#( STARTER: CLAUDIO. )

[sndersun]

"i never wondered what this could be , i just fuck you and leave , you never wanted nothing from me ."

[swtsours-a]

open to : m muse : andromeda claudio . late twenties . street racer and bartender at nyc based bar the chaser .

“   you're   cute   when   you're   jealous   .   ”

[driptape]

“ it feels like i owe you for all those years of happiness you brought me . “ || @widowings​

[paradoxunknown]

They serve Cunt every time ☺️🤭

i love heel bcc btw i am enjoying every second of it...

[esse-lunam]

an introduction to: my 90s fame dr!

please read this god please there's art in here also ive put 5+ months of work into this dr at this point so i swear that there's interesting shit in here yall I SWEAR I AM NICHE.

reblogs greatly appreciated! this took me forever teehee

ohhh my god this is a long time in the making, ive put this off for so, so long and i really couldn't tell you why. this can act as a script me into ur dr post if you like as well!

for starters, you can find my pinterest board for this dr here :3 just in case u want some cool visuals i guess :3

-

so lets get the basics outta the way shall we?

full name: marley jo veitch

nicknames: mar, marley barley, mars bars, tink (reserved for s/o), living poet (public figure nickname type deal? yknow how stevie nicks gets called the white witch? yeah that)

pronouns: they/she

DOB: june 1st, 1970 (which makes me a gemini btw!)

occupation: musician (piano, violin, guitar n bass, some drums, and saxophone), poet, author (fiction and nonfiction), actor on occasion, also a comedian that one time

skills: all things music + writing basically, film analysis, pop culture analysis i guess, home decor, drawing, fashion?, and being the most autistic person in the multiverse

appearance stats: 5'3", 145ish lbs, long brownish-reddish hair with some light brown highlights in there, sorta wavy but barely

body mods: COVERED in tats (theres a tattoo section on the pinterest board but i also drew some so), septum piercing, snake bites, and a fair few ear piercings. and also i have glasses but thats not a body mod thats just a thing on my body.

"workin and workin't? you have a job?" more on that later!

-

relationships and such! with photos!

s/o: robert sean leonard

"hey, do i recognise this guy?" you might! he played notable roles such as neil perry in dead poet's society, claudio in much ado about nothing, and james wilson in house md!

best friends: dylan kussman, allelon ruggiero, alexandra powers, and kimya dawson

"do i recognise more of these people?" again, probably! dylan, al, and alex were all in dead poets society, and kimya is a musician best known for her indie songs, some featured in the movie juno!

-

my career! (oh good lord)

writing based - undedicated musings

(1986-1993)

alright so this is a bit hard to explain, bear with me. undedicated musings is an anonymous newsletter-based poetry... publication? run by me, under the pen name 'chartreuse', and the whole shtick is that i write poetry, love letters, and whatever else to the person i'll end up spending my life with, but the recipient of said writings is completely unknown, even to me, so im kinda just writing to nobody. until! i actually set my eyes on someone (obviously rsl) and then the writings start to get a bit more specific and yearn-y and personal. since the recipient is anonymous, all the writings are written for a 'vermillion'. both chartreuse and vermillion's identities are revealed when we get married in 1993. and no, rsl doesn't know that i'm chartreuse, nobody does until i reveal myself. i think its kinda cool :3

film based - dead poet's society

(1988-1989)

so for starters, i was part of the crew that worked on the set of dead poets society, now all my friends (except kimya, her and i become friends in the late 90s) make sense! my actual job on set is kind of a vague be-here-and-do-a-bit-of-everything type deal, so there's no set title beyond "assistant to lead" even tho it's essentially government assigned 'friendship' LMAO. but! me and the cast get on like a house on fire, so i kinda just get to tag along on their wacky teenage-ish boy adventures. this totally does not stem from a desire to be part of a teenage boy friend group, and i am, in fact, totally cisgender. i am also lying. anyway, without going into too much detail, me and my s/o-not-yet-s/o (will be referring to him as rsl from this point on) sorta have a painstakingly long will they wont they type deal, because i guess i like torturing myself. we meet a day before all the actual film stuff starts just as a sort of preliminary get to know eachother because you'll be in close proximity VERY often for months. thats some time in march - june-ish? of 1988 (i shift to my dr the day before!) and we don't actually get together until june of 1989. so.

also! some changes to the movie because i can make those: knox overstreet is now played by matthew lillard instead of josh charles, because josh charles is a fucking zionist and i dont want to associate with him in any reality! knox also isnt a b plot to the movie at all, instead focusing on meeks and pitts because i find them much more interesting! and also knox's b plot is creepy as hell! also, the racism against natives (read this!) is completely gone! no thanks!

