#(love replaying new saves as her and just ironing out her vibes more each time tho. my scrungly elf daughter who i put into situations.)

[shattered-eluvian]

Evie & Vallaslin

Don't mind me I just wanted to actually put my character thoughts and hc's somewhere other than in my forgetful brain, so some general character musing on her, Solas, clan Lavellan, her relationship to her vallaslin, and why she chose to keep it!

Evie is very close to her clan, she was orphaned very young and mainly raised by the Keeper, and the clan as a whole in a very "it takes a village" kind of way, which is how I imagine most Dalish children get raised honestly! So she is very close to them all.

She is the clans First too, and so takes great pride in learning the elven history and practices. Due to the fact clan Lavellan does seem to be a more open clan with dealing with outsiders in canon, I think she would have been more open minded in general? She is curious and loved learning whatever new things she could in her youth.

Generally I consider her to be mildly agnostic? in a sense that she did believe in the gods to a degree and knows and respects all the stories, but also knows history and interpretations change? However, she can be hilariously stubborn and prideful if her culture is challenged and will just go full "actually I believe in the elven gods :)" if any Andrastian or the like try and force chantry stuff on her. She was so borderline petulant at the start of DA:I's story lmao 😭

Which also lead to her and Solas absolutely butting heads when they first started talking. It was neither of their finest moments, but it was something they did talk through more calmly afterwards. [a scene I may write or elaborate on one day?? hmm]

She was given Mythal's vallaslin because that is what her late mother had, and it was like a symbolic mix of her mothers protection, and Mythal's protection, as well as her future in helping protect the clan/knowledge. This combined with simply being a link "home"? is too meaningful to let go of. Regardless of what she learns later on.

I'm a little up in the air with what is canon for her with regards to if the clan lives or dies, they are Schrodinger's clan Lavellan because either is rife for some good lore and angst??

If the clan lives, returning to them is difficult because of her duty as inquisitor, she's been forced into a role she never asked for but it's also set her apart and away from her family. And let's not even consider later on returning home like "so about Fen'Harel...." So if she is more or less exiled/chooses to be apart from her clan, her vallaslin is her remaining connection and reminder of where she came from.

Likewise if the clan dies... well. Yeah. It's basically all she has left. 😔

During the scene in Crestwood, she takes the information Solas gives... reasonably well, all things considered? She considers it carefully. Knowing he doesn't give this revelation with intent to harm, but to help. It's shocking, yes, but she has no reason to doubt him. But it is a polite refusal at the removal. The meaning of the markings has changed, and what they mean to her goes beyond that. She's seen how much Elven/Dalish culture gets erased/changed in history all over the place as it is. Even if this history is "incorrect"? it's hers. And her connection to her family.

Despite what happens, ya know, after this scene, I do think the way it's resolved and how they talk in through is just really nice. It shows growth from the both of them, and how much they understand and care for each other?

[on a personal level, I genuinely love the more emotionally 'neutral' dialogue options for this scene. It shows a great level of how much she understands Solas. His sometimes blunt to the point of being a tad tactless delivery of knowledge, for something this big? Would have likely upset or angered her if it was like, in their early friendship days. But she's grown to know and understand him. The way the dialogue is things like "i know you only told me this because you want to help." just feels like it exemplifies that bond. And on Solas' side, it shows just how much he cares about her and has grown to be far better with his cranky feelings with regards to Dalish interpretations of things in general, especially in hindsight when you know the truth of his character? Vallaslin is a Huge Deal for him. It's his whole Thing besides the Fade/spirits. But he understands and respects that the context has changed, and what it means to her. It's a part of who she is and he loves all of her exactly as she is. I dunno I just found the way he was with the 'keep vallaslin' scene to be very sweet. He's so smitten 🥺 ]

Post trespasser era when she knows Everything, she is just going to be like "ah. i see." like so much more makes so much sense. And she realises that him telling her about Vallaslin really was as close to telling her he was Fen'Harel as he could manage at the time.

