#(*whispers* like for instance they're also all hooking up

[laurelwinchester]

Well plenty of Arrowverse actors do Hallmark movies. Katrina Law does a ton - which I find very amusing since Nyssa is the exact opposite of Hallmark in every way. Danielle Panabaker has too - one even do-starred Jessica Parker Kennedy. Brandon Routh has done some, so has John Wesley-Shipp. And there’s probably more than what I’ve listed

but did any of them come away with a sexy canadian?

[mizusswordtip]

Down The Rabbit Hole ⚝ Killian Jones x Reader (23)

find the story on wattpad

summary: Alice's plan to overthrow the Queen of Hearts is thwarted by a dashing pirate with a hook. Years later, after the curse is broken, they reunite once again.

masterlist

Thankfully we manage to find some poppy seeds before sundown. Well, Mulan found them and we followed. She uses her blade to carefully crush the seeds into a fine powder.

"The powder's nearly ready." Mulan doesn't look up from her task but spares a glance at us over her shoulder. I nod my head.

"How long will the effects last?" Snow asks, settling down against a tree. Emma sits down next to her and grabs her hand.

"It's difficult to say. Maybe an hour. Or much less." Mulan guesses. I give Snow a nod of confirmation.

"That sounds about right. The giant wasn't out for long." I say and she looks a little relieved.

"Well, I shouldn't need much time. So long as Henry is in there when I am." She gives Emma a small smile at the mention of Henry. I sigh heavily.

"I hope you don't mind but I'm also gonna get some rest while I can. You guys will keep watch?" I ask, feeling the strings of exhaustion threatening to pull me under. Emma gives me a small smile.

"Of course." She reassures before turning her attention to her mother. "I'll be right here. Say hi to my son for me." Mulan stands up, clenching the powder in her hand before bending down. She uncurls her fist and delicately blows the powder in Snow's face. The effects are almost immediate. Her head falls to the side and her eyes flutter until they're closed for good. I give a nod to Emma and settle back, allowing myself to truly rest for the first time since coming here.

I awake with a start, having been elbowed by Snow in her haste to get up.

"What the hell?" I sit up quickly, watching as Snow runs over to the rock Mulan had been using to make the powder.

"What happened? What are you doing?" Emma asks, an incredulous look crossing her face. Me and Emma both stand as Snow frantically looks at the rock.

"I'm looking for more powder." She sounds like she's on the verge of crying but I can't help but let out a frustrated sigh.

"Going back to sleep isn't a good idea Snow, what happened?" I ask, leaning down in hopes of getting her attention to no avail.

"No, I have to go back in. He's all alone." She says and Emma's confused face becomes just as frantic in an instance. My own brows furrow.

"Henry? Is he okay?" Emma kneels next to Snow.

"I'm sure he is, he can just...wake up." I say, putting my hand on Emma's shoulder.

"No, it's David. He went under a sleeping spell so he could see me. He thought that my kiss would wake him, but it didn't and now he's trapped." Snow shakes her head, tears threatening to fall any minute now. Thankfully, her behavior is starting to make sense now.

"Okay, slow down. David is trapped in there?" Emma sounds more shocked now than anything.

"I have to get back. There's only one way to help him." Snow ignores Emma's question, continuing her frenzied search of the rock. I look around and I feel my heart drop to my stomach whenever I see a certain warrior missing.

"Yes, yes. True loves kiss. Emma, where's Mulan?" I snap and she shoots me a confused look at my tone shift.

"We have to get back, if we don't-" Snow starts up again, a single tear falling down her cheek.

"We will." Emma wraps an arm around Snow and I squeeze her shoulder hard.

"Emma!" I snap and her head shoots up to look at my irritated face. She glares at me and goes to say something but I interrupt before she can get a breath in. "The compass! Where is it?" Her brows furrow as she stands, putting her hand in her pocket. The look of realization on her face would have been funny if it didn't make my breathing stop.

"No..." She whispers and I clench my jaw. I bend down, helping Snow off the ground before grabbing both her arms firmly.

