#(now granted. parts of this only make sense if you understand my characterizations of fox and riyo.

[margindoodles2407]

it is. foxiyo hours for me

[itsclydebitches]

Hello, lovely readers! Welcome back. Buckle up, this chapter — and its accompanying recap — is one of our longest so far. 

To start, I am grappling with my surprise over the opening sentence of Chapter Seven:

“Scarlet was disappointed that there’d been no big celebration following reinitiation.”

I’m sorry, reinitiation is over? First, this goes against the expectations set up last chapter. Sun, Velvet, and Scarlet had a whole conversation about how this test looked exactly like normal initiation, so obviously there must be some key difference in order to both differentiate it from regular initiation, and ensure that students originally from Shade don’t have a major advantage. They seemed to expect a twist to this test so I expected a twist too. In fact, as a reader looking for entertainment, a twist was all but assured. Or so I thought. When nothing much happened during Velvet’s adventure — she just drops down the first hole she sees, immediately spots the relic, and dodges some grimm on her way out — I thought, “There must be a Part II coming up.” The airship isn’t taking them back to Shade, it’s taking them to the next sequence in the test. …Apparently not. It really is just like regular initiation.

Second, what about the rest of Team CFVY? What about Team SSSN? We don’t need to follow every character individually (that would indeed take a while), but at least do something similar to what we just got with Velvet and Sun undergoing the same challenge. If I remember correctly, the student body was divided into three or four groups, meaning that by default every member of our teams will be mixed up with someone else and, based on Velvet’s challenge, every airbus team is given the same task. So just show us two more adventures and you’re done. Given how short most chapters are (Chapter Eight is a mere six pages) and the fact that we’ve got twenty-one of them overall, that’s not much of a hardship. As it stands this is… weird. Why Velvet? Why, out of eight separate characters — two of which are team leaders and seemingly more of a main character than she is, as least two others who we know next to nothing about — does she get the extra time and attention? It’s like if RWBYJNR underwent a test but we only heard about Jaune and Blake’s experience, with Jaune dropped halfway through the chapter and everything else is told through Blake’s PoV. Like yeah, that’s technically fine, we can assume they all completed the same task, and Blake is great! But it’s still weird when you’ve got seven other characters to balance.

Not to mention missing out on everything else that I assumed we’d get answers to. Velvet obviously never found Yatsuhashi since we were never given a test section where they were together. How did Yatsuhashi deal with the panic he was struggling with when we left him? Did Fox have to rely on someone else to get him a relic since he couldn’t see them? What does Coco think about all this??

We might get flashbacks at some point, but right now we’re starting Chapter Seven having skipped all of this including, as Scarlet points out, the immediate emotional aftermath. I don’t really care about another Beacon Brigade meeting, I care about the shocking change that was thrown at our characters and changed the whole dynamic of this school… but apparently we’re moving on.

As said, Scarlet is sad there was no party because he, unlike everyone else, is pretty thrilled with the new teams. Yup, they actually changed. At least that’s an engaging development. Especially given how uh… volatile these teams are likely to be. Scarlet now fights with Coco who is no longer the team leader. Instead, it’s a girl named Reese who “didn’t strike [Scarlet] as a born leader. On the other hand, she wasn’t Sun, so she was definitely an upgrade.” Yeah, it becomes clear within a couple of paragraphs that Scarlet straight up hates Sun, rather than simply grappling with frustration over his recent behavior.  

He’s likewise critical of the Beacon Brigade, mentally referring to them as a “pity party” which 1. Yikes, Scarlet, people died and 2. Why is he here? It seems like everyone whose perspective we’ve gotten so far — with the exception of Velvet — thinks these get-togethers are a waste of time, yet they continue to attend them. From a writing standpoint it’s easy to see why you’d want these characters there to prompt personal conflict, but I’m confused as to the in-world reasons for why so many of them are sitting through something they only have criticism for. Is it peer pressure? Loyalty to their friends? Lack of anything better to do? The disgust or indifference for this group is well established, though not what makes all these characters attend it anyway.

We’re at least told that Sun was “dragged” here by Velvet which… okay? Why? Last chapter Velvet didn’t particularly like Sun either, so I suppose she’s simply looking to improve him or something? Honestly, the Velvet we’ve given while seeing the world through her eyes and the Velvet of other chapters seem radically different from one another. By that I don’t mean that Velvet sees herself differently than she really is. An example of that would be Ruby thinking that she’s bad at making friends, when in reality she forms deep bonds incredibly quickly. 

It’s a characteristic that has always existed, obvious to the viewer too, but Ruby simply doesn’t notice it due to her own self-confidence, self-esteem, etc. Velvet, meanwhile, is written as a different character altogether. The Velvet who exists across most of this book comes across as far quite kind and patient, whereas when we’re in her head Velvet is both internally and externally mean. Her attitude flips on and off like a switch. I know I said last time that Sun’s admiration at her avoiding the Ravagers might finally start changing her tune about him, and that could indeed be an explanation for why she brought him back to the Beacon Brigade, but that doesn’t explain the extreme change in how she holds a conversation with him. Remember that last chapter we had “tough love” Velvet who was insulting Sun almost every chance she got. This Velvet speaks calmly and patiently until Sun understands their reasoning behind forming this group… which yeah, is a good thing. I’m glad someone is offering to explain things to Sun instead of just assuming the worst of him, but we’re nevertheless left with very inconsistent characterization. How and why did this change come about? Will Velvet revert back to tough love? Who can say? Certainly not me.

At least Scarlet’s opinions are clear: “just when [he] was ready to get a little distance from [Sun]” he shows up again. He goes on to think about how he just wanted a fresh start which, okay. Fair. That’s partly the point of this whole exercise and but right now Scarlet is convinced that a fresh start isn’t possible “with Sun in charge.” So Sun as an individual seems to be the problem here, not Scarlet’s team as a whole. Which would likewise be fair if I had a better understanding of where such intense opinions were coming from. In this chapter we’re suddenly told that Sun running off isn’t a new occurrence:

“Well, you were always leaving us and going solo. We were never sure why,” Scarlet said. They might not be on the same team now, but his questions hadn’t gone away.

Sage still had questions, too. “Were we not good enough for you?” he asked.

Okay, that definitely sounds like a legitimate flaw that would alienate your team members from you... but when did this happen? Granted, the answer to this might (again) just be, “In After the Fall, Clyde” but we’re nearly a hundred pages into this book and this issue hasn’t come up before now—something that would be very easy to accomplish when each chapter is changing perspectives. Upon reflection, Sun is doing things semi-solo in a lot of the main series, but that never came across as anything other than an easy writing choice to me. Meaning, Sun originally existed as a faunus friend for Blake, someone outside of Team RWBY to get involved in the White Fang fight. Introducing him as a single character is easier, having him meet with Blake alone makes sense, etc. Not only is the concept of teams existing as a single unit that always does everything together ridiculous, but Neptune was clearly meant to exist as a representation of the rest of the team without having to write three distinct characters alongside Sun every time he comes on screen. Sun is solo on the docks. Sun is at the cafeteria with Neptune. Sun infiltrates the White Fang with Blake. Sun eavesdrops on Team RWBY with Neptune. In the main series I never got the sense that Sun was avoiding his team, only that he had a life outside of his team and that his team was otherwise represented through one guy instead of three. Three wouldn’t have worked for most of these scenes. 

