#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟
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INSIDE THE MUSES’ MINDSCAPES
Naturally this will be a LONG post , so the descriptions shall be placed under a read more so i don’t take up the entirety of the dash. Essentially however , these are the landscapes of each muse’s mind. Meaning that if you / your muse were to step inside my muse’s mind ( and not just a memory ) , this is the scenery that would greet them. Each muse will be bolded & in caps for theoretically easier looking if you want to find a specific muse’s mindscape , but when in doubt, ctrl + f also works to navigate. I didn’t do any of my request muses, but if you’d like to see theirs, you’re welcomed to say for me to in my ask and I will! Or if you’re also curious about why a muse’s mindscape is how it is, I can elaborate there too!
Please enjoy and thank you for reading any of the ones you do, I hope you like them!
HORN SKULD - Stepping into her mind is stepping into a medieval-esque garden. There are rows of shrubs and carefully tended plants, flowers always in their prime and a beautiful fountain in the middle of the garden area that beckons for one to sit. There is a calm elegance to it that is refreshing to the soul. Birds sing in the flowering trees somewhere and the temperature is neither too hot nor is it too cold, but the perfect temperature with a gentle breeze every now and again. You feel content here.
BYAKKOMARU - It is a location that the demon himself is not entirely sure where it came from (in truth it came from forgotten memories of his life as a human). Sunlight fills a perfect spot near a crystal clear river that soon turns into a waterfall. Peering over the cliff edge reveals a hidden city below. It’s name does not come to mind, yet the heart knows the necessity to protect it. Or at least what is inside it; those that hold value to the tiger. It is a sanctuary and a safe place that he will not allow any threat to enter, because to access it you must cross the demon himself. A fierce protectiveness burns in your chest.
BASTEYA IRCLU - Rather than a stagnant location, Basteya’s main space is that of a Great Western Railway Hall class locomotive in the passenger cars. There’s no one else on board, yet whenever one wants for something, it is there. But rarely is focus within the comfortable passenger train. The focus is outside, which often displays various places that Basteya has been and where he wishes to go again or is frequently thinking about. However, when accessing his memories, the outside of the train turns from landscapes to ‘ previews ‘ of the memories till it stops at where he wants. It makes you want to travel and explore.
CHROLLO LUCILFER - Chrollo’s shifts a bit from time to time. But often his landscape is foggy. Sometimes one will find themselves outside on a path that leads deeper into the fog. One may occasionally pass through gardens or graveyards on the way through the winding path, or even occasionally through the streets. Other times, one may find themselves standing atop towering buildings gazing at the city lights below shining through the dreary weather, idly watching. The other occasional place is a gothic cathedral with ornate stained glass windows and rows of empty pews. Outside of the fog obscures the rest of the world, and somewhere music occasionally drifts softly. The wood creaks in greeting if you sit down. Yet no matter what place you find yourself at, there’s always the sensation that there’s something you need to find, something that slips through your fingers. A vague sense that you are something else in this landscape, a wandering ghost that never quite can settle.
KALLUTO ZOLDYCK - His shifts and changes with age and moments. Often, it is like standing atop black water. It is dark above and dark below, but you never fall nor get wet. Each step however sends ripples across an invisible surface. Sometimes there is an item or figure in the distance ; most often Kikyo or Illumi ( and later the Troupe) and sometimes there’s a cherry blossom tree nearby, petals fluttering around gently in an unfelt breeze. Climbing up the tree offers safety, and climbing to the top reveals a beautiful star riddled sky full of endless possibilities. But do not look behind you from where you appear, or the shadows might latch on and threaten to drag you down.
SUWA - The first thing that registers is how cold it is inside his mind. It is a frigid cold and there’s a sense of heaviness in the air, like a weight pressed down on one’s shoulders. A glance around reveals a person standing up to the top of their ankles in blood extending as far as the eye can see — which isn’t far because of how dark it is. A pitch black darkness that surrounds everything, other than for a single white star high above like light seen from the bottom of the well. But no amount of reaching or walking every brings it closer. Wandering around only brings more horrors from piles of corpses to items floating on the surface of the blood like a hairpin or ruined stuffed animal rabbit. And somewhere deep inside there’s something roaring and chains straining - but nothing ever comes beyond the increasing feeling that you should not be here.
