#'cause i didn't. and. idk man that feels a bit contradictory
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soscarlett1twas ¡ 2 months ago
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Dulce et Decorum est
↳ Xanthus serves in World War I. ↳ 2.4k words / also available on ao3! ↳ This fic is far from accurate to the actual Ypres Salient. I wanted to explore Xanthus' mentality as he canonically served in WWI. So, while I did some research, most of this fic is inspired by wartime poetry, particularly 'In Flanders Field' by John McCrae and both 'Dulce et Decorum est' and ‘Exposure’ by Wilfred Owen. Also! I discovered this painting while writing that's basically the exact setting of the fic. ↳ Content warning for blood, disease, guns, and (specifically trench) warfare.
It was hard to believe that, even in the midst of war, silence could envelope the world. Thick layers of it painted the Ypres Salient, as disturbing as the starless midnight it shared the hour with. Not the skuttle of a rat, not grass in a breeze. Death, it seemed, had a way of silencing. 
For all intents and purposes, it was all quiet on the Western front. 
Xanthus didn’t trust it one bit. 
How could he trust the very thing he cheated? His eyes drifted across no-man’s land, the scorched earth left by the Germans, with a tremble he hadn’t felt since his first time serving in the British army. Fog obscured the skyline. Corpses of trees barely stood, crooked and black. For as far as he could see, there was no green. Just the torn-up dirt and puddles of not-quite water. 
Xanthus’ grip tightened on the rifle. His nails were bitten to the quick. 
His gaze never left the scene. Even from the shallow view allotted to him by the firestep, shadows and whispers danced, him a beat behind their rhythm. They would disappear as soon as he glanced at them, then reappear in the peripheral gloom. Still, he chased them, eyes darting from ghost to ghost.  
War, it seemed, had a way of invoking paranoia. 
Xanthus’ trench was along the front lines, and he, given the honor of being on nightwatch during the tense time. Just two years ago, Ypres had been fought for again, and the Entente had lost. Badly. The Germans overran the old British and French trenches which had cleaved into their conquered territory, the Allies calling upon their own for assistance. Canadians, Indians, Algerians, and Moroccans now fought for a war forced upon them, the same way Belgians had to step up and defend Ypres as the Germans marched ever-forward. 
New allies were not the only introductions during the second fight for Ypres. Chlorine gas had swept through the battle and choked out countless men. 
Apparently, that wasn’t enough. 
Xanthus’ gaze flitted back down to the ground. Glass pools replicated the hell above. Swirled in them, the only color was a murky red from the slaughter of soldiers. It was an easy trick. But below, sunk to the bottom of the mixture, was a colorless poison. They had all thought it to be the same as the chlorine; when the smell was faint of mustard and men didn’t immediately drop, they even spat about how the Germans were growing weak.
It took a few hours for the effects to set in. 
Xanthus darted his sights back up to the wasteland. He had known better than to trust hope – the Americans had joined the war not long ago, and the news managed to enhearten some, but not Xanthus. This was penance for that longing for a better future. 
Even still. Xanthus Claiborne: A murderer, an unnatural; and Lawrence Claiborne, the soldier. All his duplicities should have shielded him from this horror. All it managed was to kill his dreams – war was still carnage, and for as much as he could pretend he was distanced from it, bloodbaths would still reflect his face when he bore down on murdered men.  
When the men in his regiment blistered and screamed and died, Xanthus knew that this was a new evil. 
The rifle shook in his hands. Pointed out into the graveyard of a clearing, Xanthus’ memories reminded him of just how futile the gun was. Not when the gas wiped them out. Not when it still lingered.
Xanthus’ teeth bit into his bottom lip, for a moment forgetting his fangs. 
Xanthus had survived the chlorine’s initial deployment, back in 1915. His healing worked wonders in keeping him alive, if incapacitated. The same happened with the new mustard gas. He hid the blistering well enough so as to not alert suspicions, and they dissipated within the day. Most everyone else had dropped like bullet shells. 
But this gas remained. Not just in the soldier’s bodies – it polluted all water and sunk into the dirt. The other faded, but this time, standing in the dug-out trench, the smell and chemicals never wafted away.
Even with each hollow breath he took, Xanthus could smell, could taste, the abomination. And even with his miraculous healing, it was a cancer. His eyes burned. Blisters he thought were gone popped up across his body in changing places. A cough clawed up his throat (he feared his lungs were regularly filling with fluid, then draining, then refilling – a vicious cycle which murdered the rest). 
