#✮ grimm reblogs
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bluegekk0 · 1 year ago
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these bitches gay! good for them
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alecz-obssesionz · 7 months ago
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◇ Odd weaponry choice ◇
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lamentable-comedy · 5 months ago
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drew a snowbaz. please enjoy.
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shizukateal · 7 months ago
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Grimm Variations - Episode One Review: Cinderella
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Ok, starting with the heavy hitter aren't we Grimm Variations? Really have that much confidence in yourself in spite of your kinda ugly art direction? Ok. Alright. I see how it is.
GATHER 👏 ROUND 👏 CHILDREN 👏 LET'S 👏 TALK 👏 ABOUT 👏 GOOD 👏 VS 👏 BAD 👏 SUBVERSION 👏 SLASH 👏 DARK 👏 TAKES.
This is actually a pretty fascinating example, since it has both cases simultaneously.
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(sorry for the shitty gif, I don't know how to reduce size without sacrificing quality)
Let's start from the beginning: This version of Cinderella takes place somewhen at the intersection of the Meiji and Showa Periods in Japan, which is to say in the Roaring 20's. Instead of our usual protagonist, the story centers on Makiko and Sawako, our prospective Evil Stepsisters, as their mother Tsuruko, a former geisha, marries Viscount Otawara, who has a single daughter: Kyoko. Kyoko enthusiastically welcomes her new family with open arms, even gifting precious things to her new sisters, who clearly love the luxuries of the social ladder that they've climbed. However things take a turn for the dark as Kyoko starts manipulating everyone around the house with wounded gazelle gambits to convince them that her sisters are mistreating her and usurping her place. The story thus becomes about Makiko and Sawako going to the ball (hosted by a count's son) to try and escape their Evil Little Stepsister.
There's also some background stuff at the start of the episode about the brothers grimm and that little girl Charlotte up there, who appears as a living doll of Kyoko's, but since none of that is explained here we're just gonna focus on what this dark take says thematically about the tale of Cinderella.
Right from the beginning the overturn starts when the first scene makes it clear that Cinderella's dad holds all the power in the relationship with the Evil Stepmother, whereas the Grimm and Perrault versions make her the one wearing the pants. It's never explicitly stated in either of them, but it's natural to infer that the Stepmother is of a higher peerage than Cinderella's Dad to explain how she would hold power over him and his daughter when trying to rationalize the story, and it's a common plot point in adaptations. However, this alone a subversion does not make. After all, if you read trashy romance in aristocratic settings (like I do), you know that it is extremely common for social climbers to be presented as sniveling usurpers, who get arrogant and greedy and turn into bullies the moment they have a modicum of luxury and rank in spite of their Inferior Manners (unless they are the protagonist of course). Lots of Cinderella stories follow that formula.
And that's exactly what Kyoko uses against her stepsisters.
Makiko and Sawako are stupid. If their unrefined manners are forgivable and a simple matter of environment and time, the way they openly slobber over and covet the riches of their new house makes them no favors. When they think one of the servants stole jewelry from them (and it was a piece that Kyoko had given them at that) they immediately get angry and physically aggressive towards a person whom they were equal in rank perhaps mere days ago. It takes them too long to stop and realize that hey, no servant would openly flaunt a piece they'd stolen from their master, so maybe something else is afoot, but by then it's too late. The other servants of the house can no longer trust them, so of course they continually take the side of the poor, defenseless little mistress Kyoko.
The tale so turns into an interesting mix of one-part hitchcokean aristocratic horror-thriller, impulsed in part by the flaws of the protagonists, and I'd say around a quarter-part view into the hypocrisies of class. Makiko and Sawako's refusal to engage with the servants with respect and compassion, trying to act the rank they've ascended to, cuts them from a support network, even as they are handed wealth and luxury. However it is undeniable that because of their lowly origins and etiquette people view them with scorn, distrust, and antipathy, a fact that is driven home when they are the ones who get mean whispers and comments upon entering the ball. They don't stop from being victims in the narrative just because they aren't likeable. By contrast, Kyoko may wear old plain clothes and do house work, but because she's nice to the staff and is seen as the legitimate blood heir, everyone looks at her with compassion and chucks her unnaturally cheery disposition towards her circumstances to good breeding, to the point that she gets away with poisoning her stepmother for years until she dies.
Likewise, at the scene of the ball the sisters fail spectacularly at captivating their prospective Prince with their uncouth behavior, so all our Cinderella has to do is be pretty and make a scene in front of everyone for things to take its predestined course. Tsuruko dies that night thanks to her stepdaughter forcibly feeding her one last cup of bleach before she leaves. And even though everybody witnesses the sisters grieving over their mother's corpse, nobody has sympathy for them the next day, when Makiko becomes the head of the family at Kyoko's (clearly secret) behest. The moment the Prince appears and declares his intention to marry Kyoko, Makiko and Sawako are expediently given the boot to the ass and thrown out of the house. Thus both of them are forever expelled from aristocratic society... and forever free from Kyoko.
Cinderella has followed her usual course of ascending to a higher to a social strata while reclaiming her lost position thanks to the intervention of a powerful man... But it's the Evil Stepsisters who have escaped an abusive situation by leaving the comforts of status behind, which goes very specifically against the message the original story gives. What's more this is due to their own character development: they knew that Kyoko would sabotage them if they tried to escape her via marriage, so they baited her into pulling a stunt and deliberately sabotaged their own chances with the Prince so that he would take her away from them.
THAT, my guys, is actual subversion. THAT is commentary. It's impeccably brilliant...! Or at least it would be were it not for the biggest flaw in the story: Cinderella herself.
Near the end of the first act the sisters try to warn their mother about Kyoko's nefarious acts. Of course, she doesn't believe them. After all, she asks outloud, what does Kyoko get out of acting like that? It seems that the scriptwriter didn't realize that asking that question explicitly in dialogue would put it at the forefront of the audience's thoughts before the whole thing went into print.
