#( like hands grappling at the sides - leg vaulting over. etc )

[korinthiakos]

Still want to casually make headcanons based around the idea of them being a mirror - sometimes literally in a sense when it comes to vanity, etc. But throwing in the idea based around dark waters still--

[itsclydebitches]

RWBY Recap: Volume 6 Episode 9 “Lost”

Welcome to Volume 6, Episode 9 where “Lost” truly encompasses all of my feelings today! Sorry for the late recap, but let’s not waste anymore time.

We open on Emerald and Mercury as they hang out in Salem’s palace, the woman in question nowhere to be found. She’s probably still off seething over Ozpin’s latest reincarnation. There’s some pretty heavy symbolism attached to how each character navigates the room: Mercury energetic and full of purpose as he trains in the open space; Emerald static and curled in on herself on the floor. She admits that she hates “being in the dark like this” and Mercury agrees. Cinder was annoying, but at least she kept them both filled in.

Of course she did, because Cinder craves power in a way Salem doesn’t. She wants a particular type of submission tied up in validation. Qrow reminds us in Volume Four that Salem keeps to the sidelines. She’s—to borrow our Wizard of Oz vernacular—the man behind the curtain, happy to pull strings that lead to everyone pointing accusingly at one another, with no inkling that someone more powerful is really to blame. Can we picture Cinder laying out plans that didn’t result in her taking credit for the plot? I can’t. She needs to be in the thick of things, monologuing her victories, and by extension she has a closer relationship with her pawns than Salem ever will, by pure necessity. Cinder would have eaten up the kind of attention from Tyrian that Salem brushes aside unless acknowledging it directly suits her purpose. It’s that faux intimacy that’s convinced Emerald they have a real connection.

With these kinds of thoughts on her mind, Emerald asks Mercury why he bothered to come with them all those years ago. He reveals that his father was an assassin, trained him to be the same, and the night he manages to kill him a group comes along that just happens to need his particular type of expertise? “Just felt like it was meant to be.”

Emerald: “That’s it?”

I agree. Though Mercury is by far the more convinced of the two, he’s still demonstrating the same lack of clear convictions that our heroes have been grappling with. You signed your life over to this war because a bunch of strangers happened to be passing by? That sort of coincidental justification can’t sustain itself. Even Pyrrha’s firm belief in destiny grew shaky once she was faced with a truly difficult decision and Mercury has had pretty smooth sailing lately, especially compared to the life he had with his father. He beat up a bookseller, framed Yang, helped destroy Beacon, had a minor role at the Haven battle, and has been hanging in the palace ever since. He’s actually been doing pretty well, especially since losing Cinder is no real blow to him, so why wouldn’t he think he made the right choice to impulsively follow her and Emerald when they met? The problem is, these victories won’t last. What’s Mercury going to do when his “it just felt like it was meant to be” collides head on with a truly difficult situation… like oh, say, having Salem turn that anger on him as an abuse survivor? As others have already pointed out, Mercury was pretty damn spooked by her reaction to the news about Oz and saw it coming far faster than the other characters. One of these days he’s going to realize that it’s not going to be continuous smooth sailing to Salem’s new world where he’s a top dog no one can touch. Then he’ll have a choice to make.

Of course, Tyrian is already anticipating that. Sometimes it doesn’t matter whether you ever discover those true convictions. Even if Mercury some day realizes he wants to get out from underneath Salem’s thumb, good luck with that. Hello, difference between her and Ozpin. Ozpin let’s people leave, no matter the cost to himself and the war effort. I doubt Salem provides such luxuries.

Emerald tries to get Mercury to understand how her motivations were tied up entirely with Cinder: “[She] was the only family I ever had. She cared about me…” Mercury interrupts with the cruel truth that no, she doesn’t care about either of them, and Emerald is so enraged that she attacks.

You can easily see her heart isn’t in it though. In a nice parallel to Oscar’s line at the end of the episode, she’s been worrying about the exact same stuff. After her initial attack Emerald is barely keeping her fists up and backs off as Mercury starts advancing on her.

He brings up an interesting conundrum: is it worse to have been denied the love of a parent, or to experience the hatred of another? Of course, the truth is that both are horrendous, but Mercury is clearly of the mind that his trauma trumps Emerald’s. Surprisingly calm while also housing great fury, he reveals that some semblances can apparently steal others. At least I’m assuming this power came from his father’s own semblance. Whatever it was (omg tell us lol) apparently made Mercury “weak” in his eyes and after taking it he said he could get it back when he proved he was “strong.” Well, Mercury proved his strength by killing his father, but he didn’t get his semblance back. So it apparently doesn’t revert back after death.