All of which isn’t to say that Sun didn’t avoid his team — I’m not claiming Scarlet is lying — only that I’m not convinced we’ve seen that flaw. Which is incredibly common in RWBY. Characters will make quite significant statements and the viewer/reader is left wondering when this thing happened, or why the contradictions we can easily see in the story aren’t acknowledged. If Sun, as leader, has a habit of ditching his friends, both leaving them to function as a team without him and acting as if he doesn’t like spending time with them… then yeah, that’s absolutely something that needs to be addressed. But where is that Sun? Why haven’t I seen that characterization? Every time they’re together his team avoids him (Scarlet being a perfect example). Even Sun baffled by the accusations.

How could he not know? Scarlet wondered.

I don’t know either! This certainly seems to be a misunderstanding, but oddly the one person who can shed some light on the miscommunication doesn’t speak. Sun looks to Neptune in his confusion which makes perfect sense because: Hey, best friend! The guy I do everything with and who functions as clear evidence that I’m not always going solo like Scarlet claims, can you explain what’s going on here? We might have gotten an exchange where Neptune points out that spending time with him doesn’t equal spending time with the whole team, Scarlet and Sage feel left out, and that’s absolutely a claim that would stand up within the canon… but Neptune says nothing. Sun is simply accused of being a horrible leader who doesn’t want anything to do with his team, despite there being very little basis for this in the text. All we’ve got is him leaving with Blake which, as I’ve explained, is something he does need to apologize for. But that’s the conflict we’ve seen, not this broad, wishy-washy claim that Sun is an all around bad person.

What it comes down to is that Scarlet’s disdain is apparently rooted in more than just a single action of Sun’s, it’s apparently a pattern of behavior that he takes issue with, but I haven’t seen him be a particularly bad leader/friend lately. Or, I should say, certainly no worse than everyone else around him, given that this entire group does what they want and insults one another on a regular basis. Sun isn’t an exception in that. Both the book and this conversation feels like an attack on Sun’s character, not the event we know he needs to redeem himself for. When Blake left, Team RWY didn’t speak ad nauseum about how horrible a person she is, not talented enough to fight with them, incapable of doing anything right…  insults that are separate from the issue at hand. The mistakes we’ve seen Sun make aren’t aligning with the complaints other characters have about him, but nor is the story acknowledging that his friends might be biased or simply wrong. Basically, like Velvet’s character, it’s a confusing, inconsistent mess.

And if it feels like I’m repeating myself every chapter it’s because the book is repeating itself every chapter. How many times are we going to tell the reader who awful Sun is? We’re nearly a hundred pages in, folks. 

I’ve been getting very ahead of myself though. Before we delve into Sun’s apology and the resulting confessions, let’s quickly lay out the new teams. Yatshuhashi and Neptune have ended up together, which explains a certain scene that I know is coming later. I figured that the entirety of CFVYSSSN was conducting their investigation together and some cross team duos came about. Turns out they’re actually part of a team now. It’s an interesting premise! Too bad I know it’s heading in the worst possible direction.

Also, everyone already has color names. That’s the true evidence for non-random assignments! The instructors would never come up with enough color related terms otherwise lol. 

“Oh brilliant headmaster, why did you choose to put me on this team? Was it because I worked so well with this peer of mine? Or does my semblance compliment another’s?”

“No, kid. Your name just happens to start with an ‘F’ and we needed one to get an abridged version of ‘Forest.’”

“…ah. I see. One more thing, sir.”

“Yes?”

“I’d like to transfer to a less stupid institution.”

These conversations had to have happened. 

Velvet has been paired with Octavia as well as another Beacon hating student named Nebula. No surprise there. Then, just to make sure we don’t go more than a few paragraphs without insulting Sun, we’re told that “poor Sage” is still “stuck with him.” Sage is now the team leader, another choice that Scarlet doesn’t understand. Indeed, he actually says that this is “proof of the utter randomness of the exercise.” I’m both inclined to agree (in the sense that, as said, managing all these team aspects intentionally is nearly impossible) and also point out that by all intents and purposes Jaune should have read as an idiotic choice too. “How can you say that, Clyde? Jaune showed astounding leadership during his own initiation!” No he didn’t. Jaune noticed that a scorpion’s tail was loose, yelled out a generic call to action, Pyrrha figured out what to do, and then he told Nora to finish it off. Jaune said they needed to help get across the gap and help them in the first place (no duh) but Nora is the one who figures out how. It’s really not much, especially compared to things like spending most of his initiation stuck in trees and having no idea how to wield his sword. If Jaune can be made leader Sage should absolutely be given the chance. Everyone should be given the chance compared to the guy who became team leader without knowing what a landing strategy was. 

Scarlet concludes all this by saying that “Sun didn’t seem bothered in the slightest by not being the boss,” but remember, when a character is already inclined to think the worst of someone, their assumptions about their emotions aren’t necessarily accurate. We won’t know until/if we get back into Sun’s head whether he’s truly indifferent to these changes or not. Not that Scarlet needs any such confirmation. He decides that Sun “probably didn’t care who was in charge because he wasn’t going to listen, anyway.”

This is still so confusing to me. Did the rest of team SSSN tell Sun not to leave and he blew him off? Am I forgetting a time recently where he made his team do something they didn’t agree with? If not, where is this ‘Sun doesn’t listen to anyone’ criticism coming from? Even if we establish that it’s true — perhaps supported by the free spirit personality Sun wields, though that’s not the same thing as ignoring orders — why is he the only one getting heat for it? Coco doesn’t listen to anyone either. She’s out here metaphorically flipping Rumpole off to conduct an investigation that Sage and Scarlet didn’t seem to agree with, but Sun, trying to integrate everyone into Vacuan culture, is the one who abandons everyone to do what he wants? 

But this is normal for RWBY. A flaw is a flaw until it’s applied to the character this story supports, then it becomes something to praise instead. In some respects, this is even more frustrating to experience in the novel because unlike in the webseries, there’s plenty of time here to explain a character’s opinions, show us their memories, lay out the nuance in these relationships, all the techniques that would help convince the reader of a difference in behavior when actions seem pretty identical at first glance… yet here we are, not utilizing that time or, when we are, providing inconsistent information. There have been precious few moments in this novel where I’ve felt like I have a firm handle on a protagonist: what their motivations are, what actions they’ve taken in response to that, how those actions have been received, and whether that reception is justified. 

Honestly, the most consistent aspect of this novel is how closely it aligns with the webseires: both texts don’t make good internal sense and leave me scratching my head over what I’m supposed to take away from the story, let alone whether that takeaway makes sense based on what I’ve been shown.  

But I promised you all Sun’s apology. Let’s just chuck out the whole thing:

“Here we go again with the Beacon Brigade stuff,” Sun muttered.

“Excuse me?” Velvet frowned. “I thought you came back here to apologize.”

Scarlet laughed. How could she even believe that? “Sun’s pretty bad at apologies.”

“I can apologize!” Sun’s tail swept back and forth.