"Shit. Snow, what did David tell you? How do we stop Cora?" I demand as softly as possible, given her state of mind.

"He said the key to stopping her is in his jail cell." She says with a nod, almost as though she's comforting herself. I let go and run.

"We need to catch up with Mulan, come on!"

It doesn't take long to catch up with Snow's tracking skills. I'm the first to spot Mulan's flashy armor not that far ahead of us.

"There!" I whisper-shout and Snow draws her bow and fires off an arrow right next to Mulan's head. She stops dead in her tracks. I draw my sword and Snow approaches with her own weapon drawn.

"That was a warning shot. Try to run and I promise the next one won't be." Snow's voice is cold as ice. Mulan slowly turns around with a frustrated look. Join the party. I think bitterly.

"How did you find me?" She asks.

"I know a thing or two about tracking." Snow doesn't back down but I lower my sword once I see Mulan put her hands in the air in surrender.

"And it's not like you were covering your tracks. Have somewhere to be?" I ask sarcastically.

"All we want is the compass." Emma reasons and Mulan looks down for a moment.

"Very well." She says and goes for her sword. Before either Emma or I can even take a step, Snow has her pinned to the ground. She has an arrow in hand, holding it flush against her throat.

"Give. Me. The. Compass." She demands through gritted teeth. I raise a surprised brow at her sudden aggression.

"And seal Aurora's fate?" Mulan doesn't flinch away from the arrow. In fact, she looks even more defiant. I have a feeling that won't bode well for us.

"We learned how to overpower Cora. Once we get what we need, we will defeat her and Aurora will be free!" Snow snaps, also not willing to bend on the matter."Another journey. Just as I predicted there would be! Our best chance to save Aurora is to make that trade now." Mulan seethes and I take a step forward.

"Mulan-" I start.

"Not gonna happen. Without that compass, we can't go home." Snow presses the arrow harder against Mulan who tilts her head up.

"Then I hope you're prepared to use that arrow." She says decisively. I can see it on Snow's face, that she's fully prepared to kill her.

"Snow. Don't." I demand but she doesn't listen. To mine and Emma's horror, Alice brings the arrow up, getting ready to strike.

"Stop!" A familiar voice calls out from in front of us. I look up to see Aurora standing there, as healthy as she was when she left.

"Uh." I say dumbly.

"Okay, don't take this the wrong way, but how the hell did you get here?" Emma's face is just a confused as my own. We all stare up at her, frozen in disbelief.

"Let Mulan go." She walks down the hill, approaching Snow and Mulan. Snow is too shocked by Aurora's sudden appearance to process anything she's saying. "I said, let her go." Snow finally does, standing up slowly.

"Were you followed?" Mulan asks with a relieved smile.

"There's no way you escaped Cora. How are you here?" I interrupt, grasping my sword a little tighter. This could quickly turn into another Lancelot situation.

"It was Hook. He let me go." Her answer shocks me and I almost drop my blade. I knew he'd be able to get off the beanstalk just fine but evading Cora? I couldn't believe it.

"Why?" Emma asks. Aurora looks at me with a soft smile.

"Because of you." She says and I feel like the breath has been sucked out of my lungs.

"Me?" I ask with furrowed brows. I look around at the others who look just as confused as I do.

"He said he wanted to prove to you that he's done working for Cora for good. That you can trust him. He said without him, you'll have to go up against her all by yourself." She pauses and looks down with a knowing smile. "He only wants to help, I...I think he may care for you." My traitorous heart skips a beat at that. I shake my head and smile a little, turning my attention to Emma.

"I told you." I say and she looks down at the ground sheepishly.

"You where right. I'm sorry." She admits with an apologetic smile.

"Did you find a way to stop Cora?" Aurora looks at us hopefully and I nod my head.

"Yes." She looks relieved, her shoulders sagging. I can't really say I blame her.

"Where are we going?" She asks.

"The Dark One's cell." I answer with a shrug of my shoulders and she nods her head.

"Lead the way."