music based - MAURZI

(1988-2004 technically)

strap in boys because this is the main event of this dr and the lore is VAST. MAURZI (must be spelled in all caps, like MF DOOM) is a sort of musical person/character i've made to tell the story of via a series of albums. i release my first single in october of 1988 titled "lunarian", which is a fun little song about a being from the moon arriving on earth and having some inter-planetary culture shock. and thats the only song i've actually planned! i release 6 total albums that map out the MAURZI storyline kinda

- MAURZI (1989)

- GONE TO SHIT! (1991)

- Charmed (1992)

- I found Him in Santa Barbara (1995)

- Waterworks (1998)

- also bibliography (2004) but those are released as songs By Me and not MAURZI, just released under the same artist. MAURZI storyline ends with Waterworks.

now here's where you get the very extensive MAURZI lore. MAURZI is a sort of alternate-universe representation of me, where in i'm much more famous than i actually am in my dr, and i am absolutely RUINED by my fame in a fuck ton of ways. each album is a different section of her life so i'll explain it album by album. also for reference, in my dr capitalism/ currency isnt a thing, but in the MAURZI... verse? it is. because i like anti capitalist art! same goes for most other media im in/ participate in, actually. MAURZI uses she/her pronouns btw, i dont.

MAURZI - my self-titled album is about as close and personal to my life as i'll get, which an average amount because i still throw in some songs about shit that i have not at all done/ experienced. (ex. songs about cheating, toxic relationships, and things along those lines. thankfully ive had a mostly healthy relationship with relationships! except that one time!) MAURZI is new to the music scene but she's here to make some lovely tunes to help process some stuff! artists im taking inspiration from include (but are not limited to): sarah kinsley, dodie, jeff buckley, tv girl, mitski, and peach pit.

GONE TO SHIT! - MAURZI's first album blew the fuck up! now she's thrown into the midst of dealing with an incomprehensible amount of attention on her at all times, which she was absolutely not prepared for. what does she do to cope? sex drugs and rock n roll, baby! she also gets addicted to 2 outta those 3 things! can you guess which ones?? now, obviously, this album is entirely fictional and is only tangentially inspired by some life events, heavy emphasis on the tangentially. artists im taking inspiration from include (but are not limited to): the nonstick pans, panic! at the disco, forest, david bowie, chappel roan, and king gizzard & the lizard wizard.

Charmed - the love song album! this is basically comprised of songs i sorta wrote about rsl, but changed up a fuck ton because i wrote them while i was pining and did Not want him to knkw who they were about. in terms of MAURZI stuff, she meets someone just after deciding that she's gotta clean up her act if she wants to exist healthily. recovering alongside a loved one and them being a motivator for recovery! now i should specify here that MAURZI's s/o is not the same as mine, and is entirely gender neutral/ doesn't even have a canon(?) human appearance at all. they're named Vermillion because we love a callback! artists im taking inspiration from include (but are not limited to): the smiths, siouxsie and the banshees, james blake, queen, laufey, and her's.

I found Him in Santa Barbara - yknow how when a banana ripens too much and it starts to tuen brown? yeah imagine that logic but applied to recovery, i guess. NOW IS A GOOD TIME TO REITERATE THAT MAURZI AND I ARE TWO DIFFERENT PEOPLE AND MAURZI IS JUST A CHARACTER. essentially MAURZI had a spiritual awakening and "found god." but what that ACTUALLY means is that she started viewing vermillion as a sort of god? but she's keeping it on the down low (making an album about it) because she doesn't want vermillion to thing she's CRINGE. themes of loving a god, being IN love with a god, being in lust with a god, temporarily thinking youre a god? stuff along those lines. its a bit intense, VERY experimental and.. heavy? both in themes and in musical style for some portions. this is my fav album out of all of them if you couldnt tell. artists im taking inspiration from include (but are not limited to): sleep token, WILLOW, type o negative, slipknot, lemon demon (specifically songs off spirit phone), hozier, violent vira, pierce the veil, gorillaz kinda, bjork, kate bush, deftones, destroy boys, and rammstein probably.

Waterworks - so yknow how MAURZI was having a whole trouble with god moment? yeah well thats gone now, no i haven't figured out how that'll work narratively, thats for me to figure out in like 10 years from now (now being 1988, naturally.) we've returned to our self-titled roots in terms of musical style! now we've just got some fun themes of trauma and such! and then that's the and of MAURZI as a character story wise, as i said earlier the album after this one is just a Me album. same artist inspo as self titled!

and guess what! music lore isnt even fuckin done! my music in this dr is a multiverse in itself goddamn. so basically the album covers for each album tell a completely seperate story about a completely seperate alter ego/ character/ whatever named Moonzi. name given by my audience (which is my excuse for coming up with such a shitty name and then keeping it.) the story of moonzi, without going into too much detail because i dont wanna type it all out, is a sci-fi type story about a being from the moon (lunarian callback!) on a quest to bring this space artifact back to its original place, basically. a bit more on it later, emphasis on a bit. also! each album cover is drawn by a different artist, and each album artist animates one official music video off their respective album, just cuz i like art and stuff! those music videos kinda follow the moonzi storyline loosely, but incorporate MAURZI elements. is this confusing? hope not. drawings!

