#‘developed a platform to showcase my art and creative endeavors’

[boycritter]

im putting this blog on my college applications

[jonmcbrine-author]

Focus On Art

All about illustration.

June has been all about art. The decision for me to spend this month focusing on artwork is admittedly an arbitrary one, or perhaps it was an inevitable conclusion. Creating art has been a large part of my life and recently I’ve been spending more time developing designs and sketches for the interior art for the upcoming paperback print edition of Unsecret Identity: Eric Icarus - Book One. Illustration has been a fun and interesting aspect of my creative endeavors, but it hasn’t been easy to properly showcase my work.

Technically speaking, it is no trouble at all—smart devices and social media enable artists to share their pieces in an instant. Despite the technological ease, every creative type knows all too well the bane of impostor syndrome. As you scroll through any social media platforms, you’re likely to be inundated with works in progress, fully realized renderings, highly detailed drawings, and every genre of art you could imagine. It takes a certain kind of bravery to unveil your creations to the public. Weird scribbles, big, bizarre ideas, or surreal concepts—though there are numerous examples and samples posted daily, it is nothing short of crazy/courageous to submit a deeply personal work of art to the world at large.

I know there are several more skilled artists than myself. Pencillers and inkers, painters, colorists; the sheer talent that exists is staggering. To compare and despair is a self-restricting process. Attempting to live up to a made up standard exemplifies self-sabotage. I’ve become increasingly more accepting of the quality of my drawing. My graphic design work is also an ongoing mission to not only grow but to understand its technical processes. Digital art is something that initially appealed to me because there are more apparent boundaries. The tools are what they are within the computerized realm of creation. Drawing by hand, however, is far more complicated. 

Even using a stylus on a tablet while using a drawing program is still essentially drawing the same way as a traditional artist. Obviously there are physical differences, but at the core, it comes down to you and your skill. The fundamentals can be taught, and styles can evolve, but commitment is an intangible element. Drawing can be mentally and physically demanding. Whether it’s a lack of time or strain on joints and muscles, illustrating takes its toll. This affects the mental component by being too drained to come up with a neat little detail for a costume or a fictional palace, etc. Stretching oneself too thin in the name of self-improvement can result in a backfiring bombardment of discouragement. It’s so easy to quit.

Artists carry on, though. So this month, whether it’s due to a random impulse or it’s some form of destiny, I’m putting art in the spotlight. Not only to show off my stuff, but to be cool with it. And even in a hot summer month like June, liking your own art is pretty cool.

Stay in the loop for more details by following Jonfiction Blog on Substack and be sure to check out jonmcbrine.com for more info about this and all my books.

Unsecret Identity: Eric Icarus - Book One is available now from the Amazon Kindle store.

https://a.co/2XAtxvH

New blog every Monday. Newsletter first Monday of the month, only on Substack.

[kaylaarts]

Exploring Boundless Realities: Unlocking the Magic of VRChat

Introduction: Welcome to the exciting world of VRChat, where imagination has no limits and connections transcend physical boundaries. Whether you're a seasoned virtual reality enthusiast or a curious newcomer, VRChat offers a unique platform that allows you to create, socialize, and explore immersive virtual environments with people from all around the globe. In this blog, we will delve into the captivating features of VRChat and highlight the endless possibilities it presents for individuals, communities, and businesses alike.

Embrace Your Virtual Avatar: One of the most remarkable aspects of VRChat is the ability to create and customize your own virtual avatar, representing your personality and unique style. With a vast array of avatars to choose from or the option to design your own, you can be whoever you want to be in this virtual realm. Whether you're a mythical creature, a futuristic robot, or an adorable animal, your avatar becomes your virtual identity, enhancing your immersion and interaction within the VRChat universe.

Engage in Meaningful Social Interactions: VRChat thrives on the power of social connections. As you navigate through the virtual landscape, you'll encounter a diverse and welcoming community of individuals from all walks of life. Engage in conversations, participate in activities, and forge new friendships with people who share your interests. The platform fosters a sense of belonging and offers opportunities for personal growth, collaboration, and cultural exchange.

Explore an Expansive Metaverse: Step into a world where imagination reigns supreme. VRChat is a metaverse filled with awe-inspiring worlds, created by both users and developers. From tranquil landscapes to fantastical realms and futuristic cityscapes, there is a world for every taste and interest. Immerse yourself in the virtual environments, marvel at the creativity of others, and even create your own unique spaces to share with the community. The possibilities for exploration are endless.

Engage in Exciting Activities and Events: VRChat is not just about exploration; it's a platform that hosts a plethora of activities and events to keep you entertained. Attend virtual art shows, concerts, game nights, and even live performances by artists and musicians from across the globe. You can also participate in role-playing adventures, virtual tourism experiences, and educational seminars. The dynamic nature of VRChat ensures there's always something exciting happening, catering to a wide range of interests.

Opportunities for Businesses and Creators: VRChat presents a wealth of opportunities for businesses and creators to showcase their products, services, or artistic endeavors. Whether you're an aspiring game developer, a virtual fashion designer, or a content creator, VRChat provides a platform to gain visibility and reach a global audience. Collaborate with others, build immersive experiences, and monetize your creations through the in-world economy.

Conclusion: VRChat is a gateway to a realm of endless possibilities, where creativity and social connections merge in an immersive virtual experience. Whether you seek adventure, artistic expression, or meaningful interactions, VRChat offers a metaverse filled with vibrant communities and boundless exploration. So, put on your virtual headset, join the ever-expanding world of VRChat, and unlock the magic that awaits you in this captivating virtual universe.

IF anybody want custom VRchat avatar done my commission are always open contact me on email  [kyliehales32@gmail.com]

[transparentstarfishcycle]

Welcome to my ePortfolio!

I'm Mary Rose, and I invite you to delve into my ePortfolio, a digital canvas portraying my educational odyssey, professional endeavors, and personal aspirations. Here, you'll find a curated collection of my academic achievements, professional experiences, and personal reflections. This platform serves as a comprehensive showcase of my skills, passions, and growth journey. Explore and discover the multifaceted aspects of my academic and professional identity as I strive to demonstrate competence, creativity, and continuous learning.

My objectives in creating this ePortfolio are twofold: to meticulously document my academic and professional journey, showcasing my achievements, skills, and growth, and to craft a compelling narrative that reflects my passion, values, and aspirations. By curating a comprehensive collection of my work, I aim to not only demonstrate proficiency but also inspire others and foster connections within my community. Through this digital showcase, I seek to leave a lasting impression, illustrating my commitment to lifelong learning, personal development, and professional excellence.

ART WORKS:

"Unveiling the Cosmos: A celestial symphony woven with stardust and dreams."

"Mystery in Monochrome: The enigmatic allure of the unknown girl captured in graphite whispers."

"Charm and Elegance: A girl in a hat exudes timeless sophistication."

"Bound by Love: In the absence of faces, their connection speaks volumes through tender embrace and shared moments."

