#|| shiori's aesthetics ||

[lachatalovematcha]

★｡･:*:･ﾟ★｡･:*:･ﾟ★｡･:*:･ﾟ★｡･:*:*:･ﾟ★｡･:*:･🏝️🌞🌊ﾟ

☆ ＴＲＯＰＩＣＡＬ ＭＥＭＯＲＩＥＳ☆ 🍍🌺🌈

★｡･:*:･ﾟ★｡･:*:･ﾟ★｡･:*:･ﾟ★｡･･:*:･ﾟ★｡･:*:･🏝️🌞🌊ﾟ

[sshangth-daawnth]

Shiori Experience

[utenanthies]

♡

[revolutionaryshiori]

She’s sad

It was probably her own fault

I still love her <3 ❤️❤️❤️❤️❤️❤️❤️💔💔💔❤️‍🩹❤️‍🩹❤️‍🩹❤️❤️❤️❤️

It’s good to draw fan art again. I feel like I improved so much. Simplifying my style helped so much. The actual Utena style is so weirdly complicated. I would die if I had to animate that. Maybe there is a system that makes it easier.

[tuesdaygorl]

EEEALÉCÉ ÉVÉO ÇÀ GROOLEÈ EEÇÀ

[fattymadiy]

shiori experience

[arcobaleno-22g]

Uraume - Jujutsu Kaisen

[shysheeperz]

[deedoop]

I made my first lockscreen (that I'm publishing) in honor of Shiori Novella's birthday. I used assets from PicsArt to make this and I hope you guys enjoy and have a nice summer 💕

[dreamcrush]

*⁀➷ . . . Shiori Yumeoji ໒꒱

꒰ა aes board with general themes ; @alolansun

[ficryfingcrs]

"Was that that Anus Unnus guy?”

“Is that the youtuber all these kids keep saying Hughes looks like?”

He’s still extremely unaware of the technology stuff and by this point tries his best to avoid it, but his poor, dearest friend seems to always get pestered about some… ‘’ Mark With Pliers ‘’ guy and it’s honestly gotten quite irritating.

“Regardless, no. I don’t even think that he would be in this area for any reason. A videographer has no business here… Can’t say it would be shame to see him around though, it would be nice to finally see the resemblance.”

[editrevue]

🎠 ┊ SHIORI YUMEOJI

✦. mixed board ; happy birthday, Shiori! {06.21}

. . . . . . . ☆ ☆ ☆ ☆ ★ ☆ ☆ ☆ ☆ . . . . . . .

[whispers-from-the-umbra]

TO OBEY A TYRANT - I, APOLLYON VIDEO TEASER

[krysta-cross]

Lovely! She looks like Mai 🖤

Koahri

[arscorpii]

About your poison essay, that scene really intrigued me because along with the bodyswap episode and wakaba flourishing episode, this is one of the only times (that i can remember) that the outside world is depicted outside of things like flashbacks. The streets have a rather “cyberpunk” kinda vibe to them, which contrasts with the rest of the show’s fancy fantasy-inspired aesthetics (barring the back half of the movie).

thank you for sharing your ideas. you have good points!! i agree with you!! your ask also got me thinking about this. throughout the series, several characters were shown to have been able to leave ohtori on their own terms. however, each time, these characters returned to ohtori once again. we saw nanami, shiori, wakaba, tokiko, ruka, and utena leave ohtori, often in relation to other characters, and return due to those specific characters, too. nanami left ohtori grounds a few times due to touga, but in her final attempt at leaving ohtori for good via transfer, she was stopped by touga. shiori left ohtori for unclear reasons, but it's plausible to consider it's due to the complications with herself, juri, and the guy from the past. her return could also possibly be related to juri. wakaba was shown to leave ohtori and go into town twice, and both times were in relation to saionji. tokiko left ohtori after mikage burnt down the research efforts she relied on in hopes of curing mamiya, her ill younger brother. mamiya died and was buried in ohtori. she returned to visit his grave and subsequently, akio. ruka was the only person to have stayed out of ohtori due to illness and not because of anyone in particular. but his return could be due to either being called back by end of the world or due to juri. utena left ohtori several times with akio. anthy never really left ohtori grounds, at least not as herself, as she was at kaoru twins' father's house as the rose bride. it's arguable if that's actually her or if it's a projection of some kind from miki's side. the suicide attempt took place at a location within ohtori, but as you pointed out, we got a look at the outside world beyond ohtori. i think, from my perception and reading, ohtori can be regarded as the general paradigm of a sunlit garden, inside which the people are bound to it by their specifically curated sunlit gardens. it's all-encompassing, a mirror that reflected and amplified the projected sunlit gardens of the beholders; it could be an egg or a coffin, depending on the character itself. connecting this point to the visual themes ascribed to the characters by the narrative in the context of venturing to the outside world beyond ohtori, i think it may allude to the possibility that nanami, wakaba, utena, and anthy had the most viable capability to leave ohtori, that ohotori was an eggshell that they can break out of. we saw that the outside world can be wide and colourful, unrestrained, when these particular characters were narratively placed in it, despite their respective adversities at those moments. this suggestion is supported by the fact that in the movie, utena and anthy managed to escape ohtori, nanami was a cow and thus, was never in ohtori in the first place, and wabaka was the mobile that carried the student council members to eventually escape ohtori. shiori became the vermin-esque mobile, but her focus was on on-upping anthy and utena, she can also turn into a car like utena, and she must be the first to leave ohtori. in any case, shiori struggled to leave ohtori, most likely due to her relationship with juri. but juri was planning on leaving and seemed determined to do so in the movie. looking back to the series, in episode 37, juri, nanami, and miki seemed to have been able to take a step toward moving forward from their own sunlit gardens; and in episode 39, they seemed to have achieved their own revolutions. shiori was in the background for both episodes; she may need a longer time to leave ohtori. ruka died in the series and wasn't present in the movie. safe to say ohtori became his coffin. tokiko was able to move away from ohtori, but she was somewhat bound to it by akio. finally, both utena and anthy were able to leave ohtori both in the series and in the movie :)

[ariadnesweb]

"Miki and Kozue's storyline, which is about the madonna-whore complex-" it is not! It is not about the arbitrary value-making of women's sex lives! It's terrible about doing that, with the simplistic pure twin impure twin dichotomy! What it is, it's about control! About how moralistic aesthetization (Miki) and direct intimidation (Kozue) are tricks society uses to enforce sexual norms and (muddle) consent! The madonna-whore complex is only important as an extension of these themes!

Now Juri and Shiori's storyline, which are about two women who want to fuck each other without admitting they want to get dirty, on the other hand-