#(+ dare i say some of the ts lyrics i see getting made fun of would be PRAISED if they came from other artists

[zukkaoru]

while i do agree some of taylor swift's lyrics are. ???. sometimes i see things pointed out and criticized that would not get any reaction at all if they came from any other artist

[nyaheum]

Eurovision 2020 – The Least Useful List Ever

Disclaimer: I am absolutely biased towards certain styles of music and am probably the least impartial person ever. I also don‘t take anything seriously, so you shouldn‘t make that mistake with this list. I mean, Eurovision has been postponed anyway and we‘re all going mad in self-isolation.

France: Tom Leeb – Mon Alliée

MEEEH, it‘s a dude with a guitar singing a quiet love song. Super basic and also super boring. Would be better if there was no English in it, that makes it worse. 3 Points.

Czech Republic: Benny Cristo – Kemama

Czechia has a type. It‘s kinda fun, but it‘s not my style of music. This could be on the radio and I‘d be „Okay, I‘m driving anyway“. There‘s not enough happening for me here. 4 Points.

Armenia: Athena Manoukian – Chains On You

Someone saw Ukraine‘s entry from last year, huh. But I actually kinda like it. I actually like the aesthetic more than the song itself, but it‘s kinda good. Except for the super basic chorus. Wouldn‘t add to my playlist but I don‘t mind it. 5 Points.

Italy: Diodato - Fai Rumore

Hey, I‘m having a déjà vu. Another non-english love song. But this is better than the french one, simply because there‘s actually some emotion in this dudes voice. Also Italy just gets sympathy points from me at this point. 5 Points.

Russia: Little Big – Uno

I love this song so much. It‘s so much fun. It‘s so stupid and campy. In short: very Eurovision. It‘s also just very interesting instrumental-wise. At least I think it is. I really like it. (also their dancer in the blue jumpsuit doing splits and a death drop? Icon) 10/12 Points.

Denmark: Ben & Tan – YES

Why does this sound like Shallow to me? I think it‘s the guitar and the male and female voice. Anyway if it‘s Shallow it‘s bad Shallow. NO from me. I don‘t like the pacing. BUT if they had had a live performance at least it would‘ve been great for audience participation. 4 Points

Estonia: Uku Suviste – What Love Is

Oh. It‘s that kind of song, huh. Why does th music video like this. Why are there spider webs on the microphone. Why is there the word „LOVE“ in an empty industrial hall. Why does he do so many vocal runs. Just a big WHY from me. 2 Points.

Romania: ROXEN – Alcohol You

I know this was the fan favourite song, but I liked literally ALL OTHER songs she had more than this one. It does look really cool though. It‘s also very modern, but there‘s not enough build-up for me? Or rather, it sounds like it builds up to something and it doesn‘t really in the end? Like it builds up to something, but it doesn‘t go as hard as I would have liked it to? But that‘s just me. 6 Points.

Azerbaijan: Efendi – Cleopatra

Okay, this is my guilty pleasure song this year. The music video is super weird (the dancers all look like they do not want to be there, she‘s suddenly dancing around a car in an outfit from 2009 and she‘s raking around in a baththub full of gold dust?), the text is super basic BUT holy shit I just love the pre-chorus and the chorus. I mean. What‘s going on there?...Whatever it is, I like it. 7 Points.

Albania: Arilena Ara – Fall From The Sky

She reminds me of Poppy, of all people. But her voice is deeper. Her song is also more basic. I really have nothing to say about thsi, except that it sounds like a song from last years ESC but I don‘t know which one right now. 2 Points.

Greece: Stefania – SUPERG!RL

If we have learned anything from S!ISTERS last year, then it is that you shouldn‘t replace I‘s with exclamation marks. Also why is she singing about her being super strong and stuff and then she uses her powers to...make two bullies probably break their noses?...and why did the nerd draw her (so weirdly)?  What is this music video… 2 Points

Portugal: Elisa – Medo De Sentir

Conan was robbed last year and therefore I cannot like whatever Portugal does this year. Conveniently, I also don‘t like this song. I swear, there‘s slow and quiet songs I like, it‘s just not...this kind. 3 Points

Moldova: Natalia Gordienko -  Prison

This year‘s music videos are so obscure, but at least this isn‘t the slow-mo-romance from last year. That being said...I do not like her face being so close to the camera. The song is surprisingly decent though. In an Eurovision context, duh. 4 Points

Malta: Destiny – All Of My Love

Two things: Destiny‘s voice is absolutely stunning. I love listening to her sing. She really knows what she‘s doing. And: although I had to skip the narration at the beginning (it made me uncomfortable??) it‘s a great song. It‘s fun. They‘re also all covering their mouths and noses. Truly ahead of their time. 7 Points.

