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#(which i'm sure he does also believe but both can be true)
wilcze-kudly · 1 day
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Thoughts on…
https://www.tumblr.com/miss-sweetea-pie/731463633376313344/zutara-lens-vs-kataang-lens?source=share
Is it fair to even mention Zuko seeing as Katara never had feelings for him?
Honestly, I find it kinda funny that OP is sorta telling on themselves by seemingly primarily viewing Jet's storyline through a shipping lens, a stepping stone for Kataang or Zutara.
But sure, let's go with this narrative.
OP claims that Jetara could be seen a foreshadowing to Zutara, as they say that Zuko ans Jet have some similarities. And I suppose that can be true on a surface level. As OP says: Rugged teenage boys with traumatic back stories. But franky, other than being mildly edgy and also having been through some sort of trauma, there's not much there.
In fact, if you compare Aang and Jet, I think you'll find many deeper similarities than just "bad boy with questionable morals".
Aang and Jet have both experienced great loss at the hands of the Fire Nation. Aang losing his entire people and Jet losing his parents and village, presumably leaving them both alone in the world and with a lovely case of survivor's guilt to boot.
Jet and Aang are both kids who were forced by the war to take up positions of responsibility over their fellow victims. Aang, of course, being the Avatar and being fated to end the war. While Jet takes up a leadership positions, persumably gathering kids orphaned and hurt by the Fire Nation, leading them and keeping them safe, while also fighting back. Let's not forget that the reason Jet decided to flood that city was because the firebenders occupying it were planning to burn the forest Jet and the Freedom Fighters resided in, forcing them out and putting them in danger.
We also see a very sweet parallel of Jet encouraging Katara's confidence in her waterbending skills, which is something Aang does on numerous occasions, showing us exactly what affection Katara values in a potential partner and that both Jet and Aang not only believe in her skills, but also intuit her needs.
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This is why Katara fell for Jet and why she fell for Aang. They're both protectors and heroes of the people, they're both victims of the Fire Nation who chose to stand up against it. They're revolutionaries, rebels, downright rabble-rousers. They both value communities, and do their best to uplift and defend their fellow victims, something Katara does as well. And they both connect with Katara over not only encouraging her in her own abilities, but also in their shared trauma, which leads me to my next point.
Aang works so well paralleling Jet, because both Jet and Aang were written and posited to parallel Katara. This aspect of Jetara is one OP completely neglected to mention, I suppose due to the fact that it doesn't hoist up Zutara as a ship.
Katara and Jet connect over their trauma very early in the episode, and I think this is where Katara's interest in Jet due to his role as a Freedom Fighter turns to a genuine connection over shared trauma.
Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever. Katara: Sokka and I lost our mother to the Fire Nation. Jet: I'm so sorry, Katara..
Katara, Jet and Aang share many similarities, which is why I suppose these two boys were Katara's only explicitly confirmed love interests. Just like Aang and Jet, Katara is community oriented, a voice for victims and the marginalised, a fighter for the good of the people.
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Seeing these parallels almost makes me wonder if the design team took this into account when making Jet's design colours mainly blue and orange, colours assvociated with Katara and Aang. Though Jet's colour palette is more muted and darker, perhaps signifying the erosion of his morals due to his trauma.
Jet goes astray when he begins to value the fight over the people he is fighting for, something Aang and Katara actively go against, prioritising human life and their moral integrity.
Atla explores the concept of victimhood and how it affects our morality in various ways, especially when it comes to victims of war. The particular focus of this theme is Katara, as we see the writers often connect her to victims who lost that morality, in order to showcase her character. Hama and Jet both serve as excellent foils to show what Katara could've been if she wasn't as kind and compassionate as she is. The crowning jewel of this storyline for her being, of course, the Southern Raiders, which bears callbacks to both Jet and Hama.
But as much as I want this post to be about Katara, OP has other plans, so let's go back to their arguments for Jetara foreshadowing Zutara.
OP makes an argument about how both Zuko and Jet break Katara's trust, testing her charcter, which is a good point, albeit they conveniently omit Hama from the circle of people who connected with Katara over shared trauma and then betrayed her trust.
Can't imagine why. Is it because Hama isn't hot, isnt it? Op doesn't fancy a nice morally compromised gilf, I suppose. 😒 we used to be a proper country.
OP also claims that the show portrays Katara as too trusting, and even claims that the shows message in Jet's case is, in their words: So from a k.ataang lens it leads more towards the lesson that katara need to stop letting these “bad boys” break her heart, “dumb girl your too trusting just give the sweet guy a chance”.
Which is quite the claim, since I actually really enjoy that Katara is never portrayed as being in the wrong, or 'dumb' for trusting Jet, Zuko and Hama. In fact, the three of them are made to look like assholes for taking advantage of her.
The thing about Katara's trust of Jet, Zuko and Hama isn't that it comes from a place of foolishness or naiveté. It comes from empathy and connection. She connects over shared pain ans trauma with these three and she wants to make a connection to alleviate their pain. It just so happens that Zuko is going through his disaster boyfailure era, while Jet and Hama are morally compromised by the horrific events that brutally formed their mentalities.
Anyways, to wrap this point up, can Hama be an honourary bad boy too I think she deserves that
Another argument of OP is that Jet's death could foreshadow Zuko almost dying in the finale and that is could teach, in their words: how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love.
Now, this is interesting, because Jet's death very clearly connected to Aang's actual death and then ressuraction via Deus ex Katara. However, unlike the theme of pure romance OP proposes in their post, the canon storyline uses these events to feed more into Katara's personal development and stoyline, that of her fear of loss and helplessness, on which I elaborate here:
That is not to say that this storyline doesn't affect Katara and Aangs romance, but I like that the main focus is Katara's meantality and trauma. Because the thing with Katara and Aang's storylines and development is that they intertwine and feed into each other but aren't overshadowed by their romance.
OP continues to speculate that the jetara storyline through a kataang lense is that "bad boys" will break Katara's heart and that she should just "give the nice guy a chance".
I find this a gross twisting of the nature of multiple characters, relationships and storylines.
First of all, reducing Jet to a "bad boy" is fucking demeaning and kinda disgusting. He's not an edgy boy who smokes in the school's bathroom and rides a loudass motorcycle. He's a traumatised child soldier, caring for other children and desperately trying to stop the advance of an army that already has like 3 genocides under its belt. His morals getting messed up in the process doesn't make him a bad boy, they make him a realisitic victim. A kid who tried his best but became misguided.
In the same, paragraph, OP also claims that, despite the message of the show being that everyone is capable of good and evil and that everyone deserves a chance, because people are complex, Jet is not afforded that dignity and understanding.
AND LET ME TELL YOU LET ME FUCKING TELL YOU
That was upsetting.
Because Jet's redemption was shown so wonderfully and symbolically, to the point where sometimes it makes me more emotional than Zuko's.
In B2 we see that Jet has left the forest (persumably bcs the firebenders did burn down the forest) and his entourage has shrunk to just Longshot our trans queen Smellerbee 🏳️‍⚧️. We are told that he is looking for a new life in Ba Sing Se. So far so good.
It seems that the Gaang intervening with his plans has definetly made him rethink his actions. And he's looking to start a new, kinder life. Even going so far as to remove himself from the fight against the Fire Nation, something he had previously been so passionate about, perhaps because he recognised that it brought out his uglier side. Hell yeah we love a king who can recognise his flaws and strives to better himself.
Jet: I've done some things in my past that I'm not proud of, but that's why I'm going to Ba Sing Se: for a new beginning. A second chance.
Despite not being on the frontlines anymore, he's still a hero for the people, straling food for the ferry passengers from the greedy captain. Noice. He immediately takes an interest in Zuko, assuming as many, that Zuko was a victim of the Fire Nation like him, due to Zuko's scar.
Jet: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will.
I find this SO endearing because atla places such emphasis on the connections and solidarity between victims. And Jet is no exception to this, having taken so many children orphaned by the Fire Nation (or just orphaned as seemed to be the case with the Duke) and also connecting over being hurt by the Fire Nation with Katara, the same way he thinks he is connecting with Zuko. (Jetara and Jetko should parallel each other actually instead of Jetara and Zutara)
Now things turn south when Jet realises that Zuko and Iroh are firebenders, which while showcasing that Jet's need for redemption hasn't healed his trauma (not surprising) around the Fire Nation, I can't really blame him. Like, he's seen the worst of what firebenders can do, why on earth would he stand by and let them infiltrate the city that refugees flock to in order to escape the war. And yeah he sounds like a raving lunatic, but he is right. Zuko and Iroh are firebenders.
From then on, Jet is used as a pawn by Long Feng and the Dai Li, but he still does his best to help the Gaang, seemingly holding no grudge against them for ruining his plans of mass murder.
We see a nice lil trauma flashback of Jet's childhood trauma, giving us a tangible illustration of his motivations and pushing us to sympathise with him. We see him and Katara share a sweet moment as she literally alleviates the pain of the memories. This scene can not only be read as romantic but as another example of solidarity and support between victims in atla.
But it's in the bowels of Lake Laogai, as Aang and Jet face off against Long Feng, that we see the symbolic redemption for Jet really come to its crescendo.
Long Feng, compels Jet into fighting Aang, directly paralleling Aang and Jet's previous battle in the Jet episode. Aang is trying to solve the situation peacefully, even while Jet is trying to hurt him.
Aang: Jet, it's me, Aang! You don't have to do this! Long Feng: I'm afraid he no longer has a choice.
[...] Aang: Jet, I'm your friend! Look inside your heart! Long Feng: Do your duty, Jet! Aang: He can't make you do this! You're a Freedom Fighter!
And I can't not think how the brainwashing pushed Jet into an almost identical situation as his grief and anger did all those years ago. It's a decent comparison, I suppose. Both stem from a painful, stressful situation, influence his actions, pusging him to do things against his usual morals, turning him away from the caring, idealist Freedom fighter he is.
But this time, Jet breaks through the thing clouding his mind. He remembers himself. His trauma, his friendship and care for the freedom fighters and his connection to Katara. He sadly pays the ultimate price for this.
And while I dislike this plot point, because as a rule of thumb I dislike when a character gets a redemption arc and immediately dies or redeems themself by dying, but I can appreciate this scene for how it defined puts a lot of care into showing us the change in Jet, his perception by the gaang and his role in the story.
Katara tries to heal Jet, but is pessimistic(in the commentary of this episode, it's mentioned that there could be a few explanations as to why she didn't use the spirit water.) Here, Jet urges Katara and the Gaang to go find Appa, leaving him to essentially die.
And it's as the Gaang leave, we can compare the ends of the two Jet storylines. In Jet, the last time we look upon Jet's face, it is twisted by anger and rage. In Lake Laogai, he wears a sad, but reassuring smile, and somehow looks at peace.
When Katara first had to leave him in Jet, her expression is one of betrayal and disappointment. In Lake Laogai, she looks to be preparing to grieve, almost as if she were trying to hold back tears. She's conflicted and sad in both scenes, but for different reasons, showing how Jet has redeemed himself in her eyes.
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Where in Jet, we leave Jet disgraced and in turmoil, in Lake Laogai we leave him dying, yes, but also a hero, kind and brave, and free. And I like to believe that the second is the real Jet.
Ok this just turned into me gushing over jet, but I think this was important to highlight the significance and uniqueness of Jet and Katara's relationship. Presenting it as "the proto-Zutara" is a disservice to this complex, heartwrenching storyline. And that was kinda gross of OP. Shame on them.
I also think OP is mistaken by labelling Aang as just the "nice guy" whom Katara should "give a chance to". Aang is indeed a nice, kind person and this is something that attracts Katara, because she's also a good person and she values such traits. But this is not the only reason Katara falls for Aang. Like with Jet, she connects with him over shared trauma. He enables her growth, respects her as a teacher, offers her comfort when needed, is her friend and supporter.
Katara is not "giving him a chance" their relation simply progresses very slowly and in a slightly unorthodox manner. We see that Katara has a growing crush on Aang, blushing over him and getting incredibly jealous when other girls try to get with him.
I also like that Aang and Jet are never pitted against each other and Aang is never jealous of Jet. In fact Aang seems almost just as infatuated with Jet as Katara lol (jetaang rights babey).
OP also claims that a lot of people misinterpret TSR as Katara being manipulated by Zuko and "needing Nice Guy Aang to save her". Which is something I've talked about a few times. I don't believe Zuko was consciously manipulating Katara. He was simply trying to build a relationship with her because she was very adamant on hating him. And because he didn't know her that well, he tried to help by projecting his own needs and anger over his mother's loss onto her. Which is very 16 year old boy of him.
And I don't believe Aang was even trying to "save" her. I think he was simply trying to help Katara think through her actions throughly before she did something rash that may haunt her forever.
Aang bringing up Jet also seemed more like a : "hey remember when we saw a guy betray his morals due to his grief pain and trauma despite being a kind and good person with an good goal?" Which I think is a kinda understandable thing since it happened like twice to them already. And remember that Aang has also experienced how destructive his anger can be and he knows Katara's morality and idealism well enough to know that what she is planning is way out of character.
OP tags this post with "I swear zutara gives the show so much more depth" and while I don't want to deride the ship as a whole, the themes and storylines OP gave don't really bring that much depth into the show. It simply repurposes the arcs and storylines that served to either explore Katara, or the concept of victimhood and morality into serving a romance.
Which is... fine, if that's what you consider deep I suppose. I just think it's obvious that OP had clear biases when coming up with their post. And like, biases are fine, we're writing meta about a kid's show not a fucking reseaech paper, I'd be a hypocrite if I called OP out on having preferences.
But it's obvious that OP did their darndest to present Kataang in the least favourable light and didn't even try to consider giving it a shred of anything but a cursory, critical glance.