LUCIFER - Fittingly the most celestial appearance of all the mindscapes. Here one is surrounded by dazzling displays of the universe, of galaxies and nebulas. Here one is neither floating nor standing, but existing with everything wrapped around you and an ability to contort and shift the space into whatever one wishes for it to be. There is endless possibilities and no restrictions in this space. Only the freedom to do as one wills. Occasionally the space may take a specific scene if it is willed, but often it is beautifully abstract, where stardust spills through fingertips. It is an overwhelmingly inspiring and freeing spot to be. You feel invigorated.
FENRIR - It is a snowy landscape with harsh winds that threaten to knock one over. But no matter where one turns, there is nowhere and nothing in sight, but there’s only a sense of resignation to this fact. Around the clearing are tall pine trees covered and snow, and every now and again there is the sound of his mother singing. But the cold hurts. It makes all the scars on the body ache, and a chain keeps coiling itself around your ankle no matter how many times you unwrap it and throw it away. If one walks far enough, they may eventually stumble upon a cave, and going inside there it is a fire to help warm your fingers, but it is fueled by hatred. It is not hard to fuel when the gods faces are carved into the wall and makes the hate twist inside your chest.
STHENO - It’s a rough, jagged cliffside where lightening flashes through the sky and it rains. Danger is never far from each step that one takes while navigating the perilous landscape, although there are a few spots of safety that one can settle down in comfortably. But even then, dangerous is not so far removed as to be forgotten. Here there’s nothing that offers comfort, but your heart beats in rhythm with the storm. In the distance you can see water tornados reaching from the black clouds to the raging ocean. Anger bleeds into the air and you can feel it trying to wrap around you.
RUFUS LOHR - Opening your eyes here reveals a sprawling library unfolding before your eyes. It extends forever as far as you can see, consisting of multiple levels and filled to the brim with various books. From where you stand on the top layer, you can see the the floors below. Books shuffle and move here and there, pens write in blank pages by an unseen force, and sunlight filters into the warm oak rows. It’s peaceful and enchanting. If you walked away from this main platform, you think you could happily be lost among the rows and rows of books. Stars are painted onto the high ceilings to mimic the night sky and every now and then there’s a gentle recitation of a poem from an unknown speaker who’s voice is always perfect for the piece. It brings out the inner bookworm.
JACKAL - Open landscapes of the savanna lay sprawling out around everywhere, but ruins jut out from the ground here and there. In the distance smoke trails from an unseen source of destruction, and the scent carries. But it is not suffocating- rather it is an almost comfort. There is a need to move , to do something. Sometimes a figure appears, encourage mischief or chaos, the hunt. After a long day, the warm sun and sound of grass blowing is rather relaxing.
LING WEN - It is a small house, nothing elaborate or extravagant. And yet, it is clearly loved. There are poems written on napkins and small sheets of papers, stories in the works with half-filled journals, and books with pages well worn. High quality inks and papers lay waiting next to a fire that chases away the cold. Outside, winter blizzards blow and howl angrily, refusing to let anyone dare to come close to the lone house. But none of those harsh winds or heavy snows threaten the sanctity of the home. It is calm and quiet other than the crackling of the fire in the fireplace. At will, music may start but otherwise, it remains calm and undisturbed. It is cozy, a place full of passion that remains hidden from the rest of the world. After all, the weight of work demands priority. Yet this dust-free abode of the place indicates a still thriving passion in this harsh existence.
HE XUAN - Most often, it is unsurprising to find themselves underwater within his mind. Yet there is no struggle to breath, no panic. Nothing but a sense of steady calm and the gentle sound of the waves above and fish of thoughts swimming around. At times, one may sit on the sandy shores and simply observe the dark skies- but if they’re clouds or the night sky is hard to tell. At least until feelings of pain or anger surge forth and the waves crash against you over and over again, dragging you into turbulent waters while thunder echoes in your ears. Down to the dark parts of the ocean, no matter how you fight the shadows tug and age old wounds bleed. But, sometimes it is you who flees into the shadows that hold you close and mute the noise of the world away. The ocean does not like to give up what it holds. Not even you.
THOTH - When one opens their eyes, they will find themselves staring down into a bright blue pond in a verdant oasis in the middle of the desert. Yet it is not the sun in the sky but a bright and full moon that is closer than it is in real life. It bathes everything in a soft, silver light and you can’t help but to sit down and enjoy the moment. Ibis stand at the edges of the water but they neither bother nor are bothered by your presence. A small temple stands a short distance away, visibly full of books and scrolls and the soft glow of lanterns. If you go there, you will find answers. But for now you just enjoy the moment.