“Go on, then.” Scarlet said, prompting him.

Sun put his hands into his pockets and looked down. “I’m sorry I said all those mean things and stormed out of here last time,” he said quickly.

“Thank you—” Velvet began.

Sun lifted his head. “But I was only trying to help you understand how elitist this group looks to everyone else.”

Scarlet rolled his eyes. He leaned back to watch the show.

I’m going to fall back on a list for this one.

1. As said in the past, I’m well aware that a story needn’t show us every scene but should rather provide information that allows us to extrapolate things based on the context and basic logic. e.g. “I haven’t read a scene yet where these characters brush their teeth, but I can assume it’s happening and we just don’t see it because that’s incidental to the plot and would (theoretically) be boring.” In fact, a story that provides too much information—be it in world building, characterization, every detail of the current event—will often have failed in one of its core intentions: entertainment. I get that. However, it feels like more often than not RWBY struggles to pinpoint which moments should be shown and which should be relegated off screen. I, for one, would have liked to see this conversation between Velvet and Sun. Not because a conversation inviting him to another Beacon Brigade meeting is inherently exciting, but because we’ve been given a context wherein such a conversation is significant for both of their developments. Velvet was incredibly critical of Sun last chapter. Now she’s “dragged him” back to this meeting. Is it because she’s changed her tune about him, or because she hopes to change him further? That’s important. Sun, last we saw, was digging his heels in regarding the meetings, the new teams, and the refugees’ overall approach to living at Shade. Now, Velvet tosses out that he “came back here to apologize.” What changed Sun’s mind and got him to admit he overstepped? Or is Velvet wrong in her assumption about what he intended to do? This story is character driven—we’ve gotten very little action thus far, none of which has been integrated into the emotional stakes—yet consistently the story fails to answer questions like, “What does this character want?” “What made them change their mind about this?” and “Do we trust their perspective and interpretation of events?” Like skipping out on everyone else’s reinitiation, it’s impossible to get invested in the ���development” of characters when we’re always unclear about where they started, where they’re heading, and what in the world happened to enact any change we see between chapters. 

2. Similarly, we’re told that “Sun’s pretty bad at apologies.” Did anyone else know this prior to Scarlet announcing it to the group (the reader)? Yes, Sun has yet to apologize for leaving with Blake, but that is, as I’ve stated above, one event that is not necessarily indicative of a behavioral trend. I’d much rather have known a Sun across the webseries and this book who consistently demonstrates an inability to admit when he’s wrong, not simply be told that by a character when it becomes relevant to the scene. Or, at the very least, allow our time with characters like Scarlet to provide that information in a more persuasive, fulfilling manner. Maybe he thinks about all the times Sun has let him down and then refused to acknowledge it. Maybe we get another flashback to a similar event that this is reminding Scarlet of. Maybe he and Sun actually talk and we get a sense of how this opinion formed. Something other than an announcement simply informing us of an impactful character flaw that we haven’t seen up until now.

3. Especially given that Sun does apologize and it’s not a bad apology either, it’s just that he’s chosen to apologize for the things he’s actually sorry for: saying mean stuff and storming out. It takes a lot to admit that two of his responses weren’t appropriate and there’s enough specificity and sincerity here that Velvet immediately accepts it with a “Thank you.” Where Sun arguably messes up is in continuing his apology with a “But…” yet here I’d like to reiterate that the simplistic advice we find on tumblr isn’t applicable to every situation. Meaning, I’ve seen a lot of posts lately about apologies, reminding people that it should be about acknowledging how you hurt someone regardless of your intentions, not using your intentions as an excuse for your actions. I agree with that. I likewise think Sun did this. He admits that he hurt people despite not meaning to and he owns up to that, even if he does so in a quickly, clearly uncomfortable manner. Acknowledging that you hurt someone despite your intentions doesn’t mean that your intentions can never be brought up again. If I accidentally insult someone in the act of confronting them about, say, destructive behavior, I should indeed apologize for that… but that doesn’t mean the issue itself—the destructive behavior—is forever off the table. It’s an important topic and Sun likewise has an important topic he’s trying to broach again, this time in a more respectful manner. Sun is sorry for the cruel things he said, he’s sorry for storming out, he’s sorry for how he responded to things… but he’s not sorry for his opinion about the situation itself, and that’s fair. Apologizing for your behavior does not require that you suddenly agree with the person you’ve hurt. Indeed, it’s only Sun challenging the group again—this time in a non-insulting, non-storming out manner—that the group itself realizes that they haven’t been clear about their own intentions. The issue was never whether the group is a good thing or a bad thing, but rather that the group didn’t bother to explain to Sun why they were doing this in the first place, leaving him to come to his own conclusions—and then getting upset when those conclusions turned out to be inaccurate. Up until this moment, no one in this room is inclined to spend time with Sun, let alone ensure that he has an accurate view of what this group means, so is it any surprise that he took things at face value? The group who named themselves after Beacon doesn’t want to be a part of Shade. That’s what it looks like on the surface and thus, that’s what he assumed. 

4. Despite the complexity of this situation—by far the best Myers has managed thus far in this novel—Scarlet doesn’t acknowledge any of it. Not the group’s behavior towards Sun that resulted in a lack of understanding, not Sun’s understandable assumptions, not his inappropriate response to them, nor his apology. Scarlet said Sun was bad at apologies and Sun just proved him wrong… but acknowledging that requires likewise acknowledging everything in the above paragraph. Scarlet doesn’t want to think about what Sun is apologizing for vs. concerns he still has, he just hears a “But” and “rolled his eyes" to “watch the show.” What’s perhaps the most strange about all this — and the easiest to pinpoint as a potential problem — is that Scarlet agrees with Sun. He thinks the Beacon Brigade is a waste of time too! In another story I would expect to either a) have Scarlet grudgingly admit that Sun had a point, helping to lead him to some realizations about his bias, or b) have the story itself acknowledge that Scarlet is interested only in criticizing Sun no matter what he might actually say or do. If we boil the conversation down we’ve got:

[Scarlet is critical of the Beacon Brigade]

[Sun is critical of the Beacon Brigade]

[Scarlet ignores that tie between them]

and

[Scarlet thinks that Sun isn’t capable of apologizing]

[Sun apologizes]

[Scarlet ignores this]

This trend is likewise seen at the start of the meeting when Scarlet goes, “The gall of it. It was so obvious what Sun was doing—he was practically gleeful to be rid of his teammates” in response to Sun not seeming devastated by the changes. It’s the same situation we got last chapter with Velvet, wherein one character’s interpretation of a situation — Sun doesn’t look sad enough to my liking — doesn’t necessarily match up with reality. Indeed, when Scarlet throws out another accusation we’re shown precisely how inaccurate his perspective is:

“I guess it’s not hard to move on when you’re always moving, huh?” He sat up straight and looked at Sun. “Just how ecstatic are you to be moving on from us? Be honest. While we’re at it, maybe you can explain why.”

Sun was taken aback. “What?”

