#( he just came on my release radar on spotify with his latest song )

[fortitudina]

*OOC. ------ There is just something about Nation Haven's voice that does things to me. He can serenade me with his songs all that he wishes.

[gaijin-fujin-resonance]

How Buck-Tick Found Me: A Fan Origin Story

I though I had written this all out before, but probably on a more ephemeral format.

Buck-Tick discovered me by accident in early 2022. I don't even known how many near-misses I must have had. The only time I had ever previously heard them was Aphex Twin's remix of In The Glitter on 26 Mixes For Cash in 2003. (Why, oh why didn't B-T release Shapeless in the UK in 1994, when I was into many of the artists on it!?!?) But despite having many friends who were into the noisier end of J-Rock (and tried force-feeding me bORIS or Boredoms), not once did anyone suggest B-T. I'm still mad about that!

On 25th February 2022, I was idly reading an interview with a K-Pop producer on The Guardian, who mentioned his teenage obsession with Visual Kei. The picture (of Versailles) on that linked article intrigued me. So I went straight to Spotify and looked up "Old School Visual Kei". The fourth song in grabbed my attention to the point where I looked up the artist - the combination of trip-hop beats; ethereal, shoegazey guitars; and deep, breathy, slightly gothic vocals immediately sucked me in. Yes, like most western fans, my introduction to B-T was ドレス.

I listened to a couple more Visual Kei songs, but none of them did for me what that one Buck-Tick track did. I went back and hit play on their Spotify profile, and ended up listening to them for the rest of the night, until way past my bedtime. I listened to nothing else for the rest of the week, absolutely captivated by everything I heard. It was like someone had taken every single genre of music I had ever cared about from the age of 15 - positive punk, new wave, goth, techno, industrial, cyberpunk, shoegaze, electro, spacerock, drone - and just simmered them in a crockpot with distinctive Japanese flavouring.

This seems crazy to admit now, but I listened to B-T for over a year without ever even knowing what they looked like. I was vaguely aware that they were still going (the latest release at that point was Go-Go B-T Train - I love trains with all my middle-aged British heart so that was a winner for me.) But the singles from Izora started popping up on my Release Radar. Every time one came on, I would find myself sitting upright, paying attention and going to check who it was by. Oh, wow, that old Japanese band has got a new album out? Cool!

I started following the tags on Tumblr. I liked the look of the singer; he reminded me of a cross between Blixa Bargeld and Brett Anderson. In May 2023, shortly after the release of Izora, a gifset wandered across my feed. No source, no tag of what video or song or even album it was. Just the most AESTHETIC images I had ever seen.

The singer was beautiful, but it wasn't the singer that captured me, it was the visual world that this video hinted at.

I spent the next two months chasing down every B-T video on YouTube, trying to find the source of this snippet. Annoyingly, it wasn't in the official videos on their channel. I went on a Deep Dive, until I found it was Love Me, in a fan-assembled playlist of all their early videos. Honestly, whoever compiled this thing: you CHANGED MY LIFE. I wish I could pinpoint the moment that I switched from "wow, I really like this band" to "OH MY GOD THE NEW HYPERFIXATION THAT WILL CONSUME ME FOR THE NEXT FEW YEARS" - maybe it was somewhere between Love Letter and Heroine on this playlist?

I honestly thought I was going to fall in love with the handsome singer, like everyone else on earth. I started devouring Cayce's blog and BT Zone, looking for clues. I read the Japanese Wikipedia entry through Google Translate back when the EngliIh language version was little more than a stub. (Honestly, there was more information about the band on TV Tropes when i started researching.) But the more I read, the more I watched, the more I listened, the more I found myself drawn to the little blond guitarist. Interviews and fact sheets revealed we had a huge number of random, coincidental commonalities. But when he whipped out a theremin during SSL (inbetween commanding said singer to lick his boots) I was lost. You don't choose your Honmei, your Honmei chooses you. He chose hard. I can remember my oldest friend, around her birthday in August, laughing at me, saying "this Imai person has eaten your brain, huh?"

