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amanda-519 · 2 months ago

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Clementine's song in Songs of Origin is so interesting to me!! I had to theorize about what it means. Do spoilers for the song!! I'm going to analyze each and every lyric to understand what Clementine's childhood was like.

Starting off with the lyrics:

"Bird cage blue and yellow"

The lyrics start off with a bird cage, something that traps which is supposed to be free. I think in this song the bird cage is Clem's old home, and bird, in a sense, is them. I think the entrapment is more emotional than physical, but I'll get into that soon.

As for "blue and yellow" I think it symbolizes opposing emotions, like blue for sadness and happiness for yellow. Maybe it describes how sometimes Clemie was happy in the house (but still trapped) and sometimes sad.

"Candles warm and windows bare" continue on his dual nature. The candles bring warmth, but the bare windows suggest that Clem felt vulnerable, or isolated. It represents warmth but also exposure/emptiness.

"Tracing upturned smiles of portraits/drawn to disappear" the first line could be read in two ways I think. The first is that Clemie is tracing the smiles on portraits because they don't feel happy/feel that it's fake. Like, that the smiles are fake or forced, and that outside of the portraits they disappear.

And my other interpretation is Clemie's family used to be happy, but maybe something happened (like a death) and the smiles that once existed in the photos are now gone, ans Clemie is reminiscing on them.

"Flowers never talk, they never want/they never need" this line suggests to me that Clemie was seen as a flower. Pretty, but neglected (which is more clear in the next verse).

"In a cradle gilded, they are left/to rot yet never bleed" again I think in the song Clemie is the flowers. They were treated as something precious but neglected. I think the neglect is mainly emotional, since the sing also has themes of isolation. Like Clemie was left alone or maybe even isolated from other people.

I also think the "never bleed" line is about how Clemie wasn't supposed to show their pain. Like they're been "left to rot" yet they're expected to "never bleed" (show pain)

"Eyes of silver, mirror, mirror/Thread on wood and steel" These lines actually threw me a bit. Clemie has silver eyes, and this is a shot in the dark, but maybe Clemie's parent(s) also have silver eyes, and the "mirror, mirror" part is the parent seeing themselves in Clemie, and thus thinking they are beautiful, but neglecting them or keeping them away from their peers?

I'm not quite sure what "Thread on wood and steel" is supposed to mean. Maybe something mechanical that contrasts with Clemie's natural association with flowers?

Maybe it's about how Clemie was woven into a harsh, unfeeling life?? Like, wood and steel being harsh materials, and how the rest of the song is about how Clemie was controlled in their previous environment.

"Keep what can be kept" this ties to into my (mostly unfounded) theory that Clemie is the child of a dead parent, and their other parent, in a effort to preserve the dead parent, is "keeping" them, maybe even putting them in a glided cage, something pretty but still a cage, in a effort to protect them?

"And heave to see which one will kneel" this line suggests some kind of fight for control. Maybe Clemie eventually got sick of living in a glided cage and tried to fight back?

"I've been told to wait/but why should there be silence" finally! A less ambiguous line. Maybe Clemie, after getting tried of living in a glided cage, rebelled, and was told to wait/be slient. I'm not quite sure what they're being told to wait for, though. Maybe it's more of a general dismissal, like "ask me about this later" when "later" being "never".

"Dawning pretty laces/Weaving capes of gold/and framing muffled faces" these lines tie into the rest of the songs themes, with beauty, weaving, gold, and being silenced.

I think Clemie's parent(s) had a lot of money, and thus they lived a life of "luxury". They were seen as something pretty, like a flower, and wore pretty laces and gold, but their issues were silenced (muffled).

"I can be different" this line suggests a breaking of a cycle. Maybe, since Clemie's family was rich, they were expected to act a certain way, and this is them claiming that they're allowed to be different from their family.

"I can't be puppeted!" (Funnily, I actually missed this line the first time I wrote this out because I was going off the description lyrics, and the description is missing this lyric).

Pretty self explanatory. Clemie is saying that they can't be controlled. This is they fully fighting against their "gilded cage".