[astorytotellyourfriends]

LUKEBOBBY SECRET RELATIONSHIP

The first time it happens, they're both drunk. Bobby wakes up in Luke's bed with a terrible hangover and little to no memory of how he got there. Unlike Bobby, Luke has some weird vendetta against putting any sort of curtain over his windows so the sun is shining directly through them and beating down on Bobby's face.

Bobby's first thought upon waking up is fuck the sun, but then he realizes where he is and who's next to him and his next thought is what the fuck.

Luke's got his arm slung low over Bobby's hips and after a cursory check under the comforter, Bobby confirms that they're both naked. He's not sure if that's a relief or cause for more worry, honestly. Either way, he's pretty sure something happened last night, even if he can't really remember it.

Bobby shuts his eyes to try and block out the sun, weighing his options in his head: he could try and go back to sleep here in the blinding daylight, or he could risk running into Alex or Reggie if he were to try and sneak back to his own room on the other side of the loft.

With a heavy exhale through his mouth, Bobby decides getting up is the better option. There's no way he's gonna be able to get back to sleep with the stupid sun lighting up the entire room.

He shoves Luke's arm off of him, probably a little rougher than he should, and has to pause in his movements when he sits up because his head suddenly feels like it's throbbing and spinning at the same time. Stupid hangover.

While Bobby's distracted, Luke wakes up. He's barely conscious but he has the wherewithal to realize that Bobby's trying to leave, and so he takes it upon himself to perform his best octopus impression and yanks Bobby back down onto the mattress.

"Goddammit," Bobby grumbles as Luke knocks their heads together, snickering into Bobby's ear as he settles with his body half-draped over Bobby's and refuses to move another inch.

"S'early," Luke mumbles, his nose brushing against Bobby's neck as he speaks.

"Luke," Bobby starts, his throat going dry as Luke runs one of his hands down Bobby's side. It tickles and he jerks under Luke, his breathing going shallow when Luke's hand continues below his waist. "Fuck," he whispers.

Luke hums, his smile bleeding through his voice as if it's not pressed into Bobby's skin already. Bobby's eyes roll back in his head when Luke's hand finds what it was searching for and suddenly Bobby doesn't care about the sun anymore.

After that, they seem to spend a lot of time in each other's beds.

Bobby's fine with it, honestly. It's an unspoken loft rule that dating between the four of them is frowned upon. Not strictly forbidden, because they're not stupid enough to think that any one of them can control the others, but why would they run the risk of not only ruining their living space but also their friendships? If something went wrong, everything would be destroyed.

So maybe keeping this a secret isn't that terrible. Bobby really doesn't want to have to try and explain it to Alex or Reggie anyway, so he's perfectly happy keeping his mouth shut.

Though sometimes Luke makes that incredibly difficult. But the best part is that Bobby gives just as good as he takes, and he relishes in making Luke lose control.

Besides, their friendship can't get hurt if this is all in good fun, right? What's a couple orgasms among best friends, as long as everyone's happy? Bobby can't imagine that there would be an instance where he would turn down an orgasm, especially not after learning just how good Luke is when it comes to that sort of thing.

The problem is, once Bobby knows about that side of Luke, he starts noticing a lot more about him too. Before they started hooking up, he was pretty sure he knew everything there was to know about Luke Patterson, but oh was he wrong.

Luke is thoughtful. Bobby knew he was a good friend, but now every time he does something nice for Bobby - "just because!" he says - it does something to Bobby's heart. His chest seizes and his throat closes up, and that feeling doesn't go away until he's able to get Luke alone and kiss him senseless.

Things could've gone on like this for ages, Bobby's sure of it, if this one little thing didn't pop up out of fucking nowhere and bring Bobby's entire world crashing down on him. The day he realizes that he's in love with Luke is the same fucking day Luke goes on a date with someone else.

The kicker is that Bobby isn't even thinking about Luke. He's perfectly happy spending the day sprawled on the giant couch in the loft's living room, relishing in the peace and quiet that comes with him and Reggie being the only ones home.

