#(is that even a real thing??? because i can tell you that I suffer a specific kind of anxiety for any medical appointment different than

[cosmicjoke]

I think you misunderstand my point entirely. It's not about the practical reality of whether Ash could "conceivably" have escaped his life of crime and lived a secure and anonymous life with Eiji, and it's certainly not me saying I think Ash had to somehow "pay" for what he had done during his days as a gang leader. It's about what Ash thinks of himself, and his particular trauma and the damage wrought upon him and his psyche by the severe abuse he suffered and the life he was forced to live as a consequence. It doesn't matter if Ash could have realistically or potentially escaped his life, because he couldn't escape the self-hatred that the abuse he suffered instilled in him. It doesn't matter whether his being in Eiji's life wouldn't have actually endangered Eiji, becaues Ash believed that his presence in Eiji's life did. He couldn't escape his trauma, and that's really the point and the purpose of Ash's death, in the end, is it doesn't allow the reader/audience to undermine or downplay what Ash lived through by acting like everything would have been hunky-dory if only he'd been able to run off to Japan and live happily ever after with Eiji. It forces the audience to contend with just how devastating Ash's trauma is and the true horror of child abuse by showing the tragic end point of it in Ash's death. Ash quite literally dies as a result of that abuse, because it was that abuse that led him to run away from home, which in turn led him into Dino's hands, who's further abuse led him into a life of crime, which, ultimately, is what led to Lao believing he had to kill Ash in order to protect Sing.

Ash had all the ability in the world, all the potential in the world to be whatever he wanted, sure. But it didn't matter, because his life was destroyed by the abuse he suffered and by the people that abused him.

Banana Fish offers no idealistic ending or silver lining to the life that Ash was forced to live, and that's what makes it such a powerful work of art. It presents a naked and raw depiction of the true consequences of child abuse and forces the audience to contend with that reality. It doesn't allow you to console or comfort yourself with notions that anything, no matter how bad, can be gotten over, if only you try hard enough. That's just not reality. There are so many people in real life who never get over their trauma, who never make a full recovery, or even a partial recovery, and it's one of the most insidious and cruel aspects of this insistent claim that everyone can recover from their trauma, because it's essentially telling the people who can't that the failing is their own, sending them the message that they failed because they didn't try hard enough, or simply weren't strong enough. And that's just simply not true. People who are unable to overcome their trauma are no less than anyone else.

Ash believed plenty of things about himself that weren't true, and that's the point. He believed those things because he'd been conditioned through years of horrific abuse to believe them, and him dying in the end forces you to contend with the true weight of that, by denying Ash what he actually deserved, which was a life of happiness and love. It's so absurd to me when people say "Ash didn't deserve to die" or "Ash deserved better". Like, no shit. But Ash didn't deserve any of what happened to him in his life, and again, that's the point. It didn't matter what Ash actually deserved because he was failed so completely by the people that should have protected him in the first place, and it's their failure that resulted in Ash's life being so unfair and cruel. It's because they allowed Ash to fall through the cracks. The same story of so many abused children in this world. None of it is deserved or fair, but it's reality.

Banana Fish is meant to serve as a warning for why we can't allow the things to happen to children that we see happen to Ash, and it drives home just how unacceptable allowing those things is by having the story end in Ash's death, by giving us the worst possible outcome for what Ash suffered, and so impressing upon us why we have to try our hardest to make sure what happened to Ash never happens to anyone else. Ash's death forces us to face the true consequences of allowing children to be abused. We aren't allowed to pretend through Ash's "happily ever after" that what happened to him really wasn't so bad after all.

Further commentary on the ending of Banana Fish (Spoilers):

Look, I understand the controversy and upset surrounding the ending of Banana Fish.  My last post on this topic seems to have pissed some people off, which was never my intention.  But I think maybe I could have worded things a bit better, so I’m going to try again to explain why I feel like the ending of Banana Fish was so perfect.

It’s not a happy ending, and I don’t think anyone, anywhere, will try to tell you that the ending was meant to make anyone happy, or satisfied.  That’s the point.  It’s not MEANT to please the reader.  It’s meant to remain true to its narrative realism.  And in that realism, it’s meant to break the readers heart.  And boy does it do both.

I don’t think anyone would tell you, anyone with any ounce of feeling in their heart, anyway, that Ash didn’t deserve a happy ending, or that he deserved to die after all the awful shit he went through.  I think we can all agree that we would have wanted, if we had a choice, to see Ash have a happy, hopeful ending with Eiji in Japan.  We all agree that Ash DESERVED a happy ending, because he was a good person who was dealt about the shittiest hand in life a person can have.  And despite all that shit, he retained that innate goodness of heart that made him who he was.  He never became a monster, like the people who used him up and abused him over and over again.  That’s what makes him such an extraordinary character that’s deeply loved by so many people. He absolutely deserved to be happy.

But that’s the thing. Banana Fish is a story that deals in reality.  Everything that happens in the story, despite the often extraordinary, larger than life circumstances, is dealt with in a way that is, very often, brutally, painfully honest and realistic.  It doesn’t give us what should be, it gives us what IS.  And that makes perfect sense in accordance with its relation to writers like Hemingway and Salinger.  They wrote stories that dealt in brutal honesty and reality too, and both writers are referenced throughout Banana Fish.  And it’s Banana Fish’s commitment to that brutal honesty and reality that makes it an authentic piece of art.  People want a fairy tale ending, where Ash gets to ride off into the sunset with Eiji and live happily ever after, but at no point in Banana Fish are we given any indication that the story is, at any point, going to delve into the realm of unreality and fantasy, and give us such an ending.  To do so would have been a betrayal of the genuine nature of the narrative. It would have ultimately robbed it of its authenticity as a piece of art, and the story, as a result, would have been left hollow and lacking.  

Banana Fish, throughout its narrative, shows us that terrible things happen to good people, and that good people are often forced into doing terrible things.  It never shy’s away from that cruel, heartbreaking reality, and the ending is no exception.  

It affects us so deeply, and leaves us so upset, because it’s so REAL.  It feels genuine to us, it feels real, because it refuses to betray its honesty for the sake of a happy fantasy.  It remains loyal to the harsh truth of reality, and the harsh truth of Ash’s reality in particular.  Ash is a deeply damaged, broken person, who’s experiences in life are the very definition of cruelty.  Here is a boy who, since the age of seven, has experienced sexual, mental, emotional and physical abuse repeatedly and on a scale truly unfathomable to almost all of us. A boy who was forced into a life of prostitution in order to simply survive on the harsh streets of an unforgiving city.  A boy who, again out of a necessity for survival, has had to kill other human beings. A boy who, out of a desperate situation in which he was forced to choose either to save his soulmate or watch him be murdered by his best friend gone berserk in a mad, drug induced insanity, had to kill his best friend by shooting him straight through the heart.  A boy who, each time in his life that he’s tried to build real and meaningful relationships with other people, Griffin, the girl he liked when he was 14, Skip, Shorter, Eiji, he’s had to watch those people he allowed himself to grow close to either die or almost die, over and over again.  All of that combined creates a level of trauma that’s so far beyond the normal scope or understanding of a regular human being, so far beyond any discernable mechanism for coping with trauma, that to expect Ash to just get over it, for it all to magically be okay just because he moves to Japan with Eiji, is the height of unrealistic, and, again, would be a betrayal of the authenticity the story marries itself to from start to finish.  

Ash’s death is a tragedy, as his life was a tragedy, and the story is a reflection of that.  It stays true to that narrative, and never compromises on it.  That’s the point.  Life doesn’t always have a happy ending.  People that have suffered severe, irreversible trauma don’t always recover, and can’t always heal from it.  People who have suffered in the obscene and brutal ways that Ash has aren’t always going to be alright.  Sometimes it’s just too much.  For Ash, it was just too much.  Too much damage.  Too much heartache.  Too much pain.  Too much loss.  Sometimes we can’t overcome our damage, and that reality presented in this story scares people, I think, because it’s so nakedly honest and unapologetically expressed.

