#‘the government funded North Korean film was banned by the North Korean government.’ that’s so stupid. you sound stupid.

[lorenabehrens-blog]

A Well-balanced Super Food Recipe.

Typesetting (DTP) is actually a diverse field that varies coming from expert visuals professionals to SOHO entrepreneur on a finances to scrapbooking fanatics as well as family projects. Negotiators from 135 countries sealed off Wednesday a global offer to control the illegal cigarette trade that could possibly internet federal governments $fifty billion additional yearly in tax incomes, the World Health Organization said.

" That was actually really a fantastic piece of job, to entice a nation that still possesses a kind of divided up federal government along with considerable amounts of various energy players in different edges, to send out all its own plutonium and also developed uranium abroad, reserved what was actually quite definitely a projectile program," Rhodes stated. I have lived in the nation my whole lifestyle( 16 years). Naikwento ko lang ang flat dahil naging kritikal ito sa mga susunod na pagsasama namin ni Ambot. Malagong rin ang boses niya, sa katunayan nga ay mas malaki ang boses niya kaysa sa comparable, halatang-halata na nagbibinata rin ang boses niya, dahil pumipiyok-piyok paminsan minsan. I am actually a foster little one at the grow older of 15 and a half my birthday celebration is actually april 19th 1997 and it will be my aspiration become a reality if taylor swifts family might foster me I have not viewed my mom due to the fact that I was 4 and I have not seen my daddy given that I was about 11 or even 12 since he sexually abused me so I became a foster little one and also right now I am actually disliking my lifestyle I will d0 EVERYTHING to be taylor swifts little bit of sibling. They need to recollect back their product as well as find various other market to sell it. This certainly not just devoted additional time, effort, but also funds. If you discover on your own not able to release articles, this implies your profile has been actually banned. In June, Barbieri and eight other handicapped professionals, each of whom has gotten over a life-altering health problem or trauma and continues to lead a life of solution for fellow experts, were honored at Carolina C and w Feast (CCMF) due to a collaboration in between the South Carolina-based festivity, Go to Myrtle Beach Front as well as DAV.

It is thought in the course of his reign his delivered all around 1.6 million folks to work camps while 400,000 North Korean soldiers perished in the Oriental Battle, and 1.5 thousand N. Oriental civilians were actually gotten rid of in the battling. Much more people are looking for used factors as a result of the economic situation, as well as if you possess an old microwave or playstation or various other electronics, they sell rather effortlessly many of the time through categorized ads, either in your local area newspaper or today-be-Fit.info online. The graphics, accompanied by the symphonic works of such greats as Richard Strauss, Johann Strauss as well as Ligeti as well as Khatchaturian of the Gayane Ballet Set, the journey into area as well as opportunity provided our company a creatively imaginative film regarding the revelation of invaders years just before an additional remarkable sci-fi masterpiece in Star Wars.

By taking your computer mouse to the remaining side of the main body, you are going to find a blue 'insert pill' switch turn up. Move the blue switch to the place in your short article where you want to include material; hit the switch and choose the proper capsule kind; just the most preferred capsules are actually available with this technique.

[party-hard-or-die]

The Best and Worst of Cannes, Maybe Coming to a Theater Near You

Over the next year or so, a number of the great, good and absolutely unnecessary movies at the 71st Cannes Film Festival will trickle into American theaters and then onto streaming platforms. Some will open with a splash, like Gaspar Noé’s flashy, amusing, then disappointing “Climax,” which played in a parallel program and has been picked up by the distributor A24. If we are lucky, others, like Alice Rohrwacher’s lovely “Happy as Lazzaro,” will also open, though probably far more quietly, buoyed largely by the ardor of critics. It is unlikely that most of these movies will mean much to the American box office, which is dominated by industrial product.

Every year, Cannes presents an overstuffed, witless event movie that generates publicity for the festival and reminds the world that the event can go commercial when it wants. Sometimes the movie is a forgettable French divertissement; this year it was “Solo: A Star Wars Story.” But the festival’s reputation has not been built on Hollywood mega-events. It has been built on strategically positioning itself as the paramount champion of global cinematic art — “the mecca,” as Spike Lee called it the other day — while being the world’s largest film market.

