#( when in reality it's. literally the writers' fault. they love doing fanservice )

[vegitoswife-archive]

It was OOC for Gog//eta to let Frie//za live at the end of D//BS:B. He should've killed him, but the writers wanted Frie//za to stay alive for the sake of shoehorning him into shit later on (read: Black Frie//za). I'll die on this hill.

[canardroublard]

TMFU, Gaby’s fashion, and some feminist film analysis

Back when I slapped together a reblog post about the men’s fashion in The Man From UNCLE in between physio appointments, which somehow got like way more notes than I ever really expected or even wanted, I didn’t address the fashion of the lead female character, Gaby. It was outside the scope of the OP, and I didn’t feel like I had anything new or interesting to say about Gaby’s fashion, or lack thereof.

(My beta says those earrings are the ugliest thing ever. I disagree. It’s a wonder we’re still friends)

Anyways, we see only one brief scene of Gaby in her own street clothes, and a slightly longer sequence of her in her work clothes. The rest of the film, she is wearing clothes chosen for her by Illya. Saying “we just don’t have enough info” is a perfectly reasonable approach to this. So this was the other reason I had no intention of making this post.

But then people started getting interested. Someone reblogged commenting about Gaby’s fashion, and I discovered that I have very strong opinions about something I’d previously claimed was unknowable, and it made me wonder what was going on in my brain.

Then I talked to some other TMFU friends who all seemed interested in what I assumed was common knowledge/nothing unique. So, they may have been feigning interest out of politeness, but it activated the art history side of my brain, and here we are now!

The boring stuff but please read this

I am not attempting to tell anyone how to interpret this film. I am not even trying to change people’s minds or persuade them to my thinking. All I am doing is sharing my thought process. I wasn’t even going to do this for Gaby until people asked. To this end, please don’t attempt to argue with me about this. I don’t want to argue. I won’t respond to it. If you disagree, then please, just move along.

And I’m going to remind people that I love TMFU. I love this movie so much it hurts. Why am I putting this reminder here? Because I am about to apply some critical analysis to it, and in places this will be cynical, and it will not always look kindly on the film. If you just want to exist in a happy “I love TMFU!” bubble and not hear anything less than 100% positive about the film (which is a totally valid choice, I don’t fault anyone for that), then don’t read. But don’t yell at me for being mean or criticizing the film, because I warned you.

Tldr; or, if I were still being graded for this stuff here’s my thesis statement

When analysing Gaby’s fashion, there exist considerations which don’t apply to the male characters. Namely, she is a woman and the male gaze is a thing. So I am very, very wary about taking at  face value any expressions of traditional femininity in the choices made  for her outfits, hair, makeup, etc. Therefore, when considering her character, I find it much more useful and informative to give more weight to the aspects of her appearance which do not connote traditional femininity, rather than those that do.

For readers who have studied enough  media analysis to follow my thought based on that alone, there’s the thesis statement, y’all can go home (or at least skip to the end where I come to a conclusion). If you’re lost, then read on.

(mobile readers, the cut here might not work, and if so I apologize for what is going to be a very long post. Tumblr’s “keep reading” functionality is inconsistent at best, but I tried)

Context is for kings essential for analysing media in a meaningful way

(Or, some brief background. Stick with me here, we’ll get to the good stuff soon)

So, art doesn’t exist in a vacuum. Attempting to analyze any artwork (in this case a film) while disregarding the culture it was created in and the intentions of the creator is...not going to get you very far. Asking “what is art” is a question that quite frankly exhausts me at this point (looking at you, Duchamp) but the closest I’ve ever come to an answer is that the only thing that separates art from everything else is intent. And intention only exists within cultural context. So yes, intent and context don’t just matter peripherally, they are one of the biggest considerations one needs to make when analyzing works of art. The creator in this case being Guy Ritchie et al, the culture being British/American Popular Cinema in The Year of Somebody’s Lord Two-Thousand-And-Fifteen. 

Everyone views and creates (if applicable) art through their own distorted, murky, imperfect lens of personal experience. And one of the most persistent Things in western art is that cishet men create art based on their experience of Being A Dude. This is crucial, because this lens of cishet male perspective literally underpins almost all of western culture including popular culture. And thanks to feminist film theorist Laura Mulvey, we have a name for this.

