#{heaven's gavel'' michael} | Explore Tumblr posts and blogs

slasherholic · 5 years ago

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(psst... did someone say Mikey whump? guys I think someone said Mikey whump…)

Frisky February Prompt: Electricity~ (yes it’s 15 days too early shush) @slashthedice

synopsis: Michael gets served up some nasty, nasty revenge by someone who really, really has it out for him.

warnings: torture in a medical setting, sexual assault, mikey has a bad time ok

foreword: the opinions expressed here by the POV character about certain sensitive topics in no way reflect my own beliefs <3

No Faith in Medicine | Michael Myers x Reader | NSFW

The hospital corridor is long and grey and stretches onward toward a single bolted door, labeled by the rectangular sign hanging above it as Therapy Theater No. 5.

This deep within the bowels of the sanitarium, below the patient wards and the enrichment centers and the checkered courtyard, there is hardly any of the familiar clamour; so as you stride closer to the door the clack of your bootheels over the beige linoleum carries like thunder.

Smith’s Grove was never the sort of place you had pictured yourself ending up during all those sleepless nights studying for your Ph.D, and truthfully, you can’t stand it here. The deliberate blandness of the hospital, with its color palettes limited to inoffensive whites and blues and greys—meticulously designed so as not to provoke its residents—wears on you more than anything else.

You feel like you’re suffocating here; but it doesn’t matter.

This job was never about you to begin with. It was never about some commendable interest in the healing of troubled minds, either; oh-no. There are two-hundred-and-forty-nine permanent patients living inside these sound-proof walls, and while it may not be a very doctorly thing to admit, you don’t give a rat’s ass about two-hundred-and-forty-eight of them.

...and as for that last “troubled mind,” well…

The breezy summer afternoon that Michael Myers was sentenced to life imprisonment exists in your head as vividly as a snapshot picture.

Almost as vivid is your memory of the Halloween that a policeman had come knocking at your front door to inform you in a strictly-business-voice that your sister was found dead in her kitchen, her throat slit open from ear to ear.

You remember watching from your couch as the gavel came down and the judge ruled the man who had taken your sister’s life away as criminally insane—and not responsible for his actions on that fateful October night—and therefor not legally a candidate for the death penalty.

You remember the burning, frustrated tears streaming down your face, the shatter of glass as you hurled the remote at the television screen, and then sinking down in a heap on the floor and screaming until your lungs were raw and your voice was in tatters, because it wasn’t fair, wasn’t fair, wasn’t fair.

So when the news came out that Myers was to be transferred back to Smith’s Grove—hardly a forty minute commute from your own house—you had been out the door that very same day, speeding in your car down the highway, ready to accept any available position the Sanitarium would offer you for your credentials.

It had been your one shot at revenge on the sick, evil fucker who had ruined your happiness; and you were prepared to move heaven and earth just to bring Myers hell.

It had taken eight months before you even laid eyes on the man for the first time.

You’d landed yourself a patient therapy position, but only had the clearance to treat patients who fell under the “medium” and “high-risk” categories. In the entire hospital there were only two patients who fell under the third and final category: a spitting lunatic of a man, who couldn’t be safely approached without first being drugged half-asleep with antipsychotics...

...and Myers.

You had possessed the patience of a saint, climbing through promotion after promotion.

And the very minute that you were handed back a fresh copy of your I.D, now with a little red stamp at the bottom, the stamp that meant you were cleared to work with Myers, you had raced down to the front desk to file your recommendation for treatment.

Three days later, after hours of debriefing by Dr. Ashton, Myers’ new court-assigned psychiatrist, you came face to face with the worst criminal the sanitarium had ever known.

You had seen Myers’ face pictured in black and white on newspaper articles and in fuzzy low-definition on T.V.

And absolutely none of that could have prepared you for witnessing him in the flesh.

The thing that had startled you most when you were led by Dr. Ashton into Michael’s barren, cramped room—the thing that practically had you reeling when your eyes fell on the motionless figure sitting on the cot in the corner, chained at the wrists and ankles by a metal link fastened to the floor—the thing you still despise yourself for thinking—

—is that Myers was jaw-droppingly, stunningly handsome.

His were the kind of ethereal good looks that you might expect to find in some renaissance painting, or a Grecian statue, or a fantasy book.

You had stood staring across the room at the motionless young man, drinking in all the features of his vacant, pretty face; overcome by complete and total disbelief that this was actually the person responsible for all your grief.

And the very next second, that disbelief was shattered like a dropped vase; when you looked into Myers’ stare.

It brought down the temperature in the room like a cold-snap. It was not directed at you, only at the floor, yet it had you shuddering anyway, had all the hairs on your arms standing straight up. It was not a lights-on-but-nobody-home sort of gaze, the kind you were expecting from how Myers had been described by his former psychiatrist. His face was blank, yes; that was accurate enough.

But his eyes, they were the furthest thing from it.

Michael Myers had the eyes of a ruthless, calculating, viciously deliberate predator.

The longer you had stood there, gawking at Myers as if he were a tiger in a cage, hardly listening to Dr. Ashton’s rambling about his admiration of your interest in his patient’s treatment, the more you became aware of the charge crackling in the air; like the moment in a thunderstorm just before lightning rips through the sky. It was as if every fiber in your body could sense the danger radiating from this man; you could all but see and smell the invisible blood staining his hands.

