#((The Gen 4 seasons do have a few weird episodes obviously but basically all the seasons do.))

[miraculouscontent]

Pokemon anon again! I'd like to hear anything you have strong opinions on (either your personal ships, ones you dislike, etc). I just really like reading your thoughts, so whatever you feel like sharing is fine.

Welcome back, Pokénon!

And sure, I can do that!

Alright, so in terms of ships I dislike (I’m going to go with the English names just so I’m not constantly using both names)...

I guess I should get the obvious ones out of the way, because I’m not really a fan of either “Ash ship” extreme:

Poke//Shipping (Ash X Misty) and Amour//Shipping (Ash X Serena)

I don’t like either of them.

For Poke//Shipping, I have never liked aggressive tsundere characters and Misty is basically a textbook example of that. It’s not that I have a problem with strong/tomboy-ish (though honestly I don’t consider Misty a tomboy anyway) female characters, which I know it sounds like that when I have a distaste for characters like Alix too, but when they’re brash and angry and just so generically “TOMBOY GIRL POWER,” it grates on my nerves.

The idea of having an aggressive character - y’know - be aggressive to their love interest and then cue the sad music when the love interest argues with them or makes any sort of hurtful implication just... no.

Like, I want you to imagine the most sarcastic Clarity possible and then picture me as a little girl watching the scene where Misty is officially leaving the group, because that was literally just me like, “oh noooo, she’s goooone.”

It’s the same reason I don’t do Rocket//Shipping (James X Jessie). One character is too aggressive and the other character doesn’t even come close to balancing it out.

There’s also the fact that nothing comes out of Poke//Shipping. Misty is canonically crushing on Ash (*flashbacks to the friggin’ second movie where they shove it in your face*) but it’s just... there, not to mention that scene where Misty is talking casually to Ash like, “you and I will be married too someday,” which came completely out of left field and - whether for a joke or not - made little kid me very uncomfortable.

Like I said, it’s just there and doesn’t go anywhere, and Ash is already so oblivious that of course he wouldn’t get that Misty is in love with him. It’s basically a long-running gag of Misty pulling a surprised Pikachu face whenever Ash doesn’t understand that she likes him/wants to stay with him/literally wants anything specific from him.

As for Amour//Shipping, I did admittedly like it at first, but just--ugh, oh boy.

First, it’s shipping fanservice, kinda like Pokemon 2000 throwing a bone to the shippers except now it’s the whole two seasons. My followers know how I feel about fanservice just for fanservice and that’s basically all that Amour//Shipping is. That’s why Serena was already made to have met Ash when they were children; so the writers could get a “headstart” on all the blushy fanservice they could squeeze in on Serena’s end.

I fell off the ship sometime around Wulfric, particularly with the scene where Serena comforts Ash. Just that whole, “this isn’t like you,” and then trying to compare her contest losses to Ash’s battles as if Ash hasn’t been at this for seasons upon seasons and battles aren’t a completely different category because they involve actually watching one’s Pokemon get physically hurt (Pokemon battles are a sport, yes, but it doesn’t change anything; Ash also has a special Greninja so of course he’s going to be upset that having all this experience still isn’t enough to just sweep). Like, to relate to someone, yes, it helps to have something you can use as a mental comparison, but that comparison is (usually) supposed to stay mental.

Anyway, after Ash shouts at her because she doesn’t know how he feels at all (because she doesn’t) and he just wanted to be left alone (because he did), Serena throws snowballs at his face and that apparently helps make Ash feel better because Serena can do no wrong here and that just so happened to be exactly what he needed.

(I mean, that whole gym battle and what follows is already pretty trash but that solidified it for me. Basically everything XY&Z added were things I just didn’t care about.)

Oh, and Serena is also implied to steal a kiss from Ash at the very end of the season and you guys know how I feel about that. It’s mostly the fact that she’s so non-apologetic about it, just smiling and blushy and all happy whereas here’s me like, “Wait, I’m pretty sure we just missed a crucial step here??? Since when were you sure that Ash had a thing for you???”

So yeah, I’m not a fan of either ship. I have vague opinions about basically all other ships (The ship between Ash and Iris aka ”You’re such a kid” girl can rot), but Poke//Shipping and Amour//Shipping are the ones I have the strongest negative feelings for.

Brock being shipped with basically anyone is a no no for me. The guy flirts with anything that moves and I have never found it funny or charming. The closest thing young me ever came to a ship with him was Luck//Shipping (Brock X Pike Queen Lucy) but that’s basically it, and it honestly could’ve just been me thinking the idea that Ash and Brock both getting together with Battle Frontier people (I was for Ability//Shipping - Ash X Sailor Maiden Anabel - at the time) was a neat idea and both episodes that featured the respective ships had BLUSH FUEL.