The male gaze and you

I’m going to quote Wikipedia here, because honestly this intro sentence sums things up rather neatly (with one exception which I will address momentarily).

In feminist theory, the male gaze is the act of depicting women and the world, in the visual arts and literature, from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the male viewer.

What does that all mean? That the Viewer and the Artist are both cishet men by default, and any women are Subjects of art. Women are viewed, never viewers. Men take action, women are subjected to actions. Furthermore, women are supposed to be pleasurable to view. By men. Since the Viewer is male by default.

But I would disagree that the pleasure is inherently based on women being sexual objects. That’s honestly a really damn limited read on the whole theory, and it’s one that Wikipedia itself contradicts later in the article. More broadly, cis men also derive other forms of pleasure from the presentation and viewing of female bodies, including aesthetic pleasure (the enjoyment of looking at beautiful things).

The theory of the male gaze is not without limits. As originally theorized, afaik it’s not particularly intersectional. It doesn’t really address queer perspectives or perspectives of POC. However, these issues are something I just can’t address here, unfortunately. And when looking at popular media, I still find the concept of the male gaze, imperfect as it may be, is a helpful means of analysis, so it’s worth having in your toolbox.

Circling back, the easiest way to sum up the male gaze, if you’re still not super clear on what it is, is with a demonstration.

Ever seen a shot like this in a movie?

And did you immediately roll your eyes? Feel gross? Congrats, you have just perceived and reacted to the male gaze.

Now we actually get back to TMFU

But the male gaze also shows up in many more subtle, insidious ways than fanservice-y boob shots. For this post, let’s focus on the following considerations, which might help everyone follow my thought process more clearly.

Gaby is a woman

She functions as the love interest of Illya in the script (I am not talking from a shipping perspective. What you ship does not matter for this discussion. I am talking about the narrative function of Gaby in the script as written. Put on your “cishet man” goggles for a moment)

Illya is a man who is attracted to women, specifically Gaby (again, I don’t care if your shipping conflicts with this. I am analyzing the film based on a literal reading of it as if I were a cishet man. Why? Because that’s who made the film. That’s who it’s “for”. I am all for queer readings of film--hell, I ship OT3, I myself have chosen a queer reading for how I interact with it, but I’m not critiquing people’s readings, I’m critiquing the film itself and to do that I have to critique its intentions and cultural context.)

Cishet men are traditionally only allowed to be attracted to women who are conventionally attractive. If they were to be attracted to anyone else it would destroy their fragile senses of self and their heads would explode or something. At least I assume that’s what must happen, based on how terrified they are of it.

Therefore, Gaby must be conventionally attractive, because it is literally required of her or otherwise the whole underpinning of western straight malehood crumbles and then where would we get such a pure, vast source of unadulterated toxic masculinity?

(Yes, this is a very cynical read on things. I’ve studied, like, three centuries worth of this bullshit. I’m tired. Let me be cynical.)

Or, to force myself to be less cynical, Gaby has to be pretty because...nope, this is still going to turn out just as cynical.

But what I will say in favour of this movie is that it gives Gaby and Victoria both a lot of agency and general awesomeness, which is quite unusual in this sort of big-budget action film, and it’s one of the big reasons I love it. I’m not saying that the entire film is sexist. On the contrary, there’s a ton of stuff to celebrate about how it portrays its female characters. But these aspects don’t change the cultural context, and we still have to consider the impacts of the male gaze.

Anyways, point being is that as filtered through the male gaze, Gaby is never given the option to, say, wear no makeup (or the appearance of such, as the guys are afforded, this being cinema where “no makeup” still means makeup) because that would look “ugly”.  Instead she needs to have a “baseline of pretty” which is way higher than reality because she is not a real human being with her own agency, she is a character created by a cis male writer/director team in a film directed by a cis man in a genre that caters to cishet men.

Gaby doesn’t exist in a vacuum. She exists battling centuries and centuries worth of sexist convention.

Now then, remembering all of that, let’s actually look at her. There are woefully few good pictures so I’m going to have to piece things together a little. Starting with the coveralls.