SEKHMET - It is a dangerous feat to try to enter into her mind. Depending on what part of her is in control, the landscape can drastically differ. When she is slaughtering for Ra or the pharaohs, rivers of blood pour through the desert valleys. The skies bleed red and orange and vultures circle high above the battlefield. It smells of death and slaughter, and war drums pound somewhere in the distance, urging to continue the bloody feast and to devour meat and wine. Sometimes one is standing in the sand, other times one stands at the city walls, ready for the slaughter. Other times, the scenery is drastically different. Lighting fills the temples, and songs fill the air before a table of meats and red alcohols. Sometimes people appear to tell and act out stories before her. Another section of the temple is full of medical herbs and a calming atmosphere few often attribute to the goddess. There are also many sealed boxes. Instinctively, you know you should not touch them.
NAGARE HISUI - His space resembles that out of the sci-fi genre. Screens full of information and data points, games, lists to do. Many of the screens are green or blue, and all appear before a gigantic tree that resembles that of the JUNGLE clan’s symbol. The tree is taller than you can see the top of, and one feels like a baby ant next to it. But luckily it is distant so as to not be too overwhelming. Turning around however reveals the small room of the JUNGLE headquarters main area that is the same here as it is in life. Often those close to him are present, offering him insight. On very rare occasions however, this scenery may be traded for sitting atop the rooftop of Mihashira Tower at night, while all the city below is alive and vibrant with colors and nightlife. It summons a feeling of change and optimism for the future - a desire for change.
YUKARI MISHAKUJI - For the fascination of the beauty angel in vivid beauty, his mind is quite calm. Often the place most commonly depicted is a stone bench in a japanese garden in blossom. A mini-waterfall trickles softly over the rocks, and vibrant colored koi fish swim in the water with elegant grace. A tea set sits at a table, ready to be poured, and a set of calligraphy brushes and fresh paper sit in an elegant gold and black box to the side. Often the sounds of guqin and/or flute music fill the air alongside the sound of birds. Sometimes there are guests, sometimes it is just him. It’s a peaceful, beautiful space with the skies painted pink and purples with the setting suns and the stars just starting to shine. On a rare occasion, this may be traded for relaxing on a boat drifting through a river of memories under a starry sky. It is always so beautiful and it hurts to look away.
AARAVOS - Rather surprisingly, his mindscape is not somewhere new or historic or fantastical or abstract. It’s almost an exact replica of his prison within the mirror. He does not mind it. Here there are books and places to wander, there is chess and a fireplace and comfort to relax in. The only difference is an apple tree in one corner of the room, towering and full of gold-colored apples he occasionally plucks. He doesn’t need to escape or alter anything from reality or his mind. Yet even should he one day escape from his current prison, his mind will likely still choose to host the scenery of that familiar space. It is more of a home than any other place he has lingered.
#so many tags about to happen lmao#〉secret pieces of lost information〈 — ❁ ⌜horn headcanon⌟#〉intentions hidden in the past〈 — ⚠ ⌜byakkomaru headcanon⌟#〉in assumed death all is destroyed〈 — ◈ ⌜basteya headcanon⌟#〉a history as blank as a journal〈 — ᛭ ⌜chrollo headcanon⌟#〉ungathered information abandoned〈 — ✘ ⌜kalluto headcanon⌟#〉this isnt life its living death〈 — † ⌜suwa headcanon⌟#〉burned pages of god’s word〈 — ♚ ⌜lucifer headcanon⌟#〉stories recorded in shades〈 — ❀ ⌜yukari headcanon⌟#〉lost data on a king〈 — ϟ ⌜nagare headcanon⌟#〉information hidden in the book of thoth〈 — 𓅝 ⌜thoth headcanon⌟#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#〉truth among the rumors〈 — ✒ ⌜ling wen headcanon⌟#〉ugly facts of a fate torn apart〈 — ≋ ⌜he xuan headcanon⌟#〉secrets kept buried in darkness〈 — ⛬ ⌜fenrir headcanon⌟#〉the stories are wrong this is truth〈 — § ⌜stheno headcanon⌟#〉what history lies beyond appearances〈 — ⚜ ⌜rufus headcanon⌟#〉stories of the jackal demon〈 — ❖ ⌜jackal headcanon⌟
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@aristarchos said: How will they respond to whatever stands in the way of what they want? // for all three !!
