#Édouard Debat-Ponsan
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Édouard Debat-Ponsan (French, 1847-1913) Portrait de mademoiselle Élisabeth de Vilmorin (future comtesse d'Estienne d'Orves) au bouquet de fleurs, 1891 Paris, Société nationale d’horticulture de France
#Édouard Debat-Ponsan#French#France#portrait de mademoiselle elisabeth d'orves#mademoiselle Élisabeth de Vilmorin#countess#aristocracy#royalty#royal#aristocrat#lady#noble#nobility#french art#france#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#paris#brunette#woman#female
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~ Édouard Debat-Ponsan Portrait de mademoiselle Élisabeth de Vilmorin (1891) (detail)
via edarlein11 on pinterest
#édouard debat-ponsan#fine art#art history#art detail#painting#old paintings#painting detail#french art#french artist#french painting#french painter#portrait#portrait painting#19th century art#19th century painting#late 19th century#victorian#victoriana#victorian era#victorian art#victorian painting#1890s#1890s art#1891#floral aesthetic#spring aesthetic#springtime#e
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Édouard Debat-Ponsan (French, 1847-1913)
Portrait of Elisabeth Vilmorin with bouquet of flowers (1891)
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Édouard Debat-Ponsan - La gitane a la toilette, 1896
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Édouard Debat-Ponsan (French 1847-1913), Truth Leaving the Well, 1898, Oil on canvas
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Le Massage. Scène de hammam, Édouard Debat-Ponsan (1847–1913), oil on canvas
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Le massage by Édouard Debat-Ponsan, 1883.
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A verdade saindo do poço, 1898
Por: Édouard Debat-Ponsan
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Masszázs: Scène de Hammam , 1883 (Toulouse, Musée des Augustins)
Édouard Debat-Ponsan (1847. április 25. – 1913. január 29.
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One of the best-known works by Édouard Debat-Ponsan, born in Toulouse on 25 April 1847, is “The Truth Comes Out of the Well”, from 1898, linked to the well-known “Affaire Dreyfus”.
The canvas is preserved in the Hôtel de ville d'Amboise.
The two male figures are personifications of Lies and Deception.
The well, in which they try to hide the personification of Truth, is a symbol of the darkness in which they want to hide too hot secrets.
Lies and Deception try to hold back the Truth and prevent her from coming out into the open and in doing so they tear their clothes and the Truth appears as she is, naked, without frills, without hiding, sometimes terrible but always beautiful and luminous.
The mirror is one of the symbols of truth, since through it the rapprochement of the subject and the object, of reality and its representation, is concretized.
Una delle opere più conosciute di Édouard Debat-Ponsan, nato a Tolosa il 25 aprile 1847, è “La Verità esce dal pozzo”, del 1898, legata al noto “Affaire Dreyfus”. La tela è conservata nell’ Hôtel de ville d’Amboise.
Le due figure maschili sono personificazioni della Menzogna e dell'Inganno.
Il pozzo, in cui tentano di nascondere la personificazione della Verità è simbolo dell'oscurità in cui si vogliono celare i segreti troppo scottanti.
Menzogna e Inganno tentano di trattenere la Verità ed evitare che esca allo scoperto e così facendo si strappano i vestiti e la Verità appare così com'è, nuda, senza fronzoli, senza nascondimenti, talvolta terribile ma sempre bella e luminosa.
Lo specchio è uno dei simboli della verità, poichè attraverso di esso si trova concretizzato l’avvicinamento del soggetto e dell’oggetto, della realtà e della sua rappresentazione.
📚Simbolinellarte.blogspot.com/2023/02/imparare-i-significati-dei-simboli.html
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Édouard Debat-Ponsan was a French academic painter noted for his allegorical works, scenes of peasant life and Orientalist works.
Born: April 25, 1847, Toulouse, France
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Édouard Debat-Ponsan (French, 1847 - 1913) Le Massage, 1883 Toulouse, musée des Augustins
#Édouard Debat-Ponsan#art#fine arts#classical art#le massage#female nude#odalisque#french art#european art#brunette#female#portrait#woman#female portrait
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1.- Le Flirt by Édouard Debat-Ponsan. // 2.- Little Women (2019) dir. Greta Gerwig.
#parallels#little women#little women 2019#greta gerwig#timothee chalamet#florence pugh#laurie#laurie laurence#amy march#le flirt#édouard debat-ponsan#edouard debat-ponsan#painting#mine
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