The ending is so god awful painful too because we see, in that moment after Ash reads Eiji’s letter, hope bloom inside him.  For an instant, this belief that maybe he can have a happy ending, when he thinks he’ll catch Eiji at the airport, and maybe go with him.  And in the next instant, he’s mercilessly reminded of that hope’s falsity. Hope springs eternal, but not always true.  Hope and happiness were never meant for Ash.  The chance for that was taken from him before he could even understand what those concepts were.  The thematic arc of the story was telling us from the start that it was going to end in tragedy.

People weren’t meant to LIKE this ending.  It wasn’t meant to make them feel good, or okay with what happened, or fulfilled.  In fact, I’d say, it’s meant to make you feel completely devastated.  As the story reflects reality, so often too does real life end in a way that leaves us feeling lost and confused and heartbroken.  Banana Fish is so good because it stays true to that sense of reality, right until the very end.

The ending doesn’t leave us feeling happy, but it sure does leave us FEELING.  Like any real piece of art would.  The emotions it conjures are immense and, for some I guess, too real. That sense of loss and hopelessness and pain it leaves us with is so effective because, again, it’s so honest. And I guess that because those emotions are so real, and felt so deeply, and with such intensity, it leaves some readers and viewers feeling angry.  Lashing out at a reality which they don’t want to accept.  The irony, of course, is that their hatred and rejection of the ending is testament to just how deeply the ending touched them.  It didn’t leave them feeling nothing, it left them feeling too much, and they then go into a state of denial, which is really just a stage of grief.  A refusal to accept.  You know Banana Fish is a true piece of art for that, in how it conjures sincere feelings of grief and mourning in us for its lead character in Ash.  We CARE about him, deeply.  We want him to be alright, because we love him.

But real art isn’t concerned with placation.  It’s concerned with truth.  So many great pieces of literature have unhappy endings, because that’s the truth of the human condition, and the condition of life in general.  Real art won’t shy away from those painful, awful truths, nor is it afraid to conjure the feelings which go hand in hand with those truths in its audience.  

With all that said, the tragedy of the ending doesn’t demand a feeling of meaninglessness or desolation at all.

Eiji’s love for Ash and Ash’s love for Eiji is still so pivotal and, ultimately, essential in how the story ends.  It’s what allows, maybe not a feeling of hope, but a feeling of peace.

You sense throughout the story that Ash knows he’s going to die.  Like he senses that his life is too fucked up, that he’s been through and had to do too many horrible things for it to last very long.  It’s like the saying of he who burns brightest burns twice as fast.  Ash is burning, and he knows it.  He’s already accepted it as an inevitable conclusion.  He doesn’t actively seek death, but he doesn’t fear, nor fight against it.  At points throughout the story, even, he asks for it, when the horror of what’s happening to him becomes too much.  He knows death is coming for him.  The only thing keeping him from giving in so easily I think is his lack of agency in how he will.  Everything has been taken from Ash, and he doesn’t want to give this last thing away. This choice in how he dies.

Eiji’s love is what finally gives him agency in that decision.

Ash died knowing Eiji loved him, and that knowledge, that certainty that he was loved, genuinely loved by another human being, without any strings or conditions attached, simply loved for himself alone, is what allowed Ash to finally find the peace in death which alluded him in life.  He no longer feels like he has to keep fighting, or struggling on through an endless malaise of misery and pain, because he’s finally found the calm and acceptance which comes with knowing he has this one, pure thing for himself, which nobody, none of his abusers, can ever touch or take away.  With everything else that’s been stolen from Ash, his innocence, his sense of agency, his own body, his own mind, Eiji’s love for him is the one thing nobody could ever steal away.  And that’s, I think, why Ash dies smiling, because it’s that knowledge, that he was worthy of another human being’s true love, that at last shows him that he was a human being himself.  Not an animal.  Not a monster.  He was a human being worthy of love.

Ash’s death is heartbreaking, and brutal, but there’s deep consolation to be had in knowing he spent his final moments with the feeling of Eiji’s love for him alive inside his heart, allowing him at last to feel like a person deserving, worthy of love.

It’s that which allows Ash to finally let go of his struggle, and let’s death’s embrace take hold of him.  It’s his own. Eiji’s love, and his choice to let go of life.

It doesn’t make the ending any less heart wrenching or brutal.  It doesn’t make us any less devastated by Ash’s death.  But it gives us a sense of peace, in knowing, even if we are left feeling lost and heartbroken, Ash himself left life with the fulfillment of knowing he was loved.

[ochrearia]

ether

I'm normal (lying) and I needed to put this somewhere so bad and it's still not enough but YS I'm sorry. I'm making you suffer even more but you need to understand we're basically the same at this point and you're really the only bitch that I can pretend like feels exactly what I feel. Fuck. RGBFverse prompts aren't just silly fiction anymore

Every damn prompt in the last two or so days has been real. Been me. I feel like that was obvious

BFs in this one-shot: Yourself (YS)

God it was getting rather ridiculous now. Could he even blame it all on the angelic instincts anymore? Sure, they certainly didn’t help, but that wasn’t… it wasn’t quite the same. At least, YS wasn’t really sure if it was or not. The guardian angel thing, that was more of a possessive protectiveness that flared up practically any time he saw or thought about his people he’d attached to. Which, good god, he was understanding why angels didn’t attach to this many people. It was bad enough to have one person taking up all your thoughts on any given day, because you were hard-wired to dedicate yourself to them, but he was at what, fifteen now? Probably more. And he wasn’t stopping his erratic attaching either. He’d probably keep making that number go up. Not like he was known to make good choices.

But this felt a little different. YS was no stranger to working himself up into trances over the sheer amount of sappy, sentimental thoughts he started getting over any given brother. And it wasn’t like those thoughts were specific to one idea. The protectiveness rang true in those trances and made itself known through his half-aware mumbling. And paired with it came thoughts of love, and appreciation, and everything in between he had no idea how to name.

But… were the trances even because of his angelic instincts? Or did he just feel so damn deeply about things in general? Suppose YS couldn’t really recall feeling much of these trances before he started meeting all of his brothers. Maybe he had thoughts pooled together like this about her, and he was sure of that but he probably just never considered it as a “trance”. Because it’s not alien to just love your girlfriend that much that you think every nice thought possible about her, right? And he used to be able to kiss her any time he wanted, show properly his affection and she’d understand it. Maybe feel it too.

So what the fuck was going on here? Every time his brain snagged on a thought about a brother it was like a fucking disaster was set off. YS very much didn’t care in terms of ‘what affection he could express’ compared to what he ‘couldn’t’, because it was all going to slip out at some point eventually. If you asked him, he was technically not allowed to express any type, because he didn’t deserve to, but Beefer would sooner crash straight through his mirror in full dino form and try to like, eat him or something. Because he could tell when YS was being an ass to himself and was sticking very clearly to his ‘job’ of butting in before it kept going.

God his heart. YS was going to die it felt like, because fuck, why did his heart have to ache so bad thinking about his brothers? Tripping himself up over the fact they cared about him, dizzying his own mind over the concept of being loved by anyone, much less this many people. And yeah, okay, sure, they were all technically the same person. And there was probably some merit to his previous idea of reality getting confused when there were two or more of them in the same world. Getting so cuddly for nothing because it felt like they had to become whole again despite not being fractured at all. But this was just… something else.