If I were to talk about their "Jetara foreshadowing Zutara" idea with its "bittersweet lesson how we waste time holding grudges and sometimes people don’t have the luxury of apologizing to the people they love" like they talk about Kataang, I could say (altering OP's text here):
"So from a Zutara lens it leads more towards the lesson that katara need to stop holding a grudge towards these boys who hurt and used her, “dumb girl you need to forgive them quickly cause what if they suddenly die and you realise you love them and regret it“ .
...which sounds like some manner of abuse apologism. I don't think OP had this in mind, but it just shows how easy it is to paint a benign message into something shitty if you're just salty enough.
I think that wraps this up. I can vaguely understand what OP meant, and it's a cute concept for Zutara shippers, I just don't know why Kataang slander had to get dragged in here. Since while OP seems fairly invested in Zuko, they visibly have a little issue giving thought to Katara, Aang and Jet's storylines.
Which is sad, especially in Jet's case, since he doesn't get nearly enough love from the fandom. So here's the little note from the atla cookbook that made me really emotional over Jet lol
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HE COOKED FOR THE FREEDOM FIGHTERS AGH OUGH AGH
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shortchoco · 2 days
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Its now basically confirmed Sampo is from planet Kalevala according to the new textmap leaks for his upcoming event :)
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Ok I think our theories of him being forged by SOMEONE or some aeon is slowly becoming true BUT the question is who?
It could be the HSR alternate of Illumiren that crafted sampo or even the Preservation. Why do I think that? Well simply put, preservation is trying to preserve anything it can possibly do-- and additionally, qiloph has a giant hammer, it would make sense for them to "make" sampo, not only for the sake of Belebog but also Kalevala who is in a similar situation as them.
The poem Sampo singing in these leaks literally talk about HIMSELF and I'm pretty sure the word "Sampo" is going to be highlighted in yellow/red during the game BC of these odd "RUBY" text around it, just to emphasise something about SAMPO.
Sampo happily singing about himself or his supposed "purpose" makes me think he's a mix of 3 paths (as in he believes in them or he embodies them in some way):
The Preservation-- he has been consistently running around belebog behind the scenes, even as far as going to penacony to get his mask back from sparkle. He's obviously trying to *preserve* belebog and save it from destruction
Elation-- this is pretty obvious. Sampo braking the 4th wall, his mask, his talk with Giovanni and scamming people. But something that doesn't add up I think is him not having his mask during the belebog quest. I think the reason why he didn't have his mask was not only BC he was retired as many people mentioned but ALSO the fact that the masks that the fools carry can corrupt them. If U watch Sparkle's myriad celestia trailer, U can tell she's being possessed by someone else like an evil spirit and how her mask has half red, half white parts. But then I think ABT Giovanni who has the same feature on his mask but doesn't seem possessed like sparkle herself. He seems very similar to Sampo, calm and rational which explains why SAMPO'S friends with him in the first place. But even then sampo seems to refuse sharing his beliefs until someone asks him and I think that shows his reluctance to return to elation
Nihilty-- this is SAMPO'S ingame path and I didn't only choose it BC it was his ingame path. You see elation and Nihility are practically the same thing. Both believe that life is nothing/joke but the only thing that sets them apart is that nihility just does nothing and awaits for that meaningless end, while the elation is just like "if everything is meaningless than I might just have fun". I feel like Sampo does fall under this category and his backstory will have elements linking to the nihility but that's just my speculation.
I also suspect that sampo was hired by Elio like sparkle BC how else does he know the future? I thought that since sampo may be the emanator of elation, it might relate to that but if he did know the future, during the penacony masquerade duet quest, why did he make a surprised expression when sparkle said she wouldn't give his mask back as a joke? Shouldn't he have known that sparkle was joking if he knew the future? I don't think he was acting here
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so I'm thinking that perhaps, Sampo was also hired by Elio. There isn't much to prove this, but if you have a look at firefly's trailer, you can see the stelleron hunters walking on a bridge located in belebog
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Also, I think a person on twitter found a note in rivet town from blade saying "you will never get away from me" (dan Heng I pity U).
Since the stelleron hunters didn't take the stelleron from belebog, and let tb do the work, why were they even there to begin with? To give sampo the script methinks.
Anyway, what do you guys think?
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gayofthefae · 1 year
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In an “I love being queer, queerness is so wholesome” mood and
WILL PAINTED A HEART ON MIKE’S SHIELD. WILL PAINTED. A HEART. ON MIKE’S SHIELD😭💗
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andy-wm · 1 month
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The Tarot of VMINKOOK
Their dynamic as I see it, and the absolute validation that Jimin and JK are together.
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I really enjoyed the 3rd episode of Are You Sure, partly because I love the VMin dynamic, and partly becuse I was relieved to see that JK and Tae got along.
I also enjoyed watching just the three of them together without the rest of the members because I could really focus on the way they interacted.
This post is entirely my own opinion, and based on my observations. Feel free to politely disagree.
What we had was:
The Siblings - JK & KTH
The Cousins - JM & KTH
The Lovers - JM &JK
The Siblings
JK and Tae have peak adolescent sibling energy Pre-adolescent maybe....
It's typical of the petty rivalry of siblings close in age where the younger is the dominant personality and the older is slightly mistified by the audacity of their little brother.
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Tae's eye-roll here 🤣
They will argue over nothing, but they will also readily unite when they have a common goal or foe. In this episode, they ganged up on Jimin for the sake of amusing the viewers (I get that they had a mandate to be entertaining but seriously, poor Jimin 🤣.)
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At least it gave JK and Tae a reason to cooperate, because we know JK wasn't thrilled about him joining them. And who can blame him... how often do the two of them get away together?
Tae and JK probably have that "I can talk shit about my brother but nobody else can" thing going on, and I am 100% sure either of them would jump to defend the other if someone outside Bangtan gave them reason to.
I'm sure JK sees Tae as a genuine brother, but that doesn't mean Tae doesn't irritate the hell out of him sometimes. We've seen Tae take liberties, and we've seen JK snipe at him.
What is clear to me, seeing the three of them together, is that competitive-natured JK has to curb his desire to compete with Tae for Jimin's attention - to steal Jimin from Tae - and we've seen him do it, so it's not unheard of. The bottom line is, JK doesn't love sharing Jimin. And that being true, having to totally relinquish Jimin must have been... challenging let's say.
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Even giving him a Harley to ride wasn't enough compensation for JK's FOMO when VMin were having fun in the car without him. And that grimace he wore when he was enjoying his solo gokart ride was absolutely hilarious too.
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The other thing that comes between them, based on what I've seen, is JK's impatience with Tae's quirkiness. JK does not seem to have the gentle fondness or the endless patience Jimin does with Tae, which brings me to...
The Cousins
Tae and Jimin are like those cousins. You know the ones I mean? The cousins who have that magical bond. They connect on some ultraviolet wavelength nobody else can see, and it's both delightful and annoying for everyone around them (especially for the ultra-competitive boyfriend of one of the cousins, who feels like he's the third wheel when the those two get together).
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Jimin and Tae are 친구 - same age friends - and this automatically puts them together - they are peers. It creates an instant friendship bond. But their connection seems like more than that, because Jimin and Tae seem to be so at ease together that neither of them has to mask, and that means they trust one another. That type of deep connection between two people can only come from unconditional acceptance.
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Tae doesnt know how to use a drive-thru, and Jimin patiently helps him.
I believe that even if they grow apart, their unique connection will always remain... Because you never forget your first, right?
I'm talking about the first person who really sees you.
Maybe they're the first person you come out to and who comforts you when you're afraid of what that might mean for you. Maybe they're the person who never teases you when you miss social cues, and who will quietly explain the joke you didn't get. Whatever your situation, that person is the one who you trust with your real self. You know you're safe with them.
Both Tae and Jimin have characteristics that set them apart. I'm not in the habit of diagnosing people but Tae does make me wonder, the way he lacks social awareness and sometimes goes off on bizzare tangents, and his very individual fashion sense... not to mention his hatred of shoes. Jimin's gender and sexual identity would have been equally challenging for him, trying as he was to fit in and be a strong man.
They would both have felt like outsiders and struggled with connection and belonging, and I think their genuine support of each other is what makes their friendship so special.
I think that's what the soulmates thing is all about.
And who could possibly compete with a soulmate? Only one person...
In this social game of cards, JK holds the trump.
The Lovers
There's only one reason JK would rank higher in Jimin's books than Tae, when Tae automatically has higher standing on both a personal level with Jimin, and a broader social level.
Jimin and Tae are 친구 - they have a bond unique to people born in their year. That bond means younger or older friends are always going to be more distant, because even with close friendships across age groups, honorifics will still apply. Only with chingus can the honorifics completely fall away.
In addition, Tae is older than JK, so automatically holds a higher social standing. Even though Tae and JK are friends, JK should still defer to him, especially where his chingu is concerned. But JK does not.
This can only mean one thing:
Jimin and JK are in a relationship.
JK's status as Jimin's partner outweighs any other relationships Jimin has. Therefore JK stands as an equal next to Jimin, and that shuffles everyone else down a notch.
That's why we see JK squeezing in next to Jimin (sometimes pushing the older members out) so he can get where he needs wants to be.
That's also why, in episode 3, JK could take the bed next to Jimin and leave Tae to sleep on the floor.
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Aside from JK's position as Jimin's equal, we can clearly see that he takes care of Jimin in ways he wouldn't if they were not together. He may not defer to Jimin, but he is visibly devoted to him.
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I have never had any doubt that Jimin and JK were lovers, and I never for a moment thought they broke up. It's no surprise to me that this is confirned when we see them on this trip.
But I'm still dying to see the next episode with Tae.
Bring on Thursday!!
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loriache · 6 months
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do you ever think about how delgal never blamed the winged lion for what happened to thistle?
I'll preface this by saying that he certainly COULD have done. most of the arguments that delgal had with thistle about returning the golden kingdom are off-page, and he doesn't seem to have relayed a lot of detail to yaad about how he understood thistle's behaviour.
however.
what we can infer, i think, is that if delgal blamed anything for thistle's increasingly erratic behaviour, it was the influence of "black magic" and power.
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the winged lion is the golden kingdom's guardian deity, and that is how they understand it up to the present - including yaad. the prophecy that convinced delgal to leave the dungeon (which i assume the winged lion intended to use to attract another, more easily controllable, dungeon lord) is likely to be part of a long campaign the lion made of deliberately isolating thistle from the people of the golden kingdon and presenting itself as the victim.
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we see that the lion is convincing, and keeps a facade of concern for thistle long past the point that it has any chance of winning him over - i don't have any doubt it was easy to present this narrative to the kingdom's people, including delgal.
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but isn't it incredibly sad to think that the person who thistle trusted most in the world and did all of this for was unable to see the true victim, between him and the winged lion?
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we see that very shortly upon becoming the dungeon lord, both marcille and laios become lost in their desires. this is standard.
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Laios is only able to get through to marcille because he sees the root of her pain, and understands that ...
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...the dungeon's power is evil.
thistle isn't acting rationally from the very beginning, but it is possible to reach him - if delgal could understand where his desire and his fear stemmed from, and that the winged lion is evil.
Thistle at least seems to know that the winged lion isn't to be trusted. Thus why he sealed it in the book. perhaps he picked up on what it was doing, manipulating the kingdom's people and him both.
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But if he ever said that the winged lion was dangerous, not to be trusted, to delgal, he wasn't believed. to delgal, thistle sealed and misused the power of the golden kingdom's guardian deity. As a student of ancient magic, I believe thistle understands that isn't what the demon is - or at least not all of what it is - even if he doesn't know the details of why it's so dangerous, or that it can devour his desires. But as an 'outsider' to the golden kingdom, despite his (unofficial, i'm sure) adoption, and the fact he's been there most of his life, I doubt his saying so would be received well by the kingdom's people.
As far as we know delgal also doesn't understand the fear that is driving thistle's refusal to let the dungeon go -- the need to be useful that he instilled.
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Even if he doesn't really realise, he is talking to a, at most, 15-16 year old in relative human years, and putting the responsibility for the kingdom on him - it's no wonder this is a weight that Thistle isn't able to let go of. Especially if this is how he attempts to persuade him:
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It doesn't get to the root of why he asked thistle to do this to begin with - the fear of death. It's just "hasn't it been long enough, people want to leave." Well, if they leave, they will die - thistle's right about that! The only way to get him to accept that is what Yaad eventually does on his behalf at the end of the manga.
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To admit that he was wrong to ask to begin with. To ask Thistle to accept loss and death. To accept it himself, truly.
Without doing that, there's no way he'd ever get through to him. So the route he takes - running away from thistle, begging that someone kill the "lunatic magician" - might be the last resort of a desperate man who blamed himself for what happened to his brother. But it's also something he does because he can't understand Thistle, and can't see his pain for what it is or his relationship with the Winged Lion for what it is.
The way that the lion manipulates others' perception to make him the victim and thistle the - well, the 'lunatic', the unstable villain and captor - really evokes DARVO to me. the demon as a metaphor for an abusive relationship. like.... look at this extra:
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and it makes me sad that no-one realised what was going on until it was too late for thistle.
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simpingland · 1 year
Text
The punch and the car.// Jacaerys Velaryon x Fem!Reader
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Modern Au! Jacaerys Strong never liked the girl his mother adopted, and made his life's mission to let her know that. But years past and reader can't handle that much hate from someone as intense as him. Baela and Rhaena have an idea.
TW: smut and angst a bit of fluff! P in v, masturbation (female receiving), unprotected sex. Someone gets a punch.
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As you had told her, the din of the overly loud music drilled into your brain. But your friend Rhaena's enthusiasm to see you and Baela out of your routine made up for it all. It was overwhelmingly crowded, but even so, her beautiful white hair made her stand out from the crowd and she ran to give you a hug.
"I can't believe you came, I thought you said yes to shut me up," said the girl with the sweetest smile.
"I never break a promise," Baela replied earnestly. Always with her dignity and honour.
"And I see you have convice our girl as well," she addressed you.
"Well, I'm afraid Baela threatened me if I didn't come..." that was absolutely true.