All of this history was lost but it really was him being very open about something very important to him. Let alone all the new knowledge she amasses. (which if she's in a clan survives universe?? if she takes that back home, how long until she is thrown out for being a madman and a liar much like Solas was?? oof 😭 led astray by the Dread Wolf's lies)

But even knowing all this. In a hypothetical (and hopeful??) reunion during/post DA:D era, she would still not ask for it to be removed. And frankly, I don't think he could picture her any other way. She is perfect, exactly as she is.

[iwillsinkwithmyships]

Beautiful Boy, Bathed in Disaster

As he laid dying in a Siberian bunker Tony Stark thinks about betrayals and broken promises. Left behind and half-dead he is faced with his worst nightmare.

Notes: This was literally written in hours, which is insane because usually I take forever to finish even a one shot. But this just flowed! The title comes from the song "In Loving Memory" by Chester Lockhart which played in repeat while I wrote this. I recommend you listen to it as you read it as well lol

There is a slight canon divergence as in my story, Pepper and Tony broke up after Iron Man 3 and Tony and Steve get together a little after Captain America: The Winter Soldier.

Borrowed some quotes from other Avengers works, such as comics and AA

AO3 Link

"Mr. Stark."

"Captain."

-

"Is everything a joke to you?"

"Funny things are."

-

"Big man in a suit of armor... take that off, what are you?"

"Genius, billionaire, playboy, philanthropist."

"I know guys with none of that worth ten of you. I've seen the footage, the only thing you really fight for is yourself. You are not the guy to make the sacrifice play, to lay down on a wire and let the other guy crawl over you."

"I think I would just cut the wire."

"Always a way out. You know, you may not be a threat, but you better stop pretending to be a hero."

"A hero? Like you? You're a laboratory experiment Rogers. Everything special about you came out of a bottle."

-

"What the hell! What just happened? Please tell me nobody kissed me."

"We won."

"Oh, alright, yay! Alright, good job guys! Uh, let's just not come in tomorrow. Let's just take a day. You ever try shawarma? There is a shawarma joint about two blocks from here. I don't know what it is, but I wanna try it."

"We are not finished yet."

"And then shawarma after?"

-

"Oh really you two knew each other? He never mentioned that...maybe only a thousand times. God, I hated you."

-

"Sometimes I wanna punch you in your perfect teeth, but I don't want to see you gone. We need you Cap."

-

"Winghead"

"Shellhead"

-

"You are walking a little funny Steve, next time you should establish a safe word." . . . "You are walking a little funny Tony, what was that you were saying about a safe word?"

"Hilarious."

-

"Wait a second, no one else gonna deal with the fact that Cap just said 'language'?"

"I know...It just slipped out."

-

"We'll lose."

"Then we'll do that together too."

-

"Sometimes my teammates don't tell me things."

-

"I don't trust a guy without a dark side. Call me old fashioned."

"Well let's just say you haven't seen it yet."

-

"How can you possibly hope to stop me?"

"Well, like the old man said: together."

-

"No way we all make it through this."

"I got no plans tomorrow night."

-

"I will miss you Tony"

-

"Tony, when I woke up on this era, I had no one. Nothing. You gave me a purpose, somewhere to belong...You gave me a home."

-

"You wanna survive you gotta change with the times."

"Spend a few decades frozen in ice, then we can talk about survival."

"Just say it, say 'Tony I'm afraid of new tech!' admitting you have a problem is always the first step."

"Gosh Mr. Big Brain, your modern tech is so gol-darn confusing. How does this contraption turn water into coffee? Is it coal power or is it a miracle?"

"Hmm, sarcasm must be a modern invention, because when you do it, it just sounds wrong."

-

"But, with my armor gone, all I can do is improvise. Steve, even without your shield, you're still captain America. Without my armor I'm just ..."

"Tony Stark, THE Tony Stark, billionaire, genius, you are probably one of the three smartest men in the entire world. You are as tough as they come, you invented hardcore. The avengers are lucky you are on our side."

"Really? you know two people smarter than me?"

"Can't you just take a compliment."

-

"I am not half as good at - at anything as I am when I'm doing it next to you. And that's the truth."

-

"I love you."

"I love you too."

-

"Good morning Beloved. Did anyone check the dumpster for Clint yet?"

"Funny you should ask that..."

-

"I love you."

"I love you too."

-

"I'm worried about you, if you don't get some sleep..."

