among the Fremen, and he sees the potential to use that religious power to survive. Paul is warned that no man can survive drinking the spiritual water of life. But as that’s part of the lore of a planet seeded with manipulative propaganda by his own mother, I have to ask: Have other men actually been drinking the water and dying? Have they been scared off from trying? Is the warning just a setup for a magic trick?

There are people that have tried it in the past and died. In Frank Herbert’s world, femininity is a power. I think Herbert was fascinated by motherhood, by the power of creation. I love this idea that the power is held by women. It’s something that was ahead of his time when he wrote it and I tried to put the focus on it. You say so much with Jessica’s costuming. In the first film, her look is immaculate and baroque. This film begins with her in rags, but she finds another path to being dressed and treated like royalty. And she gets a lot of tattoos on her face. Why did she get so many more face tattoos than the outgoing reverend mother?

She’s trying to play on the symbolism that was put in the prophecy. She’s supposed to be the mother of the Messiah, so I wanted to bring the idea that she was like the pope of the reverend mothers on Arrakis. There’s some kind of madness in writing elements of the prophecies on her face. Frankly, I think when you drink the worm poison, it affects your sanity — and the same with Paul. I like the idea that we feel she’s going too far. Jessica is already pregnant when the first movie ends, and she’s still pregnant at the end of this film. Which means you had to condense this massive story into less than nine months because her body is a time clock. The idea was to compress the book so that Paul will feel the pressure to get the Fremens’ trust, to start gearing up — but not to succeed, not to have the time to create a real war. Time is against him.

Because in the book, this takes years. Long enough for Jessica to give birth to a very unnerving daughter, Alia. We glimpse Alia as an adult — she’s played by Anya Taylor-Joy — but you skipped over seeing her murder people as a toddler. Was it hard to decide no “murder toddler”?

I think pregnant women look tremendously powerful. To use that power was very exciting. And usually when you see a pregnant woman onscreen, she’s always giving birth. To avoid that moment, to stay in the state of being pregnant, I thought was very Frank Herbert-like. I was going away from the killer toddler, but I thought that was more fresh and original. Honestly, it’s one of the things that I’m proudest of in the adaptation. Speaking of female power, let’s talk about Chani.

Chani is my secret weapon. Frank Herbert was sad to realize that people saw the book as a celebration of Paul Atreides. He wanted to do a cautionary tale against messianic figures, a warning against blending religion and politics. I wrote the second movie trying to be more faithful to Frank Herbert’s intentions than to the book. In the book, Chani is just a follower. I came up with the idea of her being reluctant. She gives us the critical distance and perspective on Paul’s journey. I wanted to make sure the audience will understand that Paul becomes a dark figure, that his choices are exactly what Chani was afraid of. He becomes the colonizers the Fremen were fighting against. And then the movie becomes the cautionary tale Frank Herbert was wishing for.

Paul makes a choice at the end that will go on to kill billions of people. That’s so large and theoretical that it’s hard to grasp. But you structure your climax so that in that moment of betrayal, he’s also betraying the love of his life — a betrayal we understand.

He betrayed her in many ways. But the big thing for Chani is that it’s not about love. It’s about the fact that he becomes the figure that will keep the Fremen in their mental jail. A leader that is not there to free the Fremen, but to control them. That’s the tragedy of all tragedies. Like the Michael Corleone of sci-fi, he becomes what he wanted to avoid. And he will try to find a way to save his soul in the third part.

But “Dune Messiah,” the book your third film is based on, picks up 12 years later with a reunited Paul and Chani. How far did you feel you could push her anger? Because at some point, she’s going to have to forgive him. That anger is tremendous. I don’t want to reveal what I’m going to do with the third movie. I know exactly what to do. I’m writing it right now. But there’s a lot of firepower there and I’m very excited about that decision. In the spirit of no dumb questions, Chani says that Paul sand-walks like a drunk lizard. Which means Arrakis has booze?

Actually, there is spice beer. In the book, there are Fremen parties, even some orgies involving spice. I didn’t bring that into the movies because it’s PG-13.

Body fluids have significance to the Fremen. Spitting is the giving of water, a sign of respect. But tears and vomit are a waste. So what is kissing?

As long as you don’t lose your humidity, you can kiss. It’s an exchange of fluids — an act of love, when you think about it. Fremens love to kiss.

What about the, um, other romantic fluids? You cannot have sex outside, for sure. But they are very sexual. I suspect that all sexual intercourse happens in environments that are protected from losing moisture. When they are in their sietches [or caves] underground, those are sealed. You don’t need to wear stillsuits inside them. We can deduce from that there is no problem to have sex in a sietch.