writing based - novels

can you believe im still not done? like not even close? certified yapper. anyway! my 3 fiction novels (Manchester, NH - 1991, Curator Rye, 1997, Sand Dollars + Pearls - 2008) are about my ocs basically! thats it really, i dont feel the need to share the plots of those tbh.

writing based - autobiographies

two? yep! one is a fictional autobiography about MAURZI (MAURZI - 1999) and one is a non fictional autobiography about me (Radio Free Marley - 2012.) take a shot every time i say MAURZI and you will need to get your stomach pumped. she just. she means a lot to me :3

film based - doctor who

(1994-1999)*

*these dates are when im on the show btw, not its total runtime, same applies to other cr existing shows.

big disclaimer: never seen doctor who. dont know the plot, dont know which doctor i'm gonna be, i just wanna be in it.

so! my version of the doctor is kinda weird. its one doctor, but played by two people, but theyre one person. we're both the doctor. and by we i mean both me and rsl, obviously. the viewer sees the doctor as two different people, but NOBODY ELSE IN THE DAMN SHOW besides our little companion buddy guy (played by my cr friend fish!) SEES, ACKNOWLEDGES, OR IS ABLE TO VIEW THE DOCTOR AS TWO PEOPLE. its really complicated and i really did not have to make it that way, but its cool to me so i really dont care. also we're breakjng the doctor who cycle of boring suit and tie (this is NOT about you 15 <3) and going steampunk-esque. again, cuz i wanna.

film based - house md

(2005 - 2010)

marley veitch be in a show without rsl challenge (failed.) i play a character i made up named Nanette Amesbury who is essentially wilson's first ex wife. does he have a canon first ex wife? think so (i actually havent finished house oops.) do i care? you can take a guess. nanette (nicknamed ninny - which im well aware means dumb) is the director of the pediatrics department at princeton plainsboro and she kinda has a fwb type deal with wilson before figuring out shes a lesbian, having a crush on cuddy, being besties with kutner, then leaving the show in season 6. (zeth if ur reading this yes i made her show up for more than 2 seconds she just. means so much to me. also i want cudbury content.) im also a writer for the show so im there for its entire run time :3 i really like this show :3

film based - moonzi

(2016)

YEAHHHHH BABY SHES BACK!!! moonzi's storyline gets adapted into an adult swim animated tv show! i do screenwriting, stiryboarding, and voice acting! style wise, think teen titans mixed with bojack horseman mixed with archer. sick space visuals also!

comedy based - dying art

(2020)

idk i wanted to do a standup special! dunno what it's about. ill leave that up to future me to decide because this isn't happening for 32 damn years and i really just dont wanna come up with a standup special rn.

film based - radio free marley

(whenever)

i wanted a biopic, but i wanted it to be both about me and MAURZI, and how points in my life influenced or inspire songwriting. so the episode structure is like

ep 1: about me, point in my life

ep 2: about MAURZI, point in her life thats sorta related but not entirely to the events in ep 1

ep 3: about me, point in my life

ep 4: about MAURZI, point in her life thats sorta related but not entirely to the events in ep 3

ep 5: you get the idea

and then this goes on for 12 episodes and ends with the MAURZI story wrapping up and with me sorta retiring kinda. dont know when it'll be made, probably at some point in my 60s or whatever. im permashifting if you couldnt tell btw.

and thats it! after all this im just kinda existing and living life and whatever else. so with that outta the way i'll list some fun facts and i'll FINALLY BE DONE JESUS CHRIST IVE BEEN WRITING THIS FOR LIKE 3 HOURS.

- i live in new york city! manhattan to be specific

- i also have a lake house in new hampshire because i Need to be in a rural area at some points

- my house's interior design is very 70s themed and its WHIMSICAL AND FUN! maximalism, whimsigoth, nooks and crannys to be in, fun and varied seating options, conversation pit, loft bedroom, whole 9 yards. ive also got a gazebo on my roof!

- i have 2 siblings in my dr (not here im an only child in my cr womp womp) named lia and monty, theyre my best friends in my cr!

- ive also got a cat! she's a ragdoll kitty named yvonne, shes a sweetheart!

- i scripted out light pollution so the sky is all pretty at night, highly recommend you do the same

- im in STOMP at one point, dont know or care when, i just wanna be in it

- robin williams........... he is a father figure to me................ sniff sob

- yes i scripted out his death i simply cannot deal with that

- PUBLIC TRANSPORT AND WALKABLE SOCIETY!!!!! NO MORE CAR BASED US SOCIEY WOOOO!!!

- i cant fucking believe i havent mentioned this yet but im scottish?? im not scottish in my cr i was just thinking about david tennant when i was forming the dr idea back in january and it stuck. MAURZI is american tho

- hilson is canon in my dr LMAOAOOA

- thats all i got

sweet lord in heaven above if you've read this whole thing im giving u a big kiss. this is so long and i really dont wanna proofread it so im not gonna, excuse any spelling or grammar mistakes.