Reggie comes out of his room and collapses on the other side of the couch, sighing happily as he wriggles around until he's comfortable. Bobby snorts a little, tilting his head to look at Reggie for a couple of seconds before he shakes his head and goes back to staring off into space.

"Aww," Reggie says a few minutes later, bringing Bobby back down to Earth. "Look!"

Bobby turns to see Reggie holding his phone out to him, and it takes a second for Bobby to realize that he's showing him an Instagram story. Bobby groans and shifts closer to get a better look at it, and within a few seconds he wishes he'd never seen it at all.

On the surface, it's a photo of Alex and Willie with a cute, obligatory "date night" caption. In the background is Luke and a girl Bobby's never seen before. His mind immediately jumps to conclusions that he'd much rather not even think about, but the damage is already done.

"N-Nice," he forces himself to say, and Reggie pulls his phone back. Bobby settles back down into his spot on the couch, but his mind is stuck on Luke in that photo.

He should've known better. Of course there was a reason why they never talked about what they were doing. It was just a friends with benefits thing, a placeholder until Luke found someone he actually wanted to date. He could never actually date Bobby.

Bobby's crushed to discover that somewhere along the line, he started wanting to date Luke. He didn't want to keep them a secret anymore. Maybe he wanted to post a photo of them on his Instagram story. Well, if he had an Instagram, anyway.

"Hey," Reggie says, tapping Bobby's forehead. "You okay?"

"Huh?"

"I asked if you wanted to order food and you didn't answer," Reggie says as he sits up, turning around on the couch to get a better look at Bobby. "You okay?"

"Y-Yeah," Bobby says shakily as he sits up, letting out a nervous laugh as he runs his hands through his hair. "Sorry, guess I spaced out."

"No worries," Reggie replies with a smile. "So, food?"

Bobby nods. "Sounds good."

"Cool. I was thinking Chinese, but…"

Reggie's voice fades into the background as Bobby sinks back into his own head, wishing so badly he could rewind the last twenty minutes and go back to blissful ignorance.

What's he going to do when Luke comes home? He's absolutely not going to cause a scene in front of Alex or Reggie, he'd die of embarrassment. Maybe he's blowing it all out of proportion, maybe that girl is just a friend.

Or maybe Luke would just laugh in his face if Bobby admitted that he wants more. He can't take the risk. He can't.

"Bobby? Dude?"

Reggie waves his hand in front of Bobby's face and Bobby jerks away.

"Are you sure you're--"

"Actually," Bobby says, swallowing hard as he gets to his feet. "Raincheck on the food?"

"O-Okay," Reggie frowns as Bobby makes his way to the front door. "Where are you going?"

"I just-- I forgot, I have something to do," Bobby says cryptically as he grabs his keys and leaves the loft without another word.

He can't stay in the loft, not when Luke could come back any time. He takes the elevator down to the first floor, unsure of where he's gonna go when the doors open. He'll figure something out.

filled prompts

[thestupidhelmet]

Hey there, can you pls help a fellow writer? Here's the thing: I've been writing T70S fanfic for a while, and I feel that I'm managing to keep the characters in character, writing dialogue and their thoughts is easy for me now, but I'm having a whole lot of trouble with their body language.

For instance, when Jackie's really happy or excited about something, she claps her hands enthusiastically, smiles and gives those small adorable jumps. I've seen her doing that on the show and I try to bring that to my stories, but I'm having trouble writing her body language in other situations.

And that's a problem I'm having with all the characters. Like, I know Kelso and Eric both tend to gesticulate a lot with their hands when they're excited about something, but I don't know how to write them when they're scared, or sad, etc. Does that even make sense?

Anyways, I have no trouble writing about the character's feelings, I do have trouble when they need to express their feelings with something other than words, usually, their body language.

I want to give each character their own unique way to express themselves through their body. Like, Hyde and Eric, for example, will behave differently when they're like, really happy or really sad.

