#¿? im not sure i ever tagged anything with furry but might as well start now.

[sheila--e]

OCTOBER DOODLE DUMP!!! Now more furry than ever before.

[the-ghost-of-jason-todd]

KK IM READY NOW🤗 so. it's like the game in the mystery aspect- there's a 'before' and an 'after' the 'event' is what they need to find out. BEFORE- after coming home from a war, shiro decided to open an animation studio (this is the simple version he probably had reason idek) and he took some other friends that he new to work with him. pidge and matt as projectionists, hunk as an engineer/mechanic, lance who helps write cheesy songs, allura voice actress, ect. it was fun. until they got popular

(2) while designing the main character or mascot for the studio beforehand, shiro saw Keith's cat in the window sill and had an idea. Keith had died in the war while fighting with a special team and shiro decided to honour his memory by making the mascot an anthro cat (totally not a furry lmao) that resembles and acts like keith and the shows would always be dedicated to him. shiro didnt realise how popular he would be, making him constantly wonder if this was the best way to preserve his memory

(3) with all the stress on such a small team, problems quickly began to rise. deadlines weren't being met, and overall it as such a mess. the crew rarely saw shiro anymore and when they did, he didn't look okay and he didn't act like himself. he wasn't sleeping much, just planning for something big. the big thing presented itself as a giant ink machine.

oh yeah in this au remember shiro has mad ptsd and a cool old-times prosthetic arm (that some how works in this time lmao

(4) pidge finds notes written in messy ink: 'why stop at his memory? we can bring him back too' and 'this will save the company! why hesitate?' it looks like shiro's hand writing, but she doesn't think it's him. strange things are happening, and she's not sure if she want to stay and find out. but she can't leave. the stairway is flooded with ink again. she is really not a fan of the machine and ends up talking about this issue with lance-the pump to drain the stairway is in his office.

(5) disaster strikes- shiro ends up in the hospital, everyone else: missing. (6) AFTER: shiro wakes up in his apartment well rested for the first time in ages. he figures it's time to go to work and gets ready but something is different. he can't figure it out. the studio is a mess, and he doesn't remember anything about an ink machine. i imagine this part is just like chapter one-collect the objects, turn on the machine. instead of bendy, shiro finds something else.

(7) there's this deformed mess of seemingly solidified ink that seems to be breathing lying down next to the machine. he watches as it slowly attempts to get up but fails until it eventually turns around. the ink reaches out and calls to shiro with a familiar voice. shiro thinks it's unreal but the voice belongs to keith, and the longer shiro stares the more he notices half of the mess of ink that is keith is actually the character based off him. the other half of his body is his regular self

(8) however, the character side seems to be a more deformed version, as he is constantly dropping ink from that side, but also becasue the claws seem sharper (always out not retractable like the character) and it overall just looks terrifying. he's so out of balance that walking or getting up is hard so he reaches for shiro. his ink touches shiro's prosthetic, which covers the entire thing and essentially covers the arm in ink, but he can still use it like normal even better to help keith up now

(9) shiro is now more careful not to let any part of keith touch him except for his arm. keith understands and talks about how he never wants to go back to living in the dark puddles again and would never wish anyone that fate. he talks about the first time he "came to be" and how 'shiro' was there talking to him through the ink before he drowned in it. shiro doesn't remember this, and asks keith if he remembers the war or if he's actaully talking to the character. keith says he remembers dying

(10) he also remembers various 'events' that shiro recognises as shorts he animated with the character. keith then asks if he was real, or if he was just some figment of imagination somehow brought to life. shiro's silence doesn't help because he doesn't think he's stable enough to answer. after a short while keith's body begins to stabilise more so they explore the studio to go find the missing others

(11) that's all plot wise but here's some random points: keith's body will start to melt more depending on his emotional state (like "hey keith are u okay" "ye" "no ur melting what's wrong") keith can somehow communicate with other ink monsters. kuro is involved in the 'event' (nyehe i'll tell u more once i have your thoughts on it). shiro doesn't actaully remember how the studio got so big. it was small the last time 'he' saw it. demonic circles r everywhere too. shiro's ink arm is pretty solid

(12) everyone has something part of them now made of ink just obviously not as much as keith. i imagine the with the format of the game shiro finds a different person each chapter. chapter 1 he find keith, chapter 2 lance, chapter 3 pidge/matt, ect. not sure if i want other cartoon characters (kinda like half of keith) alive yet. (they would make things problematic. which might be good idek let's see)

