#(for the record i'm not insulting him he basically says exactly that himself)
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i DO appreciate that grian's chicken plan was basically the equivalent of doc doing his big dramatic mind games and then grian shouting "YOUR MOM SUCK ME GOOD AND HARD THROUGH MY JORTS" at doc and winning instantly,
#hermitcraft#docm77#grian#grian went 'fuck you i'll prove you can do FANTASTIC DAMAGE by being DUMB AS A BRICK' and i respect that#(for the record i'm not insulting him he basically says exactly that himself)
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something something something about how maxâs hair is completely brown nowâŚwhen daniel closes his eyes all he sees is blonde
ohhh. ohh anon. you should not have gone there.... but I am glad you did. this is also something very up @mysticalbreadcollective 's alley since blonde Max is on her daily agenda BUT
anon. idk what floats your boat but let me take you somewhere rancid under the cut (let the record show that I am a maxiel truther but my god do I enjoy making them suffer with other people)
it's current season and maxiel aren't together due to Reasons with capital R of course. Daniel's "i can't fuck my teammate i am not into guys or am I but maybe that's just Max oh no you can't be with Max" and Max's general understanding of his own worth and needs. they can't escape the tension, the lingering touches, the double entendre running through their relationship like a river in flood. one step forward, two steps back etc etc
so things aren't going exactly as planned for Daniel and, naturally, he's fighting the pull towards Max and the best next thing his brain chooses to do is find someone to hook up with, get it out of his system. since his dick is very much attuned to Max after years of imagining that's its gonna find itself parked in Max's ass (which never happened), Daniel's looking for someone particular to scratch the itch and, apparently, to spite the fate, his choice falls to YOU GUESSED IT â Liam.
very convenient, since they're both gunning for the same thing. exploring some healthy alternatives to their impromptu rivalry or whatever the media says. Daniel's pretty charming and Liam's easy. done and done.
and it's bad. capital "b" Bad. the sex comes pretty fast and Daniel's checking all of his boxes - rookie, blonde, tiny waist, looks at him with wide eyes etc etc and Liam is surprisingly down to fuck cause maybe that is also convenient for him, too. but he's mean about it. He's heard legends about Big Dick Ric and the dick is very big but the prowess? lacking. he says that to Daniel's face after, like, the third time it happens. which should be incredibly insulting butâ
Daniel's pining and trying to trick himself which works exactly for three seconds but Liam isn't what he wants. wrong kind of blonde hair that Daniel's gripping tight while he fucks Liam from the back, never face to face, because that would prompt Daniel to THINK and RUMINATE and he doesn't want that. he wants Max the way he sees him when he closes his eyes but it's gone when he opens them and finishes another underwhelming sexcapade. it's never the right color, it's never the right person' it's always a bad time.
"do you think I'm not getting what you're doing here?" Liam says to him one day, grinning meanly, and Daniel truly doesn't know the answer to that question. he's hella confused himself. Liam seems to get off on the situation more than when he's riding Daniel's dick, so he calls Daniel Danny in the garage and he suddenly glues himself to Daniel's side, which is. weird. manipulative? Daniel's plan to get over himself backfires when he sees Liam talking to Max one day and Max's easy smile slowly dissipates as Liam's yapping but Daniel can't hear a word.
he doesn't really need to. he knows Liam cashed in on Daniel's sorry excuse of a reason to hook up. all Daniel can do is add to the history of horrendous decisions he's made in his life and live with the knowledge that he's probably never going to wake up next to Max's mostly-not-blonde hair getting in his face where they're tangled in bed, that Daniel's dabbled in something he should not have touched with a ten foot pole, that he'd tarnished all of his chanced, basically set them on fire when max had been there and never turning him down all the way.
Daniel got some, Liam got some. after all, it's Max who, unfairly, walks out it hurt the most, because of Daniel's choice, because of him thinking he was chasing something else while in reality he was running. and Daniel never fucking stopped.
#that escalated lmao sorry#daniel/liam is like. a crack ship almost? like a rancid option to mirror maxiel#also a pretty delicious dynamic to me like#the rookie that's gunning for your seat but he looks very fuckable#and reminds you of a time you got obsessed with your much younger teammate#and you were too chikenshit to do something about it even though said teammate was (is?) definitely interested#i just think this is neat!! Max watching Daniel go through the same cycle but actually making moves on that other guy#and never Max!! why? the acrid taste of heartbreak!!! it stings!!#maybe Max even thinks that it's Daniel's thing to go after someone more...... green? young?#oh biy the MISCOMMUNICATION OF IT ALL#also I saw how Liam looks at Daniel at times and like. yeah they should fuck about it and it will help i think#anon#asks#vicsy writes#kinda??? this ain't even a fic or smth#maxiel#please don't come with pitchforks at me please
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How do you think George would fit into your âLewis breaks his teammatesâ essay? Do you reckon he still has the same power or do you think it is more likely that it would be the opposite this time? I am asking because we have seen many times how the young guy wears out the older one (Vettel-Leclerc dynamic for comparison) but I cannot quite my finger on Lewis yet in this situation (not necessarily race performance but mentally)
Anon, you're kinda throwing me in a minefield!
