#⧼ joshua booker › musings ⧽
Explore tagged Tumblr posts
Text
tag drop 3.0
#⧼ frankie hale › threads ⧽#⧼ frankie hale › musings ⧽#⧼ frankie hale › visage ⧽#⧼ jade flores › threads ⧽#⧼ jade flores › musings ⧽#⧼ jade flores › visage ⧽#⧼ joshua booker › threads ⧽#⧼ joshua booker › musings ⧽#⧼ joshua booker › visage ⧽#⧼ justice osborne › threads ⧽#⧼ justice osborne › musings ⧽#⧼ justice osborne › visage ⧽#⧼ lacey emerson › threads ⧽#⧼ lacey emerson › musings ⧽#⧼ lacey emerson › visage ⧽#⧼ maddox faulkner › threads ⧽#⧼ maddox faulkner › musings ⧽#⧼ maddox faulkner › visage ⧽#tag drop
0 notes
Text
There are two types of muses on this list. One is very slow activity and/or requires plotting to use. The other means I have to actually know you a little to rp with you on these muses. The bolded ones mean you have to know me a little bit to interact. Strike out means these muses are on hiatus
Ace Attorney
Miles Edgeworth
Phoenix Wright
Maya Fey
Dahlia Hawthorne
Alan Wake
Scratch
Barry Wheeler
Bioshock
Elizabeth
Booker Dewitt
Subject Delta
Code Geass
Lelouch vi Britannia
Suzaku Kururugi
Shirley Fenette
Kallen Kozuku
Danganronpa
Enoshima Junko
Maizono Sayaka
Komaeda Nagito
Hinata Hajime
Kamukura Izuru
Ouma Kokichi
Dead by Daylight
Talbot Grimes
Evan Macmillan
Kate Denson
Susie Lavoie
Max Thompson Jr.
Rin Yamaoka
David King
Julie Kostenko
Yun-Jin Lee
Deltarune
Kris
Everymanhybrid
Evan
HABIT
Final Fantasy XIV
Thancred Waters
Finn Atoel
E'vett Tia
Ryne Waters
Elidibus
Z'jeht TIa
Zerah Aria
Fandaniel
Yotsuyu goe Brutus
Sidrugu Orl
Ysayle Dangoulain
Hythlodaeus
Zenos viator Galvus
Emet-Selch
Y'shtola Rhul
Wuk Lamat
Sphene
Final Fantasy XVI
Joshua Rosfield
Anabella Lesage
Barnabas Tharmr
Clive Rosfield
Jill Warrick
Hatchetfield
Lex Foster
Emma Perkins
Hotline Miami
Jacket
The Girl / Hooker
Corey
Ash
Alex
Marble Hornets
Brian Thomas
Tim Wright
Mouthwashing
Captain Curly
Anya
Daisuke
Persona 3
Mochizuki Ryoji
Iori Junpei
Yamagishi Fuuka
Koromaru
Yoshino Chidori
Sakaki Takaya
Yukari Takeba
Aigis
Female Protagonist
Persona 5
Sakura Futaba
Okumura Haru
Takamaki Ann
Morgana
Yoshizawa Sumire
Nijima Sae
Takematsu Hitomi (oc)
Yoshizawa Kasumi (AU)
Re:Zero
Julius Euclius
Shaula
Satella
Capella Emerada Lugunica
Echidna
Rem
Roswaal L Mathers
Rui Arneb
Beatrice
Sirius Romanee-Conte
Steins;Gate
Okabe Rintarou
Shiina Mayuri
Makise Kurisu
Vinland Saga
Gudrid Karlsefni
2 notes
·
View notes
Text
MUSES
Canon Muses
Sections include: Featured muse, primary, test, secondary, tertiary, and request/private.
Featured Muse(s) (most active): Natsuki Subaru
Other high activity muses: Aigis, Kurusu Akira, Ram
Primary, regular activity! Open to all!
Thorfinn Karlsefni (Vinland Saga)
Natsuki Subaru (Re:Zero)
Emilia (Re:Zero)
Ram (Re:Zero)
G'raha Tia (Final Fantasy XIV)
Y'shtola Rhul (Final Fantasy XIV)
Thancred Waters (Final Fantasy XIV)
Aigis - Persona 3
Takeba Yukari ( Persona 3)
Akechi Goro (Persona 5)
Kurusu Akira (Persona 5)
Sakura Futaba (Persona 5)
Saihara Shuichi (Danganronpa V3)
Elizabeth (Bioshock Infinite)
Jack Ryan ( Bioshock.)
