#'thats a real fucking legacy to leave'

[missmeinyourbones]

i am in love with your theme!! it’s just so pretty!!

omg thank uuuuu!!!!! >.< its super self indulgent LMFAO but i love yours!!!! taylor themes unite

[thegreatimpersonator]

what is your favorite lyric from your favorite taylor swift song?

[orangeberrycake]

folklore is so leo coded because it was released july 24th 2020 which is leo season and august is part of leo season too omg..

[midwestvalleygirl-moved]

[killjoygem]

Swifttok has made me associate that "I noticed a comma in the middle of a phrase" line in Take A Break with the song Maroon

[jackiietaylor]

FOREVER IS THE SWEETEST CON / THATS A REAL FUCKING LEGACY TO LEAVE

[spill-the-tea-swift]

SHES THE ONLY ARTIST IN HISTORY TO WIN AOTY 4 TIMES … THATS A REAL FUCKING LEGACY TO LEAVE

[orbch]

people talking about analogical and being like “their identities balance each other out really well” and im like NO KIDDING!!!! 😂🤣

anways heres an essay about their storylines and how they mirror each other

(everything im about to say is very mentally unconstructed and thought up in a 3am haze. and also i feel like all of my thoughts abt sasi are stagnant and surface level so please argue with me if you think im wrong..) (also these ideas have likely already been written a bajillion times. but let me do it anyway LOL)

^ with that being said i feel the need to set a definition on what makes sasi sides “dark sides” and “light sides” because like,, to me the only difference between them is the means in which they get the rest of the sides to listen to them

obviously.. none of the sides are actively trying to be evil. or trying to hurt cthomas on purpose. OBVIOUSLYY. because why the hell would they want to do that? they are all literally That Guy, and all of the sides have their own personal goals for thomas that they want him to follow. this is like. the plot. and very known information..

but remus, janus, and formerly virgil are the “dark sides”… like what? because janus manipulated and pretended to be the other sides because thats the only way he could get the others to really listen to and consider his ideas of self preservation and prioritization? and virgil would actively terrorize the others and thomas to get him to be anxious about the stuff virgil believed it was IMPORTANT for him to be anxious about? and remus. listen remus is a whole lot of “being awful for the sake of being awful” but evidently in DWIT he has a strong attraction to the idea of infamy and legacy. so even he is sort of looking out for thomas in. uhm. his own way i guess…

so obviously we know virgils storyline was;

purposely scare the others to get them to see situations from his point of view -> always get insulted and pushed away for being a “pessimist” (its his entire purpose) -> “duck out” and leave thomas and the others to discover the negative affects of zero anxiety -> only after that, finally become recognized as an important aspect of thomas

tw: mention of suicide [not in detail] (and on that note, i think its a little morbid that the light sides only fully realized virgils worth and objective after he attempted the sanders sides equivalent of suicide (which you can NOT convince me isnt what the concept of “ducking out” is. they are all metaphysical personifications of instinctual human traits. what the hell are they gonna do? become real and walk out of the house? bffr))

and whats logans journey?

be considered the [reasonable problem solver] of the group -> be placed in a MULTITUDE of situations where the range of solutions are emotions v. emotions v. emotions and suddenly be considered “cold hearted” and “uncaring” for your objective view points -> get excluded from discussions and ignored when you try and help in the only way you know how -> ???

i (and most of the fandom) fully believe logan (ESPECIALLY after WTIT) is going to start resorting to some pretty drastic measures to be acknowledged by the rest of the sides + thomas. some actions that are likely incited by a “dark side” (nudge nudge the orange guy nudge nudge). and if the harshness of the measures he takes in order to be listened to is all it takes for the rest of the dark sides to be considered “dark sides” in the first place. then uhh well… well!!!

but anyways yeah. yeah. logan and virgil kinda have mirrored character development and that is so fucking interesting. virgils path from dark to light and logans path from light to dark… sighhh.. good stuff

[stevieboyharrington]

I used to only think about my friends whenever I listened to boy genius, but ever since you posted chapter 16, I can't help but picture your story 🥹 The same with Killer and Treacherous! I genuinely love this story so much

listening to music and wanted to share some boygenius lyrics that remind me of a stranger’s heart reader 💜

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[loveisbraveandwild]

AND I WAKE WITH YOUR MEMORY OVER ME THATS A REAL FUCKING LEGACY TO LEAVE

[wilhelmsbee]

thats a real fucking legacy, to leave.

[scuderia-hamilton]

thank you for tagging me @rosberggp this was soo fun! <3

tagging @storisdreamworld @l8tof1 @thats-a-real-legacy-to-leave @lizablackthorn @charlesleclerctv @hamiltonvi and everyone else who wants to do this!

[iwanthermidnightz]

IM DEEEEEEADDD💀

THATS A REAL FUCKING LEGACY TO LEAVE!

[killjoygem]

ALSO!! Maroon is a Whouffaldi song

I like to think of Daylight by Taylor Swift as a thasmin song and in contrast, Red as a thoschei song. It hurts so good.

[shortnsweetgf]

i associate you with anything related to a goose, sabrina carpenter, and beautiful edits !

THATS A REAL FUCKING LEGACY TO LEAVE!!!!!!!!!! hehehehehehe