I recall being into Advance//Shipping (Ash X May) when I was young (I was a multishipper back then, you see) but I avoided thinking about it too much because I wasn’t a huge fan of Max (aka “Iris before Iris existed”) and Norman’s game counterpart infuriates me even to this day so I just didn’t want to imagine Ash having to deal with those sorts of things. Plus, looking back on it, he and May were little too similar (then again, maybe that’s why I liked it?).

I expected to enjoy Aurelia//Shipping (Ash X Lillie) when I was getting into the Sun&Moon seasons but it didn’t really do anything for me. I guess maybe I was so burnt out after Amour//Shipping that I wasn’t in a shippy mood anymore? Though, it could also be that their relationship isn’t as “balanced” as I would’ve liked.

Anyway though, as for the ships I actually really like instead of just being indifferent towards or outright disliking, the big one really is just Pearl//Shipping. I suppose it makes sense given that I’m not a multishipper, don’t like Brock enough to ship him with anyone, and most other travel companions are ones I either hadn’t gotten attached to or that I’d paired with Ash long enough that, once I got older, I couldn’t really picture them with other people because my memory of their moments wasn’t strong enough.

Yeah though, PEARL//SHIPPING, I ADORE IT. Like, I’ll try to explain it as best as I can without rambling, but basically:

Dawn doesn’t make excuses when she wants to go with Ash. No “my bike," no meandering, just really casual.

THEY SING THE JAPANESE OPENING TOGETHER AND IT’S RAD. “High Touch” is like, my favorite opening theme???? And they do a duet for it??? I just???? Yes???????

It’s the little things. High-fives are like, their thing. They traded Pokemon with each other which is like, really rare for the series and it made total sense. They both have a Pokemon they keep out of their Pokeball who doesn’t want to evolve (Piplup was the Eevee partner from Let’s Go before it was cool) and no, Misty’s Togepi doesn’t count because it was Gold and Silver’s posterchild. Ash and Dawn also both gave up a speedy physical Pokemon (Primeape and Ambipom respectively) so they could participate in some sort of Pokemon sport that doesn’t exist in the games while I scream in the background because I really like said Pokemon.

DAWN IS ASH’S CHEERLEADER. SHE LITERALLY CHEERS FOR HIM DURING GYM MATCHES. THAT’S PRECIOUS.

They help and get ideas off of each other, which I think is really cool. Them trading Pokemon just furthers that sort of dynamic.

Them just supporting each other in general. There’s a moment where Dawn takes a pretty harsh loss and Ash can be seen sulking like he really gets how she’s feeling.

It also helps that Diamond and Pearl were one of the better seasons of the anime. Paul is a solid rival, I really like the creative battle techniques like spinning and countershield, and just Chimchar in general honestly. I remember the baking episode “Cooking Up a Sweet Story!” vividly and all the feels it gave me.

Yeah though. It’s not any sort of OTP pairing or anything, but out of all of the anime Pokemon ships, Pearl//Shipping is probably my favorite. I’d probably ship them a lot more if they were a little older (like, on par with the protagonists of the Black & White games, who are closer to 14/15; it’s just easier to get a gauge on personality that way).

[adultswim2021]

Space Ghost Coast to Coast #85: “In Memory of Elizabeth Reed” | December 7, 2003 - 11:30 PM | S08E04

Happy 20th anniversary, Adult Swim. And, boy, what a momentous episode of Ghost do we have here to celebrate. There are a number of episodes where the guest is an event unto itself and this is truly one of them. Frequent punchline William Shatner is an absolute cunt... and a proper legend. His cuntiness and legendary status are two things that seem to be at odds with one another, and the Space Ghost crew have managed to come up with an artfully idiosyncratic episode to match Shatner’s weird-guy-ness. It’s a classic for sure, and important. But (making a “smug dipshit” face) is it funny?

YES! It’s FUNNY! I will admit though, the first time I saw this episode I didn’t quite know what to make of it. This is partially because I’m very much a Star Trek agnostic. I’ve never been into Star Trek. In the last few years I’ve watched most of the pre-Next Gen motion pictures for inane list-making reasons, and I enjoyed them to varying degrees, but Star Trek is truly not for me. I’m more of a... well, I’m not a Star Wars guy either. What’s the other one? Uh... Spaceballs. That’s it. I’m more of a Spaceballs guy.