It's extremely difficult to make predictions, so many things can happen. The short answer is : I don't know. The long answer is under the cut.
I'm biased as fuck, because I want Lewis to win his 8th, finish on a high, and be able to retire with at least some level of peace of mind but I tried to be fair.
I know you said 'not necessarily race performance but mentally', but these two things go hand in hand. They're both good, although at very different points of their career, and they're both hungry. That's basically what I said about them in the Lewis breaks his teammates essay. That and the fact that it had obvious potential for drama. Their results are weirdly on par, excluding the rare mishaps they've each had these two seasons. When you look at the graph of their respective results, the curves are so similar! And that's admittedly throwing me a bit because despite knowing George is a good driver, I honestly didn't expect him to be able to keep up with Lewis that well, especially from the get-go. I know some people claim it's proof Lewis is past his prime but I think that's bullshit and also a bit insulting for George, tbh.
Ultimately, I think if one of them has to come out on top, it's gonna be the one who manages to not get devoured by his own hunger.
George needs to learn what Lewis has learnt in his own time, what all young drivers need to learn when they get into cars that allow them to at least somewhat race : self-control. Don't rush, wait for the gap. Don't get too greedy, remember the big picture. Don't overdo it, know when to push and when to lift. Don't let it get to your head, think before you talk. Where he can struggle if it comes down to it, is making too many mistakes in a row and losing confidence, on or off track. Especially if they manage to fix the stupid car, and he finds himself sparring with Lewis on the regular for good positions, he's gonna need to be able to stay calm and stand his ground without getting into trouble because Lewis has been doing it for a while, and he's not gonna spare him. I know we like to paint him as very kind â and he might be, off track â but on track he's ruthless. He is a mostly clean racer nowadays, I truly believe so, but that's because he's received so many penalties over the years that he knows exactly where the limit of what's allowed, or can be argued as allowed, is and he will drive right on that edge without even having to think about it. George is gonna have to figure out the rules of this game on his own, like they all do. Lewis is not gonna teach George the ropes. He's not gonna give him the answers. He's not gonna foster him. He might help the team but he's not gonna help him. He's not a mentor. He's a racer. And while George is figuring himself out, Lewis is gonna race.
Lewis has a lot of shit to prove, again. People have been saying he's too old, people have been claiming he's about to retire, people have been saying nobody's ever won a race after their 300th start, people don't want Schumacher's record to be beaten and especially not by him, and let me not get into AD21. On top of that, the car is bad. However hard it is for George, it's still an upgrade for him. It's a definite downgrade for Lewis. He needs to be patient but he's running out of time. He needs to adjust his expectations but he's barely ever known anything but the top. He needs to be a leader for the whole team but George is becoming a threat. He needs to stay calm, composed, and confident but he's always been a paranoid control-freak with a justified chip on his shoulder. As much as George might trip over himself, I believe Lewis' weakness is Mercedes. Just like George's struggle is currently showing here and there in his racecraft, Lewis' struggle is currently showing here and there in his relationship to the team. He's struggled with having to rely on other people doing their thing for him to do his thing forever. As long as it worked it worked, but now it's not working. First of all he has to grapple with the reality that his teammate is not a throwaway anymore. But I believe (tentatively) that as long as it's a fair fight, he won't get destabilised on track. However, if he feels like they keep fucking up the strategy or that they're favouring or being too lenient with George... As soon as he gets it into his head that they don't have his back, it's over for him. It might become a real test of his maturing and growth.
As for how it's gonna end, time will tell.
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"I never knew what he wanted in a woman because I never knew what I wanted" I think this quote is so telling but I haven't seen much commentary on it. Do you have any particular thoughts? It seems to put John in a very sad light. And to me it's one of his most revealingly repressed-gay quotes, but maybe there's another way to interpret & I'm overstepping.
Hello there, dear anon!Â
I hope youâre still around to see this! As usual, Iâve taken an appalling amount of time answering this thought-provoking ask. However, in this instance, that âappalling amount of timeâ is probably over a year; a new record for me. Wherever you are now, I hope you are well, and if my ramblings donât reach you, may they interest others.Â
I also have to admit that at the time I received this ask, I was most likely not equipped to understand all the layers of meaning in this sentence. And itâd be quite presumptuous of me to assume that I am completely prepared now. But letâs just hope that my ability to perceive their nuances has grown since then, and will continue to do so in the future.Â
Needless to say, this is only my current interpretation, and I welcome any commentaries that will help broaden it! (And please donât fret for a second about offering your own interpretation and somehow âoversteppingâ; weâre all just having a decades-spanning conversation here.)