That commitment to art cinema — and specifically to the international auteurs who burnish its standing — is only part of the story. You wouldn’t know that from some of the reports in the American entertainment media, though, which has been announcing the festival’s irrelevancy for years. Whether Cannes matters (oui! non!) makes for a catchy headline, but the better question is who the festival matters to and for what reason. It certainly matters to France, which subsidizes the festival, which in turn promotes the country’s cultural heritage, generates a great deal of revenue and helps tourism. Cannes sells movies; it also sells France.

As always, the festival has a significant international presence, offering a bounty of movies from around the world suggesting that borders remain open, at least in art. Set in rural Italy, “Happy as Lazzaro” traces the story of a blissful innocent who with several dozen relatives works the land for an imperious owner. With a sensitive touch that makes every face, tree and ray of light come alive, Ms. Rohrwacher creates a textured, vibrant portrait of a lost world that is at once emotionally sustaining and grossly exploitative. Hirokazu Kore-eda’s delicate, beautifully paced “Shoplifters” centers on a very different marginalized Japanese family, though one as affecting.

Among the strongest competition entries is “Burning,” from the South Korean director Lee Chang-dong. Based on a short story by Haruki Murakami, it centers on a young man who, in the midst of a family crisis, becomes pulled into an increasingly unsettled, unsettling relationship with a young woman who in turn takes up with another man. Mr. Lee creates a seductive intimacy — pulling you close enough to think you’ve figured everyone out — that grows progressively ominous and dangerous. In a crucial role, a terrific Steven Yeun (who was here last year with “Okja”) proves that he’s a star, even if the American industry hasn’t yet figured that out.

Two directors in the competition were barred by their governments from attending, including the Russian Kirill S. Serebrennikov, who in “Leto” looks back at the Soviet rock scene during perestroika. The story is a fictional gloss on the story of the real Viktor Tsoi (the swoony Teo Yoo), who helped lead the rock revolt in grungy clubs, jam sessions and pastoral idylls. Another director whose absence became a reverberant presence this year is the Iranian filmmaker Jafar Panahi, who plays himself (or a version of that persona) in “3 Faces,” a moving multigenerational portrait of three independent female performers, including a woman who was banned after the 1979 revolution.

Yoon Jong-bin’s “The Spy Gone North,” a rollicking cloak-and-dagger adventure about a South Korean agent who infiltrates North Korea, is the kind of genre title that the festival often relegates to special sections, which it did in this case. Presumably the movie was seen as too commercial and slick for the competition; it’s also a lot of fun and I’d rather watch it again than revisit David Robert Mitchell’s grating “Under the Silver Lake,” which is in competition. Movie allusions and Andrew Garfield’s hard-working star turn as a Los Angeles slacker is about all that holds together this labyrinthine, wildly self-satisfied mystery. Mr. Garfield of course is also useful for red-carpet duties.

The red carpet at Cannes has in recent years also become a symbolic battlefield, specifically when it comes to women. The festival’s dress code is vaguely defined (in principle it is just black tie), but the enforcement of that code by employees monitoring the carpet has led to dust-ups, including one a few years ago over a woman’s shoes that was labeled Heelgate. (Women have pushed back and this year Kristen Stewart kicked off her stilettos.) It’s an unfortunately silly nickname that obscures the reality that Cannes relies on the spectacle of a rigid ideal of female beauty — cue elegant wraiths promenading in designer gowns — to sell its image to the world.

And, all too often, a fair number of the women walking, smiling and smiling some more on the red carpet are doing so in support of a male director. Only three of the 21 movies in the main competition are from women, though the numbers are better elsewhere. As in the United States, this imbalance can be blamed in part on the inequities of the movie industry. A 2016 report from the European Women’s Audiovisual Network found that only one in five features was from a woman. But programming plays a powerful role in the cinematic biosphere, which is why the number of mediocre male directors who pop up here each year can be so frustrating.