This is a great look, I love it. And I’m going to give Ritchie a lot of credit here because it would’ve been easy to go for a “Michelle Rodriguez in F&F sexy mechanic lady” look. In case I need to provide a visual:

(Repeat above gif about rolling my eyes)

Now, to be clear, I am not making any judgement about the way any real-life women dress. I’m sure there’s plenty of female mechanics who have their hair down and wear tank tops while working. That doesn’t bother me. I don’t care if real life mechanics choose to do their jobs in a string bikini. Or in cosplay of the bee from Bee Movie. I don’t care (and quite frankly it’s none of my business) because they are real people who can make their own decisions. But what I am talking about here is a fictional character who does not have her own agency. I am critiquing how male creators choose to dress their female characters.

So I personally choose to read much more into the unpretty  aspects of Gaby’s outfit, because these are not the “obvious” or “easy”   things. Obvious and easy are “of course she wears makeup” and “of course her hair looks good” and  “of course she doesn’t look like a swamp witch  who bathes in mud and spends her days cursing passing men”. Those things don’t challenge or disrupt the assumption that women must look attractive for male consumption.

Gaby’s introduction to us is with her in a pair of grease-stained, baggy coveralls, not wearing any obvious makeup (again, this is cinema, so she is wearing makeup. For cinema the goal posts around “wearing makeup” always need to be moved from where they’d be irl). There’s very little here that screams ‘pretty’. And that is fascinating to me.

I don’t know how deeply Ritchie thought this through when giving final approval to the costume, hair and makeup. But unpretty is not the default here. It’s a choice

And look at this. This is the stance and dress sense (and socks!) of a woman who does not give a damn about looking good for the male gaze, whether the in-movie gaze of Napoleon, or the implied gaze of the viewer and creator. It’s not ‘pretty’. And this is the only time in the film we see Gaby in her own everyday clothes, as she only escapes East Berlin with the literal clothes on her back.

So how do I think Gaby dresses? I think that for the most part she dresses....like this. Practical. Comfortable. With a few simple touches of things she likes/finds pretty, perhaps, but not with a specific interest in being pretty. She dresses for herself, not for others. And if that isn’t something to aspire to, I don’t know what is.

[truthbeetoldmedia]

The 100 5x12 "Damocles Pt 1" Review

Guys…..I don’t even know. This show was my favorite TV show in years, maybe ever until this season (well, I kinda didn’t love Season 4 but that finale was so amazing I was still hooked) but now I don’t even know how the show wants me to feel? Do the writers want us all to stop watching? This season went off the rails after episode 5x05 and I am not a happy camper so be prepared for a salty review.

The good:

“Say hello to my little friend.” Murphy quoting Scarface as he shoots the giant laser gun, only for him to screw it up and almost blow everyone up is grade A John Murphy content.

While I’m on that scene with the laser gun, I just want to say that Dean White has such an eye for cinematography and I loved the way this whole scene was shot. Same with the march through the gorge, this episode did nail directing!

Emori and Murphy exchanging little smiles after he uses the same screw up later to give them cover to escape in the rover. Post apocalyptic Bonnie and Clyde 4ever.

SHAW. Miles Zeke “I will break if they torture you” Shaw. He is a treasure guys, he would rather die by being electrocuted than live knowing he killed hundreds of people or was the reason Raven got tortured. Protect this man. I want him and Raven to spend forever together.

Echo reading Clarke to filth for leaving Bellamy to likely die in the fighting pit because she was angry. This will be extended into the “bad” and “ugly” section.

Monty calmly telling Echo he’s not doing what she wants him to do over the radio.

Abby and Clarke actually having an affectionate second as mom and daughter...even though it was still kinda empty.

Clarke FINALLY waking up and helping her friends...this will also show up in my bad/ugly section.

Indra and Gaia having an actual mother/daughter moment. ”I’m not leaving my daughter” I want them both to survive, they deserve to be happy with each other.

I loved Octavia finally realizing how bad of a leader she’s been, I do not want her to get off the hook that easy. She has made terrible decisions and they lead up to this first 10 minutes of the episode, with her loyal army getting butchered in front of her. Of course the first to die was the little boy she had taught to fight, Ethan being the symbol of Octavia’s “hope” for the future of her people, (I hate the word Wonkru) and all of them mowed down in front of her. But I also hate it took this to get through to her — Thelonious Jaha is so disappointed in her.