Now, on with your question.
First, letâs integrate that sentence in its full quote:
Q: So, John. You and Paul were probably the greatest songwriting team in a generation. And you had this huge falling out. Were there always huge differences between you and Paul, or was there a time when you had a lot in common?
JOHN: Well, Paul always wanted the home life, you see. He liked it with daddy and the brother⌠and obviously missed his mother. [âŚ]
JOHN: So it was always the family thing, you see. If Jane [Asher] was to have a career, then thatâs not going to be a cozy family, is it? All the other girls were just groupies mainly. And with Linda not only did he have a ready-made family, but she knows what he wants, obviously, and has given it to him. The complete family life. Heâs in Scotland. He told me he doesnât like English cities anymore. So thatâs how it is.
Q: So you think with Linda heâs found what he wanted?
JOHN: I guess so. I guess so. I just donât understand. I never knew what he wanted in a woman because I never knew what I wanted. I knew I wanted something intelligent or something arty. But you donât really know what you want until you find it. So anyway, I was very surprised with Linda. I wouldnât have been surprised if heâd married Jane (Asher) because it had been going on for a long time and they went through a whole ordinary love scene. But with Linda it was just like â boom! She was in and that was the end of it.
â John Lennon, interviewed by Peter McCabe and Robert Schonfeld, at St. Regis Hotel, New York City (5 September 1971).
So, the interviewer inquires about their differences and similarities during the relationship, probably to assess the pervasiveness of the clashes that supposedly led to the âhuge falling outâ in âthe greatest songwriting team in a generation.â
And John answers that âPaul always wanted the home life.âÂ
At first glance, and following the logic of what was asked, one might assume John was pointing to a difference that always existed between them. And an irreconcilable difference at that, given that itâs the first thing he points out in answer to a question that is probing for sources of conflict that might explain their falling out.
So we get a feeling that John saw Paul having a family as incompatible with Paul maintaining a partnership with him. They were mutually exclusive; thus, Paul getting a family resulted in a falling out between them.
That right there carries a lot of implications already.
Because John himself also wanted the âcomplete family lifeâ:
Q: But with that much experience behind you, now, would you like to have more children?
JOHN: Yeah, I â as â as many as come, you know. If Lennon roll out, as they. [thoughtful] I like large families. The idea of it. Â
â John Lennon, interviewed by Brian Matthew (13 November 1965).
And we shouldnât take his disappointment with the suburban life in Weybridge as proof that heâd given up on that fantasy. Itâs all about the circumstances, in the end; who youâre sharing your dream with.Â
After all, Yoko herself came with a âready-made familyâ: a six-year-old daughter named Kyoko, who she was fighting to get the custody of, after divorcing the father, Anthony Cox, in February 1969; by then John and Yoko would even have a baby of their own.Â
This would all eventually fall through, as Yoko suffered a miscarriage in late November 1968, and Cox would disappear with Kyoko in 1971. Yoko would not see her daughter again until almost three decades later.
So you could see how John could have felt resentful of the family life Paul had built. Always perfect mirror images, Paul was living the dream, while Johnâs turned into a nightmare.
But with John, the situation is always doubly complicated. Because if he was often envious of Paul, John was also jealous. Note that âenvy is when you want what someone else has, but jealousy is when youâre worried someoneâs trying to take what you have.â
So we have to go back to his first answer. Weâve established that wanting âthe complete family lifeâ was something they had in common rather than something they differed in.Â
But Paul wanting a family is still presented here as a reason for their falling out, or at least tangentially related. And John goes on to present his theory about how Paulâs choice in life partner was based on who could provide that for him. It wouldnât be the career-focused Jane, or the inconsequential groupies.Â
And it couldnât be John himself.
We should also note that, in answer to the second question, it is made clear that Johnâs previous declarations were but a retrospective interpretation of what happened. As he goes on to admit, at the time, John was surprised by Paul marrying Linda instead of Jane.
And that is how we finally get to the sentence in question:Â
âI never knew what he wanted in a woman because I never knew what I wanted.âÂ
A possible first layer of meaning is what Iâm guessing you meant by this being âone of his most revealingly repressed-gay quotes.âÂ
1. The emphasis being placed on John never knowing what he wanted in a woman, and thus not being able to know what Paul would find more desirable in a wife.