I mean the script makes Kyoko talk about her family being her precious "dolls" or whatever but that explains absolutely jackshit when her attitude is so inconsistent. Keep in mind, this Cinderella kills her own dad when he unwittingly threatens to disturb her status quo and starts the second act by saying out loud that she fears the situation she's created might end, but after the sisters do succeed in suckering her she just goes "oh well :) thems the breaks" and it's implied she'll move on to torturing the Prince for shits and giggles and that's it.
Alas, however, I must be fair and truthful in my final assessments. I came into this series expecting vapid edginess and mediocrity and while it hasn't exactly disappointed on that front, it has just enough thematic juice to move into the tier I was most afraid of: trash but still good enough to be frustrating. Join me next week for more suffering if it keeps up this way.
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grollow · 2 years ago
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I want to share this commission that I got from Amy! (me, trying to pspsps them to tumblr and failing, despite great efforts)
This may or may not be inspired by something in Red Sky, I plead the fifth, but djskjdsgk
delighted :>
(Posted with permission from the artist, ofc)
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pjo-obsessed-nerd · 10 months ago
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Oh, hey, by the way, I wrote a book. Uh. Yah. It's been nearly a week and I didnt even think to mention that anywhere on my account at all whatsoever, so... If you wanna know more about my book and my lil characters, uh... Lemme know? Ig?
This is Mira Grimm, descendant of the Grimm Brothers and a Faerie hunter.
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This is Amy Milan, Mira's best friend, confidant and self pronounced personal stylist. (Also voted in HS to be most likely to commit a federal crime and get away with it.)
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This is Zeke Ford, Mira's crush and soon to be very close friend.
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And this is Jared, the guy Mira begrudgingly accepts as her cursed Faerie protector.
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Tales of the Grimm: The Big Bad Wolf https://a.co/d/9YZPT3I
Link if you wanna check it out maybe? Please? Pleeeaase???
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stackthedeck · 1 year ago
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magicalgrimm · 2 months ago
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Hello, I hope you and your family are well. Can you please help me recycle the post on my account? 🌺 And help rescue my family from the war in Gaza? 🙏 Thank you.
https://gofund.me/71c9635a
I hope this post gains traction and that you have the best of luck.
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capricorn-0mnikorn · 1 year ago
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In the spirit of "Reblog Your Own Work," here's a story I wrote almost two years ago, that I'm really proud of. I originally posted it in 5 parts, so to shake things up a bit, here it is all in 1 part. It's a retelling of the Grimm Brothers fairy tale "The Frog King," this time with aroace and disability representation, and the squicky elements of child marriage taken out.
Under the Linden Tree
Once upon a time, there lived a king who was widowed, and remarried. His first wife had been a true princess of a wealthy kingdom, and the daughters they had together, Zephyra and Aurora, were as lovely as a summer breeze and the dawn. His living wife had only became queen through marriage to him. But she was exceedingly lovely, and gracious, and kind. And because she was the only daughter in a house full of sons, the king thought surely she would deliver him a son of her own. Instead, he got a third daughter, whom they named Galantha.
As she grew, Galantha became even more beautiful and gracious, until, as she approached womanhood, she began to outshine even her mother. Her elder sisters, once happy playmates, now teased her, and reminded her, whenever they had the chance, that her lineage would never be as great as theirs, and that she was last in line to be married, and most likely to a baron, if not a common paddler.
Galantha would sigh, and say she knew this. She would also turn away and hide her smile. She had little interest in being wooed. And being the mother of a future king just seemed like an extra weight upon her head that she would rather do without.
But Fate and Nature had little care for her secret desires. Every day, she could feel the eyes of the courtiers watching her. Their murmurs of praise for her beauty and grace seemed like the constant drone of crickets in her ears. On festival days and market days, minstrels could be heard singing songs about how the sun, itself, was jealous of her beauty.
Whenever she could, Galantha escaped to her favorite place in the royal forest, where the Tree of Oaths stood: a linden tree with a trunk wider than the span of her arms, with leaves broader than her palm, and a well between the fork of its roots, formed from a thousand years of rain and dew dripping from the leaves above. According to the law, it was forbidden to tell a lie within its shade; according to legend, it was impossible. Its crown had spread wide enough to preside over murderers' trials, and lovers' weddings, since this kingdom had been the size of a village. And these were recorded with carvings in its bark, some so old that even the alphabets they were written in had been forgotten.
She would spend whole days here, tossing and juggling her golden ball (her favorite plaything), entranced by how it glinted in the dim light.
But the king started grumbling that she was neglecting her royal duties, that she was growing too old to spend her days amusing herself with a mere child's plaything.
Her mother would lay her fingertips on his arm, smile in that way she had, and, almost imperceptibly, shake her head.
Then, the king would sigh, and say that he would permit her private walks, for now. But soon, she'd have to grow up, and perform her duties for the court.
It was after one such scolding, when Galantha distracted by worries, that the ball slipped from her fingers. It sank into the well before her cry of dismay had escaped her lips.
She sat mourning her loss, and wondering if her father would ever let her go out into the forest alone again, when the biggest frog she'd ever seen popped its head out of the water.
"What would you grant me," the frog asked, in a perfectly clear human voice, "if I returned your golden ball?"
Galantha stammered a few syllables before she regained her composure. "Forgive me," she said, practicing her diplomacy as her father never imagined, "but you must understand how it would me unwise of me to negotiate with a complete stranger."
The frog blinked in the slow, deliberate, way that frogs had, and the princess took that as acknowledgment.
"Three questions, then," she said, "I think is fair."
The frog blinked again.
"First question: Are you a frog enchanted with the gift of human speech," she asked, "or are you a man trapped in the form of a frog?"
The frog responded with a long, rolling, croak. And then, as if startled by the sound of his own voice, disappeared beneath the surface of the water.