For much of its history, after all, Cannes has sold male auteurs, one reason it was moving to see “Be Natural: The Untold Story of Alice Guy-Blaché” here in a special screening. Directed by Pamela B. Green, this documentary explores the life, career and fade-out of the woman thought to have been the first female director. Born in France in 1873 (she died in 1968), Guy-Blaché made the leap from secretary to director while working for Gaumont, where she directed hundreds of films. She went on to found a studio, Solax, in the United States, only to fall on difficult times and — as she was excluded from one history after another — into obscurity.

Ms. Green discovered Guy-Blaché while watching a TV documentary about female filmmakers. “I never thought of a first,” Ms. Green told me, “and I never even thought of a woman director.” But she was intrigued and her curiosity led her on an eight-year odyssey that found her scouring archives across the world, cold-calling possible Guy-Blaché relatives and making stunning discoveries, including a clip of this foundational figure holding a camera that seems to have been shot by those other pioneers, the Lumière brothers. The determined Ms. Green isn’t yet finished with the movie, which she has financed through donations, including from Hugh Hefner.

When I asked what the chances were that she could get more money to finish, Ms. Green wasn’t optimistic. “Difficult, believe it or not — I mean we talk about the #MeToo and Time’s Up, etc.; Hollywood has not funded this movie,” she said. “All the people who have come forward are outside the business.” Ms. Green, who discovered a trove of material while making the documentary — old letters, photographs — said that she planned to start a foundation named for the filmmaker. Ms. Green wants to help in the restoration of Guy-Blaché’s films and make them accessible, doing her part to write a woman back into the history she helped make.

A version of this article appears in print on , on Page C8 of the New York edition with the headline: Coming to America: Best and Worst of Cannes. Order Reprints | Today’s Paper | Subscribe

The post The Best and Worst of Cannes, Maybe Coming to a Theater Near You appeared first on World The News.

from World The News https://ift.tt/2Iv7Zjv via Breaking News

[dragnews]

The Best and Worst of Cannes, Maybe Coming to a Theater Near You

Over the next year or so, a number of the great, good and absolutely unnecessary movies at the 71st Cannes Film Festival will trickle into American theaters and then onto streaming platforms. Some will open with a splash, like Gaspar Noé’s flashy, amusing, then disappointing “Climax,” which played in a parallel program and has been picked up by the distributor A24. If we are lucky, others, like Alice Rohrwacher’s lovely “Happy as Lazzaro,” will also open, though probably far more quietly, buoyed largely by the ardor of critics. It is unlikely that most of these movies will mean much to the American box office, which is dominated by industrial product.

Every year, Cannes presents an overstuffed, witless event movie that generates publicity for the festival and reminds the world that the event can go commercial when it wants. Sometimes the movie is a forgettable French divertissement; this year it was “Solo: A Star Wars Story.” But the festival’s reputation has not been built on Hollywood mega-events. It has been built on strategically positioning itself as the paramount champion of global cinematic art — “the mecca,” as Spike Lee called it the other day — while being the world’s largest film market.

That commitment to art cinema — and specifically to the international auteurs who burnish its standing — is only part of the story. You wouldn’t know that from some of the reports in the American entertainment media, though, which has been announcing the festival’s irrelevancy for years. Whether Cannes matters (oui! non!) makes for a catchy headline, but the better question is who the festival matters to and for what reason. It certainly matters to France, which subsidizes the festival, which in turn promotes the country’s cultural heritage, generates a great deal of revenue and helps tourism. Cannes sells movies; it also sells France.

As always, the festival has a significant international presence, offering a bounty of movies from around the world suggesting that borders remain open, at least in art. Set in rural Italy, “Happy as Lazzaro” traces the story of a blissful innocent who with several dozen relatives works the land for an imperious owner. With a sensitive touch that makes every face, tree and ray of light come alive, Ms. Rohrwacher creates a textured, vibrant portrait of a lost world that is at once emotionally sustaining and grossly exploitative. Hirokazu Kore-eda’s delicate, beautifully paced “Shoplifters” centers on a very different marginalized Japanese family, though one as affecting.