So I guess I had about a year and a half of liking the music, and about 3 or 4 months of being in the fandom before Atsushi collapsed onstage, and everything changed.

...

So although I'm no longer a New Fan, I feel like I have more in common with that experience. I wish I had decades of Deep History with the band - listening to their albums in order, I can hear all of the places in their long history where their taste and aesthetic aligned perfectly with whatever music I was listening to at the time. I do have that Deep History with many of their influences, enough that I feel I have secondhand familiarity with what they were doing.

I certainly understand why fans with a 30+ year history with the band might feel unsettled about the future and trepidation about B-T Mk II. (Except... among the people I follow, it doesn't seem like it's the long-haul fans who have already weathered so many changes, who are having the most trouble with it? The 30+ year fans seem to be the most loyal to the whole group as a concept, with or without Atsushi's corporeal presence.) But that's not where I am.

I had a 35 year history thrown at me to absorb in a few months. I've had 20 months of B-T with Atsushi, and 13 months of B-T without. Change is inevitable. So I feel like I am completely open to a second chapter of my fandom which is different from the first?

Note: Your Mileage May Vary. The way I do fandom is not the only way of doing fandom. All approaches to fandom are valid. You do you, and allow me to do me.

[independentartistbuzz]

Indie 5-0: 5 Questions with Benny Sinclair

Benny Sinclair is an artist that has been taking the world with his brilliant brand of indie infused music. His latest record "Assumptions," which came out last week, has had us head over heels for the artist, as he brings an album to the table which is truly a labor of love. With brilliant hooks and an amazing storytelling element, Benny Sinclair is an artist to have on your radar in the New Year. We caught up with the artist for an exclusive interview which you will find below.

1. What is the inspiration behind your upcoming album and did you draw the piece from a personal place?

My music is inspired by life experiences and my passion for hip hop music. ‘Assumptions’ is the third installment of a planned four album project which touches on the four agreements,  which I use as a guide for personal freedom. 

2. When creating new songs, how long did it take to accomplish from start to finish? I listen to a variety of songs and think about what elements I like particularly about those songs. This encourages me to think of ideas and starts the creative process. At that point I go into the studio with my producers and we create a new track together. My producers know my sound and quite often send me beats. I write to the ones that inspire me the most. I rhyme & sing out loud what I’m feeling inside when I hear it.  I normally give myself 12 months to complete an album.The time it takes to create each song varies as sometimes I can just listen to the beat in the studio and ideas just start flowing an it can happen in one session. But the overall process from creating beats, to laying down lyrics and then have the track mixed and mastered varies. 3. At what age did you realize that music is a career you wanted to pursue; what was your 'ah-ha' moment? When I was about 8 years old, some scouts came to my school auditioning kids for the state choir and I was picked. I knew at that point I had a voice. I attended one session and felt it wasn’t quite for me. Shortly after that I remember hearing hip hop driving along in my step dads car, it gave me goosebumps and I knew it was something I wanted to be a part of. 4. Who are your musical inspirations; what artists inspired you to start your career and find your musical passion? I can remember the song I heard that day in the car it was ‘Funky Cole Medina’ by Tone Loc, so it must have been an inspiration. Then I got into Gangster Rap with artists like NWA, 2 Live Crew, Public Enemy, Geto Boys and the list goes on. I have also always loved R&B, Soul & Reggae music. I can remember my uncle buying the Michael Jackson ‘Thriller’ album and sitting around in his lounge with my cousins listening to it over and over again. My mother also owned Whitney Houston’s first album, which was one of my favourites. As I got a little older Marvin Gaye, Al Green, Stevie Wonder and Bob Marley were among the artists whose music  I admired the most. 5. What other treats do you have in store for us this year? Can we expect more songs, a full record or a full tour? The album Assumptions will release in November and will be distributed over US radio. I have a new video ‘Jungle’, which is the second track off the album, dropping very soon. I’ve put together a show under my label ‘Dime & Ruff’, which I will be performing at, as well as show casing other local artists. I would love to come and perform in the states early next year.