He does go on to use admittedly questionable pronouns:Â âI knew I wanted something intelligent or something arty.â It happened in other instances in this interview:
I just realized that [Yoko] knew everything I knew, and more, probably, and it was coming out of a womanâs head. It just sort of bowled me over, you know? And it was like finding gold or something. To find somebody that you can go and get pissed with, and have exactly the same relationship as any mate in Liverpool youâd ever had, but also you could go to bed with him, and it could stroke your head when you felt tired, or sick, or depressed. It could also be Mother. And obviously, thatâs what the male-female â you know, you could take those roles with each other.
â John Lennon, interviewed by Peter McCabe and Robert Schonfeld, at St. Regis Hotel, New York City (5 September 1971).
So one could see how, at this time, John was struggling to manage the differences between male and female partners. As Cynthia put it:
I think he was trying to find himself a⌠what heâd call a soulmate. Someone who had as mad ideas as he had. I think he felt that she had the talent⌠but thatâs debatable. But he needed thatâ he didnât need a âmumsieâ partner at that point. He needed a mate. And I think he actually said, at some stage, in an interview that, you knowâ Sheâs the nearest thing to a man â a mate; man â that heâs ever had in a woman.
â Cynthia Lennon, interviewed by Alex Belfield for BBC Radio (2006).
Another angle that I find curious is:
2. The parallel drawn between Lindaâs knowledge of Paulâs wants (and her ability to satisfy them) versus Johnâs.
â[Linda] knows what he wants, obviously, and has given it to him.â /Â âI never knew what he wantedâ
This one integrates a theme Iâve been interested in exploring recently:Â their epistemology of each other. Basically, assumptions of knowledge; when it works out and when it doesnât.
1968: I wonder should I call you but I know what you would do
JOHN: Well, [âHow Do You Sleepâ]âs an answer, you know? Paul, uh, personally doesnât feel as though I insulted him or anything. âCause I had dinner with him last week, and he was quite happy.
â John Lennon, interviewed by Mike Douglas on The Mike Douglas Show (12 February 1972).
1973: And I know just how you feel /Â And I know now what I have done /Â And I know and Iâm guilty (yes I am) /Â But I never could read your mind
In this specific case, he could be humbly admitting he never knew what Paul wanted. But another possible reading of the sentence is the exact opposite:
3. The assumption that they were so connected, so much like a single entity, that to know himself was to know Paul. That their wants and needs are aligned, and what John wants must be what Paul wants.
I never knew what he wanted in a woman because I never knew what I wanted.
1967: I am he / As you are he / As you are me / And we are all together
1969: I know you, you know me
The mirror image of this interpretation would be Paulâs own thought-provoking declarations:
[T]he Beatle thing is over. It has been exploded, partly by what we have done, and partly by other people. We are individualsâ all different. John married Yoko, I married Linda. We didnât marry the same girl.
â Paul McCartney, for Life Magazine (7 November 1969).
Q: Will Paul and Linda become John and Yoko?
PAUL: No, they will become Paul and Linda.Â
â McCartney press release (9 April 1970).
And finally, I believe another very important facet expressed in this sentence is:
4. The theme of John not knowing what he wants for himself.
I never knew what he wanted in a woman because I never knew what I wanted. [âŚ] But you donât really know what you want until you find it.
This is a sentiment that John has expressed before.
JOHN: Weybridge wonât do at all. Iâm just stopping at it [âŚ] I think of it every day â me in my Hansel and Gretel house. Iâll take my time; Iâll get my real house when I know what I want. You see thereâs something else Iâm going to do, something I must do â only I donât know what it is. Thatâs why I go round painting and taping and drawing and writing and that, because it may be one of them. All I know is, this isnât it for me.
â John Lennon, interviewed by Maureen Cleave for the London Evening Standard (4 March 1966).
JOHN: I think, in one way, all of us were under the slight illusion that we mightâ or maybe it wasnât an illusion and maybe had we pushed harder we would have got what we wanted, but Iâm not sure that anybody really knew what we wanted. We knew we didnât like what was happening but nobody quite knew what it was that we wanted, cus weâd never had it!
This is another very fascinating avenue Iâve been wondering about.Â
John Lennon, the Dreamer, not actually knowing how that dream would manifest. Him having a vague romantic idea of what he wanted, but not really knowing how to practically bring it about.Â
[Imagine here a whole essay of John versus Paul in the studio, and their contrasting abilities to materialize the sounds they heard in their head and turn them into something that others could experience with them.]
In conclusion, these are about all the potential levels of nuance I can read in Johnâs statement at the moment. All of them fascinating and worth exploring. So Iâm truly grateful to you for giving me the perfect opportunity to do so.Â
It would fill me with joy to have this conversation continued with all who feel like adding their own perspectives to it!