[eternclsunshine]

🌴 closed starter | welcome to love island, @gccdwitch ! 🌺

Now that everyone's arrived and gathered near the fireplace with a glass of champagne, the hostess has instructed everyone to go around and introduce themselves before coupling up.

Confidently and swiftly, Aisha raises a manicured finger in the air. "I'll go first!" She then takes a sip of champagne before starting her introduction. "I'm Aisha, I'm 28 years old, and I do a lot of philanthropy work. I travel pretty often because of it, but I was born and raised in Calabasas. I haven't been super lucky in love, so I'm here to find a meaningful connection - kind of like a lover and best friend all in one! Someone super fun and easy going would be perfect, so they match my energy."

Being the next person in rotation, Miyoung placed her glass of champagne down and sat herself up. "I'm Miyoung, 23 years old, and from Seoul, South Korea. I'm staying in L.A. right now to work on my acting career, which is super exciting for me!" towards the end of her sentence she giggles, smiling with beaming pride. "Back in Korea I spent all of my childhood working as an actress and model, so I've never had a chance to be in a relationship. But I really would love to experience it." she adds shyly.

Next, "Nice to meet you all, I'm Travis and I'm 27 years old," He smiles, "For starters I'm from Ohio and I'm kind of a creative freelancer. Right now I do a lot of camera work and editing - I mostly help out my buddy make music videos. My life is very laid back and and all about havin' fun in the moment. I'm lookin' for someone spontaneous, go with the flow."

"Cheers everyone! So great to see you - I'm feeling on fire right now!" Claudio laughs and raises his champagne glass. "My name is Claudio, I come from Rio de Janeiro and I am 28 years old. I like to introduce myself as dangerous, confident, good looking - of course - and passionate!" he's very bold in his introduction, but decides to tone it down for his next line. "I got out of a long relationship over a year ago. It's been hard but I'm finally open to finding new love again."

[blkwag]

there is never a dull day in the usmnt community, and december 11th of 2022 proved that to a T

(very long post; updated info will be added if necessary)

honestly in my opinion, this situation was messier than the weston situation and that is saying A LOT

SO it was just a regular degular sunday until this tweet by the men in blazers came out and started this entire fire. there is an article under it and it was basically about greggory (gregg berhalter) and the statements he made at the HOW Institute for Society's Summit on Moral Leadership. below is what he said

if you don't (or can't) want to read that it's basically greggory saying that there was an issue with ONE of the 26 players at this world cup within the team. and obviously because usmnt twitter is messy everyone started to say that gio reyna was the player he was talking about because of the drama during the world cup (background info coming soon)

also there's this from berhalter regarding those ^ statements

but anyways

background: during this world cup, gio played very little which many did not expect considering he is quote unquote one of the better players on the team. so there was a little bit of drama where it was kind of like a "he said, he said" thing but the he's are saying completely different things

so after the usa vs wales game, gio was an unused sub. out of the subs used jordan morris was one of them which raised A LOT of eyebrows and questions. gregg's reasoning:

"In the phase of the game we were at, we went with Jordan who we felt could give us speed and power".

again, raised eyebrows because gio can give the u.s that as well. but we move.

matters only got worse ^ when gregg had said to the press that gio was dealing with some issues injury wise (probably muscle tightness or something like that) and then gio was like... i'm good fam. and said that he was 100% fit and was good to play. which caused EVEN MORE confusion during that time. and it didn't help that eric wynalda (former us player) hopped on a twitter spaces saying that gregg told gio to lie about his fitness and was comforting his dad (claudio) on the phone..

but anyways NOW BACK TO THE MESS

so in the midst of that men in blazers tweet, a "big" usmnt fan account tweeted about how gio and tyler had to be separated during training. we have no clue if this is 100% true or not, but at this point it sounded very believable

so now at this point people are all over the place. people are calling gio an entitled brat, there's a group of people who are 100% on gio's side and a group is 100% for gregg. and then were reasonable people (like me) who saw the two truths in this:

yes, gio should've been held accountable for his actions and his behavior during the camp

no, gregg should not have brought any of this information to the public (even if he didn't specifically say which player it was)

then to add more fuel to this blazing fire, the athletic comes out with an article regarding the situation

which kinda makes me 🤔 because the fact that they had this typed up and ready to go and dropped it in the fire...