It had turned your vision into a seething cloud of red.

Here was a murderer—the worst kind of murderer, who was perfectly, undoubtedly aware of his crimes, a fact you could tell from just his eyes—who carried in his heart not a single shred of remorse for the lives he’d ripped away. Who, when he was unable to kill, had resigned himself to sitting and anticipating the day when he might once again have his hands around a warm throat, the day when he would pick right back up where he left off and take another life as carelessly and thoughtlessly as one snuffing out a candle.

And this man had been allowed to keep breathing.

You think of all these things as you reach the end of the corridor and swipe your I.D card on the door to Therapy Theater No.5. Hidden locking mechanisms whirr and click open.

You place your hand around the cool metal handle. For a moment, you just stand there. Feeling your pounding heart in your chest.

It pounds not because you are fearful; you don’t care if you get caught because of what you are about to do. You don’t care if you get fired, or if you get your license taken away, or even if you go to jail. Those are the most trivial, unimportant things in the world. No. Your heart does not pound for those reasons.

It pounds because, finally, there will be justice.

Finally, the evil son-of-a-bitch who slaughtered your sister is getting what he deserved all along.

And you get to be the one to flip the switch.

You turn the door handle and step into the room.

Therapy Theater No.5 is bathed in bright fluorescent light and smells strongly of antiseptic and sterilization. Three people are already in the room: two armed guards, who nod in acknowledgment at you when you enter.

And laid out at the center across a white padded table, dressed in a pale blue hospital gown, strapped tightly down at the wrists and ankles by hospital-grade cuffs, looking up at the ceiling as if utterly uncaring, motionless save for the rise and fall of his ribs—Myers.

A nurse had come in before you to prepare the room for treatment. The therapy you’re meant to be administering is simple and painless: electrodes are fixed to the patient’s body and a weak electrical current is passed through, stimulating choice muscle groups—and in more recent cases, even parts of the brain.

You had emphasized that part specifically in your pitch of the therapy to Dr. Ashton, referencing a study which showed how violent tendencies could be soothed in patients who underwent the treatment.

And no, you’d reassured him, it was nothing like electroconvulsive therapy.

The electrical current used in E.S.T is never strong enough to induce seizures. The only thing the subject feels is a mild, if not pleasant, buzz...

·…or at least that’s how it’s meant to be administered.

Tampering with the wattage of the machine had turned out to be laughably easy. A few snipped wires here, a few crunched numbers there, and now the bulky device sitting atop the roll-around table beside your “patient” can deliver a shock nastier than a taser with every throw of the switch.

It’s not strong enough to stop a human heart (god, you wish.) But it is enough to make Myers hurt.

Enough to make him writhe on that table.

Maybe even enough to make the heartless bastard feel something for a change.

You thank the guards before dismissing them. They leave the room but you know they won’t go far; no further than right outside in the hall, waiting through the entire session with their hands on their batons in case Myers gets out of hand.

Their security would be a welcome thing, if you were actually about to /treat/ Myers instead of torturing the living daylights out of him. But now, the guards are just another problem in need of a solution.

Though you are almost confident that Myers will retain his silence throughout the ordeal—that he’ll uphold his veil of distance and aloofness and total lack of care with the stubbornness of an ass—you’re not about to bet your shot at justice on it.

That’s what the ball gag in your coat pocket is for.

Reaching down to check that it is still there, excitement swells in your belly as your fingers graze the black silicone.

On the table, Myers is still motionless. He doesn’t tilt his head to regard you. He pays you no attention at all, in fact, as if you aren’t even there to begin with. Never do his steely eyes move from their fixed place on the ceiling light hanging above him.

As you walk up to the roll-around table, plucking a pair of latex gloves from a box stashed on the shelf beneath before snapping them curtly on, for a reason that you can’t put into words, you find yourself hesitating to look Myers in the face.

It doesn’t matter that he’s restrained; it doesn’t matter that there are two armed and capable guards standing watch right outside. Despite both these things, that vitriolic, charged aura you had felt in his cell still surrounds him now, polluting the room, hanging like a storm cloud over your head.

It’s as if some submissive animal instinct has gripped your brain and now screams warnings at you: Predator. Danger. Don’t look it in the eye. Don’t provoke it.

You do your damndest to dismiss the feeling as nerves.

In a little white tray next to the E.S.T machine sits a filled syringe; a sedative. Dr. Ashton has insisted on it to better ensure your safety, as well as Myers’ cooperation. In the psychiatrist’s exact words:

“These days Michael is, ah, fussier about this kind of treatment—you know, the kind they gotta bring in the guards for, the needles, the cuffs, the whole nine-yards.

It’s a theory of mine that, after living with the sort of power Michael did, the loss of his own control doesn’t sit as nicely anymore. He doesn’t like it. And he’s not afraid to let us know just how much he doesn’t like it.”

Fussy. That was the word Ashton had used to describe Myers.

It had taken every shred of self-control you possessed not to scoff in the Doctor’s face at that; as if the man laid out before you now were some sort of stubborn, overgrown toddler, and not a remorseless, murderous psychopath.

You don’t spare the sedative a second glance as you unravel the bundle of wires and nodes connected to the E.S.T machine; Myers is going to be awake to feel every goddamned second of what you do to him.