By the way, who decided that Fremen was pronounced Freh-men and not Free-men? All the pronunciations, I took them from recordings of Frank Herbert’s voice. Frank Herbert used “Freh-men,” which I love. It makes it less on-the-nose.

You kept two major characters out of the first movie and only introduced them now: the princess Irulan, played by Florence Pugh, and the Baron Harkonnen’s nephew Feyd-Rautha, played by Austin Butler. The princess is the first voice in the books, the first face onscreen in David Lynch’s “Dune” [1984]. What made you sure holding them back was the right move, despite three years of fans asking, “Hey, where are they?” When people ask me what was the biggest challenge in making those movies, it’s writing them. In order to make this adaptation, we have to make big, bold decisions. One was that the first movie should be seen from Paul’s perspective. I wasn’t able to do that entirely because I had to go to the Harkonnens’ side to introduce them so that the story will be clear, but I tried to find an elegant simplicity in the story structure. And I wanted, frankly, to keep some firepower for the second movie.

Why is Feyd-Rautha’s gladiator scene in black and white? And what are the splats in the sky above the dome?

Frank Herbert explores the impact of ecosystems on cultures, on humans. How it influences the way we evolve — our biology, culture, technology, mythology, religion. The psychology of a tribe is linked with their environment. If you want to know things about the Fremen, you observe the desert. I wanted to have the same approach to the Harkonnens. They killed nature. It’s a plastic planet. One thing left was sunlight, but instead of a sun that reveals color, it kills colors. When you are outside, it’s all black and white. It gives us ideas about how these people perceive reality, politics, violence in a binary world — it brings the idea of fascism. It also gave me the opportunity to bring images that remind us in our memories of World War II and the Nazi regime. So it’s an idea that I had as I was writing. Then I had the idea to have strange fireworks in the sky that will look like Rorschach drawings. It’s a nightmarish celebration. The perception of a dome is not accurate. It’s just that the fireworks reach a certain altitude and then they explode. But it’s true that it looks like a liquid that falls from the sky.

Forgive me if I am not being fair to sadistic, psychopathic Feyd-Rautha. But all of the gladiators were supposed to be drugged for his happy birthday massacre. The one who secretly isn’t puts up a worthy battle. So I assumed that Feyd-Rautha isn’t that great of a fighter. But at the end, he’s the only warrior who is Paul’s equal?

It’s a show. You see that the Harkonnens are very cruel and their society is very paranoiac. His opponent is known in the books as one of the great fighters, Lieutenant Lanville. I tried to show that Feyd is excited to have a real opponent. He has a code of honor, he respects the effort, and he has fun with it. That’s the idea I tried to convey — he’s not a coward.

Audiences might remember that the Bene Gesserit wanted Jessica’s child to be a girl, that Timothée Chalamet’s Paul Atreides was supposed to be female. And they specifically bred Feyd-Rautha to be a male. Were they hoping these youngsters would mate?

Yeah. They are trying to increase the potential of humanity by breeding the best specimen of each tribe or family. A baby between Feyd-Rautha and an Atreides daughter would have brought peace between Harkonnens and the Atreides, and created an über being.

Will you read any of the internet fan fiction spawned by the idea of Timothée and Austin hooking up?

[Laughs] But you know, we approached their fight at the end like some kind of symbolic union. The way their bodies get close to one another, there’s something animalistic, an intimacy, I was looking for.

I rewatched the first film again recently. It opens with a quote in another language: “Dreams are messages from deep.” I love that quote. It feels like how a film resonates, too. But it wasn’t until I had subtitles on at home that I realized who said it. Of all the important characters and cultures to establish, you gave that major moment — the very beginning of your franchise — to an anonymous Sardaukar from the murderous imperial army that we’re cheering to see get killed. Why?

I love your question. The Sardaukar are the dark side of the Fremen. I thought it would be interesting to have a tiny bit of insight that they are not just tremendous warriors, but they have spirituality, philosophical thought. They have substance. Also, their sound was designed by Hans Zimmer. I absolutely loved how it feels like it’s coming from the deep, from the ancient world. Frank Herbert said beginnings are very delicate times. By starting with a Sardaukar priest, I was indicating to the fans that I was taking absolute freedom with this adaptation, that I was hijacking the book. But you also deeply love the book. So when you make these bold changes, do you feel like asking Frank Herbert for forgiveness?

Yes. There’s so many darlings that you kill. An adaptation is an act of violence.

“There’s so many darlings that you kill,” Denis Villeneuve said of filming “Dune,” a book he loved. “An adaptation is an act of violence.”