He loved so hard. Holy fuck, he really did to the point it was debilitating. That’s really what it was. It was debilitating, completely paralyzing him on the spot despite things he needed to be doing. It was so much, almost all the time, it took days sometimes for the ache in his chest to go away for a little, only for it to come back later to torment him again. It was like YS almost couldn’t breathe sometimes, thinking in a spiral of how much love he had for the people in his life now, people loving him back, caring for him, quite literally making him want to wake up to be alive tomorrow so he could keep them in his mind again and maybe even spend time with them. Family like he’d never experienced before, because angels in his world didn’t really care about each other. Couldn’t, when they had others to attach to.

God YS had so much of it to give. That was all he really wanted to do. Give, give it all, drain his heart to empty and still continue giving because he could, and that’s what his brothers deserved and more. Giving the world to the people he loved. For the asshole he believed so much couldn’t want things, he wanted this so badly. Give all of himself away, unhealthy mindset be damned. He would do anything for his people. Because he cared. He cared, so much, and that thought was powerful enough alone to bring slight tears to YS’s eyes. Truth, raw and strong.

But that was the problem. He’d give everything. But he couldn’t give this feeling in his chest, the swirling in his brain, raw emotions that rippled in his body like tsunamis but were confined there. YS had no way to directly broadcast the exact things he felt, and it was like he was dying. Because it was all trapped and it wasn’t fair. Words weren’t enough, actions weren’t enough. None of what he’d been doing so far was enough no matter what he shared. And god, it was so bad, but he’d been describing it all with such negative words when it was literally the opposite.

He’d take being debilitated like this over any other kind of feeling, any day. Wanted this. Wanted.

This was… possessive. Very possessive. His brothers. Every single one of them. His. His to love and hold and appreciate, his to care for and lift up. And not a single damn regret about it. Too possessive? Probably, but this was all so new to him. He’d never done this before, in fact, he doubted that any angel had done this before. Attaching to this many people and feeling just as equally strong about each one. It was so much. And he could never give enough.

So important, all of them. Stuck in YS’s brain and he couldn’t get them out. And it didn’t matter how much he spoke about this to them, telling them point-blank that he loved them, holding them tight and not letting go until told, it was still just… not enough for what he felt in his heart.

YS’s heartbeat was freakishly slow. As were angel’s heartbeats. Probably didn’t help with the whole cold-blooded thing either. But every time he worked himself up into a trance, getting so mind-swirlingly loving, possessive, and almost needy, his heart would speed up. Noticeably speed up, because Beef had pointed it out before. God, he was so disgustingly sweet in his actions and that was mortifying to admit. Biff had a habit of saying it like it was though.

Tear my heart out of my chest, lay bare the ache it holds and feels because I cannot fucking take it anymore. I want you all to know. I wish I could perfectly convey it, I wish you could all feel what I feel, know how powerful my love and care really is, and if it’s too much then I’m so sorry. But it’s exactly what you deserve, and still more. Wonderful to me, kind to me, after all of my mistakes, stains on the world because of my wrong choices. People that aren’t here anymore because I didn’t do enough. But you’re all still here. And I know I have done nothing to deserve any of you.

YS felt like he was dying. But that was okay. If he got to die feeling so positively, then it would be his final victory.

God, I love you all. I promise. For the rest of my time here I will try to convey that as it is. For the rest of my time here I will work to repay and make up for everything I may put you through and you still stay.

For the rest of his time here. However long he’s wanted. And he hoped that would be forever, but that was usually never the case.

So he would love, like it would be over tomorrow.

[outlying-hyppocrate]

i have officially returned. ask me anything.

[atopvisenyashill]

do love how this is an asoiaf blog but i did not put either show in my top 10 this is the world we live in

[thenexusofsouls]

"Well if I failed it, that means I didn't learn it, right? I dunno, though, honestly, real life's not like school. They try to tell you, 'Memorize these eighteen vocab words or you'll grow up a loser and won't get a job,' but really... as an adult, if you wanna know somethin', you look it the hell up." Wade really thought that today's American schools were doin' a real disservice to kids, with the memory recall and repetition techniques instead of teaching them important things like critical and independent thinking.

"I think 'steada teachin' kids to memorize shit, we should be teachin' 'em life skills, like how to use a library or a computer, how to do your taxes, how to manage your finances, stick to a budget, how to ask the right questions, basic email etiquette, how to network socially, how to make a resume, that kinda stuff. That's the stuff you need to know to be a functional adult, not what sphenopalatine ganglioneuralgia means." There was a quiet beat and then, "Brain freeze. That's what it means. You know, like when you eat ice cream too fast? I just love sayin' it, that's the only reason I know it," he said with a chuckle. "I dunno, I learn better by doin', not by readin' or studyin'. There's no substitute for life experience, man."

He saw Rockland's energy be taken down a peg about being a responsible person, and he understood why. "Yeah, I know, bein' responsible's no fun, and it sucks that you've gotta do it so young, but it really is admirable. And it'll give you a leg up later in life, definitely. You're already ahead of most kids just because you pay attention to all this stuff they don't. So keep that in mind. It sucks, but it pays off, trust me," he tried to say by way of encouragement and cheering the kid up a bit. Sometimes life gave you lemons, but if you learned how to make lemonade out of them early on, you were better off later.

As the conversation shifted to Rockland's mom, Wade could see the conflict in the young boy's eyes. He shrugged at little at his assumption that her leaving meant she didn't care. "Eh, not necessarily. People leave for all sorts of reasons. Sometimes it's not even really under their control. For example... I once was paid to find a guy who'd completely disappeared. His family was lookin' for him, he owed all this money, he let all his bills lapse, that sorta thing. Guy was gone for years. His family was thinkin' he was a total jerk and just took off to start a new life somewhere. Turns out he actually did. I found him a couple states over livin' a completely different life. Here's the catch, though... The guy had been in a car accident, got a head injury, and suffered almost total amnesia. He didn't know who the hell was and started over again somewhere else. Isn't that wild? So it's not always that people don't care. There can be a lotta reasons why someone leaves."

Wade started chuckling as Rockland asked him if he slept. "I'm not Dracula, buddy. Yeah, I sleep. I just usually do it from morning to late afternoon 'steada at night, that's all. So I'm not tired right now, I just got up a few hours ago. I just didn't wanna get you into any trouble keepin' you out late. Also I'm not lookin' to be accused of kidnappin'. That'd kinda look bad on my resume, you know?" he joked.

Well that caught their attention alright. A middle finger had shot into the air, directed at a group of teens across the street who were hovering by a Duncan Donuts long closed for the night. The boy beneath the hoodie, propelling said finger, sneered. Just like that, the group of five moved towards him, the tallest, Shacks, sauntering forward with an irritating air of confidence. And to think, there'd been a time when Rockland had thought he was cool.

"You can't seriously blame us, Rocky." He looked to the others with cruel amusement, "It was a prank, get a sense of hum-" Too busy searching for the favour of his crew, he'd missed the draw of the younger teen's fist before it met his cheek.

"Prank my ass, I could've been arres-oof." Rockland was tackled by Archie, the smallest of the bunch, who was about a head shorter than he was, but kinda stalky for his age, and with the element of surprise on his side. Cane clattering out of hand, and across the sidewalk, the lanky teen scraped across the pavement, electric pain radiating up from his tailbone. He caught the breath that had been knocked out of him just in time to catch the thump of a fist to the nose in return. - For Wade

Wade didn't know what to make of this city yet. He'd only been here a couple days and was still trying to get his bearings. It wasn't a bad city, he thought, just cold. Just... really cold when you're alone, like all cities are. Nevertheless, Wade did some hunting and stocked up on other supplies, always wanting to stay on the move. That's how he got jobs, and that's how he kept sane.

Tonight had been quiet enough so far... that is until he heard sounds of a fight. But a fight... between kids? Was he hearing this right? Wade made his way toward the sounds, and sure enough, some kids whose parents were absent and whose bedtimes must be fast-approaching were going at it. Or rather, several kids were beating up on one unfortunate one.