Before things can get anymore heated Tyrian sneaks creepily out of the shadows. His usual entrance. The highlight of his hastily justified visit—just saying goodbye!—is the reveal of his new tail. Did he have the rest of his tail removed? I’m assuming that only the end is new with the rest of his tail just encased in that armor. Later we can clearly see a drop of his poison on the tip (along with the purple visible on the underside) so I suspect in order to create an apparatus that could draw it out again they’d have to keep the rest of the limb. Regardless, it’s too bad for our heroes. It looked like Ruby had done some permanent damage back in Volume Four.

I’m actually rather fascinated by how RWBY treats its disabled characters. There’s a very heavy focus on the psychological trauma as opposed to the physical. Meaning, once the character “gets over” the injury (I use that awful phrase not literally, but just to describe the moment when the arc focused on their injury is complete and the narrative needs to move on) the focus then segues to how much stronger they are now. Again, physically if not mentally. Mercury’s legs are now more powerful than the average human’s, as is half of James’s body, Yang’s arm, Tyrian seems to be able to do everything he previously could with his tail, except now it won’t be so easy to slice through it with a scythe. We also get moments where the act of being disabled is the factor that tips the scales: such as when Yang detaches her arm to get into the vault. On the one hand this is an incredibly positive and potentially inspiring trend. On the other hand real life disabilities sometimes still suck in a way that really isn’t portrayed here, especially since everyone has access advanced tech to “fix” the problem. Yang is right. There’s a part of her missing that she’ll never get back, but that doesn’t change the fact that her new arm is portrayed as more powerful and versatile than her original could ever hope to be. Putting aside the trauma of losing it for a moment, the fact that she’s missing an arm is itself no longer presented as a disability.

I’d actually like to see more moments where the tech isn’t portrayed as such an easy fix: Someone doesn’t have the money to get fancy Atlas stuff, Yang’s arm breaks down in the middle of a fight, whatever dispenses Tyrian’s poison jams up, someone with a tech or metal-based semblance gets a huge advantage when they realize a bunch of the allies are reliant on metal limbs, etc. AKA, more like Fullmetal Alchemist where disabilities are both an asset (I always have a weapon on hand!) as well as a hindrance (…that often gets destroyed) depending on the situation. I think the closest we get is with Maria. Losing color meant that she didn’t pick up on Ruby’s eyes until the very last moment, putting them in more danger. Beyond that she says her specs need a tuneup, but so far we haven’t seen any downsides to not getting them upgraded.

ANYWAY. I should get back to the actual episode…

Tyrian points out that Mercury is too afraid to leave the pain and violence that he’s always known and Mercury gives the expected line that Tyrian doesn’t know anything about him. Makes me wonder what Tyrian’s past was like and why this conversation out of them all would bring out his more philosophical side.

We see more of Emerald’s need to hang onto what little family she has left. Despite attacking Mercury just moments before she lets out a furious, “Hey!” when Tyrian pins him and uses “we” when asking whether they’re just supposed to leave, despite the fact that Mercury has expressed zero interest in considering that option. Emerald considers them a set and, like with Cinder, is projecting more love than might actually be there. She expects that if she leaves, Mercury will follow.

Boy, that might be another kick in the teeth if it ever came down to it…

Tyrian gets his line about how they should love what they do… but ultimately you don’t have much of a choice. Not when Salem is involved. Watts appears reeeeeal far back to let him know it’s time to leave for Atlas.

Could you be more dramatic?

With the ominous knowledge that literally every semi-notable character is heading to Atlas, we cut to JNR looking for Oscar. Jaune gets some excellent lines here:

“This is all my fault. I overreacted…he didn’t do anything wrong.”

Damn straight. Most of the fandom was willing to absolve Jaune the moment he showed a guilty look, but in this volume particularly looking guilty isn’t the same thing as an apology and a change in behavior. Qrow hasn’t apologized to the group yet. The group hasn’t apologized to Ozpin. There’s been a lot of shots of people looking regretful, but not doing much to act on that regret. Given this theme I wouldn’t have been surprised if Jaune hung onto his anger and tried to justify his reaction… but he didn’t and I’m so glad to see this glimmer of maturity, especially coming from one of the more violent characters this volume. He’s doing everything right here: being frank about his mistakes and responsibility, implying that it won’t happen again, apologizing the moment he sees Oscar. Good job, Jaune.  