but anyways. the article had to be updated with certain information because news kept coming out after it was published but i'll get into that in a bit

so the main takeaways in the article

gio's lack of involvement at the world cup was due to him showing a lack of effort in training (prior the wales game) and even before that, in the scrimmage game against al gharafa sc

it wasn't clear whether his lack of effort was because he was trying to look out for himself (because he is very injury prone, second to pulisic methinks) or if he was just being a fussy baby because he wasn't going to be a starter in their opening game vs wales

gio threw his shinguards after not being a sub during the wales game, his lack of effort in training continued after that (which resulted in teammates deandre yedlin and aaron long telling him to you know.. chill out a bit and to show more effort)

the issue had to be brought up multiple times, gio stood up and apologized to the group for his lack on effort (before a video session)

after he apologized, some of the players on the team spoke up and i guess let gio know about himself (held him accountable, probably telling him what he already knew)

updated information i mentioned before. gio's agent, dan segal, provided a statement to the athletic:

"Gio obviously did not have the experience anyone hoped for at the World Cup. The situation, relationships and interactions among parties are far more complicated than what has been reported. It is disappointing and disrespectful for certain parties to be commenting on private team matters publicly, especially when some do so without full knowledge of the facts and others do so in a self-serving manner."

"At this point, our view is that nothing more is gained by those associated with the national team turning on each other, and we plan no further comment on this matter."

so the issue was supposed to end there right??

❌WRONG❌

because THE INFORMATION FROM THE SUMMIT GREGG ATTENDED WAS SUPPOSED TO BE OFF THE RECORD

(also those who gave the info to the athletic were anonymous)

so now EVERYONE is getting in on the drama and tea, espn wrote an article on it which led to this tweet by some man named jason where he stated that there was a vote on whether to let gio stay at the camp or go home.

13 voted for him to stay, 12 voted for him to leave 🌚 crazy right?

well apparently that was FALSE AND UNTRUE, according to ex usmnt player and slightly annoying pundit taylor twellman. he came out and said that the vote by the players was not true and did not happen (these were tweeted early this morning)

(ppl thought he was paid by ussoccer to say it wasn't true)

so at this point there has been tweet after tweet, twitter spaces that was the equivalent to a real housewives confessional (which some guy who weston follows was dropping some tea, some of it seemed fishy so idk but some of the stuff he said were believable), people calling for gregg's head, people still calling gio a brat and bringing up previous issues (like he apparently broke curfew during the u17 world cup), just pure hot garbage

until like..... two hours ago gio makes a statement!

so now that we have come to the end of this (hopefully, probs not) im going to give my opinion on his statement and this mess overall

i agree with gio that this should have remained private because look at all the mess it caused

the fact that berhalter told him that his role was going to be very limited is VERY disappointing especially considering a lot of people were hoping for him to play a lot more than he did. especially since we were all on our knees praying to god that he wouldn't get injured prior to the world cup. so it is expected for gio to be upset about that and he has every right to be upset about that because he had that reoccurring injury and worked hard to stay fit for this big moment.

i appreciate gio acknowledging that he is an emotional person and saying that he let his emotions get the best of him because his attitude and emotions were a major point in this whole situation. so of course it would affect his training and overall behavior at the camp.

he apologized to the team and said that he was forgiven and that should've been the end of that but unfortunately it wasn't. hence the situation and this statement which is honestly not that bad for a 20 year old. yeah he misspelled devastated but i will ignore that.

the last sentence in his statement kind of hits though

"I hope that going forward each person involved in U.S. Soccer focuses only on what is in the best interest of the men's national team so we can enjoy great success at the World Cup in 2026."

to me this is a BIG slap to the face to everyone at ussoccer as a whole (coaches, higher ups, etc.)

and yeah. that's really it

it sucks that all of this garbage came out and honestly i wouldn't be surprised if gregg's contract doesn't get extended because of this. not like i wanted him to extend it anyways because berhalter ball can only get this team so far

but all of this could've been avoided. would it have gotten out eventually? for sure. but not even a week after the usmnt got knocked out? bro. the wound was "this close" to healing.

there is though some sort of closure regarding gio and his lack of minutes, i just wish it we didn't find out this way.

at some point it felt like all the fingers were being pointed at gio and all the blame and shame were pointed towards him, which for 20 year old is.. not. like i'm sure it doesn't feel good to be thrown under the bus like that especially by your manager.

at the end of the day. gio is a great player. he is a talented player, and he knows it. which sure can lead to an ego and whatever but he's also 20. like freshly 20 i still thought he was 19. his freaking parents are like ussoccer royalty, so of course he's gonna have a bit of a chip on his shoulder.

he just needs to mature in certain areas and gain professionalism in certain areas. which tbh, it's more of the maturity side and not letting his emotions get the best of him. because we have all seen him get frustrated and fiesty on the pitch.

i just hope that he can put this behind him and continue bettering himself and working on himself, both with his skills in the sport and off the pitch.

he still has a lot of fans who love and support him, i don't think anyone really is going to hate gio because of this unless they already didn't like him.

but yeah. again, that's it.

thanks for reading

[handgiven]

46

send me a number 1-100 for a short starter based on my spotify wrapped !! (please do it i am begging you my music is impeccable !! @asoulunbound

46. impending danger by claudio simonetti

"it... may not look alright, but it will be. come with me. i will keep you safe. i promise."