Nathan Prescott (Life Is Strange.)
Rachel Amber (Life Is Strange.)
Alan Wake (Alan Wake)
Yun-Jin Lee (Dead By Daylight)
David King ( Dead By Daylight)
Vittorio Toscano (Dead By Daylight)
Philip Ojomo / The Wraith (Dead By Daylight)
HABIT (Everymanhybrid)
Current Test Muses:
Talbot Grimes / The Blight (Dead By Daylight)
Rin Yamaoka / The Spirit (Dead By Daylight)
Iori Junpei (Persona 3)
Mochizuki Ryoji (Persona 3)
Secondary! Lower-activity. Open to all!
Gudrid Karlsefni (Vinland Saga)
Julius Euclius(Re:Zero)
Shaula (Re:Zero)
Ryne Waters (Final Fantasy XIV)
Elidibus (Final Fantasy XIV)
Takamaki Ann (Persona 5)
Phoenix Wright (Ace Attorney)
Maya Fey (Ace Attorney)
Miles Edgeworth (Ace Attorney)
Shiina Mayuri (Steins;Gate)
Makise Kurisu (Steins;Gate)
Victoria Chase (Life Is Strange.)
Barry Wheeler (Alan Wake)
Scratch (Alan Wake)
Evan Macmillan / The Trapper (Dead By Daylight)
Julie Kostenko / The Legion. (Dead By Daylight)
Kate Denson (Dead By Daylight)
Susie Lavoie / The Legion (Dead By Daylight)
Max Thompson Jr. / The Hillbilly (Dead By Daylight)
Evan (Everymanhybrid)
Tertiary! Low activity. Open to all!
Satella (Re:Zero)
Capella Emerada Lugunica (Re:Zero)
Fandaniel (Final Fantasy XIV)
Yotsuyu goe Brutus (Final Fantasy XIV)
Sidrugu Orl (Final Fantasy XIV)
Ysayle Dangoulain (Final Fantasy XIV)
Hythlodaeus (Final Fantasy XIV)
Dahlia Hawthorne (Ace Attorney)
Okabe Rintarou (Steins;Gate)
Booker Dewitt (Bioshock Infinite)
Kris (Deltarune)
Jacket (Hotline Miami)
Brian Thomas (Marble Hornets)
Saga Anderson (Alan Wake)
Request/Private! (Only for certain partners or plotted threads)
Echidna (Re:Zero)
Rem (Re:Zero)
Roswaal L Mathers (Re:Zero)
Zero (Final Fantasy XIV)
Zenos viator Galvus (Final Fantasy XIV)
Emet-Selch (Final Fantasy XIV)
Jill Warrick (Final Fantasy XVI)
Clive Rosfield (Final Fantasy XVI.)
Joshua Rosfield (Final Fantasy XVI)
Anabella Lesage / Rosfield. (Final Fantasy XVI)
Barnabas Tharmr (Final Fantasy XVI)
Deryk (Final Fantasy XIV)
Okumura Haru (Persona 5)
Enoshima Junko (Danganronpa)
Maizono Sayaka (Danganronpa)
Ouma Kokichi (Daganronpa V3)
Hinata Hajime (Danganronpa 2)
Komaeda Nagito ( Daganronpa 2)
Kamukura Izuru (Danganronpa 2)
Nanami Chiaki (Danganronpa 2)
Subject Delta (Bioshock 2)
The Girl / Hooker (Hotline Miami)
Corey (Hotline Miami)
Ash (Hotline Miami)
Alex (Hotline Miami)
Miles Upshur (Outlast)
Suzaku Kururugi (Code Geass)
Shirley Fenette (Code Geass)
Lelouch vi Britannia (Code Geass)
2 notes
·
View notes
Note
oi mods, podem dar mwfc pra familia salazar? e pra agregados ocidentais no geral?
Para nosso queridos Salazar:
MUSE LOAN — Rachel Lee Tyler (1989), Nava Rose (1990), Kylie Versoza (1992), Alex Mallari Jr (1988), Khalil Ramos (1996), Joshua Garcia (1997).