"That's how I made sure there was someone around who I liked" she justified herself.
You smiled at her, Baela had always been like a big sister to you, protective and loving in her own way. And Rhaena was also one of your favourite people, she knew how to boost your self-esteem and transmit energy. Maybe the party wouldn't be so bad.
"Baela!" someone shouted from afar.
You changed your mind after a second, from now on everything would be bad. The voice belonged to Jacaerys Velaryon, Baela and Rhaena's cousin, a.k.a 'Jace' to friends, which he always reminded you you weren't.
"What are you doing at a party, and out of rugby uniform? I don't think I've seen you in a skirt in years..." he hugged his cousin, smiling with those dimples. Then he saw you. "Oh...and you came too."
"Jacaerys..." you replied. "I'm surprised you saw me, I thought you'd be drunk as a skunk by now."
"I could hear your little voice beeping over the vibrations of the glasses as soon as you came in," he tried to mock.
"The plastic cups you mean?"
He fell silent, sighed and refocused on his cousins.
"I hope you're having a good time, cousin, I've got to go and get the playlist ready. It's my turn to DJ in a bit!"
The twins congratulated him and let him go, Jace gave them flirtatious winks before giving you a sidelong glance, as if he suspected you were going to nudge him at any moment. When he finally disappeared, Rhaena started waving to people and you and Baela decided to go get the first drink of the night.
"'I could hear your little voice beeping over the vibrations', ugh, what a clown..." you grumbled in Baela's ear.
"Oh, no. Don't start." She stopped concentrating on choosing liquor to look at you.
"Start what?"
"Complaining about Jace for anything. It's a tiring subject, both sides."
"He complains about me too?"
"Of course he does. He's always asking about you, like he's waiting to know something so he can complain even about things he hasn't lived through."
"Do you guys talk shit about me during training?"
Baela and Jacaerys were in different years at university and didn't study the same subjects (Baela studied sports, Jace politics and geography), but what they did share was a rugby training routine. Both were great players, and from a young age they had found a strong friendship through sport.
"No, I can mention to him, I don't know, things like we went shopping for panties last week and he finds a way to complain about you, asking me about you and overreacting to everything I tell him."
"Don't tell him about my panties, Baela!"
"It was an example..." lie, you had gone panty shopping, and Baela would most likely have told him about it because she doesn't think much of such things as embarrassing. "The thing is, I've had enough. I'm here today to get drunk and have fun."
She turned her attention back to her drink.
"So...you think I have an annoying voice?"
When she filled her drink twice as much, you took it for granted that her level of irritation had been overcome. You took pity on her and let her dance alone until you saw her stop to dance with a companion of hers. Perhaps the best idea was to walk around, and say hello to everyone you had even the slightest interaction with. And it seemed to work, albeit short greetings, nods or smiles, but no one stopped you to talk. As you sipped your drink, looking around the huge fraternity house, someone came up to your ear.
"Don't you have any friends here?" You were ready to smile at him, but you recognised Jace, though you didn't know whether by his voice or his smell.
"I'm looking for someone, actually," you lied. "You don't have anyone to hang out with to complain about me?"
"I'm afraid no one here cares that much about you."
That hurt. It would have been easy to reemphasize how obsessed Jace seemed to be with you, but it had crossed the fine line where you just wanted to cry because his insistence had made you want to hit him. Maybe it was true, maybe there was no one who cared about you as much. He must have noticed something in your eyes, his twisted smile disappeared, but because Jace couldn't stand to empathise with you, he decided to get angry.
"Oh, don't tell me you're going to be like that," he said.
"I don't even know why I bother to talk to you."
And you disappeared, turning your back on him. If he said anything else, you didn't hear it, the music was drilling into your head so much that you decided to finish your drink in two gulps, trying to numb your brain.
It hadn't always been like this with Jace, you just had trouble remembering the good times because the boy had made things difficult for you from moment one. From a very young age, living in the same house where Rhaenyra had lovingly taken you in, Jace had been a good boy, obedient to do his homework, help his brother Luke, and play with his cousins whenever they visited. But with you he was always different. It went from deep affection, sharing daily activities at home like drawing for hours on the same floor, dressing up and playing in the garden on summer mornings, swinging with each other in the park or enjoying cartoons lying on the sofa. But all that changed so drastically in the last years of school that you only had pictures and videos to remember those moments. When Joffrey was born, Rhaenyra began to count on you as a help around the house, while you put up with Jace pulling your hair when no one was looking, or "accidentally" throwing a ball in your direction. Nothing you said seemed right to him and all your good deeds were an attempt to lick his mother's arse. If Rhaenyra hadn't been there, you probably would have cried every night in your bed, but you held out hope for many years that he would grow up, just as Rhaenyra promised you would happen. Worst of all, you could only scold him so much, because Jace was smart. Sure, he talked back to his parents, he went out between days without warning, stories came home about girls he'd been seen hanging out with and doing things with, and he was a dick to you and didn't hide it. But he also passed all his exams with flying colours, he still had that unconditional affection for Luke, Joffrey and his cousins, he was a sportsman on a par with his mother in his youth, he helped his father Harwin whenever he needed him to fix something around the house, and he knew how to make anyone he came across smile.
Meanwhile, you had always felt like an outsider because of him, because the others had gone out of their way to include you. Harwin was a father to you, he had taught you how to drive and showed up at all your music recitals, no matter how bad they were. And Rhaenyra always told you everything. What was going on in her work, what she was talking about with Harwin, what she had discovered in Jace's drawers, or how happy she was to be promoted in her job. She had taught you how to do your hair and had more than kept her promise to your mother after she left this world. And yet, Jace made you feel like that wasn't enough, and at the same time it made you feel selfish. You couldn't just focus on pleasing one person, you couldn't please everyone. But it was frustrating that no one loved you with such passion but you had someone who apparently hated you with such passion.
All that went away from your head as the alcohol took effect, and you got so hot mixed in with the people dancing. You didn't even notice that it was Jace who had gone up to the DJ booth. That he played good music would be one of the things you could never admit to, and on top of that, he was happy to take requests from the pretty girls who piled up to ask him for tunes. You could stand it for a little while, noticing how the odd person approached you with strange intentions. And all of them you brushed aside, ignoring them almost unwillingly, so much on your own that you gave little thought to whether or not to offend others.
As you carried the cup again, an activity you had done a few times already, Jace played one of those songs that irritated you the most, and of course, there were people who agreed with you and there were many more who cheered Jace's choice. The least you deserved was to ask him for a song. So it was to the mixing desk that you headed, awkwardly, with a full glass and clearly drunk. If you pushed someone it was likely, that you cared about it was out of the question. And Jacaerys found it so strange to see you standing there that he gave you some attention, lending his ear for you to speak to him, mind you, with a scowl.
"Play my song!" you shouted at him.
"Your song?" He looked disgusted, and shook his head when you nodded.
"The one before was shit, play my song!"
"I don't take requests...especially not like the shit you want me to play." But hey, he did know what your shit song was...
"Yo do take requests, asshole, and it's a shame you had to learn a whole profession as a dj to get girls to listen to you,"
"Get the fuck out of here before you puke on the table," he snapped.
"Are you calling me a drunk?"
"Clearly you're not?" he mimicked your tone of voice and the dumb expression you must have had at the time.
"I don't talk like that, enough of--" in your anger, the drink had ended up spilling out of the glass and onto the huge, button-strewn table. Jacaerys turned away, but you, panicking and confused, tried to wipe the alcohol off the table. And then sparks flew, and for an instant you felt that intense burning sensation in your fingers. You felt yourself being pulled within seconds, but you couldn't see who it was because the whole house went out. People were soon protesting, shouting and hissing, but all you could smell was Jace so close, his hands in your arms.
The lanterns lit up the room, though the complaints didn't disperse, and loud footsteps sounded overhead.
"Who destroyed the mixer?" the voice shouted. The lights focused on him, surely more than one was recording. His tense and serious face brought you back to your senses a little. Just a little.
"Aemond, I'm so sorry about the table, it was an accident..." apologised Jace, trying not to look nervous.
"I knew accepting you into the fraternity was a mistake. Do you know how expensive the mixer is?" he approached both menacingly, though he wasn't looking at you.
"We're so sorry..." you interjected.
"Shut up and get the hell out of here," snapped the boy everyone knew as Aemond One Eye, a legend on campus and also Jacaerys' uncle.
"Hey..."
"I'll try to pay you back, okay?" Jace slyly placed you behind him, trying not to feel provoked by Aemond. "I'm telling you, it was an accident."
"You'll pay for it? I can already see you whining to your mother to spoil you again for everything you want. No, not this time, I don't want you to pay for it, I want to make it clear what a cunt you are. I don't want you to come back here anymore."
"It was me who did it-" you were interrupted again.
"I have friends here too, Aemond, don't forget that."
"That's because everyone forgets that you and your brothers are the worst scum they can come across. None of them know your brute of a father."
"Leave my father out of this," Jace was on the verge of fisticuffs.
"You're right, I suppose he's been duped by your slut of a mother--"
Then he took a fist, and everyone stifled a scream, and there was the odd brave one who dared to clap. And no, it was not Jacaerys the puncher. So drunk, angry at the interruptions, and even more provoked by the comment, no one had foreseen the blow you threw at Aemond, nor the strength you had hidden. The fact is that the boy started to bleed from the nose, and that applause had perhaps encouraged you too much.
"What the fuck?" Aemond said to you.
"We told you it was an accident. And it wasn't even Jace, you fucker. It was me...yes! Me! And the only scum I see here is you!"
The whispers and the dreads returned, and now there was no more applause. Jace tried to push you away again.
"Don't mind her, she's drunk," Jace excused you.
"I'm not going to hit a woman," Aemond wiped his nose.
"You better" you said and Jace threw you knives through his eyes.
"How brave, Jace" he then exclaimed in a higher tone. "You need a poor girl to cover your back...pitiful."
He then lowered his voice as people seemed to start talking again, commenting on what they had just seen. Someone was able to turn the light back on, and the cheering returned.
"Both of you get out of here right now. If you don't, I'll make sure no one talks to you for the rest of the college." The blond finally whispered.
As you stepped aside, Baela and Rhaena were already there to find out first hand what had happened, and Rhaena saved you from falling straight to the ground.
"Is she drunk?" She asked Jace.
"Clearly...though she's never been very smart."
"Jace, don't be cruel," Baela urged him.
"She needs to throw up, and I'd rather she do it here than in the car," Rhaena looked at her cousin ruefully, you trying to regain the mobility of your fist. "Give us a hand getting her upstairs...please."
Without a word, Jace was able to hoist you onto his back, with Baela and Rhaena watching to make sure you didn't let go and fall down the stairs.
"I think I cracked my finger," you said slurring your words. You held out your hand to Rhena to show her. "Can you see if I've cracked it?"
"I don't have x-ray vision, honey," she replied.
"You punched it with your other hand," Jace corrected you. Only you laughed, clutching his neck again. He still smelled exaggeratedly good and his hair was there for you to sink your face into. But soon you reached the bathroom.
Rhaena grabbed your hair and it wasn't long before you were puking. Outside the bathroom, Jace avoided Baela's gaze, who knew that Aemond's words must have hurt him. And soon your consciousness came back. You rinsed your mouth and rethought your life choices.
"Did I just punch Aemond Targaryen?" You asked the girl. And she nodded at you, smiling. "I just punched Aemond Targaryen!"
And then you smiled, and a little gasp escaped you, leaning out into the hallway to join Baela and Jacaerys.
"I just punched Aemond Targaryen!"
Though Baela was smiling, it was Jace who wanted to burst your little bubble of happiness.
"What you just did is make a fool of me," he cut you off, his tone serious and low, shifting his gaze from the floor to you.
"Hey...I stood up for you." You were instantly out of any joy.
"I didn't need your help, in fact, what I needed was for you not to be here. It was all your fault."
"Aemond would have used any excuse to insult you in front of everyone, no matter what happened, just like you don't need anything to insult me."
"Don't compare me to Aemond! He hates my mother and everything we have. Instead you..." he paused for a moment, frustrated and waving his hands around, not knowing what to squeeze, "you just need to exist to..."
"To hate me?"
Though he didn't answer, he didn't need to. He turned his eyes away from you, and closed his mouth. And then you were overcome with all the ridicule you had always made, not just today. Whatever had been going through his head about you had always mattered little to you. But now you could understand that it was you, your personality and everything that you would never change that bothered him so much. And that confused you more, because if Jacaerys saw you like that, when he was an admirable person in many ways, did that make you a despicable person?
"I'm going back to the flat" you whispered after a few seconds. You started down the stairs, getting as far away from Jace as possible.
"I'll give you a lift" Baela offered.
"No need, I'll walk..."
"No, I'll take you, I don't feel like being here anymore." She grabbed you by the shoulders and made you stop.
"Are you sure?"
"If my friend doesn't have a good time I'll never have a good time...I hope you feel the same way." She winked at you and you smiled a little. "Go to the car, I have to say goodbye to some colleagues."
She left you the keys and you walked alone to the place where you remembered getting off. And opening the door, the warmth of the car comforted you and although you thought you would be grateful for the silence, it brought back the bad memories and your head was spinning again. It took you a while to realise that Baela was taking a long time, but you refused to go back into that house.
Biting your nails in the dark, with a few stealthy tears falling, you half lay down in the back seat, because you always got dizzy in front, as all your friends knew. And when someone opened the door, you were instantly glad to think it was Baela, but it wasn't. The smell was different, and though it was a smell you loved, the presence made the hairs on the back of your neck stand up.
Jacaerys sat in the back seat in awkward silence, and slammed the door shut. He didn't make you step aside, for he shrank back in his seat and turned on the car's light. And even then, he didn't look at you.
"Where's Baela?"
"Inside."
"And... And why are you out?"