We see how with a few hours to calm down JNR is totally on board with continuing the mission. They’re concerned about what they’ll do, not whether they’ll do anything at all. “It’s going to be a lot harder than we thought” implies that they’ll be continuing the fight and Nora and Ren are back to their endlessly optimistic selves. Honestly… while I’m glad to see this characterization in general, it feels cheap after last episode. As said, RT has given everyone an identical reaction to the information about Salem, undermining their individual temperaments and outlooks, all so we can build up this hatred of Ozpin. But if you’re going to give characters unlikely reactions (like Nora going full pessimism) at least commit to it. By skipping over their thought process and discussion, by jumping straight back to, ‘Of course we’ll fight!’ it paints their original reactions as inauthentic. Nora isn’t really doubting whether all their work meant something, Ren isn’t really mad at the rest of the group, Jaune doesn’t really think Ozpin has taken over Oscar—those emotions were just tools to fuel the drama of one scene. And yeah, some people will read that as a legitimate response to getting horrifying news. I personally don’t. That scene could have achieved everything it needed to without making JNR a carbon-copy of RWBY in their grief.

We also get another example of how the team is happy to keep secrets when it serves their own purposes—“I know, I know. Top secret”—and how less stock they put in the traditional huntsmen lifestyle now. Saphron says that if they’re not sure what to do they can always get their licenses and help out in Argus. “There’s a lot of good you can do here” and this is juxtaposed with images of safe and smiling people who only have that happiness because of the everyday huntsmen doing their work. Saphron points out that they don’t have to be the ones to complete this mission and “it’s not the only mission that needs doing.” She doesn’t have any of the details… but she’s right. Someone needs to get the relic to safety, but it doesn’t necessarily have to be 10+ people. If anyone has doubts about continuing the fight against Salem specifically, now’s the time to bow out, especially since not being committed is dangerous to everyone else. It’s what Ozpin said back in Volume 5: abstaining isn’t anything to be ashamed of, but you’ll reach a point where you can’t retreat.

This suggestion is brushed off though and I don’t think it’s because JNR has some inspiring drive to face Salem no matter the cost. It’s because everything else still feels ‘useless.’ It’s hard to learn about the Big Bad and then go back to fighting the small fry, even though that’s primarily what keeps Salem at bay. Fighting grimm, bandits, her subordinates, promoting peace… these are the things that keep her from getting a foothold. JNR may be willing to continue to Atlas, but they haven’t quite acknowledged yet that this war doesn’t always have straight-forward quests for them, the heroes, to complete. Secure the relic! Kill Salem! I mean this will never happen because it’s a show and we need plot, but in-world it’s totally possible that after Atlas the thing to do is just the sort of stuff Saphron suggests. Salem’s plans are usually years in the making and we can’t go kill her… so I guess all we can do now is go back to being just huntsmen. 

I hope RWBY addresses this pseudo-superiority that’s developing; the idea that their group always has to be on The Mission To Save The World. I just want someone to acknowledge again that keeping magical relics safe is important… but so is, say, saving a random village from their geist grimm. The world needs both.

Which brings us to Pyrrha.

(Ah, look at that Volume 1 opening callback.) 

Ren and Nora try to cheer Jaune up with drinks at a cafe (coffee! shop! a! u!) but he hangs back on a bench. Everyone’s heart rips out when a familiar leaf drifts by and lead’s Jaune to Pyrrha’s statue…

Let me be clear here. I love the emotion of this scene. I love that JNR finally got to have this conversation. The only thing I don’t love is how heavily it pushes the idea that it’s noble to die even when you didn’t have to, even when it accomplishes precisely nothing.

Woman: “[Pyrrha] understood that she had a responsibility to try… I don’t think she would regret her choice, because a huntress would understand that there really wasn’t a choice to make. And a huntress was what she’d always wanted to be.”

This viewpoint makes sense for whoever this woman is, Pyrrha’s mom, her older sister, etc. Of course that’s how she’s going to rationalize the tragedy, especially when she presumably doesn’t know the details of Pyrrha’s death. I truly doubt anyone from Beacon told her Pyrrha went off after someone who she knew she’d lose against and died uselessly. But JNR and the narrative itself? They can afford to be more critical.