#dune part 2 #denis villeneuve #timothée chalamet #austin butler #paul atreides #feyd rautha

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bethanydelleman · 1 year ago

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Northanger Abbey Readthrough Ch 25

Catherine might have missed like 99% of Henry Tilney's flirting, but she has an inkling it has happened, maybe, "He had—she thought he had, once or twice before this fatal morning, shown something like affection for her."

Which is why I love this meme so much:

Again, Catherine touches upon Marianne Dashwood behaviour but she just can't really commit, "But now—in short, she made herself as miserable as possible for about half an hour, went down when the clock struck five, with a broken heart, and could scarcely give an intelligible answer to Eleanor’s inquiry if she was well." However, by the end of the evening and with Henry being kinder than ever, she has recovered. she had nothing to do but to forgive herself and be happier than ever; and the lenient hand of time did much for her by insensible gradations in the course of another day. She does indeed bounce back quickly!

Catherine reflects that in England at least, the type of villains described by Mrs. Radcliff must not exist. She doesn't go so far as to pardon France and Switzerland from containing such evil, but she's pretty sure about her own country. She also believes that while Henry and Eleanor may not be perfect (never!), she's certain that General Tilney has some "specks" in his character. Well you've come a long way girl, we won't ask for more just yet.

Murder was not tolerated, servants were not slaves, and neither poison nor sleeping potions to be procured, like rhubarb, from every druggist.

Quick, someone tell Shakespeare!

Now Catherine's thoughts return to Bath, but she has no news. Her faithful friend has proved unfaithful again: But Isabella had promised and promised again; and when she promised a thing, she was so scrupulous in performing it! Oh Catherine...

Not as bad as her brother though! Poor Thorpe is in town: I dread the sight of him; his honest heart would feel so much. Honest heart! That man doesn't have an honest cell in his entire body! I would have more hope for James if we knew he finally figured out John, but the only hint we have is this: the failure of a very recent endeavour to accomplish a reconciliation between Morland and Isabella. So James and John met again and John tried to get them back together, but whether James rejected both siblings or just one is unknown.

I really feel for Catherine here, she has to sit through breakfast trying not to cry, then cannot return to her room because it is being cleaned (bedrooms in this era were mostly for dressing and sleeping, so she wouldn't be expected to use her room again until 4pm*), tries the drawing room only to discover the Tilney siblings, but then they kindly leave her to herself. Catherine needs another half hour (her magical sad-feeling time) before she can face them.

This line from Catherine is so very Jane Bennet:

"Could you have believed there had been such inconstancy and fickleness, and everything that is bad in the world?”

What a stroke was this for poor Jane, who would willingly have gone through the world without believing that so much wickedness existed in the whole race of mankind as was here collected in one individual! -Pride & Prejudice, of Wickham

The poor girls, having their eyes opened to the wickedness of the world.

Then this part:

This post by Fira Wren playing in my head. His kids know the General is full of it. Eleanor is surprised her older brother has fallen in love, since it seems he never has been before, which again has Henry Crawford vibes.

No, not very. I do not believe Isabella has any fortune at all: but that will not signify in your family. Your father is so very liberal! He told me the other day that he only valued money as it allowed him to promote the happiness of his children.” The brother and sister looked at each other.

Now the reason that Isabella Thorpe would lose in a battle to the death against Lucy Steele and Lady Susan is that she didn't keep her first man secure until she had the next engagement entirely locked down. Rookie movie Izzy! I have too good an opinion of Miss Thorpe’s prudence to suppose that she would part with one gentleman before the other was secured. Isabella just could not manage two men at once.

I love this interaction:

This line from Catherine too, "I never was so deceived in anyone’s character in my life before.” and Henry's response: “Among all the great variety that you have known and studied.” has so much in common with this interaction in Pride & Prejudice:

“But perhaps,” observed Catherine, “though she has behaved so ill by our family, she may behave better by yours. Now she has really got the man she likes, she may be constant.” “Indeed I am afraid she will,” replied Henry; “I am afraid she will be very constant, unless a baronet should come in her way; that is Frederick’s only chance. I will get the Bath paper, and look over the arrivals.”

“I did not know before,” continued Bingley, immediately, “that you were a studier of character. It must be an amusing study.” “Yes; but intricate characters are the most amusing. They have at least that advantage.” “The country,” said Darcy, “can in general supply but few subjects for such a study. In a country neighbourhood you move in a very confined and unvarying society.” “But people themselves alter so much, that there is something new to be observed in them for ever.”

Henry also manages to tip us off about his intentions to marry Catherine right under Catherine's oblivious nose!

"Prepare for your sister-in-law, Eleanor, and such a sister-in-law as you must delight in! Open, candid, artless, guileless, with affections strong but simple, forming no pretensions, and knowing no disguise.”