"I slept for 70 years - "

"Yeah, you've used that line before."

"Leave me alone. I am a senior citizen."

-

"I love you."

"I love you too."

-

"He's my friend."

"So was I."

-

"Did you know?"

"I wasn't sure it was him--"

"Don't bullshit me Rogers! Did. You. Know?"

"Yes."

-

Images and memories flashed through Tony's mind as he laid on the cold floor of the abandoned Hydra base. The Siberian cold penetrating his suit as his mind raced.

Steve had known the truth about his parents' death for years. He'd known when they fought Ultron. He'd known when he gave Tony shit about keeping secrets, the fucking hypocrite. He'd known over a year ago, he'd known when he leaned over the table to kiss Tony. He'd known when they tumbled into bed that same night. He'd known for the rest of their relationship, even when he whispered "I love you" late at night and when Tony had said it right back.

He'd known.

And now all Tony was left with was a broken suit and an abandoned shield.

Tears fell out of his eyes as he fell back to the floor. Steve had left. He'd taken Barnes and walked right out, without sparing a second thought for Tony. After he and Pepper had broken up Tony had resigned himself to being alone for the rest of his life. Then Steve had kissed him and all of the sudden Tony had been in love again. They'd still fought but Tony had learned to see Steve's side of things and to explain his side of things to Steve. Tony had been sure that this was it. He'd fallen hard and fast for Steve.

"Well that shows you, huh Stark."

-----

Some time later, Tony's eyes startled open as he realized that he had no way out of that bunker.

-----

The temperature kept dropping, and Tony had long given up hope of a rescue.

"Well Yinsen, it looks like I did waste my life after all... I'm sorry."

Tony closed his eyes.

-----

When Tony came to again, everything was still cold and painful. He tried to move, but the suit was frozen and still dead, quiet honestly, Tony didn't know how he was still alive.

The sound of footsteps echoed through the bunker, and Tony blinked trying to place the sound. Had FRIDAY alerted Vision?

A few minutes later two slender figures walked towards him.

"Father," he didn't recognize the breathy feminine voice that rang out, "We've found him. We've got Stark."

"He looks half dead. Should we put him out of his misery?" Another woman said, her voice a lot more confident. The two figures walked closer, and Tony struggle to keep his eyes open. There was no way he could defend himself.

"Patience daughter, I have plans for Stark." A deep voice responded. The two women walked into the sliver of light that managed to get into his cold dark tomb. He finally laid eyes on them and his breathing grew harsher. The two women were not...human. They were humanoid, but one of them was blue, and her body was littered with mechanic enhancements, the other was completely green with deep burgundy hair. The two of them exuded murderous vibes. The kind that Tony usually only got from Natasha and Pepper. He drew in a harsh breath and tried once more to get up from the cold floor he'd been planing to die in.

"Such fighting spirit. It's a pity that humanity does not appreciate you Anthony Stark." An imposing figure approached from the shadows. He was huge, probably bigger than the hulk himself. "I have waited a long time to meet you Stark."

"Yo...u..... kno...w....m...e?" he managed to croak out.

"I do, you are not the only one cursed with knowledge."

"..w- wh..who...?" Tony could barely keep conscious. He was still on the verge of death, and aliens invading earth was literally his worst nightmare. A new voice rang out and a squid looking figure joined the others.

"Rejoice, you will have the privilege of being saved by The Great Titan, Thanos."

"Wh...wh.." Tony gasped for breath, "...why...?"

"I have come for you Stark. Earth's Greatest Defender. When I first enslaved the Asgardian, I thought his task a simple one. After all this planet is quite primitive compared to others we've conquered before. Yet, you and your team managed to defeat my army." The titan walked closer to him, "Imagine my surprise at realizing that it hadn't been your Asgardian ally who'd laid waste to my ships and army, but a simple human. Fascinating. After that it was difficult not to pay attention. Time and time again, you defend it, and this is your reward" The titan waved a hand towards the pathetic picture Tony painted.

"G..go..f..fuh..Fuck...yo...yours...self." Thanos smiled and waved a hand to those behind him.

"Give him a blood transfusion, The Accuser should have provided enough, and make sure he survives. Once he's no longer on the brink of death, bring him to me."