"Hey! Come on, cut it out, what the hell're you guys doin'?!" Wade yelled, hoping to scatter the bullies. "You know better than this, get off him! Don't make me call the cops!" he said, watching as they all scattered... save for one. Wade knelt down beside the boy lying on the ground. "Hey, buddy, you okay?" he asked gently.

[britneyshakespeare]

I feel like certain people on Tumblr have really been fighting for backwards progress when it comes to how we talk about mental illness and abuse. I see posts at least several times a week on my dash that seem to have the purpose of implying people with insert-mental-illness and/or insert-symptom are not abusive when they do insert-action-that-makes-people-uncomfortable, often times meaning to promote a more positive image of people with particularly stigmatized conditions, like personality disorders, mood disorders, psychosis, addiction, or neurodivergence. And I really really hate it because these posts almost always have the ultimate purpose of telling people not just "This thing is not inherently abusive," but often it comes across as "You were not abused."

I just find that to be really unhelpful and unintentionally hurtful, and for what? I believe that destigmatizing various mental conditions is a worthy cause, but at the same time this type of rhetoric seems to be so protective of people in whichever stigmatized group they're trying to advocate for, that it comes back around to a sort of respectability politics. Anybody can be an abuser. And someone's means and methods of abusing can very much be influenced by a condition they have. Why wouldn't it be? Their conditions will affect every aspect of their life and their interpersonal relationships. Especially if these issues are going untreated or being insufficiently managed. I don't understand why anyone would want to make it appear as if abusers are mostly neurotypical and mentally well people, or that if they aren't, then their conditions have nothing to do with it and the overlap is merely incidental. What? It makes it so hard for anyone who is a victim to come to terms and identify the dynamics of what they've gone through.

Addicts and mentally ill people don't have to be unproblematic in order to be humanized and accepted. And nobody profits from writing hard and fast rules about how abuse apparently works, drawing clear lines between which behaviors can, and cannot, ever be abuse.

[laniidae-passerine]

Honestly I think Dean Highbottom has some shit to answer to as well. The mockery, the derision, the outright admittance that he was hoping Coriolanus would fail and the Snow family would continue to suffer. How someone who loathed the Games still treated a young man with cruelty because of the past, because of social divides that would be so easy to tear down. In the end, it wasn’t just Gaul who shaped Snow into the man he became. So bitter and hateful. So incapable of compassion and forgiveness. Just like his father. Just like his Dean.

[sonofwhales]

Prefacing that I have an extremely complicated relationship with Christianity/God

I had an extremely cathartic moment today in church. Yesterday I had my last day of high school and because of how depressed I was feeling I decided to give it a shot and pray for my friends and classmates and ended up basically yelling at god (mentally, I was surrounded by people who would have figuratively ripped me apart if they heard me) about my girl crush from class and that I don't care what happens I just want him to bless her. That he can send me to hell all he wants for being gay, idgaf anymore, but to at least save her.

Technically he should know already being an omniscient being but formally and unapologetically announcing it: Telling him that I'm sapphic and that I love a girl, almost a challenge, and asking him to give her his blessings. Not us, I don't really want to date her for... Reasons, nor me, since I don't think I'm deserving of it, but her.

The person who has no faith cried out to God in the name of her same gender love.

I may never tell anyone about it, but I have sworn to God my affection for you even in the face of death itself and dammit if that's not love then I don't think I'll ever understand what love is.

May one day challenges such as this be simple truths, not something that feels like a revolution.

[angorwhosebabyisthis]

tfw you want to write up a proper post detailing What the Fuck about a particular thing about a character, but you're too exhausted and out of sorts to figure out the best way to format it and you'd rather make an actual concise, relatively coherent post instead of just reblogging it over and over with 'jesus fucking christ'

[girlivealwaysbean]

.

[giantkillerjack]

He deserves to suffer. But please keep in mind what being around him and actively trying to push him will do to YOU. Because you, in fact, deserve peace, healing, boundaries, joy, and acceptance MORE than he deserves to suffer.

Keep an eye on your heartrate; sometimes mine is the only way I can tell I'm pushing myself too far.

Stay safe. Making a homophobe upset doesn't matter as much as your safety.

You don't owe anyone your time or health for Christmas. You deserve a holiday that doesn't make you feel like shit.

Because even if he suffers, it sounds like he will not change. And perhaps we are different people (and I certainly don't claim to know you or your family and you can do whatever you want)... but that lack of change would make me feel like shit after the first 20 triumphant minutes or so. And then I'd wonder why I am not spending my time off with people who actually like me.

Your spite is justified. your anger and bitterness are justified. Your actions would be justified. And you should definitely still do it if it will be empowering for you.

Just know that you deserve a holiday that is easy and fun, and consider whether a violently queerphobic reaction from your parent is going to better or worsen your health. Because you deserve health.

Hey so my homophobic, sexist and overall cringe biological dad is coming over for christmas and i will be extra gay and give him a heart attack. He doesnt know im trans, that i changed my name etc. because frankly i dont care about him enough to tell him.

But when he comes over i will be so so so gay. Im talking wearing a dress, nail polish, makeup and all the good stuff. I wanna see him suffer. No, not spiteful at all

[sttoru]

‘and if i only could, i’d make a deal with god, and i’d get him to swap our places. .’ — kate bush

 𝝑𝑒 𝐓𝐀𝐆𝐒. gojo satoru x wife!reader. fluff to angst (no comfort). spoilers chapter 261. reader’s pregnant. major character death. mentions of blood, death. nicknames ‘pretty, sweets’. not proofread bcs i couldn't through the tears. i cried nine times writing this so.. good luck! wc: 3.6k

“he’s kicking again,” satoru chuckles excitedly. he’s been clinging onto you ever since you got back from your doctor’s appointment. your baby boy is growing up healthy and there don’t seem to be any complications.

you smile and rest back against the velvety pillows. you’re enjoying the affection you’re receiving, the kisses and nuzzles against your swollen tummy makes every bit of suffering worth it. your husband is going to be an amazing dad, that you can tell.

“hey, little guy—don’t give ya mommy a tough time,” satoru huffs and gently taps the side of your stomach that was last kicked by the unborn baby, “that’s my wife, y’know?” you giggle at the scene in front of you and close your eyes, relaxing your body.

a comfortable silence hangs in the room. satoru’s warm hands cupping and rubbing your round stomach add to the tranquil atmosphere. the weight of your husband’s head presses onto the front of your plump belly—ear pressed against the stretched skin as if expecting to hear your baby boy talk.

after a while, you open your eyes. you hear a sniff and then the usual silence follows. you look down at satoru settled between your legs, hugging your waist and resting his cheek on your tummy. he’s awfully quiet and you’re unable to see his eyes because of his bangs.

“toru, everything okay?” you carefully ask. your voice comforts him for the next couple seconds, before his muscles tense up once more. satoru tries his best to seem unaffected by the many thoughts scurrying through his head.

“mhm,” your husband nods and forces a small smile. though, he can’t keep the facade up any longer. the longer you’re pregnant, the more worried he gets about a certain something; something that’s been bothering him ever since.

it’s the reason why he doubted even having kids in the first place.

“i—well. i don’t know, sweets,” satoru sighs. a deep sigh that shatters the mask he’s had on for so long. his brows furrow and his eyes dart from one place to the other. his fingers stop their movements on your stomach. they curl around the material of your shirt instead; showing a clear sense of vulnerability.

satoru seems. . . afraid, yet also angry. perhaps at himself, perhaps at the world. you don’t utter a single word. if there’s anything you want, it’s for your husband to speak about his inner turmoil freely. you’re the only person who he can have such emotional conversations with—the only person he can be himself with.

the real gojo satoru.

not the strongest.

that’s why you’re not surprised when satoru opens his mouth to confess the inevitable to you. “i’m scared,” his voice cracks. it’s a faint change in tone, but it is noticeable to you. you’ve been his lover for long enough to notice every minuscule thing.

the white-haired man lets out another sigh. you brush his soft bangs out of his eyes and instantly notice the sudden weariness in them. normally, those beautiful blue eyes shine brightly, yet that light has now dimmed.

you pat his head and satoru immediately leans into your touch. you allow him to process his own emotions and words before speaking up.