MUSE CARD — Nadine Lustre (1993), Devon Seron (1993), Julie Anne San Jose (1994), Martin Del Rosario (1994), Donny Pangilinan (1998), Bretman Rock (1998).
MUSE MONEY — Liza Soberano (1998), Jane de Leon (1998), Vivoree Esclito (2000), C13 / c13vxon (1999), Elijah Canlas (2000), Joshua Alvarez (2001).
MUSE SAVING — Kathryn Bernardo (1996), Maris Racal (1997), Janella Salvador (1998), Daniel Padilla (1995), Iñigo Pascual (1997), Aljon Mendoza (2001).
MUSE MORTGAGE — Miya Horcher (1999), Julia Barretto (1997), Sarah Magusara (2001), Jimboy Martin (1997), Jameson Blake (1997), Jeremiah Lisbo (1998).
Para os ocidentais eu diria…
Zion Moreno, Sza, nattybrat, pamalaaam, ngnabii, glowprincess, afroblv, arliekontic, Asia Eros, salma.naranx, blkkstar, Kim Johansson, Anccy Twinkle, Cindy Kimberly, looseunicorns, iitsrhe, threemillion, carmenltran, 222juliet, aimebbyyy, De’arra Taylor, Nyané Lebajoa, luvyute, khloekatera, Rakiyah, noure.jfl, madisonmbt, chouxziza, Cherokee Jack, wizardblazd, Evan Mock, Reece King, Desire Mia, Froy Gutierrez, Louis Russell, Vincent Rayvon, Deaven Booker, Jan Luis Castellanos, Rahquise Bowen, Alton Mason, nathannuyts, Omar Apollo, nbao.t, zarruecos, jxrdan, Rauw Alejandro, verde.whatever, dnieccio, Fai Khadra, Manny Jacinto.
0 notes
Text
Persona Muses:
Makoto Yuki / Minato Arisato / Persona 3 Protagonist
Persona Multi Muse sideblog
Vinland Saga
Thorfinn Karlsefni - Primary
Gudrid Karlsefni - Secondary
Re:Zero
Natsuki Subaru - Primary
Emilia - Primary
Ram - Primary
Julius Euclius - Secondary
Shaula - Secondary
Satella - Tertiary
Capella Emerada Lugunica - Tertiary
Echidna - Request/Private
Rem - Request/Private
Roswaal L Mathers - Request/Private
Final Fantasy XIV
Roi Coello (Warrior of Light) - Primary
G'raha Tia - Primary
Y'shtola Rhul - Primary
Thancred Waters - Primary
Violette Roux (OC) -Primary
Hlynur Thisbe (OC) - Primary
Finn Atoel (OC) - Primary
E'vett Tia (OC) - Primary
Hana Ueda (oc) - Primary
Ryne Waters - Secondary
Elidibus - Secondary
Z'jeht Tia - Secondary
Zerah Aria - Secondary
Fandaniel - Tertiary
Yotsuyu goe Brutus - Tertiary
Sidrugu Orl - Tertiary
Ysayle Dangoulain - Tertiary
Hythlodaeus - Tertiary
Zenos viator Galvus - Request/Private
Emet-Selch - Request/Private
Deryk - Request/Private
Danganronpa
Saihara Shuichi - Primary
Enoshima Junko - Request/Private
Maizono Sayaka - Request/Private
Ouma Kokichi - Request/Private
Hinata Hajime - Request/Private
Komaeda Nagito - Request/Private
Kamukura Izuru - Request/Private
Nanami Chiaki - Request/Private
Bioshock
Elizabeth - Primary
Jack Ryan/Wynand - Primary
Booker Dewitt - Tertiary
Subject Delta - Request/Private
Life Is Strange
Nathan Prescott - Primary
Rachel Amber - Primary
Victoria Chase - Secondary
Alan Wake
Alan Wake - Primary
Barry Wheeler - Secondary
Scratch - Secondary
Saga Anderson - Tertiary
Dead By Daylight
Yun-Jin Lee - Primary
David King - Primary
Vittorio Toscano - Primary
Philip Ojomo - Primary
Talbot Grimes -
Evan Macmillan - Secondary
Julie Kostenko - Secondary
Kate Denson - Secondary
Susie Lavoie - Secondary
Max Thompson Jr. - Tertiary
Rin Yamaoka - Tertiary
Ace Attorney
Maya Fey - Secondary
Miles Edgeworth - Secondary
Dahlia Hawthorne - Tertiary
Phoenix Wright - Tertiary
Steins;Gate
Makise Kurisu - Secondary
Okabe Rintarou - Secondary
Shiina Mayuri - Tertiary
Everymanhybrid
Evan - Secondary
HABIT - Request/Private
Hotline Miami
Jacket - Tertiary
The Girl / Hooker - Tertiary
Corey - Request/Private
Ash - Request/Private
Alex - Request/Private
Marble Hornets
Brian Thomas - Request/Private
Tim Wright - Request/Private
Outlast
Miles Upshur - Request/Private
Final Fantasy XVI
Jill Warrick - Request/Private
Clive Rosfield - Request/Private
Joshua Rosfield - Request/Private
Anabella Lesage / Rosfield. - Request/Private
Barnabas Tharmr - Request/Private
Code Geass
Lelouch vi Britannia - Request/Private
Suzaku Kururugi - Request/Private
Shirley Fenette - Request/Private
Kallen Kozuki - Request/Private
0 notes
Video
youtube
JAY-Z - THE STORY OF O.J. [5.12] Gather round, Jukeboxers; that's if you're still reading...