SEND HEADCANONS FOR THE 3 NEWEST
this question is 100% what inspired THIS post
It depends. If it is a god / demigod in his way , Fenrir’s solution is , quite literally , to eat them. Free meal AND whoever is in his way is now gone. There’s not a lot he wants so he doesn’t take well to when there is. He has no problem killing a human either if that’s what he needs to do. But if it’s not a physical threat or issue , then he does problem solve. Fenrir IS very intellectual despite the depiction of just being a mindless beast after his imprisonment. So he’ll try to solve it the most effient way ( in his eyes ) to achieve his goals. The fact he is completely amoral ( not immortal , amoral ) can definitely play a role in that.
Sekhmet’s response depends on what it is. She also tends to take the ‘ eradicate whatever is in her way ‘ approach to it as well. BUT if it is someone stronger like Ra or direct combat isn’t the way to get what she wants , she typically turns to manipulating people. She’s rather good at planting ideas in people’s head , and refocusing their efforts , but she doesn’t plan out every step or every little detail. Either way , she works to crush whatever might be standing in her way , one way or another.
Thoth chooses to take the intellectual route and problem solve around it. He’d trying talking to someone if there’s a chance of success that route , but he also knows sometimes its better to be behind the scenes and sneakily work around it. He’s not above disobeying or moving behind people’s backs despite being one of the more honest and rule abiding gods. He is strategy over pure might , and would avoid any physical confrontation if possible. If not , he’s the kind more likely to drug someone than anything else. But his default action is to find another way to achieve his goal , then see about discussing it , and as a last resort use more underhand methods IF its worth the risk. Sometimes he will just simply halt in his tracks for his goals if too much of a threat is there.
#aristarchos#〉secrets kept buried in darkness〈 — ⛬ ⌜fenrir headcanon⌟#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#〉information hidden in the book of thoth〈 — 𓅝 ⌜thoth headcanon⌟
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When it comes to Sekhmet , it is VITAL to pay your thanks to her shortly after her aid. Otherwise , you could have just damned yourself / your side as well.
The best way is to celebrate in her honor , as in a full on celebration ( especially after calling her for something big like power or war efforts ). Food , wine , music , all of that will help appease her and ensure that she doesn’t turn against those who called for her. Because if you call for her but don’t express your thanks shortly after , she will take it as disrespectful. Animal sacrifices are also something she is particularly fond of as her high priests would be aware of. ( A note her is that animal sacrifices were not a bloody event for Ancient Egyptians , it was very clean and respectful . Animals were carefully checked and prepared and killed elsewhere before being presented to the alters as sacrifices. )
But the most important offering is typically some type of red alcohol. This is especially important when calling for her aid in battle , murder , raw power , inflicting revenge , etc. If you are calling her for healing , justice , etc , it is not as important. But anything with blood , it’s a necessity. Whether its red wine , beer dyed red with pomegranate juice , food coloring , or some other kind of red alcohol , the type doesn’t matter. But in her bloodlust state , she’ll drink it regardless with the assumption it is blood and then get drunk and cease her violent rampage or potential bloodlust.
However , music and stories are also a fair way to celebrate her , especially those who call upon her for her healing skills or the more positive aspects she represents. She enjoys listening to such sounds and will respond well. While offerings of some kind are highly encouraged and rarely would anyone do so without , those could suffice if it came down to it. Statues , paintings , and other things in her honor will also lead to being on her positive side.
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@aristarchos said: What is their greatest weakness or flaw? For all three
Fenrir’s is definitely his anger as his greatest flaw. But can you really blame him ? He was taken from his mother and then all the gods were terrified of him , and the one god who WASN’T scared of him helped the other gods trick and chain him up for thousands of years with a sword through his jaws. So Fenrir HATES gods / demigods. Fenrir does try to keep his anger in check , but when it flares ? It’s volatile and he does not think at all during this. He’s usually extremely intellectual but the moment his anger takes control ? It’s no thoughts just violence. He sees red until the threat is gone , he’s worked through the anger , or he’s just worn out. Otherwise ? Run.
Sekhmet’s is definitely her arrogance / antagonistic nature. Although hers is also well grounded because she IS very skilled and can back it up. But she plays with fire when she antagonizes other gods and she HAS gotten hurt from it before. Did she learn her lesson ? Absolutely not. She wasn’t that bothered by it honestly. But at the same time no one trusts her because she is a wild card which means there’s rarely anyone that’d take her side outside of certain matters. One day maybe she’ll actually learn a lesson when someone gets really close to killing her , but its very unlikely to be any time soon.