Among the strongest competition entries is “Burning,” from the South Korean director Lee Chang-dong. Based on a short story by Haruki Murakami, it centers on a young man who, in the midst of a family crisis, becomes pulled into an increasingly unsettled, unsettling relationship with a young woman who in turn takes up with another man. Mr. Lee creates a seductive intimacy — pulling you close enough to think you’ve figured everyone out — that grows progressively ominous and dangerous. In a crucial role, a terrific Steven Yeun (who was here last year with “Okja”) proves that he’s a star, even if the American industry hasn’t yet figured that out.

Two directors in the competition were barred by their governments from attending, including the Russian Kirill S. Serebrennikov, who in “Leto” looks back at the Soviet rock scene during perestroika. The story is a fictional gloss on the story of the real Viktor Tsoi (the swoony Teo Yoo), who helped lead the rock revolt in grungy clubs, jam sessions and pastoral idylls. Another director whose absence became a reverberant presence this year is the Iranian filmmaker Jafar Panahi, who plays himself (or a version of that persona) in “3 Faces,” a moving multigenerational portrait of three independent female performers, including a woman who was banned after the 1979 revolution.

Yoon Jong-bin’s “The Spy Gone North,” a rollicking cloak-and-dagger adventure about a South Korean agent who infiltrates North Korea, is the kind of genre title that the festival often relegates to special sections, which it did in this case. Presumably the movie was seen as too commercial and slick for the competition; it’s also a lot of fun and I’d rather watch it again than revisit David Robert Mitchell’s grating “Under the Silver Lake,” which is in competition. Movie allusions and Andrew Garfield’s hard-working star turn as a Los Angeles slacker is about all that holds together this labyrinthine, wildly self-satisfied mystery. Mr. Garfield of course is also useful for red-carpet duties.

The red carpet at Cannes has in recent years also become a symbolic battlefield, specifically when it comes to women. The festival’s dress code is vaguely defined (in principle it is just black tie), but the enforcement of that code by employees monitoring the carpet has led to dust-ups, including one a few years ago over a woman’s shoes that was labeled Heelgate. (Women have pushed back and this year Kristen Stewart kicked off her stilettos.) It’s an unfortunately silly nickname that obscures the reality that Cannes relies on the spectacle of a rigid ideal of female beauty — cue elegant wraiths promenading in designer gowns — to sell its image to the world.

And, all too often, a fair number of the women walking, smiling and smiling some more on the red carpet are doing so in support of a male director. Only three of the 21 movies in the main competition are from women, though the numbers are better elsewhere. As in the United States, this imbalance can be blamed in part on the inequities of the movie industry. A 2016 report from the European Women’s Audiovisual Network found that only one in five features was from a woman. But programming plays a powerful role in the cinematic biosphere, which is why the number of mediocre male directors who pop up here each year can be so frustrating.

For much of its history, after all, Cannes has sold male auteurs, one reason it was moving to see “Be Natural: The Untold Story of Alice Guy-Blaché” here in a special screening. Directed by Pamela B. Green, this documentary explores the life, career and fade-out of the woman thought to have been the first female director. Born in France in 1873 (she died in 1968), Guy-Blaché made the leap from secretary to director while working for Gaumont, where she directed hundreds of films. She went on to found a studio, Solax, in the United States, only to fall on difficult times and — as she was excluded from one history after another — into obscurity.

Ms. Green discovered Guy-Blaché while watching a TV documentary about female filmmakers. “I never thought of a first,” Ms. Green told me, “and I never even thought of a woman director.” But she was intrigued and her curiosity led her on an eight-year odyssey that found her scouring archives across the world, cold-calling possible Guy-Blaché relatives and making stunning discoveries, including a clip of this foundational figure holding a camera that seems to have been shot by those other pioneers, the Lumière brothers. The determined Ms. Green isn’t yet finished with the movie, which she has financed through donations, including from Hugh Hefner.

When I asked what the chances were that she could get more money to finish, Ms. Green wasn’t optimistic. “Difficult, believe it or not — I mean we talk about the #MeToo and Time’s Up, etc.; Hollywood has not funded this movie,” she said. “All the people who have come forward are outside the business.” Ms. Green, who discovered a trove of material while making the documentary — old letters, photographs — said that she planned to start a foundation named for the filmmaker. Ms. Green wants to help in the restoration of Guy-Blaché’s films and make them accessible, doing her part to write a woman back into the history she helped make.