“Such a sister-in-law, Henry, I should delight in,” said Eleanor with a smile.

Catherine also realizes that she feels much less sad about losing Isabella than she thought she would, which Henry tells her to think about. The falseness of Isabella's friendship is dawning on Catherine, perhaps now just unconsciously.

*Quote illuminating this point from Wives & Daughters by Elizabeth Gaskell, spoke by a character who would have been young during the Regency era: 'No, no, Cromer: bedrooms are for sleeping in, and sitting-rooms are for sitting in. Keep everything to its right purpose, and don't try and delude me into nonsense.' Why, my mother would have given us a fine scolding if she had ever caught us in our bedrooms in the daytime. We kept our out-door things in a closet downstairs; and there was a very tidy place for washing our hands, which is as much as one wants in the daytime.

#northanger abbey readthrough #northanger abbey #henry tilney #isabella thorpe #the letter from James

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momentofch-aos · 1 year ago

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Trick-or-Treat! I have come knocking on your Tumblr door asking for a treat. You can answer with a meme, a bit of art/fic, a fic recommendation, pictures of candy, or something else! Then go to your mutual’s Tumblr door and ask them for a treat! Happy Halloween! 🎃👻 (don’t answer until October 31)

My apologies this is a day late and I have no idea if it makes sense for this. Just a little Drabble I’ve been thinking about. (“200 words” I said. Yeah right.)

On a rare night off, Daisy was grateful that their apartment building didn’t have many trick or treaters. Not that she hated the kids that lived in their building, in fact there was a little 2-year-old girl who was obsessed with Daniel that she had a particular soft spot for. But they were out of town this week.

The past month has been tiring so when she came home to find Daniel having fallen asleep reading on the couch, it was very easy to shuck off her jacket and boots and curl up next to him.

In typical Sousa fashion, he woke up as she settled besides him, opening the blanket for her to crawl under, his arm wrapping tightly around her waist as she curled into him. He dropped a light kiss to her lips.

“How was your debrief?” He murmured as she rested her head on his shoulder.

“Good. Mack wanted to get home to Faith and Flint. Ended it a little early. Faith is dressing up as Rey from Star Wars.” Daisy replied softly.

“From the sequels right?” Daniel asked rubbing his eyes.

“Yup. I told him I wanted to see photos.” As if on queue Daisy’s phone buzzed from where she dumped it on the coffee table. “I’ll get it in a minute.”

“I ordered dinner. It’ll be at 7. Mexican? You mentioned tacos last night.”

“Hmmmm.” Daisy agreed “Nap first.”

She felt Daniel chuckled underneath her as he pulled her closer. The feel of his sweater under her hand and his slow steady breaths pulled her into an easy sleep.

An hour later, they somewhat startled as the doorbell rang. Daisy had rolled off the sofa, as she was pulled from sleep, Daniel’s hand still gripping hers.

“Must be the food.” Daniel said smiling at his girlfriend who was still trying to work out how she was on the floor.

“Yeah I’m on it.” Half asleep still, she shlepped her way to the front door, looking through the peephole.

On first glance, there was no one there so, Daisy assumed the food had been left on the doormat. But when she opened the door, she caught sight of the tiny human she missed the most.

Alya Fitzsimmons bounced excitedly on the door mat, before flinging herself around Daisy’s legs.

“Auntie Daisy!”

“Alya?” Her sleep fogged brain seems to lift as she squatted to properly hug her tiny niece, swinging her into her arms as she stood up. “What are you doing here?”

From around the corner, Jemma and Fitz appeared and Daisy immediately wrapped her arms around Jemma, Alya squashed between them.

“We thought a visit was in order.” Jemma whispered as she hugged her tight.

“And I thought it would be a nice pick-me-up after your missions and meetings.” Daniel said from behind them, shaking hands with Fitz.

“Uncle Daniel!” Alya practically leapt from Daisy’s arms towards Daniel who scooped her up.

“Hey kiddo.”

“Cannot believe you all kept this from me.” Daisy looked around the group of some of her favourite people. “You too Fitzy.” She hugged him tight before leading them all into the apartment

“We were definitely due a visit. But I don’t think you’ve properly noticed who Alya wanted to dress up as this year. Hey Al, you wanna show Auntie Daisy?” Placed back on the ground, Alya stood proudly in the middle of the kitchen, hands on her hips.

For the first time Daisy and Daniel took into consideration what the young girl was wearing. A tiny Quake suit, complete with purple accents and tiny fabric gauntlets.

“I’m you!” She shouted, holding her hand out and mimicking Daisy.