Of course there was a choice to make. If Pyrrha was here she SHOULD regret the choice she made! There was no reason for Pyrrha to die. She didn’t die out of ignorance by underestimating her enemy. She didn’t die to save someone else’s life. She didn’t die to buy someone time. RWBY was careful to make sure that Pyrrha’s death served absolutely no purpose and has brought only hardship to those around her. That was her fatal flaw—fighting for the sake of fighting—and Ruby at least recognizes this as something they need to learn from. JNR? Apparently not. They parrot the woman’s words and talk about how they “have to try,” clearly conflating Pyrrha’s situation with Salem’s immortality, but they’re in no way the same thing. They actually don’t have a choice when it comes to Salem because the only other option here is death/enslavement for all of humanity. You know what other choice Pyrrha had though? Listening to her headmaster, not throwing her life away, sparing her friends their grief, and living to do more good later on. I’m used to the fandom endlessly twisting Pyrrha’s death into something inevitable (Ozpin manipulated her!) or something purely noble (she was so close to beating Cinder!), but I didn’t expect the show to do the same thing. It’s a disservice to her character to pretend that she didn’t have any faults… and that one of those faults got her killed.

So yeah. The lessons in general are important ones, just not when they’re applied to this specific context. Regardless, it solidifies their feelings that they’ll continue on to Atlas and after some more apologies from Jaune for being a “terrible leader” and friend, they decide to head back to the house. Jaune takes one more look at Pyrrha’s statue with an airship flying overhead, a very non-romantic choice that won’t make sense until the end of the episode.

After all that emotional upheaval we cut to Ruby. Looking like this:

This child is so fucking done.

I suppose the one silver lining is that Qrow managed to make it back to the house before he passed out? Yang comments that she’s “never seen him this bad” as these poor kids drag him back onto his feet. As Ruby angrily fills him in about Oscar being missing Jaune goes, “Don’t worry. We’re not going to Atlas without him.”

Ruby: “We? :D”

As everyone basks in their newfound determination, the door opens to shed some literal light on them all. Our farm boy is there, safe, sound, and sporting new digs.

Oscar: “Oh. I was wondering when you’d get back.”

I know I joked last time about how Oscar probably just went for a walk since everyone agreed to take time to themselves, but RT could have given us some indication of where he went, what he did (besides shopping), what he thought… basically anything that would show us some actual development, rather than having it all happen off screen. Like Nora, Ren, and Jaune suddenly 100% on board after their pessimism last episode, we completely skip over Oscar’s thought process. We don’t get to see how he went from this

to this.

The fact that this time skip proceeds Jaune’s apology makes it a highly uncomfortable scene—for me at least. Because Oscar went from flinching in his company to making them all dinner and interrupting Jaune before he can even finish, claiming it’s fine because he’s had the same worries. In short, it feels like Oscar is the one apologizing here because we haven’t gotten any insight into what else might explain this sudden mood change. He’s a “like minded” soul to Ozpin though and Ozpin blames himself for everything. So Oscar watches how no one gives a damn if he’s okay after Jaune assaults him and, instead of being angry at them for that, makes everyone casserole with the hope that they’ll be pleased with that gesture. He doesn’t let Jaune take full responsibility for his actions or complete his apology because Oscar thinks that reaction was justified. Oscar implicitly apologizes for making them worry all day even though he had every right to leave. He talks about himself like he’s dying—“I don’t know how much longer I’ll be me”—and instead of being upset about that anymore he says that he’s going to help others with “whatever time I have left.”

Oscar is doing exactly what Ozpin did a few episodes ago, trying to please those around him instead of calling them out on their shitty behavior. For Ozpin it was giving them a life without him; for Oscar it’s playing the supportive outsider who’s determined to not be a burden. He can’t help that he’s merging with Ozpin, but he can be better prepared for their next battle (combat gear), take care of little things he has control over (dinner), and accept their apologies instantly with a smile. He’s not giving them any reason to hate him anymore than he thinks they already do. 

If this is at all a reflection of how Ozpin’s comeback will go, it’s not a good sign in my opinion. I’m still worried that Ozpin will be the one apologizing and will just brush off any half-hearted apologies he gets in turn.