“Guess she’s not up for mother of the year.” Raven as she’s taking the shock collar off Madi, TRULY iconic.

BELLAMY BLAKE is consistently the only “good” part of this show for me anymore (aside from Monty, who is almost as absent as his criminally underutilized other half Harper), and this episode we saw Bellamy do what he does best! Protect his sister, save people, put others first; but also he stands up for himself and tells Octavia “This is is all your fault, all these people died because of you.” YES, SON! Let her have it! Don’t hold back! When Octavia says, “Do you want me to die?” And he just responds, “Yes,” we know he didn’t honestly mean that considering how much he tried to keep her alive this episode.

Bellamy’s pep talk to Gaia — “Keep fighting, if not for you then for her” — and him carrying her warmed my heart.

Octavia saying “Wonkru is broken, I broke it” and Indra just flat out saying “Yes you did.”

Clarke reminding Echo that she has blood on her hands. “Don’t think all those people you helped blow up in Mt Weather didn’t count because you were following orders.” I about stood up on my feet and clapped.

Also in this same scene Clarke’s face when Echo tells her Bellamy isn’t dead and he survived her betrayal, girl was SHOOK. And the exchange of “Don’t pretend like you care about Bellamy now” and Clarke interjecting “I ALWAYS cared” — too bad this is the extent of emotion she gets to show for Bellamy in the last two episodes...when in reality she should have been crying buckets of tears.

The last second rescue of Bellamy and Co. in the gorge right when you think Octavia’s “fight is over.” It was great to see the rover back in action Monty and crew saving their friends, I just wish Clarke was there too.

I do think this episode had good moments. BUT hold onto your hats, we are about to dive deep into some salt! And also some plot lines that they seem to be “retconning” for no reason except to give fanservice to a group of people far too late and in the worst way possible...without further ado:

The bad:

Well, there were several little things that I was honestly confused by.

Kane and Vinson...what was that scene for? What did it accomplish? It was so random — what were Vinson's motivations, why did he want Abby to keep being a pill head? I loved the way he went out and the acting between Henry Ian Cusick and Mike Dopud is fabulous but, honestly, it was pointless and had no real impact on the story, like half of the plot this season if I’m being honest.

Why is the Flame and how it interfaces with the commander the most inconsistently written plot this show has ever done? Raven spent half her time in Season 3B reading Becca’s journals and explaining how the Flame works — but now it seems to work any way the writers need it to? In episode 3x12 Monty asks Raven if the minds uploaded to the City of Light (which I’m assuming is a large scale version of the Flame where thousands of “consciousnesses” can be uploaded and exist at once since Becca designed both): “There’s a chance my mom’s still alive?” to which Raven replies, “Depends on your definition of alive.” In 5x12 when Madi so creepily channels “Lexa” it’s indeed not her but a saved version of her mind from before her death, so Madi should be able to theoretically access her memories BUT in no way should Lexa be conscious to what’s going on in the present and “speak through” Madi — If this were the case why didn’t Becca tell the previous commanders who she was? That the flame was tech and not a spirit? Why didn’t the commander during the first Mount Weather troubles tell the next one about how to defeat them or how to help them therefore make peace? Why didn’t they tell Lexa the “threat” that crashed to earth was actually 100 CHILDREN that didn’t want to die or kill they just wanted to survive? IT DOESN’T MAKE SENSE GUYS. Jason, if you happen to read this, EXPLAIN.

In the same episode we are told the flame is ALIE 2.0 made to merge with and enhance the brain of the “host” aka commander. She goes on to say the reason commanders didn’t know it was AI was because the program “degraded over time.” SO how pray tell did a 12 year old girl reset the password on this thing when the 15 or however many prior commanders couldn’t? EXPLAIN. How did she channel a commander when from what we’ve been told it’s never been done, or grounders wouldn’t be technology fearing, warring clans? This plot has more holes than a wheel of Swiss cheese.