ADDITIONAL EDUCATION:

As first aiders, we are entrusted with a vital responsibility—the responsibility to be the first line of defense in times of crisis. Whether it's a medical emergency, an accident, or a natural disaster, our knowledge and skills can be the difference between life and death.

"Empowering Communities: First Aider Training with BFP ignites a passion for saving lives and promoting safety."

I reflect on the journey it represents—the culmination of years of education, achievements, and artistic exploration. Each section, from my educational background to my sketching talents, tells a story of growth, resilience, and passion. Through this digital showcase, I've had the opportunity to share my experiences, skills, and aspirations with you, the reader.

Thank you for joining me on this journey through my ePortfolio. Whether you've been a mentor, a colleague, or simply a curious observer, your support and encouragement have been invaluable. As I continue to pursue my passions and aspirations, I invite you to stay connected and witness the next chapter of my story.

[newsmeawwcom]

Taylor Swift: From Country Roots to Global Superstar

An icon of modern pop culture, Taylor Swift embarked on a journey from her humble beginnings to emerge as a global superstar. Born December 13, 1989 in Reading, Pennsylvania, Swift’s path in the music industry has been no different, marked by her undeniable talent, relentless work ethic and unwavering dedication to her craft the sign of the cross

Swift’s love of music flourished at an early age, fueled by her family’s deep appreciation for the arts. Influenced by her grandmother, a professional opera singer, Swift began honing her skills as a singer-songwriter, writing her own songs and performing at local venues in her hometown.

At the gentle age of 14, Swift made the ambitious decision to pursue her dreams in Nashville, Tennessee, the beating heart of united states tune. Armed with not anything however her guitar and a head complete of goals, she endeavored to carve a gap for herself in an industry acknowledged for its fierce competition and unforgiving nature.

Swift’s breakthrough got here with the discharge of her eponymous debut album in 2006, which showcased her innate songwriting capacity and real storytelling. Songs like “Tim McGraw” and “Teardrops on My Guitar” resonated with audiences, catapulting Swift to the vanguard of the usa song scene and earning her massive acclaim.

With every subsequent album, Swift driven the boundaries of her artistry, seamlessly transitioning from usa darling to bona fide pop sensation. Her sophomore attempt, “Fearless,” released in 2008, cemented her fame as a powerful force within the tune industry, incomes her crucial acclaim and severa accolades, inclusive of 4 Grammy Awards.

As Swift’s celebrity persisted to upward push, so too did her have an impact on past the world of music. She emerged as a cultural icon, using her platform to champion reasons near her coronary heart, which includes gender equality, LGBTQ rights, and education. Through her philanthropic endeavors and unwavering advocacy, Swift has stimulated tens of millions of fans to rise up for what they consider in and make a nice impact of their communities.With every subsequent album, Swift driven the boundaries of her artistry, seamlessly transitioning from usa darling to bona fide pop sensation. Her sophomore attempt, “Fearless,” released in 2008, cemented her fame as a powerful force within the tune industry, incomes her crucial acclaim and severa accolades, inclusive of 4 Grammy Awards.

As Swift’s celebrity persisted to upward push, so too did her have an impact on past the world of music. She emerged as a cultural icon, using her platform to champion reasons near her coronary heart, which includes gender equality, LGBTQ rights, and education. Through her philanthropic endeavors and unwavering advocacy, Swift has stimulated tens of millions of fans to rise up for what they consider in and make a nice impact of their communities.

In addition to her musical achievements, Swift’s entrepreneurial spirit has propelled her to new heights of fulfillment. She has diversified her portfolio with ventures in style, perfume, and entertainment, setting up herself as a clever businesswoman and a pressure to be reckoned with inside the aggressive international of showbiz.

One of Swift’s maximum extraordinary developments is her capability to reinvent herself with each new technology, effortlessly adapting to converting developments and evolving tastes. From the united states-infused melodies of “Speak Now” to the synth-pop anthems of “1989” and the introspective ballads of “folklore,” Swift’s discography is a testament to her versatility and creative evolution.

Swift’s worldwide attraction is aware of no bounds, as evidenced through her offered-out stadium tours, document-breaking album income, and legion of committed fanatics spanning the globe. Whether she’s appearing on the world’s largest levels or connecting with fanatics on a private degree, Swift’s magnetic air of secrecy and unprecedented skills continue to captivate audiences international.

In conclusion, Taylor Swift’s journey from her united states of america roots to global superstardom is a testomony to her unwavering passion, boundless creativity, and constant willpower to defy expectancies. As she continues to push the boundaries of her artistry and inspire hundreds of thousands of fanatics around the arena, one component is obvious: Taylor Swift isn’t just a musician; she is a cultural phenomenon and a real icon of her generation.

[meherchanganiasmediastudies]

category: preliminary tasks/tasks

introduction

Introduction:

Hello, I'm Meher Changani, currently an AS level student with a passion for learning and a particular focus on media studies. My academic journey includes a diverse set of subjects, namely fashion and textiles, business, and English. In this blog, I aim to delve into the preliminary tasks and exercises that shape my educational path. My passion for cinematography began with a camera workshop, sparking a fascination with the art of photography and videography. This discovery led to a growing passion for focusing on composition, lighting, and camera movement. As a director, my ability to communicate effectively and express my vision for a scene led me to step into the director's shoes, guiding actors and my team mate to ensure my vision. The director's role is a significant responsibility, requiring critical decisions that affect the project's outcome. Requiring a understanding of the story.

Interests:

One of my primary interests lies in engaging with my friends in conversations about an array of diverse topics. I find joy in exploring the depths of these discussions, and it's an aspect of my life that adds a layer of richness to my experiences. Additionally, my fascination with the world of fashion has a special place in my heart. This subject allows me to blend creativity with academic study, resulting in a unique and fulfilling learning experience.

My passion for travel is not just a desire to explore new places but also a means of rejuvenating my mind and spirit. The allure of discovering diverse cultures and landscapes is an integral part of my life.

I cherish the regular outings with my friends. These moments offer a respite from the demands of daily life, providing a space where laughter and shared experiences become a balm for the soul.

The main purpose of this blog is to serve as a digital platform where I can document and share my journey as a media studies student. Throughout the year, I will be documenting my learnings, experiences, and progress in this field. This blog is not only a reflection of my academic endeavors but also a window into my personal growth and development as a student.

Through my posts, I hope to provide insights into the fascinating world of media studies, showcase my passion for learning, and share the joy of my intellectual and personal explorations. Whether you're a fellow student, an enthusiast of media, or simply curious about my journey, I welcome you to join me on this educational adventure.

and I look forward to sharing this exciting academic year with you.

[wingedpiratebaker]

¸¸♬·¯·♩¸¸♪·¯·♫¸¸ℍ𝕖𝕝𝕝𝕠¸¸♫·¯·♪¸¸♩·¯·♬¸¸

Welcome to "Fiction's Haven" - the ultimate destination for all things AO3 fanfics! Dive into a world where imagination knows no bounds as we explore the vast and enchanting realm of fan-created stories.