"Garden evergreen/was what I thought I would see" garden symbolism, which ties into Clemie's nature/flower symbolism. Maybe when Clemie was young they liked their home, but as they were controlled more and more, and isolated, it became both "yellow" and "blue". But they once saw it as a place of peace/growth.

"Branches meet my steps/their kisses open up ravines" As Clemie walks through their home, now feeling controlled, they find branches. Maybe the "garden evergreen" they once pictured has died, and all that is left are branches.

"Their kisses" could represent their family or parent(s). How they might try to comfort Clemie, but all it does it create a bigger wedge (ravine) between them.

"Fences frozen in a dance/they're yet to perform" this could symbolize how rigid Clemie's old life was. I was pretty stuck on what "fences" could represent.

A wall between them and the outside world? A boundary? A barrier?

And how that ties into the rest of the line/song.

Like did Clemie feel like they had barriers in their previous life that made them frozen? What about "in a dance"?

I eventually settled on the idea that this line implies tension between freedom and restriction. A fence is a boundary, but it's ready to move/dance, but it's frozen. It's yet to preform, but it wants to.

"I leave the house and the Baroness/buried in before" this all but confirms that Clemie came from a house with money, maybe they're the child of a baroness?

Or, it might not be so literal, with the baroness simply being Clemie's mother that is strict on them, playing the part of a baroness.

The "buried in before" line represents Clemie leaving behind their old life.

The line "Finndu mig í framtíðinni", according to Google translate, means "find me in tbe future". This could be Clemie saying that they have completely abandoned their previous life, that you will only find them in the "future".

"Rödd eins og bjalla/heldur okkur öruggum/ frá framtíðinni" means "A voice like a bell/keeps us safe/from the future" this line is really interesting to me.

The "voice like a bell" represents, to me at least, the Bellringer, someone Clemie feels a connection to and looks up to. Though I'm not sure "keeps us safe/from the future" in this context means, why would Clemie need to be kept safe from the future? If what they're left buried is the past? Maybe Clemie just feels anxious about the future.

In conclusion, to me Clemie's song tells the story in which they grew up in a rich house (maybe even as a child of a baroness). They were seen as pretty, but emotional neglected by their family and isolated.

At first Clemie liked their life, but as they grew up and their family became more controlling, they found that their life wasn't "evergreen". They started having conflicting emotions about their life, feeling trapped inside a glided cage, but still warm.

Until it becomes too much and they start rebelling against their family, until they finally run away.

What do you think? If you have any ideas/thoughts, please send me an ask or reblog with your thoughts!! I loved the new songs so much!! Who knows, I might even do something similar for Cole's song!

#yaelokre #yaelokre clementine #yaelokre clemmie #yaelokre songs of origin #songs of origin

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eqcentriceqclectic-blog · 5 years ago

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Inherited Demons

2019/12/07 – Nothing Right

Nothing I do is ever right. In His eyes, I will always be a feral horse that needs to be put to the whip. If I don’t and I get free, he hopes that my freedom in the wild will end in cold realisation in my last moments as I am beset by wolves. Even, if objectively right, it is as if an offense on his very existence—as if he were a god or a ghost and disbelief in him would condemn him to abyssal oblivion. And so, being right or doing well is actively discouraged—either through deafening and oppressive silence, or through roaring rage and insufferable indignation. He may be seen as quiet, but that is not to be taken as docility or humility—no; it is a sinister and seething silence. Normally, improvement is supposed to be seen as positive.

I cannot count the number of times I’ve either wanted to run away from home or outright kill myself. It desperate times, they’ve been my mantra or my prayers to soothe my wretched soul. What stopped me from running away? Fear of failure. Fear of strangers. Fear of retribution. An incompetency instilled in me long ago. One I replicated and instilled in a brother placed into my charge, even as a shell of a person—shattered shards looking for a reflection. It wasn’t until that reflection attempted to kill himself that I realised what my shoddily-assembled puzzle-of-a-person had done. I had become that which I had despised all my life--that dictatorial and patriarchal demon for which is suffered beneath had impregnated in me a piece of its insidious soul. It had gripped me in its agonising grasp, and regurgitated the darkness imparted to it, into my screaming-tear-streaked face. And thus, the cycle would continue like a horror-franchise that just won’t die. That was the day I realised—despite my love for the pure curiosity and optimism of children and the undeniable yearning to cradle and raise small-beings of my ghostly-ovaries—that I could not perpetuate this curse. To adopt a family-less entity into this story would be tantamount to sacrificing them to the demon that inhabits our family-line with my own bloodied hands.

