Tumgik
#“ppl are dying john” “let me finish this piece”
bring back the man that brought out a grand piano to play when he got stressed out
0 notes
trickstercheshi · 2 years
Text
Tumblr media
I posted 11,785 times in 2022
That's 5,536 more posts than 2021!
36 posts created (0%)
11,749 posts reblogged (100%)
Blogs I reblogged the most:
@alinnsurana
@theygender
@m-eowdy
@datfearlessfangirl
@my-barbershop-quartet-is-dead
I tagged 3,666 of my posts in 2022
#gideon the ninth - 364 posts
#nona the ninth spoilers - 202 posts
#harrow - 197 posts
#griddlehark - 177 posts
#nona the ninth - 111 posts
#gideon - 81 posts
#jod - 78 posts
#ianthe - 77 posts
#my aesthetic - 69 posts
#home inspo - 65 posts
Longest Tag: 105 characters
#the only reason i have one at all is bc it makes it easier to search through fashion content i wanna save
My Top Posts in 2022:
#5
Apparently tumblr didn't actually post this post I wrote right when I finished nona so time to go back and add some quotes.
-----
Ok I just finished nona and I'm going insane but, I wonder if mercymorn and Augustine and Gideon aren't the lyctors original names? Bc we know that's who Jod is talking about, but why censor them? Unless they were different and he changed them when the woke up.
My key piece of evidence for this is the bit where he talks about Ulysses and Titania and how he changed their names from the original. ALSO WILD THAT THEY WERE DEAD BEFORE HE MET THEM AND REVIVED WAY LATER
-----
My evidence:
So, my two kids, the guinea pigs, they were U— and T— on their certificates, you know, their old names. I thought about using those but it didn’t seem appropriate.
And then a bit later:
Let me introduce you to … Ulysses. Let me introduce you to … Titania.
Following these naming conventions that means all the lyctors had other names originally. I'm dying to know what they are.
And also trying to figure out who all the ppl he's referencing are:
He said, It was me and A— and M— at the start.
This one's pretty obviously Augustine and Mercymorn.
C— was brought on by the oversight execs for contracts, you know, checks and balances, but look where that ended up, she was on our side before the first year was over
This could be Cristabel, Cassiopeia, Cyrus, or Cytherea. (God why r there so many C names). Leaning towards Cristabel at this point just bc she goes with Mercymorn.
We even lent them G— at the time because they wanted to talk about coating.
This one's G1deon obviously.
C— was panicking because with the project over she was getting recalled to England and didn’t want to go, she’d got N— and didn’t want to leave her, refused to admit they were dating even though we all knew.
Ok so C is pretty obviously Cassiopeia at this point, and N is Nigella.
Interesting side note here, everyone mentioned so far is a necromancer, not cavelier (with the exception of N whose only referenced in relation to C.
we had a pet cop, P—. She’d made detective by that point; was going on to big things in the MoD. Knew G— from way back,
PYRRHA yasss baby
god her being a cop makes so much sense lmao.
C— was still pretending they weren’t dating—she was an artist, so that was cool. If you have two scientists and an engineer and a detective and a lawyer and an artist you’re pretty much sweet as.
Cassiopeia is the lawyer if we're going off of the earlier quote, so Nigella is the artist, Mercymorn and Augustine are both scientists, I'm p sure G1deon is the engineer, and Pyrrha is the detective obviously.
M— had brought in her best friend, the nun,
interestingly this person is always described as "M—'s nun, and never given a letter. It could definitely be Cristabel, especially given that we can't use C— twice without it being hella confusing, but I'm wondering if John chose not to revive her afterwards for some reason so she's not actually anyone. There's this weird distance to how he describes her vs the other ppl: "the nun", "our nun", "M—'s nun" vs everyone's name. (He would be that petty).
My other theory is that M—'s nun is ANASTASIA. Again, can't use A a second time, she's obviously smart as hell and gets him to figure out the soul, which hello our Anastasia almost perfected the actual lyctoral process, and obviously the ninth house is full of nuns. Plus, he trusted her to watch over Alecto and seal the tomb, who better then the person that showed you she existed in the first place?