Of course, a big portion of the fandom is theorizing that this isn’t Oscar at all, but rather Ozpin controlling him. I’m not buying that theory right now. Mostly because Ozpin wouldn’t do that. We just watched Jaune lose it because he thought Ozpin might be tricking them by pretending to be Oscar…so Ozpin’s gonna turn around and do exactly that? And to what purpose? Take back the relic from Ruby? If he could hear during his self-imposed isolation then he knows that RWBY is still determined to get to Atlas. If he couldn’t then he woke up in Argus and can infer the same thing. It’s foolish to go off on his own in a body that, to be frank, is still barely trained, especially when time has proven that it takes a team to make it out there. The only way I might buy this is if Ozpin thinks he’s sparing everyone by taking the relic himself; unburdening them from the mission.

I can see why people are suspicious. Oscar is indeed acting off, though I attribute that to the fact that, again, he’s clearly rattled by what happened and is trying not to show it. I can also kinda see why people would be suspicious of him buying combat gear now—he’s planning to go off on his own!—but this was also just a decent time for him to get an outfit change. Plus he needs combat gear regardless of whether he’s with the group or not.

In the end, believing that this is Ozpin in control here is rooted in the fandom’s belief that Ozpin is a horrible manipulator who would turn around and do all the things Jaune just accused him of. If this ends up being the case I’d be incredibly disappointed in RT, because this goes against so much of Ozpin’s core characterization. Until it’s actually proven, this isn’t a theory I’m subscribing to.

With Oscar’s Jaune’s apologies out of the way Qrow tries to leave and Ruby finally loses her temper, snapping that he can at least sit with them. Qrow is once again entirely dismissive of Ruby. He sarcastically says how he “wouldn’t want to get in the way of your celebration,” callously brushes off whatever Oscar and the group apparently made up about, and reiterates that they don’t have a plan. Hell, he doesn’t even know that JNR has learned about Salem and he clearly doesn’t care. Jaune tries to diffuse the situation by mentioning that he has thought of a plan... though it’s the “no going back” kind. 

Steal an airship. Please look at everyone’s horrified reactions. Except for Nora.

She’s so proud!!

Why the shock though? Objectively speaking this group has never cared much for laws or rules. Ruby and Yang come from a family with bandits in it. Blake was a member of a terrorist group. Ren and Nora clearly had to steal in order to survive. Jaune got into Beacon with forged transcripts. They happily let Ozpin bend the rules for them at school. They never reported all the illegal activity of the White Fang. They then started acting as huntsmen despite not having licenses. Weiss snuck out of her own Kingdom as cargo. And they just straight up lied to a military figure to try and cross the boarder. Like I get that stealing a ship is a bit bigger than this other stuff (with the exception, perhaps, of Jaune’s transcripts and Blake’s past), but it’s not like this is a group of totally law-abiding citizens. They’ve been working outside of the Kingdoms’ laws for a rather long time now.

It’s the perfect excuse for Qrow though and he tells them to drop it. There’s a clear visual divide between him on the stairs and everyone else below, reinforced when Ruby says that she wants to “hear [Jaune] out.”

Interesting choice of words. Jaune just admitted that ‘steal an airship’ is all he’s got. There isn’t anything more to hear out. Ruby is just making it very clear who she’s siding with.

She says she knows Qrow is worried for them and thinks it’s all hopeless, but “right now I don’t really care what you think.”

To quote the popular meme, you can pinpoint the exact moment his heart breaks!

Needed to be said though.

However then… then. Oh boy. Then Ruby spouts this absolute nonsense about how the kids have never needed adults and definitely don’t need them now.

“We’ve been in tough situations before and we didn’t need an adult to come save us or tell us what to do. We did it our way.”

I’m sorry, Ruby. When the hell was this?? Was it when you tried to take on the White Fang by yourself instead of providing Ozpin with information that might have helped him figure out Salem’s plan? Or was it when an experienced huntsmen had to come save you with your team when you went off alone at Mountain Glenn? Was it when the adults did just as much work to win the battle of Beacon as you? How about when you were traveling to Haven and didn’t have any grimm to deal with because the adult was following behind and taking care of them all, then saved you from being kidnapped? Was it when Ozpin trained you for weeks and finally gave you a plan to follow? Or was it two days ago when Maria’s experience literally saved you all from certain death?