#asks me why#i never knew what he wanted in a woman because i never knew what i wanted#it's like a marriage#wedding bells are breaking up that old gang of mine#I'm just a jealous guy#and if i say i really knew you well#i know you you know me#you may say i'm a dreamer#the person i actually picked as my partner#johnny#macca#linda#yoko ono#Cynthia#3rd verse#1971#quote#meta
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She Sets the City on Fire
Request:Â A Sebastian smthye imagine with the reader being small and a part of new directions (I'm 4'9"1/2) and they are secretly dating and he sees some carry the reader during a performance and he gets jealous so he sings she sets the city on fire or closer (in front of new directions) and then he kisses them saying she's is his girl(?) -Anonymous
Pairing: Sebastian Smythe x Reader
Notes: PRETEND FINN IS NOT WITH RACHEL RN. Hope you like it!
âBabe.. babe.. baaaaabe!â
âWHAT?â
*record scratch/freeze frame*
âHi. My name is (y/n) and this is my boyfriend Sebastian. Iâm currently trying to study for the big history test coming up and someone is not being very helpful.âÂ
âSorry, babe, but I canât help the fact youâre incredibly gorgeous, you look completely adorable when youâre concentrating and the whole.. situation we have working here isnât in fact.. working.â
âYeah. I should probably elaborate. Iâm in a club in my school-McKinley High-called Glee. Youâve probably heard of it. Weâre called the New Directions and are currently in the middle of a legendary battle with Seb hereâs glee club from a neighboring school, the Warblers. Somehow this little idiot convinced me that it would be a good idea for him and I to date.â
âI donât know, babe. Even if I were the one to convince you, it was pretty easy.â
âWhatever, Warbler. So, now weâre hiding it from our teams because we donât want any unnecessary drama between the already feuding clubs. Dating in secret definitely has itâs perks, but Sebastian doesnât exactly like the fact that he canât âflauntâ me around in public. His words.â
âI just want to be able to show off my best girl like any other sane guy in this world. I donât really care what your.. friends think of us as long as we can be together. It would be so nice to be able to take you out without having to always be on alert or driving over an hour away.â
âI know, honey, but I donât think Iâm ready to hear what they have to say. Especially Santana and Finn.â
Sebastian scoffs. âFinn? Why would you care what Finn thought? Iâm sick of him always hanging around you. Itâs time he realizes that youâre mine a-and taken and.. mine.â
âAww. Is someone getting a little jelly there, baby?â
âNo! I just.. want people to know youâre mine.â
âI know, Seb. Weâll tell them soon. I promise.â
âOk. As long as itâs soon. Iâm tired of sneaking. Although, it is kinda hot isnât it, babe?â
My cheeks turned bright red. âSeb, hush! We donât talk about that!â
-The next day-
â5! 6! 7! 8! And step! And step! And spin! And drop! And step! And-hey! Guys we have to focus if we want to win at Nationals and beat those wiry Warblers!â
The high and slightly squeaky voice of Rachel Berry rang through the auditorium as she directed the glee club and led everyone through their respective steps.
âRachel. Weâre working really hard and I just think that everyone could use a little break,â Tina tried to reason with the diva, but when does reason ever work with Rachel Berry?
âIâm sorry. I didnât know my passion for this team and club was too much for you. I just want to win. Us! I want us to win.â
Everyone tried to hide either their annoyance or amusement at their female lead. Most failed.
âOk, Rachel. You win. Letâs run it again.â âThank you. 5! 6! 7! 8!â
The first notes of Taylor Swiftâs You Belong With Me reverberated across the auditorium and the stage came a live with song and passion. Mr. Schuester gave me the âroleâ of Taylor with Finn as respective love interest. Go figure.
The glee club did a wonderful job of playing out the events of Taylorâs music video. Too good of a job. At least according to Sebastian who was hiding in the back of the first floor. He watched as his girlfriend was paraded around the stage portrayed as a love struck girl who had the hots for the exact guy he wanted her to stay away from. As (y/n) stole the stage, Finn held up the newly added male vocals. Sebastian could start to feel the anger and jealousy seeping into his veins. He was about to rage. At the end of the performance, Finn and (y/n) strutted up to each other and demonstrated a stage kiss. You know. The thing where the guys brings his hands up to girlâs face and places his THUMBS OVER HER LIPS AND KISSES HIS FINGERS! Sebastian was mad. He stalked out of the auditorium and made his way to the glee room where he knew everyone would be going after the performance. It was time.
The voices and laughter of the members of McKinley Highâs glee club were nearing closer and closer. Sebastian recruited the instrumentalists for a very special performance. She Sets the City on Fire by Gavin Degraw began playing as the New Directions came into sight. (Y/n) was at the front of the group with Finn not far behind. They stopped in their tracks when they saw Sebastian standing in the middle of their choir room.