A version of this article appears in print on , on Page C8 of the New York edition with the headline: Coming to America: Best and Worst of Cannes. Order Reprints | Today’s Paper | Subscribe

The post The Best and Worst of Cannes, Maybe Coming to a Theater Near You appeared first on World The News.

from World The News https://ift.tt/2Iv7Zjv via Today News

[moonchronicles-blog]

Is Illuminati Real?

To be frank, I never imagined the day where I’d need to debunk this absolutely inane myth. However, with the rise of Tamil videos regarding “the 13 families that control the world”, it’s best I address this matter and nip it in the bud, before it reaches contagious levels and also swallows the mainstream. 

First bear in mind that such conspiracy theories are only believed and spread by basement dwellers and neo Nazis in the West and by Islamic fundamentalists in the Middle East, Iran, Pakistan, etc. The common people of these nations don’t even care about whether they exist.

This theory was first propounded in Tamil Nadu by Naam Tamilar founder Seeman on 05/03/2017 (May 3, 2017). He claimed that 13 families ruled the entire planet and possessed 99% of all wealth on earth while 1% of the wealth was left to the people of the world. In other words, they’d make India’s Birlas, Tatas, Ambanis, etc, look like street-side beggars. Obviously this is his desperate move to stay relevant in the backdrop of crippling issues facing the state of Tamil Nadu. However, it won’t cut ice with people who have an IQ of at least 50 or 60.

First things first. Illuminati (meaning “the illuminated/enlightened”) was originally represented by the Owl of Minerva and not the Eye of Horus over a pyramid as it’s believed to be now. It was formed on May 1, 1776 by German philosopher Adam Weishaupt and was initially known as Bavarian Illuminati. They were basically a group of people who opposed the power of the Catholic Church (based in Vatican) and wanted to illuminate the people about their superstitions and prejudices. Basically what Periyar was to us in Tamil Nadu. They started with five people and expanded to thousands. They recruited plenty of Freemasons and their power existed to a reasonable extent till the end of the American Civil War. Conspiracy theorists claim that the existence of organizations such as Skull & Bones (formed in 1832, a secret society at Yale University, New Haven, Connecticut), are examples that Illuminati is alive.

Skull & Bones was formed by Freemasons. Freemasons were already heavily depleted around the time of the American Civil War which lasted from 1861 to 1865. Freemasons fought on both sides: for the Confederate and for the Union forces. A prominent personality among them was Albert Pike who was also a general of the Confederate forces. They were basically cults doing social service spread in pockets across America. Even today, they are present in pockets worldwide. While some of them ban religion & politics and even women from joining, some of them are liberal. The American Civil War is a LONG story that needs a separate post and dedicated time, so I’ll leave it at that.

In the meantime, you can read this page to know about the activities of some of these Freemasons during the American Civil War: http://www.angelfire.com/me/reenact/masons.html

That for the introduction and brief history of what was originally the Bavarian Illuminati. Now on to today. This is what Illuminati is believed to be today.

Yes, the eye of Horus over a pyramid is what everybody calls Illuminati, going to the extent of saying even the US government is controlled by them, just because the $1 bill carries a triangular pyramid! 

The first question that would arise in one’s mind is, why is it only present in the $1 bill? Why not, say the $2 bill?

The $5 bill?

The $10 bill?

The $20 bill?

The $50 bill?

The $100 bill?

Where’s the Illuminati in any of the other bills except the $1 one? Is it because Illuminati are street-side beggars that they only represent themselves in $1 bills and not in, say $100 bills? 

The second question that arises in our minds is: Isn’t the Illuminati supposed to be a SECRET organization? Why would a secret organization leave behind its fingerprints or footprints? Would a murderer leave behind any evidence of his murder? Wouldn’t the first task of this group be to destroy all evidence of their existence and crimes if they’re a SECRET organization? 