And then A— brought in his little brother who was a hedge fund manager. A— Junior was useless but he was a darling,
We know from HTN that this is Alfred.
See the full post
86 notes - Posted September 14, 2022
#4
"I did end up writing a total divergence when I was writing Nona, back in 2020, because I wanted to make sure my clockwork made sense — I wanted to make sure that if you wound up Gideon and Harrow and put them on a slightly different route the laws of the universe would still flow accordingly. (I stopped writing because when your editor asks how you’re doing and you’re like “I stopped to write 30k to prove a timeline” he’s legally allowed to shoot you with a crossbow.)"
Tamsyn release this as bonus content challenge
190 notes - Posted January 27, 2022
#3
Ok I know everyone and their mother thinks Nona is in gideon's body, but what if... It's actually Harrow's body instead???
I have very little scant evidence for this but I will present it anyways.
At the end of Harrow the Ninth, Pyrrha, in G1deon's body, is with Gideon, in Harrow's body, onboard the Mithraeum at the bottom of the river.
Gideon breaks a window and swims out into the river, sees god and Ianthe, and then drowns. Then she sees
"a great sunshiny light: a blurred figure [...] your bullshit dead girlfriend had come to claim you.
And she said in the wrong voice twice removed: "Chest compressions. I know her sternums shattered; ignore it. We need that heart pumping. On my mark."
Hands pressed. We died." (500)
Then, in the Epilogue, the mystery girl lives with "the person who went to work for her, the person who taught her, and the person who looked after her" (505) we get confirmation at the end that "the person who looks after her" is Camilla.
Then, in the Nona the Ninth summary it says "Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes"
So somehow, Pyrrha gets from in the river with Gideon in Harrow's body, to Camilla and Pal. What if she took Harrow's body with her? Knowing her character, and especially knowing that she just found out that Wake's daughter is in Harrow's body, it doesn't rly make sense for her to just abandon them.
I know this doesn't rly track with the fact that we know Cam was with Gideon's body at one point, but she's definitely not with Gideon's body in the shuttle when she meets Harrow, and given that that body was achieving cult worship status by BOE it's unlikely that they would let it go.
My other evidence, which is more circumstantial than anything, is that mystery girl is given "bones to arrange ("just whatever feels normal")" and "the sword would be put in her hand again by the person who looked after her" (505-506)
This would make sense for cam and pal to do if they knew it was someone in Harrow's body, bc they knew that both harrow (a necromancer) and Gideon (a cavalier) had been in that body previously.
Side note, "the sword" could be referring to gideon's two-hander, more evidence for it being Harrow's body, bc otherwise how would they have gotten the sword?
240 notes - Posted January 22, 2022
#2
A chronological reading of Harrow the Ninth
Note: this guide assumes htn has already been read and is not spoiler free.
This is my best guess as to the order of the events of the book chronologically. Since some things very clearly happen simultaneously (harrow in the river bubble and Gideon in her body for example) I have chosen an order to read those events in. This is fairly arbitrary and I will note that where possible.
The general timeline will be:
River bubble events at Canaan house up to and including the AUs
Present day events (Erebos and Mithraeum) up to Harrow getting stabbed
River bubble after Harrow becomes conscious
Gideon in Harrow's body
6 months after the emperors murder
All page numbers are for the paperback edition.
River bubble Canaan House
chapter 3 pg. 47-54 Harrow's childhood
chapter Parodos pg. 19-23 (14 months before) the summons
chapter 5 pg. 68-72 shuttle to Canaan
chapter 8 pg. 108-115 Canaan intro
chapter 10 pg. 127-135 Ortus reading Noniad
chapter 18 pg. 180-185 Deuteros' body
chapter 21 pg. 197-206 Pal and Cams bodies
chapter 26 pg. 236-238 Silas kills Corona
chapter 28 pg. 248-354 Harrow admits her madness
chapter 35 pg. 323-330 teacher leaves
the AUs
Given that we have no info on the timing of these I am placing them in the order they are presented in the book. At the very least they should be read before harrow awakens in the river bubble due to this line: "we have no idea of the limitations in those other scenarios" (379)
chapter 40 pg. 367-371 Harrow Nova (reverse roles)
chapter 41 pg. 372-374 Divine Highness arranged marriage
chapter 42 pg. 375-378 cohort coffee shop
Erebos
I'm not actually totally sure if the lobotomy happens on the Erebos or at Canaan house but it's the earliest thing in the book so it goes first.