Serbia: Hurricane – Hasta La Vista

My immediate reaction to that opening shot was: „Oh, hatred will win again huh?“. That‘s pretty much all they had in common with Iceland though. Something is wrong about this Instrumental. I don‘t know what it is, but it sounds off-beat for some reason? It‘s super weird to listen to, I don‘t know. It‘s also, eh, basic? 3 Points

Poland: Alicja – Empires

I knew an Alicia in school and I hated her with all I had.  I wouldn‘t say I dislike this song that much, but I also don‘t...really like it? I‘m always sceptical about songs that have very ambigious lyrics and then show some political stuff in the music video because I just KNOW that they do that so they can collect their Internet points while not risking to lose the points of older people who only watch the Contest on TV and will never see the music video. Apart from that, I just don‘t care for the song, honestly. 4 Points

San Marino: Senhit – Freaky! So, in the years where San Marino doesn‘t send Serhat, can we borrow him? I mean, he works in Germany anyway and speaks German, so it shouldn‘t be a problem, right? About the song: yeah, why not. Sounds a bit like they tried to do a little bit of Lizzo here, and I don‘t mind it. The people who did the music video also saw Ukraines entry from last year. The scene where they‘re all touching each other is basically the same. 5 Points

North Macedonia: Vasil – YOU

ME?! Why is he in the „She Got Me“-Bar by the way? And why is there a passed out guy in the background?! Is that girl wearing a Scrunchy? This whole video is She Got Me. Only worse. IT‘S EVEN THE SAME LOCATION?? 2 Points

Iceland: Daði og Gagnamagnið – Think About Things

I haven‘t seen one person on the Internet who dislikes this song and I...for once...am part of the hype. I love this song, I love these people, it‘s so stupid and that‘s why it‘s amazing. Iceland just gets Eurovision recently. It‘s also a total bop, all other things apart. I‘m humming it at least once a day, it‘s becoming a problem. Daði ALSO lives in Germany, so I think we can claim this song at least a bit? 12 Points

Finland: Aksel – Looking Back

In German, your „Axel“ is your arm pit. I just though you should know that. And I‘m only writing that because this song makes me feel nothing. It just faded right out as soon as I looked at my computer screen. It was gone immediately. 3 Points

Sweden: The Mamas – Move

Good voices. This sounds a lot like their song from last year for some reason. I mean. It even has the same lights or am I going mad?? It‘s totally fine though. 5 Points

Cyprus: Sandro – Running

This will sound weird, but...he looks like a german teenager. I can‘t explain it, he just DOES. Yes, the weird moustache totally included. With me talking about this, you can probably guess that I do not care about this song eiter. Bleh. 4 Points.

Slovenia: Ana Soklic – Voda

We wanna pRääääy – I know she (probably) isn‘t singing that but I can‘t hear anything else. The way she looks at the camera also weirdly bothers me, but that might just be because I can‘t really do eye contact. By the way, the chorus totally sounds like Paper from Iceland 2017. To me. I can‘t explain myself. 5 Points

Bulgaria: Victoria – Tears Getting Sober

Ouh...that title. She‘s going for a Billie Eilish-vibe, isn‘t she. She so is. And I wouldn‘t mind usually, but this is...very obvious. Like, VERY. I also don‘t care a lot for Billie Eilish‘s music, so, you know… 3 Points

Ireland: Lesley Roy – Story Of My Life

„Hey, Lesley, we‘re selling you to One Direction so we can go to the Eurovision Finale.“ What do you mean, it‘s not that Story Of My Life? Hmpfh. She also does not look like she should have that voice. She looks a bit like a middle-aged lesbian, if I dare say so. Why are there so many songs this year that I do not care about? AAAAH. 4 Points

Austria: Vincent Bueno – Alive

Damn, I want a Kinder Bueno now. His voice caught me a little bit off guard, I won‘t lie. And I know he‘s Austrian, but he looks like he‘s a classmate of the guy from Cyprus. Both weirdly german teenager-esque. The song is fine. Still not my genre. She can dance though, so I like him. 5 Points

Israel: Eden Alene – Feker Libi

What I conclude from this song: Israel is not yet ready to win again. I mean, the song is totally fine, but...it‘s not anything special? It just blends right in with the song from before. And I wanted to give bonus points for native language, but just the chorus doesn‘t count. Nuh-uh. 4 Points

The Netherlands: Jeangu Macrooy – Glow

Ah, the Dutch, known for weed and speaking funny German. One thing I genuinely don‘t get: if you are the hosting country, why send ballads or sad songs? I mean, the chances of you winning are so slim, you might as well send a song that‘s entertaining for the home crowd. Maybe in your native language, maybe with a catchy and fun chorus or a repeatable dance move...(may I mention Germany‘s opening act when they hosted the contest in 2011 and the way Stefan Raab completely transformed the song to have it be more fun and entertaining? Not the same thing, but I just think it needs attention). The song isn‘t bad, though. 4 Points

Switzerland: Gjon‘s Tears – Répondez-moi

Oh look, the Swiss remembered they know French. I swear, if they send a German song before us and all of Europe and Australia has to listen to Swiss-German I will throw something. Anyway. It‘s better than the Song sent by France. I like the „Ah-aaah“-parts a lot actually. Honestly, I quite like this song in general. The longer I listen to it, the more I like it. Oh no. 7 Points

Latvia: Samanta Tina – Still Breathing

Why do I feel like I heard this song already? Like, in this list. At least she has a very subtle hat. She won‘t stand out a lot. That reminds me, I don‘t understand art. I have also reached the chorus now and have to say that it still sounds a little bit like Azerbaijan but it‘s actually pretty cool. I don‘t know why, but there‘s just something about it. 7 Points