I remember when I was bird-sitting Rita (a cousin’s feather-child) and He attempted to interact with it while wildly inebriated—like he enjoys doing—and held out his hand. Rita, as finicky conures tend to be, bit him HARD as she did not know him and did not like him. I feared for that bird’s life as I recognised the drunken rage that overtaken his alcohol-laden-bubbly-demeanor, as he shouted some profanity at the bird. I called out, to let him know I was present, and explained to him why she bit him before telling him to leave her alone.A similar incident happened years ago when I had my bird, Vira. She was a feisty bird and I loved her bravery and assertiveness but the curse infused in me by Him did not make distinctions between humans, non-human animals, plants, or inanimate objects. She and my brother have both bore witness to the same rage and self-perceived-indignity-fuelled-wrath I bore witness to growing up. I loved her dearly, but could not reconcile my own behaviour—I could not split this demonic presence within myself with the love I had for all living things as they both were a part of who I was and it was maddening. But as with all things deeply-unsettling, we seek to take flight from it—as is natural—to get as far as we can from it and forget about it so we can go about our days. To face it, would be to face the demon—itself, a part of you—and to face your own guilt and culpability in its sins, for without you, it would not be able to do its work as a formless, parasitic, lifeless virus. To face your own guilt and responsibility in hurting others is a terrifying thing; it chills you to your core and tears it to shreds because you want to believe you are a good person who does good things, and when you are not the hero of your own story, then you can never be a hero in any story—if you are the villain in your own story, then you will be the villain in all stories.

Looking myself in my own shattered mirror, I could finally see the demon bleeding forth from behind my ill-assembled portrait… I could only play at perfection for so long before all the mismatched pieces fell apart and revealed the vast darkness that mocked me beneath. Like a self-indulgent actor without a true mirror to look into, I enchanted myself with delusions that I was not He and that I was above that which lurked at the bottom of every bottle. And all the while, I was a cheap imitation of him—like a copy-cat-killer imprinting on a serial-killer worshipped by the media. I didn’t need alcohol to justify my crimes, for I had a divine mandate bestowed upon me by my ancestors, which was bestowed upon them by successive emperors, and god-kings before them, and thus the gods themselves. Chinese patriarchy is as insidious a poison as it is insipid as it permeates into every aspect of life in the family. It may not have been such a poison, but it certainly is now. As they say, “Power, absolute, corrupts—absolutely.”

In Chinese culture, there is a powerful emphasis put upon passing on the family name—so much so that female-infanticide was a widespread practice in China. My grandmother used the phrase ‘tuang-tong jeng’ frequently when urging her living descendants to procreate and pray for sons. Also present in Chinese culture is the misguided belief that because all elders are to be afforded respect, it automatically blesses them with the power to always be right—no matter the circumstances. It can be seen in dazzling display with successive Chinese-emperors slaughtering countless people over the millennia, simply for disagreeing or embarrassing the father-of-the-nation with reality and truth. Is it not why the satirical fable of the Emperor and his “new clothes” exists? An emperor that is willfully-blind is one that is indulgent and willfully-negligent—and those that could not see beyond their own gilded mirrors, often led to the starvation of the masses they were given dominion over, and ultimately, their dynasty’s demise. Once they lost their divine mandate, another emperor would rise and a spoiled descendant of his would lead it to ruin, in cycles unending.

