#(how do i tag this. meta on meta? fanmix playlists are inherently meta already but like)

[ckret2]

So I’ve got a Spotify playlist consisting of the compiled contents of 81 different Alastor-centric playlists, like I just copied the contents of every single playlist I could find with no cultivation, no filtering, and no censoring. The one limitation I put was no duplicates of the same song—although multiple versions of the same song off different albums was allowed.

And since then I’ve been listening to this all-packed-together playlist on shuffle. It’s brought up several comments/questions. Highlights include:

- To every single person that includes a romance song with lines like “baby you’re my angel” or the like: are you a Radiodust shipper actually referring to Angel, or are you a Charlastor shipper referring to Charlie’s “fallen angel” heritage?

- One of you included an entire creepypasta story about the devil talking a man into killing his ex-wife and her lover as part of a 500-step-long plan to conceive the Antichrist and I’m not quite sure why it was on an Alastor playlist but I appreciate the characterization of the devil in it. I guess a creepypasta is kind of a radioplay of sorts? Maybe more Alastor playlists should just have random radioplays mixed in.

- To the person who included half a Kidz Bop album on their Alastor playlist: I’m not judging, I just wanna know why. I want to understand. I really want to understand.

- I respect all you people that included song covers by Scott Bradlee’s Postmodern Jukebox and I understand where you’re coming from, but like, if you’re not familiar with music genres from before 1990, I suggest you look up which genre a given PMJ cover is trying to emulate, because if you’re stuffing PMJ covers on a playlist specifically to make them “sound like” Alastor’s era or because you’re going for “songs Alastor would like because they sound like what he’s used to,” then a PMJ cover that makes a 1990s song sound like a 1970s song isn’t quite in the right neighborhood.

- There are different philosophies that go into making a character playlist. Some go “the genre has to fit the character’s era and/or personal tastes, whether or not the lyrics do.” Some go “the lyrics have to fit the character, genre be damned.” Some go “these songs were big/popular when I was into this character so that’s what I associated with them.” Some go “these songs are really out there for the canon character but fit my headcanons.” Some people may have totally different criteria I haven’t even thought of! Anyway the point is: when you mix over eighty playlists together, you get every single playlist-making philosophy mixed together, and it’s an exciting experience to listen to.

- And on that note: every single genre on the planet is on this playlist. We’ve got Britney Spears, we’ve got Vocaloid, we’ve got Thomas Sanders (we’ve got a LOT of Thomas Sanders), we’ve got My Chemical Romance, Two Steps from Hell, Barry Manilow, Oingo Boingo, Within Temptation, Madonna, Kesha, Hans Zimmer, ... we’ve got the poppiest pop, emo, metal, electronic, folk, rap, rock, movie soundtracks, TV soundtracks, classical, disco, country, KPop, Carrie Underwood, every single decade for the last 150 years... and I’m deliberately leaving out all the jazz, swing, electroswing, and musicals, because those are a given for Alastor. Obviously those ones dominate the playlist but it’s amazing how much variety there is outside them.

- I’m frankly amazed by how much of this playlist is Thomas Sanders and Bendy and the Ink Machine. Like. It’s a notable quantity.

- That said, actually the playlist doesn’t quite include every single genre. Like, for example: I can tell y’all want to lean into Alastor’s New Orleanian/Louisianan/Creole roots from how many songs I’ve seen that include words like voodoo, Creole, New Orleans, bayou, uhhhh The Princess & the Frog, etc... And yet aside from a few New Orleanian jazz artists so far I have crossed paths with very little Louisianan music compared to, say... Undertale songs. So here. Start with some Cajun, try some Mardi Gras songs, I’m not totally sure how much of this playlist is “actually from Louisiana” and how much is “other people making songs that they think are Louisianan” but try this one anyway, and once you’ve oriented yourself a bit dig in here. I wanna see ten Alastor playlists with one song that includes “Zydeco” in the title or album name, stat. Sure, we know Alastor’s all jazz and swing and musicals, but I sure don’t listen to only three genres, you probably don’t listen to only three genres, and Mr. Radio Guy Whose Public Title Includes The Word “Radio” Who Likes Bursting Spontaneously Into Musical Numbers probably listens to more genres than you and me combined, and those genres probably started with what was local & accessible & common around where he grew up.

