#(not using the full as [though involving discworld] this is only slightly related to the greatest writer of our time

[incorrect-kkc-theories]

Sygaldry works because (much like in the two previous posts) all objects are semi sentient.

You see, the objects believe that the universe was written into being by the God (yes capital ‘g’ in this case) Tak. Therefore if something is written, He/She/They wrote it and it must be obeyed.

Unfortunately the objects have failed to realise three things: 1) Humans and Fae figured out writing ages ago, and it is no longer exclusive to Tak. 2) Tak is the Dwarven God in Discworld, therefore completely irrelevant to  Temerant (which, for those who don’t recall, was spun out of nothing by the words of Aleph) 3) Tak is a board game, played all around the 4 corners, and therefore cannot be God.

Master Kilvin, as well as many others, has realised this, but decided to not inform the objects as it would put him out of a job. 

[kelasparmak]

hello! might i ask for podcast recs? literally anything ! i trust your taste xxxx

Awwww, you! I’ve kept the descriptions short because there’s a LOT, but I’ve given you genre/vibe because I’m not sure which aspect of my taste you like. Also it’s still very long so sticking it under a cut.

Campaign Podcast: Always my number one rec. Improv comedians play a TTRPG and chaos predictably ensues. There’s two campaigns, Star Wars and Skyjacks, the first one is complete and the second one is ongoing – they have slightly different vibes (think TAZ Balance vs Amnesty, I guess). VERY funny and will occasionally punch you in the heart.

Wooden Overcoats: Very funny, frequently heartwarming, excellent acting. Easy to get through (there’s 3 seasons with ~8 episodes each) and even though the characters are usually very stressed and in ridiculous situations, it feels pretty low stakes to listen to so it’s a fun one for if you’re stressed.

Caravan: Western/fantasy which I don’t think is actually a comedy but is still frequently very funny. Great acting, very fun and relatable protagonist who just keeps on choosing compassion over violence. Thoughtful coverage of mental illness, being brown and queer, and sexy vampires. 18+ but not super smutty and has content warnings.

The Strange Case of Starship Iris: Sci-fi drama about revolution and found family. The plot is pretty serious and involves galaxy-level stakes, but/and the series is very much driven by very well-written and realistic human connection right from the start – it’s very good at making you-the-listener genuinely invested in what happens. Loads of queer characters and the crew has two South Asian women, an East Asian woman, a trans Jewish man, and a nonbinary character. I probably don’t need to tell you this, but the world of popular audio fiction is Pretty White, so it’s nice to see podcasts where that’s not the case esp in genre fiction.

Victoriocity: Drama/comedy set in an alternate universe London. Feels very Discworld – really inventive worldbuilding, fun twisty plot, political intrigue, hilarious deadpan narrator, great acting.

In Strange Woods: Musical about grief, trauma, and how small and powerless humans are compared to nature. Really, really good. You’ll cry. It’s  a quick listen – 5 episodes, all less than an hour long.

Oblivity: Sci-fi drama comedy, very funny, very found family. You’ll be surprised how much you care about the characters given how stupid it is.

Alice Isn’t Dead: You’ve probably been recommended this already but it bears repeating. Really well-written, acted and produced. This one’s not got a lot of humour in which isn’t usually my preference, but it’s really good. It’s got a lot of the Something’s Not Right energy of Nightvale, but goes full creepy with it. Really immersive but maybe not one you’d binge or listen to right before bed...

Greater Boston: Drama more than comedy but also deeply funny. Lots of apparently separate stories converging, clever writing (really good at giving a massive cast of characters distinct personalities), really emotionally impactful coverage of topics like grief, racial inequality, addiction, classism and more, doesn’t try to give easy answers but is also very focused on community power and optimism. Also there are cheese robots.

We Fix Space Junk: Sci-fi drama comedy, very anticapitalist, big found family feelings. Lots of fun, job-of-the-week episodic format makes it a relatively low-focus thing, even when the stakes are high it feels very safe to listen to, and the characters are v likeable (even the ones you really wouldn’t have expected).

Girl In Space: Sci-fi drama, found family and revolution, you may be noticing a pattern. It’s a lot of fun, the protagonist is super likeable and draws you in from the start. For Vorkosigan Saga fans, if you liked Shards of Honour, you’ll like this. Deals with fraught parental relationships, grief, loneliness, anti-imperialism, and more, but even though the stakes are high I didn’t find it stressful to listen to.

Death By Dying: Dark surreal drama. I don’t know if I’d call it a comedy per se but it’s very funny. Big Nightvale vibes. Deals with grief and mental illness pretty prominently, but in a very reassuring way.

The Prickwillow Papers: Fantasy drama. Lots of fun and incredible voice acting. Deals with the difficulty of letting yourself be helped, coping with guilt, and not being ‘special’. Features the most cantankerous fae you’ve ever encountered. I love her.

Middle:Below: It has GHOSTS it has CATS it has a PICARDIGAN. What more do you need to know? It’s a lot of fun to listen to, often funny and sometimes genuinely spooky (which hits all the harder for how chilled out and cosy it feels most of the time).

Mabel: Dark fantasy drama. Really poetic, well-acted, really good at suspense. Very cool modern take on changeling/fae mythology. Not much humour and very intense, which is not my thing at all, and I’ll be honest I didn’t find it an easy listen, so it took me a long time to get through it. But it’s really good and it’s definitely worth checking out, I did enjoy it, it’s just not necessarily one you’d want to de-stress to at the end of the day.

The Amelia Project: Drama/comedy about an agency that helps people fake their deaths. Great voice acting, very fun, and I really enjoy how international it is. Uses the episodic ‘client of the week’ format in combination with big picture plot in a really engaging way. Feels a bit Leverage-y especially because of how clever/absurd the plans are.

Harlem Queen: Drama set in the Harlem Renaissance. Another serious one, and deals explicitly with heavy issues including racism and violence, without much reprieve in the form of soft moments or humour. But it’s very well-made and worth a listen, and there’s not a lot of it.  

The Orphans: Sci-fi drama. Expansive space opera type show with mindblowing amounts of worldbuilding. Revolution, ethics of cloning, anticapitalist, etc. Not a comedy but has some really funny bits. You’ll need to pay attention especially because it starts off with a pretty big cast of characters who don’t refer to each other by name super often and many of them have similar voices. But don’t worry too much about that – you’ll still know what’s going on even if you can’t tell them apart for the first few episodes, and you’ll be able to tell at least some of them apart.

Midst: I’m only a few episodes in but I’m enjoying it so far! Cool worldbuilding, really interesting collaborative narration/storytelling, not a comedy per se but often funny.

I Am In Eskew: Surreal horror, mostly psychological. It’s another Nightvale-y one but again without really any of the humour. It’s really good, but I’ll be honest, I’ve only listened to about 10 episodes so far, even though I started it ages ago.

 ….and probably lots more that I’m forgetting? I listen to less stuff at the moment because I’m working pretty much all the time, so anything I need to really focus on or that’s emotionally challenging is p much out of the question.