Hyde is not the type of guy that claps when he's really excited about something, he's a chill guy and he's the one I struggle the most to write when he's experiencing a strong emotion.

What I mean to ask is: can you give me some tips? I'm really struggling with this. Sorry if this was way too long, I don't even know if this ask made sense to you, but... well, I just could really use some help.

Hi! For my own T7S stories, I’ve made specific choices for the characters’ (emotional) body language based on my understanding / interpretation of who they are, and you can do the same. You’ve obviously observed quite a bit from the actors’ performances from the show, but I’ll describe body language you might not have spotted.

Jackie

She displays a variety of behaviors when she’s sad or upset, depending on what lies underneath her sadness. It also changes depending on her life experiences (basically, how many times her heart has been broken and by whom). You’ll find some commonalities in her body language when she’s upset, however.

When she feels hopeless or is grieving, she stays relatively still, sitting in one spot. She’ll hug a pillow or pick at a stuffed animal’s ear until her feelings overwhelm her. Then she’ll full-out cry while continuing to stay in one spot and picking at whatever she’s grabbed for comfort. See “Ski Trip” (1x13).

As she experiences more heartbreak, her stillness remains when she’s upset. She’ll stare off into the distance while crying. But unlike in “Ski Trip,” she sometimes cries silently. See “Kelso’s Serenade” (2x21).

When she’s depressed, she loses affect in her voice. Her movements are slower. See “Jackie Moves On” (2x22).

When she’s fighting to be understood -- whether she’s angry or sad or wanting desperately for someone to do something specific  -- she becomes animated. She makes pleading gestures with her hands. She’ll also place her hand on her heart.

When she’s fighting for her life -- her emotional life / happiness -- she’ll let snot run down her face while trying to get the other person to understand her needs. See “Don’t Lie to Me” (7x12).

When frustrated, she’ll slap her leg, slam a door after leaving a room, or even kick or pinch the other person. (No! Bad, Jackie!) See “Nobody’s Fault but Mine” (5x23) and “The Immigrant Song” (5x24).

When annoyed or disgusted, she’ll grunt or lean her head back -- or do both at once. With Eric, she’s also sneered. (Too many examples exist to list a specific episode.)

When she’s trying to coax someone to doing what she wants, she’ll do a subtle shoulder shimmy (which I bet she picked up from her mom). She’s done this with Hyde and, I think, Donna. See “Kelso’s Serenade” (2x21) for an example with Hyde.

When she has a sudden idea she thinks is important, she’ll gasp and put her hand on Donna, Kelso, or Hyde’s knee (depending on whom she’s talking to).

Jackie will rub a person’s knee or arm as an expression of emotional support. She’ll also lean her temple against a friend’s (or lovers) when she’s feeling affectionate toward them.

Honestly, I could keep on listing body language for her. But you can find it yourself by watching the episodes. Find an episode where Jackie experiences a specific emotion you’re looking to write into your own story and see how it’s portrayed. This advice stands for the rest of the characters, but I’ll list some body language for them, too.

Kelso

When he’s scared, he closes in on himself physically, trying to make himself a small as possible. He also shakes while doing this. Or he’ll scream. Or he’ll shove someone -- even a person he supposedly loves -- out of the way to get himself to safety. He’ll also find someplace to hide if he feels it’s necessary, usually under a pierce of furniture.

When he’s sad, he’ll cry. Sometimes he’ll hug something with sentimental value to his chest, like a photograph while crying. Or he’ll rip apart something symbolic of how he’s feeling, like a cookie shaped heart.

If feelings of anger or loneliness are mixed into his sadness, he’ll sometimes cry but it’s less forceful. He’ll slump to the couch.

If he feels particularly betrayed, he won’t look at the person who hurt him while in that person’s presence, even if they’re talking to each other.

When anger and betrayal mix, he’ll get physically violent -- usually, but not always, to his own detriment. He’ll run into a screen door then yank it off its hinges. He’ll shoot someone with a BB gun, etc.

When he’s confused, he often stares blankly with a strange expression on his face.