Only after you’re finished with him will you finally send him under.

You can picture the conversation with Ashton now: Yes sir, the sedative worked like a charm, he was out like a light the entire time; no sir, no complications at all.

You take your time setting up the machine because you’re still hesitant to even look at Myers, let alone touch him. But when the wires are all connected, the red power button flashing idly in standby, there is nothing left to do except attach the electrodes.

You force yourself to look him in the face as you approach. You should not be afraid of this man; you should resent him, should despise him, but should not fear him. He doesn’t deserve to hold that sort of power over you, or anyone else, ever again.

So you look.

Michael is still watching the ceiling. According to his eyes, he does not acknowledge you.

But just from how the hair on your nape stands on end you know you’re being watched.

Myers is regarding you coolly in his periphery with the curiosity of a feline, feigning detachment and disinterest; but the weight and pressure of that penetrating gaze could not be more obvious if it were a ton of bricks coming right down on your head.

With a deep breath to rein in your resolve, you reach down, your fingers working to undo the first knot on Myers’ hospital gown.

Quickly, you discover that it is one thing to look at Myers; to feel for yourself his ruthless awareness, the raw intensity of his presence.

But to touch him is another thing altogether.

He draws a breath of his own as you fidget with his gown, his strong rib cage expanding beneath your fingers. You shudder at the sudden pressure of his body; whether out of disgust, or anger, or some fucked up fascination, you aren’t sure.

After undoing the ties on both sides, you lift the front of his gown up and off—

—and find that Myers is totally naked underneath.

Standard hospital procedure for a therapy like this one. Nothing new.

But it’s different when the patient looks like this.

You hate yourself for ogling him. You detest the way your eyes rove across Myers’ body, lingering on all the features that your lizard-brain decides it likes; from the stark tendons in his neck to his sharp and angular collarbones, from his broad, rounded shoulders to the beautiful definition in his abdomen, and down even further than that before you can stop yourself.

To the V of his obliques—to the trail of curly brown pubic hair on his pelvis—and all the way down to his flaccid penis.

You snatch a towel from the roll-around and drape it hurriedly over his hips. Not for the sake of his modesty; just so you don’t have to worry about your eyes straying down to the cock of the man who murdered your sister.

As far as the placement of the electrodes on his body, you honestly haven’t given it much thought. It seemed like the sort of thing that would come to you like an epiphany, as if suddenly, in the moment, you would know exactly where to hit Myers to really make him suffer.

But no such epiphany comes. Oh well; you have an hour to experiment.

Grabbing the two nodes off their holders, you run the wires across his chest and press the little round circles down flat against his pectorals.

When your gloved fingers graze Myers’ skin you nearly jerk back your hand, startled. The man is hot like a stove.

Your medical fascination is instantly piqued—Myers must have the hottest resting body temperature you’ve ever encountered. You have to force away intrusive thoughts of sticking a thermometer in his mouth to see that number for yourself.

Focus.

Tugging up on the wires, you test the integrity of the node’s suction. They don’t budge from his chest, lifting his skin with them as you pull. Perfect; It’s nearly time.

Now for the gag.

You just have to cross your fingers and pray that you can actually get it in his mouth.

Looking Myers in the face a third time proves to be no less jarring than it had been the second or the first. You’re just relieved that even after all your poking and prodding he is still pretending not to be interested in you, or in the things you’re doing to his body.

You clear your throat before speaking to him because you don’t trust it enough not to crack.

“Open up,” you command him, mustering every authoritative bone in your body and sounding very official even to your own ears.

Removing the gag from your pocket, you hold it up as if to show him, taking care to conceal the black silicone ball with your hand.

“Mouthguard.”

You doubt that Myers has seen this sort of gag before. Or that he even knows what a gag is. Still, you’re not taking that risk. If this doesn’t work then you’re going to have to drug him just to get the damn thing in place, then wait for him to sober up again—a colossal waste of time.

For a tense second, Myers does not respond to your command. He just lays there on the table, inhaling and exhaling, looking incredibly bored with you, with his nakedness, with the electrodes strapped to his chest.

Your jaw goes tense. You nearly repeat yourself.

But then, he opens up his mouth.

Beneath the harsh overhead lighting his teeth gleam wetly. You suspect immediately that he’s going to try and bite your fingers off the second you get too close.

Game on, fucker.

From the shelf below the roll-around you snatch up a small blotting rag. Walking around to stand at the head of the table, you gaze down at Myers again.

“The strap goes underneath.” You inform him. “I need you to lift your head up.”

He does.

And you strike. Faster than you had thought yourself capable.

You drape the rag over his eyes so that he can’t see what’s coming. Thrusting the gag hard into his open mouth, you wedge it firmly between his teeth. In the corner of the room, Myers’ heart monitor spikes suddenly, the electronic beeping speeding up momentarily—a sound that has you beaming with pride.

You’ve actually managed to startle him.

As you clip the strap into place around the back of his head, a strange sense of accomplishment floods your body—you’ve done it. You’ve actually done it. Everything is ready.

Every sacrifice you’ve made in these past eight months, every hour spent in this godforsaken hellhole, it was all worth it just to bring about this single moment.

The moment is made only sweeter when you rip the rag away from Myers’ face.

Oh. Now you have his attention.

Those pale eyes are looking straight up at you. Considering you with the cutting gaze of a hawk. Working out the situation.