Georgia: Tornike Kipiani – Take Me As I Am

Okay, don‘t add me, but I really like this song. No jokes here. I just really love the way Georgia keeps sending super angry dudes to Eurovision and nobody cares about it. Although he sounds a lot less scary than Oto, which, in my book, gives him some minus points. Still. I like this. This Song also has more German in it than the German Song. Just pointing that out. 8 Points

Germany: Ben Dolic – Violent Thing

When I first heard this song, I absolutely despised it. I think it‘s just my natural reaction to Germany‘s songs nowaday. Anyway, everyone keeps saying that Germany finally has a good song again like it‘s been ages and ages. But, let‘s be real: 2019 was really bad, yeah, but 2018 was super good, I love 2015‘s Black Smoke to this day and we won in 2010, which, for a contests that only occurs every year and has more than 40 contestans, is not bad at all. What I want to say with that: yes, it‘s actually good, but it‘s not our first good song in decades. 7 Points / Not allowed to vote for it

Belarus: VAL – Da Vidna

This is the first video that YouTube gave me an ad for and I‘m not here for it. I know I‘m supposed to judge the song, but I also have to ask: what does she have on her head? That is a serious question. What is that. She also looks like my cousin a little bit, which is neither good nor bad for her. I‘d like to give her native language points, but two things bother me: a) what is she doing with those dudes and b) I don‘t like this song. 2 Points

Lithuania: The Roop – On Fire

(The Roop! The Roop! The Roop is on fire!) I love this. And what I mean by „this“ is the full package. The song is fine by itself (yes, I like weird songs) but his whole demeanor is just so obsucre...I love it. He manages to look like an extremely serious person while doing the silliest moves ever. He also just looks SO Eastern-European, it‘s ridiculous. 10 Points

Croatia: Damir Kedzo - Divlji Vjetre

He does not look like he should sing this kind of song. He looks like a German amateur rapper. Yes I know, it‘s not my fault that a lot of people look German. I don‘t like this song! I‘m sorry! 2 Points

United Kingdom: James Newman – My Last Breath

There‘s a fire-, no wait, wrong guitar intro. This dude looks like what my brother would looks like if he could grew a proper beard and was a few years older. I don‘t know what you are supposed to do with this information, but at least you have it now. For an UK song, this is absolutely decent. 4 Points

Ukraine: Go_A – Solovey

Yesss, ethnic stuff! I love this song, it‘s absolutely great. And her dress is absolutely stunning. I can‘t even think of anything funny to say about this song, it just totally takes me in. 10 Points

Spain: Blas Cantó – Universo

Can we have La Venda back please? And what is he doing with his hands? And why does he look like he does YouTube? So many questions, so little answers in this music video...(no, seriously, I KNOW this dude from somewhere.) 3 Points

Belgium: Hooverphonic – Release

Yah, Release me from this song please. I‘m getting sick of these songs!! Why is everyone whining, the world is bad enough already!! I‘m using two exclamation marks at once so it‘s serious!! And she says losing game, which is a direct nod to Arcade which led the Netherlands to the win. It‘s song science. Or for short: love love peace peace and all that. 2 Points

Norway: Ulrikke – Attention

Whenever I read the word „Attention“, all I can think about is Todrick Hall. Which is a problem, because this isn‘t…a party song. By the way, why is she squinting so hard? She looks like she‘s in physical pain. And not the „I‘m so sad“-way, but the „I really need to go to the toilet please“-way. I‘m running out of things to say so I have to resort to potty humour. Sorry. 2 Points.

Australia: Montaigne – Don‘t Break Me

I know we have all seen the outfit already, but why does she look like that. She also looks so lost on stage? I feel bad for her, but not because of the lyrics but because of the look on her face. Oh, and about the song: meh? 4 Points

FINAL TOP TEN:

One Point: Azerbaijan

Two Points: Malta

Three Points: Germany (I can‘t really vote for them but who cares there‘s no contest)

Four Points: Latvia

Five Points: Switzerland

Six Points: Georgia

Seven Points: Lithuania

Eight Points: Ukraine

Ten Points: Russia

Twelve Points: Iceland

[all-the-kookies-fall]

A THEORY: Linear Timeline of reputation

This is going to be a very long read; but it may just include unlocking the 15 Taylor's from the LWYMMD MV so read on if you dare…

 (OK it totally includes the theory, please read and tell me what you think!)

An Introduction:

I've been a casual fan of Taylor Swift since she started. Loved all her radio singles, listened to her albums (at my leisure upon release), and admired her platform and brand image. I guess I became a huge fan after 1989, but around the release of reputation, I realized just how much this woman's music has been there throughout my life and decided to fully stan her. As I fell down the rabbit hole of  learning everything I could about TS as an artist, I became completely enamored with her wits & charms. However, the more I learned to love about her, the more I could feel just a slight inauthenticity; I was constantly thinking of the hypocrisy of how she "never names who her songs about" yet she created this scavenger hunt with her liner notes that seemed to point in an obvious direction of one of her "ex-boyfriends." It didn't align with how she presented herself in every other aspect. Then, I felldowntherabbithole for real and found all of the incredibly documented and organized realm of the Kaylor's, and everything was literally in screaming color.

reputation made even more sense with fresh Kaylor eyes and once I read this Taylor Swift quote: 

reputation, in my mind, is an album that is very linear in it’s timeline. Meaning that it kind of starts out where I was when I first started making the record. The album ends more where I am now in my life. So this is more towards the end of the album, it’s called ‘Call It What You Want.’

my mind became OBSESSED with cracking this code. I had combed through all the kaylor blogs and while I had read everything I could, I still couldn't place it within any timeline. Then, Delicate came out and the code started to crack; I could peek inside and make sense of something, but was still unsure what it was. I put together a loose concept which had some plot holes, but it was when I remembered to revisit the 15 Taylor theory that everything completely revealed itself.