âSebastian?âÂ
âWhatâs the devil doing here? In our school? In our practice room?â
âHello to you too, Santana. Iâm here to serenade my girlfriend so if you all could take a seat.â
âGIRLFRIEND?!â Everyone was very confused including yourself, but everyone surprisingly listened and took their seats.
âEverybody knows she's a perfect ten
And I'm hanging on tight til the whole thing ends
Cause New York sky don't get much brighter
She sets, she sets the city on fire.â
Sebastian walked up to the group and pulled (y/n) onto her feet.Â
âSomebody told me if I'm not careful
Well, this one's gonna roll me
I got my hands full and this one's gonna own me and control me
I'm so mystified
She caught the last train last night, left another note
Saying "see you next time; miss me if you don't"
You look good in your bed; til we meet again
You went through my head and nobody told me so.â
The New Directions were all very confused. How could their sweet little (y/n) fall for such a cold-hearted jerk?
âEverybody knows she's a perfect ten
And I'm hanging on tight til the whole thing ends
Cause New York sky don't get much brighter
She sets, she sets the city on fire
She sets the city on fire
Burns like a million lighters
I'm going up, I couldn't get much higher
She sets, she sets the city on fire.â
As the song went on, the glee club actually started listening and watching. The whole time Sebastian was staring into (Y/n)âs eyes and twirling her around. He looked like a love struck little boy who had fallen in love with what he thought to be an angel. He looked.. kind.
âNew scene, next block
She'll be jaywalking right across while the cops talk
Make you feel like a boss when your eyes lock
And you can't stop staring endlessly
She got the whole thing figured out; hits me where it hurts
And I know I might be swinging at a curve
I don't mind it, though, when the lights are low
She can hit the notes wearing my T-shirt.â
Sebastian ended the song with the chorus and everyone was either deep in thought or their jaws were on the ground. Sebastian then began speaking.
âHello, New Directions. If your public school brains hadnât caught on yet, (y/n) and I are dating. Weâve been together for 5 months and I felt it was time everyone knew.â
The choir room then exploded with yells and screams. Everyone was upset at because not only did (y/n) not tell them she was dating, but she was dating Sebastian Smythe-glee club enemy #1 and who Santana called Satan.
âGuys, guys! Calm down! This is exactly why we-I-didnât want to tell you. I knew youâd freak out and basically forbid me from seeing him. Itâs just.. I know he hasnât been on your best sides.. ever, but I really, really like him. As in more then Iâve liked any guy before. Heâs kind and caring and apparently overprotective and I love him. I just hope you can support me in this and trust that I know what Iâm doing.â
All was quiet among (y/n)âs friends. For about three seconds.
âBut (y/n), heâs the enemy!â âHe has caused nothing but trouble for this team!â âDo you not remember all the insults and threats that came from his own mouth?!â
A loud whistle pierced the shouts and hollers of the enraged glee club, effectively silencing all the voices in the room.
âExcuse me. Iâm still quite confused as to whatâs happening here. Our little ray of sunshine, (y/n), has chosen the devil himself as her lover. That's complete bull!â
â(Y/n) was trying to say that she cares about all of you just as much as she cares about her own happiness. Actually more! She was scared to tell you because she didnât want to disappoint any of you, but Iâm telling you that there is nothing you have to be disappointed in her about. I love (y/n) with my whole heart. No one has ever made me as happy as she does. Sheâs loving and passionate and the cutest little alto I have ever met. She completes me and makes be want to be a better person.â
âAnd heâs gotten better,â you jumped in. âSebastian has been nothing but swoon worthy throughout our whole relationship. Just a bit annoying sometimes.â
âHey! I have been a great boyfriend!â âYes you have, dear, but everyone has their own faults.â âWhatever,â Seb scoffed.
Everyone was watching Sebastian and (y/n) with mild interest and disgust.
âGuys, please. Iâm a big girl. Iâm not a baby like you all treat me.â
âWe know that, (y/n). Weâre just shocked you chose our competitor who has continuously tried to demolish us to date,â poor Finn muttered.
âI think theyâre cute.â
Eyes widened and stared at Rachel as the seemingly traitorous words slipped from her mouth.
âWhat? Itâs not because Finn has a puppy crush on (y/n). I know she doesnât like him like that. Obviously. But havenât you been listening to what theyâre saying. They love each other. Who are we to get in the way of that?â
For once everyone agreed with Rachelâs statement. The last bits of resistance drained from the room.
âOK. Weâll support your relationship as long as you know one thing. If youâre doing this to mess with us, hurt our team or just screw up like every guy does and hurt (y/n), youâre are going to suffer. Do you hear me? I will make you want to have never been born, much less have ever met us,â Santana threatened.