"I'm not technically out of a place if I'm inside a car." He replied in a pedantic tone. To that you said nothing, just let out a snort, giving up. "Rhaena told me you'd be here."
You stood silent waiting for him to develop, but he struggled, shaking his leg, making you incredibly nervous.
"If you're going to be like this you might as well have stayed outside. In the open air if you wish me to be more specific..."
With a look of disgust, he opened the door and walked out. And you felt a little silly because the light made you look a little ridiculous in that posture, waiting for someone who wasn't coming and having blown the only chance you had to make amends with Jacaerys. And you watched from the window as he paced back and forth, his coat pulled tight and trying to cheat the cold. You enjoyed watching him for a while, and it wasn't long before he gave up. When he tried to go back inside, you quickly got into his seat, not letting him sit down.
"It must be minus twenty degrees in here, let me in," he demanded.
"You're too much sometimes."
"Please, my nipples are going to turn blue!"
At your hesitation, Jace decided to have his way, sitting down roughly and causing you to pull away. Locked in the car again, Jace took a breath, and finally spoke.
"I don't hate you!" Though from his tone it didn't sound like it. "But it's as simple as that every time I've run into you, you've managed to overshadow everything."
"Jacaerys, we've lived our whole lives together. It's natural for you to hate me--"
"But thats what I'm telling you, that I don't hate you, and that's what irritates me the most. You've been the apple of my mother's eye ever since you were adopted. Her only daughter, while I, the one already there, the eldest, the first-born and the supposed to be the dearest, have always remained in your shadow."
"I don't know what you're talking about."
"Of course you don't, you'll never know what it's like to have everyone telling you how great you are while I choke on trying to make someone proud of me. You smile and you have it all."
"I don't know? Listen to yourself, Jacaerys, it's you who only has to smile to get what you want. You're a taciturn, stubborn and rather obtuse about a lot of things and everyone lets you slide because you're the favourite, the handsome, sporty one of the brothers and you get good grades even though no one's ever seen you study." Your raised voice made his eyes widen quite a bit, that or maybe you were moving dangerously towards him.
"I study at night!" he justified himself.
"I know, your mother always thought it was the hours you masturbated but I've always known you studied because you get anxiety about not answering an exam!"
"And you know everything because you are a know-it-all and everyone tells you everything because they want to be your friend!"
"Then why don't you?" That sounded a lot more desperate than you thought it would.
"Because I want to feel like a real leader for once in my life, I want to feel independent and you've never stopped trying to match me. You haven't even let me fight with someone who has insulted me, not you!"
"And you needed to ostracise me for years and remind me how lonely I am to get me to leave you alone?"
Then you stepped back, and the dim light let the two of you watch each other carefully. Your tears had long since passed, but Jacaerys seemed to have them on the verge of coming. And then you felt sorry.
"I'm sorry."
"I'm sorry."
You said it unwillingly at the same time. Silence returned, and your gazes parted, though you couldn't help but glance sideways at him.
"The worst thing about all this..." he started to say, "is that I like the song you wanted to play too. But I didn't want to play it because it makes a lot of sense that people would have loved it and the wanted to be friends with you, you're someone...quite unforgettable."
"Well, you didn't need to learn the whole DJ thing to get girls' attention." That made him smile a little.
"Luke's not going to believe you called me 'the handsome one of the brothers'," he joked.
"Oh, that's all you got? Now I feel stupid. I'm going to go get Baela," you moved to open the car door, but again, Jace's hands picked you up, pulling you back towards him.
"I know I'm taciturn, stubborn and obtuse, but you know I'm more than that..." he then rested his hands on yours, checking those small burns that had been left over from the accident.
"Of course I know that, Jacaerys..." then you realised how close you were to his face. His greenish eyes were now completely black, and never before had you felt as seen by him as you did at that moment.
"Your fingers must be burning..." he put one of your hands to his lips.
"And you must still be a little cold."
Without quite knowing what was going on, the alcohol reminded you that you were indeed much looser than you were used to, so when Jace kissed your fingers slowly, you couldn't help but caress his lips, which went from cold to incredibly tempting.
As soon as you pulled your hand away, Jace launched himself at your lips, and first it was a strange, slow kiss, soft and silky. Jace smelled so good...and kissed so well...it didn't end there. He pulled you on top of him and continued kissing you, the passion increasing with each kiss. As your tongue entered, your hand moved down to Jace's chest and you felt it grow so close to your own sex. And the music coming from the party so far away seemed to increase in your mind, the movements of the car getting faster and faster.
When you undressed is something you'll never know, but you do remember undressing Jace with that stupid car light on. You were no virgin, but Jace felt so new, and the readjustment he gave you made you feel that instant electricity. And it was you moving up and down, with Jace trying to capture your lips, even though it had been feeling so good for a while that he could barely do anything but moan softly. He knew how to move his hands and his sweat made him look a thousand times more handsome than you'd ever seen him.
"I'm going to cum," he warned you. "Fuck, even for this you're the best..."
"Don't exaggerate," though it brought a smile to your face and red to your cheeks. It didn't take you long to feel that explosion as Jace closed his eyes and caught his breath.
Dismounting from him, the tender kiss that followed surprised you, and you could feel a smile on his lips. You hadn't cum, but the experience had been worth it, though you didn't think about the consequences at the time. Then Jacaerys brought his hand to where you wanted it most, and a moan escaped you in that supposedly high-pitched voice that didn't seem to bother Jace so much now.
"Tell me how you like to be touched," he whispered softly. And you put your hand with his to change the rhythm.
"I like it like this" you replied, his fingers were still a little cold and that made it all the better. You were concentrating but when you opened your eyes your enjoyment increased. Jace's face was pressed to yours, and he kept his eyes on you as he moved his hand without even penetrating you. He looked into your eyes, or he looked at your lips, but he was full of affection for you, for the first time it was only and completely for you.
Then that tingling feeling ran through you from your stomach to each of your fingers and toes, and Jacaerys delighted in seeing you with the favour returned.
And it all ended with another kiss, lacking tongue or eagerness, but full of tenderness that made you forget every single bad thing that had ever happened.
"Your mouth tastes like good weed liquor," he confessed as you got dressed again, his dimples peeking out.
"And yours tastes like rum-cola."
"Clearly I win this one."
Laughing and blushing, you nodded. And before you kissed him again, Baela and Rhaena's voices began to grow closer. And the two of you parted as if it were routine as the car doors opened and closed.
"I'm sorry for the lock-up," apologised Baela. "I hope it's all right."
"It is...it is," you responded.
Jace opened the window, trying to disperse the smell a little, and his attempt at being sneaky was a little too funny to you.
"I'm glad...something smells funny though..."
"Did you know that cars are cleaned on the inside too, Baela?" The twin teased.
The two engaged in an absurd argument that was amusing, but your eyes and mind focused on Jace as he placed his hand gently on your leg, and then turned his palm over to offer it to you. And you took it silently, interlacing your fingers and letting them rest in your lap.
You had cried about Jacaerys, you had executed an act of violence in defence of Jacaerys, you had left Jacaerys in the cold. You had made love with Jacaerys...now you could understand why wars were difficult. What a weirdly victorious night that was.
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doberbutts · 7 months
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(Some other guy entirely here) I do think there's not much of a reason to be so against the terms tma/tme though, and I don't really understand why some people are? Like, in the same way we want a word to describe our experiences so do transfems, and while I do believe that all trans people are affected by transphobia and misogyny, it's obviously also true that we're affected by it differently depending on how we present, cause otherwise we'd all be satisfied with just the term transphobia (not saying anything new here so far)
So, since it just so happened that the term transmisogyny was coined to mean specifically the oppression transfems face (regardless of what anyone might feel on the matter, that is what it means in practice), what's really so wrong with having terminology to specify whether you're affected by it or not in online discussions of specifically transmisogyny? I'd think that would be relevant enough information, and you're not obligated to share it unless you want to.
I think what's really bothering a lot of people is that these terms exist for half of our community but there's no acceptable equivalent for the other half, and there's constant backlash against attempts to fill that void in the language. But that's not the fault of anyone who advocates for the use of tme/tma, or rather, they are separate issues that I don't believe should be conflated even if the proponents of tme/tma are the same people who are against specific terms for transmasc oppression.
When we do this, from the pov of trans women we are the ones rejecting their terminology and trying to silence them when they talk about their discrimination, and since we know exactly how that feels, I think we as a community should take a step back on the matter and just let it be.
Just because we feel dismissed when it comes to a similar matter doesn't mean we should dismiss in turn.
Not that anyone needs my permission or anything for this but:
I don't really have any problem with the words transmisogyny or trans-misogyny, as I think they are valuable labels to discuss a specific intersection of transphobia and misogyny.
I am not sure I necessarily have a problem with the terms TMA or TME themselves, outside of that I think it is not possible to be exempt from oppression because it will apply to you even if the label itself is wrong. This is also how hate crime and discrimination law works in this country- it is both your label and what the offender thinks of you, not just one or the other.
In other words, the guy who screamed at me about how I'm a Mexican is incorrect because I'm not Mexican, but it is still considered to be discrimination against Mexicans because it was his hatred of Mexicans that fueled the attack. It doesn't mean that actual Mexicans aren't the actual targets or this, but it does mean that it's not possible for me to be exempt from anti-Mexican sentiment. It doesn't mean that hatred of Mexicans doesn't exist, it does mean that if I want to stop getting screamed at for saying non-English words while visibly brown (I said pate, which is FRENCH and not Spanish, in reference to a can of dog food he was buying), then I need to ally myself with Mexicans and see what I can do to help decrease this hatred of Mexicans within my country.
What I do have a problem with is how these words are used and applied.
Caster Semenya is a "TME" intersex woman who was caught by transmisogynist Olympic rulings intended to hurt trans women, and to this day is still not recognized as a woman. How is this exempt from transmisogyny? She is literally being affected by transmisogyny- and interphobia, and misogynoir, and lesbophobia. And there are more examples than that, but this will already be a long enough post.
Moreover, I'm finding a lot of hypocrisy in the theory itself, labeling certain instances of oppression as things only TMA people experience and then refusing to listen when TME people say that they experience it too. I don't really care what or how people talk about their own experiences, but I do think it's a little ridiculous to be told that someone else who is not me can tell me what I experience better than I can. And then refuse to listen when I say that I have felt the hurts they're saying don't apply to me.
If TMA/TME had stayed within the limits you've set, being about descriptors of your own personal experience rather than trying to apply theory to entire demographics in a way that very little other theorycrafting does, I wouldn't have cared. Unfortunately that's not how it's being used and I don't like that.
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txttletale · 4 months
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could you elaborate on your thoughts on boom and 73 yards ( i agree with you i am just struggling to put into words why.)
boom was whatever. the initial conceit of the doctor being trapped and having to stay calm was really cool! i really like that. the ambulances that euthanize you if you're not deemed worthy of medical care and the tacky chatgpt hologram ghosts were both really cool ideas. it just doesn't stick the landing for me, the twists are contrived and fall apart given any thought whatsoever. like what the fuck were any of the soldiers Doing if there just straight up weren't any enemies. it's a twist that sounds cool to say more than it has any meaningful impact on the story or the stakes. i guess 'the arms manuifacturer created a fake conflict' is the intended emtional stakes there but that would hit like a hundred times harder if it was an actual conflict between two factions and people were dying, right? like if anything sending a christian militia to blow themselves up tae fuck on a nowhere planet instead of presumably killing actual living people is an improvement, surely?
also the resolution was dumb as fuck lol i am a huge hater of power of love saves the day shit not because i'm a cynical misanthrope but because it never fails to make me say 'oh so i guess nobody ever loved anybody before lol' and this is no exception like if one chatbot can shut down the whole operation beacuse he loves his daughter are we meant to believe that no other parents or hell nobody who loved anybody else for any reason died in this fake war before? it's cheap and schmaltzy and unearned. anyway the first twentyish minutes of this are all-time great doctor who and gatwa/gibson were incredible in it but it absolutely falls apart into a confused pileo f some of the worst Moffatisms at the end
73 yards on the other hand was incredible! obviously like it requires you to approach it with a different mindset to most of doctor who, right, doctor who usually furnishes you with the big explanation scnee where the doctor says 'well the ghosts were actually particle wave vectorforms created with the necros radiation from the god-king's techsceptre' or whatever--this is the usual narrative mode of sci-fi--but 73 yards is fantasy, right, this is the twilight zone, this is 'wouldn't that be fucked up?'. i interrogate the technical and logical specifics of boom so much when i think about it because that's the language boom is speaking, boom is framing itself within this logical, a-to-b worldview, the satisfying click-together puzzlebox. but 73 yards is a nightmare or a folk tale, right? kate stewart¹ says it herself, 'when faced with the inexplicable, we make up rules and apply them to it'.
so yknow reading it that way it all clicks together beautifully, right, (apart from russel t davies' embarassing swing and miss at Political Commentary in the middle. we get it davies you wrote years and years. we know. trust me we know). the doctor and ruby disrupt the binding circle, free mad jack, and are punished -- the doctor, as perpetrator, with being banished (perhaps in jack's place) and ruby with her worst fear coming true constantly, until ruby defeats mad jack, re-sealing him and fixing what she broke, at which point the circle rewards her by reversing the punishments. and the core horror i think is very effective and unsettling! the idea that there is something that someone could say to turn everyone against you, the closest people to you in your life, your own family, the institutions that are meant to deal with the exact problem you're having--that's fucking terrifying! and yknow i think especially as an autistic trans lesbian something that speaks to me a lot
so yeah. i think that boom establishes its logics and framework and then trips and falls onto its face while 73 yards does the same and then makes perfect use of them. that said i think in 20 years people who are autistic about doctor who will be like 'did you know in the 2020s there were two episodes in a row where the doctor caused the entire plot to happen by stepping on something' and thjatll be the main thing they're remembered for
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aoxizu · 6 months
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i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first
star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise
like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now
also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me
acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless
and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)
and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes
the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless
later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity
and i think dr ratio's scroll thing kind of relates to that
he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity
and dr ratio's answer for aventurine is to just tell him to keep living, good luck
which is. yeah
it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying
it's the bold claim that despite everything, you can still choose to live
sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all
and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe
and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there
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let's go back to acheron.
in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."
which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?
and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else
like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has
ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore
once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble
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oh shit i just realized i forgot to post the trans dipper essay
oh well, better late than never!