Daniel was chuckling as Daisy dropped to her knees with her hands over her mouth. Her heart warmed as the smallest Fitzsimmons moved like she was quaking different objects around the room.

“You really are! Look at you. It’s such a good suit.”

“Yup Daddy made it, just like he made yours!” She was bouncing again now between Fitz and Daisy.

“Her daddy has been working on it for weeks. He had to get it just right.” Jemma said, rolling her eyes at her husband.

“Hey it had to be accurate. Otherwise what’s the point?” Fitz smiled down at his daughter. “Oh I picked the food up off the driver by the way” He lifted the paper bag off the top of her suitcase.

“Thanks Fitz, I’ve made up the guest room for you all, if we want to pop your bags in before we eat?” Daniel said, taking the bag Jemma had dragged in off her and leading the way as Fitz followed him.

For the second time, Daisy looked around at her people and wondered just how planned this had been. Grateful that she had people who knew exactly what she needed. Jemma leaned into her shoulder as Alya chatted excitedly about her new suit and how she wore it on the Quinjet.

And when Daisy suggested she pick up her suit from base in the morning so they could take some photos together the following day, the excited energy in the apartment only doubled.

She was still tired, but with every moment in the company of some of her favourite people, Daisy felt like she wouldn’t need to sleep for at least a few more hours.

#agents of shield #daisy johnson #daniel sousa #marvel #fanfic #dousy #fitzsimmons #alya fitzsimmons #quake #halloween #prompt #trick or treat #I’d like to think Mack would call Alya Tiny tremors upon seeing her all dressed up.

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loveandangstmemes · 1 year ago

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Love Triangles Angst Prompts

Those who love the drama of love triangles. I never seen memes like this made. So if there are blogs that love shaking up their rp relationships with those wavering muse(s) hearts. These are for you. Some of these are from songs about love triangles, while others are randomized.

“I can’t choose between the two of you.”

“What that he/she/they have that I don’t?”

“ Just because they came home with you last night, doesn’t mean they don’t know where they belong.”

“I loved you before they were in the picture.”

“The feelings we both have, I’ll break them all apart.“

“Is it possible to be in love with more than one person?”

“When we first met, I found my heart being captivated."

"My self control suddenly began falling apart. ”

“ How could you have fallen for both my friend and me?”

“You’re my friend? Why did you fall for my lover, of all people?!”

“Who is it you are seeing when you are looking at me?”

“Why are you trying so hard to make yourself smile?”

“I want to stay close to your side. But I can’t always be there, can I?“

“Why is it no good when it’s me who does what I can?“

“It doesn’t matter who you choose, because I will always love you.“

“I won’t hand you over to anyone!“

“Why can’t you choose me?”

“I never thought it would come to this.“

“Is a poly relationship considered an option?“

“I should never have let you meet her/him/them.“

“I tried to let go. But, I can’t stop my love for you.”

“I didn’t notice at you were falling for them.“

“Why can’t be just the two of us?”

“I want to jump into the depths of your heart, but I don’t wanna to end up hurt them.”

“The fact that I exist is hurting you despite of what I can do.“

“I want to steal you away, even though I know it’s a terrible thing to do.”

“I need the both of you in my life.“

“I thought things were fine the way they were.“

“I want you to have eyes only for me.”

“I want you to answer me. Who do you love more?”

“I keep on having faith in you, but now I need to accept this unrequited pain.”

“We were supposed to love and bond with each other.”

“Please don’t go. I don’t want to lose either of you.“

“Is it wrong I want to have both your hearts?“

“Why did let them become between us?“

“Are they better than me? Is that’s why you can’t leave them alone?”

“I don’t know why I can’t leave them alone, but I know I still love you.”

#angst memes #rp prompts #rp sentence starters #rp sentence meme #rp memes #love triangle rp memes

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braceletofteeth · 6 months ago

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catch up meme

Rules: answer + tag 9 people you want to get to know better and/or catch up with!

Thank you @notsocharmy for tagging me 💕

Favorite Color: Last time I said I was in a brown phase, right? Well, I put so much brown around me I got sick of it 😅 Now, I'm feeling more attracted to shades of red. It never happened before (it usually feels too intense for me), but recently I've realized I've been putting it everywhere too.

Last Song: Lucky Again by Louis Tomlinson. It's my favorite song from the album Faith in the Future, which I only discovered recently (many good songs there!).

youtube

The current quote in my bio is from this song.

Last Movie: I watched Uncontrolled Love 1 and 2 this week (it's a chinese BL from the time they still made those).

Before that, I also watched 10 Thing I Hate About You, for the first time (I'm a little late to the party, I know).