After help assembling my mirror to match those that see me for who I am, only now am I able to see the apparition hiding behind it. As puppet-master and puppet entwined as one, it is my responsibility to sever those strings that snake around my offending limbs. It is my responsibility to cast off the shadows that shroud me, as it has become me. It has infused into my essence and become its own—my own—demon, separate from His, but no less His satanic-spawn. Only after acknowledging its existence, screaming its name, can I even begin to excise it like the viral cancer it is. The process is never-ending, for if you ever believe you have destroyed it, your complacency will allow it respite to recover and thus spite your own efforts to defeat it in the first place. We must always strive to be better, despite our accomplishments and desires to revel and relish our achievements—for idle hands do the devil’s work. Resting on our laurels is like laying and brooding upon our nest-eggs atop a poisoned heath—our savings and our accolades will rot along with us. We’ll only fester along our heaped up hoard, as a magnificent dragon does upon all its glittering greed. If I’ve gleaned anything over the past two or so years, it’s that our own pride and arrogance will always be our downfall. It understand that it was my own hubris in believing I was less of a terrible person than he was, only to find myself, one day, staring back at Him in the mirror. I saw me, regurgitating exactly what putrid horrors was spat into my own face, at someone else—someone I was told was below me—simply because they were younger or less of a person than I was. And that is how He still sees me: lowly, basal, lost, stupid, barbaric, “sub-human”—and worst of all—a child. And one that is unbridled, feral, and wild—but worst of all, “uncontrollable”. And, also, wholly unimpressed with the infallibility of the patriarchal parental dictatorship to which begs rebellion and resistance.

I will no longer scrape my head at His feet simply because he decided he would do the “holy” duty of acceding to his mother’s wishes of him to marry a woman he didn’t know, and would never love, and bear for him a son he could present to his parents—just because he is my father and my elder. He is as flawed as we all are and I will not grovel at His feet simply because he thinks he is my superior simply because he is my father and my elder. Respect is earned—not demanded—and throughout the years, my respect for him corroded away until there was no flesh left to burn off. Similarly, I have but few happy memories of Him, as the visceral emotional abuse and on-going threats of physical abuse incinerated the vast majority of them as Vesuvius did the people of Pompeii, or the atomic bomb did to the people of Nagasaki. Neither annihilating disaster completely removed the people from existence, as there remained ashy shells or radioactive shadows in their wakes—such are my happy-memories left, as obtuse imprints in the eroding beach-sands: as vague stories of ‘Snow Black and the Seven Dwarves’, as ephemeral visions of rehabilitating young birds blown to the ground by torrential storms, and as echoes of lessons on why not to step on ants. Stronger and clearer are the memories of being slapped for protesting against a particular untested brand of pizza or being chased with a large wooden stick purchased from Home Depot for refusing a hair-cut from Him. Another, particularly, peculiar poison of His was his inherited creed of beating his own child if that child was bullied to tears (or into action)—a shadow he internalised from his own father when being bullied by neighbourhood Vietnamese kids for being Chinese, back in Vietnam.

Growing up as a child in a house-of-cards propped up by two maternal hopes for their fifth-born children was a bittersweet hell, as many are—sweet enough for hope to grow but not enough to survive under the withering harsh bitterness. Perhaps it’s more of a purgatory: not horrible enough to cause one to kill oneself, but just enough to wish so. Those two grandmothers were my oases of love and care in an arid dusty desert of moonless, endless, nights. They were my guiding stars, above all the rabid fighting and gnashing teeth of childish gore-cloaked-hyaenas that called themselves my parents. My grandmothers were the life-sustaining waters, and my parents were the malarial insects that abated my existence. When my brother attempted to kill himself, I came to find out—of course, through another one of their petty and accusative arguments—that neither of them ever dreamed of having children and raising them. Why? Because they were still children, themselves—they were mostly raised by their elder siblings as their immigrant parents worked to carve a life in an increasingly hostile environment. That environment they grew up in abruptly changed as conditions in Vietnam deteriorated and they it was decided that they all needed to flee through hell and high-water (and marauding pirates). The Peter-Pan-like situation became even more so during His teen and young-adult years; formed here, in Canada, under his elder brother and without parents or grandparents to guide these “Lost Boys” fell into a world of alcohol, cigarettes, drugs, and guns that their new peers immersed them in. His elder brother went from a sixteen-year old running a small textiles business that employed workers in Vietnam to an alcoholic who would gamble his way into a depression in Canada. He would go from an inquisitive child making toys out of trash and sticks and swimming in monsoon-flooded roads to a teen drinking himself into a stupor and smoking until his adult teeth would become grey and lined with tar. Children raising children does not yield the positive results, and least of all depressed children raising children—this is true of my parents, and of myself. I had no business being in-charge of my baby brother—absolutely zero—especially with the foul fecal froth spilling from their mouths, to mine, as it then spilled down to my younger brother as I abused him emotionally, verbally and physically as my parents did to me. As explained in the paragraphs above, it did not occur to me until later what I was doing was wrong—it was just what I’ve known and what I felt.