---------------------

Tony had passed out after his encounter with Thanos and when he'd woken up he was being moved. The pain had dulled down, most likely a result of the forced blood transfusion. He'd shuddered as he thought about it. Once more a victim of nonconsensual body modifications.

This nightmare just kept getting worse.

He was laid on a hard surface and bound. The genius took a moment to analyze his current situation, he seemed to be in some sort of medical room, there were holograms displaying what he assumed to be his own vitals. The technology seemed advanced and otherworldly so he took this to mean that he'd somehow made it into the ship. What was this Thanos actually doing here? Where they still on Earth? Was Earth under attack?

That final thought made him pull at his restrains, he immediately slumped back in the bed his body still felt like he'd been run over by a bus.

'or two super-soldiers'

Tony closed his eyes as the entire fight replayed in his mind. God he'd been so fucking stupid. And now here he was trapped by some crazy alien bent on conquering earth. Who would protect Earth now? Rogers and Barnes were definitely on the wind now. About half of the team were sitting in Ross's super secret prison. He hoped Vision runs and hides that damn stone. God knows were Natasha was hiding.

And Rhodey. Rhodey was in no condition to fight.

The door to the room he was currently trapped in opened and in walked the mad titan himself, accompanied by his two daughters? Who looked nothing like him.

"Stark, you are awake."

"Where am I? What do you want? You better stay away from Earth or I swe-"

"Don't worry, the time will come but there is much to do before I return for Earth's salvation." Tony's jaw clenched as he watched the purple maniac approach him. "Like I said, I am here for you Stark."

"What do you want from me? From the looks of this ship, you have no need for my tech much less my money, so what do you want? Weapons? I'll die before I ever create another weapon of mass destruction!" The titan simply smiled and sat beside him. His two deadly looking daughters stood guard by the door.

"I am here to offer you a place in my order, as my son and perhaps my heir." Tony stared incredulously and glanced at the other two in the room and saw their shocked expressions. So he hadn't shared his plans for Tony with them.

"Excuse me?!"

"I admire your bravery and tenacity Anthony, you would do well in my order and when I have achieved perfect balance in this entire universe I wish to retire, but I must leave someone in charge. I think you would do well."

"You are out of your mind." the brunette gritted out.

"You could help me save this entire universe from itself, and then you would be the most powerful man in the universe. Join us Stark"

"Never. I can't believe you thought that I'd say yes to this."

"You and I are quite similar you know. I too was called mad for trying to protect my planet. I tried to save my planet and our people, I was ignored, and the entire planet perished. Are you not tired Anthony? Of trying to save a planet that doesn't want to be saved?" The ache in Tony's chest grew and he continued to glare at Thanos.

"Never." Thanos let out a disappointed sigh and got back on his feet.

"I had hoped you would see reason," he walked towards the medical equipment in the room, "perhaps a little reminder of what Earth has repaid your loyalty with will help."

Tony couldn't help his scream at the pain his head was under. As he trashed he thought he saw pitying looks come from the two women by the door.

Everything went dark.

-

His father sitting him down at 8 years-old and handing him a glass of whiskey. The start of his alcohol problems.

-

His father handing him hot tools despite his bare hands. The reason he doesn't like being handed things.

-

Tiberius Stone.

-

The Cave. The open hear surgery without anesthesia. The waterboarding. Yinsen.

-

"When I ordered the hit on you, I worried that I was killing the golden goose. But you see, it was just fate that you survived that, you had one last golden egg to give."

-

The Palladium poisoning. The fight with Rhodey. Rhodey taking off with his suit.

-

The helicarrier fight.

-

Extremis. Maya. Aldrich. AIM.

-

His break up with Pepper.

-

Ultron. Thor lifting him by the neck, as everyone watched and did nothing to stop him.

-

A video of the winter soldier killing his parents. Steve's betrayal.

-

Steve walking out on him with Barnes in his arms and dropping the shield.

-

"Tell me my child, do you wish to forget? To bury all this pain and suffering. All the betrayal and abandonment?" . . . . . . . .

"Yes."