The princess sighed. Maybe it was true that the frog could not lie to her, here, but neither the legends nor the law said anything about answering her in her own language. When the surface of the water stilled, and the frog had not yet returned, she thought the interview over, and started for home.
She had not gone three steps, however, when she heard a small croak from behind her, sounding, for all the world, like an embarrassed cough.
So—a man, she thought.
She smoothed the smile off her expression and returned to the well's edge.
"Second question: is this form one of your own choosing?"
"No."
"Final question: Was this form imposed upon you as punishment for a crime, or the breaking of an oath?"
The frog (or rather, man) was silent. She was nearly ready to take that as a refusal to answer, and to walk away, without his help.
But then, the frog took a deep breath, and let out an uncertain "No." Then sighed wearily, in a way that was unmistakably human.
She smiled. "All right, then," she said, "I accept your offer. I will grant you anything you wish that's mine to give, short of my body, or my will."
"Then my wish is to pass between the walls where you have tread," he said.
She was taken aback. "That's all?"
"That is all I ask from you, Your Highness," the frog replied.
She nodded. "That price is certainly a fair one," she answered. "And I'll grant it freely, once you return with my treasure."
The frog disappeared below the water.
The surface grew still.
There was no sign that any living thing moved beneath. Her gold ball was heavy, she thought, and even very large frogs must have limited strength. So, with a sigh, she started the long walk home.
But soon, there was a "plip, plop, plip" on the path behind her. She turned around. The frog hopped after her, carrying her treasure in his mouth.
She gasped, and managed to not to laugh.
The frog dropped the ball at her feet. "You promised."
Galantha admitted that she had, and thanked him. As she lowered herself to pick him up, she was nearly overcome by a horrid feeling, as if her body, itself, were recoiling in disgust.
It took all her strength to resist hurling the frog to the ground. Still, Galantha strode home with the frog under her arm and the golden ball in her hand. She passed through the gate of her palace courtyard with her chin held high, barely acknowledging the guards.
And at that moment, the strange sensation of disgust faded so much, she hardly noticed it. She made her way to the throne room with a light and playful step.
Her sisters squealed in harmony at the sight of the frog, and hid behind their thrones. Her mother gasped, and looked a bit ill (and for that, Galantha was sorry). Her father was the angriest, rising from his throne, red in the face, and signaling for his guards. He had just opened his mouth to give his orders, when the frog addressed him in the most courteous and proper royal etiquette.
Galantha then broke her family's astonished silence by recalling, in the most flowery language she could imagine, how this wondrous frog had swum to the bottom of that unfathomed well, and retrieved her precious family heirloom, the golden ball.
"All he asked, in return," she concluded, "was to pass between the walls where I have tread. It seemed a small price to pay."
Upon hearing that, the king agreed. He insisted on leading a tour of the palace himself, with his wife and daughters behind in a small parade. He repeated the story the princess had told to each courtier they met, saying that, as a courteous and generous monarch, it was his duty to ensure that the just payment was given to even the lowliest of his subjects, even those as lowly as an ugly frog.
The frog-man under her arm, if he were able to show expression, was very good at keeping his opinion to himself. For her own part, Galantha struggled to hide her embarrassment.
The tour ended in the kitchen, and the king was making a show of his magnanimity toward the servants, sniffing all the dishes as they roasted and bubbled away.
As if struck by a sudden thought, he turned to the frog tucked under the princess's arm, and said, with a grand sweep of his arm: "It would be a great honor to me, Sir Frog, if you would stay, and be my daughter's special guest at dinner, tonight."
Her two elder sisters, bringing up the rear of their little parade, giggled behind their hands.
The frog shifted his weight under her arm and opened his mouth as if to speak. But in the end, said nothing.
Galantha was ready to object on his behalf, and her own. But her father looked her in the eye with a frown, daring her to disobey his wishes a second time that day.
She dropped her gaze to the floor. "Yes. Of course it would be my honor. Please, be my guest."
No sooner were those words out of her mouth than the strange, horrid, feeling strengthened once more, spreading from the frog like ink from a tipped bottle. She fought to keep from hurling him to the floor that very instant.
At dinner, an extra golden chair was put to Galantha's right, and on it was placed a fine silk cushion. The princess set the frog on the cushion as graciously as she could, and then she took a portion of each food on her plate, put it in a fine china saucer, and set the saucer on the cushion beside her guest.
But the frog objected: "That well was very deep and cold," he said, "and that golden ball was so heavy. If it weren't for me, your treasure would be lost forever. I should sit beside you, and eat from your own plate."
The princess was about to object that this was more than she had promised him.
But before she could say anything, her father the king replied: "Quite right. Quite right. A princess must always be a generous hostess."
So Galantha lifted the frog from the chair to the table, while Zephyra and Aurora squirmed and made faces.
In between bites, the frog and the king discussed political matters, and the state of diplomacy between the various neighboring kingdoms.
Galantha's mind raced, trying to figure out who this might be. She tried to change the subject, but her father was thoroughly charmed. The queen, when she caught her daughter's eye, smiled and shook her head in the same disapproving manner that she had with the king, and Galantha found that, she, too, could not resist her mother's wishes.
As the evening's chatter melted into yawns, the king said that since it was now dark, and it was a long way to the forest, their guest should spend the night.
Galantha agreed. and picked the frog up into the crook of her arm, preparing to carry her guest to the fountain the center of the royal courtyard, where he would be comfortable in the cool and damp.
But instead, the king said: "Of course, as my daughter's honored guest, you are welcome to sleep in her chambers."
So she was obligated to carry the frog up to her rooms. With every step, the strange feeling in her body intensified. Still, she walked to her rooms with as much courtesy as she could muster, filled the basin on the washstand with fresh water for the frog, and set him down.
"Please look away," she said, "as I change for bed."
The frog dipped his head, and quietly crawled behind the mirror.