“scared?” you ask quietly and carefully, giving your husband space to explain.

satoru nods. there are a thousand thoughts running through his mind. all those thoughts he’s tried to suppress since the day you’ve announced your pregnancy. maybe even before that—at the day of your wedding.

he’s sat down with you a few months into the marriage, to have the talk about kids. he seemed to be delighted to have children with you, however there have always been some dark and hidden thoughts lingering in the back of his mind.

the sorcerer has chosen to ignore them for the longest time. he’s been trying to convince himself that he has nothing to worry about. you’re going to be fantastic parents and your children are going to be extremely loved.

the day you surprised him with your pregnancy, was like a dream. satoru cried - which he rarely does - so it was an emotional night for both of you. neither of you could wait to meet your child—happy with whatever gender.

despite all of the optimism and enthusiasm, satoru’s struggles with his inner thoughts have not yet ended. he doesn’t want to bother you with it. you seem so content and he does not want to ruin that at all.

but even the strongest without limits has to reach a breaking point.

“yeah,” satoru speaks up, his voice hoarse. he kisses your belly button, hoping his child doesn’t pick up on his distress somehow. your husband closes his eyes as he places his forehead against your tummy, praying that the heavens above hear his pleas, “i don’t want our kid to inherit my cursed techniques. at all.”

your hand doesn’t stop stroking satoru’s hair. you don’t flinch at his words, nor do you immediately discard his worries. in all honestly, you’ve shared the same feelings before getting pregnant.

you know how satoru’s treated by the jujutsu society. it’s dehumanising how he’s seen as a weapon of some sorts. a weapon that could solve all problems—one that cannot rest until its duty is done.

you despise it. you’ve told satoru about your hatred for the toxic society, even going as far as asking him to move to a different country without telling anyone. you’re sick and tired. you can’t recall the amount of times that you’ve cried alone, in the bathroom, after you’ve seen the state your lover comes back home in.

the white-haired man always seems so tired. his eyes and head hurt because of them overusing his cursed techniques. there are even days where satoru doesn’t put his blindfold or sunglasses off at home.

and when you try to talk to him about it, satoru simply assures you that ‘he’ll be fine’. you believe him in the moment, but you don’t know for how long you’ll be able to keep that trust.

you’re letting him break, slowly yet surely, right in front of you. he’s working himself to his demise. it’s nothing out of the ordinary to not want the same for your child.

though, you’re sure that it’ll be fine even if your baby boy inherits satoru’s techniques. that’s because you two are going to protect him with all you have. no one is going to treat your child like a weapon—not while the both of you are still alive.

“i don’t want our child to take over the burden i carry,” satoru continues. his brows are furrowed and his lips are pressed into a thin line. he’s already thinking about all the possibilities that can follow with the birth of your son.

he can hide his child from the world, but wouldn’t that be too restrictive? he can keep an eye on him every second of the day, but wouldn’t that be overprotective?

you notice satoru’s internal state of panic increasing, so you quickly cup his face. you lean down and press a firm kiss against his lips, to which he instantly responds. his breath hitches and he sits up on the mattress, deepening the kiss as his hands hold you by the back of your head.

he needs this—you—more than anything else in the world. if it wasn’t for you, he’d have lost his sanity long ago.

you pull back after a good minute and pant. you chuckle as you notice the slight pout on satoru’s lips. he never seems satisfied with just one kiss, which is adorable. you coo and pepper his face with small pecks, “aww.”

it’s comforting to the sorcerer. he closes his eyes and his mouth forms a small smile. you’re doing an amazing job at calming him down. satoru’s muscles relax and he finds himself nestled between your legs soon enough.

you realise that he’s still somewhat afraid for the future of his child by the way he’s playing with your shirt. his head lays on your chest and his long fingers trace shapes on your exposed skin.

“i know, honey, i know,” you murmur against the top of his head. you massage satoru’s scalp gently, nearly making him purr because of how incredible that feels. you stare at the ceiling and continue your little talk.

“i’ve thought about all of it too,” your fingers find his undercut, playing with the little hairs. all you can hope for is that your partner stresses less about the outcome of your pregnancy.

if you can do one thing for him, it’d be that. reassuring him that you’ll both do your best for your child will surely put him at ease. your husband has enough to worry about anyway.

you want to share that burden. you don’t want him to carry the world on his shoulders alone—he’s got you for that now.

“but i think that our son will be fine. why? because he’s got you,” you smile and kiss satoru’s forehead. it’s his favorite type of kiss and it works wonders when you comfort him. his ocean eyes regain their sparkle, both because of your unconditional love and trust in his parenting skills, “our boy will grow up fine and protected because he’s got you as his amazing dad, yeah?”

satoru takes some time to let your words sink in. your trust in him is a beautiful thing. of course, he’ll protect his kid no matter what. both you and his kid will be safe for as long as he’s alive. you’re going to be a happy family—one that he’s always dreamed of having.

he isn’t going to raise his child to be the strongest. he isn’t going to raise his child as an heir to the throne. he isn’t going to raise his child as his legacy. he isn’t going to raise his child as a tool.

his son will have a normal childhood and he will guarantee that. satoru will give his kid what he didn’t have as a child himself;

unconditional love and support for whatever his son wishes to become.

satoru raises his head and leans in to kiss you, hugging you to himself. he adores you so much, you’re all he needs to feel like he can do anything and everything all at once.

carrying the world on his shoulders so you can live peacefully in it is all satoru does it for.

“heh, damn right. i’ll be the best husband and dad ever.”

. . .

but in the end, your dreams are just dreams, right?

an escape from reality, that’s all dreams really are. all those times you’ve sat together to pick the furniture you want to place in the nursery, to paint the room a baby blue, to buy clothes and toys, diapers and carriers, to giggle about the places you would love to visit as a family, to think about possible baby names, to joke about whether your son will say ‘dada’ or ‘mama’ first — all of it were naive, hopeful dreams.

perhaps you were too caught up in them to realise that reality will hit when least expected.

satoru and you have lived in your own bubble—your own little fantasy world where tragic fates does not exist. no one in this planet would suffer if life worked that way.

no one on this planet would have to pick up the phone and have their world shatter, their dream bubble pop. to have all hope lost in the span of a second.

grief is a scary thing. it’s devastating and it will consume you whole. you don’t realise that until you experience it firsthand. losing someone close to you will break you in half. it’s a punch to the gut.

especially if it’s your husband. someone you considered your partner—who’s promised you to be together forever. maybe those promises were also a part of your fantasy.

maybe they were also but a beautiful lie.

your footsteps feel heavy. you don’t have any energy left in you. every drop has been drained from you the moment you heard the news over the phone. your eyes and head hurt, both feeling like they’re going to burst. you don’t want to accept any of this.

the faces of the people around you are a blur. they’re all holding their head low, their hands gathered in front of them to show respect. no one speaks—all the room is filled with are your sobs. the loud cries you let out in hopes that they wake you up from this absolute nightmare.

you drag your feet to the examination table in the middle of the room. tears continue to blur your vision, though surely, you can confirm the outline of the body laying underneath the blanket.

how could you not recognise the person you thought you’d spend eternity with?

it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. it’s unfair. . .