He was nothing more than an animated corpse, and for the first time in these long centuries, he felt like it.
Xanthus’ rifle loosened in his hands. He scrunched his eyes and drew one hand up to massage his temples. Memories of medical bays fueled his mind. “The lucky one,” they all said. They weren’t all from the Great War. 
For a few more minutes, he stood, gun propped on the parapet. But marionettes could only dance around him for so long. A trickle of sweat ran from his forehead to jowl. 
He knew they were not coming. The silence echoed back. He did not trust it. 
When he jerked to the side, dangerously slinging the gun as well, he collapsed back into the trench.
A sight of mud turned to gray. The small enclave he used for nightwatch was nothing more than piled stones, but a respite nonetheless. 
Xanthus sat for a few moments, heaving. When his gun dropped and rattled to the floor, he grunted, and slammed his knuckles into the bricks. Hot pain instantly rushed from his shaking hands and he watched, in more agony than the impact, as the wounds healed over. Surfaced blood streaked, but dried in mere seconds. 
His breath was ragged. He shoved his fist into the stone, over and over again. 
This war was an assault on all senses, Xanthus thought as he brutalized himself. Sure, the smell and the taste and the sight, but by God, it was the hearing that came first. How ironic that now it was peaceful, now there was quietude, after the dread took its strongest. 
Where was it when Xanthus stood, more attuned than anyone, to the rattle of gunfire and men screaming? Rushing across no-man’s land left him able to hear out to the German trenches and everything between. He simply had to suffer it. And where was it when he laid at night, a being without need of sleep, but desperate for it so he could drown out the tanks and the roaring aviation? When he heard the few friends he made hearts stop pumping? 
Where was it when Xanthus turned his rifle on an ear, and shot the organ clean off? 
And where was it when it, after he blamed it on battle, regrew in four months?
Xanthus’ thrusts into the wall slowed, his hand going limp and running down the bricks, until it rested beside him. 
It didn’t matter. He could not get hurt, not in a meaningful way. He could already feel the wounds closing, the battery insignificant. 
He threw his head against the stone wall carelessly. 
The flesh stitched itself back together in the passing minutes. Meanwhile, Xanthus fueled his disquiet with memory. 
Lawrence had known war. But it was never this, never all-encompassing; there was, after all, a world beyond England and Scotland during the Second Bishop’s War. Xanthus, it seemed, did not – or at least, not the stratagem of modern warfare. He had followed the stepping stones, ignorant until they dropped, himself caught in the freefall. 
A cough ground up his throat, and bile rose with it. 
He had witnessed humanity’s descent – ascent? – into this madness. Hell, he was older than the country his fellow soldiers lauded as their savior. And yet he was here, with them. Suffering, dying in the great quiet, knived by the mental games their very species played. 
Because the gas was a game. Its purpose was the tricks, deployed with shells that broke into a giggling hiss. 
War could not kill Xanthus. But it could do everything else.
When his fist curled, the nails bent into his palm. Briefly, he panicked without the familiar weight of a gun. He snatched it off the ground and brought it to his chest.
He had never expected to truly be hurt, to be affected. But in their efforts to decimate each other, they managed to even wound immortality. A vampire reduced to human fears, because of humans, without the possible human release. 
In some small way, Xanthus felt human. Artificially – their misery, their desires, fitting for a finite life. He knew it was a false mirage. But still, he reached for his gun in comfort, as if his teeth weren’t markers of a much more vicious retribution. 
He hated it. 
He fucking hated it. 
Finally, he and his kind were welcomed back into ‘personhood’ – not because they were deemed more acceptable or humanity grew collective empathy, but because even humans stooped to their level: fodder. 
The vast silence was cut with bitter laughter. 
Subconsciously, Xanthus curled into himself as the laughter turned to coughing. He forced himself to swallow down the mucus. The rifle sat between his legs, pointed upwards, with his hands clenched to it. 
As his fit died down, he rested his forehead on the warm metal. 
And the silence was back, as deafening as ever. 
Except for the heartbeat. 
Xanthus didn’t move his head, but slit an eye open to watch the opposing side of the trench. The beat was coming from inside it – not an enemy – but there was no due for a guard switch. 
A man stumbled around the corner. His pulse was faint, barely a whisper – more powerful was the sound of liquid sloshing in his lungs. Sucker-like sores grew along his arms and chest. His wool coat was unbuttoned and rolled up to the elbows, and he wore no hat. 