But I feel like I’ve absorbed a lot of Star Trek lore through cultural osmosis. I vaguely understand that William Shatner has had some deliberately-paced choreographed fight scene on those rocks from Bill & Ted’s Bogus Journey. When I hear music similar to the the music that Jim Carrey hums in The Cable Guy, I’m pretty sure whatever it is I’m watching is doing a Star Trek thing. And yes, I’ve watched every single Red Letter Media “Mike and Rich talk about Star Trek for 4 hours” video. But even today, after having picked up more Star Trek knowledge on my journey to the grave, I still have this nagging feeling of “I only sort of get this”.

Still, this episode has a handful of screamingly funny lines, and the episode ends wonderfully, with Space Ghost in his death throes, suffering the ultimate indignity of dying in front of William Shatner. There’s also the part where Zorak asks why everyone in Star Trek is black, and a part where Moltar nervously reads from his fan fiction (from a book labeled TARD WARS, hahaha). Shatner, who has a reputation for being arrogant and difficult, is as good a sport as one could hope. The show makes good use of his hammier moments, and only shits on him slightly in the process. The most notable moment is when Shatner says to Zorak “didn't you and I fight to the death?” to which Zorak replies “That sounds pretty dumb, man”. I’ve actually quoted this line many times. It’s one of the best.

Also, for those of you who like to track these things: the show features callbacks to other episodes and shows; the handimen at Zorak’s apartment are clearly extras from Sealab 2020/2021, one of the Leprechauns from Aqua Teen Hunger Force shows up, and there’s a poignant callback to classic Space Ghost episode “Banjo”. 

The title motif of this season is naming the episodes after Allman Brothers songs, and I always wondered about this one. Maybe I’m reaching, and it’s probably too disrespectful to be true, but I always thought that it was somehow a veiled reference to Shatner’s wife, whom he supposedly killed or let die. It’s simply too dark to be true, but it’s the first thought that immediately jumped to my mind when I first heard the title of this episode. Am I stupid for thinking this? Am I stupid because it OBVIOUSLY is a reference to that?? I simply do not know. I would like to know.

MAIL BAG

The big anniversary is upon us. What are your 20 favorite things about adult swim for 20 years going. Don't sleep on this question!

I gotta do SOMETHING special, so I might as well do this. More thought could have gone into this, but I spent about an hour trying to come up with episodes or moments from 20 different shows and putting them in rough chronological order. I limited myself to one episode/scene/moment/joke/whatever per show so it’s not all Space Ghost jokes. So, here we go:

Sealab 2021: “I, Robot”. Adult Swim proved it could be brilliant right out of the gate with the stealth premiere of “I, Robot”, but for Sealab it’s all downhill from here. (2000)

Space Ghost Coast to Coast: Space Ghost stops in his tracks to reminisce about the time Bobcat Goldthwait said "crack a window". The entire episode “Kentucky Nightmare” is brilliant, but this moment in particular so uniquely captures my sense of humor that it’s inexplicable. The dumb look on Space Ghost’s face when he stops in his tracks. Goddamn. (2001)

Aqua Teen Hunger Force: “Mayhem of the Mooninites” I tried very hard to make this all be individual jokes or scenes or whatever, but this is another episode where the entire thing is just line after line and I can’t really pick. This, “I Robot”, and “Kentucky Nightmare” is like a perfect trio illustrating how good Adult Swim really was right out of the gate. (2001)

Home Movies: Jason casually reveals that his parents have no idea who Brendon and Melissa are and that he spends most of his free-time making movies with them. This is the episode “Storm Warning” which is overall one of the best episodes of Home Movies, but this scene is probably my favorite. Illustrates how simple and hilarious the comedy is on this show. (2002)

Tom Goes to the Mayor: the end scene in “Undercover”, where they’ve shoddily reversed Tom’s various unnecessary surgeries and called him “Taumpy Tears” to boot. Positively sublime. (2006)

Metalocalypse: Dr. Rockso’s music video. From the episode “Dethclown”. I was never in love with this show as much as the true fans were, but there were a handful of incredible episodes. This episode basically tells one joke over and over and it’s very funny. It really ends with a bang showcasing Dr. Rockso’s shitty music video that celebrates cocaine use. His singing voice is hilarious. (2006)