âMessage received, but my intentions with (Y/n) are completely- ok mostly- innocent. I genuinely love her and I wouldnât do anything to hurt her. Ever.â
âFine. Then we give you our blessing. Treat her well.. or youâll regret it.â
âOk, Santana. Thanks for you approval,â you tried to calm her.
âWhatever.â
âThank you all for your cooperation. I was just ready to let everyone know that this angel is mine. I want her to wear my jacket, go on public normal dates with me and not have to hide anything.â
âI love you, my Warbler.â
âI love you too, my angel.â
â...you were a little pitchy in areas.â
â(Y/N)!â
#sebastian smythe#sebastian smythe smut#sebastian smythe imagine#grant gustin#grant gustin smut#grant gustin imagine#grant gustin x reader#glee imagine#glee#sebastian smythe x reader#but seriously#who doesn't want to be serenaded by Sebastian
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(I'm sending this for a friend of mine) Dean suffers from epilepsy and one morning in his way out of the house he forgets to take his meds. By the time Cas realizes he is running to the Starbucks he knows dean goes to every morning, but it's too late. Thankfully, Cas's twin brother works there and saves the day. happy DCJ ending?
DING DINGDING! This is prompt number 30!!!! đ
Okay, sothere was a delay because I had to look some stuff up about Epilepsy. I â like prettymuch most people, I think â only knew the basics: Itâs a seizure, you can beborn with it and it can be triggered by stuff.
So when I readup on it a little and found it could be caused by head traumas tooâŚthis storytook a natural turn towards one of the other series of ficlets Iâd alreadystarted â the DCJ Accident story (god, every time I think that one is done,something more comes along!)Â
Hope you like this addition to it đ (note, I tried to lookup some stuff about the medications â if you should have someone take theirmissed dosed after an episode or not and all I came up with is not DURING theepisode which��duhâŚso I have no idea if thatâs right or not)
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_____________ DCJ - Accident Part 5!!!
Adjusting tolife after the accident had been a little difficult. Dean was stubborn as amule and Cas and Jimmy still felt guilty as hell. No matter how often Deaninsisted that the accident wasnât their fault, they still harbored the thoughtsthat if they hadnât fought, hadnât yelled, Dean would never have been out thereto have the accident to begin with.
And when âduring recovery â it was discovered that Deanâs head trauma had had somelasting effectsâŚletâs just say that all ofthem were freaking out to various degrees.
Dean wasupset because Bobby wouldnât let him work in the bays anymore, deeming it toodangerous for Dean even if he stuck to the small shit, and too dangerous foreveryone else including Dean if hedidnât. Stuck on the counter at the garage was not how Dean had seen his lifegoing. He liked working with hishands, god-damn it.
To addinsult to injury, heâd been forbidden from driving too for the foreseeablefuture. Which, to be fair, wasnât nearly as appealing with his Baby currentlylying trashed behind Singers Salvage, but now he couldnât even release histensions by fixing her up or goingfor a drive.
On the twinsends, they were just plain scared. Scared for Dean. The first time heâd had aseizure had been eye opening for them that this wasnât over. That the accident couldstill take him away from them if he had a seizure at the wrong time, in thewrong place.
Not tomention how helpless theyâd felt when heâd collapsed in front of them with onlyhalf remembered first aid training to help them through it.
So now thetwins took it upon themselves to set up Deanâs medications and hound after himday after day to make sure he didnât miss a dose. Things were even starting tolook up. He hadnât had a seizure in over a month and the doctors had assuredDean that if he stabilized, he could be allowed to drive again.
Bobby wasanother matter. But things were improving. The twins both breathed a sigh ofrelief.
That morningstarted like any other. Jimmy got up first for his early shift. He grumbled andgroaned about it, but dragged himself out of bed eventually. 2 hours later,Dean was the next to get up. Cas burrowed into the blankets Dean draped overhim, suddenly cold without two living space heaters beside him, and dozed.
As usual,Dean came back into the room before he left to gently shake Cas more awake. âUpbabe, you said you have a deadline today, and if I donât wake you up now, youâllsleep the whole day away.â
âNnnnâŚDeaaaanâŚâCas pouted sleepily.
âCâmon,sleepyhead,â Dean coaxed with a kiss. Cas hummed happily into it, sighing in disappointmentwhen it ended. âIâm only doing a half day today, so Iâll see you in a fewhours, okay?â
Withanother, last kiss, Dean left their apartment to make the walk down to Singers.Cas hoped the Doc gave the okay for Dean to drive soon. The weather was good enoughnow for making that walk â it wasgood for Dean, and he enjoyed it â but come winter, it would be hell.
He shuffledinto the kitchen and went about making coffee â which in this house and beingthe last awake generally meant just hitting the brew button and waiting becauseeither Dean or Jimmy had left it ready for him, his favorite mug already sat besideit.