Introducing - Why Mason "Dipper" Pines is Trans and Why that Matters - an essay I spent more time on than I did my actual college project today
Mason "Dipper" Pines from Gravity Falls is trans. Trans masculine, to be specific. Do I believe this was intentional? No. Do I believe that there's a seriously convincing case to be made? Fuck yes.
So first off, he's just like me frfr, which is pretty compelling in and of itself. But that's not enough for a whole essay, so we move onto our second point - character designs. Dipper is designed like, well, like every modern-era trans man I've ever drawn who isn't goth. The shorts, the one shirt in the one color, the absolute insecurity. He even does the hunch of the back! Also, I think I heard somewhere that the vest is to make his shoulders look broader, which I'm not entirely sure is canon but I am accepting this whole-heartedly. It's such a trans move of him. He's too young (and it's summer so it's too hot) to wear a dysphoria hoodie so he picked a vest. (I say too young because dysphoria hoodies usually cover your chest and Dipper and Mabel probably haven't hit puberty.)
The second part comes directly from science. According to this article, and many others, sex in identical twins is complicated, but most identical twins will be born the same sex. There are cases where this isn't true (which might be the case for Mabel and Dipper) or they might be fraternal, which is also pretty likely. However, looking at them when they were younger (and listening to their very similar voices), it's likely they were identical and both girls. That's not to say I dislike trans Mabel - every trans woman I draw dresses like her, so I do love her being trans as well and them hitting the age of like. 10. and swapping genders is incredibly funny and adorable to me.
So, we can't reliably use the aforementioned evidence, then, can we? After all, identical twins can be different sexes, although rare, and we don't have any proof they are identical beyond their visual (and when they were younger, audible) similarities. Well, first off, I'd say that's pretty compelling evidence already. In a cartoon, especially one as detailed and beautiful-looking as Gravity Falls (the art is good and I will die on this hill), visual language makes up for a lot. And Alex Hirsh has gone on record saying that he very much wanted Jason Ritter and Kristen Schaal for Dipper and Mabel respectively, to the point where he would have canceled the show if Kristen hadn't signed on, so I wholeheartedly believe every character (with the exception of Grenda and any other characters who had last minute va's picked) had their voice actors picked very specifically. I can't find whether Jason Ritter voiced younger Dipper, though, so that's a dead end.
Now, that's all well and good, but it's a lot of visual language, isn't it? Why don't we move into something more based in the writing itself?
So the first and most prominent example of Dipper being transgender is the episode Dipper vs Manliness. You know it, you probably have emotions on it, it's the episode where Dipper is trying his hardest to be a man's man. The episode was supposed to be about toxic masculinity and how to be a real man is to stick to your morals. It's a good lesson and in my opinion, holds up even in 2024. Pretty good. Does a great job of what it wants to do. Now, Dipper vs. Manliness has been dissected to hell and back already as a transgender allegory, so I'll keep this brief: the episode centers around Dipper being mocked for not being manly. While Mabel and Stan still see him as a man, albeit an effeminate one, it gets to Dipper. He proceeds to do anything to prove himself a real man. If viewed as a trans allegory, Mabel is teasing her brother and not realizing how deeply it actually hurts him (whether accidentally because she fails to realize how insecure he is over it or because she hasn't been there before, depending on how you want to headcanon it). As for Stan, I like to pretend he's supportive but regularly forgets Dipper was ever a girl, so he makes a serious slip up because of that (and/or he's regurgitating stuff said to him. That hits harder if you also headcanon trans Stan, which I am warming up to). Dipper proceeds to try and prove himself a man, crying when he takes even one more blow to his self esteem/sense of identity as a man, and eventually gets comfort from his family when they realize just how BADLY they messed him up. He is affirmed as a man and the episode ends. Everything that can be said, has been said - including that you don't have to act toxically masculine - or even masculine at all - to be a real man. Remember this part, it will be important later.
So, other trans moments for Dipper come a little sparser. Dipper vs. Manliness is the example for a good reason. But still, there's other moments. The short Voice Over from one of the short story compliation episodes is another one that's commonly referenced as a metaphor for voice dysphoria. Yes, Dipper's voice is cracking in ways common for a cis pre-teen boy his age, but the pitch and tone of his voice can also be seen as his more feminine voice peeking through. Taking the potion can be seen as taking testosterone or other hormones. Granted, this falls apart when you consider that Dipper is later discouraged from taking the potion, because that could be read as Dipper being discouraged from transitioning, but on the other side of the spectrum, it could be read as Dipper being affirmed as a real man despite his voice. From that perspective, his family prevents him from taking (possibly dangerous) homebrewed hrt. Also, the euphoria he gets when it does change his voice is just. Absolutely adorable.
Now, my favorite resource for Dipper acting trans is in the episode Headhunters. He's asking Manly Dan questions and Manly Dan calls Dipper a girl. And MAN the discomfort on Dipper's face. He immediately attempts to correct Manly Dan, but is shut down and the episode moves on. I think that for such a short moment, it does a good job of making Dipper seem trans, though. He is called a girl and feels extreme discomfort around it. He does not like being called a girl. He is not a girl. But he's not shocked or surprised or even really offended - he's resigned. He's used to being called a girl. Sure, he hates it, but he doesn't cry or scream or anything. Sounds to me like a trans man who's absurdly used to being misgendered but still hates it. That pain never goes away, but sometimes all you can do is flinch in discomfort, try to correct and move on, like the episode does.
For a (mostly humorous) video of more of Dipper acting trans, check out this video.
So I think we've made a pretty compelling point for Dipper Pines being trans masc here. Looks pretty good, yup, this is a great essay, let's wrap it up. Oh? What's that? The name of this essay?
Why Mason "Dipper" Pines is transgender and why that matters.
Well, let's dive into section two of this essay - why does Dipper being trans matter?
Someone could easily say it doesn't matter. Just fun fandom headcanons, that's it, wrap it up now. Nothing more to say. Dipper is trans and that's just a fun reading of his character.
But I don't think that's the case. I think that Dipper being trans means so much - to trans fans of the show, to fans who have never seen or spoken to trans people before, and to queer fans of Gravity Falls and similar shows. (I personally am a Steven Universe fan who really valued the representation there, so Gravity Falls and all it's queer coding means a lot to me.)
First and foremost, I'm not going to keep you in the dark as to why you're remembering my earlier point. As a recap, it was this: Dipper vs. Manliness, and by proxy, Gravity Falls as a whole, says that you don't have to be traditionally masculine to be a real man. For a show that spends a lot of time mocking a kid commonly headcanoned to be a trans man, that says a lot, and a lot of stuff I think more people need to hear.
You do not need to act like your gender to be your gender.
You do not need to present like your gender to be your gender.
You do not need to fit some rigid box that society enforces to be who you are.
If you are a man, you are a man, trans or cis, regardless of how you act. (And the same goes for women and nonbinary people! You don't have to fit a mold.)
You don't owe anyone anything.
You don't owe people masculinity. (Or femininity or androgyny for that matter.)
I think that's part of the reason Dipper vs. Manliness ages so well. Dipper reads as trans, especially to queer fans, and his story in that episode tells us that we don't have to be someone we're not for people to take us seriously as who we are. At the end of the day, the really masculine thing is staying true to you - a sentiment echoed and reversed in The Last Mabelcorn, where the most feminine thing you can do is to stay true to yourself. I can't find it right now, but I could swear that there's a That GF Fan video explaining my point a little better. The point is, there's nothing that makes you more of whatever your gender is than staying true to yourself.
Additionally, if Dipper really is trans and someone sees themself in him, that can help them explore their gender or explain it to other people. Young kids who have never interacted with trans people before can see Dipper and grow up to connect the dots - or grow up to have him crack their eggs.
I know I'm new to the fandom and I was already out before watching the show, but he really helped me explore my gender. I like dressing like him - he's very relatable, even though I'm old enough to be in college now. I see him as a very anxious, slightly paranoid trans kid, and I see a lot of myself in him. He has a lot of issues, and a lot of issues that aren't trans specific but definitely hit harder when you are trans. He makes me feel seen on a level that I never thought a cartoon character could do.
Honestly, here would be a good place to put a rant about representation in kids media - queer kids under the age of 12 exist and struggle. I liked a girl (before realizing I was trans) in fifth grade, so about 9 years old. There are kids who experiment with their gender when they're younger than that. We're here and we exist, and every single time a character in children's media is made and is prevalent, another kid is able to really see themself.
That's really the point of this section. Dipper is trans. That matters. People - mostly queer kids but people of all ages - see themselves in him. He's here and we see him as queer because it's validating. It feels so good to hear Stan affirm him at the end of Dipper vs. Manliness, because it proves that at the end of the day, you don't need to present as super masc or femme or androgynous to be who you are.
Gravity Falls, through coding Dipper as trans, sent a message:
You are seen. You are loved. You are valid.
Thank you for reading this all. Trans Dipper means a lot to me, and I love writing him and seeing him in general. I want more of him because Dipper being trans means the world to me.
I love you all. Have a wonderful day. Remember to stay true to yourself.
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moodooivy · 24 days
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So I was watching Hazbin Hotel when I noticed something. And it made me wonder...
We all know about the copycat scenes between Vox and Alastor. They both claw a table, they both have a "what did you just say?" moment, they're both shown wearing religious clothing and culinary clothing, they both do a face closeup on a screen, and their outfits are even similar. Everyone says Vox is copying Alastor... But notice how Vox did all of these examples first. It makes me wonder who is copying who. None of these similarities seem unintentional. So I'm going to analyze each scene, explain the similarities, why I think they're similar, what this might mean, and whether or not I think they're copying each other.
First two scenes: C L A W and "What did you say?"
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These two scenes are what I believe really got people to notice "Hey, Vox and Alastor do a lot of the same things". I can see why. I'm just going to toss these two together since Vox does them right after each other. How is this a similarity? Well, just look at them. In t h e c l a w scene, they both dig their claws into a table because they're angry, and in the other, someone else says something that makes them angry. Something interesting is that both happen more somewhat opposite reasons. Vox digs his claws into a table when Alastor is brought up. Someone that assumably threatens his power. In Vox's eyes, he's already won. Alastor has been gone for years and he's probably one of the most famous sinners in Hell. He won. But Alastor's arrival threatens that victory. So, angie TV. Alastor digs his claws in because he's mad he was defeated by Adam. Before that he was confident he'd beat Adam. When that doesn't happen he's forced to retreat. He lost. So, angie Bambi. When Vox says "What did you say" it's directed to Valentino his business partner or on/off boyfriend, someone he was just talking down to like a child to calm their tantrum btw. It is immediately followed up by mockery from Val who makes fun of Vox's anger, dismissing it even. When Alastor says "What did you say" it's directed to Husk his literal "slave", it's right after said "slave" is talking back to him. Alastor follows it up with putting Husker in his place. Both situations, Alastor is defending his power and authority which is being threatened by someone. Vox is also being threatened, but it's moreso to mock him because there's no real threat towards him. On Reddit, someone pointed out that they're not copying each other. And you know what? That's true here. They can't even see each other to know to do this. Here's my theory for that. We know Vox and Alastor used to be friends. I'm sure there's a lot of behavior Alastor has inherited from being around Vox that he'll refuse to say he got from Vox. Verdict is; No I don't think they're copying each other here. I think this was purposeful to show how similar they really are.
Next two scenes: The culinary and religious outfits
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These next two are quite interesting to me. We all know about the outfit thing. Well, let's talk about it. How are they similar? Well, in the first, Vox is wearing a priest outfit and Alastor is wearing a nun outfit, both to inspire trust, while in the second Vox is a chef and Alastor is a busboy. Again. Both are similar but happen for opposite reasons. Vox presents himself as a priest to inspire trust among sinners. He's the authority that they should believe every word of. He's the leader priest and what he says is good. Alastor presents himself as a nun to encourage Charlie to trust him. But it's moreso in a "Look at me Charlie, you trust me right? I'm an innocent, loyal nun". Vox is a chef... Enough said... Ok, I'll say more. the chef is the one who prepares the dishes and is in the most control. There. Alastor is a busboy. But furthermore, he's forced into it by Lucifer somehow (Luci, explain yourself) and he's even used by Lucifer on a pan where he's tossed around and has no control whatsoever. What I'm trying to say is each time this outfit thing happens, Alastor is being put into a weaker position. A place where he's trying to gain back control or is forced out of it. Vox on the other hand is always shown to have power. I don't think that's a coincidence. I think this has meaning. Either two things. 1: Vox is weak and is so insecure that he has to put himself in a plae cof authority to boost his ego while Alastor purposefully allows himself to be seen as weaker than he really is by certain people as a form of manipulation. Or 2, this is forshadowing that Alastor is actually weaker than Vox. Think about it. Valentino said he "almost" beat Vox. That could mean anything. Maybe Vox chickened out and left, maybe Alastor just stopped fighting, or maybe Vox was victorious. I doubt that because I'm sure he'd be putting Alastor in his place immediately on broadcast during Stayed Gone, but it's still possible. Verdict is: I still don't believe they're copying each other.
Next two: The screen scenes
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Now these examples aren't used as often, but I think they're still notable. Dissection time. How are the similar? In the first, both Alastor and Vox are shown on a big screen with their demon eye/eyes and in the second they are squashing the screen (Idk how to describe sorryyy). Vox is on the big scren looking down on the sinners. Alastor's entire end part of Stayed Gone is basically him doing what Vox did at the beginning of the song. I believe this is just like the claw thing where it's there to show their similarities. Vox is surrounding Alastor to yell at him. I do believe this is supposed to emphasize how pathetic Vox is for thinking he can do anything to Alastor from where he is. I don't believe this scene has any real meaning. It's just cool that both Alastor and Vox did this. Verdict: Not copying each other.