I’m gonna stop yelling about this, I promise. I just hate this whole plot and the Flame should’ve went up in flames during Praimfaya.

Killing Ethan. So Thelonious Jaha literally dies to save his adopted son, and he is the first casualty in the gorge? Really, writers? Jaha lost his biological son, Wells, grieved him for almost 5 seasons and in turn sacrifices his life to protect his surrogate son the way he couldn’t protect his biological one, and this is how Jaha is rewarded? I really can’t believe.

The general attitude the writers seem to have about Clarke’s emotions and love, etc. Yes, she can miss Lexa, BUT I don’t believe the levels she misses a person that she knew in total for 4 months and hated approximately 3 months and one day, but not still be gutted over losing her best friend of FIFTEEN YEARS, WELLS JAHA. Or her actual father, or Bellamy — her canon post-Wells best friend in the series — whom she thinks she left to DIE? And if she can forgive Lexa’s multiple betrayals so quick she should already have forgiven Bellamy and feel like the worst person, to be honest. This season has treated the character of Clarke Griffin poorly and she deserved better.

On that subject, why is Clarke a side character instead of the lead female character? Why is her storyline like post apocalyptic Mommy Dearest? Why is she yet again isolated from her friends and family? EXPLAIN.

Okay now that I’ve gotten the above off my chest we are gonna dive straight into

The ugly:

Phew! I tell ya what, this season has exhausted me mentally and emotionally and not for good reasons.

Clarke won’t remove the flame from Madi because she “promised her” but she will force a shock collar on her and shock her with the voltage that brings a full grown man to the ground? REALLY, YOU GUYS WENT THERE? Are any of you even parents?

The whole storyline that Madi can see and feel Lexa’s memories is a whole other level of ICK! I didn’t think I’d ever have to deal with on this show. There are so many ways the writers could have not “gone there” with this story: never letting Madi have the flame, making sure we understood Madi, a twelve-year-old child, could only see relevant memories of the commanders, etc., but no. Instead, they imply that the former “lover” of her “mom” can consciously “speak” through her and show/tell the child anything. It is disturbing and I cannot believe the writers actually went there and were okay with it. Again, I am shocked that some of these people have children because they are not treated well in this show. And the  parents are usually the worst offenders.

On that note, I’d like to mention Abby’s advice and Clarke LISTENING. Don’t get me wrong, I don’t hate Abby, and I know she’s always “tried” but she has been for 90% of the show a terrible parent. You would not want to use her as a role model for good parenting, that’s for sure.

It’s not a for sure thing yet, but if that end scene of “saving” Bellamy, Gaia and Indra is Octavia’s “redemption” I am gonna pop a forehead vein. Bellamy and Clarke still get what they did seasons ago thrown in their faces daily. I expect this x 100 for Octavia because she actively chose to do all the hideous things she did. She is not a hero, she is a villain and should be treated as such for the rest of the season. She can get a “redemption” next season if she has to have one.

If you made it through this very critical review I applaud you (and if any of the writers or directors read this, know that I respect your talent; this ranting is because I know what you guys are capable of and it’s so much better than what I’ve see this season).

To end things on a slightly positive note, next week is the season finale! Can you believe it’s already here?! Also can you believe we’ve survived this VERY rocky season? There have definitely been great moment this season, just not enough. But here are the things I’m looking forward to  or hope happen next week:

We finally get to meet Shannon Kook’s character! I’ve been waiting to meet him for months!

Hopefully Bellamy and Clarke reconcile and reconnect, I miss their amazing bond and protectiveness of one another.

Hopefully Kane and Gaia are alive and healing?

After she helps Wonkru, I hope Madi has the flame removed and it gets destroyed, never to be mentioned again.

I hope Diyoza and her baby are A-OK and we will see them next season. Same goes for Shaw, I want him alive and happy being the sweet love Raven Reyes has always deserved.

I want Clarke to mend her relationships with all of her friends and people, to apologize and to accept apologies. I want her to feel loved, I am tired of her always being isolated.