In this eclectic corner of the internet, we celebrate the art of fanfiction in all its forms. From heart-wrenching tales that tug at your emotions to lighthearted romps that leave you grinning from ear to ear.

Join us as we embark on thrilling adventures alongside beloved characters from our favorite fandoms. Immerse yourself in beautifully crafted narratives that breathe new life into well-known universes. Our talented authors expertly weave plots, sprinkle them with clever twists, and deliver satisfying resolutions that keep you coming back for more.

But that's not all! "Fiction's Haven" goes beyond merely sharing fanfics. Our blog delves into the intricacies of writing itself, providing aspiring authors with invaluable tips and tricks to hone their craft. Discover the art of character development, writing prompts, and effective storytelling.

Are you overwhelmed by the sheer volume of fanfics available on AO3? Fear not! This blog features carefully curated lists and recommendations, helping you navigate through the vast sea of stories to find your next literary obsession. From timeless classics to hidden gems waiting to be discovered, it's got you covered.

"Fiction's Haven" is not just a platform for sharing and enjoying fanfics; it's also a valuable resource for my own creative endeavors. As an avid fanfiction writer myself, I hope to often utilize the platform to showcase my own fics, sometimes looking for help or a beta reader and other times just sharing it with all of you!

So, come and indulge in the magic of AO3 fanfics. Unleash your inner fangirl, fanboy or fan, explore new realms, and connect with a vibrant community of like-minded enthusiasts who share your love for the written word. Let your imagination soar as we embark on this extraordinary journey together!

[kathrynday]

Social Media and Online Community Engagement

What were my expectations in “Social Media and Online Community Engagement?” First, I would like to state that I did not have to take the Mastery Class because I am a returning graduate of Full Sail. I took Mastery in 2017 in Media Design. I have adventured into a different degree, Journalism. I have gotten so much out of several classes, and it seems like the expectations that I had for “Social Media and Online Community Engagement” were not as I expected. After reviewing my analytics, the numbers show that my numbers went down on social media. I am not sure if it is the topics that I wrote about or the way I posted. I had high expectations thinking that I would learn new ways to post that would reach a bigger audience. I was hoping to learn new tips in posting. I do not have access to the Mastery Class course syllabus to compare research. My expectations were high for this class, and I feel a bit disappointed. I read the material and listened to the tutorials and expected live classes with live engagement and class interaction where we would get new information and ask questions to help improve social media engagement.

I got some excellent responses from my instructor using Reddit, but I did not get too much attention on Reddit. According to the tutorial, Reddit is a different type of social media that is more like a newspaper-style platform. I feel that it sways more to government and technology. When exploring Reddit, that is where I find more interaction and upvotes. The categories that I needed to post in were much older posts and some archived. I may still post on it to see if I can get something started in the Arts and Music in the Crossroads and Kansas City. Reddit was one social media outlet that I learned a little more about but had never used. I am still a little confused, but I will research more to gain more knowledge about this platform. I won’t just quit but will try to bring back some of the categories I use. To see if I can get more interaction.

I learned more about the history of each platform and when they first began, and by whom. I also learned to sometimes lead with a question like on Reddit. I also became more acquainted with the various platforms. I also learned that questions seek action from your audience, and it is better to keep your posts short and sweet. The FindLaw article taught me that URL shorteners are wrong and to not use them.

The article by FindLaw states that the best days to post are Thursdays and Fridays. It also says that it is best to keep posts under 80 characters. Did you know that posts ending with a question can have 15% higher engagements? Why? The questions create action (Ramirez, 2011). According to Ramirez A. (2011, April 12), “Thursdays and Fridays tend to be the best days of the week to post content, as the “happiness index” for users peaks toward the end of the week. And weekends can be effective days for posts, yet many businesses avoid the weekends. Monday is the least effective day for posting.” Ramirez also says that Thursdays and Fridays tend to be the best days to post content, and Mondays are the least effective (Ramirez, 2011). I have learned about and researched Twitter. According to Driver, S. (2021, March 3), “Your Twitter profile has six parts: your Twitter handle, username, profile picture, bio, header image, and a pinned tweet. All these elements should work cohesively to be an accurate representation of your business.” One thing that I recently learned, according to Driver, S. (2021, March 3), “You can use the header image behind your profile picture to highlight promotions, events or news about your business. Unlike your profile picture, this image should change regularly.” I need to start changing my images. For more information on using Twitter, here is the link. After looking over the information, I think I have learned much more than I realized. The Social Media class has been a good course, and I need to pay more attention to new information that is up to date.

According to a recent article by Kuligowski, K. (2021, April 15), “It’s becoming more important than ever for businesses to have a distinct voice and engage with customers on a human level. Social media provides an easy avenue for this, allowing you to develop an identity and a voice to showcase your brand values and engage with followers.” Kuligowski also links the major social media platforms for business Facebook, Instagram, Twitter, LinkedIn, YouTube, Pinterest, Snapchat, and TikTok and how to market to Generation Z.

Learning to use social media correctly can significantly help me greatly in my journalism adventures into the creative world of art, music, podcasting, website development, and other endeavors. It could also help me in a job that requires me to post on various social media accounts for their business.

I look forward to expanding my knowledge and learning all I can about the best ways to use social media.

References Driver, S. (2021, March 3). Twitter for Business: Everything you Need to Know. Retrieved from https://www.businessnewsdaily.com/7488-twitter-for-business.html Kuligowski, K. (2021, April 15). Social Media for Business: A Marketer’s Guide. Retrieved from https://www.businessnewsdaily.com/7832-social-media-for-business.html Ramirez, A. (2011, April 12). Effective Tips on How to Use Social Media Marketing. Retrieved from https://blogs.findlaw.com/technologist/2011/04/effective-social-media-marketing-for-your-company.html?DCMP=NWL-pro_downloadthis

[scifigeneration]

'Black Panther' and its science role models inspire more than just movie awards

by Clifford Johnson

King of a technologically advanced country, Black Panther is a scientific genius. © 2017 – Disney/Marvel Studios

It has been said many times that the Marvel movie “Black Panther” is an important landmark. I’m not referring to its deserved critical and box office success worldwide, the many awards it has won, or the fact that it is the first film in the superhero genre to be nominated for best picture at the Academy Awards.

Instead, I’m focusing on a key aspect of its cultural impact that is less frequently discussed. Finally a feature film starring a black superhero character became part of the Marvel Cinematic Universe – a successful run of intertwined movies that began with “Iron Man” in 2008. While there have been other superhero movies with a black lead character – “Hancock” (2008), “Blade” (1998), “Spawn” (1997) or even “The Meteor Man” (1993) – this film is significant because of the recent remarkable rise of the superhero film from the nerdish fringe to part of mainstream culture.

Huge audiences saw a black lead character – not a sidekick or part of a team – in a superhero movie by a major studio, with a black director (Ryan Coogler), black writers and a majority black cast. This is a significant step toward diversifying our culture by improving the lackluster representation of minorities in our major media. It’s also a filmmaking landmark because black creators have been given access to the resources and platforms needed to bring different storytelling perspectives into our mainstream culture.