Apparently the Illuminati express themselves in hand symbols such as these.

Apparently wiping your asses and raising clenched fists exposing your armpits to the crowd are the only hand symbols to indicate you are not part of the Illuminati. Or did I miss that memo? See the 4th symbol above, and look closely at the Thiruvalluvar statue at Kanyakumari.

If I were a brain dead follower of Seeman and a believer of such bullshit conspiracy theories, I’d say: “Yes! Thiruvalluvar is Illuminati! Confirmed!” Seeman logic. Apparently Seeman in his business as an eternal junior broker to Vaiko doesn’t realize the importance of trust and truth. Wait a second....

Even Seeman’s idol had shown the first Illuminati hand gesture with his left hand! Didn’t Seeman just show the Illuminati symbol in the image on the top of this post?

The third question that strikes me is: Why would the Illuminati not eliminate anybody, either by expelling or by murdering, those who expose their hand symbols and hence their allegiance to their group? Why would a SECRET society not coverup its tracks by killing or expelling such people? Like Singer Beyoncé?

Freemasons & Illuminati have never made news, in Russia nor China. Forget them, they aren’t in the news, even in North Korea & Iran! Wonder why!? Anybody has any answer why!?

Seeman claimed that he read a book written by John Perkins titled “Confessions of an Economic Hit Man” and got no sleep. He also asked us to read it. He cited Somalia as an example. Somalia is a case where thorium reserves were rich. This was why the last regime headed by Siad Barre in Somalia was toppled in 1991, to pave way for extracting all the thorium (Rings a bell - Sasikala Natarajan and her VV Builders). There’s no denying that US & EU were involved in the operation, at least in part. However there has been no explanation regarding how the Illuminati was ever involved in ousting Siad Barre.

On August 22, 1993, the USA, along with Pakistan and Italy, initiated an operation termed “Operation Gothic Serpent” to capture a dreaded Somalian pirate Mohamed Farrah Aidid. It lasted 2 months till October 13. This was later made into a film titled “Black Hawk Down”.

There’s no denying that secret societies exist. But if they were so powerful, they can’t miss us. If not the US (CNN, CNBC, etc) media, the Russian (Russia Today) or Chinese (Xinhua) media would cover it. If not them, at least North Korea (Korean Central News Agency) or Iran (PressTV) would. If not them, who would???? Why is there absolutely no coverage? Because it’s all basically truckloads of bullshit. 

Moreover, if the Illuminati were so all encompassing, how come the Internet is full of videos exposing Illuminati? Shouldn’t they have been gagged, at least by now?

Rothschild conspiracy theories are another set of bollocks that don’t cut ice with people who have at least a basic knowledge of economics. Somebody with that knowledge would know how hard it is to regulate a local economy like that of, say Tamil Nadu, forget about controlling the world as claimed by conspiracy theorists. Here is Baba Ramdev “exposing” Rothschild. Wonder how a powerful organization like them hasn’t sued Baba for libel yet!?

https://www.youtube.com/watch?v=1hVY7lOGRcM

The Rothschild family did have financial influence in the 1800s, especially in Europe, and it’s true they did manipulate wars like the Franco-British war when Napoleon Bonaparte was marching throughout Europe. Mayer Rothschild placed his five sons as his (family) business partners: the eldest Amschel Mayer Rothschild in Frankfurt, Salomon Mayer Rothschild in Vienna, Nathan Mayer Rothschild in London, Calmann Mayer Rothschild in Naples, and the youngest Jakob Mayer Rothschild in Paris. Mayer was given some important papers by his trading partner Landgrave William, to protect the latter’s wealth from Napoleon. Mayer sent it to his son Nathan in London, who used the money to finance the British Army. Nathan already managed the bulk of William’s money, much of it invested in the British Crown. William was familiar with such transactions as his father gained all that wealth by financing Britain in its wars on its American colonies.

Nevertheless, Rothschilds’ savvy investments of William’s money paid off well, and turned the Rothschild family into a powerful financial/banking dynasty. 