[rpdwong]

[LET’S TALK RE2MAKE] Claire, Sherry (+ Leon) and Found Families

The Found Family trope is probably one of my favourite fictional tropes. Give me those relationships where a group of characters with nothing in common find each other and they become “home” and support each other, no matter what. It’s a powerful message: you choose your family. If you’re lucky, you might have a nice biological family that loves you. But that’s not always the case, and people should bond over something more than their blood ties. I think Claire and Sherry’s (and Leon to some extent) story in RE2 rings very true to this trope, and I was looking forward to watching how it developed in the RE2make.

Once again, I was happily surprised—to the point where I was almost teary eyed at certain scenes. I love Resident Evil with all my heart, and I cry at literally everything, but RE doesn’t usually have dramatic tension or sadness that hits that hard. But Claire’s scenario in RE2make did manage to get me and man, Claire and Sherry deserve a hug, a shower, all the puppies and parrots.

Sherry’s strangled relationship with her parents was explored in the original game. But, as I mentioned in my previous Let’s Talk RE2make about Ada and Leon, the game had its shortcomings when it comes to storytelling, simply because it’s a product of its time. I know RE2make is probably not most narrative driven game (we have BioWare games and, even though I haven’t played all of their games, I know Naughty Dog is praised for this) and it could do better, but when it comes to Resident Evil it IS a huge improvement—and this shows with Sherry’s character as well as Annette.

You see the strained relationship between mother and daughter in their brief encounters, you can also see that the Birkins were REALLY shitty parents, but Annette did care about her daughter—though that doesn’t really excuse her behaviour, but people are complicated and this is how it is.

So we have this poor little girl with huge abandonment issues, running around a police station looking for her mom, though she knows Annette doesn’t always have time for her (you might think NOW she should). But she is scared, she’s been chased by a monster (and as far as I remember, I think she’s aware the monster is William, right?? I really need to replay all scenarios, just writing all this  from memory), alone and defenseless…

And then she meets Claire.

I think it’s important to highlight that Claire is also very young here, just 19 years old. A BABY AS WELL. We know she’s capable of looking out for herself, but it’s still a terrible situation, she might even be still worrying about Chris’ whereabouts here (depending on which scenario you play). But Claire, despite having no obligation to take care of Sherry, looks after her and decides to help her find her mom/escape.

Claire even takes it upon herself to save her from Irons. Again, Claire could just have walked out once she makes it out of the station—but she doesn’t. So, for once, there is somebody there for Sherry. Someone she can rely upon and trust, who makes her feel protected, as any child should (especially in a situation like this).

When Claire rescues Sherry from the dumpster, after she’s been infected, Sherry asks her why Claire is doing all this. Claire answers: “Because I care.” Then I start crying, because this is so beautiful. It’s not that Annette doesn’t care, we know she does in some way—but she’s still terrible with Sherry (that conversation they have over the CCTV makes me want to punch Annette so, so badly)  when the girl needs her the most, needs that reassurance that “hey, everything’s going to be fine”.

Claire is the one who gives her that, who genuinely cares about her and shows it. It’s great that Claire also calls out Annette on her shitty behavior a few times (when she finds Sherry and later on before fighting G 3). When they’re on the cable car, Claire wants to give her the pendant back. Sherry rejects it, because it was a gift given by her mother, when all she wanted was for her to be home and spend time with her. It’s a sort of memento of everything that’s wrong between mother and daughter, in some way. Doesn’t help that, later on, we find out the pendant is the key to get the vaccine. We could say this is Annette’s saving her daughter in some way, but I also think it’s just another link to Annette and William’s job, which was the problem in the first place.

In the end, the bond Sherry and Claire develop is that of a newfound family. Thankfully, for the first time, Capcom has given us confirmation on what the hell happened to Chris and Claire’s parents, and we know they died in a car accident. So she only had her brother as family, which is why Chris is so important to her. The reason she travelled to Raccoon City because she hadn’t heard about him in a whole month. Maybe she even knew about the mansion incident, so she was getting worried something might’ve happened (though I don’t think Chris would tell her much, just to protect her).