  I would like to start with a disclaimer: I have never, ever actively participated more than lurking or even posted anything on Tumblr. I would like to fully acknowledge that there is a huge, fat chance none of this makes sense to anyone but me, but my husband was really getting fed up with me talking about it and I just needed to share. THANK YOUS to the Kaylor blogs I frequented with incredible analysis and POV of Tay in the media and her music-  @all-my-possessions​ @howyougetthenerd​  @jennyboom21 @karlitakloss​ @kaydar​ @kaylorrepdetective​ @larrienation​ @out-of-the-klosset​ @paradisekisses  @tallcurlygirl​ @taytaysbeard​ @that-curly-haired-lesbian @thoseflashinggreeneyes​ @whaler13bg​ to name a few. (Sorry, tumblr is not letting me tag a few of you.)

 A lot of the information I am providing is not new and connects the dots from the amazing posts from this community. I tried as best as I could to cite all relevant posts - you can definitely let me know if I've made any errors. Please feel free to edit//contribute//comment because I have a feeling that a more seasoned eye would be able to expound on so many more clues and easter eggs!

Let the Games Begin!

Overall Concept/Themes

There are truly some insightful analysis of the overarching themes and concepts of the album already. Secrecy, partners in crime, forbidden love… In general there's a complex theme of Duality to the album; conflicting feelings, Brand vs Self, bad vs good, truth vs reputation etc. I think it's most important to note is that any analysis that views these tracks differently than listed below, can still be correct. Our Queen is a lyrical master plus there's that added layer of intentional dualities in her story telling; there's always at least 3 different meanings to her songs and that's one of the reasons we admire her wordsmith ways.

 The Timeline!!!

 …Ready For It?  - So It Goes… 2012* - 2014

This has long been inferred in every side of the fandom to indicate this is Part 1 of the Story, implied by the ellipses as the beginning and end of the track names. All the timelines I've previously read started at either the introduction of  1989 or even later beginning with 2016/2017 events, but it didn't make sense applied to the album as a whole. Once Delicate MV came out, I began to notice that all of the nods to RED in all these MV's were not just for nostalgia. She is literally telling us that this part of the story was about the end of RED era leading into 1989 - not quite 1989 era just yet. ;)

*2012 is an estimate based on the beginning of the Delicate video; it's possible that TS & KK met before Swiftgron was officially over but who will ever know? Karlie's buzz cut was December 2011 (x). The first half of the album is difficult to theorize specific dates within this period because we really have no idea when KK & TS met.

LWYMMD - New Year's Day 2014 - 2017 (NYD)

I gotta tell you - immediately after reading this, go watch LWYMMD. It was (is?) literally hiding there in plain sight; it's a GENIUS video walking you through EXACTLY what she did (you could say from a satirical standpoint more how the media/GP thought she did) to prepare for this era! When she refers to the "Old Taylor," she's using the term in the exact way her fans have been using: to refer to Country Taylor. She is officially Pop; Look What We Made Her Do when RED, a pop-country album, "a patchwork of songs," didn't win the Grammy. She went full POP princess. This post in particular helped me remember that these songs are not fresh in regards to her life even though they are brand new to us. Part 2 of the story more clearly follows the events of the 1989 era through just before rep's release.

Track by Track // 15 Taylors

…Ready For It?  Intro

I believe this is an introduction of what's to come, an overview of the story. Yes, she's definitely asking herself if she's ready to come out of the closet (x/x), if Karlie is ready to glass closet (x), is her beard ready for the consequences(x), and most specifically, are we, her fans, the GP, are we ready for her to come out and live her truth unapologetically? It's her laying the groundwork to prepare for 1989; her literally coming up with the concept for the whole era which is why we see the references to her 1989 MV's in the glass room. This post  cites the connection to the Dykes on Bikes; are we ready to accept Taylor to not only come out, but be a strong voice and activist of the LGBTQ+ community?

End Game April 2013 - June 2014

I KNOW Taylor is singing to KK about them first meeting - and I KNOW we think they just met before VSFS 2013 (even though there are rumors that say they met sooner…) But, hear me out because this lines up way too easily with the information we get from the MV (x/x). Remind yourself… Who opened for Taylor's RED tour? That’s right, our favorite ginger. It's a nice additional nod with the callback of Everything Has Changed duet with Ed Sheeran. Miami (shoutout to my hometown even though I have no inkling to its significance) tour dates were 04/10/13, London was  02/01/14 (Did she really show us their first  NYE together?!), and Tokyo was 06/01/14.

Irrelevant now but important for later (LWYMMD): And I bury hatchets, but I keep maps of where I put ‘em. This post highlights a cool interpretation of the line that applies to this whole post!