- Then again I haven’t listened to this whole playlist yet, sometimes I put it on shuffle and sometimes I put it in alphabetical order to try to slowly work through it from top to bottom (I’ve made it mostly through the C’s) so maybe y’all hid the Cajun & Creole music down in the D’s. But lemme say this: while randomly shuffling through the playlist, I’ve randomly run into multiple Irish drinking songs & shanties, and randomly run into zero zydeco, so like from those of you who follow the “music that sounds like what the character listens to” philosophy of playlist-making, non-jazz Louisianan music could use a lil more representation. If there’s room for twenty-six Billie Eilish songs there’s room for one BeauSoleil song. (I’m partial to “L’ouragon,” but you do you)

- Somewhere in this massive mixed playlist there are three parody medleys of Disney songs rewritten to be like “here are grimdark edgy lyrics about all of the terrible real-world things happening to the cultures depicted in these Disney movies!” and like, okay, I can see why that merits inclusion in an Alastor playlist, his big moment in the pilot was “take an optimistic song worthy of a Disney princess and rewrite it with grimdark edgy lyrics,” but those three songs still annoy the hell out of me because the specific way they frame the concept of their songs is that Disney movies/songs are “full of lies” and these songs reveal the lies. And then it’s things like... “Aladdin got captured and interrogated by the CIA,” which is definitely a thing that happened to a character living in an ambiguous time period that predates the existence of the United States, much less the CIA, much less the CIA’s meddling in the middle east, by several centuries. Disney was definitely lying about the reality of Aladdin’s day-to-day existence by not depicting American imperialism that predates America. Or “the characters in The Princess & the Frog have to deal with the fallout of Hurricane Katrina,” like, yeah, Disney sure is pulling the wool over our eyes by dishonestly denying the devastating consequences the 2005 hurricane had on 1920s New Orleans. Listen the lyrics are clever and all the things they discuss are real salient social issues but it still drives me nuts that the songs are framed like they’re revealing “lies” being told when half of the movies are taking place in (fantasy versions of!) time periods or locations where the issues they’re discussing didn’t apply, if they’d just framed that one line differently— Okay, okay, I’m finished, I’m done, I’ve got it out of my system

- Every single love song makes me go “are you imagining this song with a ship (and if so which ship) or do you just think Alastor would be into this song?” The question goes double for songs from the 20s/30s, because the odds that they added it to their playlist just because they think Alastor would like the song increases.

- On the other hand, if whoever added “A Formidable Marinade” isn’t a Charlastor shipper I will eat my hat. Also nice work on the gory cannibalism sex song.

- Every once in a while I’ll run into a song that makes me go, now how the heck did you end up on an Alastor playlist? Does this song line up with someone’s very specific headcanons and/or fanfic plot? Do they think Alastor would like this song? Did they happen to like the song and like Alastor at the same time and so they associate them with each other? Examples: “I Got You (I Feel Good)”, “iRobot” (is it the emotionlessness of being post-death?? do they headcanon that he’s got radio hardware replacing his guts?? is it a post-breakup ship song??), “Greensleves”, “Barbra Streisand” (the song, not the singer), “Jolene,” “The Last Steampunk Waltz,” “Seven Nights in Eire,” “Cruel Angel’s Thesis,” and the person who included half a Kidz Bop album, please, I just wanna talk—

- Every time I hear a song that includes the words “hell,” “sinner,” “smile,” or “radio,” I go, “Haha. Nice.”

- An incomplete list of songs that amused me for how on point they are: “Hotel California” (how often do you have a fandom where “Hotel California” is actually very blatantly fitting without having to twist through an extended & convoluted metaphorical interpretation?), “The Hunting Song,” “The Axeman’s Jazz,” and “Time Again”

- I sort of hate whoever put “Circus” by Britney Spears in their playlist and made me realize that lyrically it’s a perfect Alastor song because it is.

- *scrolls past six versions of “I’m Always Chasing Rainbows”* Haha. Nice.

- *scrolls past five versions of “It Don’t Mean A Thing (If It Ain’t Got That Swing)”* Haha. Nice.

- *scrolls past a song from Bambi* Haha. Nice.

- *scrolls past five versions of “You’re Never Fully Dressed Without A Smile”* Haha. Nice.

- *scrolls past eleven versions of “Sing Sing Sing”* Haha. Nice.

- What’s with those of y’all putting steampunk songs in Alastor playlists? Listen, listen: steampunk vibes are for Sir Pentious. Swing vibes are for Alastor. Don’t cross the streams. Take your steampunk songs and make Sir Pentious playlists with them. He could use more playlists.

- The playlist includes 39 songs that include “smile” somewhere in the title.