I started to notice how my cousins, aunts, and uncles would look at me as I terrorised my brother over his mistakes—or my perception of his mistakes and improprieties. My logical reasoning at the time was that, “I’m not allowed to do that; why is he?” They always looked startled—or, “unsettled,” maybe is a better word—at my outbursts and threats. I remember once, in a restaurant—where I sat next to him while we were seated amongst our cousins and the adults were sat across from us—where he refused to eat a certain food and I became unreasonably enraged at him and I threatened to cut the head off of the stuffed toy (acquired from Midway arcade in Niagara Falls) if he did not eat it. I had stunned everyone and their hearts broke for my brother, just a young child being terrorised by a teen sibling. Breaking this cycle of abuse was tough—especially while still being abused, yourself. After, breaking free from physical (less so, emotional and verbal) abuse, all the injustice and indignity and rage continued spilling on to the easiest and most vulnerable target, who—under patriarchal rules—would lack arbitrary familial immunity from my wrath and cruelty. Where I could verbally, emotionally, and physically abuse him for whatever I wished, I could only cry, whimper, cower, and hide. However, I did exact vengeance upon them by hiding or damaging the belongings of my parents in protest of their mistreatment of me. There was one instance when I was about six or seven and I fled out of the back of the house after having been shouted out of the tear-stained washroom I had locked myself into on the top floor of the house. On my way passed the car, after deciding that I would run away from home, my eyes burned with salted indignation and so I picked up a stone from the gravel bed and scraped profanities onto the car’s paint and transferred my raw emotions into words. I dropped the stone and continued past the garage and through the laneway until I reached the side-walk, still crying. I stood there, thinking, and came to a realisation that I could not go any further—for if I did, I would be kidnapped and killed by a stranger. So, I walked down to the corner and right back to the front of the house and down the alleyway back to the backyard and back into the house where my parents were still searching—His wooden stick still in-hand—without a clue that I had tried to run away (or that I had keyed words of profanity on to the car with a pebble).