“satoru.” your voice is barely audible. your hands are shaking and your face is stained with endless streams of tears. you stand at the side of the table and you instantly curl your fingers around the edge.

seeing that face from up close hits different. usually, it’d have your stomach fill with a feeling of delight, yet now all you feel when looking at it is unimaginable dread.

the blood on the corners of his mouth. the blanket that’s hiding whatever is left of him from below the waist. the dull eyes that once stared at you with hope and love. those dried lips that normally shone with a layer of gloss.

god, it’s awful. you don’t want this to be true. you’re still waiting to be woken up by your husband. so he can hold you close and hug you, whisper sweet nothings and reassure you that he’d never leave you alone in a savage world like this.

your shaky fingers reach out to his right hand. his skin feels cold and his hand doesn’t hold yours back. your breath hitches and you let out a long, devastating cry. it sounds like a scream for help as your body crumbles—falling to your knees whilst you tightly grip your lover’s limp hand.

“no, god no, please!” you cover your mouth with your free hand, nearly hyperventilating from pure pain. you feel like your heart is going to give up on you. it’s breaking into a million pieces, as does your future. you can’t live without him—you can't do it.

satoru is the sole reason you’ve held out for so long. you were each other’s support system. you can’t do any of this on your own. you can’t breathe properly—your body doesn’t let you.

not until you feel a hand on your back, rubbing it gently. you can guess that it’s shoko, but you’re too distraught to even pay attention to her. you lift yourself up by holding onto the edge of the table, your legs shaking. you sniffle and sob uncontrollably.

you reach out to touch satoru’s lifeless face, as gentle as you always do. you flinch when you feel just how cold his body is—the usual warmth that would comfort you gone, nowhere to be found. you don’t get a reaction from him when you touch his cheeks.

it only serves to remind you of the tragic events that unveiled. you’re still in denial, but the moment feels real. your brain is slowly yet surely processing the information. though, you don’t want it to. you want to live in a world where you grow old with your husband.

where your child is going to grow up with a father figure at home.

“satoru, come back to me.. to us, please,” you beg and beg, hoping he smiles and sits up, telling you that it’s just one of his silly pranks again. when none of that happens, you feel yourself become more hopeless. you hunch over him and cup his face. the same face that would light up whenever you’d touch it.

you hiccup and wail, unable to breathe. you rub his cheekbones with your thumbs, settling your forehead against his. your tears fall underneath his eyes and slide down his temples, making it seem like he’s crying with you.

you wait for satoru to respond, but he doesn’t. there’s an eerie silence on his part and you’re panicking. you need him to comfort you, but he isn’t there to do that anymore. you’re left alone, all alone.

“i can’t do this without you—we can’t do this without you,” you stammer between sobs. you can’t go through life, knowing satoru isn’t going to be there for you. he isn’t going to come home anymore. he isn’t going to cuddle you to sleep anymore. he isn’t going to experience what it’s like to have a family of his own. he isn't going to be able to hold his child and to play with him.

you blame life for being unfair—always taking away the people who don’t deserve it. satoru hasn’t done anything to deserve this. he just.. existed. his fate of becoming the strongest, decided at his birth, is what has lead to his death.

you continue to sob to yourself. you refuse to acknowledge anything or anyone else in the room. you’re solely focused on your husband. or rather, what’s left of him.

remembering how excited satoru was to spend the rest of his life with you and your future children pains you all the more. he’s been stripped from a normal life. you’ve tried your hardest to give him that said normal life, yet your hopeful dreams have gotten you nowhere.

you wipe your tears away for the first time in a while. your grief is making you delusional—disoriented to the point you try to make yourself feel better. you force a smile and hold tightly onto satoru’s limp hand, trying to speak through your quiet sniffles.

“o-our boy is gonna be born soon,” you chuckle bitterly and place satoru’s hand on your belly. it’s gotten bigger over the months and you’re already eight months along. he was so close to meeting your child—so close. yet his tragic destiny did not allow him to.

you hope he’s been happy with you for as long as he lived. you hope you’ve somewhat relieved him from his misery for as long as he lived. that burden he carried, the world he carried on his shoulders. . . it doesn’t seem to want to detach from him. even after death.

you press a deep kiss against his forehead. satoru’s favorite spot to be kissed at, you remember. you wish he feels it in the afterlife; wherever he may he. as long as he’s in a better place now, one that treats him well. this current world has been too cruel on him. it doesn’t deserve to home someone like your husband.

“i wish you were here to see your son. to see our baby grow up, you'd be so proud, honey,” you kiss satoru’s forehead again. it’s all you can do stop yourself from losing it completely. you know satoru would tell you to be strong, for his sake. for your unborn son.

“i’m going to tell him all about you, ‘kay? i'm going to tell him about how awesome his dad was,” your voice breaks for the nth time. you’re still in the first stage of grief, though you try to seem strong in case satoru is watching from somewhere.

that’s what he did when he was the one going through a tough time. he’d act brave and fine, putting on a mask to make you worry less, telling you all kinds of reassuring words while he was suffering internally.

now it’s your turn to safely send his soul off to the afterlife. to let satoru pass away in peace, with him knowing that you’re going to live on for him and for your child. it’s the least you can do at the moment.

you put on a brave face, staring into his lifeless eyes, smiling through the unbearable pain. you’re sure he’s still listening to you from somewhere. satoru’s always told you that your voice is soothing, so you do your best to calm his soul and reassure him that it’s fine for him to rest.

“i’ll do my best to raise him, yeah? so you.. you just rest.”

rest was a foreign word to the sorcerer. this world didn’t give him an ounce of peace. he’d either be overworked by his family or the jujutsu society, and if it isn’t work, his inherited techniques were slowly killing his brain and body.

you’re praying that satoru has none of that in the afterlife. you’re praying that he can live a normal life, eternally. so that when you join him one day, you both won’t have to suffer nor share the burden. you can live out your dreams without anyone interrupting.

not even fate.

“you deserve to rest. you really do,” you sigh.

soon enough, you feel yourself crumble again. you burst out in tears once you realise that he’s actually never coming back to you in this life. you bury your face in the crook of his neck and sob loudly, not holding back your emotions anymore. you just can’t—you can’t act brave when your second half has been taken away from you so suddenly.

you hope that you succeeded into sending him off without any worries. you can’t help but continue rambling to yourself, “i’m going to miss you s’much. oh, my baby.”

you lift your head back and stare into satoru’s eyes once more. did he think about you when he was on his deathbed? did he see his life flash before his eyes, including his many memories with you? did he see what could have been?

it’s unfair.

you give him one last bright smile and gently close his eyelids for him, hoping his lost soul saw your face before you did so. with one last kiss on his lips, you whisper your final words;

“please wait for me on the other side, my love.”

[allthingswhumpyandangsty]

WRITING PROMPTS REGARDING ABORTION AND MISCARRIAGE 

trigger warnings for graphic description of the above topics, human trafficking, cannibalism, violence against pregnant women.

everything about this is entirely fictional, meant for writers. since I understand there aren’t many whump blogs that feel comfortable writing prompts about the subject (very understandable), I figured I could offer writers out there some prompts about this, in case they were looking for ideas for their works.

that being said, while the prompts are not real, the subject is very much real and can be triggering, so if it’s not something you’re comfortable with, don’t read below the line.