But the thing here is that Sherry doesn’t even have a Chris. She has nobody, she’s alone. Claire can relate to being parentless, that’s why she bonds with Sherry (as she tells her to comfort her at the beginning). But, just as she had Chris, Sherry deserves that one person she can trust and rely upon—and that’s her now. They become family during this terrible experience, because Claire moved heaven and hell to save Sherry when no one else did. She was there for her when it mattered, unlike her parents (disclaimer: even though I really like Annette’s evolution in this game and she’s a good character, you can see I hold a grudge against her— it made me so angry how she treated Sherry!).

Now, I mentioned Leon in regards to the Found Family trope, because I think he more or less is a part of it. Leon, Claire, Sherry and Ada are all the “original” Raccoon City survivors (we have Jill afterwards, but since her story is completely isolated from RE2 and in a different game, I don’t think it counts for this). Ada’s a complicated case because of her role in the story and she only makes contact with Leon (except for that tiny moment in the original, where she retrieves Sherry’s pendant) and she doesn’t actually escape with them.

But Leon and Claire are our heroes, they make it out alive of Raccoon City and they help Sherry in the process. Even though in the RE2make Leon and Claire interact way less than in the original, and Leon doesn’t even meet Sherry until the very end, I think that last scene still resonates in the audience as a family moment, in which Leon is included.

In the original it’s all fun and games, until Leon says the “It’s up to us to take out Umbrella” or Claire says “I have to find my brother”. They have made it all more light hearted and fun in the RE2make, which I also think is much more realistic than just HEY WE HAVE TO BRING UMBRELLA DOWN or Claire immediately leaving, as RE3’s epilogue implied. After all she’s done for Sherry, she wouldn’t just leave her like that.

I have heard of two main criticism regarding the ending I’d like to address before finishing up this thing:

a) Sherry is way too cheerful after having just lost both her parents (and especially her mom, whose death affects her more). I can understand this and it is a valid complain, but I also think it could be a coping mechanism. That’s why she even jokes with the “You guys could adopt me!” because now she’s lost her real family, but has found a new one in Claire, and hey, this new guy seems to be on Claire’s good side and he’s helping and taking her to safety. I mean, I’d LOVE to be adopted by Leon and Claire, who wouldn’t??? I also think this is a case of Resident Evil not being ever really 100% down to Earth. RE endings always end up in a hopeful note, sometimes even cheesy. It’s a way to comfort the player as well, after all the terrible things we’ve been through with our characters. I think this is just another version of that, and it’s so beautiful to watch Leon and Claire holding Sherry’s hands and walking into the sunset. There might be problems ahead, but hey, they made it out! They are alive! It’s less cut and dry than the original, and it gives you a feeling that they’ve all bonded over this experience. And this is so fitting with what we know from RE6 Sherry. She talks about Leon and Claire with the utmost admiration, tells Jake they’re the reason she’s alive and she just wants to live up to their example. I think this ending resonates with that feeling she shares in RE6 and it’s beautiful.

b) Capcom is pushing Leon/Claire as a pairing. Ok, let’s open this can of worms. First of all: I hate shipwars, they are pointless and a waste of precious fandom time, and I don’t ship Leon and Claire, never have in my whole life, but I do see the appeal and it’s clear some of their interactions in the remake are kinda flirty. And this is all fine. Now, I don’t think their interactions at the end are the flirty ones. 

When Claire jokes about the “one helluva first date”, she’s answering Leon’s comment when Sherry asks them about the girlfriend/boyfriend thing (where he points out they’ve just met, literally). Then Leon’s answer to Claire is clearly a reference to what has actually happened to him with Ada. That being said, Capcom was probably teasing the idea in a fan servicy way, but it’s still all in-character. Sherry’s the one pushing all those things here, and it can be explained because she’s just a 12 years old girl and is wondering who Leon is and why Claire knows him, since they’re happy to see each other alive. Hence the adoption comment later on. Sherry craves a family and, right now, these two people are practically her world after having suffered terrible things. 