In 2017, when Grandma first became weak after years of mismanaging her own hypertension-medication, I became involved in her healthcare in the balmy month of July. Before then, I didn’t even know she had hypertension and thought she took medication just because it was something a person did when they got as old as she did. After accompanying grandma and Him to both the hospital and her nephrologist, I began researching Chronic Kidney Disease (CKD). I learned about how the kidney can be damaged by high blood-pressure and looked into the medication she was taking, going so far as to see which medications could be contra-indicated. I advised Him that grandma’s medication (since she became inconsolable and beyond fearful for her life and no longer was able to manage them herself and became paranoid that we (including the doctors) were trying to poison her and began refusing to take them for a while) should be split into two as then the hypertensive-medications were be better able to manage her blood-pressure through the day instead of causing a sharp drop for the day while allowing it to rise again in the evening--one of her medications for hypertension-management was even specifically designed to be taken at night which is when blood-pressure is supposed to naturally drop. He likes to take credit for this. He also likes to take credit for what he didn’t even believe for a long time—her weakness that started in the first place. When her health was declining in April of 2017, after her nephrologist cut her off from the round of erythropoietin he had initially put her on in the winter prior, He did not believe that it was her health, but her age. I would become increasingly frantic in asserting that this was the reason as the months dragged on and by July, she could barely get out of bed because of how anemic she was. I, unlike He, had done research into what “erythropoietin” was and why she needed to take those shots. I was upset at her nephrologist for cutting her off from those shots because he thought her red-blood-cell count was too high (after a blood-test in March/April) and he’d see her back in three months (this was the cadence of her visits to him: every three months, so approximately four times a year). Again, by July, she was so weak that He took her to the hospital twice in the latter half of that month and once in August where I accompanied them after ending my seasonal job a few days prior. I urged him again that it was the lack of erythropoietin shots and resulting anemia that made her so weak—but he again asserted that it was because she was old. Thankfully, the nephrologist prescribed another round of erythropoietin shots (one shot, every other week, for three months—so six syringes in total). However, the ordeal and fear of death had warped her mind—the nurse at the nephrologist’s office told us that because her GFR was so low, she would likely need dialysis but that dialysis for people aged eighty and up were too at risk of developing a central-line infection—and surgery for a kidney transplant would provide an ever higher risk of mortality. She also told us that she most likely only had two-years left to live—guess what? It’s been over two-years now. I guess it’s the same for when Push got the morbid news that she only had three months left to live and lived another three years. Anyway, I digress. After horrifying and terribly painful months of trying to sleep with an insomniac grandmother in the next room having an end-life crisis, chanting all through the night of her tragic ending, and trying to manage her anxiety, panic, and paranoia in the day-time after both He and mom went to work, and brother went to school, she snapped and her dementia advanced by leagues. In the years prior, I started to notice she became much less brave and much more reserved and careful—in addition to misplacing her watch and other things that told a story of short-term memory loss. She became a lot less aware of her surroundings where, before—as a mischievous little child—I would stand behind the wall at the base of the stairs and try to surprise her but just get a sweet old smirk and an adorable elderly quip as she walked by her silly grandson. However, ever since reaching ninety, just walking to her room and asking what she was watching would startle her half to death (and our floors are obscenely creaky)—she became a lot less aware of her surroundings and where things (or people were). Around this time, she also started to hear ringing in her ears when there was only dead-silence. After she became increasingly unhinged and violent, there became a need to hospitalise her—not for her weakness or anemia, this time, but for her aggression. She probably had not slept for over a month, by this point, and this was most likely the source of said aggression, paranoia, and anxiety. On the car ride there, she was openly hostile to Him while he was driving and my attempts to stop her so as to avoid having a car-accident turned her aggression towards me. When finally passing triage and reaching the waiting area of the emergency department, Grandma continued her violence, painfully hitting Him and I with her gold-and-jade-laden rings. When a room finally opened up, she refused to go and wanted to go back home (even after days and days and days of wanting to be taken to the hospital) and when we tried to gently push her towards the room, she suddenly turned around, and as it with the power of all the elephant matriarchs of the world pushed me and Him out of the room and began assaulting us before the nurses quickly called for orderlies and security to bring her down and tie her arms and legs to the hospital-bed in the room. Because of what had just transpired, she was upgraded to the sub-accute emergency section with a room closer (and facing) the nurses-station. She was sedated with haloperidol through injection because she refused to take an oral dose but during the process Him, I, a nurse, and two security guards needed to hold her down and she still was almost able to bite the nurse (and myself). After that, we were put into contact with the Local Health Integration Network (LHIN) to discuss placing her in an assisted-living facility and both 4th Uncle and He were seriously considering it and