__________________୨ ୧ __________________

*feel free to change/adjust the pronouns however you want

a pregnant whumpee got kicked in the stomach by whumper, which led to miscarriage.

a pregnant whumpee, who was a housewife, fell down the stairs at her house when her partner was away for work. she didn’t tell her partner about the incident either because she was afraid he was going to get mad at her or because she thought it was fine and didn’t want to worry him. until she suffered severe bleeding that turned the mattress red at night.

whumpee who went through miscarriage kept hallucinating a life where her child was alive and she got to raise them. caretaker tried to help her, and even though her condition only seemed to get worse, they refused to send her to an asylum. 

whumpee who lost her child during childbirth refused to surrender her child’s corpse. It was understandable at first, until the child started to decompose and rot in her arms and she, with a knife in her hand, would attack anyone who tried to take her baby away from her.

whumpee was a sex slave who got pregnant, the thing was that it was a mistake. so in order for her to be able to continue doing ‘her job’, whumper made her undergo unsafe abortion by having a straightened-out wire with sharp edge (from a coat hanger) inserted into her vagina and into her uterus. they got the fetus out, but whumpee later got a nasty infection that resulted in her suffering from hallucinations, and her not being able to stand or stop her pale, naked body from shivering. whether or not she was rescued in time is up to you, the writer. 

whumper is an OB doctor who often lied to the patients that they miscarried their perfectly healthy stillborns and that the babies needed to be surgically removed in order to save the moms’ lives. this made it very easy for the doc to get away with eating fetuses, since the moms would rather not keep the corpses of their stillborns anyway, and police were never involved. (I mean who would question a licensed physician?!)

[mad-hunts]

as far as jack could tell, jervis was really out of it; and it made him wonder it was due to something that had happened while he was out with his father, or when they'd gotten here. perhaps both. jack gnawed on his bottom lip, his eyes darting to jervis's hands, which were flexing like he was struggling with something. an eyebrow rose as jack contemplated asking whether he needed some pain medication.

since he didn't receive an answer to his question yet, jack figured he might as well introduce himself. ❝ uhh, well, you don't have to talk to me if you aren't feeling up to it. my sister told me that you fainted in front of her out there — so, i understand if you're still feeling sick. my name is jack, ❞ he scratched at the back of his neck as he continued to observe jervis. whenever the man tried to get up, jack approached him and was about to caution jervis that maybe he shouldn't by lightly touching his shoulder.

but he remembered matilda telling him something about the other really not liking to be touched, so he merely was going to verbally tell him. up until jervis laid back down himself, anyhow. jack couldn't hold himself back from frowning at his poor present state before venturing out of the room with a 'i'll be right back.' and indeed he had been, with two different vials, alongside a few syringes to inject into that IV bag: should jervis want to be medicated. jack figured it'd be easier to just do that rather than forcing him to swallow anything.

he placed those also on the table before tilting his head at the quote jervis had said until it clicked a few seconds later, ❝ that's a quote from through the looking glass, isn't it? and one that the red queen said in the story if i remember correctly. she was basically teaching alice that staying in the same place is falling behind, right? ❞ jack squinted his eyes at that before a thought came to mind. a soft snort left him, but one that was done of an innocent sort of amusement rather than malice. ❝ that is a kind of roundabout way of talking about survival of the fittest. but hey, lewis carroll was all about the whimsy of things, i guess. and its no big deal. ❞

jack pretended not to see the tears that the other shed for jervis's own sake. the blood on his lips was something he couldn't ignore, no matter how hard he tried, though. jack grabbed a washcloth from his pack and held it out towards's jervis's hand. once it was out of his hand was when jack set down that teacup, the slightly too long stripped pants he wore swaying across the ground. ❝ mm, you and dad were both asleep for nearly four hours. sure — i don't think that's silly at all. i keep something on me all the time from when my brother, julien, was still around. ❞ the bracelet he showed the other on his right wrist then seemed to be made up entirely of tiny conch shells.

julien was a big fan of the sea, which jack thought made his death all the more crushing. after seeing the state that the stuffed animal was in, he figured that that bunny must've been really loved; though it didn't really matter by whom it was. the end result was the same, as love changes you. jack knew this well as he'd never wanted anything more than to be embraced by the warmth of it.

he quickly shook that thought off, only to grab the two vials he got from the fridge once more. ❝ eh... the four hours actually went by rather fast. ❞ jack cleared his throat then, ❝ you know, i couldn't help but notice that you aren't looking so hot still, and so i grabbed some meds for you. but i won't force you to take them. i have a pain reliever as well as something that relieves vertigo. are either, or both of these, something you want? ❞

Eigengrau.

A faint hum buzzed in his ears; his mouth was so dry it felt like he’d swallowed a wad of wool.

The thin sheet beneath him brushed his fingertips as Jervis flexed his hands, cracking his eyes open a sliver. The room tilted, everything blurring at the edges. Ah… so he had fainted. Just as he’d suspected. No glasses, then.

"Hey. Ahh, you're awake… That's awesome. How are you feeling?"

The new voice was barely a whisper, young and uncertain—belonging to a boy, maybe sixteen or eighteen by the timber. Was this another of Barton's assistants, a friend of Matilda’s, or perhaps her brother? Jervis couldn’t quite remember; hadn't Barton mentioned something about having more than one child?

He winced, his body feeling heavy, leaden; aching everywhere. Slowly, he exhaled and tried to push himself upright—tried being the keyword. The effort brought only a wave of vertigo, dizzying and blue-hot, making his vision swim.

… ohh, god…

He swallowed thickly, curling into himself. Something wasn’t right. His glasses and gloves weren’t the only thing missing. He was in his socks, jeans, and a now damp charcoal t-shirt, his body slick with cold sweat. His graying auburn curls clung to his neck in tangled ropes. His boots were beside the cot, his messenger bag on a desk across the room. His overcoat and maroon button-down were draped over a chair.

A flicker of discomfort in his right arm. Burning. Tugging.

Jervis glanced down at the source: a plastic tube. A peripheral IV catheter.

"Ah, you know... 'It takes all the running you can do, to stay in the same place,'" he muttered, his voice clipped and hollow; Bermudian accent casual, almost detached. He turned his eyes to the boy; offered him a faint, strained smile. "Keeps things interesting, I suppose... but I appreciate your concern, lad."

He lifted his fingers to his cheek, feeling the moisture trickle down—salt on his lips. Tears, sharp and stinging. Jervis flinched and quickly scrubbed them away with the heels of his hands.

Cold metal pressed into his spine, tight around his neck—the chain with his and Sylvie’s wedding rings twisted against his skin. He must’ve been thrashing in his sleep. There was blood on his lips.

"Forgive me…" His vision swam as he watched the boy set a teacup on the small table beside the cot, just within view. "But I'm afraid I've rather lost my sense of time. How long has it been since I…?" He paused, his voice barely steady. "... if... if you don’t mind, could you please reach into my coat pocket? You'll find a small cuddly toy. A rabbit..." He rubbed his mouth, lowered his eyes. "It sounds foolish, I know... but it... it was my daughter's, you see..."

The boy nodded, moving quickly to retrieve the toy from Jervis’ coat pocket, and placed it on the table beside the teacup. The bunny was missing one of its button eyes, its white fur faded and matted. A pink satin ribbon around its neck was frayed and tattered.

“Thank you,” Jervis said hoarsely. “I must have been out of it for quite a while.”