[claudiotrezzani]

Cruise control.

Ne sono stato precursore mediante acceleratore a mano.

E' solo uno scherzo, prima della seria trattazione.

Dunque:

ebbi decrepita Alfetta.

Essa aveva, oltre allo starter - il sì appellato arricchitore di miscela - un acceleratore a mano.

Era un dispositivo "ignorante", come si dice oggi dei cibi sapidi e non elaborati:

consisteva di una levetta che si limitava ad aumentare il regime del motore.

Di tutta scelleratezza, un giorno lo provai con la vettura in moto.

Scelleratamente, perché non era disinseribile con null'altra manovra che non fosse agire sulla summentovata levetta.

Ma cosa c'entra ciò con la Fotografia?

C'entra con la fotografia - segnatamente, la videografia - dronuale.

Il suo nome attualizzato è cruise control.

Con l'accento sull'ultima sillaba, di control.

Lo dico perché la stragrande maggioranza dei recensori automobilistici s'ostina arretrare l'accento, sul termine.

Ma cos'è e come funziona, il cruise control, sui droni?

Se sulle automobili si vanno diffondendo c.c. adattivi, al cospetto di quelli ordinari, sui droni potremmo definirli semiadattivi, per la funzione che sono chiamati a svolgere.

Il loro scopo infatti è perseguire costanza, senza pregiudicare altri fattori.

Ma cos'è e a cosa serve, la costanza, in volo?

La costanza, in volo, è fluidità ed omogeneità.

Sapete, quando si esegue una carrellata - più ancora di quando si procede frontalmente - è arduo tenere una andatura costante affidandola all'azione sugli sticks.

Fatalmente, durante la successiva visione, si noteranno indesiderati - anche se appena percepibili - scatti.

A meno che non si tengano i comandi - o il singolo comando - a fondo corsa.

La cosa è "linguisticamente" - in cinematografia la qualità del movimento è fattore espressivo - fattibile nella progressione frontale, soprattutto se il paesaggio è posto ad una certa distanza dal velivolo.

Nelll'incedere laterale - od anche zenitale - rispetto ad oggetti ravvicinati, invece, la cosa è sovente improponibile.

Perché l'occhio umano risulta disturbato da una marcata velocità, in questi frangenti.

Esiste però un trucchetto al riguardo:

impostare una modalità ultralenta, così da poter tenere lo stick a fondo corsa senza generale eccessiva velocità.

Ma le modalità ultralente non sempre sono effettivamente tali, specie su droni economici (situazione intermedia, quando si può: "piegare" - nelle impostazioni del software -  ad ultralenta una modalità che "nasce" lenta).

La soluzione allora è il cruise control, quando c'è.

La virtuosa ricaduta è duplice:

1) ottenere omogeneità mediante intervento non umano, ché quello umano è intrinsecamente fallace

2) servirsi della summenzionata omogeneità anche in relazione alla direzione, nel caso s'intenda profittare di questo importante automatismo anche in frontalità.

Con una avvertenza, epperò:

se il cruise control automobilistico è progettato per disinserirsi all'azionamento di un qualsiasi pedale, non sempre è così con i droni, in riferimento agli sticks.

Ciò poiché a volte i costruttori preferiscono lasciare al pilota la facoltà di modificare la direzione, a parità di velocità.

Risulta allora fondamentale - in questi casi - sapere quale comando il fabbricante ha deputato all'arresto della funzione.

Adottato questo imprescindibile accorgimento di sicurezza (al netto di eventuale - ma mai del tutto garantito - intervento di sensore anti/collisione), è tutto oro, ciò che si ha.

Perché il fine non è mostrare l'abilità del guidatore, bensì l'efficacia del risultato.

E se il guidatore è imperfetto - come in effetti è, come accennavo, nella sua qualità di essere umano - qualsiasi strumento che concorra al perfezionamento dell'esito non può che giovare alla compiuta realizzazione di ciò che si è prefissi.

All rights reserved

Claudio Trezzani

[sarahthecoat]

no wonder he's my favorite. he's like, the starter husband who is actually a keeper. (as opposed to, for example, claudio in much ado about nothing, who is a very short term starter husband)

Jeremy Brett in My Fair Lady (1964) dir. George Cukor

[ramtracking]

Italy Star Could Break Into Inter Milan Starting XI For Serie A Clash Vs Cagliari [ Serie A ]

Italy Star Could Break Into Inter Milan Starting XI For Serie A Clash Vs Cagliari [Highlights] Sooner or later, however, Frattesi will certainly be expected to become a starter for Inter. For the fee that the Nerazzurri paid,… Inter striker Marko Arnautovic is favourite over Alexis Sanchez to replace the suspended Lautaro Martinez against Claudio Ranieri’s… Inter take on Cagliari in Serie A…

[xander-morrison]

Learning Tekken 8 Journal (Day 2)

With no real preference on character to start learning first, I decided to just do the top row in order. With each of them, I went through all of their moves in training mode, learned one go-to combo, got a feel for how to freestyle with them, and played their character adventure campaign thing. Here's my thoughts on who I've tried so far:

Claudio - This character feels way too plain to me. Maybe I've been spoiled as a Xiaoyu main with her various stance things, but I kinda want a character that has more going on than just "sometimes his arm glows and you can use a couple more moves" I just need a lil more sauce in my life. Coolest thing about learning him was learning you can fight Azazel in this game.