You glare right back down at him. You stare deep into his eyes, the triumphant fire now raging in your chest burning hotter than the ice in his stare, more furiously than all the danger—and you find that you are not afraid of him anymore. Like this, Myers is nothing. He’s not a boogeyman. Not a phantom. He’s just a man—stripped of all his mysticism. Strapped to a table. Naked. Gagged.

Powerless.

Just as powerless to stop what you’re about to do to him as each and every one of the people whose lives he took away.

“Hello, Michael.” You hold his fierce eye-contact as you speak. “Ten months ago you broke into my sister’s house and murdered her.”

Myers doesn’t blink. But neither do you.

“When they tried you, you were supposed to leave that courtroom a dead man walking; you were supposed to die. That's how our justice system works—when you do the things you did, you don’t get to keep on living.”

Nothing changes on Myers’ face as you speak. Nothing changes in his eyes. Not one molecule in his body has an atom of care to give about the words you’re saying. He breathes around the gag, his heart monitor beeping slow and steady.

“I don’t give a single fuck about what that judge said,” You continue. “And I don’t care how sick in the head you really are. You knew exactly what you were doing that night. I can see it in your eyes, Myers—you loved every fucking second of it. And that’s the only thing that matters.”

You draw a long breath. One that you hold in your lungs before letting slowly out again.

“You’re the evilest son-of-a-bitch on this entire fucking planet; and you deserve to die.”

Walking over to the E.S.T machine, fighting back with tooth and claw against furious tears now threatening your eyes, you place your finger over the power switch.

Myers watches you; and you notice something flicker to life in his glacial eyes. Not an emotion. Just a realization.

Good. He understands now. He understands what you’re about to do to him.

“Someone has to make you pay. Someone has to.”

Michael just stares. Watching you. Watching your finger on the switch. His pulse on the monitor ticks as leisurely as if he were about to fall asleep.

“And guess what, you sick fuck?”

Still staring—not blinking—breaths coming slowly.

“I’m so fucking happy that it’s me.”

You throw the switch—

—the wires crackle with live electricity—

—and all of Myers’ deliberate, calculated control is shattered like a dropped glass.

His body seizes. His eyes snap shut. His fingers curl into fists that turn his knuckles whiter than the table beneath him. The tendons in his neck and forearms jump out, straining beneath his skin. His heart monitor beats erratically, the little green line on the screen spiking sharply, racing out of control.

Your eyes are glued to the grisly scene. You devour each and every involuntary reaction, relishing in the complete and utter breakdown of his control.

Fifteen gorgeous seconds pass before you remember that you were supposed to be counting to ten. Whoops. You might be frying his brain into an unfeeling stupor at this point. You flip the switch off in an instant because you need him awake, aware.

Myers’ back falls flat against the table, the current cutting off as abruptly as it began. The muscles in his chest continue to contract and seize beneath his skin long after the electricity is gone; you count the spasms as they tear through his pectorals like sets of waves.

When the spasming stops, his chest heaves up and down, winded. His breaths around the gag come heavily. His eyes are still shut; but no longer are they /squeezed/ shut.

For a moment, you really think that he’s passed out.

Then his eyes twitch beneath their lids and flutter open again. Blinking. Focusing—

—flitting right back on your face. Right back to the spot where he had left them before the current forced them shut.

Myers’ eyes are devoid of care. He is entirely unperturbed by what has just happened to him; entirely unthreatened. But now, that murderous intent—the charge which until now you’d only felt in the air around him—is written in his stare as plain as day.

I am going to kill you, says Michael’s gaze, as nonchalant as if he were stating some trivial fact about the universe, like water is wet, or the sky is blue.

It makes your blood boil.

Adding insult to injury, the speed at which Myers regains control of his body is nothing short of infuriating. You fume as you watch the way his breaths level out again, the beeping from his heart monitor falling back into the former slow, rhythmic pace.

You feel as though you should say something to him; like you should retaliate to this defiance in some way that isn’t staring, because you’ve already lost that battle; you cannot possibly hope to match the severity of Myers’ gaze.

But you don’t.

In your heart of hearts you know that your words will go right through his skull, unheard. There is only one language that Myers understands; only one language that he can comprehend down to his marrow. So you’ll speak it to him.

Without wasting another breath, your fingers find the power switch again. And those defiant eyes of his snap shut a second time.

When you shut the current off the results are the same as before; Myers is heaving on the table. But he takes back his control just as quickly, his stoicism prevailing.

By the third time however, his breaths have begun to linger in their heaviness—

—by the fourth he draws them as shallow as a winded sprinter running a race—

—by the fifth, the intervals between the violent seizing-up of his body are too brief for him to catch his breath—

—and the way he now gasps around the obstructing gag, fighting and failing to suck in air past its silicone, his nostrils flaring rapidly to compensate, is the most beautiful display of desperation that you have ever witnessed.

The sixth time you throw the switch, Myers actually does pass out.

When the current stops his body loses its tension with the abruptness of a cut wire. You wait impatiently for him to open his eyes again with your finger lingering over the switch, preparing to meet that steely gaze with another brutal jolt of electricity.

You wait; and Myers’ heart monitor chugs away like a freight train going up a hill.

Still waiting… waiting...

...and nothing happens. Myers is out cold.