2017’s “Wonder Woman” forged a similar path. In that case, a major studio finally decided to commit resources to a superhero film headlined by a female character and directed by a woman, Patty Jenkins. Female directors are a minority in the movie industry. Jenkins brought a new perspective to this kind of action movie, and there was a huge positive response from audiences in theaters worldwide.

And beyond all this, “Black Panther” also broke additional ground in a way most people may not realize: In the comics, the character is actually a scientist and engineer. Moreover, in the inevitable (and somewhat ridiculous) ranking of scientific prowess that happens in the comic book world, he’s been portrayed as at least the equal of the two most famous “top scientists” in the Marvel universe: Tony Stark (Iron Man) and Reed Richards (Mr. Fantastic). A black headlining superhero character written and directed by black artists is rare enough from a major studio. But making him – and his sister Shuri – successful scientists and engineers as well is another level of rarity.

Scientists on screen

I’m a scientist who cares about increased engagement with science by the general public. I’ve worked as a science adviser on many film and TV projects (though not “Black Panther”). When the opportunity arises, I’ve helped broaden the diversity of scientist characters portrayed onscreen.

Jason Wilkes is a black scientist on ‘Agent Carter,’ whose character emerged from the author’s talks with the show’s writers. ABC Television, CC BY-ND

Panels from ‘The Dialogues,’ including a black female scientist. 'The Dialogues,' by Clifford V. Johnson (MIT Press 2017), CC BY-ND

I’ve also recently published a nonfiction graphic book for general audiences called “The Dialogues: Conversations about the Nature of the Universe.” Its characters include male and female black scientists, discussing aspects of my own field of theoretical physics – where black scientists are unfortunately very rare. So the opportunity that the “Black Panther” movie presents to inform and inspire vast audiences is of great interest to me.

The history and evolution of the Black Panther character and his scientific back story is a fascinating example of turning a problematic past into a positive opportunity.

Created in 1966 by Stan Lee and Jack Kirby, he’s the first black superhero character in mainstream comics, originally appearing as a guest in a “Fantastic Four” Marvel comic. As a black character created and initially written by nonblack authors, guest-starring in the pages of a book headlined by white characters, he had many of the classic attributes of what is now sometimes controversially known as the “magical negro” in American cultural criticism: He ranked extremely highly in every sphere that mattered, to the point of being almost too unreal even for the comics of the time.

Black Panther is T’Challa, king of the fictional African country Wakanda, which is fathomlessly wealthy and remarkably advanced, scientifically and technologically. Even Marvel’s legendary master scientist – Reed Richards of the superhero team Fantastic Four – is befuddled by and full of admiration for Wakanda’s scientific capabilities. T’Challa himself is portrayed as an extraordinary “genius” in physics and other scientific fields, a peerless tactician, a remarkable athlete and a master of numerous forms of martial arts. And he is noble to a fault. Of course, he grows to become a powerful ally of the Fantastic Four and other Marvel superheroes over many adventures.

While likening Black Panther to a ‘refugee from a Tarzan movie,’ the Fantastic Four marveled at his technological innovations in ‘Introducing the Sensational Black Panther.’ Fantastic Four #52 (July 1966). [Marvel Comics]

The key point here is that the superlative scientific ability of our hero, and that of his country, has its origins in the well-meaning, but problematic, practice of inventing near or beyond perfect black characters to support stories starring primarily white protagonists. But this is a lemons-to-lemonade story.

The Fantastic Four were amazed by the scientific ingenuity of Wakanda in ‘Whosoever Finds The Evil Eye.’ Fantastic Four #54 (September 1966). [Marvel Comics]

Black Panther eventually got to star in his own series of comics. He was turned into a nuanced and complex character, moving well away from the tropes of his beginnings. Writer Don McGregor’s work started this development as early as 1973, but Black Panther’s journey to the multilayered character you see on screen was greatly advanced by the efforts of several writers with diverse perspectives. Perhaps most notably, in the context of the film, these include Christopher Priest (late 1990s) and Ta-Nehisi Coates (starting in 2016), along with Roxane Gay and Yona Harvey, writing in “World of Wakanda” (2016). Coates and Gay, already best-selling literary writers before coming to the character, helped bring him to wider attention beyond normal comic book fandom, partly paving the way for the movie.

Through all of the improved writing of T'Challa and his world, his spectacular scientific ability has remained prominent. Wakanda continues to be a successful African nation with astonishing science and technology. Furthermore, and very importantly, T'Challa is not portrayed as an anomaly among his people in this regard. There are many great scientists and engineers in the Wakanda of the comics, including his sister Shuri. In some accounts, she (in the continued scientist-ranking business of comics) is an even greater intellect than he is. In the movie, T’Challa’s science and engineering abilities are referred to, but it is his sister Shuri who takes center stage in this role, having taken over to design the new tools and weapons he uses in the field. She also uses Wakandan science to heal wounds that would have been fatal elsewhere in the world.

Black Panther isn’t an isolated genius – his half-sister Shuri is a technological wiz herself. Marvel Studios

If they can do it, then why not me?

As a scientist who cares about inspiring more people – including underrepresented minorities and women – to engage with science, I think that showing a little of this scientific landscape in “Black Panther” potentially amplifies the movie’s cultural impact.

Vast audiences see black heroes – both men and women – using their scientific ability to solve problems and make their way in the world, at an unrivaled level. Research has shown that such representation can have a positive effect on the interests, outlook and career trajectories of viewers.

Improving science education for all is a core endeavor in a nation’s competitiveness and overall health, but outcomes are limited if people aren’t inspired to take an interest in science in the first place. There simply are not enough images of black scientists – male or female – in our media and entertainment to help inspire. Many people from underrepresented groups end up genuinely believing that scientific investigation is not a career path open to them.

Moreover, many people still see the dedication and study needed to excel in science as “nerdy.” A cultural injection of Black Panther heroics helps continue to erode the crumbling tropes that science is only for white men or reserved for people with a special “science gene.”

The huge widespread success of the “Black Panther” movie, showcasing T'Challa, Shuri and other Wakandans as highly accomplished scientists, remains one of the most significant boosts for science engagement in recent times.

About The Author:

Clifford Johnson is Professor of Physics and Astronomy at the University of Southern California – Dornsife College of Letters, Arts and Sciences

Clifford V. Johnson is the author of:The Dialogues: Conversations about the Nature of the Universe

This article is republished from our content partners at The Conversation under a Creative Commons license. 

[asimpadhi]

Creativity and Me

(Those who find this long, can read the first 2 and the last paragraphs)

When I was a child, there have been quite a few instances of me being creative. I had written poems in my mother tongue describing the tallest tree in my neighborhood and its surroundings. I tried to design new board games with my own rules (though inspired from a board game called business). I would make up stories as if they happened to me and tell my mom. I would give speeches mimicking some tallest leaders of the country at that time. While I was proud of myself when I did those activities but kind of embarrassed when people recalled them later when I was all grown up.