Sun is shocked by the idea that he’s “ecstatic” over these changes because he’s clearly not. There’s so much miscommunication among these characters and, thus far, incredibly little done to resolve it. This conversation explaining the Beacon Brigade to Sun is the major exception and, as a result, is one of the only worthwhile scenes. I feel like our characters have finally changed in some way. Yet to continually balance out any enjoyable bits, Scarlet’s bias stands in contrast to this improvement we see with Sun. It’s even more obvious when we factor in Scarlet’s revelation about Nolan in the same conversation. Despite witnessing nothing nearly as concrete as an apology when he said apologies weren’t something Sun was good at, Scarlet comes to the conclusion that he had been “underestimating Nolan all this time” and seems, from a single comment, to form a much higher opinion of him. The kicker is that not only does this moment not jumpstart a similar revelation regarding Sun, but is rather used as another segue into criticism of him: “Just like Sun had been underestimating the rest of them. But would Sun ever see that?”

Sun is indeed blind to some things, but so is Scarlet. Arguably more-so. At least here we see Sun listening to the others and flat out admitting that he was wrong. The confusing nature of Scarlet’s anger — is he upset about the Blake incident or something that seems to exist ‘off screen’? — coupled with his inability to acknowledge the improvements Sun is striving to make when they’re literally happening right in front of him, makes for a frustrating read. So as always: Yay flawed characters? It’s just too bad that this cast seems to be made up primarily of flaws and are doing incredibly little to improve themselves. Unless you factor in things like Velvet’s randomly changing personality.

As said though, I think the group does a good job explaining their perspective to Sun, largely because they bother to take a moment to connect with him, see how and why he came to these conclusions, and respectfully lay out their own perspective. Velvet explains that names are important, a part of your identity, and thus when they came to Vacuo they wanted a new name to reflect their new life. “Beacon was the obvious choice.” By the end of the scene Sun freely admits his mistake — “Maybe I was wrong,” Sun said — but still maintains that his misunderstanding stemmed from something. All of these (somewhat convoluted) explanations involving names, identity, belonging, moving on, but keeping their past is in no way obvious when you just hear the name Beacon Brigade. “‘Well, you’ve been sending a mixed message with this group, at least to Vacuans,’ Sun said stubbornly” except that “stubbornly” is uncharitable because he’s right. Not about the Beacon Brigade being a useless waste of time like we saw a few chapters back, but about the name and meeting sending the wrong message without that complicated context attached. The name alone has no connection to Vacuo. The name sounds like they’re refusing to move on. The name is also weirdly about being an army despite this being a therapy group, but we’ve already mentioned that. The statements “Your reasons for having this group and naming it this are valid,” “It’s not your fault that the Vacuans are refusing to accept you,” and “On the surface that name and these meetings send an unintended bad message that doesn’t help your already iffy social status” can and all do exist simultaneously.

The fact that Sun is using this opportunity to understand where the Beacon Brigade is coming from, but the Beacon Brigade is continually insisting that his perspective has no merit, just reinforces that the only one undergoing any growth here is Sun. Which, coming into this novel, I would have said is justified. He abandoned his team! He followed Blake! He listened in on her private conversations! He hasn’t even apologized to his team yet! Sun obviously has things to work on. But the expectation of him being the most in need of improvement rests on those around him being more level-headed, empathetic, talented people than he is… and they’re not. In this novel, the people Sun has hurt can be just as stubborn and cruel, making just as many iffy decisions. So when we’ve got a whole school of incredibly flawed teens, with one individual clearly striving to do better while the others endlessly pile on him… uh, I’m in that guy’s corner. At least I understand how Sun’s development is coming about, unlike Velvet. At least Sun admits when he’s made mistakes, unlike Coco and Scarlet. At least Sun hasn’t done anything close to the horror that I know is coming with Fox and Yatsuhashi…

So yes, to say that this scene and its resulting implications is complicated is an understatement. For the love of God, let’s move on.

We get another flashback, this time to Team SSSN arriving in Vacuo to meet with Headmaster Theodore and Rumpole. Recall that we were shown the exact same situation with Team CFVY… but wow is Theodore different here. Previously, I praised his compassion and ability to inspire new students because in that scene it was clear he was thrilled to have Team CFVY joining his school. Theodore is not thrilled to accept Team SSSN and I’m honestly unclear as to why. Both did well in the Vytal Tournament, which is something Rumpole apparently looked over when evaluating the students. Both participated in — and survived — the Battle of Beacon. Both are here now, hoping for a new place to call home, yet the reception SSSN receives is distinctly frosty.

Granted, this is at least partly because we’re still seeing things through Scarlet’s perspective, but that doesn’t cover everything. Theodore starts the flashback by reminding them that he believes “Actions speak louder than words,” to which Sun wholeheartedly agrees. Rather than acknowledging that they have similar outlooks, Rumpole tells him to be quiet — “[she] put a finger over her lips” — and when Sun doesn’t seem to notice the gesture Scarlet interprets this as him being “cocky.” That… doesn’t really line up. Regardless, Theodore is interested to know why Sun didn’t attend Vacuo if he grew up here, seeming to read that choice as some sort of insult towards him and his school: “He exchanged a look with Professor Rumpole. Then he looked sternly at Scarlet, Sage, and Nexpeptune.” When Sun explains that he wanted to see more of the world before settling down, Theodore and Rumpole jump on the word choice.    

Sage snickered. Rumpole’s eyes flashed gold.

“So you think of Vacuo as ‘settling’?” Theodore asked.

Wait. 

Excuse me, educator, but the phrase “settling down” is not comparable to “settling.” The former means to live a quieter, stable life usually after, yes, traveling the world for a time. It has few (if any) negative connotations. In fact, it’s quite positive. The implication is that you’ve been to many places, seen a great deal, experienced much of what life has to offer you, and now you’re choosing this place as your home. It’s also framed after a sought-after end goal. The weary hero longs to settle down but is unable to due to their quest. Settling down with friends and family is the prize given at the end of a story. It’s good. In contrast, “settling” for something does have a number of negative implications attached to it. It suggests that it’s not what you want, but you’re willing to put up with it at the end of the day given that you have no other choice. It’s second or third best, at most, but you’ll tolerate it. The concept of settling for something is insulting because it says that given different circumstances, you never would have chosen it.

Sun says he’s “settling down” in Vacuo; this is the home he’s choosing. Theodore and Rumpole both interpret this as “settling;” he’s choosing them only because he has to. But why? Where did this interpretation come from? Schools were a mix of people from different kingdoms long before Salem shook things up, so why is Sun getting heat for going to Mistral? Especially with the rather persuasive justification of, ‘I’d like to see more than just my backyard, thanks’? Are Vacuans so xenophobic that the mere act of one of their own leaving for a short time makes them an outsider? Why is this never explained then? Why doesn’t Sun, the Vacuan, understand this and seek to defend himself?

I’m still so confused, folks! 

Things just go downhill from there. Sun asks if he can call Theodore “Theo,” which doesn’t go over well.

“No!” barked Theodore and Rumpole at the same time.

“Right. Sorry. Professor—”

“Headmaster.”