I’ve been doing some digging to try and somehow link Miami in this mix, and this is pure speculation but I feel like Future represents her bearding with Harry Styles. Karlie’s “buzz cut” was in December 2012, and shortly thereafter she was in Miami for a photo shoot. 1/4/12 marks the official break up of Haylor in the US Virgin Islands… it’s a stretch and I’m totally grasping at straws but they are geographically close and it’s all I got for now.

   "Me, I was a robber first time that (s)he saw me…"

I Did Something Bad early 2013

So, I have to admit… IDSB and DBM were the two songs I was having the most trouble placing within the linear timeline; my initial thought was this must have been a metaphor for her confessing her "sins" a.k.a. bearding, to Karlie when they first started dating. This was the song that clicked once I looked through the lenses of the 15 Taylors and reaffirmed my thoughts with the visuals of this Taylor on the cross in LWYMMD. In digging a little deeper, I found a Vanity Fair article - one of the only cover stories found online about TS during 2013. I'm not as confident about my perspective on the linear timeline with this track, however I feel like it's a good start especially considering the next holy church track.

In regards to the "light me up" lyric, and clear visual reference in the …RFI MV as well as the crucifixion of Taylor in LWYMMD, I thought this answer she gave the   73 Questions With Taylor Swift | Vogue video was also interesting to note. The question was what is the one thing she wishes she would have known at age 19 (8:03)?

"Hey, you're going to date just like a normal 20-something should be allowed to, but you're going to be a national lightning rod for slut-shaming."

I'll leave this quote from the April 2013 Vanity Fair interview right here:

"But nobody calls them the kinds of names that get thrown at Swift. “They’re ‘playboys,’ ” Swift says wryly. “They’re ‘having fun.’ ”

By the way, in the Vanity Fair article there's an "authorized source" giving insight to what "really happened" to Haylor aka probably lies.

 Every lie I tell them, they tell me three

Don't Blame Me early - mid 2014

I can really only hypothesize through the lyrics and the Taylor line up that this may be a reference to how the RED "media" circus (as quoted from the VF article cited above) literally made her do crazy things - maybe how her past experiences had caused her to react a certain way in an undefined relationship, maybe how the media circus in general had her guarding her heart, and of course the religious context of the song leads me to believe of course it is connected in that aspect to the confessing of her actions in the previous track. Big Sur trip also falls within this timeline. (x/x/x) 

I once was poison ivy, but now I'm your daisy…

Delicate 2013 - 2014

I think this one has so many beautiful analysis with the music video that syncs perfectly with this time line with no need for additional explanation, and I think it's especially apparent why this Taylor represents TraKK 5 in the line up. (x/x)

It's interesting that Fearless Taylor and Red Taylor were the ones actually fighting on Taylor Mountain in the LWYMMD MV; this may be a reference to her insecurities and headspace during the RED media circus//break up anxieties fighting contrasting to her want to just dance in her best dress Fearless with KK with no inhibitions.

Dancing in my best dress, fearless 

LWYMMD End of 2014

Has anyone noticed the crows in the beginning? It literally hit me as I was finishing this post - a group of crows is called a murder.

We see her Driving a new Maserati (well, car with significant meaning) down a dead end street and then crashes into the pole. (x) She literally killed the "Old Taylor" to get the Grammy - as well as set up clever disguises as red herrings* so that we missed the most obvious clue that this is about the release of 1989. I think even cleverer, how she walks away from the crash unscathed at the end of the MV to imply she rose up from the dead, she does it all the time (with each era release). (x/x/x/x)

*Red herring: something, especially a clue, that is or is intended to be misleading or distracting. In reference to the post regarding hatchets in End Game, she's definitely sending us on the hunt… remember that post above I asked you to note?

 Then of course another hint to the timeline is in the lyrics and MV (look at the date of the tweet...)

I've got a list of names and yours is in red underlined 

So It Goes… October/November 2014

This was definitely the most challenging to figure out, but there's definitely two clear ideas that are represented here - the linear timeline alludes to the HOT KINKY SEX our girls probably had after VSFS '14 (x/x/x) and the death of her 'innocence.' Coincidentally, I had read Slaughterhouse Five for the first time earlier last year and lurking around the Reddit TS  community where they spent so much time trying to figure out how they could circle this back to Vonnegut. Unluckily for them, it is the most heteronormative//homophobic community where even Kaylor posts are censored/deleted/ridiculed etc so they weren't ever going to get it. This song represents a toxic relationship with CH in their eyes, and I can see that perspective… another Salute to the American Queen of Wordplay.

 Anyway, here is a quote from a NY Times (https://www.nytimes.com/2011/12/18/books/review/and-so-it-goes.html)

That is, the constant repetition of “So it goes” makes readers ask themselves about the meaning of death (or its lack of meaning) and the incalculable human costs of war.

The 2009 VMA's Taylor is the epitome of everything her art, brand and music spoke to prior to 1989; and with the Pop princess she was no longer the relatable girl next door. She had gone full big-city, celebrity friends, glitz and glam - feeling so Gatsby for that whole year. With 1989, represented by the LWYMMD music video, that image was shattered, it was the death of her reputation but the true beginning of laying the groundwork for her and KK's future and she truly felt alive. 

Not to mention a song about kinky sex is a huge step away from that image.

So it goes...

And so it goes, now Part 1 of our story is done.