I want Bellamy to feel loved and understood, especially by Clarke and not in a “shippy” way (though I’m all for it). I want her to acknowledge that she left him to die, that she sorely regrets it and that she loves him especially if she can express that kind of sentiment for a computer hard drive and someone she liked for two weeks of her life. Bellamy and Clarke deserve an entire episode to work through their stuff because their relationship is literally the central relationship of the entire series, and to not let them acknowledge what they mean to each other and make amends does the show and the characters a disservice.

I want the season to end with hope! This season in ways has been more depressing and frustrating than Season 3 ever dreamed of being. We need light at the end of the tunnel or Season 6 may have an audience of 17 people. Levity and hope don't take away from drama and angst if executed correctly. If you can’t write both sides into the same space it’s not a problem with your story, it’s a problem with who’s writing it.  

I will have hope that they can and will do better (the characters and the writers) until the end BUT I will still bring the salt when I need to.

I give this episode 3 bees because it had potential, great cinematography, and some great Murphy one liners. But it was overall flat and disappointing.

What were your thoughts of this episode? What are you hoping for in the finale? Comment below!

And tune in to the season finale next week! Our founder Sam will be live tweeting and writing up the finale review!

The 100 airs at 8/7c on The CW.

Gina’s episode rating: 🐝🐝🐝

[incurableweeabootrash]

Comprehensive list of ‘Safe to Watch’ Anime (W.I.P)

This post is made up of three lists: ‘Safe To Watch’ ‘Almost’, and ‘Blind Reccomendations and Suggestions’.

‘SAFE’ TO WATCH

If memory serves me correctly, these anime are free from overt fanservice or anything that slaps you in the face with how problematic it is. This list will be worked on an added to over time. I’ll only really be focusing on shows that I think are worth a watch

1) Tokyo Mew Mew - Watch subbed due to 4Kids style butchering in the dub. Luckily that doesn’t happen anymore these days in dubs.

2) Little Witch Academia - A series on Netflix that can only be described as The Worst Witch - The Anime. Watch sub or dub depending on your preference.

3) Fullmetal Alchemist: Brotherhood - Also on Netflix. Probably one of the highest rated anime of all time, and has multiple well-portrayed female characters and even some racial diversity. It’s set in a Europe inspired setting, so I recommend watching dubbed. Although the dub is just great anyway. Skip episode 1 and go straight to episode 2, as the first episode is actually filler and even contains a spoiler.

4) Attack on Titan

5) Love Live! School Idol Project Season 2, and Love Live! The School Idol Movie. Season 1 of Love Live is an ‘ALMOST’, but I’ll get to that in the next list. You shouldn’t skip season 1 though, for story reasons.

6) Digimon Tamers - The most well written of all the Digimon shows, with good character arcs. Can be watched on Amazon Prime.

7) Tokyo Ghoul. Shame about the second season ignoring the manga almost completely though

8) Love, Chunibyo and Other Delusions Season 1 - A story about young teenagers who either went through a phase of believing they had superpowers and were some kind of anime character, or still haven’t outgrown that phase and still like to pretend they have special powers.

There’s no real fanservice in either season, but season 2 has two seperate instances of a very minor homosexual female character being portrayed as a bit weird and deviant. Season 1 is completely clean though, so watch that and decide for yourself whether to keep watching.

9) Cardcaptor Sakura - Same genre as Tokyo Mew Mew. Again watch subbed for the same reason as TMM. It also has subtle portrayals of homosexuality, being a work by CLAMP, and there doesn’t seem anything wrong with it as far as I’m aware. People who are actually queer can have the final say on that though.

10) Strawberry Panic - A show about an all girl’s school where being gay is just the norm. And believe it or not, it’s NOT a porno! Again, people who are actually queer can have the final say on whether the portrayals are okay or not, but from my perspective everyone seems to just be a person who happens to be gay, considering that homosexuality is treated as normal and nothing special in this show.

11) Yuri on Ice

12) Wolf Children - An animated film that’s just really good. The story of a mother raising what are basically werewolves but with complete control over when they can transform. Her challenge is whether to raise them as humans or as wolves.

13) Yona Of The Dawn - Story of a spoiled princess in Ancient Japan who gradually grows into a strong individual. I’ve also been informed that the multitude of men in the cast are also all rather attractive, if that’s a selling point for you xD Yona of the Dawn can be watched on Funimation Now.