Just as she about to slip under her covers, the frog came out from behind the mirror, and called out to her. "Is this any way to treat an honored guest?" he demanded. "To give your guest a cold, hard place to sleep, and keep the feather bed for yourself? I should like to lie in your bed, and be as warm as you are."
And with that, the princess's last bit of patience finally snapped. "If you want my bed, Sir Frog," she said, "you shall have it!" She picked him up in both hands, and, giving in to every shiver of revulsion, hurled him against the wall.
What happened next was such a shock, she spun on her heel as though pulling her hand from a fire: a full-grown man in her bed, alive, perfect as an artist's ideal, and naked as a frog.
"You're a prince?"
"I was a king, once."
She hugged herself, willing her heart to slow. "And the spell is broken now?"
He did not answer 'Yes.'
"I must," he said at last, "receive recompense for service rendered to a human, pass between walls where a human has trod, share a meal off a human's dish, and--" he took a breath, "share a human's bed from midnight 'til first cock's crow."
As if to punctuate his point, the hall clock chimed the eleventh hour's last quarter.
"You were afraid I'd say no, I suppose," she said, "if you'd told me this, when first I asked."
"I asked for everything I wanted from you."
"And I must only 'share' the bed?"
"Only that."
"Even so, you understand: Because of my station, this will count as a betrothal between us?"
The bed creaked as he shifted his weight. "Yes," he said, finally.
"And if I gave you the bed outright, and slept on the floor?"
She heard a catch in his breath that sent a shiver down her spine. "Please," he said.
"All right, then. Keep your face to the wall and your hands to yourself, or we will find out what happens."
When she was certain that he was faced toward the wall, under the covers, she lay down over them. She could feel him at her back, that strange, horrid feeling still there, though fainter, now, like the heat from a single candle. At some point, she must have fallen asleep, because she had the distinct sensation of waking up before the sun.
When, at last, she was released by the sound of the cock's crow, she rose quietly, careful not to wake the man sleeping behind her, and washed her face and hands.
The cock crowed a second time.
There was a silent flash of light in the corner of her eye. Glancing up, she saw a full set of clothes laid out across the dowry chest at the foot of her bed. The coat was of red velvet, with gold buttons, and there was a broad purple sash, embroidered with heraldric designs she did not recognize.
The princess stepped into the foyer of her bedchamber to dress in private.
At least it looked like a king's outfit, she thought, even though the stranger in her bed seemed far too young. But some, she reminded herself, inherit their throne before they're old enough to pull up their own stockings.
The cock crowed a third time.
She heard him yawn, the bed creak as he rose, and the unfamiliar rhythm of his bare feet on the floor.
She brushed and braided her hair as she listened to the rustling of cloth as he dressed himself.
When she heard that his boots were on, she took a deep breath, counted slowly to five, and stepped back into the main apartment of her chambers.
She'd prepared herself, but seeing him was still a shock. She looked away almost as quickly as she had the night before, and dropped into a curtsy. "Good morning, Your Majesty," she said, feeling the blush spread across her cheeks. "Please forgive me, for--"
His chuckle cut her off, and she glanced up. A smile spread from the corner of his eye to his lips.
"Forgive thee?" The smile faded, but his expression remained soft. "I should thank thee, instead." He looked down at his hands and flexed his fingers. "Thou saved my life."
"I-- what?"
"Though it feels odd, having so much bone, again," he said, instead of answering her directly, running one hand down his side, over his ribs. "Did I hear correctly, last night," he asked, changing the subject, "that thy name is 'Galantha?'"
"Indeed, Your Majesty," she said.
His brows knitted for a split second. "'Milk Flower?' 'Snowdrop?' Princess Snowdrop?" He seemed on the verge of laughing, but managed to swallow it down.
"That would have been Sire's choice," she answered, "but my mother overruled him, Your Majesty."
He cocked his head to one side. "Please. Don't let me have the advantage of thee. I am named 'Cinnabar'."
She studied his face. There was nothing about him that suggested the fiery hues of that dangerous stone. His complexion was as pale as someone who had spent years in the shadows. His eyes were the dark brown of late summer honey. And his hair was so black, like a raven's feathers, that it glinted blue.
"Cinnabar?" she repeated.
He chuckled, and seemed to be about to say something more, when there was a light, familiar, rap on her chamber door.
"Come in, Margarete," she said, without thinking.
Her lady-in-waiting opened the door and poked her head around. "Good morning, Your Highness--" Her eyebrows rose barely a hair, and she (almost invisibly) mouthed: "frog?"
The princess bit her lip to keep from laughing at the absurdity. "Good morning, Margarete. Is breakfast ready?"
"Yes, Your Highness. His Majesty waits on you." She curtsied quickly and backed out the door.
The young king tugged at his sash, smoothing wrinkles that weren't there. "Well," he said, "they're expecting us, though probably not like this." He offered her his arm.
After a moment's hesitation, she took it.
She could sense the servants watching them, in the well-practiced way of not seeming to watch them at all. Halfway to the stairs, Lady Caroline, who had once been her nursery maid, caught Galantha's eye as she passed in the hallway, and smiled softly.
He ended up leaning more on her, on the way down the stairs, than she on him, testing his weight with each step, but managed to hide his uncertainty as they entered the banquet hall.
Her father was standing at the head of the table, red-faced, with clenched fists. He glared at the richly dressed stranger, then at her.
"So, it's true!?" he said, "I wasn't imagining the whispering of servants!"
"Your Majesty," the queen said, laying her fingers on his arm, her voice light, and clear, and cold, as a silver bell, "remember your royal duty to invited guests."
"Invited? Invite-- guests?!"
Cinnabar bowed. "Good morning, Your Majesty," he said. "I hope you had a restful sleep."
Her father sputtered. "I know that voice!"
"I am honored you remember it. And may I say what a pleasure it was to be a guest on your table, last night."
"On? 'On my table'? That thing? Thou!?"