Eric

When he’s scared, the pitch of his voice rises. He’ll swallow more. Sometimes he stutters. He’ll fidget. He’ll look from side to side. He becomes hypervigilant of his surroundings.

Eric often expresses his anger either directly or passive-aggressively. When direct, he’ll shout his feelings and thoughts or speak them at a louder volume than normal. He’s not particularly cruel in what he says.

When passive-aggressive, he’ll smirk smugly while or after making a sharp insult. He’ll rest his hands on his hips or hook his hand / thumbs in his pants pockets in between gesturing. He’ll also laugh smugly while sticking out his tongue then blow a raspberry. This last sequence of behavior seems to be one he and Hyde share, so maybe one of them picked it up from the other while growing up.

If frustration is mixed with his anger, he’ll shout and shove furniture around.

When feeling a particularly overwhelming emotion, whether pleasant or unpleasant, he tends to get on the hood of the Vista Cruiser and look up at the sky. If deeply upset, he might cry silently and slam his fist onto the car’s hood. See “The Promise Ring” (3x25).

After making a devastating choice he believes is right but breaks his heart, he’ll shove his hands in his pockets, look down at the floor or his shoes, and stay quiet. See “Love, Wisconsin Style” (4x27).

The quality of Eric’s voice often reveals a lot about his emotional state. He’ll speak really quietly, not whispering, but as if trying not to scare away a doe when delivering bad news.

Fez

Fez is relatively open and direct with his emotional expression. When he’s sad, he cries. When he’s angry, he shouts. When he’s hurt-angry, he might cry-shout. When he’s happy, he might sing a song and/or do a little dance. Or he’ll hug and kiss his friends (male and female) when he’s grateful.

He’s generally not afraid to speak his mind. If his feelings are particularly intense, he’ll demonstrate his emotional state with a physical display (e.g., ”You dump Fez? I dump fries! There’s your scene!”)

When he’s scared, however, he sometimes pulls in emotionally to protect himself. He won’t speak his mind. Or he’ll clasp his hand in prayer, look up, and ask God for help or answers. He might disregard another person’s boundaries to feel safer (see “Ski Trip” when he’s cold). On the opposite end of the spectrum, he can become obsessive (e.g., calling Eric at three in the morning to ask if they’re still friends).

Fez tends to keep his hands on his hips a lot, regardless of what he’s feeling at any given moment. It’s one of his characterizing personality quirks.

Donna

When she’s angry, she can yell her feelings or an insult (or both). Or completely swallow her anger and talk / act as if she’s fine. She’ll stomp away after an argument, whether up a flight of stairs or to her yard. In season 3, she also takes on a quality of becoming emotionally distant and dismissive, which is reflected in her body language by maintaining a physical distance while looking the other person squarely in the eye.

When she’s sad, she’s doesn’t tend to cry. She’ll talk about what’s upsetting her with emotion in her voice. She’ll gesture with her hands or bite her thumbnail. If she’s discussing her feelings with Eric, she’ll hug him.

When she’s depressed, her posture slumps.

When she’s terrified or feeling betrayed, that’s when she’ll cry. She might reach out to the other person (Eric) with her hand.

Donna tends to act out and/or become self-destructive when she’s feels powerless. Her body language gains a swagger (her walk, her facial expressions, her tone of voice).

If she’s happy, she’ll gesture in excitement with both hands. She smiles and laughs, too, while explaining what’s made her happy. 

Donna will hug friends and family to show emotional support.

Hyde

Hyde does not like people knowing how he’s feeling at any given moment, whether it’s happy, angry, sad, etc. But he does express emotion through body language.

When he’s nervous and he’s sitting, his leg might bounce or his foot will shake. More often, though, he’ll cross his arms over his chest protectively. This latter behavior is true for many of his emotions.

He’ll pace when he’s conflicted. Or stand still and pinch the bridge of his nose while considering all the variables of his internal conflict. He’s very careful when speaking or purposely revealing his (emotional) truth, and he might take a few breaths before actually saying it aloud. 

