god, i'm just yelling, this is SO QUEER, this fucking story
the way you see dream, imprisoned, reflected in hob's glass in 1989
the METAPHOR of that. hob in '89 pushing the envelope of social perception to talk openly about his relationship with dream to the bartender at this pub??? while dream is imprisoned in a physical prison, and kept imprisoned there by his own pridefulness and inability to ask for support??? fuck
paired with the quote from the comics of dream having revelations about his imprisonment -- "The problem, he realized, was that those who had power enough to help him, he had not furnished with motive. While those who might aid him willingly, he had not provided with means. It came to him that if he had merely trusted more freely, his captivity might have been short indeed. But then... whom to trust?"
something something metaphor for self-isolation and lack of community and internalized homophobia
AND just... the visual transitions in these scenes -
dream's prison taking the shape of hob's glass—this last glass of liquor hob thinks he might get to drink in this memory-steeped space that has been their meeting place for six centuries. this glass of liquor that the bartender offers him as a silent sign of solidarity—the glass, symbolic of freedom and connection, the two things that dream in that precise moment utterly lacks, cut off from the dreaming as he is, but both things he could find in hob when he is ready, because hob is determined to wait for him
the subtext with the bartender—hob in conversation with queer elders, the glen grant, "old enough to be [hob's] father," "i'm older than i look," "in a hundred years"—speaking to longevity, to living beyond adversity, to surviving in the AIDS crisis
the visual transition from dream in his prison to dream's face reflected in the barrier as he stands in front of the barricade and hob's spray painted sign. he's free, he's ready to accept the love hob is offering him. and the momentary heartbreak in his face when he thinks he might be too late, before he sees the spray-painted sign - god, just the absolute revolutionary queer energy and malicious compliance of hob using his queer buying power to secure the new inn and breaking the law by doing graffiti so that dream will find him
the fucking hopeful, heartfelt, tender music that plays as dream follows the sign to the new inn??? the way he walks so slowly, so deliberately as though he's bracing himself for hob not having waited. the way he moves through the grass almost wistfully, like he's walking toward a dream he's had for more than a century. the way he looks around the bar and zeroes in on hob.
history professor hob!!! radical queer elder hob gadling, who looks mid-30s but has seen and felt his community's pain and loss and can bridge the gap between queer past and queer present. hob unlearning his biases and learning and growing to understand and fight against the structural inequalities and systems of oppression he perpetrated in his own past! fostering future generations of loving, caring, compassionate humans. giving people a safe space
the new inn as a Queer Safe Space, the MEANINGFULNESS of that, when queer-specific spaces are dwindling in UK, US, and other worldwide cities—this article from july 2022 states, "Take London, for example. In 2017, a pivotal audit by the Urban Laboratory at University College London revealed that since 2006, the number of venues for LGBTQ Londoners had fallen from 124 to 47, a loss of nearly 60 per cent." as of january 2021, only 15 nightlife spaces for queer/gay women were left in the US and there are literal community projects in place to try to preserve queer safe spaces
the idea of this carving out of space, calling to mind the queer chosen family, the importance of community
the way dream and hob smile at each other at the end. open, so open, so full of genuine warmth. together again and not to be parted. in the place that was meant for them, this place that is a reinvention of an even older place they had made their own - in the new inn that exists simply because of their love for each other
DREAMLING IS A QUEER GIFT, THEIR STORY IS SO IMPORTANT
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Ok. I need to get this out. I'll preface this by saying I'm very excited for the new season to be released, and I can't wait to see more of our ineffable couple.
The thing is, I've seen a lot of posts where people are hoping that this season will 'confirm' Aziraphale and Crowley's relationship, or they're hoping to get a kiss to make it 'official'.
Listen. Listen. Aziraphale and Crowley are already in a relationship. More importantly, they're in a queer relationship. Their relationship is already outside the norms of Heaven and Hell, Aziraphale visibly dresses as a gay man and has been among the gay social circles in history, Crowley changes his gender presentation and is comfortable with it, and they're both queer and hence their relationship has always been queer.
Maybe they'll kiss, maybe they'll have a verbal declaration of their love, but if they don't, it doesn't make their relationship 'queerbaiting' or not queer enough. Just because they don't fit into your ideas of a queer relationship or explicitly state they're a gay couple doesn't mean that they're not queer.
Many aspec and even other queer people feel represented by Aziraphale and Crowley, and you do not get to take that away from us. Western media hasn't always been kind to gay relationships, but Good Omens is not one of them. If you do not like the representation, then feel free to watch other shows that have explicit romantic/sexual relationships. Don't drag this show into the apparent '''queerbaiting'''.
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cassie sandsmark star jorts from issue #23 of yj98 you have always been famous to me
(before pic + additional photos and unnecessary ramblings under the cut)
I made these jorts in 22 hours over the course of 3 days! pure willpower via my love for cassie sandsmark because I am a total novice in sewing and i am still not very good at it. (i really just combined various tutorials and improvised on measurements and then regretted improvising measurements later on).
I thrifted these jeans last year for cassie vibes (even though I had already made her star-spangled red bellbottoms at that point) and wasn't a fan of how they fit + I couldn't figure out how to style them. I enjoyed sewing in the panels to flare them out and then everything else (cargo pockets and sewing in stars) was hell <3
the pockets are not placed well (nor are they particularly well-made), the hem is uneven, the stars are quite janky (and I think I stitched on too many), I probably stabbed my fingers a million times, and I am so in love with them
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