"Yes. That was I."
The king huffed, and, with a sweep of his arm, gestured at the sash that the young king wore. "This bunting and glitter-- are they true emblems of royal office, or are they some player's costume?"
"This sash, along with my scepter, and crown," Cinnabar said, his voice quiet but tense, "is, indeed, an emblem of royal duty and privilege, bestowed upon me according to the laws of my homeland."
The king turned his gaze on Galantha. "And am I to take it, then, that there must now be a wedding?"
She bowed her head. "Yes, Sire."
It wasn't until then that he seemed to notice all his guests waiting for him. He nodded and sat, and signaled for others to join him, adding: "I suppose we'll need another chair."
The young king smiled and nodded at the servant who brought it, as if he had been welcomed to the table with the same generosity as the night before.
Zephyra leaned over and murmured in her ear: "I wish thee the best, truly," she said, with a catch in her voice. "We had some happy times, didn't we?"
Galantha nodded and smiled as best she could through the flurry of quiet congratulations.
She was just beginning to relax when a servant set a large, sweetened, bread between herself and her betrothed, with the knife placed on his side of the platter. It was gilded with a glaze of egg wash and saffron, decorated with a pattern of sliced, toasted almonds, and perfectly sculpted into the shape of a frog, bulbous eyes and all.
He coughed and looked around at the faces of those seated near him.
"Oh, dear!" Aurora said, giggling, and then quickly added: "It's nothing personal, Your Majesty. This is a custom in our country, for good luck, and a fruitful marriage. Even the common people do this, though not so richly."
Galantha wanted to bury her face in her hands. Instead, she nodded. "I didn't think there was time to make one for us."
He laughed. "Oh. All's well, then," he said. He picked up the knife and studied the frog a moment, before slicing it down the middle, from nose to rump, revealing the stuffing of dried fruit, nuts, and candied citron.
Turning the platter so that both halves were equally within her reach, he waited for Galantha to make her choice.
She tried not to think how things might have gone differently, last night, as she put her half on the plate before her.
The young king smiled. He popped the eye from his half of the frog into his mouth, and chuckled.
The elder king was silent and frowning throughout the meal, which was consumed and cleared away with all the haste of a picnic interrupted by rolls of thunder.
Galantha was only granted enough time to change into the gown that had been set aside for her marriage ceremony. And her only wedding gift was a wallet of sewing and spinning tools, along with her mother's blessing bound up in it.
The phrase "Husband and wife" was barely out of the priest's mouth when they heard the rattle and clatter of a carriage outside.
Her new husband nearly sprinted through the chapel door as the carriage slowed to a stop.
It was one of the finest Galantha had ever seen, with gilded eagles on the finials of the top, and scroll work of inlaid gems in twisting, vine-like patterns along the side. The six horses pulling the carriage had silver bells in their bridles, though they, themselves, were the sturdy, piebald, sort that Galantha had seen pulling farmers' plows, rather than the parade horses in whom elegant coat color was prized.
And it was also odd, she thought, that with a carriage so richly appointed, that there was only the coachman as servant-- that there were no footmen attending, to help keep the carriage steady on the highway, to watch out for ruts, or remove obstacles in the road ahead. And she also noted that the gold braiding on the coachman's livery was just a bit frayed, and there were spots in the sleeves of his coat that had been expertly darned, with evident care. But what sort of kingdom was she marrying into, if so much wealth was put into things, but not people?
The coachman alighted, and was in the act of dropping to one knee to honor his master when the young king interrupted him, and pulled him up into an embrace.
"Heinrich? Heinrich!" he exclaimed. "My good man-- it- it's been too long."
Heinrich pulled away-- a little too quickly, Galantha thought. But he was still smiling, and there were tears on his ruddy, weathered, cheeks, dampening the neat white beard on his chin.
He sniffled, still smiling, and squaring his shoulders, turned and bowed to her. "Your Majesty," he said. And he offered his hand to help her up into the carriage.
"Please, Sir," she said, "before we go, there's someone--some place--I need to say 'goodbye' to."
The coachman's mouth tightened into a thin line, and his brow furrowed.
Galantha feared he would refuse.
But her husband spoke up. "I know the place," he said. "It's not far. I'll go with her, and make sure she won't get lost."
The coachman hesitated for just a moment, but then, with a quick bow of his head, said: "Very well, Your Majesty. As you wish."
And with that, her new husband laced his fingers firmly with hers, and strode off toward the path leading to the linden tree. Galantha had to walk in double step to keep up.
As soon as they turned a corner, and his golden carriage was no longer in sight, however, he let go of her hand. He leaned close. "This way, he won't leave without thee," he said.
"Would he do that?" Galantha asked. For a fleeting moment, she imagined running away, but just as quickly dismissed the idea.
"Heinrich's… Something's…" He sighed. "I'm sure he's just eager to get me home."
The path narrowed. He stepped back to walk a few strides behind her, giving her some privacy, but also driving her forward, not giving her a chance to tarry.
He stopped at the edge of the linden tree's canopy, while she walked up to its trunk alone, patting it as though it were a dear friend's shoulder. Then, on an impulse, she took a penknife from her pocket, and carved a 'G' and 'C', back-to-back, into the its bark, along with the date, to join all the ancient inscriptions recorded there.
Then, she cut one of the slender, leafy, branches to take with her. She just could not bear to leave this old friend behind entirely. She dipped her kerchief into the well, and wrapped the wet cloth around the cut end of the branch. Then she hurried back to meet her new husband.
He fairly pulled he along the whole way back, only slowing down as the path widened, to allow her to come up beside him, before quickening his stride again.
No sooner were they back in the carriage than the coachman cracked his whip, and they sped off at an almost unnatural speed, the horses in full gallop before they even had taken three strides at a trot. The landscape outside the windows was nothing but a blur.
"Heinrich!" the young king called, "Must thou drive with such haste?"