The contentment now pulsing through your veins is what you imagine a shot of heroin feels like. Snapping on a fresh pair of gloves, you walk up to the side of the table to admire your work.

The first thing you notice is the sweat. Myers’ body is drenched in it. It beads up on his chest and clavicle, on his biceps and shoulders, on his brow and cheeks, the skin there flushing a shade of stark, exhausted pink. Gorgeous.

Your eyes travel down his body to continue the examination; you stop at his hands.

Myers’ hands are bloody.

Crescent-shaped cuts litter the skin of his palms, marking the place where his own blunt fingernails had dug in uncontrollably, over and over and over again. The fresh blood streaks in little rivulets down his hands and pools on the white padding of the table beneath.

You chew the inside of your lip as you stare at the mess; these cuts might be tricky to explain away. You’ll have to gauze them and tell Dr. Ashton that his patient did it to himself; maybe recommend that he be switched to a higher Thorazine dosage to really sell the lie.

Luckily, that’s a problem for the future. As for right now, you’re rather enjoying the irony of Myers’ own blood staining his hands for a change.

The inspection continues. Further down his body, you finally notice it; the bulge beneath the towel strewn across his pelvis.

Oh my god, he isn’t. You think, lifting the side of the towel for a peek.

And oh my god, he is.

Rather frustratingly, just like the rest of him, Myers is pretty down here, too. Pretty and big. Which is not a compliment, you reassure yourself. Just a medical observation. You let yourself stare this time, because you’re not ashamed anymore. You’re not threatened by the notion of admiring Myers’ physiology anymore.

Not when he’s so completely at your mercy.

Somehow, Myers doesn’t seem to be the masochistic type, so you highly doubt that actual arousal is responsible for this. Sheer adrenaline coupled with his frantically pumping heart are probably to blame, his brain mixing and misinterpreting the signals, resulting in this little accident.

The longer you stare down at the “accident,” the more you find yourself wondering what Myers would look like fully-erect.

You cannot rip the electrodes off his chest fast enough. Plucking the towel from waist and discarding it on the floor, you stick the two nodes down flat against his obliques, then hurry to rig up a third. That one you plant just above his penis; as close to its base as the curly dark hair will allow.

You stand with your finger ready on the go-button again, opting to let Myers’ still-racing pulse dip out of the red before you pull the trigger and plunge him back into hell. Bloodied hands you can explain away, but cardiac arrest? Not so much.

The beeping slows. The green lines on the monitor settle. You throw the switch.

Myers’ pelvis bucks uncontrollably up from the table—

—and he grunts.

The sound makes your heart sing. It is muffled by the gag, low and reverberating, not very loud to begin with. Most definitely not on purpose; just a reaction that’s managed to slip through while his barriers are down.

Myers’ groin is still quivering when you cut the current off. His cock stands upright, stiff and swollen, totally erect. A line of saliva now dribbles down the side of his mouth, trickling between the gag, collecting in a shimmering mess on his shoulder. He blinks sluggishly up at the ceiling light as if transfixed; still dazed, you would guess.

Something twisted occurs to you as you drink in the scene. Something that you can’t deny.

Seeing Myers like this—fighting for his very consciousness, struggling to retain some sliver of control—is the single most arousing thing you have ever witnessed. You want nothing more in the entire world than to climb onto this dangerous, wounded man’s hips and claim him.

You want nothing more than to give him a taste of what true powerlessness feels like.

It’s a lovely fantasy, a beautiful temptation, and a real shame that it can’t happen. You don’t feel like getting knocked up with the child of your sister’s murderer today; or ever, for that matter. Instead, you think you’ll make a game out of guessing how many more shocks will have Myers coming on his own thighs.

Striding up to the head of the table again, you plant your arms on either side of his shoulders, leaning over him, hardly ten inches from his face.

“Looks painful Myers.” You jest. “How about I make you a deal?”

Michael looks up at you. Unfocused. Blinking slowly.

“I flip the switch,” you continue,

“—and I keep it flipped until you’re covered in your own semen, and after that I jam a needle in your arm, pump you full of drugs, and you get to live out your next eight hours as an unfeeling fucking vegetable. Fair?”

You wait for Myers to do something. For your words to register in his brain. For some flicker of a response to let you know that he’s even still in there.

To your immense disappointment, Myers does nothing. Absolutely nothing. He just...

...well, you can’t even call it staring anymore.

He doesn’t seem able to manage that sort of focus, you realize, inspecting his face closer. His eyes are alarmingly barren; there really isn’t much of anything there, now. None of the ruthlessness, none of that predatory awareness, none of the murder.

You’ve actually shocked the bastard totally, one-hundred-percent out of it.

Whoops.

Back at the roll-around, you snatch up a hand light. Returning to the table, you shine it in his eyes, assessing the damage. His functioning pupil is slow to dilate. Worryingly slow. You click the light off with a contemplative frown.

Half of your mind begs whatever force might be listening that this isn’t a passing affliction, that whatever damage that’s done is done. If the courts insist on keeping Myers alive, then maybe reducing his brains to soup is what it takes to keep him docile. To keep him from hurting another living thing ever again. You can only hope.

As much as you’d love to do so, electrocuting the living daylights out of him some more isn’t likely to bring Myers back to awareness; and the session is supposed to be over soon.

You glance at the clock on the wall—

—Shit. Very soon.