Austin Brown: Props to No I.D. and Jay for rendering Booker T. Washington in vivid sonics, but I've always been (aesthetically and politically) more of a Du Bois man myself. [5]
Ryo Miyauchi: Unedited Jay-Z, but not entirely in the good way. It's jarring to hear series of off-tangent flow and odd pauses from a rapper who put his words down to the beat with laser-sharp precision. But what's more uncomfortable are his unchecked bickering about the youngin's who don't follow his business model. Those rhymes should've stayed saved as a draft in his mental notepad. [5]
Ashley John: The strength of this song is in the chorus where Jay-Z questions how a black man is perceived, realizing that no matter his achievements, he will still be boiled down only to his skin color. Outside of this, "The Story of O.J." reads more like a lecture from my father, spoken at approximately the same pace. His comments about missed investment opportunities in Brooklyn's Dumbo neighborhood and building his children's art collection land more like whining than wisdom. [4]
Andy Hutchins: The problem with being a black man -- even a black business, man -- in America is that you are always first and foremost a black man in America, near-billionaire Jay-Z would like you to know. (Unspooling a song-length version of little brother Kanye's "Even if you in a Benz, you still a nigga in a coupe" on an album that is, by all accounts, the latest in Jay's 15-year reckoning with adulthood and maturity on wax suggests that he's maybe a bit late to this revelation.) "The Story of O.J." sounds like a guy who watched O.J.: Made in America and talked about it for a whole brunch with Lyor Cohen somehow taking the tangent to a Clintonian prosperity gospel that is about mastering capitalism when you actually have capital. Predictably, it's a mess: The bruising, stunning video harvests centuries of strange fruit, often in ways it doesn't entirely earn; the "Still nigga" lament is undercut by the fascinating bemusement in the "Okay!" rejoinder in the first verse's first bar; the bit about "Jewish people owning all the property in America" is just another draught of the crypto-racist poison that has been part of Jewish and black folks being left to fight for what WASP America has left behind, and risks overshadowing the whole piece; the shot at stacks being faux phones is equally wrong-headed, if clever. But this is Shawn Carter illuminating the difference between himself and Sean Bell, not begging the question -- a rumination on wealth as a black man, over a masterpiece of production from No I.D. that flips a Nina Simone song maybe five other rappers have the clout to touch -- and that is exactly the sort of art he is best suited to make while he waits for Rothkos and Basquiats to appreciate. [7]
Alfred Soto: Even without a video, "The Story of O.J." is explicit about rubbing black stereotypes in the faces of an audience that at the outset of Jay Z's career had its ambivalences about his eager embrace of filthy lucre. His thin, high timbre parses syllables as carefully as any performance before 2001. When he answers questions no one asked about the practical way to spend lots of money, he switches to talking. To my ears the line about Jews owing businesses, juxtaposed against a sample of a Nina Simone ballad about self-love and the faint boredom in Jay's voice, sounds like he's himself repeating cultural assumptions and stereotypes, in the same way another 4:44 tune questions how a black man is conscripted into admiring Sharpton and Cosby. [8]
Jonathan Bradley: Jay raps best when he has purpose: something to prove, a title to defend, a larger construct that can recontextualize our understanding of his corpus. (Kanye learned from the best how to make an ongoing narrative out of a career.) A full album with producer No I.D. is the same kind of artistic constraint that the film tie-in of American Gangster offered; the coherent aesthetic permits him on both occasions to move beyond the trap of having nothing to discuss beyond being an extraordinarily wealthy man who has accomplished all he could in his field. "The Story of O.J." is ostensibly our introduction to a reflective, mature Shawn Carter, though his politics aren't too removed from the "all us blacks got is sports and entertainment until we even" line back in "Can't Knock the Hustle." He still raps in the overly fussy syllables that have characterized his flow for a decade now -- such a marked difference from the astonishing dexterity of his youth -- and the he says the most on this track during a loquacious lacuna: "O.J.'s like, 'I'm not black, I'm O.J.' ... Okay." The beat, a dreamlike slippage of curtailed soul and jazz runs, says more: No I.D. barely permits "black" to escape Nina Simone's lips before shuffling her askew. [7]