Gorgeous Met Ball 2015

Part 2 moves into the 1989 era starting with the Met Gala. (x/x) I read a great analysis using the lyrics to prove why this song is not about someone you just met because of the intense conflicting feelings. (I have scoured Tumblr to find it and link it but can't rediscover it… sorry I explained I've been a noob and a lurker and I never liked or reblogged anything, I'll update with a link if I ever find it again!) That made me reevaluate my original thoughts of this track being Enchanted 2.0 and representing her meeting Karlie for the first time. This was the first public event Kaylor attended together; it must have been strong conflicting feelings of joy & giddiness of the relationship quickly overtaken by nerves, fear, and anger that she would be found out and/or couldn’t show any outward PDA towards KK at the event. I would imagine there was a lot of drinking that night to cope, thus the “drunk” perspective.

 PS she probably didn’t go home alone that night (DING)😉

 'Cause you're so gorgeous it actually hurts

Getaway Car May - August 2016

There are great analysis looking at this song from two main POV's- 1. the bearding CH-TH circus(x/x) and 2. a reflection of Swiftgron in hindsight (x). For the sake of the timeline/15 taylor line up, it was too coincidental that this was the Taylor snapping at the beards in I <3 TS shirts and  from that perspective, fits perfectly into the linear timeline. It is suspect  that TS went against her management in anger of how the "break up" with CH unfolded, and so it would make sense to be a little apologetic towards TH -- the one beard aftermath she may have regretted but that is just pure speculation.

And a circus ain't a love story, and now we're both sorry

  *I JUST NOTICED! She POPS HER LEG for the 7th boyfriend in line - AKA CH. She is SO EXTRA!

King of My Heart August 2016

The below quote and Taylor line up don't need further explanation. 

"I think it’s very interesting when people talk about their love stories. Like when you guys blog about, “my and my husband, me and my boyfriend” or just anyone talking about how they fell in love. 

There seem to be these very definitive phases. It doesn’t matter how long that phase lasts. There seems to be a moment where you know it transitioned to the next phase. People will be like, “Oh my God, we were friends for six years and there was this moment and we knew and then it changed. Then there was a moment and it got even deeper. Then there was a moment and we knew” or like “I saw this person and there was this moment and we knew.” Everyone has a different story with how they connect with someone else and what i find interesting is the moment where it switches. You always hope that switch is going to move forward and not backwards because it can happen either way. I always wanted to structure the song where each individual section of the song sounded like a move forward in the relationship but still being listenable. So I wanted the verse to seem like it’s own phase of a relationship, the pre-chorus to sound like it’s own phase of a relationship, and the chorus to sound like it’s own phase of a relationship. I wanted them to all have their own identity but seem like they were getting deeper and more fast paced as the song went on. So finally I was able to achieve that in a song.”

 Here’s a couple of my favorite analysis regarding this song. (x/x)

 Up on the roof with a school girl crush

 Dancing With Our Hands Tied Mid - End 2016

This analysis  really explains the lyrics and matches the allusion of the Zombie Taylor to make it seem like it is a hindsight song about Swiftgron; however Out of the Woods is the last MV of 1989 era released the end of 2015 (aside from New Romantics your video) and this can perhaps be expressing the death of Taylor’s 1989 reputation after the slew of public feuds. It can also be interpreted as a hindsight song in regards to Kissgate in 12/2014(x/x); how she had found herself coming into 1989, but was a zombie version of that because she had to beard with CH and TH and it perhaps made her feel dead inside. Maybe she’s implying that she would have just taken the fall from grace then put herself through another (particularly long and grueling) fake relationship.

I had a bad feeling

Dress October 2016

Not only is Dress pretty frequently analysed, it's also the most obvious and blatant within the theory.  I thought it was very cute that this was represented by the Ballerina in the line up as a not so subtle nod to Karlie. October 2016 was the infamous Golden Tattoos at Drake's birthday party. (x/x/x)  

Made your mark on me, a golden tattoo. 

Sorry I couldn’t help myself with this gif :P

TIWWCHNT November 2016

Originally, I thought this was the easiest one- yes, the Snake Queen is sipping and serving tea on her infamous feuds however it just didn't fit in the more transparent timeline of the second half. There's been a few posts that hint the track may be a slight diss to her fans. Once it hit me she was alluding to herself as our (the fans) American *dream* Queen, I realized: this song is not a slight diss - it is harshly directed to us, all of us. Hear me out: Just like KOMH is about a love that reflects back on different periods in life, this track also calls to a couple different conflicts with the relationship of TS and her fans. She's never enough for either aspect of the fandom.

I thought it was curious that she would have the "ET TU BRUTE" (x)  as a reference to Kanye because let's be honest, she probably never trusted him after 2009 and rightfully so. "Et tu, Brute?" is a Shakespeare reference and a phrase that is now used to describe a friend stabbing you in the back. This would be more applicable to us, her fans. V1:

It was so nice throwing big parties

Jumping to the pool from the balcony

Everyone swimming in a champagne sea

And there are no rules when you show up here

Bass beat rattling the chandelier

Feeling so Gatsby for that whole year

This easily refers to 12/2014 - Kissgate. Feeling so gatsby for that whole year; throwing big parties. She had to close the gate before she was outed prematurely by the fans watching her during the concert.  We were the last ones she ever expected having to protect herself from; she had been so open, glass-closeting, but the fans took it too far and crossed the line of her privacy. She was surprised by the network that had expanded to track her every move. A couple years pass, V2:

It was so nice being friends again

There I was giving you a second chance

Think back to the election of 2016; Taylor being back in the media and more open again with her life wasn't enough at this point. America had reached a boiling point and everyone had to pick a side; even Taylor's most dedicated fans were constantly expressing their disappointment at her so she changed her priorities and went into hiding.