Zafina - I had high hopes for this one, since her stance system is, on paper, similar to Xiaoyu. And yeah, it's like that on crack. So many moves switch you to a different stance automatically that it gets very hard to keep track of what you can do at any given moment. Also I don't really get what her gameplan is. I like her heavy moves that do self damage, that's a cool mechanic, but overall I just constantly feel like I'm trying to keep pace with the character instead of them just... reacting to my moves. Disappointed she wasn't a good fit, but it is what it is.

Paul - I didn't really click with Paul in T3, and it's the same here. I'm also having a harder time with his quarter circle inputs than I did in T3, not sure if that's just a him thing though since I know he rewards tight timing. I do like his personality in this game, but his playstyle just is not for me.

Raven - I... almost really like this character. He's got quite a bit going on, and I feel like if I really labbed him out, he would be main-worthy. I'll keep him in mind for later.

Victor - NOW WE'RE TALKING. As soon as I saw how his kit came together, I understood him perfectly. He shits out mids at light speed and doesn't let up, and if he manages to get through your defenses you're taking a CHUNK of damage. But his lows are a bit lacking, so he really relies on getting openings from his opponent doing stupid shit and countering with a fast starter. This character felt natural to me, he's not too overwhelming to keep track of, his combos are pretty straightforward, and before long, he was performing better than my Xiao. So, for now, Victor is my main.

Now at this point, I figured I had learned enough characters and adding more to the pile would start to make my brain go numb. I finished out the single player arcade mode with Victor. And then I felt like I was ready to try out some real ranked matches.

I now have knowledge. I am not ready for ranked with Victor. I didn't have to play many people for me to figure that out. I got some good matches with some bottom ranked players, because for better or worse, we were pretty close in skill. At a certain point I'm going to have to bite the bullet and jump back into ranked, but I want to really lab out my character of choice before I do that.

My biggest problem with Victor is I would try to hit 2 out of block as a quick interrupting string, but that would keep doing his mid parry move and it would keep me locked into that animation for so long that I'd get hit by something else. I need to figure out better options out of block, I need to find better lows, I need to learn my throw breaks, I need better combo mixups because fishing for the same string spamming 2 over and over only got me so far. And by so far, I mean 1st dan.

But consider this. I made him look like Abe Lincoln. So hopefully someone I matched with got a kick out of that.

[daddynews247]

Brazil Says Farewell to Late Football Legend Mario Zagallo

Brazilians paid their condolences on Sunday to football hero Mario Zagallo, a four-time World Cup winner and coach who died at the age of 92.

On Sunday, Brazilians paid their tribute to football star Mario Zagallo, a four-time World Cup-winning player and coach who died at the age of 92 and was the last member of one of the country’s finest generations in the cherished sport.

A steady stream of mourners, dressed in black, the yellow of the Brazilian national team, or the colors of the numerous clubs where Zagallo played and coached, filed past his coffin at the Brazilian Football Confederation (CBF) headquarters, whose facade featured a giant banner in his honor.

Brazil’s record five World Cup trophies were on display near the lace-draped coffin. Zagallo, a small left-wing famed for his tactical acumen, was involved in four of them, more than any other player in football history.

The “Professor,” as he was called, was a member of Brazil’s World Cup-winning teams in 1958 and 1962.

He later coached Pele’s 1970 world champion squad, widely regarded as the best team in history, and served as an assistant coach when the “Selecao” repeated the feat in 1994.

“We’ve lost a sporting legend,” Bebeto, a member of the 1994 squad, stated.

“He was my second father,” he told journalists, echoing fellow World Cup champion Cafu (1994 and 2002).

Others who paid their tributes included former Brazil coach Tite and CBF president Ednaldo Rodrigues, who delivered an emotional embrace to Zagallo’s son Mario Cesar.

‘Only one Zagallo’

Claudio Auvarenga, a 64-year-old driver, arrived early to be among the first to walk by the casket.

“You can travel the world and only find one Zagallo.” “No one else in history has won four World Cups,” he told AFP.

Eliana Gaia, 66, Zagallo’s longtime aide, described him as a “human being without equal.”

“He was a magnificent person, a hero,” she went on to say.

Following a public wake and a private service, Zagallo’s casket was lifted atop a bright red fire truck for a funeral cortege through Rio de Janeiro’s streets, as a small gathering of supporters applauded and shouted.