He’ll also pace and scratch the back of his head he’s antsy or edgy.

Generally, though, he tries hard to suppress his feelings. This often makes him stand stiffly with his arms dangling still at his sides.

When he’s amused, he doesn’t hide it. He’ll chuckle or laugh. If he’s very amused, he’ll laugh hard and press his hands against his stomach. If he’s laughing that hard with a friend, he’ll hold onto that friend for support while lowering his head.

He’s rarely happy, but with Jackie he is. His joy beams out of him like sunlight. See his private moment with Jackie at the start of “Magic Bus” (6x03) and the circle scene with Jackie in “I’m A Boy” (6x08) for examples.

He’ll hug his male friends when they’ve been gone for months or they’re about to leave for a long time. He’ll also hug Kitty and Red when he feels happy for or grateful to them.

That being said, he doesn’t like when people hug him spontaneously. Depending on who’s doing the hugging, he’ll either shove them off angrily (Kelso, Fez, and Eric), endure the hug until he figures out how to make it stop (Kitty), or even panic a little (Roy). Hyde has to be the initiator or co-initiator of the hug. He likely feels trapped and out of control otherwise, which makes sense considering the physical abuse he experienced from his mom.

He’ll clasp or sling his arm around a friend’s shoulder in camaraderie or support.

If you’d like more advice about showing character emotion through body language, I recommend The Emotion Thesaurus: A Writer's Guide To Character Expression by Becca Puglisi and Angela Ackerman.

I hope this post helps! :D

[slashiest-slasher]

What would happen if a survivor caught trapper, micheal, huntress , and leather face being sweet on they're s/o during a trial?

you know how i kind of write stuff in notepad and then my computer says “time to crash!” and deletes everything?

yeah it happened again, but im also super depressed and have been barely able to work on anything lmao (´._.`)

Trapper

Evan… well he isn’t a very sweet, or gentle man. It was just his personality. He hadn’t even told you “I love you” yet, but you could tell that’s what he was saying when he patted you on the head. Words were not his strong suit, and you couldn’t exactly blame him for that.

He was beginning to get a penchant for trapping survivors in the basement, and you were no exception. Most of the time he would hook someone and just get it over with, but there were the rare instances where he would play with you before letting you go. Usually it would be a quick fuck, or petting down your hair.

Today it happened to be cradling your cheek in one hand, and running his fingers through your hair with the other. It was… oddly tender, almost loving. It might have unnerved you a little, but you couldn’t help but stroking the hand holding your face and staring at him blissfully. It was so quiet and peaceful.

Quiet enough that you should have noticed Dwight sneaking in down the stairs. Evan held you there for a few more moments, before lifting up the bottom of his mask and kissing you. And then, in a flash, he was after Dwight, leaving you in the dust. He ended up killing you that trial, like he always did.

And Dwight… Hoo boy, he refused to look at you the same way. Whenever he would talk with you, he would get this constipated look on his face. He never really brought it up, with you or any other survivors, but he found it hard to talk with you again after that. He would loosen up after you saved him, several times, but he always found some excuse to sit away from you.

Michael Meyers

Michael is a bit emotionally stunted. He doesn’t exactly show any physical affection, and he doesn’t really talk much either. Sometimes, it’s difficult to tell if Meyers even likes you. He tolerates your presence, but that’s about it. There are times where he might graze his hand against yours, but outside of sex, he rarely shows his soft side.

You were getting pretty busy looping Michael through a house without getting caught yet. You were his obsession, surprise surprise, again. It hardly shocked you, but if it got him off of everyone elses backs, then so be it. But you made the one, crucial mistake of hesitating to jump out of a window, and he caught you by the back of your shirt.

You were fully expecting him to haul you off to the nearest hook, but instead he just left you half hanging out of the window. It was uncomfortable resting on the windowsill, but how could you complain with Michael nestled between your legs, gently grazing his fingers down your face. He even folds up his mask to place a kiss directly over your jugular. It’s a terrifying rush, but you love it.