[nostalgicmiscellaneous]

This fandom created a myth about Lady Whistledown. Sometimes i wonder if i watched the same show. Let me make myself clear: While Penelope has to tell Colin the truth, because she loves him and he deserves it, LW helped the Bridgertons a lot actually. It saved them to have Daphne married to a creep ( and see how Violet wanted people to talk to reach LW and spread), saved Colin from a loveless marriage with children that he didn't know anything about it and saved Eloise. Yes, it saved Eloise. Eloise created and kept pushing the situation in her reckless pursuit. Eloise also didn't think about the consequences of her action towards the people working for LW, didn't listen to Penelope, didn't think about the risk she was putting people at. And while i understand her anger in not knowing, had she been a better friend, many other things would be different, because she truly never paid attention to what Penelope feels or want, she molded Pen to be whom she wanted and be her audience. And then, she left Pen with the choice of losing all she built and suffer consequences or pick the less harmful option: to make Eloise's scandal about politics, not romantic and save them both, plus Theo. The real ruin for Eloise would've been her being caught with Theo, something that was bound to happen as she was not careful at all. Why should Pen sacrifice all for Eloise? Would any of you sacrifice all ( job, family and possibly your liberty) for a friend who caused the bloody situation? I'm no hypocrite, i know i wouldnt. Not to mention Eloise bravado, to Pen she would say she wants to challenge society and doesn't care about what they think...but folded the moment she received a frown from the Ton. Shall we see who are LW victims, people that suffered real consequences? Lord Beerbrock. That's it. Marina is married, despite her lies and deceit. Colin? Nothing as well, in fact, happier than ever. Eloise? A few weeks of ostracism and she's back without a problem, without a romantic entanglement to ruin her. One that she clearly didn't really thought was deep enough to face society. The Bridgertons have more to thank LW than to hate her. And Violet and Anthony, i bet your asses, do think so, and see it. And The Queen? Are you watching the show? Have you seen Charlotte's personality? That woman loves the whole game with LW. And She loves to take it all, to receive the laurels of that society. As long as she can make it look like the won, and she can, easily, by revealing or be involved in revealing who is LW. See the whole KatexEdwina, how she handled the Ton there.

Anyway, just wanted to say something because some people have dreamed a LW that doesn't exist at all. Created on their own minds a boogeyman that wasn't simply reporting the truth with witty opinions but fabricating stories and lies to ruin lives, and that's simply not true. Never happened. There was never a lie created there. Only the truth, even about herself, as Pen was often damaged by her column.

[rememberwren]

Part 1 | Part 2 | Part 3

Easy breezy beautiful premature ejaculation. Hypersexual!Simon/fem!reader. Discussion of edging. Cumming untouched.

-

“If we do this,” he says around his cigarette, “then we do it my way.”

“I’ve never done this before,” you admit cautiously, turning your hands palm up as if to show you have no weapons, no tricks up your sleeve. I’m innocuous, your posture says. His own says: I’m still deciding, with his tense shoulders and narrowed eyes. “This weird, femdom thing. So I appreciate your guidance. Because I know fuck all—“

“You’re no femdom—Jesus, fuck, I can’t talk about it anymore,” he grits out. He takes a step back and away, creating distance, exhaling a plume of smoke that makes him look strangely ethereal in the evening light. Against your will, your eyes flicker down to just below his belt buckle and oh god. He’s hard. 

“Just from talking about it?”

The look he gives you could melt ice. It could sublimate it. You cringe, knowing you were in the wrong, wishing you could reach out and snatch the words right out of the air. He’s trusting you with this. The last thing he needs is to feel like a joke. 

“I’m sorry,” you say. “I shouldn’t have—you’re not a, a science experiment or something—“

“Wouldn’t mind that so much. Might figure out what the fuck’s wrong with me. Less interested in being treated like I’m part of a circus troupe,” he grumbles. He drops the cigarette and grinds it to ash beneath his boot. He asks: “Inside?” 

-

Gingerly, so gingerly, he undoes the button of his jeans and unzips them. He holds his breath as he works the denim down his thick thighs. God, is he built: muscles made for more than just show. His history is inscribed on his body in its strength and in its scars, scars of white and pale pinks that darken to purple in the lamplight. He’s wearing boxer briefs, straining at the front from his erection, and they are soaked. You’re surprised that he hasn’t soaked straight through to his jeans. 

“Don’t look,” he grits out through his teeth. You look away, unsure where to cast your eyes to, and settle for shutting them. He explains: “Can’t take the way you’re looking at me.”

“Sorry,” you mutter, feeling your face flush hot. 

“Just—let me—” you hear the sound of fabric rustling. He kicks off his jeans—you can tell by the soft sound of them landing against the floor off the side of the bed. “Fuck. Fuck, fuck.” 

“What’s wrong?” you ask, eyes squeezed shut, hands clenching in your lap. 

“Nothing just—fuck. No way I’m going to last.” He sounds bitterly disappointed. 

“That’s the point of this, right? To get better at lasting?” 

He sighs, a long-suffering sound, like this discussion is well worn and frustrating to him. Something in you shrivels, and it takes your body with it as best as it can, sending your shoulders hunching inwards, your head ducking down. You pick at one of your nails by feel alone, eyes still closed, and nearly jump when his fingers brush your knee. 

“Sorry,” he mutters. “You’re right. That’s what this is for. Might as well get used to embarrassing myself.” 

“That’s the spirit." 

He snorts. More fabric rustles, and at length he says: “Alright. You can look. Just…you can look.” 

You open your eyes hesitantly. His cock is right there—and Jesus. It makes sense, proportionally, but it is frightening in a very real sense. You’re already doing the math, measuring in your head and comparing to your past precedents. Ghost would have them all beat, quite comfortably, in length and girth. He’s cut, which surprises you, but isn’t a turnoff. He keeps himself landscaped nicely, which you appreciate, even if it isn’t necessary. 

He is flushed a ruddy pink, the head darker than the rest. As you stare, it jerks, a bead of precum welling at the tip. Suddenly one of his large, scarred hands reaches down and grips the base of his cock in a painful hold, hissing in a breath through his teeth. 

“Can’t look at me like that,” he admonishes again. 

“Like what?” you ask, a little defensive. You’re just looking! You have to look, right? 

“Like you want it,” he mutters. 

God, does he really have no idea? No inkling of how badly you want to sit on that monster in his hands? No notion of how wet you’ve been since your conversation in the parking lot? Sure you aren't like him, not about to spring off if the breeze was just right, but you are anything but unaffected. Still, it seems like the wrong moment to educate him on your attraction to him and his cock, so you do your best to morph your expression into one of unimpressed ambivalence and hoped it helps. 

“I’m ready when you are,” you say, interrupting his deep breathing exercises. He nods but doesn’t give you the go-ahead, not for another minute or two, until his chest stops heaving and he can remove his hand from the vice grip he has around his balls. His cock has a near purple tinge, and you wonder if maybe he should have rubbed one out in the bathroom beforehand just to take the edge off. Oh well, it’s a thought for next time. 

“Go ahead,” he says, like he’s giving you permission to pull the trigger on him during a game of Russian Roulette. 

You reach out—his cock twitches, a nice warm welcome if you’ve ever seen one, but you hesitate. Your hand is dry. Should you ask for lube? How does he usually jerk off? Dry? You have a feeling he doesn’t mind the discomfort; he seems like he has a self-destructive streak a mile wide. His eyes are fixed at a point on the ceiling, his chest unmoving as he holds his breath. You decide that some sort of lubrication is better than none—so you lick a broad stripe up your palm. 

“Fuck,” he whispers, a little punched-out sound. Sometime between opening your mouth and licking your palm, his eyes had transferred from the ceiling to your face, to the flash of your tongue and your wet palm. His eyes widen, irises swallowed up by the pupils, and he says again, more urgently: “Oh fuck.” 

He reaches down to grip the base of his cock again, but it is too late: he cums. His abs are thrown into sharp relief as he tenses with each pulse, cock jerking against his brutal grip. He doesn’t even jerk himself off—just ruins it as you stare with your mouth open and your hand wet, watching him splatter seed against the coarse line of hair that runs from his belly button to his cock all because he watched you lick your hand. 

“Fuuuuuuck,” he groans, throwing one arm across his eyes, breathing heavily. His mouth is flushed a pretty red, like he has been kissing. His hand clenches into a fist as he says: “I’m sorry. I tried not to.” 

“It’s okay,” you say, your nearly brain blue-screening from how turned on you are. You lower your hand and wipe it dry on your leggings. “That’s what this practice is for—so you don’t do it when it really counts. We can try again tomorrow or something.” 

He snorts. “Tomorrow? Give me five fucking minutes.”