"I'm sorry, Your Majesty," his servant called back. "But if we do not pass through the Capital's gate by sunset, all is lost."
Galantha looked down at the linden branch and bit her lip. How much had she risked, she wondered, for a mere sentimental token that wouldn't even last the week?
"We did not tarry long," her husband said, above the noises of the carriage. "All's well. All will be well." He put his fingers lightly on her arm to draw her attention, and managed a weak smile. "Heinrich is one of the most sensible men I've known. If he really thought our errand would waste too much time, he wouldn't have let us go."
Still, he seemed as full of worry as she.
"The spell?"
"It's broken. But not all trouble is magic."
Nothing more was said between them. After a while, Galantha realized he'd fallen asleep.
Suddenly weary, she leaned back and closed her eyes.
Memories slipped into nightmare. She was both juggling her golden ball, and trapped inside it: up and down, and back and forth, until she was falling without end, into an icy darkness.
Galantha woke with a start, and for a moment, she feared they'd missed the sunset, before realizing they were driving through a forest, trees on either side blocking out the sun.
He was awake, too, staring out the window.
"May I ask you something, Your Majesty?"
"Please, don't let rank stand between us; call me 'Cinnabar'. Interview, or conversation?" he asked.
"Both, I think."
He gestured toward the linden branch and opened his hand. When she passed it to him, he nodded for her to continue.
"Who cursed you?" she asked.
He sighed. "I don't know if anyone did. Thou asked if it were a punishment for a crime, or broken oath. Until I heard 'no' in my own voice, I'd long wondered the same thing." He seemed about to say more, but just grimaced, as if the thought smelled of something noxious.
"How long?" she asked, after a moment.
"I see no change in my own face. But Heinrich's--. We were—he was my assigned playmate, as a boy."
Galantha pushed down the thought that this made him nearly as old as her father, along with wondering if that mattered. "If no one told you," she asked, instead, "how did you know what would break the spell?"
He shrugged, winced, and rolled his shoulders. "The same way I know to scratch an itch, perhaps. I never thought it could be broken, until thou came to the well. I truly thought passing between the walls where you had walked would be enough."
"But then it wasn't."
"Then it wasn't, nor was the meal."
"And if Father hadn't invited you to dinner?"
"Well, there were so many others I could have asked, once I was inside."
"Whom?"
He closed his eyes and pinched the bridge of his nose. "Enough!" Annoyance rang through his voice. "We're puzzling over troubles that never came to pass."
"I'm sorry, Your M--"
"Eh?"
"Cinnabar. Forgive me."
"For this? Easily."
Galantha turned and watched the landscape roll past. The sun was high, now, and there were almost no shadows on the ground. The forest was already thinning, unfamiliar mountains visible through the trees. They'd left her homeland while she was sleeping.
Perhaps it was better this way, she thought.
"May I ask thee something?" he asked.
"Certainly, Y-yes." She waited for him to hand back the linden branch before the questions began. But he seemed to forget that it was even in his hand.
"Didst thou mean to kill me, last night?"
"Yes."
"Ha-ha! That was quick."
"Well," Galantha counted off on her fingers. "You wouldn't-- couldn't," she corrected herself, "even tell me if you were man or beast. Father was boasting about things Mother, my sisters, and I aren't allowed to whisper, and your demands were exceeding what I'd promised. For all I knew, you were a wizard, or an assassin in league with one."
"Hm," he acknowledged, nodding.
"And--" she stopped herself.
"'And'? What?"
"It's of no matter."
"It seems to be of a little matter, at least." He swallowed hard. "Dost thou fear me?"
She took a deep breath. "I'm sorry, Y-Cinnabar," she said. "But touching you-- being near you-- was horrid. It lent strength to my arm. Like, like…"
"A tunic woven from wool and stinging nettles? Only, so tight, that it's under thy skin?"
"Yes!" A chuckle escaped her. "Very!"
"The magic," he said. "I suppose, as the strands loosened their hold on me, they entangled thee."
He was so quiet, Galantha thought he'd fallen back asleep. Then he spoke: "Still, thou tookst pity on me."
She glanced at him before looking back out the window. The forest was behind them completely, now. The midday light made her squint. "You said 'Please.'"
He chuckled. "The magic word."
"You didn't have to. It was in your power, then, to, well--" she cut herself off.
He started to speak, then stopped himself, once, then again, before asking: "Wouldst thou have asked my forgiveness, if I'd been dressed as a common shepherd?"
"Maybe," she said. "But not so quick."
"What?! Wh-?"
"You were fluent in courtly idiom," she explained. "You were at ease dining with a king. That cannot be learned through tutoring. A shepherd's garb would have seemed a bigger deceit than a frog's skin."
He threw back his head and laughed. "If our laws did not forbid it," he said,"I'd appoint thee High Judge."
Galantha almost let herself laugh along with him, when she felt the carriage slow. She noticed hedgerows along road, and other signs that they were entering an inhabited place.
"Heinrich?" her husband called, sitting straighter, and scanning the view, "are we reaching the Capital? I don't recognize--".
"We are only half-way, Your Majesty," the coachman called back. "But our own royal horses have boarded at the inn's stables, so they will be refreshed for the homeward journey."
Soon, they were driving through the city proper. People in the streets stopped what they were doing to stare at the spectacle, as Heinrich navigated through the ever-narrowing streets to the ally at the inn-yard.
Heinrich, taking on the role of footman, alighted from his seat, and hurried into the inn.
A moment or two later, he emerged, leading someone Galantha thought must be the innkeeper.
It was only when Heinrich had come back to the carriage door that her husband looked down at the linden branch in his hand, seemingly aware of it for the first time since Galantha had handed it too him.
"It would be terrible if this were trod upon, or if someone mistook it for kindling," he said. "Would it be well with the if I gave it to Heinrich to look after?"