Find Benny Sinclair via:

Facebook: https://www.facebook.com/bennysinclair/ Instagram: https://www.instagram.com/bennysinclair/ Spotify: https://open.spotify.com/artist/1lwECiFWy7HZ5PwDWCtzDo iTunes: https://music.apple.com/au/artist/benny-sinclair/1193497488 Soundcloud:https://soundcloud.com/bennysinclair Website: www.bennysinclair.com

[airadam]

Episode 124 : Trophies

"I will not lose."

- Jay-Z

Back on the road after an unscheduled absence, and now with a fully operational battle station (see my IG stories for more). This month's selection starts with a few tracks to test your audio installation, remembers 2Pac twenty-three years after he passed, and is pretty much guaranteed to hit you with at least one track you didn't already know! Let's begin...

Twitter : @airadam13

Playlist/Notes

Federation ft. Daz Dillinger : We Ride

I've been banging this one hard for months, and it seemed like an appropriate one to start the episode with! That little pre-chorus amuses and entertains in equal measure, and gives a breather each time before Rick Rock's stomping beat comes crashing back in. This is a great tune from Federation's 2004 eponymous first album, and they rep Fairfield hard on the mic while also bringing in Daz from Tha Dogg Pound for a cosign from a veteran. One to crank your car system to, for sure!

DJ Quik : Ladies & Thugs (Instrumental)

This is far from my favourite track on the excellent "Trauma" album, but the beat fit really well here - and DJ Quik was generous enough to release an instrumental version of this album for us to hear his wicked beats taking centre stage.

Jay-Z ft. Beanie Sigel, Memphis Bleek, and Static Major : Change The Game

Keeping it west coast on the production, Rick Rock is on the boards once again with what was arguably his national break-out tune. Jay-Z scooped up some of that Bay Area mob music vibe on this one, and featured two of the foremost MCs of the Roc-A-Fella roster of the time. The hook was provided by the sadly departed Static Major, and it fits perfectly. This was a big single from "The Dynasty : Roc La Familia", but didn't make anywhere near as much noise on the charts as the track that followed it on the LP - "I Just Wanna Love U". 

80s Babies ft. Chaka B : Technology

This crew is made up of Tall Black Guy on the beats and Dee Jackson AKA Shogun on the mic, and their "Sonic Music" album is somehow almost ten years old already. "Technology" and the track that follow just happen to fit together nicely, with no deliberate plan to have a tech critique theme in this section! The lyrics lament the state of the modern world when it comes to our reliance on technological solutions, with some maybe being more useful than others. TBG is dope on the beat as always, and if you pay attention you may hear a little callback to a track from his hometown of Detroit...

OutKast ft. George Clinton : Synthesizer

George Clinton was a big feature to get when this came out on "Aquemini", and I'm sure he was drawn to OutKast's outer space vibes. This was released in 1998, pre-social media and in what was almost another technological age - despite this, the themes discussed have held up surprisingly well for a track over twenty years old. As much as anything, maybe OutKast were just rapping ahead of their time!

2Pac ft. Dogg Pound, Method Man, and Redman : Got My Mind Made Up

This is one of my favourites from the over-long "All Eyez On Me" album, but the background to this one is weird. There's about half a bar of background vocal from Inspektah Deck right at the end - he actually recorded a whole verse (as did Lady of Rage) which was omitted from the final version after a mix-up when tapes were being transferred. Daz Dillinger did the production as well as rhyming on the track with his Dogg Pound compatriot Kurupt, but Dr Dre allegedly claimed it at one point. Meth and Red somehow didn't get any publishing or plaques from this track, despite being major artists at the time who contributed typically dope verses. Industry rule #4080...

[K-Murdock] & Mega Ran : Player Two (Instrumental)

The vocal version of this from "Forever Famicom" is well worth hearing, but for now you get to hear just K-Murdock's quality beat. It works in groups of three bars, so catches you a little off-balance at first! 