This is unnecessarily strict. As someone who has known a number of “You must refer to me as ‘Doctor’” people, I have never heard a single one “bark” out a negative in response to asking about using a different address. They respectfully correct a student because instructors — and people in general — should strive to be respectful. Then Theodore nitpicks about “Professor” vs. “Headmaster.” A look back at what I read does show a consistency of students addressing him as “Headmaster,” but if that’s a preference why not just say that? As it is, the curt correction feels like he’s trying to limit Sun’s options, especially when we’ve heard others like Ozpin be referred to as “Professor.” It’s not exactly a weird mistake.

Then Theodore goes,

“And which of you is the leader again? I know it’s not Neptune, but you can tell that just by looking at him.” Neptune’s jaw dropped.

What is wrong? With this cast?? Theodore was a splendid Headmaster whom I loved a few chapters back, now suddenly — as soon as he’s talking to Team SSSN — he’s become downright mean. What the absolute hell was that comment? “You can tell that just by looking at him”? That’s so insulting! He’s another Velvet, turning basic compassion on and off depending on who he’s speaking to, yet I still remain in the dark as to why everyone in this novel hates Sun, to the point where even his teammates bear the brunt of that negativity. Because, you know, when Sun says he’s the leader,

Rumpole was momentarily speechless.

Hold on. Let’s take a hot second to summarize what Sun has done in this conversation thus far, AKA everything that exists to form such a horrible opinion of him that Rumpole would be “speechless” at the thought of him leading. Sun has:

Agreed with Headmaster Theodore regarding a life philosophy.

Says he grew up in Vacuo.

Admits that he wants to settle down here, making Shade his permanent home.

Asked to address the Headmaster as “Theo.”

Apologies for his presumptiveness.

Correctly changes his address to “Headmaster Theodore.”

Explains that he was on a “special assignment” last semester and that’s why he wasn’t at Haven. Scarlet mutters that the assignment was given “by himself.”

So Sun is a native who’s heart has “grown fonder” for his kingdom and who agrees with Theodore’s outlook. He is willing to apologize and change his behavior as instructed. The only marks against him so far are 1. Being overly friendly with an authority figure and 2. The implication that he simply ran off without justification, though thus far it’s Sun’s word against Scarlet’s. That should hardly count until the accusation is proven one way or the other. 

So Sun is implied to be an unfit leader because he was friendly? That outweighs positives like being from Vacuo and taking direction?

Everyone is really just out to paint Sun as The Worst Person Ever, huh? Here’s your trophy, bud. 

After this stunning display ranging from indifference to what appears to be outright disgust, Theodore says that they can stay on through what’s essentially a trial period. “Until you wash out, or he changes his mind,” Rumpole explained. “Frankly, that happens a lot.” Again, Team CFVY didn’t receive such a threat. Theodore concludes the meeting by requiring a written account of the White Fang attack, something Sun is nervous about. “You do know how to write?” Theodore asks, just casually tossing in a final insult. Scarlet reassures him that they’ll help Sun with the “big words.”

Wow. The farther I get into this story the less surprised I am that the fandom has been hissing at it like an angry pack of cats. Or at least, a solid chunk of the fandom here on tumblr. I can’t recall if I mentioned this in an earlier Chapter, but at the start of this project I popped onto Goodreads and was somewhat shocked at Before the Dawn’s 4.16 rating, accompanied by numerous glowing reviews. Were we given different copies of the book? Then again, I often feel as if I’m watching a different show than the fandom talks up. I too would love to be watching a gripping, emotionally compelling, complex RWBY story of the sort that I’ve heard about. Ah well.

Back to the text at hand.

It’s the next day and everyone is attending Professor Rowena Sunnybrook’s Weapons Training Class. I briefly grapple with the image of Rowena Ravenclaw at Sunnybrook Farm. Then I consider how close “Rowena” is to “Rebecca.” Then I remember that in the stories Rebecca’s middle name was Rowena. Then I move on with my life.

(How badly am I dating myself if I bring up Shirley Temple?) 

There’s a sandpit set up in the middle of that classroom which “had always seemed odd to Scarlet. If you wanted to fight in sand, why not just go outside? There was plenty of sand in this place.” Honest answer: ease of access and control over your environment. It’s the same reason why you’d take students to an indoor track rather than just telling them to run anywhere there’s space outside. There may be qualities to the sand that make it a better practice tool — less coarse, no rocks hidden underneath — and it’s presented in an accessible, otherwise safe classroom. No one is wasting time finding a spot outside. No sand storms will suddenly interrupt an exercise. Rowena and the students alike aren’t fighting against the wind, or the sun, the grimm, or anything else they might have to pay attention to. Given the tech of this world, there may even be cameras in the classroom that allows instructors to record and revisit their students’ practice. Unless you’re looking to prepare them for the unpredictability of the real world in a given lesson, this is just an all around easier choice. A pain to set up, perhaps, but easier once the pit is in place.

So Scarlet is, per the trend, in somewhat of a bad mood. He says he’s excited to see what class is like with his new teammates, but he doesn’t understand why you’d have a sand pit inside (in a world where competitions like the Vytal Festival exist…) and he likewise doesn’t get why anyone would fight on sand if they didn’t have to. But… you do have to? Scarlet just got done reminding everyone that they live in a desert now. He doesn’t get much of a say in whether he’s fighting on sand or not, so he’d better learn how to do it. I don’t think the grimm and occasional baddie is going to let Scarlet choose the setting before a fight begins.

Scarlet is also exhausted, which I can definitely understand. I’m tired just reading about the week they’ve been through. We get a tiny glimpse into the Chapter That Never Was where he thinks that “Spending hours in an underground Dust mine fighting a herd of Jackalopes wasn’t exactly a fun time.” Too bad we didn’t get to read about it. Though I do quite like the tiny insight into Scarlet we get here. He’s extra tired because he was “staying up so late to clean his clothes and shine his shoes.” Yeah, I could say something about implied-to-be gay guys and their obsession with clothes, though considering that Scarlet’s sexuality is nonexistent in this text or the main series, it feels disingenuous to make any claims about stereotyping. Besides, that may be a reach even if he was confirmed as queer. Rather, I like the line because it can be read in different ways, one of which is further confirmation that Scarlet seems to be a straight-laced, eager to please authority sort of guy. He doesn’t like having a spontaneous team leader. He hopes that Theodore will see his worth over Sun’s. Scarlet already comes across as the sort of student who would put additional time into shining his shoes while everyone else gets some much needed sleep. Appearances matter to him.

This entire time Sunnybrook has been lecturing, though seemingly not about anything important. Scarlet is surprised that they haven’t started an activity yet. The stalling is explained when Rumpole shows up, stomping into the classroom and grousing that Sunnybrook started without her. She rightfully points out, “You’re late, and this is my class.”

Ooh, Scarlet thought. Sunnybrook just went from chatty to catty.

…No? Beyond my ardent love of writers insisting that women are “catty” whenever they show an ounce of assertiveness or self-respect (/s), how is Sunnybrook being “catty” when she’s literally just stating two facts? Rumpole is late. This is her class. Both those things are true. There is an implied criticism there, but it’s hardly undeserved. If anyone is close to being “catty” right now it’s Rumpole, arriving late without an apology and criticizing Sunnybrook for doing her job in Rumpole’s absence.

Which begins the very strange read of watching Rumpole give an excellent lesson while the story characterizes her as the bad guy (we’ve been down this road before...). 