The songs: Stayed Gone vs Hell's Greatest Dad
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These songs are already very similar. They include one character trying to prove they're better than Alastor only for Alastor to interrupt. But there are a few differences that if I'm being honesty. Al, it doesn't look good for you man... Alastor is fighting with Vox in Stayed Gone and he's fighting with Lucifer, the literal Devil in Hell's Greatest Dad. That's more important to this argument than you might realize. Vox is weaker or just as strong as Alastor. Throughout Stayed Gone we can tell by Vox's behavior and the look in his eyes that he's intimidated by Alastor. In Hell's Greatest Dad, Alastor does look like he's getting a little irritated by the end. Lucifer might be one of the only demons in Hell stronger than Alastor (Besides the other sins and maybe my boy Stolas). Alastor is probably actually intimidated by him. In Stayed Gone Vox and Alastor are trying to convince appearently all of Pentagram city. From what I can see, the stakes are not all that high for them, it's mostly just Vox's ego and Alastor putting him in his place. In Hell's Greatest Dad however, they are fighting over one person and there actually is something to loose. The most important difference to me is the way these songs end. In Stayed Gone, Alastor gets the better of Vox by the end. In Hell's Greatest Dad, in a way, Lucifer gets the better of Alastor. He had the last word of the two after all. And we all know that if they were to actually "fight" fight, the literal devil will win.
In conclusion, I don't like it when people say Vox is copying Alastor because if anything, Alastor is copying Vox. But I don't think that's the case either. I believe they are unintentionally copying each other. They are very alike in that they both try to maintain trust and manipulate others around them, but in different ways. I hope this will be expanded upon in S2.
I apologize if this was hard to understand, the way I speak cn be that way. I tried my best and hope everyone got my point.
Hazbin Hotel: Vivziepop I apologize for the poor image quality. I don't have Prime Video on my chromebook so I had to just find these off the internet. We all know where they're from. The show.
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transmascutena · 10 months
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okay so i love drawing parallels between characters -- and i especially love drawing parallels between characters who seemingly have nothing in common -- and in a show where every character is a mirror of one another, i think kozue and utena might be the two who are the least alike. so i wanna talk (ramble) about them.
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what does it mean that kozue and utena both have an injured ankle on their 'date' with akio?
i think it has something to do with restricted movement meaning restricted agency.
utena's injured ankle means she can't walk on her own, which means she would not be able to escape her situation if she wanted to. kozue on the other hand can walk, and chooses to go in the car, but i think they're both ultimately in a similar situation of believing they have more agency than they do in their relationships with akio.
kozue is more convinced of this because she's used to using romance and sexuality to get what she wants. she believes that she is using akio just as much as he is using her, and is fine with that arrangement (this is, i think, similar to touga's mentality. they both believe they're getting something out of their relationships with akio, which is why they stay.) but, of course, no matter how nefarious your intent is, it will never make up for the power imbalance between a child and an adult.
utena is... well it's more complicated. i don't think she's at all aware of what she wants, and she certainly does not think that akio is using her. (if anything she might think she's using him, and feels guilty about it.) she doesn't stay despite the abuse, she stays because she doesn't know about it. kozue knows akio is a bad person and doesn't care -- utena thinks he's a good person. akio takes advantage of both of these things in a pretty similar way. he makes all of his victims think that they are entirely in control of their own actions, even when they aren't. he makes kozue believe she is just as selfish as he is, and he makes utena believe that everything he does to her is her own fault. both of these things also conviniently serve to make sure neither of them ever tell anyone. (not entirely true. kozue does tell miki on his car ride, but it doesn't end up mattering at all)
then there's how they each got their injuries. utena's was either directly or indrectly akio's fault, depending on interpretation, whereas kozue's came from a decision she made that had nothing to do with him. i think this mainly reflects that kozue is not part of akio's plan in any significant way, whereas utena obviously is. he needed to personally restrict utena's agency, whereas he only took advantage of the way kozue has limited her own agency via the choices she makes (and the structure she lives in that pressured her into said choices, of course. i hope i don't sound like i'm victim blaming.) this again ties into kozue being able to walk despite her injury where utena can't -- kozue is much more free to leave her situation.
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thelesbododo · 5 months
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This is a headcanon circulating around a sensitive topic and one that you may not agree with so if you don't want to read it please scroll.
This headcanon revolves around the character Osamu Dazai and the concept of sexual assault
I believe that Dazai was sexually assaulted as a child
This has nothing to do with Mori and takes place long before they even meet
While it is true we know little to nothing of BSD Dazai's past, it is also true that it is highly likely the Irl author and his No Longer Human counterpart was SA'd
There are two specific pieces of writing are evidence of this
"My true nature, however, was one diametrically opposed to the role of the mischievous imp. Already by that time I had been taught a lamentable thing by the maids and manservants; I was being corrupted. I now think that to perpetrate such a thing on a small child is the ugliest, vilest, cruelest crime a human being can commit. But I endured it. I even felt as if it enabled me to see one more particular aspect of human beings. I smiled in my weakness. If I had formed the habit of telling the truth I might perhaps have been able to confide unabashedly to my father or mother about the crime, but I could not fully understand even my own parents. To appeal for help to any human being - I could expect nothing from that expedient. Supposing I complained to my father or my mother, or to the police, the government - I wondered if in the end I would not be argued into silence by someone in good graces with the world, by the excuses of which the world approved.It is only too obvious that favoritism inevitably exists: it would have been useless to complain to human beings. So I said nothing of the truth. I felt I had no choice but to endure whatever came my way and go on playing the clown"
- No Longer Human
"I ceased being a child soon after entering grade school. It was then that my younger brother’s nurse taught me something that took my breath away. It was a beautiful summer day, and the grass by the vacant house out back had grown tall and dense. I must have been about seven, and my brother’s nurse could not have been more than thirteen or fourteen. My brother was three years younger than I, and the nurse shooed him off. She said, ‘Go get some leaf grass’ - that’s our word for clover back home. Then she added, ‘And make sure it’s got four leaves too.’ After he left, she put her arms around me and we started rolling around in the tall grass. Thereafter we would play our secret little game in the storehouse or in one of the closets."
- Memories
Both No Longer Human and Memories are semi-autobiographies, meaning they're somewhat based in truth
I can't speak from experience but SA has a big effect on the lives of the survivors
Some of thes effects include;
Sleeping or Eating disorders
Dazai canoniclly has issues sleeping and there are scenes that imply he has issues with and/or doesn't see the point in eating, at one point saying that it is "so much trouble"
Nightmares
There is a specific scene within one kf the light novels where Kunikida asks if Dazai has nightmares.
(Unfortunately I can't find the exact moment so I can't quote it so if anyone can find it please let me know)
Self-hatred
It might not be clearly stated that he hates himself but ay the same time its rather clear that he does
Suicidal thoughts or self-harm
He is a suicidal maniac
Riskier sexual behaviors such as having many partners
He canoniclly has had quite a lot of lovers
Substance abuse
The one scene we see of his apartment we see that there is more alcohol than furniture (it's also a popular hc that Dazai smokes which makes sense considering his past with the pm and that irl author smoked)
Another moment to mention was when he seduced the nurse (which technically counted as SA too but that's not the point of this)
I'm probably gonna end it here because it's late and I'm tired but anyone willing to add or correct anything please go ahead and I hoped you enjoyed my hc
110 notes · View notes
skzhua · 1 year
Text
Episode nine.
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MASTERLIST
pairing: XO, Kitty's Min Ho x Female Reader
genre: Fluff, angst, enemies-to-lovers, slow burn, coming-of-age.
word count: 5.7k
warnings: Swearing, suggestive, jealous Min Ho, sad for some parts.
summary: Transferring to KISS was the last thing you had asked for and, yet, a certain tall boy made it seem both worse and better than you expected.
note: Bold - Korean, Italic - Over the phone
a/n: So much is happening in this one... and it's so long...
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"A reason, a season, or a lifetime."
Q paused his workout for a moment. Frowning at Min Ho in confusion, he asked him to explain furthermore. As he stopped massaging his face with the face roller, he sighed.
"Every relationship fits into one of those categories. I read it in a magazine."
Q, not caring much, resumed to working out. Meanwhile, you came out of your room and sat next to Min Ho.
"The point is," he continued. "Y/N and I are starting a relationship. And looking at how things were before between us, I believe we got together for a reason."
"You needed to get laid with a chick?"
You slapped Q's arm aggressively. "What a way to talk about me when I am right here!"
"Not for that, no." Min Ho chuckled. "She showed me that there was more than just casual dating, that it could be worth it."
You laughed and he looked at you weirdly. "What?"
"I'm talking about real feelings and you are laughing?"
"No, I believe you are being sincere and it's real sweet. But it does not fit you at all." you still laughed.
His jaw clenched. "It might not have been that worth it asking you to be my girlfriend, after all."
That shut you up real quick. After a small apology, he invited you in his arms to cuddle before placing a soft peck on the top of your head. You squirmed in comfort.
"Do I have to third-wheel?" Q whined.
"Don't be like this, you have Florian." you assured but it didn't seem to do the trick.
"Yeah..."
Min Ho immediately noticed the shift in his voice. "How are things with him?"
"He's going through some stuff, but I'm here for him."
"That's good. I'm sure he's glad to have you around." you smiled warmly at him.
Having complained about third-wheeling barely two minutes ago, to Q's luck, Dae and Kitty came to join in the living room, skipping before he took her in his arms. Telling each other sweet 'good morning's, the remaining three of you grunted in annoyance.
"And now I am fifth-wheeling." Q muttered to himself.
Min Ho gave the couple the side eye. "It's too early to be this cheery."
"I am this cheery." Kitty affirmed as she and Dae went to the kitchen counter to prepare coffee for everyone. "Not only because I have the most perfect boyfriend in the world-"
"Lucky you." you said as you sat down with Min Ho behind you, rubbing your arms.
"Thank you?" he gasped, offended.
Kitty chuckled before continuing. "But it has also come to my attention that I am failing most of my classes. That means that if I don't do amazing on the finals, I will flunk out of school."
"How is this making you cheery?" you asked.
"Well, if I dwell the fact that I was considered super smart at home and here I can barely keep up, I will start sobbing."
You, on the other hand, had never been doing any better. Your aunt was proud of you for integrating the school perfectly, your uncle praised your grades in his class, you had friends, a boyfriend... This was all too good to be true. You started to doubt that it was going to last, especially with finals coming up so soon.
"We still have a week." Dae spoke. "We're going to make study plans and everyone will help you."
Min Ho shook his head. "I'm very busy and Y/N-"
"Everyone." Dae said in a stern tone. "Guys, Kitty and I are finally together. I'm not going to let her fail out of this school now."
"Well, I'm in. I'll help with chem." Q said.
You raised your hand. "I could ask my uncle for extra exercises in history." you suggested to which Kitty thanked you.
"She definitely needs to work on her Korean." Min Ho mumbled.
"What did you just call me?" Kitty asked angrily, immediately taking offense.
"Exactly." he deadpanned at her.
Dae assured her he'll be helping her with the rest. Being top student, he was the perfect tutor for her. Clinging your mugs of coffee together, you started to get ready afterwards. However, Min Ho did not let you go back to your room and grabbed you by the arm to kiss you.
"I'd love doing that, but I need to change."
He pouted but let go of you. "We can't have a moment to us in this dorm."
You could only laugh at him. You simply adored how much of a softy he was to you.
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Tutoring Kitty was either easy or hard. It depended on how motivated she was and, most of the time, she was only discouraged.
"You've got 53%" you said sadly as you gave her back the sheet of paper.
Your uncle happily gave you exam practices for Kitty to study, but with this one being the fourth she did already, you were starting to feel like she was a lost cause. Plus, the library was fully packed since everyone was studying.
"Great." she grunted before dropping her head into her arms.
"It's four percent better than last time."
"And that's what's going to help me pass, yes."
She made a good point. You sprawled on your chair and sighed heavily with her. It looked as if it was the two of you who were failing. And Min Ho just had to confirm that when he sat with you with his Korean lesson books to take over Kitty's tutoring.
"Aren't you two adorable." he teased you and you stuck out your tongue at him. "I'm serious, you are cute."
"Ew." Kitty said in disgust.
"Not you. Y/N." he specified. "I believe it's time to work on your Korean now."
Kitty shook her head. "I am on the verge of dropping out myself. Give me five minutes."
He frowned before glancing at you. "I'm assuming history didn't go well."
"Nope." you chuckled. "I'm sure she'll get the hang of it... We just need to study more."
She let out a whine. "Study, study, study... this is all I've been doing today."
"Stop complaining, you asked us to help you." Min Ho said, frustrated.
He convinced her to get into studying Korean and you stayed with them, having nothing else to do. She started to get the hang of the the basics but it was still very bad. By the end of it, she was able to tell what were some verbs and such.
"Are you coming back to the dorm with me?" she asked while taking her bag to head out.
Min Ho held you by the waist as you walked. "Not today. I have prepared something very special for my girlfriend."
You looked away from him in an attempt to hide your blush. "Another surprise?"
"You can't have enough of them. Don't worry, I think you will like it a lot."
"I'll love it for sure if I'm with you."
Kitty groaned. "I think I preferred it when you were cussing each other out."
"Says the one who is too cheery when she's with Dae."
That shut her up and she parted ways with you, leaving Min Ho laughing with pride. You shook your head in disapproval.
"What? It wasn't even mean."
"Nothing. So, what's the surprise?"
He smirked. "You'll see."