It is my intention to describe about Creativity and Myself in this personal essay. Therefore I consider it necessary to start with my earliest memories of dabbling in creative pursuit. However it is true that I did not know that I was being creative at that time. Those instances were more of ways to deal with boredom, lack of access to partners for playing any games. We may call them as necessity leading to creativity. These were all my pursuits when I was not yet at school or just about started.

As life went on and school hours increased and I found friends to play with such creative pursuits were almost non-existent. I do not remember any activity bordering on creativity in my school days up until I reached college. I really do not know whether the rigors of life in terms of attending school, doing home-work and assignment took the steam out or the education system did not allow lateral thinking. I lost touch with my ability to make stories and give speeches and I somehow hated the idea of participating in debates. I preferred writing essays and attending quiz competitions. My achievements in terms of awards and prizes will testify this. Drawing or Sketching of any kind was the most hated activity. As luck would have it, the girl I liked did the best drawing/sketching in the whole school. I was so bad that there have been instances my and her drawing were shown as being in the two extremes of the spectrum. That probably killed any kind of inclination to drawing. I took help my elder brother to deal with any kind of drawing necessary to complete my school work.

As I reached college and entered hostel life, things did take some positive turn. There was no censoring of speech and I could take the help of new found freedom to have fun. I became known for famous one liners and cracking jokes. I also learnt that jokes are always at the cost of somebody living or dead and hence it is better to crack it on one self. However I was too shy to go on stage and showcase my abilities. Essays had given way to technical reports and hence I spent my energy in reading, more specifically towards magazines and non-fiction. There have been instances where I have tried my luck with skits and small acts in college functions.

Post education, my involvement in creative acts has been limited to some small acts here and there. There has been a very brief attempt to learn to play guitar. Corporate work and extensive travelling did take its toll on the energy left. It is a 21 years of hiatus from any kind of creativity. I would have used some creative energy in business but those do not give that kind of ecstasy. They are part of doing a job.

While I have said I have been in a break from creativity but I have remained closely associated with creative energies of my kids. I have tried to push them to better at any kind of fine arts or other creative energy they showed. I have tried blogging but has been irregular to say the least. Those moments have kept my creative juices flowing.

I have again started to take keen interest creative activities. My inner energies pushing me to sketching/painting, photography and graphic design. I am inclined to write and have just started writing a blog from past one week. I intend to continue it this time and give it a structure. I have taken up paid subscription in online skill development platforms. I am spending some time in learning and practicing those skills. These time and money investment and the consequent involvement is providing a lot of joy and stress free environment. I am quite hopeful that I will be a better in drawing/sketching this time around and I will be good enough not to be embarrassed. I will be probably that good to show case my work to the world in whatever mode possible. It is my intention to make my craft commercial whether in writing or in drawing or graphic design. I believe it will take lot of effort to find time and put things into practice so that I get proficient on these creative endeavors of mine. Wish me luck.

Please do leave your comments and feedback on the blog page. It will help me in my creative pursuits

[feliciaharder-blog1]

New Blog, New Year?

Greetings Earthlings!

👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽👽

First and foremost, THANK YOU for checking out my blog. It does mean a lot to me that you took the time to peek into the portal of my life here. The site is still fairly new, and I am experimenting with what type of content I want to present here. (AKA which personality of mine am I going to introduce). A lot of people have this ideal image of me, someone who comes across as a sweet, soft-spoken, baby-faced blessed angel that was sent from the heavens above. Which is all ENTIRELY true. However, like everyone else, there are layers to me that I do not tend to showcase to the general population. Again, I’m a little lost with how to start a blog so I guess I am going to just type this vomit introduction....

I guess let’s start with WHY I want to do this.  

PART I: WHY

The biggest risk is not taking any risk. -Mark Zuckerberg

Today, we live in a world that is all about social media, and it is a facet of both our personal and professional lives. To achieve my goals, it seems imperative for me to develop a strong social media network.

As the old saying goes “it’s all about who you know” and it is very important to know how to network in the film industry (or for any career for that matter). Today, we have such a useful tool for being hyper-connected with our fans. It is such an effective way of connecting with people all over the world, and it is easier to stay in touch and maintain the relationship you have with them. 

I would like to use this blog to market myself, showcase my work and use it as a platform to share my friend’s projects.

PART II: WHO IS FELICIA?

I yam what I yam, an dat’s all I yam, I’m Popeye the Sailor Man - Popeye the Sailor Man

(Haha, now the awkward part of trying to figure out how to modestly speak about myself……)

I would like to think that I am cool, comical, semi-collective yet a curious little cat. I am a dreamer with a caring heart. Currently, I am attending film school at Academy of Art University. One of the positive things about being young is that I have freedom for self-discovery. At this moment, I am starting off with a blank canvas as I begin my future endeavors in the film industry.  My mind and creativity require copious time for research, to be curious and to narrow down my aspirations. Finding my passion leads to motivation, which leads to dedication and success. 

When I was younger, I knew I wanted to pursue a career in the film industry, for I grew up in a world of timeless films such as Jurassic Park, Forrest Gump, Pulp Fiction, Clueless, Toy Story,  Austin Powers, Fight Club, and so much more. I was the child who checked out the soundtrack cassette tape to Lion King and later performed a whole play with my sister, stuffed animals and used the recliner chair in replacement for Pride Rock. I knew the passion thrived inside of me, I just needed to learn how to channel it and turn it into my ultimate reality.

PART III: THE FUTURE

I begin with an idea and then it becomes something else. -Pablo Picasso

As I continue my education, I cannot be retained of the idea of fear. Through experience, I know I will develop my own set of unique skills and someday will accomplish all of my goals. I must write as much as can. Write. Write. Write! The more prepared I am, and the more knowledge I obtain the stronger I will be when fulfilling my endeavors. I must learn to be collected when things go haywire and recognize people’s boundaries and be willing to speak up and note when things are not okay. 

My goal is to write the stories I want to share. I need to continue my curiosity of the world around me.  I want to be happy, strong, wealthy, trustworthy, respected, and unique. I yearn for the days where I wake up to a career that I have fallen in love with and go to bed with total utter depletion (with a smile on my face). I want to give myself totally to my work —mentally, psychologically, physically and have an ecstatic sense of having committed myself to my absolute limit.

In order for me to fulfill my goals, I must have an open-mind and indulge in my interests. I need to develop a personal identity and build my production with a brand signature. I must use my energy wisely and continue to learn and ask questions. I cannot be afraid to explore and take “the one less [road] traveled by [because it may make] all the difference” -Robert Frost

Nonetheless, a career in the film industry is my ultimate objective. I have an ambitious appetite for success and to achieve all my aspirations.

PART IV: THANK YOU.

To the world you may be one person; but to one person you made be the world -Dr. Suess

DAD: Thank you for always being my #1 fan, teaching me how to love myself and push for the things I want in life. I think I will be posting a blog dedicated to you later….there are too many things that I can say about our relationship….

JANETTE: Thank you for being a blessing in my life. I treasure the relationship I have with you. You are the person I seek for advice confidently knowing you will always have an answer. I have always looked up to you as a role model. You have taught me so much about what it means to be a woman.