SWEET HERE WE GO

i don’t know exactly what the mechanics behind the ink creatures in the actual game are (is it implied that alice angel is actually her voice actor?  actually maybe, now that i think about it, because she has two voices, right?) so are you thinking that each missing person corresponds with an animated character?  except probably the projectionists, right?  because they’re not characters, they’re literally just projector heads--the equipment instead of the product

oooh i could see pidge and matt as kind of a tag team, matt with the head of a microphone and pidge with the projector head, and matt sits in wait until shiro/keith make too much noise and then pidge gets summoned and her beam of light traps them

kuro is like the ink demon, right?  so as shiro is going around people THINK he’s the evil one until he can convince them he’s not, and the whole time there’s the threat of the real monster crawling out of the shadows :O

also i’m love the idea of necromancy using black ink??  that’s my favorite fucking thing i’ve ever heard, also with shiro’s prosthetic and the ink machine it’s almost like steampunk except... inkpunk?  HOLY SHIT

also... imagine how much creepier it would be if Keith’s character on the show was silent?  like, they wouldn’t just find a voice actor to voice him because it would just be kinda uncanny valley for shiro, they probably spent months looking for the right voice actor and no one could quite capture him so in respect for the actual man who died they kept the character silent... 

so when shiro first sees him in the factory, he think’s he’s going to be silent (like boris :O) and then he talks, and it’s in keith’s voice.  the RIGHT voice.

that might be the reason shiro or kuro started to get a little, uh, weird in the ‘before’.  he wanted to make this character into KEITH and he couldn’t find the right voice actor, or the right storyboards, or the right scripts... and it just kept driving him more and more into desperation, partly because he thought business would go smoother if he just found the right artist/voice actor, and partly because he just wanted keith back...  grief, man

imagine factory workers who paint smiles crooked on merchandise, it would be like they were insulting keith himself... at least to shiro.  that anger... that could drive anyone to the darkness.  inky, inky darkness :O

[jesliey]

Character Design Questions that i really just wanted to do because they looked fun

Tagged By: No one. I do what I want.

Most of my characters started in D&D but ill list em all for context:

 Aliphos Gardwin, effectively ex-military Ranger from a what is now a frozen wasteland. Hes like a puppy in my eyes.

Anastasia Shepard, actual military. From my ME binge days. Probably the only one who’ll ever have an actual solid visual depiction

Alistair Shepard, twin brother to Ana. Technically not my character, but he punches things and hes such a dick i love it.

Unit 2038, mass produced celestial war machine with severely stunted emotional development. Had a REALLY long nap a while ago.

Firo Schwartzstein Avanezo, sleazy brat who likes to pickpocket and flirt. Closer inspection might catch a glimpse of some of that old money in his blood though.

Morgenstern, funny how dying from several impalement wounds makes a demonic deal for vengeance seem like a good idea. Might know Aliphos eventually im still pondering that...

Sacha Julian N’Doul, THE RICH PRETTYBOY IS JUST HERE TO HAVE A GOOD TIME

THIS IS REALLY LONG SO UNDER THE CUT IT GOES!

Who’s the oldest character of yours that you still use?

oh man i dont really use them as much as id want to...im not a great writer so i dont really do anything with any of them until something comes up like a d&d game for instance. Id still use all of them given the chance.

Aliphos is the one i can always fall back to though, ive had him the longest

Who’s the oldest character of yours, defunct or not?

Im gonna go ahead and assume this means physically. Pretty sure its Unit...either Unit or Firo. Ones a robot, and the other doesnt age, but i dont exactly remember whos older...

Pretty sure its Unit

Has creating a character ever made you realize something about yourself?

There hasnt been a “realization” per se...

Each character ive made has been some kind of manifestation of what i was feeling creatively at the time, with the exception of Aliphos. Hes straight up my first character who i made not realizing how self-inserty he was all the way back in grade 9 of highschool.

Any minor characters that have either taken over or branched off into their own stories?

See now this ones a bit more interesting because i didnt really have a side character until very recently. Sacha is a backup character for the wandering mess that is the party Morgenstern belongs to, and he acts as chief sponsor after they saved him from bandits. He isnt SUPPOSED to come into the spotlight of the adventure, but he will if Morgen becomes otherwise unavailable

Do you prefer to make human, animal, monster, or _____ characters? Why?

Well i mean “human” is very loosely defined here but yeah. These are characters i know and relate to best and im not a furry, so “human” it is!

ignoring the fact that only four of them are actual humans, and one of those four isnt even mine

When creating a character, do you come up with the visual concept or the written concept first?

written concepts, easily. when im sitting down trying to make a new brain-child theres a list of questions that goes through my head to get a better idea of what im going for.

where did they come from? what is the most important thing that has happened to them this far? how do they react to waking up on just a regular day? what is the most common thing they feel both physically and mentally? how do they handle being in a group of other similarly skilled people?

i find that answering just these gives me a better idea of what im working with than trying to get a picture going before having at it

Do you have characters that you know you’ll never use, but can’t bear to get rid of/recycle?