You took a stroll around campus, hand in hand, and he eventually left the grounds to lead you somewhere. Just there, his chauffeur was waiting for you. You skeptically hopped in and he drove off. Being driven away when you didn't know the destination was usually a sign to run away. But you trusted Min Ho, maybe more than you should.
It wasn't even twenty minutes after that he pulled over in front of Han River. A typical date in Seoul. Getting off the car, Min Ho took your hand to help you out and you followed the trail while admiring the view.
"This is so cheesy." you laughed.
"Stop that, it's cute."
You snorted. "I'm sure you brought other girls here."
He smiled in shame. "Fair. But I didn't like any of them as much as you."
Your face became red. A couple of steps later, something popped in your mind. You grew tense and he felt it. As he halted his movements, he rubbed your shoulders while asking you what was wrong.
"What happened with Lulu?"
He gulped. "Should it matter?"
"Kind of."
He sighed and resumed to walking with you. "I went out with her the night after you literally saved my ass. We made out, sure, but I haven't talked to her since."
You nodded. "Okay, and was there anyone else?"
He shook his head violently. "I couldn't get you off my mind after I..." he paused and coughed. "Well, it doesn't matter."
You began to connect the dots. "You had a sex dream about me."
He coughed again. "No."
"So Q was right." you giggled. "How was it?"
"I did not have a sex dream about you."
"Awe, Min, don't be shy."
He looked away and you kept on laughing at him. He fastened his pace in silence. You called out for him and tried to catch up to his pace. He refused to look back at you. But once you did reach him, you were left speechless. On a picnic table, he had delicately placed candles and lights as well as some pillows for comfort. The best wasn't even that. It was the food. You spotted kimbap, japchae, tteokboki, kimchi... The amount was overwhelming.
"I'm... wow." you breathed out.
He walked up to you and hugged you from behind. "I thought we could use a night to ourselves."
You smiled widely. "This is perfect, no one has done something like this for me before."
"Expect to get more of this. Shall we?"
You sat down face to face and he helped you with serving yourself, asking what you wanted to taste first. Every single dish was delicious, you couldn't get enough of it. Min Ho watched you eat, satisfied with how the surprise turned out.
"When did you even cook this?" you asked, still having a bite of kimbap in your mouth.
"I used my chauffeur's kitchen and I missed my classes today."
Your face fell. "Min Ho..."
"It was my pleasure, darling."
You grabbed his hand and stroke it with your thumb. "I love it but I don't want you to fall behind in school because of me."
He gave you a reassuring smile. "I'm doing great in all of my classes, don't worry."
After eating, you went on with your evening stroll. Talking about everything and nothing, it eventually got to the point where he discussed about his parents with you. He understood the lifestyle of his mother but it was starting to get to him more nowadays. If there was one person he loved more than anything, it was her. So being apart from her for so long, he suffered. The relationship with his father wasn't as pleasant. He had pretty much cut off ties with him, not approving of his new way of living life after the divorce.
"Do you miss him?"
He thought for an instant. "Sometimes. But I miss the old him, not what he has become."
"I'm sorry."
He huffed. "Don't be. I'm better off without him."
A silence took over and he stopped you to observe the river. He wrapped his arms around you while you did the same around his torso.
"How did you do when they passed?"
The question took you by surprise, although it shouldn't have since you were already on topic. "I was empty inside. I lost a lot of friends who were sticking to me only for the wealth. I fought a lot with my aunt who didn't even plan on having children and she suddenly had this kid coming to live with her. It was..."
He saw you choke up on your words and brought his hands to your face to stop you from talking any more. "Hey. You don't have to tell me."
"You asked."
He chuckled. "Yeah, but it doesn't mean I wanted to make you think about it all over again and break in front of me."
You got up on your tiptoes – him being the giant he is – and you kissed him. While it was sweet and delicate at first, Min Ho took the lead quickly. Holding you tighter, he deepened the kiss, almost leaving you breathless.
"Shouldn't we get back to the dorm? Curfew is soon."
He didn't want to but you were right. You went back to the car and the driver drove you back to campus.
You didn't know whether it was you or him who started it, but both of you were needy. Walking in the dorm, you couldn't keep your hands off each other as you kept on stealing kisses every two seconds.
"Guys, we're busy here." Q deadpanned at the two of you as he pointed to Kitty with her school books.
Getting his coat off, Min Ho proceeded to help you with yours. "So are we."
Kitty groaned. "Well, don't do that here."
He gave her a look. "But you are all over Dae all the time here, yes."
You dragged him into his room before he would say another stupid thing. As soon ad the door closed, his lips were back on yours. He lost no time in helping get your vest off, both of you still in your school uniforms.
"You're so impatient." you said in-between the kisses.
"Maybe."
You found him shirtless seconds later and you stepped back to his bed. Laying you down, he topped you and started to work on your neck, sucking on your skin. He brushed your thigh gently before giving it a squeeze. You let out a gasp. You felt him smile against your skin. You brought up to your lips again and started to feel him up and you touched his abdomen. His efforts in looking his best truly paid off, you couldn't find him any hotter.
"You're so pretty." he rasped out.
"You're the pretty one."
"You're right."
You slapped him slightly and he laughed. "I think I love you."
You immediately froze. He pulled back slightly before stuttering incoherent words. You only blinked, which made Min Ho sweat. Why weren't you saying anything?
"Y/N?"
You pushed him off and placed yourself so you were laying facing one another. Putting your hand on his jaw, you stroke his cheek softly.
"I love you, too."
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The first thing you saw was Min Ho's bare back. You could hear him breathe calmly as the rays of sunshine hit his skin perfectly. So... You slept in his room... Nothing too odd. You were his girlfriend, after all. You tried to get out of bed carefully to not waking him up. But it didn't work as he turned around and brought into his arms, stopping your from getting out of bed.
"Good morning." he mumbled.
"I didn't want to wake you."
"Too late." he said, stretching his arm out.
"Get ready, I'll go make you a cup of coffee."
He grinned and gave you a small kiss. "You're just too perfect, aren't you?"
You walked out of his room to let him change and freshen up and were startled when you saw Yuri sit with Kitty and Dae. You slowly went to make coffee, confused.
"Hi, Y/N." Yuri smiled at you.
"What is happening?"
"I came out to my mom, moved out of the penthouse, and here I am! Living with you!"
You perked an eyebrow at her. "You came out?"
"Yeah, it was hard, but I feel so much better."
"Oh my God, that's great! I'm so happy for you."
She smiled even more. "Thank you."
"Yuri started to help me with history. Want to join?" Kitty asked.
In the meantime of your hot beverage being ready, you sat with them and asked questions to Kitty. You were happy to see she was able to answer most of them easily.
"Timeline of the later Three Kingdoms." Yuri read out loud the memo card, laying on her back while her legs were slumped on the couch, in-between Dae and Kitty.
"890 to 936." she answered automatically.
"The first political state?" you asked in your turn.
"Gojoseon." she said in a broken Korean.
"Gojoseon." Dae corrected her and she repeated properly.
"What is happening?"
You hadn't even notice Min Ho coming out of the room and was now leaning on your seat, rubbing your shoulder softly. You put your hand on top of his and he gave you a quick smile before focusing on Yuri again.
"I moved in!" she answered happily, proceeding to sit up properly.
"What? Why?" he looked to all three of them. "Are you a throuple now?"
"No." they all answered.
"I'm gay." Yuri said and Min Ho seemed to be even more lost so she continued. "I came out to my mom, moved out of the penthouse. Scared, excited..."
"Wait." he stopped her. "You've been gay this whole time?"
"It's not a choice."
"I know, I mean..." he began to say but stopped mid-way. "So you and Dae... you were in a fake relationship?" They nodded. "So Kitty was right?"
Kitty smiled proudly. "I told you I know matchmaking."
His body tensed. "You're not mad at Dae? He lied, and lied, and lied..."
You tensed in your turn. Because you lied as well.
"I was mad." Kitty affirmed. "But then I forgave him, and Yuri, and Y/N-"
"Wow." he scoffed.
He retracted his hand from you and took a step back. You felt your heart pound as anxiety crept in, and not the kind you would feel when something good was about to happen. The kind you'd feel when something bad was coming.
"You're as trusting as my dad's third wife."
"Hey." Dae got defensive. "Kitty and I are good. Leave it alone."
"I'm not good."
The tone of his voice sent a shiver down your spine. At that point, he was ignoring your presence.
"You lied to me, too." he continued. "A lot. I wouldn't do that to a friend."
He slowly dared to glance at you and you gulped. You stood up next to him. "Min Ho..."
"Or someone I care about." he said more softly, though you could hear the pain. "I just wouldn't."
He left abruptly, shutting the door of his room harshly. Meanwhile, you felt the tears prick in your eyes. Things were just starting to be good for you, and you had to mess it all up.
"Finals." Yuri exhaled. "Makes everyone crazy."
You gave her a look but she shrugged and went back to asking Kitty questions. Feeling the need to get away from all of this, you went to get changed and left the dorm. A walk seemed to be exactly what you needed.
So why wasn't it doing anything? You felt nothing but emptiness as you walked by other students. You plugged in your earbuds to block out the outside world and spaced out, heading to nowhere precisely. You checked your phone after a while but you got nothing from Min Ho. You couldn't blame him for being mad at you, you were supposed to trust him the most. You trusted him the most. You were submerged with guilt and, as your mind came back to reality, you were standing in front of the administration of the school. You didn't even need to knock as your aunt had already opened the door of her office only from the sight of you in her window.
"Hey, I didn't know you'd stop by." she cheerfully greeted you but her smile dropped once she took in what state you were in. "Oh, dear. Come on in."
She offered you tea and even if you didn't feel like eating or drinking, you let her make a cup for you. She cleaned up her desk a little to make space and sat in front of you, waiting for you to speak.
"Can I stay over tonight?"
Her eyes softened. "Of course, anytime. Now, tell me what happened."
You took a deep breath. "I don't know. Things got complicated, I guess."
She nodded her head slowly. "I see. I won't tell you what to do but know that I'm always here for you if anything. Time will fix everything, I promise."
You huffed with a smile. "That's what they all say."
"Because it's true." she chuckled and then glanced at the clock in her office. "Your classes start soon. I'll make you a good meal for tonight."
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Min Ho: I'm getting coffee with Dae. Do you want me to get you something?
You scoffed at the text. Although you were surprised he was the one to reach out first, this was not the text you thought he'd send.
Min Ho: You saw my message, I know it.
Y/N: I won't be at the dorm tonight, so no thanks.
Min Ho: Where are you?
Y/N: I'm fine.
Min Ho: I didn't ask how you were doing, idiot. I asked where you are.
Y/N: Are you still mad at me?
Min Ho: Yes..?
Y/N: Okay, then I'm not at the dorm to leave you space.
Min Ho: It's not because I'm mad that I don't worry about you. Where are you? I'm picking you up.
Y/N: Don't.
Min Ho: Please.
Y/N: It's only going to worsen things. You'll stay mad, it'll be awkward, and then we both won't be able to sleep.
Min Ho: We'll talk, I promise.
Y/N: Fine. I'm at my aunt's.
You got up from bed and went to the front door. Your uncle, still awake, watched you leave in silence.
"Be careful out there." he said before going back to reading his book.
"I will. Thank you for tonight, it was nice."
He gave you a smile and you left. You waited by the porch of your front door and saw a fancy car coming only a couple of minutes later. You went inside where Dae and Min Ho were seated, coffees in hands. Min Ho passed you an ice americano and you hummed as to thank him. The ride was, as you predicted, awkward as hell. Dae was fidgeting with the hem of his shirt in uneasiness and Min Ho was sipping on his drink every five seconds, visibly nervous.
And the walk to the dorm wasn't any better. As soon as you walked in, you announced you were going to bed. Min Ho immediately stopped you and asked Dae for some time alone with you. Finally just the two of you, you sat on the couch and he copied you.
"Why didn't you tell me?" he finally broke the silence.
You exhaled loudly. "That morning when Kitty ran away, Dae came to our room to talk with her and said it was fake. But then you opened the door, I was there, he didn't know because he left before he saw me. Then I asked Yuri about it and she begged me to keep it to myself."
He hummed. "Okay. I get it for back then because we both didn't like each other. But what about after?"
You shrugged. "It wasn't for me to tell you. I swear I just wanted to have nothing to do with all of it."
He took your hand in his. That's a good start.
"From now on, don't lie to me like this again."
You nodded and that's all it took for him to bring you into his embrace. You melted at the touch and engulfed your head in his shoulder.
"I'm sorry."
He hushed you. "It's okay. I might have overreacted."
You laughed in agreement. The rest of the evening went on smoothly. He invited you to stay with him for the night and he pulled his laptop to his bed so you could watch something together. Dae complained a few times about the volume and the giggles you would slip out every now and then. Other than that, you felt at peace. You were just content that things were back to normal, and you fell asleep soon after.
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You groaned loudly as Yuri kept on blabbering about the talent show. To help Kitty get ten percent bonus on her exam, she gathered as many people as she could to do a traditional dance. That was the condition Lee put in place to boost the notes. And you were not left out of it.
"We have to help her, Y/N."
You played around with the food in your plate as another sigh left your mouth. "I don't know, Yuri."
"You'll get ten percent more, too."
You shook your head. "I already have excellent grades, I don't need bonuses."
"She's your friend."
"So is she yours, and you're already doing it. She doesn't need both of us."
She rolled her eyes at you. "The more, the better."
You then saw a guy from your English class walk to your table. Byungwon, if you remembered well. He used to go to school with you and Yuri during middle school. Apart from brief 'hi's and nods of acknowledgement, you hadn't talked to him in years.
"Can I sit here?" he smiled at you.
Yuri frowned. "Why?"
"My friends are at practice for the swimming team."
"I thought you were in the team as well." you said.
"Injured. I'm left alone."
Forming your mouth in a 'o' shape, you gestured for him to sit with you. "How have you been?"
"Great, apart from the injury. I haven't talked to you two in so long. I figured we could catch up." he beamed at you.