Four of Mayer’s sons had sons of their own, who were sent to other financial centers in other countries. They practiced inbreeding in order to preserve their bloodline from outsiders. They were stabilizing currencies across nations to keep economies running. At the height of their dominance in the 1800s, the wealth of the dynasty would’ve been the single biggest fortune in human history.

However, with the advent of the two world wars, their financial power was broken and replaced by other institutes such as the International Monetary Fund (IMF). Basically the Rothschild dynasty was doing in the 1800s, what the IMF is doing today. For more information, see here. 

Now on to the Bilderberg group. This group is just a self-absorbed group of very wealthy businessmen who think they’re all important. Apparently they set agendas every year. God knows what agendas they set, how many of them succeeded, how much they gained out of killing Hezbollah soldiers, bombing Syrian army and air bases, capturing weapons from Iranian soldiers, etc. 

All the problems Seeman cries about can actually be fixed locally by appropriately turning/shifting government gears like regulations, rules, restrictions, etc, and internationally by diplomacy. For instance, if the USA adds pressure with the backing of the UK and France, China and Russia can and will veto America’s resolution (like over Syria and Sri Lanka). If China and Russia try to bring a resolution, the US, the UK and France can go against it (like over Palestine/Israel). Nevertheless, only if all 5 members agree, can a resolution be passed by the UN Security Council (UNSC). And no, it’s NOT controlled by Rothschilds or Illuminati. If you have any evidence, provide it immediately.

With this, I end my post on the conspiracy theories involving the Illuminati and so on. These theories are just propounded by idiots with no life and who want to blame others for their own failures. To make it simple: I expect, around 100s of years later, some Hindu cranks would blame Dravidar Kazhagam and DMK, for all their failures. Oh wait, already some idiots are blaming DMK for the Eelam genocide, while a handful are still blaming DMK for Rajiv Gandhi’s murder by LTTE! Same story, different parameters and variables/values. This is what conspiracy theories (Illuminati or otherwise) are all about!

Thank you all for reading. Have a good day.

[robertmcangusgroup]

The Daily Tulip

The Daily Tulip

Saturday 25th February 2017

Good Morning Gentle Reader…. This morning as we exited the house for or usual walk together, Bella and I were greeted by million and millions of stars twinkling brightly in the early morning sky … Hardly a cloud to be seen and those that were up there were being blown quickly from the heavens as if by some pretentious film or play director who wanted the set perfect.. well.. other than the very cold wind that’s blowing he achieved perfection.. no stars out of place, no clouds to obscure the view, no moon to dim the stars .. just the stars in all their glory… too watch over Bella and I as we walk the streets of Estepona …..

IT’S NOT QUITE READY TO FLY…. UPS Tests Drone Deliveries. Drones might still be years away from delivering packages to your doorstep, but logistics giant UPS is planning ahead. On Monday it showed off its HorseFly octocopter, which launches from a custom-built delivery truck with a sliding roof and robotic arms. The driver-controlled drone can carry a 10-pound package for up to 30 minutes and is intended to complete last-mile deliveries, reducing trucks’ mileage. After one successful delivery, though, a malfunction aborted the second attempt, which might bring people’s expectations back down to earth.

THEY JUST WANT TO ASK A FEW QUESTIONS…. Malaysia Seeks North Korean Official in Kim Jong Nam Case.. Malaysian officials have named Hyon Kwang Song, the second secretary of North Korea’s local embassy, as one of three people they want to interrogate over the murder of Kim Jong Un’s half-brother, who was killed mysteriously in Kuala Lumpur last week. Security has ramped up following an attempted break-in at the morgue where Kim Jong Nam’s body is being kept, after North Korean officials, who demanded that no autopsy be performed, were denied access to the body.