Blu & Oh No ft. Definite, Ca$hus King, and M.E.D : Boogie To Flex

From "A Long Red Hot Los Angeles Summer Night", we have tales of when the party goes all the way wrong and the gangsta business sets off! Oh No's beat is somehow bright and dark at once, bringing the tension, and every single guest MC brings it to the point that Blu only needs to come in with the perfectly-done hook.  

Royce Da 5'9" ft. Tre Little, Cha Cha, Cut Throat, Jah 5'9", and Billie Nix : D-Elite, Pt. II

Both parts of this mini-series to the B-side of the pretty so-so "You Can't Touch Me" once again proves Chuck D right! I actually prefer the first one overall, but it's very short and tonally wouldn't fit here. Part II is no slouch, with Alchemist on production and a host of guest MCs - the D-Elite of the title, who Royce cedes the floor to.

Reks : Forrest Gump

I'm wondering if the 2013 "Revolution Cocktail" album has been deleted - I can't find it on Amazon, Spotify, or even Bandcamp! Listen to it if you get chance because there is some serious heat on there from the Lawrence, MA veteran.

Curren$y : Billy Ocean

When the going gets tough, the tough get blunted. New Orleans' own Curren$y is on some paid rapper lifestyle business on this selection from "The Spring Collection" mixtape. Cardo and Sledgren provide the midtempo but chilled beat.

Luxury Elite : Upscale

A little vaporwave instrumental break courtesy of West Virginia's Luxury Elite, from her "World Class" album. So eighties, so good.

Tobe Nwigwe : Mo City Don Freestyle

I'm going to keep telling you how ill this Houston MC is until you believe me for real! Pure bars on this track that pays homage to the legendary Z-Ro's "Mo City Don" freestyle from his "Let The Truth Be Told" LP - which itself pays respect to the great Eric B & Rakim's "Paid In Full". Don't ever believe that real Hip-Hop isn't still alive and well in our era.

Zion I ft. Pep Love : Warrior's Dance

Back to the "Deep Water Slang v2.0" LP for a track that's motivational and bouncing at the same time - nothing less than you'd expect of this crew from Oakland, home of the Black Panthers! Fellow Oakland MC Pep Love of the Hieroglyphics family guests on here, taking half of each verse as well as the very last rhymes of the final verse. This is a salute to freedom fighters over a solid Amp Live beat.

Large Professor : Live In Stereo

This is very distinctly new-era (well, 2002) Large Pro, with the more electronic sound he started developing after the SP-1200 days that first made his name. The "1st Class" LP is Large Pro's second album, but the first to actually be released after "The LP" was shelved by Geffen and subsequently heavily bootlegged - finally surfacing in 2009.

Wretch 32 and Avelino ft. Bobii Lewis and Super N£ro : Nothing Will

This is such heat, and may well have slipped past the radar of many. Wretch 32 and Avelino are MCs who represent Tottenham heavy - at the time of this recording, Wretch being a relative veteran and Avelino the up-and-comer. A standout on the 2015 "Young Fire, Old Flame" mixtape, this tune has all MCs dropping deep quotables all over the DJ Smasherelly track, and Bobii Lewis with a great performance on the hook too. 

Pete Rock : Heaven & Earth

A gentle head-nodder from a man who has been bringing us classic production for almost thirty years now! If you like this, be sure to get the "Petestrumentals 2" album.

Nas : We Will Survive

After watching the episodes of the latest "Hip-Hop Evolution" series on the tragic beef between Death Row and Bad Boy, this track stood out for me while listening to Nas' third album "I Am". It's definitely one of the best on the LP in my opinion, with Nas speaking on his relationships with the late 2Pac and Biggie Smalls. The beat is a reflective number by Trackmasters and Jamal Edgerton, working a (cleared!) Kenny Loggins sample. This was a fitting song to end the episode with. 

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

  Check out this episode!