#( rotating her around )

[erabu-san]

Burning going to be my new gender i afraid

+ a doodle i made yesterday before sleeping

[travelling-hydaelyn]

Lahabrea possessed Thancred before this questline even started which means these are back to back Laha interactions. Here is how he greets the WoL in the Waking Sands immediately after his Disney villain introduction.

Meanwhile in Minfilia's solar:

presumably he took a brief break from running Alphinaud's errands to go dramatically laugh at the WoL

[dizzybizz]

bro i think i have autism about her

[dollarstoreartsupplies]

forever thinking about johanna shooting fogg and what it says for both her and anthony as characters

because the whole show, from the very first scene, we've been set up to see anthony and sweeney as parallels of one another; anthony is sweeney back when he was benjamin, he's full of hope, he's in love (with a woman who looks almost identical to lucy), and then he gets that love brutally ripped away by judge turpin

in 'no place like london' sweeney says: "you are young, life has been kind to you-- you will learn" and by the point in the show where anthony is going to rescue johanna we're almost inclined to agree with him

except anthony cannot shoot the gun, he's not like sweeney in that he cannot kill another person even if it was to save someone he loved. anthony is never going to become sweeney todd.

and then we realize that we've been looking at the wrong person the whole show, and it's so obvious it's laughable: johanna shoots the gun.

johanna who has been raised to be silent and obedient and perfect, johanna who, without knowing the half of it, has had everything taken away from her by judge turpin, her mother, her father, and her freedom. johanna who we've been led to believe is the lucy to anthony's sweeney.

she is fully justified in shooting fogg, no one could fault her for it, but she doesn't even hesitate.

in that moment she is her father's daughter.

that isn't to say that I think johanna is going to go on a killing spree after the musical, obviously, but it's such a fascinating scene in terms of their development: because despite it all anthony is still the same, and because of it all johanna is not

anthony is the last bit of hope left in the story, and johanna is the last bit of sweeney

[yloiseconeillants]

Try your best to slowly withdraw From the darkest impulses of your heart Try your best to feel and receive

[twelvemartha]

Oh god, they'll never know. I... I'll just have disappeared. And they'll always be waiting. Call them.

[lilbittymonster]

My turn with the twitter meme.

Happy thighday 💖💜💙

[very-clever-name]

assorted tsunami doodles

[impossible-rat-babies]

they do that bird thing to her where you grab their beaks and wiggle em a little

[triptychgardener]

what are your thoughts on the idea of transmasc roxy in general

I have to say I've grown much less fond of the concept as time progresses. I think transmasc Roxy as it appears in postcanon feels like one of many moves made in the epilogues to specifically jab at certain parts of fandom, but in such an odd way that feels kind of hostile. Roxy being headcanoned as a trans girl goes so far back that it was a common heacanon in 2012! It's mentioned in a premier Homestuck history and backreading podcast (Homestuck Made This World). The XY in Roxy's name is literally referred to as CHROMOSOMAL in her intro! She refers to herself as a girl more than any other character in the comic! Hussie's earlier notes say that same-letter chumhandles (GG, TT) are girls, where the hetero-lettered chumhandles are boys (EB, TG). And then along come Roxy and Dirk, who have TT and TG as their own chumhandles! They're even noted as having their personalities be so much more like their opposite-gendered ancestors! So it feels like a. VERY distinctly odd choice to make Roxy in particular, of all characters, transmasculine. I don't want to say it's intentional, but it's odd. It also speaks to two trends I dislike about fandom trans headcanons specifically when it comes to Homestuck, but also elsewhere. 1. The idea that all characters are cis by default, and none of them could have been trans before the game. Saying that when Vriska Serket and Kanaya Maryam exist is essentially factually incorrect. It's disappointing ESPECIALLY because some of the best Homestuck fanon (and canon!) thrives on the voids between what is said, the implications that get turned on their head. and 2. The denial of the fact that trans women can, in fact, have complicated relationships with femininity and womanhood! This is far too much for me to go into on a work night on my Homestuck blog, but especially with the Lalondes, who have Things about femininity (Roxy being the "cool girl" ultra-accomodating, never making a fuss out of her problems, and Rose's Whole Deal with her mother and her mind games) that ring Very True to me as a trans woman. Obviously, headcanon is not erasure, but at this point I can't say I care too much for transmasc Roxy. Also, essentially making Roxy into another Strider just sucks as a character arc. Dave should be more of a Lalonde not the other way around.

[erabu-san]

Burning going to be my new gender i afraid

+ a doodle i made yesterday before sleeping

[p1x1x]

[spaceratprodigy]

(palette challenge) PINK LEMONADE OR WATERMELON FOR DELIRIS ⁉️⁉️⁉️

@oldworldwidgets — [ palette prompts ]

WATERMELON LEMONADE DELIRIS 💖💚

[scarlet-wish-draws]

I think she likes you back.

[kc5rings]

Imagine an AU where Texas didn’t get away the night her family home burned.

Still too valuable to be killed, she does end up under the auspice of the Rossati’s, giving much more credence to their claims of being the heirs to the Texas family position upon being ordered to return to Siracusa.

Given their relationship Giovanna is tasked with keeping tabs on Texas at all times, effectively becoming the handler of her once close friend. Neither of them have the pull to sway the powers that be at this point, so Texas remains a prisoner in a gilded cage and Giovanna her reluctant jailer. They remain close in proximity but there’s always the distance of Giovanna’s duty and Texas’s trauma wedged between them like a shared albatross around the neck.

All of this backed and enforced by the institutional power of the famiglia and Lady Sicily.

Texas never gets away, never goes to Lungmen, never finds the friends and support of Penguin Logistics. Texas never gets the chance to heal and become a different person, just stays in the place that took everything from her with no choice but to keep working for institutions that let it happen.

Imagine what kind of emotionally stunted, caustic person that would turn Texas into.

All of that, is what happened to Mostima.

[rosalinesurvived]

Do you‐uhh.

Do you ever think that the Green kids resent Alicent for being on Rhaenyra's side?

Because um. Obviously watching their gaslit, grief-stricken mother charging and making the Princess bleed for Aemond loosing an eye with no justice is harrowing and incredible and terrifying. (Our mother loves us! She's begging for our Father to care! She slashed the Princess! She does love us!) And then years later Alicent is telling Aegon to spare Rhaenyra, holding Rhaenyra's arm infront of them at supper.

Did they ever feel as if they were the late ones? The invaders? Do you think they felt as if it was a constant fight for their Mother's affections? Can you imagine the reproach they mustve felt, knowing that they were unwanted (What have I done but what was expected of me?) watching their mother raise hell for them, then always looking around for one of the objects of their agony?