This wasgood, because without coffee, Cas didnât really function very well.
Which wasprobably why it took him so long to realize what he was actually seeing on thecounter. Deanâs mug, untouched beside his.
Deanâs meds.
Theyâdgotten him one of those weekly dose containers and one of the brothers wouldset it up at the end of every week. Here it was midweek â and only Monday hadbeen opened. Cas picked it up for a closer look, popping both Tuesday andWednesday open.
They werefull.
Dammit âtheyâd all agreed that the best place to leave pill container was by the coffeemachine because they were all addicts and needed their coffee to function.There was no way to miss it there. So whyâŚ? What had changed that Dean forgothis meds?
Casâs eyeswidened.
Jimmyâsshift change.
With acurse, Cas dove into the bedroom and yanked on the first pair of jeans andshirt he saw â luckily he and Jimmy were the same size and Dean was only alittle bigger so it didnât really matter - Â grabbed his keys and his wallet and ran forthe door. He shoved on his sneakers, not caring he was barefoot in them, thenpaused and ran back for Deanâs pills and his phone before running out the door,barely remembering to lock it.
On his wayto the car, he tried calling Jimmy first â but of course, he was working andunable to answer. He called Dean next, but when it went to voicemail, Casâsheart leapt into his throat and he tossed the phone to the seat and started thecar.
He made itto Starbucks in record time and parked, running inside and skidding to a stopas he saw the knot of people hovering around something.
Oh godâŚ
Castiel shovedhis way through the small crowd to find exactly what he feared. Dean on thefloor, a Styrofoam cup of coffee spilled around him as he convulsed. Tables andchairs had been shoved away, and Jimmy was trying to keep everyone back. Casâshand came up cover his mouth as he made a strangled sound.
He ranthrough everything in his head â after Deanâs first seizure, he and Jimmy hadmade sure to learn everything possible just in case. It was heartbreakinglysimple and almost nothing they could actually do but what Jimmy was alreadydoing. Heâd cleared the area, he was pillowing Deanâs head in his lap and hadalready unbuttoned Deanâs collars.
People from thecrowd were trying to offer unsolicited advice â all of which would bedetrimental to Dean. Restraining him, putting something in his mouth â these things,while you would think they would help â would actually do Dean more harm thangood. They couldnât even give him his medicine until the seizure was overbecause he was more likely to choke that way.
Finally,Dean stopped moving. The crowd gasped in a mixture of horror and relief â not knowingfor certain if it was over or if it was over.Cas launched himself forward as soon as Jimmy gave him the all clear, Deanâspill case dropping from his hands as he reached out shakily to check for apulse.
Just as hefound it, Deanâs eyes fluttered open and the crowd cheered. He looked up at thetwins dazedly, âGuys? Whatâs goinâ on?â
âDean, youâŚyouâŚyouidiot,â Cas choked out. Now that it was over, he had tears running down hisface.
âUhâŚwhatâd Ido now?â Dean blinked, confused.
Cas couldnâttalk anymore so Jimmy reached down to pick up the pills and hold them up beforeDeanâs eyes. âDude, we talked about this. Your meds are important. What if thishad happened while you were walking here, or while at Bobbyâs? Not everyoneknows what to do when someone has a seizure â â
âWhat not to do might be more accurate,â Casmanaged.
Dean blinkedat the case without registering it for a moment before he finally got asheepish look on his face, âOh. I guess I was too excited to come down here toget my coffee from you before work that I justâŚforgot. Iâm sorry, I didnât meanto scare you either of you.â
âJust, donâtdo it again, okay?â they asked him simultaneously.
Dean agreedjust as the EMTâs got there. After an extensive checking over of his vitals,and questions asked of both him and the twins, they pronounced him fine andadvised him not to forget his medications any more.
And to get amedical bracelet.
Deangrumbled but the twins thought it would be a good idea.
Needless tosay, after that bit of adventure, none of them were much in the mood or stateof mind to work. Dean wound up calling out of work (and Bobby didnât argue),and Jimmy skipped out on the rest of his shift (his manager nearly shoving himout the door, for that matter) and the three of them went home and just curledaround each other in their giant bed, taking comfort in each other.
After theymade sure Dean took his meds, of course.
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#grian went 'fuck you i'll prove you can do FANTASTIC DAMAGE by being DUMB AS A BRICK' and i respect that#(for the record i'm not insulting him he basically says exactly that himself)
i DO appreciate that grian's chicken plan was basically the equivalent of doc doing his big dramatic mind games and then grian shouting "YOUR MOM SUCK ME GOOD AND HARD THROUGH MY JORTS" at doc and winning instantly,
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