Yuri chuckled. "Yeah, we did draw apart with time. I figured you were living your new life well, you know? Part of the swimming team, girls all over you, good grades..."
He blushed. "You're making it seem bigger than it is. I could say the same for you two. You have quite grown well." He looked at you. "And you look great."
You felt the heat rush to your face, so you focused on your food instead, clearing your throat in the process. "You too." you mumbled.
Yuri's eyes flickered between him and you, a smirk slowly creeping on her face. She knew you used to like him, and so the opposite. Visibly, old feelings easily came back. Though she would have usually teased you about it, she rooted for your relationship with Min Ho. If anything, you were simply taken aback from Byungwon's sudden reappearance.
"You still like her." she teased the guy who instantly gulped.
"No."
You wanted to punch her just there and then. "Yuri."
She shook her head. "Or maybe not. But just so you know, she's taken now."
"I know." he said. "I simply want to catch up, that's all."
A couple of tables further from yours, Q was poorly trying to calm Min Ho down. The latter was fuming. All he could see was the sweet smile Byungwon was shooting at you and the giggles you let out with pink appearing on your cheeks. He knew you wouldn't do anything close to cheating on him, but that didn't mean he wasn't going to be worried about you leaving him for someone else. Adding the fact the two of you began your whole dynamic with hate, he was slightly worried you still had that kind of feeling towards him.
"Min Ho, they're just talking." Dae said, growing discouraged.
"I'm not jealous, I'm just saying that he doesn't need to be so close to her."
"He's only sitting next to her."
He pointed at you. "Did you see that? He offered her his drink!"
"Yeah..." Q sighed. "Not jealous."
Back to you and Yuri, she abruptly got up announcing practice for the talent show was about to start. She gave you an intense look and you knew what she was doing. It most likely was not time for practice but this was your opportunity to get away from this awkward situation.
"Right, we have to go." you coughed out.
"And I'll help you get ready for your date after." she added and your eyes grew bigger at her.
"Ah." Byungwon said, slightly disappointed. "You and Min Ho are real serious."
"They are." Yuri nodded. "Let's go. See you around!"
She crossed her arm with yours before you went out of the cafeteria. You could do nothing more but follow her lead.
"I swear I thought you were going to make him make a move on me."
She laughed. "I might not think Min Ho is the best guy to date, but I know you love him. Plus, it's not the first time I've seen Byungwon look at you like that."
"Really?"
"Yeah. But now, that means you have no choice but to participate in the fan dance with us."
You groaned in defeat. As much as you loved her for saving your ass, you also hated her.
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"Hi, baby."
"Hey-"
You were cut short as Min Ho eagerly kissed you, long enough for people around to either giggle at you or make noises of disgust. It wasn't an innocent kiss either, he was going for it.
"I missed you." he said after pulling back but still holding your hand to walk with you to the auditorium.
"You saw me this morning."
"Not in front of swimmer guy."
Your eyes shut closed. "You saw that, the other day."
"Yeah." Min Ho said as a matter-of-factly. "And I did not appreciate him eyeing my girlfriend like she is some meat."
You patted his shoulder. "Awe, is my little pup possessive?"
He glared at you. "I thought we agreed on stopping with this nickname. Makes us sound like we are furries or something."
You shrugged. "I still like it. But thank Yuri, she's the one who saved me from him that day."
He kissed the top of your head. "Glad to know she's on our side. Now, how are you feeling?"
"Ashamed, depressed, and on the verge of crying."
He frowned. "I'm not sure if you are referring to your feelings towards the wait for your grades or the talent show."
"Can't it be both?"
He laughed and rubbed your hand softly with his thumb. "You'll do great, for both of them."
While he was not allowed to, Min Ho insisted profoundly in coming with you backstage. Saying he didn't want to watch the whole thing and only your performance so you could leave together in advance, he was only disappointed when you sent him back to his seat with Dae.
You walked up to Madison who was crouched next to a machine. "Hey, what are you doing?"
She squealed. "Fireworks, for my next performance."
"You perform twice?"
"Yeah, K-pop."
You rolled your eyes and gave her the fans. Of course she had to do a K-pop dance. You finished up to get ready by fixing parts of your hanbok.
"Yuri-ah."
You weren't sure what Principal Lim was doing backstage to run to her daughter, especially since they hadn't talked since Yuri moved in with you.
"I want you to come back home." she continued but Yuri only gave her the eyeroll. "I'll talk to Alex. I'll make sure you can get to know him."
"Alex?" she said in confusion. "Alex, who?"
Principle Lim froze. "Oh, I just assumed that Kitty-"
"Wait, Alex is my brother?"
And here was another drama happening right in front of you. You learned your lesson to not get involved, so you went to the other girls to ignore what was happening. It wasn't even a minute later that you were up to go on stage. You wanted to bury yourself alive from how embarrassed you were. Not because you were ashamed of your culture, but you weren't a dancer. This was, in no way, one of your strengths.
"How could you not tell me?" Yuri spoke as the performance began.
You tried your best to block them out but they weren't so quiet.
"I thought Alex was my brother and that my mom was the one who was pregnant." Kitty explained. "It wasn't until we snuck out of detention that day and went to Lee's house-"
"Wait, you've known since detention?"
You subtly shushed them and went on to your next move. They seemed to get the message and you were happily back to focusing on your dance.
"How could you hide this from me?"
You mentally cursed them out.
"It wasn't my place to-"
"To be honest?
Madison groaned. "Guys, I'm trying to focus."
This might have been one of the few times you were thankful to her. But your friends being themselves, they continued to bicker.
"I wasn't not honest, I just-"
"Lied by omission?" Yuri interrupted her again.
"You lied all semester about being with Dae on purpose, and I got past it, and now we're friends."
"We were friends." Yuri corrected her.
And with Kitty being Kitty, she clumsily stepped on her robes and tripped, knocking off the firework machine. Fire came out and the whole auditorium stood up in panic, Kitty first as the fabric of her hanbok caught on fire. She stepped back, panic across her face as she stared at the flame. You looked from afar, worried about her and unsure if you should put yourself in danger as well to help her.
You got your answer quickly when you saw your boyfriend running to her. He took his jacket off as he help her sit down on the ground, and crouched down while putting the fire out. She squirmed for a bit until there was no more flame. You observed them as he helped her relax and something seemed off to you. You weren't exactly sure what, but you knew it made you feel sick. It wasn't until Dae arrived that Min Ho went to you, hugging you tightly.
"Are you okay? You're not hurt?"
You didn't hug him back and only nodded. "I'm fine."
He placed his hands on your cheeks. "This girl is so clumsy, she could have put all of you in grave danger."
You cleared your throat. "Yeah, luckily, you saved her."
You pushed his hands away and walked further from the stage. He caught up with your pace and took your hand.
"Hey, are you sure you're good?"
You didn't know what to say. You only stared at him in silence, feeling the lump in your throat growing bigger and bigger.
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yusuke-of-valla · 13 days
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The thing about conflicting headcanons re: Yusuke's financial situation post Madarame (ie is he actually poor, does he make money but spends it all on art because he has poor impulse control, is Kosei a money laundering scheme etc.) is that like Yusuke's financial situation is written to facilitate a running gag so it's not consistent.
The school gives him an allowance, but he's also being charged for utilities despite being on a scholarship and so showers in the cold and works in the dark and worries about the electricity bill.
We know he bought those lobsters that one time but realistically how much of his money is being spent on supplies for class vs non-necessities he feels inspired by? Because canvases are expensive and if there's a certain size expectation/requirement you can't save by getting a smaller canvas. So when someone says "he just spends all his money on art" what are we really talking about?
By Strikers he's very excited to have money from an art contest to spend on his friends but was that true during the course of the base game when he was in his slump? Because I have a hard time believing he was even entering competitions
The details don't really make sense because most of these details come from jokes that are never elaborated on into cohesive worldbuilding.
And even if you want to say the issue is just he's got bad spending habits, that's still a situation that would require intervention by an adult probably because uh, no shit?
Yeah of COURSE Yusuke is completely unprepared to live on his own and is incidentally starving himself, he was raised by a dude who convinced him that the only purpose he served was helping his Sensei. In what way would it have benefitted Madarame to prepare Yusuke in any way to live on his own or know how to balance finances, he actively wanted Yusuke reliant on him, because that's how abuse works.
I'm pretty sure Yusuke has never even conceptualized living on his own, and that's not even adding in the detail of Nakanohara being concerned he'd commit suicide if he stayed with Madarame. NO SHIT HE'D BE BAD AT IT? People don't just emerge from the womb capable of money management
In that situation is the proper response really "oh that Yusuke, he just doesn't understand money, it's not a big deal"?
And like regardless, he IS still starving. Like the extent to which you think it's self inflicted aside, he's a 16 year old who will constantly talk about skipping meals and eating sprouts from the park and that sucks. Someone should maybe like talk to him about the root cause of that!
TL;DR: Yusuke's financial situation doesn't make sense because it's not supposed to, so it kind of doesn't matter to me how people headcanon the nature of it, and I fundamentally think it's incorrect to say one option of "poor vs has bad impulse spending habits" is more correct than the other because arguably they both raise the question of "holy shit why is no one stepping in here" if you think about it all the way through
PS. Also I wrote this whole thing because I saw a tweet that was like "one big misconception i see about yusukes character and how he’s treated is people saying “Why doesn’t Joker/Haru give him money when he’s poor?” and the real fact is that he’s not poor (post madarame). He’s just EXTREMELY irresponsible with his spending and spends it all on art," and I was like "idk if that's a misconception really I think a case can be made for both because it doesn't make sense" and then AFTER I wrote it I remebered that I have repository of every Yusuke scene uploaded into my brain and was like "wait if you call Yusuke poor in PQ2 during the Akihiko/Shinjiro/Yusuke quest he'll agree" and then there's also the scene in Tactica where Marie calls him dirt poor and he doesn't disagree with the poor part, just that she insulted dirt
So like my point still stands but I'd ESPECIALLY not call it a misconception to say he's poor when canon material supports it.
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dotthings · 5 months
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Let me make this even clearer. Because Jensen and Misha both deserve better.
Given that we know they talk a lot about Destiel among themselves. They have told us, repeatedly. They've shared each other's perspectives with each other. They have an understanding.
Early misunderstandings and conflicts in pov aside (and do people want to keep circle jerking as if it's still 2014? Okay then. Have at it, but time moved on and you didn't): Jensen doesn't speak over Misha. Misha doesn't speak over Jensen.
Some things Misha has said about Dean or Destiel has resulted in Jensen stans attacking him. They always have some excuse--this past weekend it was because Misha acknowledged the idea of Dean and Cas having sex.
In the past, another example, backlash came at Misha for saying Cas saw love and acceptance in Dean's eyes.
(Which...sure does seem like the pearl-clutching about Misha's CR8 comments being too ribald is fake virtue signaling doesn't it, since even a statement from Misha wide open to platonic or romantic reading, that is 100% true about Dean, and how loving he is, how loving we know Dean is, how much we know Dean is going to accept and love Cas either way, got hatred aimed at Misha as if he had said something heinous. Tells me all I need to know about certain stans).
While Jensen's "Cas is an angel therefore his love is cosmic and unknowable impossible for humans to grasp let's not define it" and "open to interpretation" middleground to appease both sides and treading carefully for reasons, on a topic that's napalm in fandom (it shouldn't be, but that's the reality), might be construed as speaking over Misha.
But here's the thing!!! It's not!! From either of them!!
It seems very obvious by now that they decided Misha would be the loud one, with Jensen holding his cape, even if he doesn't join in , and Jensen walking a diplomatic middle line, also with Misha's understanding and support in turn.
When Misha goes off boldly about Destiel? People need to kick out that hate fantasy about Jensen being disrespected and Jensen must be wanting to punch Misha and Jensen must be so mad at Misha how dare Misha out of their heads, or get to the point where they can comprehend the difference between their own feelings vs Jensen's and quit projecting.
They didn't shut each other out. They talked about Destiel. They listened to each other. Highly likely, in fact, that they helped each develop or refine their talking points.
Neither of them has been shooting off their mouth about the other's character without having spoken to each other.
I don't have any hope for fans to stop the endless fighting and concern trolling and attacking either Jensen or Misha over it, needlessly, perpetually, but when it comes to Jensen and Misha...that's a hopeful space.
Misha's bluntness vs Jensen's carefully chosen middleground words complement each other are not in fact oppositional takes--they complement each other, there's room for both. They both know it's a mutually loving relationship.
Neither is trampling on the other's pov, and any views that don't perfectly align, they've already discussed and they respect each other.
These accusations at either of them are not true, they are not fair, and they both deserve better.
And now I'm staring right at a recent thing where Misha full on absolved Jensen of an accusation that various lanes kept throwing at him, and still weaponize, including Jensen stans who claim to be defending Jensen, because they want it to be true.
The response was manufactured drama where people called Misha a liar and doubling down.
They'd rather Jensen take the fall and they'd rather call Misha a liar than believe a soulless corporation that has been caught more than once exercising queer censorship could have committed queer censorship in a TV industry where it's common knowledge that queer censorship by broadcast TV networks happen???????
Wow gee can you feel the love in this Chili's. Great going. Excellent defense strategy. You're really such a big help. With fans like these, Jensen and Misha don't need antis.
A lot of it is agenda driven, and some anxiety driven, every lane's worried about other lanes react, because spn fandom is always a pain in the neck that way. Some people hate Destiel so much they need Jensen to be their antidestiel warrior they'll throw Jensen under a bus and stan for the corporation, or they're so anxious about how Destiel gets treated they blame Jensen and forever hold against him his past foot in mouth about the ship (which was a long time ago. Please stop punishing him endlessly when he's moved on and his perspectives are respectful, yet you're still stuck back there) rather than comprehending the actual systemic factors.
Jensen and Misha are both doing what they can to make it better.
They are trying to fix it!!!
People should show them more respect!!!!
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