#(and for the record I agree with the idea that Sonic has claustrophobia)
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Not really anything to do with your AUs but I’ve seen your one post involving possible phobias Scourge may have being as an Anti Sonic. So if his fear is fire, the opposite of Sonic’s fear, what about agoraphobia to add on to the list?
In some portrayals of Sonic (Sonic Boom and Sonic X) , it is implied that he may be claustrophobic. Scourge might not even mind tight spaces too much, just more annoyed than anything. However in spaces or situations that might remind him of his childhood, he can become extremely avoidant. I imagine it worsens after breaking out of No Zone Jail, when he has some time to process everything and dislikes any place that reminds him of the no zone recreation yard or his cell a lot.
The guy is not good at keeping himself together.
Yeah, this makes sense! I like it! Sonic himself is already pretty avoidant of his problems, so I can totally see Scourge taking that to the next level. Boy is just not healthy.
Goodness, imagine Scourge getting into a situation that triggers his agoraphobia and he just. Breaks down. Probably takes Fiona to help calm him down. And afterwards, Scourge just feels so ashamed. He's SCOURGE THE HEDGEHOG and he couldn't even handle interacting with a person who had the vibes of his dad or walking into a room that vaguely resembled the Zone Jail cafeteria. Pathetic.
Get this guy some therapy. ❤️
#(and for the record I agree with the idea that Sonic has claustrophobia)#thanks for the ask!#asks#Sky Queen#Sonic the Hedgehog#Sky's Sonic-verse#Adventures in Moebius#Scourge the Hedgehog
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Ok so the idea is in my mind now thanks to what my classmates were posting about on the myinfo discussion boards earlier, and I know that nobody here cares about this, but I need to gather my thoughts here. So here's an outline for what I think would happen in a Da Vinci Code/ Black Echo crossover
It starts with Langdon being involved in a high-profile documentary about the grail and the priory that's being filmed in Hollywood. Then a bunch of people involved in the documentary start being murdered, and Bosch is assigned to the case
They meet at the crime scene for one of the murders; Langdon is shaken up because the people working on the documentary with him were people he'd worked with before and gotten along with, and he's trying not to show how shaken he is and play himself off as cool, but Bosch sees right through him and recognizes his distraught emotional state. He's sympathetic, but he does have a job to do here... it's time to ask this guy some questions
HB: Professor Langdon, right? I'm officer Bosch. I have a few questions for you.
RL: Bosch... that's an interesting name
HB: Like the painter, yes. You wouldn't be the first to point it out, believe me.
RL: I've done many lectures on the religious symbolism in that man's paintings. Tell me, officer, how familiar with his work are you?
HB: Not very. Now, Mr. Langdon--
RL: You can call me Robert if you want.
HB: ...Mr. Langdon, what kind of relationship did you have with the victim?
...You get the picture; they don't get along very well at first. Bosch thinks Langdon is too self-obsessed and show-offy, while Langdon thinks Bosch is too grim and doesn't approve of his smoking habit
But since Bosch is a devoted and hardworking detective, he puts aside his mild annoyance with Langdon and does his best to solve the case. Problem is, Langdon clearly knows something about the case that he's refusing to tell anyone. *sonic voice* That's no good!
Bosch confronts Langdon about this in private, very angry... maybe cue a wall slam except that Bosch is shorter than Langdon so it does maybe look just a little bit silly. But more importantly a little bit homoerotic in an angry and repressed kinda way
After a bit of arguing and a very thorough check of the room they're in to make sure nobody is watching or listening in, Langdon confides to Bosch about the Grail and his experiences with it
Bosch is skeptical, but he's no stranger to tangled webs of dark secrets, so his reaction to all this is less "wow!!" and more "shit. Really? Fuck. Okay... huh. I need a drink." So Langdon pours him a drink, they agree to team up to collaborate on solving the case, and this is bonding moment #1 in which their barriers start to crack just a little bit
But of course Bosch, a decent guy at heart who cares about people's lives, isn't gonna let some random symbologist get too wrapped up in what's clearly a dangerous case. So after he and Langdon figure out together where the killer might be hiding out, Bosch goes to the location alone--armed and ready, but alone nonetheless
It goes bad!
Meanwhile, Langdon figures out by talking to some of the other cops where Bosch has taken off to. He gets there just in time to see the cloud of dust as the killer gets away, leaving a badly injured Bosch lying on the ground. Probably in some dark alleyway or dingy apartment or something idk. Very dark and very dramatic
Shifting in and out of consciousness in the backseat as Langdon drives him to a hospital, Bosch starts having a PTSD flashback nightmare. There's nothing Langdon can really do to help him out there, and he feels bad about it
Flash forward a couple days. We get bonding moment #2 as Langdon scolds a recovering Bosch for being so reckless
RL: I mean, you could have been killed!
HB: That's part of my job. Always has been.
RL: But still--
HB: I'm not like you, remember? You may have gotten involved in some dangerous situations before, but at the end of the day, you're still a civilian. It's my job to protect you.
RL: How would you dying help us get to the bottom of this case? If you want to help me, then stay alive and work with me.
HB: Fine. So, did you just come here to yell at me?