14) Madoka Magica - It’s been almost five years since I’ve seen this, but I’m absolutely certain there was no fanservice. I recommend you watch this only after seeing a show like Tokyo Mew Mew/Cardcaptor Sakura, or Sailor Moon, as Madoka Magica is part of the same genre ('Magical Girl’) but expects you to have already seen the classic magical girl shows or at least know a little bit about them. Give it four episodes before you judge it. Trust me, this is the most extreme example of not judging by the first couple of episodes. 15) My Love Story - I mean when a stranger gets arrested for trying to feel a girl on the train and gets promptly punched in the face for basically saying that 'she was asking for it wearing a skirt that short’, you know the writer’s got their head on straight morally. 16) Wandering Son - “ Effeminate fifth grader Shuuichi Nitori is considered by most to be one of the prettiest girls in school, but much to her dismay, she is actually biologically male. Fortunately, Shuuichi has a childhood friend who has similar feelings of discomfort related to gender identity: the lanky tomboy Yoshino Takatsuki, who, though biologically female, does not identify as a girl. These two friends share a similar secret and find solace in one another; however, their lives become even more complicated when they must tread the unfamiliar waters of a new school, attempt to make new friends, and struggle to maintain old ones. Faced with nearly insurmountable odds, they must learn to deal with the harsh realities of growing up, transexuality, relationships, and acceptance. Lauded as a decidedly serious take on gender identity and LGBT struggles, Takako Shimura’s Hourou Musuko is about Shuuichi and Yoshino’s attempts to discover their true selves as they enter puberty, make friends, fall in love, and face some very real and difficult choices.”

More to come

THE 'ALMOST’ LIST

These are shows that are about 95% okay, but have one or two tiny moments or a small aspect about them that are a bit 'ehhh’. Nevertheless, I believe every show on this list is still worth a watch due to them very good for the vast majority of the show regardless.

1) Love Live! School Idol Project Season 1 - Love Live is usually so innocent that it’s practically the Disney/My Little Pony of anime; singing and dancing included. But clearly someone on the writing staff was a little confused and thought they were writing some terrible Adult Swim comedy or something, because this one gag that they clearly thought was so hilarious it had to be included, left everyone including Japanese viewers thinking “What the hell!?”

If I could put the series into Windows Movie Maker and edit out five seconds from episode 2 and about 10 seconds from episode 7 (ESPECIALLY those ten seconds from episode 7) then I’m sure a large majority of the fandom would rejoice. It’s such a tonal whiplash and I’m kind of concerned for the writer who finds this funny. I’ve been told that apparently real high school girls in Japan do that to their friends as a prank or just to piss about, but the difference there is that it’s between friends who trust each other.

…However, there is actually a happy end to this story, as I’ve been told that Japanese viewers actually complained to the people behind the show, and THEY LISTENED! When working on season 2, they clearly listened to fan feedback as Nozomi never did that again. It was so out of place in the show anyway, and so uncomfortably portrayed.

Nevertheless, the other 95% of Love Live is this wonderful colourful, bright, heartwarming show with a great main character and catchy music and it went above all my expectations of it, and I while I wouldn’t normally condone ignoring problematic things, the fact that it’s literally such a tiny tiny amount of the show’s running time, and the fact that the complaints were heard and they learnt their lesson, means that with a well timed fast forward (I might look up the exact times to skip at some point ) you can skip past those two moments and improve your watching experience. I just wish there was a version with it edited out completely. ___________________

2) Death Note - Barely any female characters other than Misa, who may divide opinion on how she’s portayed. However it’s a fantastic watch regardless, and is fanservice free

3) Mirai Nikki/Future Diary - Mao. A bit of a problematic portrayal of a homosexual female as her sexuality seems to be her main character trait. She’s a minor side character though, so it depends how invested you are before she pops up halfway through the show.

There’s also a little brief female nudity, in a Game Of Thrones way that kind of comes across more as 'Look how mature we are!’ which of course has the opposite effect… However it’s never portrayed in a pornographic way from what I remember, and in one case is even used to unnerve/disturb. Opinions will vary though.