 As @paradisekisses once posted, “Not everything is about Kanye.”

 Salute to you, our American Queen of Red Herrings

 Because you break them, I had to take them away.

Call It What You Want End of 2016

The lyrics all harken to 1989 (x) and this is when her reputation has never been worse (again), but she’s stronger this time and it didn’t break her as much as post RED era. Not to mention, she’s madly in love and found her end game so nothing else really matters to her; her priorities have been shifted and she knows what truly matters in her life. 

Call her what you want, she is Karlie's Partner in Crime.  it's an obvious call to the gold cage, hostage to my feelings; she will jail herself once more with this ((hopefully)) last beard and that will be the official death of  (2.0? 6.0?) Old Taylor. The best part is the BTS video showing how much fun she was actually having in the gold cage. There are beautiful analysis of this song (x/x/x/x/x)   , and to me it's just the most real/pure love song. Love isn't just about all the good times, it's how your partner and you navigate the bad. Sometimes the worst moments in life show us just how strong our relationships are and bring us closer together.

Karlie what you want, call her what you want to (I can't unhear this in the background now <3)

New Year's Day January 1, 2017

This Taylor is hidden from us because she will probably never be as open with the GP, media, or her fans ever again. Who knows what to come in the future, but she actively tells us "don't read the last page" and to "hold onto the memories." Ugh, this is making me tear up --  I just officially joined the fandom!! Don’t tell me this is it already... (x/x/x) 

This post highlighted the importance of the sunshine necklace with Taylor's obvious sarcasm in the BTS in saying “It’s really important to wear subtle jewelry in music videos, I’ve learned.” (If anyone can forward the gif I’d love to add it to the post :))

Sidenote: technically, isn't this another closet she's in during the rep era?

Wear you like a necklace…

And I will hold on to you...

I had so much fun putting this together and being inspired by all the amazing perspectives the Kaylor fandom has been churning! Hope you like it :) Let me know your thoughts!

[raeputation]

Hi sara, I saw someone doing this on the dashboard soo I was wondering what your favourite lyrics of ts songs from her studio albums were?

this took me so long, but it was quite fun! so here’s my fave ts lyrics in order:

Tim McGraw: September saw a month of tears and thanking god that you weren’t here to see me like that. 

Picture To Burn: There’s no time for tears, I’m just sitting here planning my revenge. 

Teardrops On My Guitar: He says he’s so in love, he’s finally got it right, I wonder if he knows he’s all I think about at night. 

A Place In This World: I’m just a girl, trying to find a place in this world. 

Cold As You: So I start a fight cause I need to feel something and you do what you want cause I’m not what you wanted.

The Outside: You could’ve helped if you had wanted to, but no one notices until it’s too late to do anything. 

Tied Together With A Smile: Seems the only one who doesn’t see your beauty is the face in the mirror looking back at you. 

Stay Beautiful: I’m taking pictures in my mind so I can save them for a rainy day.

Should’ve Said No: Even now just looking at you feels wrong. 

Mary’s Song: I dared you to kiss me and ran when you tried. 

Our Song: Our song is the way you laugh. 

I’m Only Me When I’m With You: When I’m with anybody else it’s so hard to be myself.

Invisible: All I think about is how to make you think of me and everything that we could be. 

A Perfectly Good Heart: Maybe I should’ve seen the signs, should’ve read the writing on the wall and realized by the distance in your eyes that I would be the one to fall.

Jump Then Fall: I realize your laugh is the best sound I have ever heard. 

Untouchable: In the middle of the night when I’m in this dream, it’s like a million little stars spelling out your name. 

Forever & Always: You looked me in the eye and told me you loved me, were you just kidding cause it seems to me, this thing is breaking down we almost never speak. I don’t feel welcome anymore. 

Come In With The Rain: I’ve watched you so long, screamed your name, I don’t know what else I can say.

Superstar: I’m no one special, just another wide eyed girl who’s desperately in love with you. 

The Other Side Of The Door: Me and my stupid pride are sitting here alone, going through the photographs, staring at the phone. 

Fearless: With you I’d dance in a storm in my best dress, fearless. 

Fifteen: But in your life you’ll do things greater than dating the boy on the football team. 

Love Story: Romeo, save me I’ve been feeling so alone. I keep waiting for you but you never come. 

Hey Stephen: Of all the girls tossing rocks at your window, I’ll be the one waiting there even when it’s cold.

White Horse: My mistake, I didn’t know to be in love. 

You Belong With Me: You’ve got a smile that could light up this whole town. I haven’t seen it in a while since she brought you down.

Breathe: It’s 2am, feeling like I just lost a friend. 

Tell Me Why: You could write a book on how to ruin someone’s perfect day. 

You’re Not Sorry: You used to shine so bright but I watched all of it fade. 