Outside of that rude entrance, I don’t think Rumpole does much wrong here, but it becomes clear by the end of the chapter that she’s someone we’re meant to dislike. 

She begins her lesson by pointing out that “Before you got here, some of you were trained to rely on your teams. But what do you do when your team is gone and you’re on your own?” Yes! Excellent point! Just like Scarlet needs to know how to fight on sand while living in a desert, every huntsmen needs to know how to defend themselves solo in case they’re separated from their team, their team is knocked out, or they’re killed. Wasn’t Sun alone at the start of this novel? Didn’t Ruby fall through the floor into a White Fang hideout by herself? Wasn’t Blake out in the woods alone when she encountered Adam? In each case they either sought out additional help or help thankfully arrived in time — you should strive to have backup — but in the case that there’s none to be found, how well can you defend yourself? It honestly shocks me that these talented, experienced fighters so often reject learning something that’s so obviously useful, whether we’re talking about Ruby telling Ozpin they already know how to fight, or Scarlet scoffing at fighting on sand in Vacuo.

Rumpole also says that they need to learn how to fight without their weapons.

“The room filled with whispers. Fight without weapons? In Weapons Training? Is she kidding?”

See, this is the kind of nonsense I’m talking about. Are you telling me that none of these fighters have ever lost their weapon in battle? It’s never broken (Blake)? That they can’t reach the basic conclusion of their fists being a weapon too? Too often RWBY introduces entirely unnecessary reactions that don’t fit with the characters’ intelligence, experience, and overall world view. They say and do ridiculous things in the context of their fictional lives. I could bring up a Volume 8 “Divide” example, but I’m trying to keep these recaps spoiler free. For those of you who have seen the premiere though, you likely know what Ruby moment I’m talking about. 

So the whole class is upset for an incredibly stupid reason. Scarlet has gone from his usual grumpy to downright pissed. Things only go from bad to worse when Rumpole chooses Velvet to fight Nebula.

“Oh, come on!” Coco said, intervening for her former teammate.

What exactly is the problem here? According to Scarlet it’s that they’re on the same team. “This is so not cool,” he whispers to Coco. He believes they “shouldn’t be forced to fight each other,” but why? He admits freely that they’ve all fought against peers before. What do they think this is? It’s just another sparing session. Apparently the distinction is “with the intent of beating them, especially in front of an audience.” So when sparing you normally don’t intend to win? Or if you spar no one can be there to see you do it? Both of those defeat the purpose of sparing in the first place: to improve, partly by receiving feedback. 

Arslan provides a bit of clarification with “They should not fight each other. We’re teammates, and we have to learn to work together. This just undermines that goal” but that is a staggeringly narrow view of what it means to “work together.” Frankly, a worrisome one too. Are team relationships truly so fragile that they can’t handle a little competition? You wouldn’t think so given the continuing message of teams as friends, family, and coworkers — those relationships are rock solid — yet Arslan seems to believe that a single exercise would undermine all that. There might have been some justification if she’d specifically brought up the problem of fighting new team members, prior to forming those bonds, with the added difficulty of working with people who might not think much of you yet… but she doesn’t. No one here seems to think that teammates should fight, period.

So then what do we make of Ruby vs. Oscar in Volume 5? That’s almost the exact same setup, with two teammates fighting one another, one of whom is new and hasn’t formed a solid bond, in front of an audience, with an instructor — Ozpin — evaluating their performance. Do we honestly believe that because Ruby got frustrated for a hot second that any care she had towards Oscar evaporated?

Is Team CRDL incapable of fighting beside Pyrrha in the Battle of Beacon because she absolutely kicked their ass in class? Does Weiss grow to hate Winter because she beat her during training? Of course not.  There is something to be said for an institution that constantly pits teammates against each other in a manner that interferes with the ability to form those bonds… but this isn’t it. This is a single exercise for students who are currently shocked that they’d ever need to fight solo/without a weapon, so they clearly need the lesson, yet their reactions are extreme. Coco yelling, Scarlet muttering about how bad this is, both of them praising Arslan like she stood up against an actual attack on Velvet — “Good for you, Arslan,” Coco whispered. Now there’s a leader for you, Scarlet thought. — and Yatsuhashi is going so far as to stand in front of Velvet to protect her. They’re all acting like Rumpole told them to engage in a death match, not do the exact thing they’ve come to this school for: learn how to fight.

So yeah, that all is exceptionally weird imo and feeds into the general sense that Rumpole is the supposed to be the bad guy here, but it’s not done persuasively. She’s oh so evilly making them fight one another, evilly smiling about it, evilly telling Coco that that’s enough… though none of this is actually, you know, evil. The closest we get is a moment when Rumpole “haughtily” says that “In the heat of battle, a weak teammate can be worse than the most powerful enemy,” which frankly comes out of nowhere given that she’s responding to Arslan’s criticism of the test as the whole. If you say, ‘We shouldn’t fight other because we need to learn to work together’ and your teacher responds with ‘Weak teammates are more dangerous than your enemy,’ that’s very nearly a non sequitur. Yeah, the general subjects of teammates and fighting are the same, but otherwise these points seem to belong to different conversations. What Rumpole says in the context she says it is nearly nonsensical and serves only to make her look cruel. She tosses out a startling truth unprompted, leaving the reader going, “Wow! Rumpole is awful!” unless they’re inclined to consider whether any of that makes sense.

That moment with Coco did catch my attention though, simply because we’re told that Rumpole’s eyes flashed and then Coco gasped, cluing Scarlet into the fact that she’s not as “unshakable as she usually let on.” That’s another extreme reaction to a tame event, as well as the second time this chapter that we’ve heard about Rumpole’s flashing eyes, the first occurring in the flashback when she was displeased with Sun. So perhaps it’s something involving her Semblance? I’d look it up, but I kind of what to be surprised in the next 173 pages. Got to find things to look forward to in all this lol. 

One the group realizes that they do actually have to fight one another (the horror) Velvet and Nebula give up their weapons. As expected, Nebula jokes about how she hasn’t lost anything, “What good’s a camera in a fight, anyway?” which produces applause from other Shade students. Right, because Velvet got into a top academy and survived the Fall of Beacon without a weapon. I’m not sure if this is just bullying for the sake of bullying, outside the bounds of logic, or if these students, living in their magic-infused, crazy tech world, legitimately can’t reach the conclusion that Velvet uses photos as a weapon, even if they can’t figure out how. Either way, it’s not endearing, but at least this time my reaction aligns with what the text is aiming for. Rumpole tells them to “Save it for the arena” with “a hard edge in her voice,” but of course no one comments on when she sticks up for Velvet. Asking her to complete a simple exercise results in fury, but telling her own students to leave the newcomer alone results in silence. Seems about right.

The fight finally begins and it’s a tad underwhelming. There’s nothing specifically wrong with it—nothing that stands out on first read through anyway—it just not a particularly compelling action sequence. Any interesting tidbits are seen in the dialogue instead. Nebula continually establishes herself as another Mean Girl character, taunting Velvet with how she’s “been wanting to do this for a while” and how “fun” it is to fight her. The spectators, specifically Scarlet and Coco, comment on how Velvet is able to use her semblance outside of the hard light weaponry. Here, she draws on moves from “Pyrrha Nikos, Yang Xiao Long, and even Sun.”