Currently reading: I have a book, a fanfic, and a legislation that I've started, but can't get past a few chapters at a time :( It's been hard to engage, especially with the ones I'm reading for fun. I'm too stressed to relax and properly enjoy.

Currently watching:

Never Let Me Go

It's a rewatch. I'm doing it slowly because I also wanna finish tagging and reblogging the remaining posts still in my drafts since the first watch.

Cherry Magic [Anime ver.]

Would I watch the exact same story for the third time, just in a different format? Well, of course!

Ploy's Yearbook

Would I watch an entire series for one actor? Well-

Death Parade

I found this anime in one of the polls I reblogged recently. I'm making my brother watch it with me <3

Enchanté

The people were right. Akk is hands down THE BEST of Force's characters. I'm not a huge friends-to-lovers person, but I'm having fun with this one. (I'm also using the random french words/phrases to exercise my beginner's french :)).

Currently Craving: If I mention The Heart Killers one more time someone might actually push me off the stage...

You know, what I'm really craving the most lately is to become financially independent from my family, and I'm doing everything I can in order to reach that goal, so that next semester I can finally get free. I want to move out and watch my silly little dramas in a safe environment, decorated to my taste, where I can dress however I want, learn to cook anything I wanna taste, and not worry so much all the time 😊

Coffee or Tea: Sorry. The only hot beverage I like is hot chocolate 😅

tagging: @permanentlyexhaustedpigeon247 @kdreader02 @cangse-sanren

Hi, guys 👋 I haven't known you for long, but I'd like to know more, if you feel like sharing. If not, no problem at all! Have a good day <3

#tag game #the number of people we're supposed to tag is a formality #let's all ignore me ignoring the rules

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margindoodles2407 · 1 year ago

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Greetings from the Margins

Sup? My name is MarginDoodles2407, but y'all can call me Margin :]

The most important thing to know about me? I am Roman Catholic, Pro-Life, and Anti-Pornography. By the way, my definition of pro-life is not just "anti-abortion", although that is a big part of it. I believe that to be truly pro-life, you must make a commitment to extend the respect and dignity we deserve as human beings to EVERYONE, regardless of age, health, status, physical characteristics, gender, political ideology, et cetera. And my Catholic faith is central to who I am as a person, so while I try not to get political on this blog- because we all need fun places to hang out without the stress of the real world- I will not hesitate to post about my Catholicism and Pro-Lifery. If that’s not your jam? Understandable. But please, be respectful to my Religion and values, as I will be to yours.

This blog started out as a Zelda blog and uh, it quickly became a Star Wars blog. From this sentence alone, you can probably guess my two biggest fandoms. My natural habitat is openly weeping about warrior space monks with laser swords and a fictional army of genetically identical South Pacific Islander men. Speaking of which, I am The Fives Guy. Do you wanna talk about Fives? Do you have Questions (tm) about Fives? Has this man crossed your mind at all? Well actually I am in the process of writing an Essay about him, which I will link to this post when I finish.

In terms of Zelda, my favorite character is the boy himself, my guy Link, and my favorite game is Ocarina of Time, and even though I am mainly a Star Wars blog now, I am ALWAYS down to talk about Zelda because these games were part of my formative years, I am still a huge nerd about them, and they are very near and dear to my heart. I cannot stress how much I still love Zelda.

I am an Artist and an Author, and requests for both are always open. Just keep it Safe for Work :) In case you’re interested, my AO3 is Margin_Doodles.

Alright let's talk about a few more things. Namely, the Tagging System, and what on earth it means.

Zelda Tags (main tag: #the legend of zelda or #tloz)

#hero's spirit: The blog, @tloz-heros-spirit, that I run with my EXCELLENT best friend and partner-in-crime, @whyoneartheven. A concept for a potential Zelda game that would be, canonically, the final game in the series and break the Curse of Demise. If you like lore-accurate storytelling, over-the-top character designs, and seafoam-green ghost fire, give it a check-out! Fair warning, though, I haven't updated this one in a while, but if you'd like to talk about it I'd love to!

#margin's links: My interpretations of the various Links, Zeldas, and NPCs of the Zelda series. Includes meaningful meta, silly art, memes, and various questions and answers.

#my beloved hyrule warriors: I talk about my second-favorite Zelda game, Hyrule Warriors, which I am mentally unwell about

#zelink my beloved: I am a Zelink shipper. It has me in a chokehold

Star Wars Tags (main tag: #star wars)

#hfsw: My precious baby, the High Fantasy Star Wars AU. Basically I take Star Wars, and make it a High Fantasy AU. I don't know how much more on-the-nose the title could be. This one also has its own blog, @high-fantasy-sw, although I'm not always great about cross-posting. Includes overly-intricate worldbuilding, SO MANY FREAKING MEMES, very flowery prose writing, even more silly art, and lightsabers but they're actually just swords on fire.