The Way I Loved You: He can’t see the smile I’m faking and my heart’s not breaking. Cause I’m not feeling anything at all. 

The Best Day: Don’t know how long it’s gonna take to feel okay but I know I had the best day with you today. 

Change: These walls that they put up to hold us back will fall down. 

Mine: Braced myself for a goodbye cause it’s all I’ve ever known, but you took me by surprise and said “I’ll never leave you alone.”  

Sparks Fly: The way you move is like a full on rainstorm, and I’m a house of cards. 

Back To December: If we loved again, I swear I’d love you right. And I’d go back in time and change it, but I can’t. 

Speak Now: Horrified looks from everyone in the room but I’m only looking at you. 

Dear John: My mother accused me of losing my mind but I swore I was fine. 

Mean: That same big loud opinion but nobody’s listening. 

The Story Of Us: The battle’s in your hands now, but I would lay my armor down if you said you’d rather love than fight. 

Never Grow Up: I just realized everything I have is someday gonna be gone. 

Enchanted: My thoughts will echo your name, until I see you again. These are the words I held back as I was leaving too soon. 

Better Than Revenge: Do you still feel like you know what you’re doing cause I don’t think you do. 

Innocent: It’s alright, just wait and see your string of lights is still bright to me. 

Haunted: He will try to take away my pain and he just might make me smile but the whole time I’m wishing he was you instead. 

Last Kiss: So I’ll watch your life in pictures like I used to watch you sleep. 

Long Live: If you have children some day when they point to the pictures, please tell them my name. 

Ours: Don’t you worry your pretty little mind, people throw rocks at things that shine but they can’t take what’s ours. 

If This Was A Movie: Come back, come back, come back to me like you could, you could if you just said you’re sorry. 

Superman: But I hope someday you’ll take me away and save the day. 

State Of Grace: Love is a ruthless game, unless you play it good and right. 

Red: Losing him was blue like I’ve never known. 

Treacherous: Nothing save is worth the drive. 

I Knew You Were Trouble: The saddest fear comes creeping in, that you never loved me, or her, or anyone, or anything. 

All Too Well: Cause there we are again in the middle of the night, we’re dancing around the kitchen in the refrigerator light. 

22: We’re happy, free, confused and lonely at the same time. 

I Almost Do: It takes everything in me, not to call you. 

We Are Never Ever Getting Back Together: I say, “I hate you.”, we break up, you call me “I love you.”  

Stay Stay Stay: You took the time to memorize me my fears, my hopes, and dreams.

The Last Time: I’m breaking, no past no reasons why, just you and me.

Holy Ground: We blocked the noise with the sound of “I need you”, and for the first time I had something to lose. 

Sad Beautiful Tragic: Distance, timing, breakdown, fighting, silence. This train runs off it’s tracks. 

The Lucky One: You had it figured out since you’re in school, everybody loves pretty everybody loves cool. 

Everything Has Changed: All my walls stood tall painted blue, and I’ll take them down, take them down and open up the door for you.

Starlight: You’ll spend your whole life singing the blues if you keep thinking that way. 

Begin Again: I think it’s strange that you think I’m funny cause he never did. 

The Moment I Knew: It was like slow motion standing there in my party dress in red lipstick with no one to impress, and they’re all standing around me and singing ‘Happy birthday to you’ but there was one thing missing. And that was the moment I knew. 

Come Back… Be Here: Now that I can’t put this down, if I had known what I’d known now, I never would have played so nonchalant.

Girl At Home: You’re the kind of man who makes me sad, while she waits up, you chase down the newest thing, and take for granted what you have.

Welcome To New York: The lights are so bright but they never blind me. 

Blank Space: Boys only want love if it’s torture. 

Style: I say “I heard that you’ve been out and about with some other girl, some other girl”. He says what you heard is true but I can’t stop thinking about you,“ and I, I said, "I’ve been there too, a few times.”

Out Of The Woods: Your necklace hanging from my neck, the night we couldn’t quite forget when we decided, we decided to move the furnitures so we could dance. 

All You Had To Do Was Stay: People like me are gone forever when they say goodbye. 

Shake It Off: Just think while you’ve been getting down and out about the liars and the dirty, dirty cheats of the world, you could’ve been getting down to this sick beat.

I Wish You Would: 2am, here we are, see your face, hear my voice, in the dark. 

Bad Blood: Time can heal but this won’t, so if you’re coming my way, just don’t. 

Wildest Dreams: I said, “No one has to know what we do.”, his hands are in my hair, his clothes are in my room. 

How You Get The Girl: Tell her how you must have lost your mind, when you left her all alone, and never told her why. 

This Love: Your kiss, my cheek, I watched you leave. 

I Know Places: They are the hunters, we are the foxes and we run. Just grab my hand and don’t ever drop it, my love. 

Clean: You’re still all over me like a wine stained dress I can’t wear anymore. 

Wonderland: I felt your arms twisting around me, I should’ve slept with one eye open at night. 

You Are In Love: You understand now why they lost their minds and fought the wars. And why I’ve spent my whole life trying to put it into words. 

New Romantics: I could build a castle, out of all the bricks they threw at me. 

Look What You Made Me Do: You asked me for a place to sleep, locked me out, and threw a feast. 

Ready For It: In the middle of the night, in my dreams, I know I’m gonna be with you so I take my time.