#(for the asker’s drawing)

[poorly-drawn-mdzs]

Hi! Sorry to bother, but could you please tell me why you refer to Little Apple as her? When I looked up the wiki page, they used the it pronoun, and novel translations into my native tongue all use male pronoun. Is it audio-drama exclusive or something? P.S. I really love your art and appreciate you sharing it here! <3

Never ask a donkey her pronouns.

[u3pxx]

I don't know who Kim is but I aspire to be as butch as her

id have two nickels

[love-triangles-au]

Exploring the idea of Euclideans going through moults. I think I kind of love it. I imagine it's utterly humiliating for a proud guy like Bill to be looking so ridiculous (and with his shape so uneven!!) so extra angst potential too

But, y'know, had to add his boyfriend being endeared by his ugly-cuteness and squish. I always love petting my snake after she sheds, her colors get so vibrant too :]c

He looks so disgusting and naked I almost feel like I should be tagging it as nudity he's so gross. If I saw that damn thing in my living room I'd stomp on it until it was a small brown stain

~ Mod Emily 🦇

[k-0re]

Lady dimitrescu covered in oil 4K

[darqx]

I have a particularly lazy fashion sense ie none and so these are the only outfit combos I know of where it looks like I actually tried.

[daily-basil]

i think basil should have a keyblade. if you dont know which i suggest Aubade because it has good color palette and is sad

Basil keyblade be upon ye.

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

[elizakai]

If you need more distractions, i have >:)

PAPER JAM IN A TRADITIONAL CHINESE OUFIT 🥺✨💞💞✨💞✨💞

But fr if u have smth to do, JUST DO IT !*that one meme yk- THE MAN WITH THE CLOCK-*

*shoves pj from the dressing room and runs*

….they’re unimpressed.

(I HATEEE how this turned out but maybe you will like it 🫠)

(also thanks Pinterest lmao)

[frootlooptime]

it gets a little worse each day and one day i will hatch from this egg

[en-chi-la-da]

man you guys really like hinadam huh? :)

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[spotaus]

For the requests, you could draw Coffeecrops/Ccino x Farm?

I absolutely LOVE this ship!

They are, like...one of my favorite ships-

And i would love to see how you would draw these old men.

Ahh, hello!! I'm sorry this request took so long to get to, but here it is! :D

I don't think I've ever drawn either of these guys before, but they were so fun to doodle! I am adding Coffeecrops to my list of ships now too, I understand why you like it so much! (And I hope I did the old men justice <3)

[idrawgaystffs]

I must request Caroline portal pleaseeee or just anything portal

“As You Wish!”

(Pissed and going to throw them into a vat of mantis 🧬)

[aeroplaneblues]

Requests pt2

More of my elements ship requests, i had to draw kokomi and furina with their respective sushi promo and concept art outfits i love them so much!! I’m a little slow with these but if you want send me some on twitter 💜 here is part one

[ask-kid]

GET TF BACK HERE, KINDERGARTEN 3 IS OUT-

[Hang on- no. nono nO NO N O YOU CAN'T BE SERIOUS-]

[are you KIDDING ME??]

[I mean asks are still open, but in terms of story as of this moment, I don't think I'll be doing anything major anytime soon-]

[Well that's something at least.]

[episodes-without-incident]

8/24/2023:

0 episodes since Drawfee last referenced Cats (2019)

2 episodes since Drawfee last referenced Everytime We Touch (2005)