He was later laid to rest in the Sao Joao Batista cemetery, which is home to some of Brazil’s most famous individuals.

Zagallo died on Friday from multiple organ failure, following a string of health issues in recent months.

From Saturday, President Luiz Inacio Lula da Silva has designated three days of national mourning.

Tributes from the football world have also flooded in.

FIFA President Gianni Infantino referred to Zagallo as a “tactical genius,” World Cup winners Ronaldo, Ronaldinho, and Romario praised him, and current Brazil and Real Madrid star Vinicius Junior simply referred to him as a “LEGEND.”

Only Franz Beckenbauer of Germany (1974 and 1990) and Didier Deschamps of France (1998 and 2018) have won the World Cup as both player and coach.

Nostalgia for the good old days

Zagallo is remembered for his warm humor, strong superstition (he swore by the number 13), and fierce passion for the game.

After the famous Pele died in December 2022 at the age of 82, he was the only surviving starter from Brazil’s first World Cup-winning team in 1958.

The defeat comes at a terrible time in Brazilian football.

Brazil fired national team coach Fernando Diniz on Friday after the “Selecao,” who were missing injured sensation Neymar, suffered a humiliating string of losses in World Cup qualifiers.

Brazil is presently sixth in South American qualifying.

Dorival Junior, the coach of Sao Paulo, has been nominated to take over as coach of Brazil, according to the club, though the CBF has yet to confirm this.

CBF chief Rodrigues, who was reinstalled in the role on Thursday amid a lengthy legal struggle over the confederation’s leadership, told journalists at the wake that he “just want(ed) to talk about Zagallo today.”

“This is a time to talk about this legend of Brazilian and world football,” he went on to say.

[sarahthecoat]

i agree that it's (generally, always) up to the reader/speaker, how to interpret any line of shakespeare, and the beauty of it is that makes it so we can see ourselves in these characters and stories. yes, it could mean they grew up together and so think they know each other, but now they are adults and get reacquainted with each other from a more mature place. it could mean they had a real thing together (yikes, like hero and claudio? i always saw him as starter-husband, but maybe there is hope for him?) that fell apart. again, rekindling that from a more mature place.

also something modern much ado re-tellings make the mistake of as well is going into detail about how benedick and Beatrice know each other! what makes them so compelling and fun to watch is that we do not know! it's none of our business! when beatrice says "i know you of old" it could mean ANYTHING. it could mean they're exes, could mean they knew each other as kids, could mean they were rivals in a fucking hotdog-eating competition once, but it's undefined and that's what makes it fun!! when beatrice sardonically tells the prince, "he lent [his heart] me awhile, and I gave him use for it, a double heart for his single one." is she just being sarcastic, is she just saying that for shits and giggles, or is she genuinely implying her n benedick were together before? we, and i can't stress this enough, don't! know! and part of the magic of much ado is that this unknowable past is both the thing that stops them from being together and the thing that makes it possible. but whatever their past actually is, doesn't matter that much. that seems really hard for modern re-tellings to grasp for some reason. if only Shakespeare had made that concept obvious in the title.....

[mccallofthewild]

m/m nsfw gif starters 35 (aiden/claudio)

[35]

@pynkliips

Cats. They always thought they were so big and scary. Claudio wasn't any different. Huffing about a wolf on his territory. Hissing and spitting like the do. But no cat could take him out. He fought well, Aiden had to give him that. A few bruises and scratch marks and a lot of torn clothes later, Aiden had Claudio pinned. He always got horny after a fight and Claudio was underneath him, giving him those eyes that said he'd do whatever Aiden wanted if he didn't kill him. So he pushed Claudio's legs up and decided to give the pussy what he really wanted. Claudio didn't have territory. He was territory. Aiden's pussy. The wolf bit Claudio's neck. That was a thing cats loved, right? Bitten right on the scruff of their neck? Well, Claudio would learn to love it either way.

[azurescaled-archived]

❛  you are more important than me.  ❜ / Connor

Six Word Starters || Accepting! @madamhatter

"Don' go talkin' stupid shit like tha'. Ain't nobody more important than 'nyone else."

Connor's voice was soft, but his eyes were settled in a hard stare. He understands where she's coming from, but every single part of him can't abide by such words. He understands feeling like others mean more than himself, because all he styles himself as and wants to be is a simple bartender.

"Who gives a shit 'bout bein' important or not? What matters is tha' yer here. 'Sides, most people who got their heads up their ass 'bout themselves just keep jawin' on 'nd on 'bout shit they don' know 'bout. There's jus' one you. Don' go thinkin' less of yerself 'cause ya ain't someone famous or shit like tha'."

Connor sighed as he set the glass down.

"C'mon, come 'nd dance with me. M'sure Claudio won' mind if we take a bit of time to ourselves, Miss Hatter."

He walked around the bar, before settling in front of her, offering a hand.