MOM: Thank you for being a not-so stereotypical mother, in a funny way, you have taught me a lot. I would say the most important thing you have taught me is to not care what people think about you because at the end of the day you will always have your loved ones.  Thank you for having a wild side.

MEGHAN: I have come to terms that you are my partner in life. We may have our quarrels, but you never have made me question your love and support. Thank you for being part of my life even though you were forced to be my sister. As the Kardashians would say, “We are sisters by blood, but best friends by choice.” …..yep I just quoted the Kardashians…..

ELLEN: Can you believe we have been best friends for over a decade!? Our childhood friendship is the most mischievous beautiful memory. Thank you for always having fun with me and being there for the MANY stages of my life. Cheers to the many more to come!

JULIETTE: My awesome writing partner/ best friend. Thank you for being so committed to our dream. I am so lucky to have a friendship that meshes into both my personal and professional world. You make me feel strong, confident and driven! I am so excited for the many projects we have been working on! Ugh!! It has been quite the journey!

THALIA: To be honest, I don’t know what happened that made us become great friends. You and I are both strong powerhouses that are destined to kick-ass in the world. I love having you as a sassy best friend. Together, we embrace our inseparable weirdness. We are like two opposing poles of a magnet. Love you.

STEPHANIE H-T: Our friendship has reminded me to not judge other people. Our first interaction was more of us repealing each other and avoiding any real interaction (which is weird because we are awesome together). It wasn’t until a year later, we became friends, and I cherish our friendship very much. In many ways, you remind me of myself, but you are way cooler than I am. Also, Thank you for being Selena’s second mom. I am #soblessed to be your Maid of Honor! 

STEPHANIE M: You truly are a blessed angel sent from above. I have NEVER met someone who is so sweet, caring, and thoughtful. You can make the devil seem like a good person. You truly do have a gift. Every time I am blessed with your presence I seriously feel like all of my sins have been forgiven. You help me reevaluate my life and assure me to never give up! Thank you for being you.

MICHELLE: My goofy Michelle. Yes, you made it to the list (for now)…. Damn girl, I care about you so much. I love how open and honest you are about EVERYTHING! You are another friendship I cherish. You have taught me to not worry about what other people think….even though I sometimes get embarrassed by certain things you say. “We is closing”. Thank you for being my goofball.

TYLER: Thank you for being my rock in life and letting me take up most of the bed. We don’t have the perfect relationship, but I love our imperfections. That’s what makes us --well us. We are a little weird and do things differently, but I am not asking for the perfect fairy tale love story. I want to be with someone who accepts my flaws, challenges me, and supports my dreams. Thank you for being brave, loyal and understanding. I chose you and I will choose you all over again. I am so lucky to have a love story like ours. <3

PART V: GOALS/ 2017

You're only given one little spark of madness. You mustn’t lose it -Robin Williams

Short Term Goals:

Submit my screenplays into a contest

Adopt a Mentor

Produce more short films.

Finish writing feature films.

Finish writing my book with Juliette.

Keep developing new ideas

Create website/blog

Attend events that filmmakers, writers, and casting directors attend.

Engage with industry professionals online.

Add value to people’s lives.

Spend more time outside.

Be consistent.

Long Term Goals:

Start my own Production Company

Write, Produce, Direct my feature films

Win an Academy Award

Become a Showrunner

Win an Emmy Award

Become a Mentor

Add value to people’s lives

Keep developing new ideas

So, that sums up my first official post. I hope some of your are actually excited to see what I have to bring to the table. Like it or not, leave a comment and let me know your thoughts and what kind of content I should post.

Love,

Felicia

PS. I will be posting another blog about my trip to Bali! :)

[evangelynepoet]

A few days ago. I applied to The MacDowell Colony for their summer quarter – June to September 2020. The application went through like a hickory wind on their submitting platform called “SlideRoom”. I had previously applied to MacDowell in 2016 and noticed that my application, although rejected, was still recorded on SlideRoom. Their ethos is you must wait 24 months before re-applying, so it’s been 3 years and I’m hoping they will consider me again. You need “5” achievements which I listed working back (oldest date last) from 2004 on receiving an ASA Poetry Mentorship Award studying with Jean Kent (NSW poet). My number 5 (the latest achievement) I listed as my debut novel forthcoming in April 2020. Without stating the obvious in the application, (okay, I reckon they’ll put 2 and 2 together), and why wouldn’t I desire a residency not far from my New York publishers? You’all are the best thing that has happened to me, ever, ever in my writing career!

Failing this – I have decided to go on a cruise. A possible Sydney to Hawaii round trip or Sydney to New Zealand round trip, but I’m not that far ahead yet.  I like cruising because they are soooo relaxing and this time I would get a window view and treat it like a writing retreat (while at sea).

In all my research I have discovered that the globe is awash with artists’ retreats. And in comparison to a holiday, let’s say, in Pemberton WA with a cost of $2650 for 4* – 5* accommodation  for  2 weeks, $250 per week for any artist’s retreat is preferable and a bargain to boot. You could retreat until you drop!

I really like this and reading it makes one feel  inspired and worthy as a writer. The Alliance of Artists Communities ASA believe “that the cultivation of new art and ideas is essential to human progress, the Alliance’s mission advocates for and supports artist communities, to advance the endeavors of artists.”

There are places — hundreds of them, in fact — where artists of all disciplines can go to work on their art: painters and playwrights, filmmakers and fiction writers, composers, choreographers, printmakers and poets, sculptors, scholars, and songwriters. In short, they are research-and-development labs for the arts, providing artists with time, space, and support for the creation of new work and the exploration of new ideas. Supporting individuals in the creation of new work is essential to human progress — not as a luxury, not as a leisure activity, but as a vital and necessary force in society. Artists’ residencies are not about retreat; they are about advancement. Advancing creativity. Advancing human progress. Advancing the way we examine the world.

The products of that work — books, paintings, songs and symphonies, poems and plays, designs and dances, films and photographs — often surface months or years later. And while supporting museums, bookstores, orchestras, and theaters is essential in providing artists avenues to showcase their work, artists’ residencies offer an opportunity to invest in creation, in the leaps of imagination and risk-taking that compel a person to put pen to page, or fingers to keyboard, or brush to canvas in the first place. These moments often happen in private, away from public view, but they happen every day at any one of more than 1,500 artists’ residency programs around the world.