Pyrrha 😭😭😭😭

Why the “even” though? 😒

Coco summarizes her style by saying that “Velvet may fight like a lot of different people, but no one else fights like Velvet.” I quite like that. Velvet is a living embodiment of being more than just the sum of your parts.

As the fight continues Nebula’s taunts grow more vicious, saying that she is better than Velvet because “We left Beacon because we knew it was a lost cause.” Beyond that just being a horrific thing to say, I want to ward off any potential comparisons between our Volume 7 conflict and this statement. RWBY might be trying to draw a parallel between the mean student who would abandon her school and the villainous general who would abandon his city (depending on how my Myers knew about upcoming plotlines), but there’s a huge difference between fighting a grimm army and fighting Salem herself with a grimm army. Velvet and the others were absolutely correct to fight for Beacon because they had a shot at taking it back. A slim one, but a shot nonetheless. Volume 7 provided none of that in regards to Team RWBY’s stance.

This remark does its job though and soon after Velvet becomes stuck in the sand, distracted and upset. Rumpole goes full Mean Teacher then, telling them to keep going. In fact, she quickly becomes the only mean person in the room because the formerly feuding teams are all banding together in Velvet’s defense and even Nebula randomly demonstrates honor—

(sorry I had to)—in how she approaches Velvet now: “[she] reached a hand down to help Velvet up.” Rumpole is clearly meant to be the enemy here, uniting friends, bullies, and even Sunnybrook too. Thing is, it’s once again not that bad? I’m not going to pretend that she isn’t harsh. Too harsh for a normal school? Absolutely. Too harsh for a combat school where these students are learning how to defend themselves from monsters and murderers during a war? Ehhh. Rumpole says that Velvet “beat herself” because “You don’t stop fighting until you can’t fight anymore.” That’s true. Within the context of a school exercise where everyone knows they’re safe and can stop the battle at any moment, it feels finished when Velvet gets stuck, but an actual life or death fight? Do we really think Velvet would stop trying to defend herself, passively staring up at her attacker while they do whatever they please with her? Of course not. She’d either find a way out or she’d go down fighting. You’re telling me that students who frequently break apart stone or, in Ruby’s case, blast through steel doors specifically meant to keep people inside can’t punch downwards and free themselves from some sand? Are the pieces of either of their weapons anywhere within reach? Can Velvet trick her attacker, pretending to be down for the count and then lashing out when she gets close? At the very least, as we saw with Sun’s first encounter this novel, can she talk enough to buy herself time until others arrive to help. Obviously there’s no arriving in this structured exercise, but the point is to try. Rumpole is telling them not to stop trying — to treat this exercise seriously (which they haven’t done from the start) — and they’re throwing back that challenging Velvet to get creative is too mean? In the same way that the students shouldn’t be pit against each other 24/7, they shouldn’t be pushed to their limit 24/7 either… but for once class? One lesson? When they know an attack is on the way and have already watched people die?

See, this is why I can’t take this cast seriously as the leaders of this war. When we’ve got scenes like this the characterization — whether intentional or not — is that they’re not nearly as devoted to their and others’ safety as they should be. Such characterization is fine when one group isn’t conducting a secret investigation, the other hasn’t been given licenses early, and both haven’t been through a battle that cost them the lives of numerous friends. But when they have experienced all these things, you have to wonder what they’re doing complaining about a teacher who says, ‘Hey, don’t just roll over and accept defeat.’ 

Eventually Coco, Yatsuhashi, Fox, and Arslan step in front of Velvet to keep the fight from continuing. Yatsuhashi pulls her from the sand and when free “she pushed his hands away.” That’s the other thing: no one seems interested in what Velvet wants. They all speak for her in deciding that she can’t and shouldn’t fight anymore.

As a suggested change, I would have liked this so much more if we have the group uncomfortable with the fight continuing, Velvet insisting that she can keep going, and then she asks them for help. Rumpole never laid down a hard rule that this was a 1v1 fight. That’s the unspoken assumption, yeah, but she speaks far more about them not using their weapons. If Velvet had called for reinforcements, so to speak, and the group had dropped their weapons before entering the sandpit, it would have arguably just been an extension of what they learned in reinitiation: “The only rule is survival.” Allies are right here, why wouldn’t she use them? Friends of Nebula step forward to back her up, Rumpole puts a stop to things before it becomes an all out brawl, she compliments Velvet for bending the rules to her advantage, and reminds everyone that this is why it’s so important to learn to work with their new teams: they’re your lifeline so long as you have them. Honestly though, a RWBY story that doesn’t make everyone over 30 out to be a literal or personal villain? Unrealistic.

What Rumpole does instead is remind them that they have to be prepared for the worst and the unexpected to happen. They no longer have the excuse of “No one could have predicted that”: “We know a threat is out there. We know it’s coming to Vacuo. To not prepare for that eventuality would be irresponsible, dangerous, and naïve.” Exactly! Too bad no one else wants to think about that truth. Instead, Scarlet mentally criticizes her for the “cheap shot” and Coco waylays Sunnybrook to ask if she thinks Rumpole seems alright. Of course, Sunnybrook agrees that she’s being too hard on them. She’s “mean” now and “picking on” Velvet.

It astounds me that these characters are grieving over their murdered friends in one chapter and then going ‘You’re mean to challenge us in training :( ’ the next. Don’t any of them want to defend themselves the next time? Or avenge their lost peers? Whatever other faults RWBY has, I think they did right by Jaune and Ren by making the former (briefly) Cinder obsessed and the latter angry that they’re going to a party rather than training. Going too far in those directions obviously isn’t healthy, but neither is demonizing the instructor trying to keep everyone alive. It’s the same underlying problem as Ironwood’s antagonism in Volume 7: armies and threats of martial law are a problem when there isn’t a justified emergency for them. RWBY has, time and time again, given us that emergency in a variety of ways, so why do the characters act as if they’re living in our world where such measures are extreme? 

It’s a question I’ll never get an answer to, I’m sure. That’s where we leave the cast though, with Scarlet thinking about how “As long as they were here, every day was going to be a bad day in Vacuo.” Fantastically emo ending for this long and frustrating chapter. I am massively behind on my NaNoWriMo challenge thanks to normal RWBY Recaps, but this? This was a substantial boost. If you somehow made it to the end of all this please accept my virtual cookies. 

I’d share the actual gingersnaps I made if that were possible :(

Alright. I’ve kept you all here long enough. Until next time! 💜

[Ko-Fi]

[gibsonmusicart]

The Many Benefits of the Songwriting Process

By Del Boland

I think we've all heard that we should enjoy the journey. This may be applied to many things including life itself. However, this adage is particularly true in the process of songwriting.