I’VE HEARD WURST…German council asks veggie event to serve sausages. A German city council is kicking up a fuss over a vegetarian street festival because it won't be serving local meaty delicacies. Councillors in Kassel, in the central Hesse region, want the event's organisers to ditch its veggie theme and allow stalls to sell popular regional sausages, including the cured ahle wurst, the Hessenschau website reports. The festival is being organised by environmental group UmweltHaus to mark Earth Day on 23 April. At a meeting on Monday, councillors backed a motion asking UmweltHaus to serve local organic meat at the event. It frames the sausage ban as an affront to the city's identity, although some of those present noted a whiff of politics in the air, as Kassel is in the midst of a mayoral election campaign. "This is an issue that is close to people's hearts, and for that reason it is of course something we can't ignore in local politics," said Dominique Kalb, mayoral candidate for the conservative CDU party. He added that ahle wurst is "simply an essential part" of local street festivals. The Greens abstained from voting and their candidate, Eva Koch, suggested people shouldn't get too worked up over sausages. But she conceded that for some the meat-free event would be "a real kick in the guts". UmweltHaus is standing firm and says there is limited space available at the festival, so no room for any more stalls. It also notes that meat production is resource-intensive and therefore doesn't fit with the sustainable theme of Earth Day. While some may welcome the vegetarian offerings, others are voting with their feet. The local Senior Citizens' Advisory Council says it cannot abide the lack of sausages, and won't be attending the event.

TRYING TO CREATE A FEW BRIGHT SPARKS…New South Wales makes 'major shift' to school curriculum. The new curriculum includes changes to maths and science. Australia's most populous state will focus on better preparing students for university and employment in a major overhaul of its school curriculum. New South Wales on Tuesday unveiled changes to its high school syllabus for the first time in 18 years. The new focus eschews "social context" teaching - which had drawn criticism - for more in-depth, critical thinking. It comes after an international study in December showed Australia's maths and science ranking had tumbled. The changes address recent criticism over a lack of rigour, said Tom Alegounarias, the head of the state's Education Standards Authority. "We reviewed the whole [syllabus], we looked at what the community is demanding for now and in the future," Mr Alegounarias told the Australian Broadcasting Corporation. "The major shift is towards greater depth, rigour, and mastery of content learning."

IT’S MAKE YOUR MIND UP TIME…. Trump rescinds transgender bathroom rules from Obama era … Some US schools have already introduced gender neutral bathrooms or allowed students to choose. The Trump administration has rescinded guidance enacted by his predecessor in favour of transgender students, the White House has said. The Obama-era rule directed public schools to allow transgender pupils to use toilets of their gender identity. But critics said that guidance was government overreach which threatened other students' privacy and safety. A letter sent to US schools on Wednesday outlined the change, saying the Obama directive caused confusion. It had also sparked lawsuits and debate over how it should work in practice, the letter from the Justice and Education departments said. Last May, Mr Obama's justice and education departments instructed public schools to allow transgender students to use whichever bathroom corresponded to their gender identity. Though not legally binding, Mr Obama's order warned schools they could lose funding if they did not follow the new guidance. The change in guidance under President Trump will have no immediate impact on schools because the Obama directive was temporarily blocked by a judge in Texas in August.

RUSSIA LAUNCHES ITS OWN WAR ON ‘FAKE NEWS’… “We will make an example of such propaganda.” So said Russia’s foreign ministry about the launch of its state-run “fake news” tracker, which discredits unfavorable Western stories with a large red stamp reading “FAKE.” The site has already flagged stories from sources including NBC, The New York Times and Bloomberg on subjects like suspicious deaths of Russian officials and potential Russian interference ahead of French elections. Meanwhile, Defense Minister Sergei Shoigu spoke yesterday of a new Russian military task force created specifically to wage a war of information.

Well Gentle Reader I hope you enjoyed our look at the news from around the world this, Saturday morning…

This morning I have a bucket load of Tulips for you.....

A Sincere Thank You for your company and Thank You for your likes and comments I love them and always try to reply, so please keep them coming, it's always good fun, As is my custom, I will go and get myself another mug of "Colombian" Coffee and wish you a safe Saturday 25th February 2017 from my home on the southern coast of Spain, where the blue waters of the Alboran Sea washes the coast of Africa and Europe and the smell of the night blooming jasmine and Honeysuckle fills the air…and a crazy old guy and his dog Bella go out for a walk at 4:00am…on the streets of Estepona…

All good stuff....But remember it’s a dangerous world we live in ….. Be safe out there…

Robert McAngus