chapter Epiparodos pg. 360-364 (9 months and 29 days before) the lobotomy
chapter 1 pg. 27-31 (9 months before) Jod gives her the sword
See the full post
330 notes - Posted January 20, 2022
My #1 post of 2022
Every time the body speaks in HTN
(In chronological order)
"the Body of the Locked Tomb had not spoken to you since the night you massaged the purple, swollen clots of blood out of the necks of your dead parents" (44)
This directly contradicts the next quote, from before Harrow goes to Canaan house.
"This isn't how it happens, said the Body. (23)
This is 14 months before the emperors murder, when Harrow is asking Ortus to be her cavalier. Side note: this is the only time the Body is present or speaks in the dream bubble/altered past.
"What he is saying," said the Body distinctly, "is that you have to learn that sword." (44)
Harrow talking to God about revenant beasts. She describes the the Body's voice as
"its dry uncanny echo of other voices you had known: your mother's, Crux's." (44)
She then replies to the body with:
"I can't," you said as carefully as possible. "I can't, beloved. It's gone." [...]
"You are walking down a long passage," said the Body. "You need to turn around."
"I am standing in the dark," you told her. [...] "I lost it. It's gone. There's nothing there. I must have misapprehended the process. I am half a Lyctor. I am nothing, I am pointless, I am unmanned." (45)
This is (presumably) before Ianthe gives her the letters and tells her of the work.
"How old are you?" she [Mercymorn] asked abruptly. "How old are you in years?" [...]
It was then that the Body emerged from behind the Lyctor's shoulder [...] and she said, quite clearly, with the voice of Aiglamene and your mother commingled:
"Lie, Harrow. Now." (77)
This is when Mercy first captures Harrow.
a dream wherein you sat down to dinner opposite the Body. [...] you talked comfortably of very little—yet it felt as thought it meant very much. [...]
Then the Body looked at you with those direct, incalculable eyes, and she said: "Harrowhark. Wake up."
"Pardon?"
"Wake up. Now." (207)
She is warning Harrow to get up to see Wake in Cytheria's corpse.
Aloud, you said through swollen lips: "The Saint of Duty must die."
And on the bed, the Body said, "Yes." (226)
Right after G1deon breaks through her wards in her room.
Next to you, the Body said quietly, "The water is risen. So is the sun. We will endure." (294)
After Harrow chooses not to kill G1deon and Wake in Cytheria's corpse escapes.
You said, "Beloved?"
She said, "It's coming," with the most anticipatory astonishment you had ever heard from her in her low, many-personed voice—right then she used the voice of your father's cavalier. And: "It's near!" [...]