You need to find out right the fuck now if you’ve just rendered Dr. Ashton’s patient catatonic.

Walking around the side of the table, you take Myers’ swollen cock in your gloved hand—trying not to think about the fact that you’re jacking off a condemned murderer—and pump hard, stroking him all the way from the shaft to the swollen tip, squeezing the head, massaging your thumb over it, rubbing all the way back down again.

“Come on, asshole,” you spit. “That can’t be all the fight you’ve got.”

Myers’ hips jerk slightly up from the table as you touch him. Probably just an involuntary reaction. You’ll need him to do better than that. Stroking him faster, squeezing even harder, you pray that the friction of your latex glove against his cock feels just about as pleasant as a rug burn.

As you watch his vacant face like a hawk you see him begin to blink harder, his eyes squeezing shut, twitching beneath their lids, staying closed for a beat before opening up again, like he’s struggling to wake from a deep sleep. A much more deliberate motion; he’s coming back to it.

“Can you feel that? Hurts like a bitch, doesn’t it?”

He breathes hard around the gag. His knees lurch up from the table, the cuffs around his ankles straining, holding him in place.

You give his cock another hard squeeze.

“Forget where you are Myers?”

His jaw goes absolutely rigid with tension.

Ah. He heard you that time. He’s back.

How unfortunate that his brain isn’t fried after all.

You can see it all coming back now as his eyes flit down, locking on your face, rebooting within him like a program on a script; the chilling intensity, the sharpness, all the things that had made your skin crawl in the days past. Despite the torture, nothing at all about Myers’ demeanor has changed.

“Welcome back.” You state dryly. “We aren’t done yet.”

As if to make your blood boil on purpose—as if the battered state of his body means less to him than dirt, as if he hasn’t spent the better part of the hour being brutally, mercilessly tortured by you—

—Myers just watches you. Damning you with his eyes alone to the same grisly demise as before.

An odd sense of something, not quite admiration, sparks in your gut. Looking into Myers’ eyes, there is one single thing that you are willing to give this monster credit for:

What sits before you is a creature that cannot be broken. One that will never be dissuaded from its primal, violent nature. To try it is an impossible task. You suspect that you could stand in this room for days, flipping the same switch, delivering the same current, knocking him to and from consciousness, and into all the states in-between.

And the result would never change. Not ever.

He’d still be looking at you with that same deadly stare. A stare as cold and sharp as the blade of a carving knife.

And it would only get more piercing.

And what a relief it is that your goal in the first place was never to break Myers,

just to bring the gates of hell down on his pretty, curly head.

And you have. You can hear it in every breath he takes; he’s struggling. Although he draws his inhales slowly, with mechanical control, the ragged wheezing in his chest is no longer possible for him to hide. Myers is hurting—he’s hurting bad.

As much as you would love to stay and twist the knife in even deeper, it's time to wrap things up. You’re all out of time.

Pulling the electrodes from his groin and thighs with one hand, you let two of the nodes dangle freely off the side of the table.

The third you stick against his cock.

“Count your lucky fucking stars that not everyone in the world is as heartless as you are.” You tell him, walking back around to the E.S.T machine.

Myers follows you with eyes the entire way, stone-faced, impassive. Like the fact that you’ve just fastened a live wire to his dick is about as boring to him as watching paint dry.

Flick goes the switch.

His back arches off the table like a bent bow. He scrunches his eyes shut, breathing hard around the gag, tugging furiously at the cuffs, the muscles in his calves and biceps straining dangerously, pulling upwards with a brutish force that has table whining beneath him.

You’re transfixed as Michael comes. His mess shoots out in thick ropes, reaching further than you thought possible, coating the table, getting on his legs. The sheer power of his body is a stunning thing to witness. You keep the current running to milk him down to the very last drop.

When he stops coming, you power off the machine.

The node comes away from Michael’s skin in a “pop” that is all-too satisfying. Bundling all the wires and electrodes back into place on the machine you listen to the only measurable signs of the man’s distress; the tortured intake of his breaths, the elevated beeping of his heart monitor.

Then, picking up the needle from the little white tray, you cross back to Myers’ side.

The vein in his forearm is thick and pronounced and the needle slips in beautifully. You press slowly down on the plunger, grateful when he doesn’t try to yank his arm away, relieved when he accepts the drug without a struggle. He must be exhausted.

The sedative works its magic quickly. You pull up a stool and sit down beside him to watch.

The vitriol in his eyes begins to melt and soften. One by one his strained muscles are allowed to relax again, the tension ebbing away; from his jaw, his shoulders, his abdomen, his legs. The electronic beeping on the monitor slows and slows until its powerful rhythm beats steadily again.

Evidently, Michael has decided he isn’t ready to go under just yet. Though sleep pools in his eyelids he blinks it away, clinging in a death grip to his consciousness.

Just to leer at you. Just to picture in his mind the day he will have his hands around your throat; as if it is already set in stone. As if it is just a matter of when.

Then, Michael’s eyelids flutter—

—fighting to stay open, still staring—

—closing, for just a beat too long—

—lingering shut—

—staying shut.

You move to clean him up quickly. The gag comes out first. Lifting his head to unbuckle the strap, you tug out the black ball, letting his strained jaw fall shut again for the first time in an hour; then carelessly drop his head. It thunks satisfyingly as it comes down hard against the table. Glancing at the gag’s silicone, you notice the deep markings worn into it, perfect impressions of Myers’ top and bottom teeth. You almost shudder; a bite from him would have been nasty.