I do see Leon and Claire as sort of parental figures to Sherry, or at least the big sister/brother vibe, but that doesn’t mean Capcom is pushing anything here, IMO. My only gripe with all this is that I liked the idea of Claire being one of the few female characters that had  0 romantic tension with Leon, but still I don’t think we can call it that since they barely interact and it was just flirty banter. (I do enjoy, though, that their interactions are friendlier than in the original and they keep cheering each other up with those “We’re gonna make it!!). And hey, they’re both VERY PRETTY. If I were Leon, I’d get all flustered around Claire and viceversa. As some people have pointed out, both characters have a record of being flirty in general with other people, so this isn’t out of character for them either. In any case, I don’t think this is what’s happening in the ending scene and, even though it’s a nice fan service moment for people who do ship Leon and Claire, it can be seen just as a easily as a Found Family moment without any romantic connotations. Both work perfectly and leave every fan happy, no need for ship dramas. They ruin everything and it’s not worth it.

Seriously, that image of the three of them walking together into the sunset, holding hands fills my heart with happiness <3 Whether you ship one thing or another, don’t let anyone or anything rob you of the beauty this moment holds for Resident Evil history.

[airadam]

Episode 115 : Our Streets

"Watch the roads before crossing."

- Tyler

Beating the deadline, coming in a few hours before the New Year, giving you time to play this on the way out - or if you're staying in! This month's mix has some of my favourite tracks of 2018, as well as some choice selections from deeper in the crates. Enjoy the listen, and spread the word!

Twitter : @airadam13

Playlist/Notes

The Mouse Outfit : Late Night Doors

One of Manchester's finest crews blessed us with the acclaimed "Jagged Tooth Crook" album this year and they continue to bring the quality every time out. New collaborator Berry Blacc takes his place on the mic alongside old hands Dubbul O and Ellis Meade for some quality low-tempo flavour, with the beat being an absolute gem. The drums, bass, and piano are all played without flash and to absolutely perfect combined effect - the mark of musicians who know exactly what they're doing!

Maes & Fybre : This One

Pure Manchester again, with these two dub producers almost outlawing everything that isn't bass on this one! One of the many (seriously, many) great tracks on the "From Manchester With Love" compilation.

Curren$y : Drone Footage

I pretty much planned this segment in reverse, and this was the last tune to fall into place. 70-ish BPM is a tricky speed for Hip-Hop, unless it's got trap-type production like this - which ironically was so slow I had to boost it up a bit! Not much to say about this succinct track - a bite-sized portion of Curren$y's signature lifestyle rap over an 808-heavy beat. Pick it up on this year's "Parking Lot Music" EP.

Andy Mineo & Wordsplayed as Magic & Bird : Kidz

I think I found this album on a random Spotify search and was drawn in by the "Magic & Bird" theme - as it turns out, it gave me a great tune for my gym playlist! Andy Mineo isn't someone I've heard before but he's a Christian Hip-Hop artist (well, that would explain the sudden prayer right before the last hook!) out of NYC who's been recording for the last five years or so. Apparently the lyrical theme for this one came from the producer Beam, who, when Mineo complained on hearing the beat that he wanted to get away from the trap sound, told him "just do one for the kids!" Mineo and Wordsplayed ride the beat ably and prove him dead right :)

Z-Ro : Like A Rocket

With the recent release of the "Sadism" album, and last year's "Codeine", it looks like the retirement is off! I'm always here for Ro's half-sung, half-rapped delivery style, and it fits perfectly over Risko Funk's 80s ballad-sampled track. The original flavour isn't overwhelmed by the drums or extra bass, but there are lots of nice touches along the way - heavy filters sweeping in, extreme pitch shifting on the drums towards the end, and a general tendency to make you want to replay the tune :) I don't know if the track title is taken from K-Rino's quote from a Houston Chronicle article a couple of years back, but if so then it's a great connection! Oh yes - didn't realise I bought the clean version of this until I put it in the mix :)

Zero 7 ft. Hidden : Mono

After a long hiatus, Zero 7 are back and I'm always interested to hear what they're bringing. This single starts off with pure spacey vibes before the solid drum line comes in, followed by the vocals of Hidden - soulful, and also restrained. 

Kaytranada : Nevalie

A very old one from the man out of Montreal, first posted on his Soundcloud about six years ago. Took a while to find a good track to follow the Zero 7, but EQing this one down to just the snare and trappy hi-hats initially opened up a really good opportunity for a mix!