Thoth’s might be that he can be swayed by his emotions. While he will never do something to intervene in the affairs of Ma’at , he can be persuaded into things even after he says no or rejects them. Likewise , he can make dangerous gambles because of his heart. He does care about those around him , and it’s something that can be used against him , especially when he isn’t a combat-oriented god. He doesn’t fight , and it’d have to REALLY come to extremes to get him to fight in any way. Which means at times he’ll keep his mouth shut to certain things to not put himself in danger’s path unless he’s confident in the outcome.
#aristarchos#thank you love <3#〉secrets kept buried in darkness〈 — ⛬ ⌜fenrir headcanon⌟#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#〉information hidden in the book of thoth〈 — 𓅝 ⌜thoth headcanon⌟
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Out of the many , many titles that Sekhmet has , one of her less popular ones is ‘ Destroyer of Rebellions ‘ . But this is very easy to misinterpret. She isn’t a destroyer of rebellions for HUMANS , but for Ra. Sometimes it happens to be one and the same , that Sekhmet is evoked to destroy the enemies of the Pharaoh. But other times that is not the case. It may be the people of Egypt , a rogue god , both , there’s no say. Sekhmet doesn’t possess a high level of morality , and that of the gods is different than that of humans.
And i hate writing this sekhmet was just ‘ I’m like a bounty hunter for the gods ‘ which is true. She was created from Ra to punish humans , demigods , etc. If you rebel enough to earn Ra’s wrath , she will be after you. And , if she is rather pleased with a pharaoh and Ra doesn’t tell her no , there’s also good chances of her granting the prayers of a pharaoh.
TLDR: Sekhmet is a destroyer of rebellions , but it’s on Ra’s or her own definition of rebellion , not humans.
#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#she just :) while crushing those ordered#or she chooses
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A collection of smaller headcanons
1. Sekhmet is never entirely obedient to anyone. Although she was created by Ra from the fire of their own eye , she had to be tricked into stopping her rampage against humanity. In a continuation of this in some regions , Sekhmet struck back at Ra for deceiving her by leaving Egypt which greatly weakened Ra & Egypt. Thoth , known for her skills in persuasion and conversation , was sent to bring her back. Even he who could persuade Horus and Set to stop had to plead with her 1,077 times to get her to return. Lesson from this ? Don’t piss her off because she CAN and WILL hold a grudge. Furthermore , she listens as SHE chooses , though Ra has the most influence.
2. She enjoys drinking. Her go to’s are usually blood or wine. That said , she hates being TRICKED into drinking due to the whole deception thing. It’s a useful thing for others to use against her because when she’s in her bloodlust state she doesn’t think quite at much , so a few drops of blood to wine will convince her as long as its red. However she will be extremely , extremely unhappy and petty when she wakes up from drinking herself to sleep.
3. She does NOT like the cold at all. Sekhmet is , after all , attributed with breathing fire and being responsible for Egypt’s hot winds. Cold is not something she enjoys unless she chooses to jump into water. Otherwise ? No. Unhappy goddess.
4. Sekhmet doesn’t interact heavily with many other gods. She mainly interacts with Ra , Set , Montu , and Sopdu. They are all war / heat / pharaoh / chaos related gods. However , on occasion she also works with Thoth and Isis due to her connections in medicine. Her realm is specifically with plagues and extremely deadly diseases as opposed to Isis who is more general medicine , and Thoth more with poisons or death but he CAN cure any. It’s just not his most known form. Otherwise , Sekhmet rarely interacts beyond sometimes bothering Hathor and Bastet.
5. No , she has no sense of personal space. Yes , she is aware of it. She just doesn’t care about it. In most cases it is a power play over others , but to those she likes it is also just how she is. And no , invading her space won’t bother her.
6. Nudity , whether her own or others , doesn’t bother her in the slightest nor does it often earn a reaction unless its intended to be an intimate moment with her.
7. She rarely removes her headdress outside of bathing. Not for any particularly reason , she just doesn’t think about it since most of them who wear the headdresses that hide their face also rarely remove them. If she likes you , she doesn’t mind. If she doesn’t , well , rip to you.
8. (related to #5) Despite being very invasive , she’s not use to gentle or nice contact back at her. Like a hug , or touching her cheek , it will briefly stun her because no one does that. But then she’ll be back to usual in a few seconds.