You blot away the drool dribbling down his chin and shoulder with a rag, and then move on.

The last thing you expect as you begin to clean Michael’s bloodied hands is the tears that spring to your eyes. Even with your fear of the man gone and buried, you wish that you didn’t have to touch these awful hands; let alone treat them, bandage them, heal them.

You wipe away the tears on your sleeve as you gather your supplies together on the roll-around.

Grabbing each of his wrists just above the restraint cuffs and turning them so that his palm is facing upward on the table, you hastily swab him down with alcohol pads, wiping up the clotting blood from his skin, squeezing out a blob of antiseptic from a tube to smear across his cuts. As you wrap Michael’s palms tightly in gauze you try your hardest to snuff out that invasive thought when it comes searing like a bullet through your skull—

—these are the hands that killed my sister.

You simply can’t afford to linger on those thoughts right now. Maybe when you’re at home tonight, alone in your bed, you will let yourself cry; but not now. Not while you still need to clean up after Myers’ unfortunate mishap.

Toweling him down from his forehead to his calves, you soak away the sweat. And the semen. Then, you fasten back up the front of his hospital gown, knotting each and every tie.

And just like that, the job is done.

You knock on the door. The guards come in and wheel Myers’ unconscious body out of the room.

The next day, you have a debriefing session with Dr. Ashton. You feed him your meticulously rehearsed lie: that the therapy went without a hiccup, that you firmly believe this treatment could be the key to alleviating Michael’s tendencies for violence.

The moron laps up your every word.

Ashton ends the session with a delightful little surprise; he’s pulled some strings to allow for Michael’s therapy to be carried out bi-weekly. He is so impressed by your drive to treat his patient that he’s offering you a position as Michael’s secondary caretaker. He only hopes that you’ll accept.

The smile you give him is bright and sincere, one that beams from ear to ear.

“Doctor, believe me when I say that nothing in the world would make me happier.”

#Michael Myers #Halloween #Slashers #michael myers x reader #writing

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howwelldoyouknowyourmoon · 4 years ago

Text

Lawmakers welcome a guy to Congress – and the messiah shows up

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Who Is Rev. Moon? ‘Returning Lord,’ ‘Messiah,’ Publisher of the Washington Times

John Gorenfeld – PoliPoint Press

The following is an adapted excerpt from John Gorenfeld’s “Bad Moon Rising: How Reverend Moon Created the Washington Times, Seduced the Religious Right, and Built an American Kingdom” (Polipoint Press, 2008).

The video is from a 1997 Washington Times party where Moon said he founded the newspaper to save the world. In it, he also demands that his employees rid the world of “free sex,” meaning sexual intercourse beyond the purifying influence of his mass weddings.

One chilly Tuesday evening, strange things were afoot on Capitol Hill. The U.S. Senate was hosting a ceremony at the request of a wealthy, elderly newspaper publisher who wanted official recognition as a majestic, divine visitor to Washington. The Dirksen Senate Office Building made for an unlikely temple: a formidable seven-story block of white marble, looming on a street corner diagonally across from the Capitol Dome, its marble pediment is inscribed, “THE SENATE IS THE LIVING SYMBOL OF OUR UNION OF STATES.”

On March 23, 2004, U.S. lawmakers were filmed here in a conference room, paying tribute to the enigmatic Reverend Sun Myung Moon, then eighty-four, and his wife, Hak Ja, sixty-four.

As the cameras rolled, two congressmen presented the Koreans with matching royal costumes. Wearing the burgundy robes and shining crowns, which crested into jagged golden pinnacles, the married couple smiled and waved for the cameras.

Who was this self-proclaimed monarch? In the 1970s, the evening news had presented Moon, the ranting, middle-aged business tycoon who wore flowing robes on special occasions, as Korea’s answer to L. Ron Hubbard, someone for college students to avoid, luring thousands of young Americans into a cult in which they sold carnations on the street and married spouses he chose for them. But the media had moved on to other nightmares, leaving Moon, forgotten, to reinvent himself. Now time had wizened him into an elderly patriarch, wearing an ashen face for his coronation. An orange Senate VIP name tag remained pinned to his gray suit, peeking out from between rows of curly gold filigree, as he stood on stage at the head of a red carpet.

The King of Peace, the Lord of the Fourth Israel, the Messiah, they called him now – and the publisher of the Washington Times. Though over a dozen congressmen attended his pageant, no one spoke a word of it to the press, not at first. By the time the secret was out, and ABC News was broadcasting the strange sights, it was three months later – summertime – and school was coming soon to the States. Soon grand parade marshals would drive teen queens and their bouquets around football fields, and the helmets of varsity teams would crash through banners. And homecoming would not be so different, insisted the two hapless congressmen, from the Reverend Moon’s rites, which had become a scandal.

“People crown kings and queens at homecoming parades all the time,” the liberal Chicago representative Danny Davis (D-IL) said.

“I remember the king and queen thing,” said Rep. Roscoe Bartlett (R-MD). “But we have the king and queen of the prom, the king and queen of 4-H, the Mardi Gras and all sorts of other things. I had no idea what he was king of.”