#wdap au: Commander Fox of the Coruscant Guard and Senator Riyo Chuchi of Pantora are madly in love. This saves the Galaxy. 50% whump and angst, 50% crack-treated-seriously absolute chaos nonsense. Another collab with @whyoneartheven, this started out as a personal canon-compliant slowburn tragedy but then took a 180 degree pivot and became our silly fix-it romance AU, featuring a begrudging-coworkers-to-reluctant-allies-to-mutual-respecters-to-genuine-friends-to-mutual-pining-to-lovers-to-totalitarian-government-topplers storyline, the What to Do About Palpatine Tea Club (from which the au derives its abbreviation), Padme "Been There Done That" Amidala planning a secret wedding, and Robot Hand Buddies Mace Windu and Anakin Skywalker, to name a few of the better jokes.

#newsies au: Blame the twisted mind of @luke-shywalker for this one; I was sick and decided to watch Newsies, and at her suggestion I liveblogged it. Then things got out of hand. Featuring Crutchie!Echo, Obi-Wan Kenobi In The Person Of Teddy Roosevelt, and "they have interplanetary travel but still read paper news?".

#baseball au: The Clone Wars, as a series of really high-stakes baseball games. I came up with this one on my birthday with one of my real-life friends. Featuring Political Baseball Intrigue.

#margin watches tcw: I watch The Clone Wars (2008), and provide commentary

#margin watches tbb: I watch The Bad Batch, and provide commentary

#rebels my beloved: the Star Wars Rebels tag

#master disaster himself: Anakin. The Anakin Tag.

#electric judgement: the Plo Koon tag

#look at my guys: the Clones tag. I need to get better at actually USING this tag, but it does exist.

#in this house we love and respect her grace duchess satine kryze of mandalore: the Satine tag

#maul is a drama queen: the Darth Maul tag

Personal Tags:

#margin doodles: my art

#margin writes: my writing

#margin rambles: my soliloquies

#you ask margin babbles: answers to asks

#memes by margin: my memes

#incorrect quotes: incorrect quotes, usually by me

#the vod'e: I talk about my siblings (i have a LOT of siblings)

#friend art: my friends' art! very cool, totally recommend

#catholicism: Catholicism :)

Fic Masterlist

Thanks for reading, thanks for checkin' out my blog, and May the Force Be With You!

#a PINNED POST?#on MY BLOG?#it's more likely than you think #about me

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fareehaandspaniards · 5 days ago

Note

All 20 unhinged prompts for Maria Ushiromiya + A wildcard: Would this kid be an iPad baby if she were born in our time?

( @izunias-meme-hole )

Unhinged prompts

Maria Ushiromiya????!! Okay! I'll do my best to answer

1. How do you think this character would fare in a zombie apocalypse?

Die third probably (After some relatives). I think her out-of-the-box thinking will get her through the first day or two. But... too young, too naive and spends too much time in her own imagination :Р

2. Favorite hc for this character?

If Maria had grown up, it would have been a truly femme fatale around the age of 25! She would have been independent of people (because she is already used to being alone and with her magical friends), complex, intelligent, and probably wouldn't see men as anything more than entertainment because of her father who abandoned her and Rosa. She would be the opposite of Rosa :P

3. Make me a hc about [insert topic]

Hmmm... I have not so many headcanons about her and since you didn't choose the topic...

Food! Maria isn't picky with food, and also, despite living with her mother, is quite capable of cooking something for herself, and in general can live independently at the age of nine. But only if she has to. If someone else is around, she will dump the responsibility for herself on someone else xd

4. What snacks is this character getting at the movie theater? Where are they sitting? Do they turn off their phone or are they a criminal?

I don't think Maria needs snacks while watching, much less a phone! :D I think she is able to immerse herself in the movie to the point where she can see it as reality. Hence, food or extraneous noises will distract her

5. How would this character act on social media?

Maria is an adept of holywars in commenting on everything….. She has her irrefutable opinion, and she will prove it to you for five hours, even if she is wrong…. And her blog would be cottagecore style and overall very cute <3 The main thing is to remember to agree with her

6. How would this character answer the trolley problem? Then how would they actually act if faced with it?

MARIA CAN'T BE ASKED TO SOLVE THESE PROBLEMS, YOU DON'T UNDERSTAND. She will probably create such an unbelievable scenario that from the trolley problem you will come to a situation of her demon army taking over the world.