To say nothing of the reverse. It’s because of the kids’s actions that they’re in this position in the first place. It’s because Ruby went and used a question that Ozpin isn’t around to help them anymore, to help recognize the Apathy for what it was, to gain them entrance across the boarder. Kids thinking they know best is precisely what started all this nonsense.

But yeah. Apparently there’s no remorse for how they treated Ozpin yet. Rather than regretting their inhumane treatment now that they’ve had time to cool off, they’ve settled on a ‘Who needs him anyway?’ mentality.

This viewpoint came totally out of left field and I honestly hate it. Everything from the rousing shots of everyone’s smug expressions—Yeah! Bonding over how much we don’t need you!—to Maria cheering them on, I absolutely hated it. Ruby isn’t mad at adults, she’s mad specifically at Qrow and his drinking. She could have easily called him out on his shit (something that needs doing) without charging her team up with the misguided idea that they’ve somehow been surviving without adults when they haven’t. We could have re-asserted Ruby’s convictions to keep fighting without throwing all her 20yo+ allies under the bus. Apparently they’ve learned little from their impulsive decisions this volume.

However, RWBY is acknowledging a common issue with child protagonists: how do you make them the star of the show when presumably adults should be fighting in their stead? There are a couple ways to get around this:

Adults are available but we don’t trust them (Harry’s abuse in Harry Potter)

Adults are around but are fundamentally useless (HP again - Harry is brushed off by McGonagall in the first book, dealing with evil or idiotic DADA instructors, etc.)

Adults are forced to hand over the reigns to kids (any story with a Chosen One plot)

Adults might want to help but can’t for reasons outside of their control (they all died off, they’re hypnotized like the parents in It, etc.)

The problem with RWBY is that adults have always and will always be an integral part of the plot. The narrative hasn’t given Ruby a distrust of authority figures (she grew up with a loving father and clearly respected her instructors), it hasn’t painted her as Remnant’s inevitable savior (in-world at least. We as the audience know she’s the primary protagonist, but to the cast she’s only a little special because of her silver eyes), it hasn’t forcibly removed adults from the battlefield, and it hasn’t characterized them as useless. Yes, RWBYJNR has had some of their faith undermined given Ozpin’s fall from grace and Qrow’s drinking, but those are balanced out by Maria’s endless help and the Cotta-Arc family giving them sanctuary. RWBY is suddenly trying to push a YA-esque ‘kids know best’ viewpoint without doing any of the work to justify that. As an adult watching this show, that scene didn’t make me go

like I think it was supposed to. It just reinforced that they are, in fact, kids. Literally. Only kids look at adults and go, “We don’t need you! We’d be just fine on our own!” I mean yeah, as semi-trained huntsmen they’d probably survive, but that’s not what Ruby is saying. She’s taking her frustration with Qrow’s individual problem and twisting that into a failing of everyone who’s not her age... while standing next to the adult who saved her life and finally explained silver eyes, while her hosts finish making her dinner, in the house they’ll all be sleeping in tonight, while prepping a mission that hinges on getting to Ironwood. Sure, Ruby. Your way doesn’t rely on adults at all. 

God I hope this view was just a one-time thing that I can forget ever happened. If Ruby’s leadership gets tied up in a kids vs. adults mentality the rest of this volume is going to be very uncomfortable to watch. Maria’s,“Looks like you didn’t give her enough credit either!” is great, just not in this particular context. A lot like Oscar’s kindness and JNR’s determination to “try.” This episode was filled with things I wanted to see, but then they all got twisted in ways I never expected—and largely don’t like.

Oh well. I’m gonna hang onto Oscar’s BAMF new nutcracker outfit and that glorious image of the gang prepping to dog-pile on him.

Until next week!

Other Details of Note

I’ll admit, I did like the apparent threat behind Tyrian’s goodbye while he had his tail poised over Mercury’s face. He’s good at messing with people.

Nora’s gasp when she sees Pyrrha’s statue : (

But she still got Jaune a drink! :D

I’m wondering now why Pyrrha chose Beacon over Haven…

Terra freaking out about the neighbors was pretty hilarious.

Interesting that Ruby says, “We got this far without Oz.” Normally I’d be thrilled to see her treating him as a peer with a nickname, but considering that the rest of the speech is about how they don’t need adults, it feels more like a dig. He was still “Professor” after Jinn’s vision. Now that she’s decided he’s useless? No more respectful titles.