Field at a Glance

an estimated 500 artists’ communities in the US and more than 1,500 worldwide

> 30,000 artists are provided residencies each year (~10,000 in the U.S.)

residencies in the U.S. provide an estimated $40 million in support to artists annually

70% are multidisciplinary, serving visual artists, writers, composers, filmmakers, choreographers, and others

60% are in rural areas and small towns, while 40% are in urban areas

90% have public programs that engage the local community

You may not have heard of artists’ residencies, but you’ve most likely heard of the artists they have served, and some of the works that have been created there: Quentin Tarantino’s Reservoir Dogs, Aaron Copland’s Appalachian Spring, Gregory MacGuire’s Wicked; Ruth Reichl’s Comfort Me With Apples, Tender At the Bone, and Garlic and Sapphires; Thornton Wilder’s Our Town; Michael Chabon’s The Amazing Adventures of Kavalier & Clay; Allen Ginsberg, David Sedaris, Marcel Duchamp, Christo and Jeanne-Claude, Robert Rauschenberg, James Baldwin, John Lennon, Truman Capote, Bill T. Jones, Spalding Gray, Leonard Bernstein, Edward Albee, Langston Hughes, Liz Lerman, Sylvia Plath, Gwendolyn Brooks, Bob Dylan, John Cage, Merce Cunningham, Gotye, and many, many more.

  Writing Residency or Cruise? A few days ago. I applied to The MacDowell Colony for their summer quarter - June to September 2020.

[nyfacurrent]

Interview: Leeza Ahmady, Director of Asia Contemporary Art Week, ACAW

"My personal mission as ACAW’s director is to create visibility for significant artistic content that is generally unrepresented, otherwise inaccessible, or that needs specific or broader contextualization."

Born and raised in Afghanistan, Leeza Ahmady is a New York-based independent curator and the director of Asia Contemporary Art Week, ACAW, a dynamic platform that brings together leading New York and Asian-based art institutions, museums and galleries to present the largest showcase of cutting-edge exhibitions, innovative projects, and provocative dialogues on current topics.

NYFA: Can you give us an overview of ACAW? 

LEEZA AHMADY: In 2001, a small group of curators, museum directors, and gallery owners came together to create the Asia Contemporary Art Consortium (ACAC) to address their disenchantment with the still very euro-centric New York art scene at that time. They decided to initiate Asia Contemporary Art Week (ACAW) under the fiscal sponsorship of Asia Society, with a mission to collaborate and achieve critical attention for contemporary art from Asia in the United States.

ACAW has since grown as a curatorial and educational platform with a 200,000+ audience reach each year and over 2000 artists presented. I have directed 8 editions of the platform, expanding and broadening its programming in partnership with renowned US and Asia-based institutions, museums, and galleries to create cutting edge exhibitions, innovative projects, provocative dialogues on current topics, and networking opportunities. This fall, in its 12th edition (October 10 - 26, 2017), we will present an extensive overview of the current artistic endeavors in Asia through our signature program, Thinking Projects. Thus alongside presenting our now critically acclaimed annual signature art forum for arts professionals, FIELD MEETING, in October, we are also launching a citywide pop-up exhibition that will introduce artists working in and out of Asia to New York.

My personal mission as ACAW’s director is to create visibility for significant artistic content that is generally unrepresented, otherwise inaccessible, or that needs specific or broader contextualization; as well as to spotlight the work of ACAW’s Consortium partners and participating organizations as important contributors to the field.

NYFA: You have many long term partnerships and short term collaborations. What makes these relationships so successful? How do you expand your relationships with individual artists and organizations in New York?

LA: My work with ACAW involves the vigorous exercise of scoping, identifying, framing, and channeling artistic activity on distinct levels of collaboration. It is kind of an exhausting and invigorating marathon that I love to run. One of the skills I’ve managed to develop is to keep the insight that the art world has many parts and that each part plays an important role at the forefront of my mind. I see it as an ecology, a landscape. Because of this perspective, I’ve been able to include and engage with all spectrums of the art scene: the nonprofit and for-profit museums and galleries, academic institutions, art biennials and festivals, smaller arts organizations with similar missions, community organizations, and artistic collectives as well as auction houses and art fairs. I have achieved this by being conscious of each entity’s mission and by creating and envisioning programs that appeal and address the needs of all these varying operating sectors while keeping the empowerment and promotion of artists at the very top of ACAW’s priority. Please see the diverse list of our current ACAW Consortium Partners here.

It’s all about making practical, conceptual use of what resources are already there and sharing the spotlight without being invasive of any one’s territory. For example, a smaller organization like Japan Society has a very particular focus and audience. Connecting with ACAW means that they open their program to a larger audience interested in Asia. For The Met, a museum that already has a wide-ranging, mainstream audience, they might need the specificity of Asian connoisseurs. Identifying ways to collaborate in realistic scales that tap into already existing budgets and resources or making more effective use of them is also important. So collaborations do not necessarily have to happen in the form of major exhibitions but through significant smaller projects, performance, screening or artists residencies, etc. We try to propose meaningful projects that expand and complement the roster of what’s already being offered by our partners while simultaneously highlighting their respective efforts.

One has also to respond to the ebbs and flows within the scene so we can have greater access to what’s going on inside the regions with those who are involved firsthand. We have also been organizing off-site programs with our partners in Asia to facilitate between institutions, curators, and artists while FIELD MEETING and other ACAW signature programs are launchpads for them in the United States. These activities have attracted more participants and have allowed us to take ACAW to the next level in the last few years.

In 2014, I also introduced FIELD MEETING as the signature program of Asia Contemporary Art Week with the intention of questioning what I call an East-West superiority-inferiority complex, where individual artists are often represented through a particular place, artistic style or a mass movement. The program, which unfolds as a two day art forum with over 30 presenters in each take, is modeled after a studio visit on a large communal scale centered around the presentation of performances, lecture-performances, and artists talks. For professionals in the field, the studio visit means engaging with the artist’s own presence and voice, giving insight into his or her process and intent — a kind of a one-on-one connection that becomes a catalyst for deeper long-term relationships. By bringing together an exclusive audience of arts professionals (curators, museum and gallery directors, collectors and critics) to attend FIELD MEETING to connect directly with artists and their presence, we facilitate an exchange that is far beyond established institutional representation and discourse with much greater nuance.

NYFA: How do you choose artists to be on the program and do you have any advice for artists looking for opportunities?

LA: One important aim for ACAW is to support the process of how Asia concentrates and connects with itself. With FIELD MEETING, I am interested in more than just curating the artists' finished artworks. I’m interested in what artists are thinking about and researching. I am interested in a new model for exhibition-making, one that showcases process rather than objects; the presentation of artists and creative urgencies in a less mediated fashion that also broadly reconsiders Asia as a complex and conceptual space beyond geography, while also addressing the large gaps in the ratio of Asia-based artists represented in the United States.

What makes ACAW and its signature programs compelling is the independent research that lends an independent perspective with a collaborative and inclusive approach. In selecting artists, I connect with various colleagues, consortium partners, and other networks of professionals in the field to nominate artists and outstanding practitioners. Beyond artists, we also invite curators and leaders of organizations and museums to present in our programs. For FIELD MEETING we require that all participants propose and develop original, provocative performance-lectures, performances, or to present in other formats that captivate the most essential aspects of their practices overall. We share elaborate and clear criteria and are very hands on with the development and production of what is presented in each iteration. FIELD MEETING Take 5: Thinking Projects this year further considers artists as active agents in civic life by highlighting their artwork stemming from long-term projects. Capturing the heightened urgency to take art outside of the white box and into open spaces and communities, artists and practitioners directly question institutional boundaries and traditional modes of infrastructure.