If she were faced with such a problem, I think…. She would panic, but she would save one person, her loved one, instead of several others…. and she wouldn't regret it!

7. What’s your favorite thing about this character?

Well… I can't say we're alike, but I too was a kid who spent all my time in my imagination. I was so caught up in the game that I didn't notice my parents around while my dolls ran back and forth and tackled scary obstacles. So I can imagine how important her imaginary world of witches is to her, and why she treasures it so much. Even if she becomes convinced it's all Beatrice's fiction, she'll still hold a little piece of faith deep in her heart that it was all real

I love how Maria is shown from completely different angles. I love exploring child characters, and I didn't expect Maria to be so unusual and fascinating in the manga

8. What would this character’s favorite kind of weather be?

Absolutely definitely a thunderstorm with heavy rain! So everyone is sitting at home and Maria is enjoying the company and family coziness :3

9. How far would this character get attempting to climb Mount Everest?

THIS GIRL is gonna climb Everest!!! She will just deal with all the difficulties with her imagination, and in the end she won't even notice them. As long as her head believes that Sakutaro is helping her climb higher, she'll be able to handle anything

10. How would this character feel about [insert topic]?

Boom, randomizer said: topic is internet!

Maria would probably like to have some influence on the internet. You know, have her own channel, blog, community, uh, something else, and be in charge of it. You know, if she and Ange started some project together, they wouldn't be able to finish it as they would fight forever for leadership haha, just like with magic. I think Maria is the kind of person who would try to gather like-minded people around her, but would be interested in too narrow of topics to really have fans and followers

11. Forget the sex or die trope. This character must attempt to rob a bank or they will die. Do they succeed/how much do they get? (If you have extra time, what’s their plan? Who is their crew?)

Of course she will rob a bank XD And she will do it in a very lavish, bright and pompous way!!!! There will be fireworks, people in different costumes, shooting and many other things. Her gang will consist of an army of beasties, Sakutaro and Beatrice

12. This character suddenly finds themself on the titanic. Do they survive?

Yea. She was among the first on the lifeboat and didn't even realize how it happened herself

13. Shopping timeeee what outfit/style of outfit does this character put together?

But that's probably for an adult Maria….. She wouldn't be afraid to look “weird” in public, so she'd probably be dressed either like this ^ or something very colorful

14. This character comes suddenly face to face with a dragon. Befriend or slay?

Befriend! :D

15. This character is sent a scam email by the fae requesting they type in their name for a free prize. Do they fall for it?

She does, she does!!! Well, the first time XD And then she'll probably read a spell to give the offender diarrhea for two weeks.

16. What hurts this character the most emotionally?

Trying to smash and destroy her little miracle of magic! You know, there are those people who will prove to you that what you thought was luck or blessing (or magic) can actually be easily explained by science and math and shit. And they don't care if your little miracle makes you happy. Oh, it's people like that who can break her sensitive heart. Aaaaand Rosa

17. What gives this character the most comfort?

Support. Also when everyone around is in a good mood. She doesn't have to be afraid or worry about others, she can live a little in her world and try to find happiness with the help of magic once again

18. If this character is from a more modern setting, how do they fare when dropped unceremoniously with no warning into the middle ages? Or if they’re from a more fantasy/old timey setting, the other way around? You get the idea

I can't make up my mind XD on one hand, Maria is quite capable of taking over the kingdom by becoming a court wizard or something. I think she would be VERY convincing regarding her magic. And on the other hand - you know, little girls better not go alone in medieval times :0 She'll either become a saint, or a head warlock, or die very quickly

19. This character received a mysterious package in the mail containing a genie lamp. 3 wishes, the usual rules, go!

Oh okay. The first is to make sure mom never gets taken over by an evil witch again! Two, that everyone believes in magic with Maria. And three, I don't even know. Either daddy's return or something tangible like toys or candy. And MAYBE a magic wand that would allow Maria to control everyone around her!

20. This character is being marooned by pirates on a deserted island and the pirates say they’re allowed to bring three things to the island. What do they bring?

Sakutaro, dark magic grimoire and mom...? Mom can be a thing for her in some sense, I think. Well...

21. A wildcard: Would this kid be an iPad baby if she were born in our time?

Unlikely… Gadgets can replace the play of imagination, and Rosa would likely have been desperate to soothe Maria precisely with an iPad like so many irresponsible parents do. But Maria is too intelligent and independent to lose her mind in silly toys and cartoons. If she had used a cell phone or an iPad, it would have made her imagination even stronger! But it wouldn't have made her forget about regular games and entertainment! I think Maria would be great in Minecraft

#maria ushiromiya #umineko #mutuals #ask game #thanks izunia!!!#it was very interesting!!!

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