Maxwell Cavaseno: Inspired by his appearance on DJ Khaled's "I Got The Keys" and its subsequent video, I spent a good year warning of HOV: THE MOVIE. In my head, Jay-Z was inspired by his wife's artistic strides and his protégé/producer/"buddy" modernizing and conceptualizing with ease, and would finally attempt to assert his place. Vague notions of him rhyming over trap productions doing a rally of black positivity in the wake of Trump's America filled my goading dreams... Rather, I was eventually greeted with a shockingly traddish album of soul samples and a lackluster Jiggaman ponderously musing on his loved ones' strife to give himself vague outlines of "character" while inanely spouting "You don't see me in the club? I don't see you at the BANK" style paeans of success (which awesomely spilled over into vague antisemitism right here!). All of that is on me to feel like I got my hopes up for nothing. Yet even on places where my expectations and Shawn Carter's desires try to intersect, there's disappointment. [2]
Joshua Minsoo Kim: Jay-Z's a hustler baby, he'll sell water to a well. He'll partner up with phone companies to immediately claim platinum certification and convince the world he's still relevant. He'll make a serious album with soul samples that'll have people shouting "the old Hov's back!" despite the rapping not touching his glory days. He'll talk about investing in DUMBO and million dollar paintings and confuse this namedropping for interesting lyricism. He'll roll his eyes at the notorious O.J. quote but then shame young rappers and tout respectability politics. He's a hustler baby, he'll sell mediocre rap to rap fans. [3]
[Read, comment and vote on The Singles Jukebox ]
2 notes
·
View notes
Text
USA: #jazz #scottjoplin Tom McDermott Meets Scott Joplin Arbors Records
Tom McDermott Meets Scott Joplin Arbors Records Available from Arbors Records HERE
‘Tom McDermott Meets Scott Joplin’ Review: Reviving Rags
New Orleans pianist Tom McDermott offers an ode to ragtime on a new album, both revering and reinventing standards. by Larry Blumenfeld
Like so many musicians, pianist Tom McDermott came to New Orleans to play a gig, fell in love with the place and never left. Since relocating in 1984, he has become a fixture on that city’s musical landscape and within its long lineage of pianists, some homegrown and some from afar, each lending distinctive flair to a rich legacy that blends scholarship, humor, funkiness and a range of jazz, blues and R&B influences. The relaxed feel of Mr. McDermott’s playing sometimes conceals the boldness of his harmonic decisions and the rigor of his approach, which leans on diligent musicology. His playing and his original compositions draw from deep repertoire (he can play Louis Moreau Gottschalk’s mid-19th-century works with aplomb) and flash the same offbeat wit as the limericks and pencil drawings he publishes in small volumes. “Tom McDermott Meets Scott Joplin” (Arbors), out Friday, reveals a love of ragtime, and of Joplin’s rags in particular, that began long before Mr. McDermott moved to New Orleans. Now 61 years old, he grew up in St. Louis at a time when a young musician could still attend annual ragtime festivals and hear the form (steady beat in the left hand, syncopation in the right, clearly defined thematic sections) played correctly by devotees such as Butch Thompson and James Dapogny. Even before this country got hooked anew on Joplin’s “The Entertainer,” as played by Marvin Hamlisch for the 1973 film “The Sting,” Mr. McDermott had dug into pianist Joshua Rifkin’s Nonesuch recordings of that and other Joplin works. Joplin’s rags were an anachronism in “The Sting”—the film was set in the 1930s, well after ragtime’s heyday—but ragtime did beget early jazz. It’s the proper precursor for all of the music that Mr. McDermott has