See the full post
602 notes - Posted January 22, 2022
Get your Tumblr 2022 Year in Review →
2 notes · View notes
charlie-minion · 4 years
Note
charlie-minion(.)tumblr(.)com/post/635987979304943616/could-the-same-spn-finale-make-a-little-more-sense Hey Love! Thanks for such an amazing post! It was still hard for me personally to deal with it for many reasons, but when you mentioned "yeah well we gotta work around Dean dying so let’s work around Dean dying then, stay with me" i understood why u went where u went with it. I just wanted to ask your opinion/suggest/question few things if u don't mind. 1) I can see Dean's speech (1/9)
“If we don’t keep living, then all that sacrifice is gonna be for nothing” make sense, except in psychlogy grieving and remembering people who died is not the same as not letting go. I feel this point could be GREATLY improved if we saw some memorabilia in bunker around Cas (without Dean paying much attention to them or being sad about them (2/9)
[?Miracle running to him for cuddles with mixtape in mouth and Dean freaking out about how it’s the best dog ever cuz he loves Led Zeppelin or sth, idk I’m making it up as I go with examples, dont mind me?]) and would either see that Dean is still grieving while working on letting go (not bc he can’t let go, but because grieving is a process and IT IS HEALTHY to grieve. Too many ppl are shamed for needing time to heal(!!) while it’s actually personal and normal and we know Dean doesn’t (3/9)
just insta forget (from experience), and grieving has more to do with emotionality and less with not being able to let go). OR we could be shown in some way that more time passed and he did already get to heal from grief. That would save Dean from seeming suddenly uncaring and emotionless (especially while knowing Cas is in super hell for eternity, not just ‘dead whatever it means’, and considering Dean WAS in hell and knows it’s not ‘fun and games’) towards anyone who isn’t his brother. (4/9)
I realize episode is Sam centered, but this picks huge focus on Dean by omission. 2) I feel it doesn’t matter so much whether Sam picked phone to call as that he easily decided to give up on calling while he could still stay with Dean, listen to him and continue to make the call. That death took like 7-8 minutes of the episode. The phone should be left in the car for example, it being crushed during fight is lame and cheap, but any excuse would be better than (5/9)
“Ok I guess I’ll stop calling and let u die, don’t tell me I didn’t try”. 3) That whole “I love you so much” really hit me hard when I was watching, while I fully agree with the point you made, I feel like adding “so much” was just too passionate. As you said, he needs to say it to Sam before anyone else. "I love you, my baby brother” – second part already makes it valuable and emotional. It does no business being passionate. He is dying (for a while now) adding words that don’t (6/9)
need to be there makes viewer question “Is he rly going to die? He seems to have no problem flowering his words” and to me at least felt like going from 0 (unability to say ILY) to million which just took me from the situation totally as I was questioning if I’m watching the right show/character. It’s like if Dean went to Sam in episode 1 about finding his dad, we would be informed just how relations between Dean and John looks like, and next episode they would go for burgers (7/9)
and Dean would be like “Yeah I got bored of looking for him” and show would end… 4) Also MoTW not being from journal would make world of difference. That’s a callback that rly puts the story back to years before and Dean dying finishing his father’s job seems like a joke in rly bad taste. That’s all that crossed my mind I think. What do you think about those? Sorry for a long msg. I can try to send it via phone in one piece if you would rather. I’m really interested in your opinion on it. (8/9)
I know you were trying to fix stuff with as small changes as possible in your post, but I felt those also were just small things that would mean world to fans and story. Thank you so much for giving yself to the fandom, you’re my all time favourite writer since I remember <3 (9/9)
Hey! Sorry again, I'm the anon from yday with that long question. I just felt it was worth adding: "“Dean is focusing on the task at hand. His attitude, as Ackles puts it, is, “I’m not going to think about what I’ve lost. In turn, I’m just going to focus on what I can fix.” That leads Dean down what Ackles calls a “hopeless road.”" (it’s interview about s13). Just to point out hopelessness in stopping yself from thinking of who u lost to forcefully direct yself to the future. :D 
Hello, Nonnie! Sorry it took me so long to answer. The post you are referring to is this one: Could the same SPN finale make a little more sense with some additions/changes?
I didn’t write that as the kind of finale I would want. I did it to prove the finale could have been the same: pandering to general audience, w*ncest and destiel shippers alike, while still keeping some sort of logic regarding the build up of the story. It didn’t have to be so bad, but it was, and it looks intentionally bad, if I’m being honest. Maybe it was better that way, because it made it easier for us to simply ignore the existence of it. 
Regarding all the points you sent in your messages to me, I’m just gonna post them all together because they seem interesting, but I don’t really want to spend more time thinking about a finale that already hurt me enough. The only two posts I’ve written about the finale were for me to cope, to kinda heal and let it go. Now I just pretend it never happened. I’m glad you had some space to vent and I’m posting your messages so others can read the whole thing and maybe let comments if they want to agree or disagree, but that’s all I can do. 