The third episode also features a slightly questionable moment where Yuno loses her bikini top in the pool. Now, you don’t see anything and she does hide herself, and in retrospect she probably did that on purpose to get Yuki more interested in her, but the gut reaction is more “um…. please don’t let my parents walk in right now :L”

It’s a bit more of an ask than the others, but the plot to this is so thrilling and twisting that I couldn’t help love it regardless

4) Parasyte: The Maxim

The quickest a show has ever redeemed itself. This show sees the main character’s hand getting taken over by an alien parasite, but the first episode decides that it’d be 'hilarious’ if the parasite hand accidently grabs his friend’s breast when trying to get the hang of controlling it. But a few episodes later, after several days of her being understandably mad at him (although the fact that it was the parasite’s fault and not his complicated it), he apologises (although missing out the part about the alien parasite) and I feel the show does a good job of acknowledging that it’s wrong and in no way supports it. It’s early on right there in the first episode, so once you’re past that it’s clean sailing for the rest of the show

5) Steins;Gate - While some find the first half a bit slow, Steins;Gate becomes phenomenal in the second half. Only problem is that the self-proclaimed mad scientist Okabe Rintaro is more science-smart than social-smart, and there’s a thing he does purely out of shock and scientific curiosity when he finds himself in an alternate timeline where a friend of his may now be a different sex. Needless to say, it’s better to just ask rather than check… He’s told off for it and the characters on screen are understandably shocked, but that’s exactly my reaction as well and this uncomfortable moment is a blight on an otherwise fantastic show

6) Sailor Moon - The classic Magical Girl show that influenced the likes of Tokyo Mew Mew and moved the genre forwards. It also features canonically a canonically gay couple about 150 episodes in. Looking back nowadays though, the Nostalgia Critic said it best (skip to 9:00): https://youtu.be/pa2oHxME-aY I never found it attractive in that way myself, possibly because I could see they were cartoons and not real with the 90s art style the show has, but it still can't be denied that it's a bit awkward with their age

7) Gatchaman Crowds, and Gatchaman Crowds Insight - A superhero show that takes a surprising turn into kind-of deeper social and politcal commentary. It really is fantastic, but some may look at the flamboyant looking character OD and see it as a perpetuation of a stereotype. One the other hand, he’s never actually stated or shown to be gay, just fashionable in his own way and flamboyant. To be honest he actually struck me as pretty awesome for just dressing however he wants, especially when the top hat comes in to the mix. I thought the same about Rui, a character refered to by everyone as male but wears clothes traditionally seen as female, as well as a wig, and looks pretty awesome doing it. Both these characters are never the butt of a joke and are generally just accepted by everyone without being commented on. I will also mention Utsustu, a minor character who sometimes just casually wears a bikini as clothes. But surprisingly there’s no camera close ups of her chest or anything fanservice-y. We view the show through the lens of the very open minded main character Hajime. When Hajime firsts meets Utsustu, she just comments “cute swimsuit!” and asks her where she got it from. To me this gave the impression that, like the main character Hajime, we shoud accept that this is how she sometimes likes to dress, and more power to her if she wants to. Not to mention that there is way more to her character than what she wears. I think the show in general has good elements of celebrating self-expression in these three characters, but I can see why some would disagree.

Often there’s a debate when it comes to localisation and censorship, but with most of the shows above I kind of wish that a censored version was at least available because for people like me they’d be an improvement. But I feel that as long as you acknowledge that a moment is wrong and acknowledge what’s wrong with it and talk about it, you can still enjoy the rest of the show since you won’t be pretending it’s okay and your own morals won’t be influenced by it. Feel free to disagree with me though _______________ BLIND RECOMMENDATIONS 1) Snow White with the Red Hair - Not one I’ve seen myself but was suggested to me for this list 2) Whispered Words. “ Murasame Sumika is popular in the high school for her excellence in the marks and sports. However, she has a secret: she is in love with her classmate Kazama Ushio. Ushio also has a liking to the love between girls, but she hasn’t noticed Sumika’s feelings and has always been refused by other girls.” Apparently a very relatable story for any closeted girl. 3) Samurai Flamenco -” Male model Masayoshi Hazama becomes the superhero Samurai Flamenco and fights crime. “