Im honestly having a hard time envisioning using Ana anywhere. shes a bit of an alcoholic downer, and she doesnt play well with others. Morgen doesnt either, but hes currently in use and even then i have to creatively stretch his personality quite a bit just to keep things rolling

i dont like the idea of just getting rid of characters though. a few of them have died. multiple times in some cases. continuities are a thing that doesnt really exist for me, but it is hard to find a scenario where those two in particular would click in well

Is there a character that embodies your good traits, or traits you wish you had?

Aliphos is generally up-beat most of the time, and Firo and Sacha love a good time more than anything else. in general, theyre my more happy characters and i like holding onto that.

Is there a character that embodies your bad traits? Several characters? Which ones and what traits?

Ana and Morgen are definitely some pretty negative characters at their cores. Morgen less so simply because i felt like i was in a bit of a creative rut and i wanted to try something new, but Anastasia came around back at the end of highschool during the Depression Years™ and it shows...

Morgens definitive characteristics are nonchalant detachment and disdain and anger, where Ana is a depressed alcoholic with a death complex. Theres nothing happy here.

Is there a character that explores your interests or fetishes (orrrr is that just all of you characters)?

The most interesting things i can do with my characters is something that i think is unexpected of myself. I had Ali for YEARS before i tried making another character, and while it was fun making a new one, she boiled down to a drunk depressed version of what came before. The more varied and exploratory i can get with my characters the better. 

One of my best experiences with a character was developing Unit. I played out the inner conflict of realizing you are able to take a hold of personal freedom now that you know you can have it while simultaneously not wanting to because youre still holding onto the faith that the higher powers know whats best and you should still be awaiting further instruction. those instructions would never come, and Unit is just another forgotten soldier stuck fighting the war, but it was SO MUCH FUN to play out the moral dilemma and ponder the philosophy! that was such a new experience for me, and i loved it! so i made a point to try and spice it up with whatever i try and make next

If you have characters that embody certain traits of yours—good or bad—has writing them changed how you view those traits? Has it affected you in any way?

In truth? not particularly. i just sorta vomit ideas out onto my characters and whatever sticks sticks. i pay no real mind as to what those ideas mean. its just fun to me.

Do you fantasize about being any of your characters, or are you more detached?

Oh there is no way i can play a character and stay detached...

When im in it? Im in it.

Do you create playlists for your characters?

HELL YEAH I DO. SPOTIFY iS A BEAUTIFUL THiNG.

When writing for specific characters, is there anything you have to do to get into the right mindset?

I will ask myself all the same questions from above as when i come up with the character design, i listen to their playlist if i made one yet, and i picture whatever it was that they just got through experiencing.

a quick crash course refresher on how this character ticks.

Which character is your guilty pleasure?

Oh Sacha easily....hes the first character i think ive made where his entire backstory is hes from a rich family and he likes to try new things. Theres no intricacy here, hes just a simple start to a character and hes fon loving. Hes super refreshing to play around with.

Is there a character of yours who’s a real struggle to write/draw? Why do you think that is?

Award for hardest to work with is probably going to Firo. I just wasnt as invested into making him as i have been for other characters. When i think of characters id like to play around with, hed be on the bottom of the list purely because he has the least amount of my interest

Which character is the easiest to draw/write?

The self insert. Next question.

Is there anything you really wish you could do, character-design-wise, that you feel is outside your current skillset? A concept that you wish you could pull off but are uncertain about?

BRO LITERALLY EVERYTHING. I love coming up with the concepts and flushing them out as i go along, but i am not the greatest at writing and they all just sorta stay in my head. also i cant draw. its a bad time for everyone involved.

What’s more important to you: visual design, unique personality, a trendy character aesthetic, etc? If you’re not sure, then what’s the first thing you usually nail down in a character?

well the first thing i always nail down when i think id like to entertain the thought of a character is their origin. so in a way i guess the aesthetic? though as i said above i like to keep things anything but trendy

Do you ever plan to do anything (comic, animation, etc) with your characters? Or are you just happy to have them?

dude i would love to make something big out of my characters! the problem becomes then that i would need someone who is as in sync with how i perceive my characters to be artistically inclined with, because god knows i cant do shit out here. until that day arises? in my head they stay.