Children of Zeus x Black Milk : Won't End Well

Manchester and Detroit combination! When this was released at the start of December I thought it was a one-off single, only to be completely surprised on Xmas Eve with the release of "The Winter Tape", an essential and completely free album! This track featured appropriately bleak and sparse production from Black Milk while Konny and Tyler describe the lack of happy endings in the street game - as your parents certainly did if they're anything like mine. 2018 has absolutely been the year of Zeus and they're carrying big momentum into 2019.

1982 ft. Lil' Fame and Haile Supreme : It's On You

The union of Termanology and Statik Selektah has finally returned for their second full LP "Still 1982" - and not before time. The hi-hat-less drums and occasional chimes in this beat made it mix smoothly with "Won't End Well" and got it the nod over another cut that we'll definitely play here in the future. Haile Supreme is new to me but the soul he puts into the hook certainly grabs your attention, and M.O.P's Lil' Fame steals the show on the rhyme side, though Termanology is absolutely solid as always.

Marco Polo ft. Invincible : Drunken Sleuth

It's always good to hear Invincible, who is always one to come with high-quality bars. In the guise of an overlooked drunk, she takes on corruption, homelessness, and the lack of democracy in her home city of Detroit on this ambitious and well-executed track. This is one where it's well worth reading her own annotated lyrics to get more background on the specifics. Beat-wise, Marco Polo is one of the finest in recent years and his work here and on the rest of the "PA2 : The Director's Cut" album is a great example of modern production that is inspired by a classic sensibility.

Cormega ft. Chantelle Nandi : More

The Queensbridge veteran brings a positive, uplifting message on this selection from the 2014 "Mega Philosophy" album, with the vocalist Chantelle Nandi making her debut appearance. As the album title suggests, the 30-minute collection is centred around this kind of theme, so it's definitely worth taking a short while to hear the whole thing!

Doo Wop : Castle To Castle (Instrumental)

I was torn in planning over whether to play the vocal version or just this beat, but the direction the mix went in meant that we'll save the Raekwon bars for another episode. This is the A-side to a vinyl that features the Rahzel-voiced "Ten Tape Commandments" on the flip, with both of course produced by one of the undisputed legends of the mixtape game.

Pusha T : Numbers On The Boards

Stomping, aggressive tune from Pusha's first solo album "My Name Is My Name" with Don Cannon, Kanye, and 88 Keys all combining to provide the production. No matter how good the beat though, you come to Pusha T for lyrical ability and he brings it as per usual - double-meanings aplenty as he dresses down any and all challengers. Michael Kors also catches a stray on the second verse!

The Step Brothers : Step Masters

I hadn't played this album for a while and am not sure how the illness of this cut slid managed to be forgotten by me for so long! Evidence and Alchemist are both underrated on the mic, and Alchemist must get the biggest "WTF?" laugh for "flippin'... like things that flip" :) The energy in this track is much more than you'd think possible given that it's only about 91 BPM, which is a credit to the production from these two heavyweights. Oh yes - do have a genuine laugh at the video!

Alchemist & Prodigy : We Got This

I was sure that one of the samples from the previous track had been used by Alchemist before, and I was right! This version is from the "Chemistry Files" mixtape, but for the full version you'll need to find the bootleg 12" single that includes it.

Camp Lo : Love Is Love

Just the right tech-sounding track to fit this space in the mix! This wasn't even my favourite track on 2017's "The Get Down Brothers" but it's a great example of how Sonny and Geechi aren't afraid to jump on different kinds of beats and lace them with their trademark slang waterfall.

K-Murdock : New Religion

A friend of the show who is an endlessly creative beatsmith, and his "Soundscapes Vol.2" is a mix of video game-inspired beats and instrumentals from his work with MCs. I had this one playing in the house and found a good home for it here :)

9th Wonder ft. Skyzoo and Ness : Let It Bang

Closing with pure slick-talking battle rap here from the "The Dream Merchant 2" compilation, all produced by 9th Wonder, then only about five years into his career. The drums and bass definitely have the classic flavour of early 9th, as well as the great chop/re-purposing of a nice soul sample. It's all east on the mic, with Brooklyn's Skyzoo and Ness from Philadelphia (you may know him from Da Band) trading bars and telling us to play this until you break the tape - which I suppose gives away the age of the track...

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!