She managed a smile: "If you think it best, Y-Cinnabar," she said. She turned her face partly away from him, and lowered her veil, as her mother had first taught her, years ago, when she first realized how extraordinarily beautiful her daughter was becoming.
After Heinrich helped them down from the carriage, the young king handed the branch to his coachman, and murmured something in his servant's ear.
Heinrich frowned and shook his head, but he still accepted the linden branch with care. slipping it into the buttonhole on his lapel, to free up his hands, before turning his attention to the horses.
She could see the whites of the poor beasts' eyes, and their coats were twitching as though they were being swarmed by biting flies from head to foot, or as if they were draped in blankets of wool and stinging nettles. It must have been magic, after all, that allowed them to pull the carriage so swiftly, and so safely, over wilderness roads that were little more than ruts in the ground.
She turn to follow her husband and the innkeeper, who led them to a private corner, behind a curtain, where his wife served them a meal of soup and bread, with a smile and a few words of congratulations, before courtseying, and leaving to attend her other patrons.
They ate their meal in silence, not quite comfortably. With each bite, she was aware of the time passing. Should it really be taking this long to hitch up a fresh team of horses to the carriage? Or was it only anxiety that made the time seem to pass so slowly?
Galantha tried to think of pleasantries for conversation, but it was like fumbling for objects in the dark. Several times, she thought he would speak, but in the end, he said nothing, either.
And though he smiled at her whenever their eyes chanced to meet, there was a tension behind his features. Was it regret, or anger, or simple weariness? She couldn't guess, nor keep from wondering.
When Heinrich came, at last, to say that it was time to go, the linden branch was no longer in his buttonhole. And the slightest of smiles passed between master and servant.
Their silence continued in the carriage as they sped over the ground. When they had left her home, early that morning, the shadows were long and blue on the ground, stretching far out behind them. Now the shadows were long and blue again, and stretching out in front of them.
The land was hillier, now, and they rolled up and down like a ship at sea. They were driving ever closer to the mountains that she'd glimpsed through the forest trees. Towns, and farmland, and patches of wilderness sped past her window as if they were fence posts along the road.
Despite it all, it seemed to Galantha that they were standing still. The sun was so low in the sky, now, that whenever the carriage rolled down the slope of a hill, they were cast into shadow. She gripped the edge of the seat, and willed the carriage ever faster.
Her husband patted the back of her hand. "All's well," he said, barely audible above the screeching and rattling of the carriage, "all will be well." He pointed to the view ahead. "Almost home," he assured her.
And there, she noticed, growing ever clearer with each moment, were the walls of a city atop the mountain they were climbing, with flags flying from the watchtowers.
The road was growing steeper, now, and more winding, back and forth. Sometimes, the Capital City was in front of them; sometimes, out her side window, as the road they were traveling snaked its way up the side of the mountain. Miraculously, the sun seemed to slow in its descent toward the horizon, as if it knew that it had to wait for them.
And then, at last, the road leveled out, and the walls of the Capital City was directly before them-- so high that Galantha couldn't see the flags flying from the towers.
Heinrich finally slowed the horses' gallop to a canter, and then to a trot, as the great iron gate in the City's walls rose to admit them.
Trumpets blared a fanfare, welcoming them home, as the last sliver of the sun finally disappeared below the horizon.
And then, all of a sudden, came three, loud, metallic, bangs, louder than the blaring of the trumpets, louder than any of the complaints that the carriage joints and springs had made during their entire journey: a noise like giant watch springs breaking, or three swords being broken over stones, that left her ears ringing.
"Heinrich!" the young king called, "is the carriage-- are we--?"
"The carriage is fine, Your Majesty," he said. "Those were-- those were three iron bands I'd put around my heart."
"Heinrich, why?! Wert thou injured?"
"To keep it from breaking in two for grief, Your Majesty," he answered, "when you were lost to us."
Her husband slumped back in his seat, his shoulders sagging. "Oh, Heinrich." There was a catch in his voice, and Galantha noticed there were tears in his eyes.
Soon though, he sat upright, alert and tense, and, with a touch, drew her attention out the window.
The street was brighter than twilight, lit with torches mounted to balcony railings. A multitude of banners, of several different heraldric designs, were draped from nearly all the windows. Crowds had gathered, as if everyone in the city had left their suppers and come out of doors. Many were carrying weapons. Some had bows, a few of those more richly dressed had muskets on their shoulders, and a few looked to be carrying swords they didn't really know how to use, taken down from the attic, perhaps, or from the wall, where they had been hung in honor of an ancestor. But there was no chatter: no calling back and forth between friends, no traders calling out their wares, no children.
"Heinrich," he called, "is it a tournament, or--?"
"These are no games, Your Majesty," his servant answered, his voice grim.
The young king scanned the scene, his eyes flicking from person to person, worrying his bottom lip with his teeth. He took her hand. A look of determination spread across his face, and he squared his shoulders.
As they wound through the streets, they continued to see people of all classes and trades, from beggars, to cobblers, carpenters to councilmen, all lined up and ready to fight each other, with whatever weapons or tools of their trade they had to hand. As the carriage passed by, the crowds shifted around them. Some slipped into alleys, or back behind the doors of their houses. But others walked up alongside the carriage, and behind, until they lead a massive parade all the way to the gate in the wall of the young king's palace garden.
Heinrich stopped the carriage, alighted from his seat, and came down to open the carriage door. "Your country rejoices in your return, Your Majesties," he said.
Her husband took her hand as he helped her down from the carriage. "Welcome home, my wife, my queen, Your Majesty," he said.
These words acted on the crowd like pebbles dropped dropped into water, and the people moved back, to give her room, though Galantha could sense their eyes on her, as they turned to see this stranger their king was bringing home. She was glad they could not see her blushing beneath her veil.
King Cinnabar bowed and smiled to those who bowed and curtsied to him, as he led her through the courtyard garden toward the palace. But he stepped over those who prostrated themselves, as if they were mere impediments in the road.