embraced. In a liner note, he recalls how, at age 14, “Joplin hit like thunder, opening my door into classic rag, and eventually early jazz, Brazilian music, Cuban grooves and New Orleans R&B.” All these influences figure into his approach to these 17 tracks. Mr. McDermott is both reverent and not. He plays it mostly straight on “The Easy Winners” and “Magnetic Rag,” both of which benefit from his graceful light touch. He accentuates the tenderness and somber tone of “Gladiolus Rag.” On “Fig Leaf Rag,” he appropriates some of the variations Mr. Rifkin used on his Nonesuch versions. With “The Strenuous Life,” he places Joplin in a New Orleans jazz context, via what Jelly Roll Morton called “the Spanish tinge” (and redolent of the sound of a New Orleans piano pioneer, Professor Longhair). Mr. McDermott erases the march from “Rosebud March,” loosening its joints gradually to achieve a sped-up midsection that sounds like an overt homage to another New Orleans piano legend, James Booker. “Maple Leaf Rag,” one of Joplin’s best-known and most demanding rags, was also, upon its publication in 1899, the earliest of sheet-music best sellers. It forms a centerpiece here, full of unorthodox key changes in the opening section and sly shifts of tempo and style before ending, in unusual fashion, back on the opening “A” section. In lesser hands, such an approach would seem mere pastiche. Mr. McDermott is hardly the first to toy with this rag (New Orleans pianist Henry Butler, among others, had his own radical interpretation), but his version is notable for both its daring and its cohesion. “The Entertainer,” another highlight, is the furthest flung and hardest swung of Mr. McDermott’s takes on Joplin. New Orleans isn’t the only place that seduced Mr. McDermott. Brazil has long been a muse as well, particularly for its choro style, which predated ragtime in origin and outlasted it in popularity. Mr. McDermott ends this Joplin album with three tracks originally issued on his 2005 release, “Choro do Norte,” which featured Brazilian and New Orleans-based musicians. The combination of choro and ragtime makes musicological sense, in terms of both form and shared roots; as expressed here by Mr. McDermott, it’s a sublime blend, lending fresh propulsion to ragtime’s inherent bounce on “Swipesy Cakewalk.” On “Heliotrope Bouquet,” arranged by Mr. McDermott for a piano-less quintet, the melody is introduced by Henry Lentino’s bandolim (a Brazilian mandolin) and passed along to clarinetist Evan Christopher and trombonist Rick Trolsen. They capture both the lilt and sway of Brazilian music, and the bluesy directness of early New Orleans jazz. Scott Joplin’s rags have long fascinated musicians for their structural elegance, their magnificent melodies and their invitation to invent. With his own immersion, Mr. McDermott has broadened the possibilities and rekindled a spark. Mr. Blumenfeld writes about jazz and Afro-Latin music for the Wall Street Journal.
Gigs
At this time I have these steady gigs in New Orleans:
Solo piano Thursday from 5-7:30 at Three Muses (536 Frenchmen; 252-4801); Thursday nights at Buffa’s (1001 Esplanade; 949-0038 with reed-women/singer Aurora Nealand). Other clubs I play sporadically include the Starlight, Bywater Bakery, Fritzels, and Snug Harbor.
www.mcdermottmusic.com
via Blogger http://bit.ly/2I27m1R
0 notes
Text
open to › female muses
connection › one night stand. ex girlfriend. best friend's sister. anything that fits. taboo welcome. please specify in the tags.
character › joshua booker. twenty seven. firefighter.
"you knew what this was when we hooked up," josh explained and shrugged. "i didn't promise you more than one night," he then continued while leaning against his doorframe effectively blocking her only way in, with arms crossed over his naked chest. "so give me one good reason, as to why i should let you in... and if it's good enough, i will." the words were taunting, spoken in a mischievous tone of voice. she had woken him up after all, and on his day off no less, so the least he was owed was a reason, despite his insane attraction towards her. "well? we're not getting any younger here," he pushed, his voice deep with sleep.
13 notes
·
View notes
Text
// OK I am just gonna list my fcs for everyone so even if I haven't finished their abouts you can see.