“Ay, what the hell are you doing up there?!” You loll your head back, and of course it’s none other than Ace mother fucking Visconti yelling up at you from the sidewalk. Shocking enough for you to slither out from Michael grasp, and gracefully roll off the roof, and into a bush. Michael is no longer in the window when you look up, so Ace grabs you by the wrist and pulls you away.

If you thought he would stay silently about the matter, you are sorely mistaken. On the one hand, he never lets you live it down, and taunts you about it constantly. It’s in good fun, but theres a part of him that’s vile and angry, almost betrayed. How can he trust you with his life if you were getting cozy with one of the killers. On the other hand, he spread it amongst the other survivor that there’s someone you’re sweet on. He, thankfully, doesn’t say who, but it something you have to deal with now.

Huntress

Ana really and truly can hardly ever keep her hands off of you. She’s a real handsy lover, and finds it comforting to anchor herself down with you wherever really. It can be cute at times, when shes begging for attention like an ignored puppy, but at the same time, she can become forcefully affectionate, inside trials as well.

Everything to her is a big game of cat and mouse, so running away and getting a flung axe to the back may hurt like a bitch, but it’s not out of malice. She hauls you over her shoulder and carried you to her shack. In the distance you can see another survivor lurking around in the grass and at that moment you know you’re screwed.

The moment you are hidden behind the walls of the shack, she plops herself down on the table, with you in her lap, and snuggles you for all she’s worth. If there was one thing Ana loved, is was nuzzling and rubbing her face in your neck. You know the survivor is going to be here anytime soon, and while you love getting attention for her, this is a bad look for you, so you struggle to get out of her arms. Just another aspect of the cat and mouse game she loves so much.

In a flash of light and noise, the room fills up with smoke, and someone herds you out of the room, and towards the open doors. It takes you a moment to clear the smoke from your vision, and it’s none other than your guardian angel, Bill, pushing you along. He’s more concerned about getting you out than anything, but his face is amused and you can practically hear his teasing.

Mostly everyone gets out, but at the campfire with Bill, he turns to you and lets out a laugh, teasing you about the odd way killers seem to act around you. How the Huntress was probably trying to kill you with mortification. You laugh along and agree with him, hoping that’s his true beliefs.

Leatherface

Oh man, if you thought that Ana would be bad with the physical affection, Bubba is even worse. Since he’s pretty much only a killer out of fear and being forced to by his brothers, Bubba isn’t a stone cold, emotionless killing machine. He’s a big baby and he has fallen hard for you. He’s going to want attention at all hours, and he sure as hell isn’t going to let you ignore him. He get unbearably mopey when you do.

He doesn’t want to dare hurt you when you’re in a trial with him, but he doesn’t just ignore you either. He wants a hug from you, usually, and he sure as hell isnt going to stop chasing after you until he does. This trial is no exception, and you woke up close to him as well, so you’re going to have no such luck trying to escape his grasp.

The moment his eyes lock on you, he comes charging like a homing missile, and chases after you. No matter if Quentin was only a few feet away from him, waiting for him to come near a pallet to throw down on him. You finally let Bubba catch up to you when you’re a good enough distance away, and he immediately throws his chainsaw down and sweeps you up into his arm and spins you around. You can only really wrap your arms around his neck and kiss him through his mask. Hell, he caught you, might as well treat him.

Quentin must not have really been looking where he was going, because he ran right into the two of you only a few moments later. He says “fuck” under his breath and makes a break for it. Bubba, in an instant, drops you, grabs his chainsaw, and goes for him. You, of course, have to save Quentin from the hook, and boy is he fuming about it.

A good amount of the survivors already knew about your thing with Bubba. Some were bothered by it, which was understandable, he killed you just as many times as anyone else. Others didn’t really care, since they found the scraps of paper and heard the whispers about Bubba, and knew that compared to a lot of other killers, he wasn’t as bad. Quentin was one of the latter. He was fuming at first, and could hardly speak with you, but eventually got over it. He wasn’t in any position to judge you, as long as you still saved him that was.