passed on the responsibility of coordinating with LHIN to me due to my higher education and superior command of English. They also put in a referral for us to the hospital’s geriatrics department and scheduled us to see a Dr. Cheng at a later date after the attending physician provided a temporary round of anxiolytics (lorazepam). When taking the lorazepam, she was much more docile and also able to sleep and it felt like we got her back from the throes of insanity—that is, until we had to take increasing doses and it became unfeasible to continue. Her violent tirades returned, along with her insomnia and we went to see the geriatrician. He proved to be—not just incompetent, but—wildly careless and inadequate; his bed-side manner was shockingly crass and crude. He never really listened when we came in for the appointment and seemed in a hurry to get us out the door with a new round of pills for her to take: haloperidol, sertraline—you name it, she probably was prescribed it. Some of them were worse than others, like haloperidol which left her a stumbling and drooling mess—taken long enough, left her bid-ridden and Him changing diapers and bed-sheets. Eventually, I decided it was time to stop seeing the geriatrician as I was also so upset with his flippant demeanor when at appointments in his office. He took a little while to convince, as He was afraid of Grandma reverting back to her violent and difficult self even though I was the one home alone with her while everyone else was gone for a majority of the day at work or school. As that was the case, the representatives from LHIN mostly dealt with me when they came by the house whether it was the social-worker on the case or the professionals she would send to the house. The most helpful professional was an occupational therapist who educated me upon dementia and Alzheimer’s as well as providing emotional support and advice on the situation with the geriatrician and his exceedingly terrible medications. Before this, in my ignorance, I was yelling and screaming at Grandma, confused as to how she could go from a completely normal and loving grandmother who I would give up the my own mother for to someone I was afraid of being around. After the occupational therapist left, my relationship with Grandma started slowly shifting back to one of positive interactions and normalcy. He, however, refused to read the educational materials the occupational therapist left to enlighten us on Grandma’s dementia because he refused to believe she had dementia because of how quick and abrupt the change was. He wanted to believe that she was doing this on purpose and after retiring before the Christmas of 2017, would often get into drunken tirades and yell so loud you could hear him throughout the house and even in the backyard. This continued afterwards, as well, and followed the cycles of her decline into bed-riddance (either from the anti-psychotics prescribed by the incompetent geriatrician, or the lack in erythropoietin) and ascent back into insanity and unnatural strength. In another descent in early 2018, after her nephrologist AGAIN decided that her RBC-level was too high and cut her off from erythropoietin for another three months, I again became insistent that He call the nephrologist to prescribe another round of shots. He was stubborn, as always is the case, and believed that her being bed-ridden and defecating in a diaper meant that it was her time—as if you were just born with a pre-determined age at which someone would die at. I was enraged so I took matters into my own hands after getting home from work one day in May and called the nephrologists’ office and angrily berated the secretary, to which she told me that all we had to do was call in after running out and they would send the prescription and shots to the pharmacist and we could pick them up. I sat there after the call, part-relieved that it meant Grandma wouldn’t have to go through another round of panic and part-annoyed that He did not want to do it because of laziness and self-importance (the belief that He is smarter than I, even without doing any research or having any prior knowledge about anything, even though He was always the one who took her to the nephrologist’s and family physician’s appointments). He does the same with plants and ended up condemning our eight-year-old starfruit plant to die in the cold, despite my protest. He always thinks he’s the smartest person, regardless of what experience/knowledge he has or doesn’t have in a particular subject—and I’ve inherited a similar manner of speaking-as-a-matter-of-fact-ly, as if I was 100% sure about what I was saying (which often gets me into trouble).

Depression In every waking day, the demon lurks within your shadow—always just out of the corner of your eye. As that sun sets and the lights go out, that shadow becomes an all-consuming spectre that fills the room as much as it does your mind—it eats that light your try to light inside, unhinging its jaws and swallowing the sun whole like a constrictor after it had crushed all the air from your lungs. A breath-taking darkness sends your heart into a frantic panic, straining and screaming and searching for every last bubble of air in the blood starting to leak from your eyes. Crimson tears streak down, acrid and burning, like streams of fiery lava making their way to the salty sorrowful depths of the oceans. Your head is feverishly throbbing with starvation, suffocating and drowning in itself as it melts from the draconic hell-fires lit under you by the shadowy-figure. You are more palatable to it when scared out of your mind and injuriously maimed by your own hand, so it eats at you night by night, piece-by-piece—it could be days, months, years, or even decades—but it is patient and diabolical. You are to it, like finely aged-wines or cheeses are to a wealthy connoisseur with too much money to know what to do with.

An Unwelcome Stranger Is His child, in his home, being a burden upon him. It doesn’t matter if this person does anything good, because—ultimately—this person is a stranger. A worthless stranger borne of his flesh and blood, that only continues to feast like a fat leech, engorging itself on His blood.

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