Main muses:
Persona 3
Makoto Yuki / Minato Arisato: tba
Yukari Takeba: tba
Aigis
Female Protagonist: tba
Persona 5
Akira Kurusu: tba
Goro Akechi: Yoshizawa Ryo
Final Fantasy XIV
Roi Coello (Warrior of Light.): tba
G'raha Tia
Hlynur Thisbe (Original Character.)
Y'shtola Rhul
Wuk Lamat ( test muse)
Sphene (test muse)
Bakool Ja Ja (test muse)
Bioshock
Jack Ryan: evan peters (main) / dane dehaan (alternate)
Life Is Strange
Nathan Prescott: bill skarsgård
Alan Wake
Alan Wake: ilkka villi
Dead By Daylight
Yun-Jin Lee: Park Shin Hye
Vittorio Tuscano: tba
Phillip Ojomo: Omari Douglas
David King: tba
Sable Ward: Mollie Gallagher
Outlast
Miles Upshur: Cillian Murphy
ANIME/MANGA:
Vinland Saga
Thorfinn Karlsefni: tba
Re:Zero
Natsuki Subaru: tba
Emilia: Freya Allan
Ram
VISUAL NOVELS
Danganronpa
Saihara Shuichi: tba
Nanami Chiaki
Steins;Gate
Makise Kurisu: tba
Mouthwashing
Curly: Jack Lowden
Anya: Lily Sullivan
Daisuke: tba
Private Muses
Ace Attorney
Miles Edgeworth: tba
Phoenix Wright: tba
Maya Fey: tba
Dahlia Hawthorne: tba
Alan Wake
Scratch: ilkka villi
Barry Wheeler: tba
Bioshock
Elizabeth (Ally Ioannides)
Booker Dewitt (tba)
Subject Delta
Code Geass
Lelouch vi Britannia: tba
Suzaku Kururugi: tba
Shirley Fenette: tba
Kallen Kozuku: tba
Danganronpa
Enoshima Junko: tba
Maizono Sayaka: tba
Komaeda Nagito: tba
Hinata Hajime: tba
Kamukura Izuru: tba
Ouma Kokichi: tba
Dead by Daylight
Talbot Grimes: tba
Evan Macmillan: tba
Julie Kostenko: taissa farmiga
Kate Denson: Virginia Gardner
Susie Lavoie: Taylor Dearden
Max Thompson Jr.
Rin Yamaoka: tba
Deltarune
Kris: tba
Everymanhybrid
Evan: see the youtube channel
HABIT: see the youtube channel
Final Fantasy XIV
Thancred Waters:
Violette Roux
Finn Atoel
E'vett Tia
Ryne Waters
Elidibus
Z'jeht TIa
Zerah Aria
Fandaniel
Yotsuyu goe Brutus
Sidrugu Orl
Ysayle Dangoulain
Hythlodaeus
Zenos viator Galvus
Emet-Selch
Deryk
Final Fantasy XVI
Clive Rosfield: tba
Jill Warrick: tba
Joshua Rosfield: tba
Anabella Lesage: tba
Barnabas Tharmr: tba
Hotline Miami
Jacket: ryan gosling
The Girl / Hooker: tba
Corey: tba
Ash: tba
Alex: tba
Life is Strange
Rachel Amber: imogen poots / alt: florence pugh
Victoria Chase: Emma Roberts
chloe price: sohpie thatcher
max caulfield: tba
Marble Hornets
Brian Thomas: see the youtube videos
Tim Wright: see the youtube videos
Persona 3
Mochizuki Ryoji
Iori Junpei
Yamagishi Fuuka
Amada Ken
Koromaru
Kirijo Misturu
Aragaki Shinjiro
Yoshino Chidori
Sakaki Takaya
Sanada Akihiko
Persona 5
Sakura Futaba
Okumura Haru
Takamaki Ann
Morgana
Sakamoto Ryuji
Nijima Makoto
Yoshizawa Sumire
Nijima Sae
Takematsu Hitomi (oc)
Yoshizawa Kasumi (AU)
Maruki Takuto
Re:Zero
Julius Euclius
Shaula: tba
Satella: Freya Allan
Capella Emerada Lugunica
Echidna
Rem
Roswaal L Mathers: tba
Rui Arneb: tba
Steins;Gate
Okabe Rintarou: tba
Shiina Mayuri: tba
Vinland Saga
Gudrid Karlsefni: tba
1 note
·
View note