Thank you for sharing your thoughts with me and the fandom as well. Everything that helps us heal is valid. *hugs*
6 notes · View notes
trickstercheshi · 2 years
Text
Apparently tumblr didn't actually post this post I wrote right when I finished nona so time to go back and add some quotes.
-----
Ok I just finished nona and I'm going insane but, I wonder if mercymorn and Augustine and Gideon aren't the lyctors original names? Bc we know that's who Jod is talking about, but why censor them? Unless they were different and he changed them when the woke up.
My key piece of evidence for this is the bit where he talks about Ulysses and Titania and how he changed their names from the original. ALSO WILD THAT THEY WERE DEAD BEFORE HE MET THEM AND REVIVED WAY LATER
-----
My evidence:
So, my two kids, the guinea pigs, they were U— and T— on their certificates, you know, their old names. I thought about using those but it didn’t seem appropriate.
And then a bit later:
Let me introduce you to … Ulysses. Let me introduce you to … Titania.
Following these naming conventions that means all the lyctors had other names originally. I'm dying to know what they are.
And also trying to figure out who all the ppl he's referencing are:
He said, It was me and A— and M— at the start.
This one's pretty obviously Augustine and Mercymorn.
C— was brought on by the oversight execs for contracts, you know, checks and balances, but look where that ended up, she was on our side before the first year was over
This could be Cristabel, Cassiopeia, Cyrus, or Cytherea. (God why r there so many C names). Leaning towards Cristabel at this point just bc she goes with Mercymorn.
We even lent them G— at the time because they wanted to talk about coating.
This one's G1deon obviously.
C— was panicking because with the project over she was getting recalled to England and didn’t want to go, she’d got N— and didn’t want to leave her, refused to admit they were dating even though we all knew.
Ok so C is pretty obviously Cassiopeia at this point, and N is Nigella.
Interesting side note here, everyone mentioned so far is a necromancer, not cavelier (with the exception of N whose only referenced in relation to C.
we had a pet cop, P—. She’d made detective by that point; was going on to big things in the MoD. Knew G— from way back,
PYRRHA yasss baby
god her being a cop makes so much sense lmao.
C— was still pretending they weren’t dating—she was an artist, so that was cool. If you have two scientists and an engineer and a detective and a lawyer and an artist you’re pretty much sweet as.
Cassiopeia is the lawyer if we're going off of the earlier quote, so Nigella is the artist, Mercymorn and Augustine are both scientists, I'm p sure G1deon is the engineer, and Pyrrha is the detective obviously.
M— had brought in her best friend, the nun,
interestingly this person is always described as "M—'s nun, and never given a letter. It could definitely be Cristabel, especially given that we can't use C— twice without it being hella confusing, but I'm wondering if John chose not to revive her afterwards for some reason so she's not actually anyone. There's this weird distance to how he describes her vs the other ppl: "the nun", "our nun", "M—'s nun" vs everyone's name. (He would be that petty).
My other theory is that M—'s nun is ANASTASIA. Again, can't use A a second time, she's obviously smart as hell and gets him to figure out the soul, which hello our Anastasia almost perfected the actual lyctoral process, and obviously the ninth house is full of nuns. Plus, he trusted her to watch over Alecto and seal the tomb, who better then the person that showed you she existed in the first place?
And then A— brought in his little brother who was a hedge fund manager. A— Junior was useless but he was a darling,
We know from HTN that this is Alfred.
That's everyone whos mentioned by name so to speak. But one other interesting initial bit:
he made a pothook—J—then the finned spine of E. He wiped that E clean, and replaced it with A. He wiped that clean, and he drew the prison bars of H. This J and H he barred around with an uneven heart.
J for John, and then that would be Earth, then Alecto presumably, then Harrow.
This almost all of the lyctors. The only pairs not mentioned or possibly alluded to is Cyrus and Valency and Cytherea and Loveday. I'm wondering if they were part of the original preserved bodies since John mentioned there were more than just the two he named initially. Ig they could be randomly resurrected people, especially given the timeline of lyctoral assension.
I'm sad Cytherea wasn't in this at all I would have loved to find out more about who she was.
92 notes · View notes