Yes, they admitted, it was them on camera, walking in the procession with slow, worshipful steps, bowing to the stage where the Moons stood. Those were Davis’s hands, wearing white gloves to avoid defiling the embroidered pillow he carried, a crown bobbing on it, to be lain on the brow of Mrs. Moon; that was Bartlett carrying the burgundy cape for Mr. Moon’s shoulders. Neither seemed embarrassed.

The “throne room” itself belonged to the U.S. Senate, whose Rules Committee, under Republican senator Trent Lott (R-MS), had the final say in who booked rooms and whether visitors could be anointed kings in them. And a senator had to sign off on that. The name of the senator, said one of the evening’s hosts, the defrocked Catholic priest George Stallings, was “shrouded in mystery.”

“There are moments that best play straight,” CNN anchor Aaron Brown said after I discovered the pageant. “So here goes. Lawmakers welcome a guy to Congress – and the messiah shows up.”

The coronation had been disguised as a Washington awards dinner, sponsored by a conservative, pro-war senator who had modestly kept his name out of the picture. The party began normally enough, serving portions of chicken and fish from the buffet and windy politicians’ speeches from the podium. But through a bait and switch – and a strange internal logic – room G-50 of the Senate office building, all marble and eagle seals, changed during the course of the evening into a fantasy throne room, complete with long red carpet, for the stern monarch of the Washington Times, the influential conservative newspaper that warns of immigrants and threats to Christmas – and who also controls United Press International (UPI), the formerly great news agency.

Moon walked from the chilly evening into the marble building dressed in a suit with bow tie and rose corsage. When he got up to deliver his keynote address, it was in a gravelly northern dialect of Korean, a farmer’s accent. Gripping the podium, he gruffly admonished the crowd, which included members of Congress, to accept him as “God’s ambassador, sent to earth with His full authority.”

With a printed copy of the speech before them – headlined Declaring the Era of the Peace Kingdom – guests listened to an English translation in radio earpieces. “The time has come for you to open your hearts,” Moon said, “and receive the secrets that Heaven is disclosing in this age through me.” To prove his credentials, he spoke of testimonials on his behalf – from the lips of the dead, with whom he claimed the power to converse. “The five great saints,” he said – meaning Jesus, Confucius, Buddha, Muhammad, and the Hindu prophet Shankara [Socrates] – “and many other leaders in the spirit world, including even Communist leaders such as Marx and Lenin, who committed all manner of barbarity and murders on earth, and dictators such as Hitler and Stalin, have found strength in my teachings, mended their ways and been reborn as new persons.”

His boasts were underscored with whoops and cheers from his followers, who had the good seats. To their church, the moment was a shining vindication for years of hardship: for being treated in the press as predators and for seeing their Christ-like hero, the Reverend Moon, forced onto the witness stand by U.S. tax attorneys, Sen. Bob Dole, and others between 1975 and 1984. Behind the gavels of government, these Pontius Pilates had pronounced Moon an enemy of the American family and the advance man for a South Korean dictator. The Reagan Justice Department had even sent Moon to prison [for tax evasion and document forgery]. But now Moon was active in family values politics, and members of Congress were as submissive as puppies. Moon prevailed.

Believing they were saving the world, Moon’s men had faced desperate pressure to arrange the awards dinner. The Senate event’s emcee was Michael Jenkins, leader of the American Unification Church, a white, middle-aged, blandly enthusiastic spokesman for the cause. In the autumn of 2003, Jenkins recalls in a sermon found online, the Reverend Moon had instructed him three times, first in a low voice, then louder, that unless the world enacted Moon’s plan for world peace, millions would die in a new Middle East Holocaust. “Not six million,” Jenkins said, “but six hundred million.” That fall the Times publisher fished for hours on his boat, while his apostles begged him not to strain his health. “You tell me to rest,” Moon retorted, “but I’m determining the course of history.” When Moon goes reeling off the coast of Kodiak, Alaska – where the church-owned True World Foods cannery annually ships out over twenty million pounds of salmon and other seafood – his followers believe his fishing also mends the wounds of the Cosmos. One day, the elderly fisherman accused Jenkins’s American archdiocese of taking the mission lightly. Far from it, Jenkins proclaimed from the pulpit. “Our American members are willing to die,” he said. “They’re willing to die. Once they understand God’s will, they’ll die.”

Had the Reverend Moon’s crowning at the Dirksen Senate Office Building not been filmed and photographed from seemingly every possible angle, and broadcast on ABC’s World News Tonight and Fox, and giggled at by The Daily Show’s Jon Stewart, and compared in a New York Times op-ed with an act of the Roman emperor who nominated his horse to the senate, it might have remained a mad whisper among Senate aides.

▲ Sun Myung Moon and Hak Ja Han are wearing Korean shaman crowns with symbolic antlers and trees (the seven branches represent the seven levels of heaven with the Moons enthroned at the top).

Continue reading here

______________________________________________

Bad Moon Rising: How Reverend Moon Created The Washington Times, Seduced the Religious Right, and Built an American Kingdom by John Gorenfeld

Sun Myung Moon – Emperor, and God

Shamanism is at the heart of Sun Myung Moon’s church

Sun Myung Moon: The Emperor of the Universe, transcript and links

#John Gorenfeld #messiah #Sun Myung Moon #Hak Ja Han

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