As her husband walked with her up the steps to the palace's doors, Heinrich followed a step behind his left shoulder, while others in the crowd tended to the horses and carriage.
It wasn't quite as still, inside the palace, as those in fairy tales she'd learned, where everything is frozen in time. She could hear distant footsteps, and distant voices. But compared to her own home, the air felt chill, and stagnant, as if there hadn't been enough people here, moving about, and carrying on with life.
Her husband put his hand on her shoulder. "Galantha, I have a wedding present for you."
She put out her hands, and felt the weight of it, first.
It was a flowerpot of white stoneware, with a decoration painted in a terracotta slip around the edge, of roses and grapevines. And planted there was her linden branch.
"I wanted to pick it out myself," he said, his voice sounding like it was far away-- like it was on the other side of a window, "but Heinrich thought it unwise for me to go through the market dressed like this. So he sent one of the stable boys instead."
Everything felt far away. The stone floor under her feet felt as unsteady as a stack of feather beds. She was so tired.
He guided her to a bench along one of the walls and sat down beside her. "Galantha? Your Majesty?"
She wanted to tell him she heard him. She wanted to say 'Thank you.' But the words disappeared in her throat.
"Your Highness?" he persisted, "Princess?" He brushed aside her veil and whispered in her ear. "Snowdrop?"
She meant to laugh at that, but it came out as a sob, first one, then another, and another, as unbidden, uncontrolled, and absurd, as a case of the hiccoughs. "I tho- I thought you'd- you'd thro--"
"Thrown it away?"
She gulped and nodded, holding her breath, to be sure she heard him.
"Why would I ever? I would never!" he said, as though it were one long word. "This is thy connection to home (mine, too, for a while). And it's a far stronger reminder of our promises than any ring-maker's trinket, or ink spilled on parchment. Hm? When it's our anniversary, we'll plant--"
Something invisible, as fine as spider silk, and sharp as a knife, snapped from around her own heart, then. And she wept. She couldn't stop. It felt like she would never stop.
But at last, the flood eased, and her breath came without catching in her chest. However long it had been, the light had shifted; it was truly night, now. Cinnabar was still there, his arm around her shoulder.
He was humming something in her ear. It sounded like it might be a children's rhyme, or a lullaby. It wasn't any she had heard before, though she could tell it was out of tune.
"Thou'rt a terrible singer," she told him, smiling.
He laughed, touching his forehead to her temple. "Always have been," he said, "every day of my life." He stood. "Come," he said. "Thou gavest me a tour of thy home. Shall I return the favor?"
She took his hand. "Yes," she said. "Thank thee, Cinnabar."
As they passed by a window, Galantha could see that her cheeks were stained with dust from the roads, her eyes were red from crying, and her braids were all askew. She was still a beautiful woman, perhaps, but no longer one that would make the sun jealous.
She sighed, and smiled.
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fiannalover · 1 year ago
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So there is this Grimm's Fairy Tale about a nine tailed fox. Nine tailed fox is a married dude who fakes his death to see if his wife will remain faithful him, and she refuses suitors until another, young nine tailed fox shows up, at which point Ms. Fox decides the mourning period is over, she has to move on, and sets to properly bury "has been in an open casket all along apparently" old Mr. Fox, who goes "JIG IS UP" and drives everyone out of his house
Obviously, upon reading this Fairy tale, I was Pretty Fucking Psyched. A Nine Tailed Fox. That's relevant as Fuck! There was even a second version of this Fairy tale (with a normal, one tailed husband) right after it, so it is not spun out of whole cloth, it really is a regional story and all that!
What could be the reason! What possible euro-asiatic connections could there be here! What symbolic parallels between both continents' nine tailed fox were there!
So as you much may imagine, I was Insanely Fucking Devastated when I began searching and Immediately Found Out
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It was... a dick joke.
plops lifelessly on the ground.
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xxsecretlykinxx · 1 month ago
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Send this to all your favourite moots and pass the pumpkin round! KEEP THE PUMPKIN TRAIN GOING 🎃🖤🎃🖤🎃
Yippee!!!!!!
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tyr4nt-ula · 7 months ago
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Hi hi! My name is Grimm! Or Tyvi! Either or is fine!
Formerly Gr1mmkn1ght on insta! Reblogs are encouraged<3
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I am genderfluid!! So any pronouns are a-okay!
I like roblox, utau, transformers, jujutsu kaisen, Jojo’s bizzare adventure
Don’t bring weird shit here!!! (Minorxadult, relativexrelative) immediate block!!! Pro’s DNNNIII GO AWAY!
My dms are open! Just don’t be a dick 🙏🏽 I need more friends lmao just shoot me a dm!!! i'm pretty nice...promise!!
No fun police!!! i.e if you don’t like rarepairs you might want to leave!! I am a rarepair junkie!!!
Ive got a few au’s under my belt!! Heres some of them!
• Beast!verse.
• Metal!swap
• uhoh!verse.
• girlie!verse.
• Bloodstained glass and haunted corridors. (vamp!verse)
These are just the main ones you’ll probably see characters from!
Enjoy your stay! 🫶🏾
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alecz-obssesionz · 8 months ago
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˚₊ A treat to myself for being able to draw again ₊˚🪻🌹
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PREVIOUS ONE:
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cowboysuperhero · 2 years ago
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*approaches microphone* *taps it* ahem. your honor, i transed his gender.
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lendubsofficial · 1 year ago
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Do you know how to dance~?
Hornet, Grimm: Me Hollow: @phoenixvitae
Art: @allykatsart
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grollow · 2 years ago
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Commission from the wonderfully skilled Amy~ <3 Posted here with permission as she doesn’t use Tumblr. 
Red Sky brain rot is real and I’ve given up on trying to pretend it hasn’t taken over my entire life.
Screaming crying throwing myself out a window and taking him with me
I love him your honor
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