Assy McGee: I am the only person in the world that defends Assy McGee as being “actually pretty good” and it’s all entirely due to this one line: Assy McGee (a pair of naked buttocks with legs, whose ass functions as his head) is forced to attend a black tie event and is just milling around wearing nothing but a black bow tie. Through clenched anus he delivers the line “I can barely breathe in this penguin suit”. The whole show is worth it for that joke. I don’t even know what episode it is except that it’s from one of the first few. I might not even have the line exactly right. But, I remember laughing so hard. I may not have laughed at Assy McGee again. (2006)

Saul of the Mole Men: The opening theme song. And nothing else. (2007)

Tim & Eric Awesome Show, Great Job!: Jim and Derrick. I should pick something more user-friendly maybe, since this episode almost entirely relies on being familiar with Tim & Eric’s previous episodes. But goddamn, this episode is such a funny concept (which is basically Tim & Eric doing an alternate MTV-ified version of Awesome Show) (2008)

Moral Orel: “Numb”. When Moral Orel suddenly stopped being a quirky Adult Swim comedy and suddenly started doing episodes that resembled art films. This episode is a fucking masterpiece. I remember sobbing the first time I saw it. There are a few in season 3 that are like that, but this one is my favorite. (2008)

Check it Out! with Dr. Steve Brule: Terry Bruge-Hiplo reviews “Dumpster’s Children”. Another bit of comedy that I’d describe as “inexplicable” and “sublime”, and it all hinges on an old man’s mouth. Holy fuck. I don’t think I’ve laughed harder than this at a TV show since. (2010)

Delocated: The ending of “Mole”, an extended Face/Off riff where Jon goes undercover as the scary mobster Sergei. In the final moments of the episode he marries a woman, fathers multiple children with her, and only then is pulled out of the mission. The episode is a tour-de-force of comic acting by Steve Cirbus, who is graciously allowed to shine for most of the episode. But man, that ending is fucking wonderful. (2010)

Venture Bros.: The ending of “Operation P.R.O.M.” a flurry of emotions hit me when “Like a Friend” by Pulp starts playing. The scene is so well done and weirdly touching. Brock realizes that deep down he gives a shit about the Venture family and is genuinely terrified something might happen to them. And then he gets to slaughter a bunch of Zorak monsters, which is also weirdly sweet. It’s even touching on a meta-level knowing that Jackson and Doc tried many times and failed to include licensed music in the show. I love Venture Bros, but I think we’d all be better off if this were the series finale. Sorry. I had to say it. (2010)

The Heart She Holler: The first scene with Patton being taught the way of the world posthumously by his father on a VHS tape. The first season of this show is amazing, but that scene, especially where Patton does a little Japanese bow and says “oh, hot dog!” is just hysterical. Literally every time a hot dog comes up in conversation my wife and I quote it. Please, do not scorn her, it’s not racist when SHE does it. (2011)

Eagleheart: The All That Jazz inspired finale. “Paradise Rising” is mostly a masterpiece, and how it ends is so fucking incredible. Easily the most under-rated show on Adult Swim and I’m not just saying that because... you know (mimes dick-sucking) (2014)

Rick and Morty: I watched the first two episodes of Rick and Morty, thought it was good, but for some reason didn’t become a devotee until my wife made me watch the Mr. Poopybutthole episode. It’s still my favorite episode, I think. (2015)

Brett Gelman’s Dinner in America: The “Dinner with” specials are all really good, but goddamn, this one hits. Should be shown in schools. I am going to go to every grade school in my county with an AR-15 (to get past the guards, of course) and I won’t leave until they call an assembly and they let me fumble around trying to find it on vimeo and play it for the students. (2016)

The Eric Andre Show: Eric interviews Steve Schirripa. The bit where he has an intern dip his balls in Steve’s spaghetti sauce is hilarious, naturally, but I’m here to showcase the running gag where every time Steve complains how hot the studio is, Eric just wordlessly hands him an ice cube until Steve explodes. It’s one of the most childishly hilarious things I’ve ever seen. It’s perfect. (2016)

Million Dollar Extreme Presents: World Peace: The Pick-Up artist sketch. I’m mostly unimpressed with MDE, and all but a few Sam Hyde bits leave me cold. But this sketch is a crowning achievement. I mean, I think these guys suck politically and are more mean than funny, but their sensibilities yielded one really incredible piece of comedy. Okay, I laughed at the blackface sketch too. There. You dragged it out of me. (2016) Joe Pera Talks With You: This show is beautiful and I love every episode. But the episode “Joe Pera Reads You The Church Announcements” Wherein Joe discovers a new-to-him song and can’t stop listening to it, is one of the most joyous episodes of television I’ve ever seen. A gateway episode. I tell everyone to please watch this one first. (2018)