As for advice for artists, I say make work because you are feeding your practice; have it become as essential as breathing. Do not make work dependent on an exhibition, invitation to a biennale, or a sale. It’s just really about the practice you’re constantly developing, the way a piano player constantly practices their piano skills. These days many artists have the results-oriented rather than the healthy process-oriented approach. Success will come. It’s important to have discipline regardless of who is looking or not looking at your work. That’s what I’m looking for when I’m selecting artists for programs and exhibitions. I choose based on what, how, or why they’re doing what they are doing and its impact on them and others. I would also advise that you try to travel as much as possible, not just through art residencies but on your own, go to other places, test out your ideas, make work, interact with other kinds of communities. There is a kind of magic in that. You may tap into interest in your work that you don’t find in your ordinary surroundings.

NYFA: Can you tell us about your experience being part of NYFA Fiscal Sponsorship?

LA: ACAW was initiated and operated under the fiscal sponsorship of Asia Society, but it has always operated and raised funds independently with a focused intention to represent a body of arts organizations in a strong collective voice. Our relationship with NYFA further highlights and reflects this independence. NYFA’s support of diverse organizations and artistic projects is also appealing, and we hope that we can begin to really connect with NYFA’s expansive network. This interview is a great opportunity to tell an important story about a significant and evolving sector of the contemporary art world and therefore the current unfolding narrative of one of the largest continents with the largest population on the planet and countless languages, cultures, religions, and artistic heritages.

Learn more about Leeza Ahmady and ACAW.

This interview is part of the ConEdison Immigrant Artist Program Newsletter #92. Subscribe to this free monthly e-mail for artist’s features, opportunities, and events here.

- Interview conducted by Alicia Ehni, Editor of the IAP Newsletter and Program Associate, NYFA Learning

Images from top to bottom: Leeza Ahmady at the opening of her exhibition with Arahmaiani at Tyler Rollins Fine Art, 2014, courtesy of Asia Contemporary Art Week (ACAW) and AhmadyArts; FIELD MEETING Take 4: Thinking Practice, Signature Art Forum of Asia Contemporary Art Week (2016), Hosted by the Solomon R. Guggenheim Museum and Asia Society Museum; and Lee Mingwei: Sonic Blossom performance-exhibition, co-presented as the signature exhibition ofAsia Contemporary Art Week (2015) at the Metropolitan Museum of Art.

[connorrenwick]

Dynamic Branding with Jade Purple Brown

The following post is brought to you by Squarespace. Our partners are hand-picked by the Design Milk team because they represent the best in design.

How many of you in the broad realm that is the creative world have begun a course of study or career in one field only to find yourself taking another path? (We’re raising a few hands over here!) Maybe you’re using your original skill set in new and unusual ways or perhaps branching out to conquer new passions and endeavors. Someone who can relate is Jade Purple Brown, a graphic designer, illustrator, and art director based in New York who specializes in brand image and graphic design for fashion, music, and art-based brands. Jade relies on the website building platform Squarespace to help her site viewers experience the world of bold blocks of color, strong female figures, and dynamic art she creates to encourage herself—and others—to be more optimistic and free. It’s a style she’s known and respected for, as well as one that’s come to be attached to her name.

But that’s not how it all began for Jade. A love of art and design can take you and your career many places, but how do you get where you’re going and at what point do you realize in which direction your talents will shine brightest? For the answers to that, let’s go back to the start.

Jade shares that she started out in fashion marketing and management: “I originally wanted to pursue a career in styling. While I was in the program, they taught us the basics of Adobe Photoshop, Illustrator, and InDesign to create marketing materials, and I quickly fell in love. I started spending my personal time watching online tutorials in order to soak up more knowledge and experiment within the programs even more. With tons of practice and heavy research, I slowly started to realize that my love for art and design could translate into a real career.”

Jade’s passion for designing led her into the world of branding and toward developing her bright, bold signature style. The next step was, of course, connecting with individuals and brands that shared her aesthetic.

“I love creating designs and illustrations for brands that share a similar vision and purpose. It’s the best feeling when brands specifically come to me for my personal style and push me to pump out my very best work,” Jade says.

Every career has its own highs and lows, memorable moments as well as the ones you’d rather forget. However, sometimes, your most challenging projects can be the most rewarding. One that stands out for Jade is her very first branding project:

“My first project was for a well-known beauty brand. I was hired to put my personal spin on an upcoming product launch by creating promotional artwork. The project included creating a catalog/lookbook to be sent out to influencers and imagery to be showcased on their social media platforms and in their NYC office. Because of the tight deadline, there were a lot of late nights pulling everything together, but the project turned out beautifully and I ended up learning a lot.”

So where does all of the inspiration for those big blocks of color and fierce feminine leads come from? Where does Jade go to when she’s looking for something that will push her art direction, design, and illustration from good to great?

“I love collecting 70’s interior design books for inspiration. The over-the-top colorful palettes, quirky motifs, and the overall carefree attitude of the 70s excites me, and those are elements that I like to bring into my work. I also love people watching the New York city streets. The mix of different personalities and styles easily translate to my illustration work, inspiring me to create characters that are bold and unique.”

Much of Jade Purple Brown’s branding work is focused in the fields of fashion, music, and art, so it’s only natural that the work being created would be influenced by the work it’s being created for.

She agrees saying, “Fashion and music have always been big influences on my work. I love keeping up to date with the newest collections and figuring out how I can integrate the different color palettes, shapes, and silhouettes I see on the runway into my own personal work. Music is a big driving factor in my art because it has the ability to push me forward as I work through the toughest of projects. It also keeps me inspired to keep things upbeat and create work that makes me feel good, just as the music does.”

The name of your brand is often the first impression you make, and with the unique moniker of Jade Purple Brown we couldn’t resist asking about its origins and meaning – and couldn’t agree more with the lasting impression it leaves behind.

According to Jade, “My name was actually given to me by a friend who was trying to figure out my middle name. She jokingly guessed Purple since my first and last name already happen to be colors. I loved the way Jade Purple Brown sounded, so I decided to use it as my artist name. My name is a clear depiction of my work: colorful, strong, and unique.”

Everyone knows it’s easier to get by with a little help, and one big way Jade Purple Brown does so when it comes to her web presence, and sharing the work she’s proudest of, is with the assistance of Squarespace for her site needs.

“When people view my website, I want them to feel as if they are being transported to my colorful world of art and design. Squarespace allows me to do just that, by having a clean and easy interface that helps me to create a professional and welcoming space for consumers and clients to discover, shop, and connect.”

Ready to get started for yourself? Take the first step with Squarespace, all-in-one website builder that provides everything including domains, website building tools, analytics, and marketing tools that empower people with creative ideas to succeed. Use coupon code DESIGNMILK at checkout to get 10% off your first purchase.

via http://design-milk.com/

from WordPress https://connorrenwickblog.wordpress.com/2018/11/26/dynamic-branding-with-jade-purple-brown/