He paid Xanthus no mind as he crept forward, walking like it was his first day out of the womb. With too hard of a sway, he collapsed against the wall opposite of Xanthus and sunk to the floor. His eyes remained, though bleary, attached to the sky. 
Closer, the rush of blood echoed. Xanthus’ tongue flicked across a fang. 
It had been so long. He’d staved off desiccating with enemy soldiers or, when in a ward, blood saved for transfusions. He hadn’t properly feeded since his conscription. As if answering his thoughts, the hunger struck, a well in his stomach. 
The man’s chest heaved, face still upwards. 
He would die anyway. 
Xanthus shifted off the firestep slowly so as to not start him. His movements drawled with a predator’s muscle-memory, though more ridge with the discipline of a soldier. 
He drew to the man. It was only when he towered over him, rubies starch in the darkness, that the man looked at him. 
“Hello,” he muttered. It would’ve been unintelligible to anyone else. 
What happened next was methodical. The vampire slid down to his level and applied weight to the others hands, constricting him. His knee buckled on the other’s leg. He leaned forward, and with a swift motion, released his arms (only now did he drop the gun), hands jerking to maneuver his neck as he bared fangs. They sank into the skin with ease. 
It was bitter, he instantly noticed. The blood pumped lazily, carrying with it the poison which seeped into his skin. Despite his own cyclical conditions, Xanthus pressed on, refusing to let his only meal waste away. 
Naturally, the man resisted. He was weak. His burned arms tried to push the vampire’s away, off his neck, though managed nary a scratch. His legs bobbed. His neck strained. Still, it was futile to Xanthus. 
The man continued to mutter to himself. Xanthus pressed on. 
Even as the blood replenished him, it was sickening – he was starved and drank like it, but it was a drunken haze brought on by spoiled wine. Xanthus doubted he’d ever willingly eat mustard again. 
Just as he was about to break for air, the man’s fingers threaded into Xanthus’ hair. For some odd reason, it eased him out of the spur, as his fangs gently retracted. Both of their breaths heaved off-sync. Xanthus was still so close, the heat he expelled onto the man ricocheted back to him. 
The vampire tilted his head slightly, glancing up through mangey threads of hair. Playing on the man’s face, in the depths of night, was the hint of a smile.
His lips still moved, though silently now; Xanthus still recognized their shape. A common soldier’s prayer, said by those dying or over the beds of those who were. 
He didn’t understand it, not until the man looked down at him. With a bleeding neck and a shattered voice, he made a sound below silence, the illusion of words more than anything – “Thank you, sweet angel.”
His fingers stayed soft in his hair. 
“You have come to save me. I am welcomed into His kingdom.” A wiry grin now broke across his face, peeling the skin taut. He was missing a front tooth.
He thought Xanthus was saving him. That he was an angel, ready to take him to Heaven. To his God. Away from hell on earth. 
For a heartbeat, Xanthus could not move. He suddenly felt carved out, nothing but bones and skin. 
There were memories of another dying soldier-boy, the wound-up toy which had marched itself right into the tinderbox. For glory. For God. 
And he remembered his death. Another soul believing they were being saved, only to be taken advantage of by a vampire. 
And it was that thought which frightened him the most. 
If you could believe it, the soldier’s heartbeat slowed even more. Yet in his eyes, the dullness now shone without dust – not reflecting the monotonous shattering of a psyche, but heavy with the need of sleep. He was so close to it. 
Xanthus could become Audric. To ‘save’ as many as he could from this war, only to force them into a future more brutal than anyone could dream. 
So instead, Xanthus gave him what he wanted – what they both wanted. He could not tell which side of him it belonged to, if there was anything truly mortal or supernatural about mercy. 
A soft lullaby drifted from his lips, a soothing command. And the man closed his eyes and mouth, relaxing into Xanthus, like a child in his mothers arms.
The blood stayed warm, even as a body turned to a corpse. And Xanthus, who could do nothing but remain, drank. 
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fairuzfan ¡ 1 year ago
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I personally think it was very poor taste at best and racist at worst for Suzanne Collins to position Peeta- a white teenager- as this moniker for peace in the series and Gale- a young man of color- as someone that represents conflict and not moving on and then making him a cop in the end to boot.