Songwriting has been an enjoyable avocation for me. Of course, there are ultimate goals that I would like to achieve, but there is also the everyday enjoyment that comes from learning and creating something new. Besides, we all have a choice. We can rush through the songwriting process to make millions of dollars, or we can enjoy every step along the way with better probabilities for retaining what we learn. Taking the process one step at a time allows us to truly appreciate songwriting as an art and it teaches us the more important reasons for writing songs in the first place. That is, we can find fulfillment from songwriting even when the songs do not produce income. It is a wonderful form of expression, but there are many examples of great songs that never received the attention they deserved so there are no guarantees. It makes a lot of sense to me that we, as songwriters, should sit back and enjoy the process and build on the elements of songwriting. In the process of learning, you can build musical collateral for the future.

In my foray into songwriting, I developed a better understanding of the music business environment. I think it is very important to understand the roles of publishers, A&R professionals, labels, producers, agents, managers, song-pluggers, and recording engineers. In addition, I continue to learn about the various types of songwriting contracts as well as better understand the various organizations that support songwriters such as ASCAP, BMI, SESAC, and The Harry Fox Agency.

I believe success is part inspiration, preparation, perspiration, and opportunity, but it is also somewhat dependent on the order. We sometimes take our preparation for granted when it is in the context of growing up, but, as kids, we are in preparation for our respective careers from the day that we are born. In essence, a true opportunity cannot exist unless we are ready, willing, and able to take full advantage of it. For example, an executive interview with a Fortune 500 company would provide no particular value to a toddler. Additionally, some events can be characterized by our state of readiness at the time that it occurs. If I had met Paul Simon when I was 10 years old, for instance, it would most likely fall into the inspiration category. If I met Paul Simon today, I would like to think it might fall into the opportunity category.

This leads very nicely into the element of developing relationships. We should learn the importance of developing relationships along the way. You never know when you might be talking to someone that can help you get your big break, so it makes a lot of sense to treat everyone you meet with respect. It is difficult to see clearly through the haze of uncertainty during these times, but it pays to give consideration to every aspect of the music business and not develop harsh opinions too quickly. Unfortunately, there are a lot of negative opinions about recording labels today. While there is greed and excess found in all industries, the recording labels are taking a beating as some artists have found success outside the influence and control of the labels. It still makes sense to maintain all options and to consider any opportunities that might be presented without harboring ill feelings or preconceived notions. While the labels are certainly struggling, they still have strong relationships in the areas of mass media, marketing, and distribution.

Some folks believe that the new music paradigm is a road to success for ALL independents, and it is simply not true. This problem has not changed over the past 50 years. The problem is getting mass media exposure. The Internet is great, but it is vast and still somewhat random in nature. Stated differently, if everyone knew your name or the name of one of your songs, they would be able to find you. However, if everyone knew your name or the name of one of your songs, you would have already achieved your goal. It remains necessary for independent artists to be discovered and then promoted in a mass media setting. Word of mouth is certainly a viable alternative, but you must have a product that grabs the attention of a large audience which is not so different than the more traditional forms of media exposure when you think about it.

So far, I have concentrated on the surrounding elements, but it is also possible to experience more direct personal gains. For example, as a self taught musician, I find myself frequently searching for new techniques and opportunities for development. I was surprised to find songwriting as an opportunity for improving as a guitarist.

In short, I have learned a lot from the necessity for producing the very same sounds with my guitar that I can sometimes hear in my mind. It has proven beneficial beyond any other traditional forms of learning such as guitar lessons, articles, methods, video tapes, or techniques. For me it was a wonderful discovery to find this particular benefit as an extra bonus while continuing to learn about songwriting. Learning more about the guitar is only one example of my particular songwriting journey. Obviously, each learning opportunity will be different for each individual.

Songwriting has opened doors for me in other areas as well. Before I began my journey into songwriting, I found it very difficult to express myself lyrically and musically. It was like a barrier existed between me and the ability to write songs. The songs were very fuzzy to me and not particularly well defined during that time. I knew the songs were there, but I did not know how to tap into this creative yet seemingly elusive resource. After reading books and taking some courses, I managed to find some valuable resources and I am now in the process of "finding my voice". In the meantime, I am finding new doors to open and new areas to explore.

One of the benefits I discovered in this process of learning was building confidence in my ability to write songs. After writing a few songs, I found it easier to write even more songs. The more I write, the more I write. I am now taking a little more time to address specific elements, so I haven't been quite as prolific, but I know what I am able to accomplish.

Perhaps the greatest single benefit that I've discovered is the ability to express myself without fear. Yes, it does get me in trouble from time to time, but it is also important to know when NOT to express our innermost thoughts. For an aspiring songwriter, this ability to express oneself is a desirable trait. That is, a songwriter must be comfortable enough to express many thoughts and emotions that we as humans have learned to suppress. However, an additional word of caution may be necessary. Similar to our relationships with people, our songwriting success is dependent on our ability to provide a point of view with which many others may be able to relate. Alternatively, as a form of art, we may be at liberty to create points of view that are difficult to understand but we are also at risk of not finding an audience when we fail to appeal to the general public. Such songs exist, but many of these songs may be categorized as "lost art", as it is unlikely that a lot of people will hear songs that do not speak universally to their unique sets of circumstances. For the pure songwriter, it is almost impossible to get an "artsy" song published or recorded.

Of course, singer songwriters have the distinct advantage of playing their own songs, which allows them to jump over the barriers that exist for pure songwriters. That is, performing artists and producers, set apart from singer-songwriters, are very selective in the songs (written by others) they include as part of their CD or compilation. This brings up yet another possible benefit of the songwriting process. That is, folks who feel very strongly about their art might be less likely to adjust to the rather narrow market for songs. This creates the necessity to develop as a singer songwriter. It makes sense for the singer-songwriter to also find opportunities to perform in front of an audience. Of course, becoming a singer songwriter may satisfy one condition for this particular group, but it also makes it twice as unlikely to breakout. In particular, the artist must now write songs that connect with a significant portion of the listening public and have a sound, as an artist, that is appealing as well. Playing in front of an audience provides feedback that can be very useful for "developing a voice" for this group of songwriters.

I have learned the importance of communicating thoughts very efficiently. Songwriting generally gives us about 3.5 minutes to convey a thought or an idea. This is the reason why you don't hear songs that explain how to build the space shuttle. It is not possible to convey thoughts that are too complex in a limited amount of time, so decisions must be made. This process involves organizing my thoughts and making the best use of the time available, which requires me to select my words carefully.

I have learned how to work together with others in a creative environment. Collaborating can be very rewarding for songwriters as it provides an opportunity to learn from others. It also provides the opportunity to lend a particular strength to a collaborative effort that may have a greater chance for success. For example, a great lyricist can sometimes find a great composer. Perhaps the lyricist and composer may also find someone with a great voice to help capture the attention of an A&R professional. With the availability of inexpensive recording equipment and the ease with which files are transferred, this can now be done long distance via the Internet.

Finally, like the adage "a journey of a thousand miles begins with one step", it is important to begin the process. I'm not an expert on psychology and building momentum, but it seems likely to me that the moment we commit ourselves to accomplish a goal, then the burden of the initial decision making process is usually set behind us. It also seems reasonable that our own acceptance of a desired goal is key to success. Taking the first step requires that we accept the task or project in which we have selected. This act alone can provide sufficient motivation to begin the process because we have convinced ourselves of the potential value for starting such a journey.

Source: EzineArticles .com