RL: Actually, that's not the only reason. I figured something out about the case... something that I think can help us
(This probably wouldn't be the exact dialogue but you get the gist)
Also Langdon sees Bosch's tattoo and if he asks about it then Bosch definitely does not answer. But when he gets home Langdon researches rat imagery and symbolism and eventually figures out, if not the connection to the war, at least that this dude has probably been through some tough times
They also each individually make the realization that Bosch having a rat tattoo + Langdon having a mickey mouse wristwatch is kind of an interesting coincidence... but when Langdon brings it up Bosch gets kinda snappy with him because, believe me, it's really not even remotely close to the same thing
So they get back to work on the case, but as soon as Bosch is back on his feet he retreats back into his shell, which disheartens Langdon somewhat for reasons that he can't pinpoint. (Hint: it's that Langdon was beginning to recognize the soft heart buried beneath Bosch's rough exterior, and guess that he must have had a pretty rough life, and on some subconscious level he was beginning to drift toward the "I can fix him!" mentality)
Still, they've got a job to do. They spend a few days, maybe a week tracking down the killer, during which we get a couple more small bonding moments during which Bosch demonstrates his kind and caring side, and Langdon starts spending maybe a little longer than necessary staring at him when he's not looking. Bosch wonders when he stopped finding Langdon's tendency for sharing information annoying and started to like the sound of his voice. But neither of them are at a stage where they're gonna be like "so basically I have ptsd and claustrophobia because of my traumatic backstory" or anything
At some point, though (maybe when he's slightly drunk) Bosch makes a gruff remark in passing about having been betrayed before, and Langdon replies that he's been betrayed too, by a close friend. They kind of raise their eyebrows at each other, an unspoken realization that they're connected by more bonds than expected, and they clink their glasses together
So the killer's hideout involves crawling through a small enclosed space and they both know this in advance and the plan they come up with is "one of us goes in while the other waits outside and stands guard" (the way the killer's lair is set up would make this a good plan. I'm not gonna come up with all the details right now, because if I could do that, then I'd become a mystery novelist) but they haven't laid out who'll be going in the small enclosed space and they're both secretly counting on the other doing it
Then they get there and it's like. Hmm. Oops! Neither of them want to go in because they both have the same psychological issues
An argument ensues, but they're less trying to convince each other to go in the small enclosed space and more frustrated at the other for keeping secrets. Eventually Langdon agrees to be the one to go in because by now he's pieced together that Bosch is a vet and that his trauma is therefore probably a lot "worse" (not that those things are really quantifiable)
Bosch is super grateful but also feels terrible, like it's his fault for being too weak, and promises Langdon to make it up for him later--"So be sure to stay alive for me, okay, Robert?"
RL: Wait, did you just call me by my first name? I think that's the first time I've heard you say it.
HB: Hey, what can I say? You've grown on me.
RL: Heh. You... you've grown on me, too, Harry.
HB: Robert..... good luck in there.
They sort of smile and nod at each other, solemn and melancholy (and repressed). And then Langdon goes in and does the thing but of course it's some kind of a trap and he gets stuck in the small enclosed space and Bosch hears him getting attacked in there and hey, Bosch can't magically overcome his severe war trauma but in that moment his brain just kinda turns off and he's able to power through it long enough to go in and get Langdon out safely
They're both very shaken from all this but now they've got the killer out in the open so it's time for the final showdown. Working together, they elaborately lure the killer into confessing to the murders of the people working on the Grail documentary... those people knew too much, they couldn't be allowed to keep living. Naturally, Bosch is wearing a wire that's picking all this up and recording it
But then the killer finishes with "and you, the symbologist who knows the true location of the Grail... you can't be allowed to live either!" and before either of them can react he shoots Langdon! This makes Bosch extremely angry and he immediately shoots the killer like five consecutive times in the chest
Turns out Langdon's alive, the bullet just missed his heart or lungs or whatever, and he's lying on the ground in shock from getting shot staring up at Bosch and is like "...you killed him...?"
HB: Oh, right, I almost forgot... you've never killed someone before, have you?
RL: No, although I've been acquainted with more murders than I would like...
HB: Well, here's one more murderer you're acquainted with, then. Come on, let's go
Hospital time redux ft. congratulating each other on solving the case and a whole lot going unsaid between them. They both agree that they ended up making a decent team in the end...
In a quiet moment when he thinks Langdon is asleep, Bosch starts reminiscing out loud about his childhood, his time in the war, all the blood he's seen spilled and spilled himself both as a veteran and a detective. Of course Langdon was actually awake to hear all that, and after a long moment of silence he starts talking quietly about falling down a well as a child, as well as some of the scarier moments in his past adventures and how those have messed him up a little
RL: Of course, what I've been through is nothing compared to you... I mean, you, you're amazing. I can't believe I ever judged you for having a cold exterior.
HB: I wouldn't call myself amazing. More like, a poor bastard doing his best to keep his head afloat.
RL: No, no, that's... that's why you're amazing. The fact that you are where you are now.
HB: What, in a hospital at the bedside of a symbology professor who's lucky to be alive after solving an elaborate murder case?
RL: Hey, it's not my first rodeo.
HB: Mine neither. (Heh...) maybe we should start a club.
At the end they say goodbye to each other and they like shake hands or something but they're still repressed so they just go their separate ways and don't see each other again
But MAYBE a few months or years down the line Bosch eventually leaves the police force (either because he wisens up and realizes that acab, or because he acts up too much and gets fired) and can no longer afford to live in LA so he moves to a different part of the country and by pure coincidence it ends up being where Langdon lives. And he finds out when he sees an ad for one of Langdon's lectures, and he attends and Langdon spots him in the crowd and he sort of visibly stiffens and then softens. You can figure out where things go from there
(I actually don't know where exactly things would go from there but maybe, someday, eventually they kiss?)
#this is silly and about a topic nobody cares about i know but the idea is FIRMLY IN my head#and i will go more crazy if i don't post about it than if i do#also confession time i haven't read very far into the black echo yet and ive already forgotten several details of the da vinci code#after reading it like last month so idk if this is even very in character but i did my best.#point is i think this idea is fun and i might use it for my creative project if i can manage to adapt it into something 5-10 pages in lengt
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