So yeah I actually had a whole thing written for this earlier where I agreed and pointed out some stuff in addition that harmed the story and message or were just outright offensive because of the... implicit/explicit racism (ie, her mom abandoning her, who was assigned to which district/resource based on race/ethnicity, etc) but after hearing about that interview she had. Dang. I thought it was a lack of education, which it still might be, but. I don't know, feels weird how centered she is about the vietnam war affecting her and her dad when the people that suffered the most are the vietnamese at the hands of her father and the US empire. It kinda feels like... contradictory to her message a bit? With how it feels like she is on the side of the people of the district and that the Capitol is in the wrong, but after listening to her inspiration, it feels kinda icky.
Anyways, yeah I agree. It annoyed me how peeta represented "Peace" and Gale seemed so rageful and territorial of Katniss. And how white savior-y it seemed to make Peeta be the one to "save" her in the beginning. And! The way Peeta seems to also represent "forgiveness" in a way that feels like a metaphor for excusing the people who cause you trauma. Katniss, and Gale, don't owe anyone any forgiveness for the terror they faced. And honestly, it's kind of weird that Peeta, who went through the games, would demand forgiveness of others.
It would have been a better story (if collins didn't write it lol) if Peeta was also in the Seam and Gale was written so one-dimensionally and came back to district 12 to rebuild his community as a leader instead of like. Becoming a weapons manufacturer lol. And the way that he asked Katniss "does it matter" when she asked him if it was his trap that killed Prim. Like Gale, who stood up in the face of oppression even if it caused him harm, would not fucking say that. He would be torn to pieces over it. Collins really did Gale dirty.
There's also like the hypersexualization of Gale vs Peeta who seemed more... complex in the story (although he was pretty annoying ngl), but that might be more fandom than the novels.
And I know I shared that quote earlier as one that made me cry, but I really didn't appreciate how it says "settle its differences."
“I no longer feel any allegiance to these monsters called human beings, despise being one myself. I think that Peeta was onto something about us destroying one another and letting some decent species take over. Because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences.”
This reads as if the oppression people face is a "difference of opinion" rather than a violence being inflicted on them for daring to rebel against a harmful regime. I really do like the beginning part of the sentence, I just. Wish it ended differently.
There's more that annoyed me but honestly, idk if I want to talk about it at this point. Basically this is just to say you're totally right in that its racist. Thank you for sending this in though.
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skullndaisy ¡ 1 year ago
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✨Spoilers for Spider-Man: Across The Spider-Verse (this is a bit of a ramble)✨
What's nuts about the concept of "canon events" is that Miguel is persistent with the idea that these events are meant to happen no matter what.
If that's the case, why would Miles' interference affect what is meant to happen?
A canon event disturbance should not exist if something that is meant to happen can be altered. That's a massive contradiction. Trying to hold Miles back from something that is inevitable feels pretty useless, though I understand Miguel's fear and his reasoning behind prohibiting Miles from even trying to rescue his father.
But being so strict about a concept so finicky (that might not even apply to every Spider-man, considering Spider-Gwen's existence & Miguel not having typical Spider-man origins) also feels kinda,,, idk,,, would impulsive and misguided be the right words to use here?
I think Miguel's judgment might be clouded in hopes of finding a reason why such tragedies exist, it might be comforting to a Spider-Person who is suffering from loss to finally have something to blame for all the pain they endure. Though in Miguel's case, since he believes it was his fault entirely for why his daughter's universe collapsed, it only makes him feel worse.
Maybe I'm misunderstanding the concept of a canon event, idk.
We never see what actually caused the collapse of Gabriela's universe, which leads me to believe Miguel isn't even entirely sure what caused it's collapse, either. He just thinks it's his fault because, technically, he wasn't meant to be there.
I don't want to think he's hiding something, Miguel isn't inherently a bad person, he feels misguided more than anything... Besides I don't think he'd have a reason to lie or deceive the entire Spider Society, that's just not in his character. He feels genuine terror and is haunted by it, therefore will do anything to prevent a repeat of the trauma he'd inflicted once before.
That being said, projecting all of that pain onto Miles is incredibly irrational, because his theory of canon is contradictory and his behavior merely proves it. The dude is grasping at straws. Miles isn't even the root cause of canon, sure his existence was caused by an anomaly spider, but nothing in those chain of events were directly caused by him. Miles didn't build the first Collider, and Miles didn't ask to be bit by that spider.
It's just a tad curious, I dunno. THIS IS JUST A THEORY. A GAME THEORY.
Correct me if I'm wrong, I kinda wanna have discourse on this since I am pretty much on Team Miles for this movie.
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