#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#yes these are all over the place#no im not sorry#i might expand on some of these if ppl want more info#but othewise here are some
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UNIQUE LIKES / DISLIKES part 2 of @zorkaya ’s ask! ( part 1 here )
One unique likes of Sekhmet is that she is a BIG fan of animal sacrifice and at times is the only way to appease her. While most gods receive animal sacrifices , she’s particularly keen to it. It’s both a good way to summon her as well as ( at least temporarily ) be in her good graces. She also enjoys struggles , while most gods despise something that might genuinely make them struggle. She finds it thrilling , partially due to her nature as a war god as well as just her personality. It makes things fun and as such Sekhmet is inclined to greet any challenges that come her way with enthusiasm. She’s more receptive to new and outside forces than most of the other gods.
A dislike for her however is not receiving proper acknowledgement. It pisses her off and she will easily turn on those she aided if they don’t give her proper thanks after calling upon her aid , whether it is in warfare or in healing. So it is crucial people pay their dues to her ASAP if they don’t wish to have horrible fortunes and deaths. On a less serious note , Sekhmet dislikes vegetables unless they’re mixed with meat and will in fact refuse to eat them.
Thoth is a big animal advocate. Naturally , like any god , he expects offerings and that which is involved in sacred rituals. He also supports hunting for the sake of eating or other necessary situations. But otherwise ? No. He’s fond of caring for them and observing them , and can naturally communicate with any of them. A lot of them will choose to listen to his words even over another god’s. He’s also particularly fond of simply reclining in shallow parts of water. He’ll swim of course , but if there’s a lagoon entrance or just the shores , he likes to lounge there. It’s enjoyable. He’ll do this both in his true form as well as in his ibis form. It more or less just depends on his mood and location , as in the human realm he’s inclined to usually be in ibis form.
I mentioned this above , but he despises hunting merely for sport , especially of birds , but other animals as well. It can occasionally cause squabbles between him and other gods. He won’t go out of the way to intervene unless its for a creature that’s critically endangered , but his displeasure will be known. He’s also not a fan of violent thunderstorms. It doesn’t cause him to panic or anything of that nature ( he is a god after all ) but he dislikes them and does not enjoy being out in them. But he values the importance they have.
#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#〉information hidden in the book of thoth〈 — 𓅝 ⌜thoth headcanon⌟
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love how both Sekhmet and Jackal are powerful destructive beings but they could be taken out by a brain freeze from a bowl of ice cream bc neither have ever had it before and would take too big of a bite and Suffer™
#i was just eating ice cream#and i didnt get a brain freeze but i am now cold#〉stories of the jackal demon〈 — ❖ ⌜jackal headcanon⌟#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟
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Sekhmet is neither entirely good nor entirely evil , but she is more well known for her evil aspects. Her most famous tale is how Ra created her as punishment for humanity for its disobedience , and thus she was sent to annihilate those disobeying Ra. However , her bloodthirst was so intense that it led to Ra having to mix pomegranate juice an beer so it looked like blood and Sekhmet drank enough of it that she passed out.
Yet interestingly enough , she’s also chosen to be called the protector of the pharaohs. They evoked her to protect them and to symbolize the pharaoh’s strength Like Set(h) , she also presides over warfare due to her bloodthirst and destructive abilities. However , it was necessary at the end to celebrate extensively after the battle to appease her so she would not continue her destruction.
She’s an extremely powerful figure to have on your side given her bloodthirsty nature and raw power to bring destruction as well as her skills in warfare , disease , and of healing. However , it is crucial to make sure to appease her in offerings , celebrations , etc , or she could just as easily turn against those she was adding before.
All in all , Sekhmet listens to herself and does as she pleases. Occasionally she will listen to Ra or another god if necessary. But in general ? She will do what is best or most entertaining / satisfying for her , be that for good or for evil. She is a wild card that absolutely cannot be fully trusted if you’re smart.
#okay so its mostly lore#but i am emphasizing that fact#she can be both good or evil#its mostly self motivated#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟
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SEKHMET TAG DROP
#〉sink to your knees before her bloodied claws〈 — 𓃬 ⌜sekhmet⌟#〉dare not to look away from her presence〈 — 𓃬 ⌜sekhmet image⌟#〉learn from ancient errors〈 — 𓃬 ⌜sekhmet headcanon⌟#〉break their minds and spirits〈 — 𓃬 ⌜sekhmet quotes and musings⌟#〉appease her taste for blood〈 — 𓃬 ⌜sekhmet aesthetics⌟#〉music to kill to〈 — 𓃬 ⌜sekhmet music⌟
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