#[survival is the only way: john-paul]

[survivalxofxthexfittest]

@ashton-ryder

[survivalxofxthexfittest]

@pxtitxrosx

[survivalxofxthexfittest]

Who: @sadavang

When: March 8th

Where: Sada's suite

He knew this was the last place he should be seeking solace in. And Sada, despite thier professional relationship, was the last person who would give it to him. But he needed some release. Just enough to take the edge off and JP had little in the way of options at the Wexley.

So here he stood, alone, outside of Sada's suite - his knock hesitant before rapping his knuckles on her door. "You got a minute?" he asked once she'd answered.

[azuremist]

“Unfinished Painting” — Keith Haring

This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.

“AIDS Memorial Quilt” — Multiple

This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.

“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres

This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.

The SF Gay Men's Chorus

This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.

“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich

After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.

“Blue” — Derek Jarman

This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.

“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres

Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.

In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”

Please feel free to reblog with more additions

[survivalxofxthexfittest]

@pxtitxrosx

[pauls1967moustache]

The other thing about Beatles survival cannibalism is you have to take into consideration who each of them would want to eat first. George would want to eat Paul for being annoying and the meatiest obviously (a logical choice). Paul would pretend he doesn’t want to eat any of them but keep trying to subtly convince George to offer himself as sustenance so the rest of them can live (because he’s the youngest, you see, so that would make it fair). He’d start doing this waaaaayy before anyone needs to eat anyone by the way. They’d be there like two days and he’d be like “George, no one really relies on your existence, have you ever thought about that?” Ringo genuinely wouldn’t want to eat any of them, and would offer himself up to make them stop bickering about it but it would only make the bickering worse because they would immediately reject his offer and start arguing about how it’s not fair for them to eat Ringo just because George/Paul is being selfish. John would want to eat Paul in a gay way but he wouldn’t want to admit it so he’d go along with Paul’s plan to eat George, and George knowing he is outvoted would conspire with Ringo to just leave, and then John and Paul—well. See other cannibalism post for more details.

[survivalxofxthexfittest]

rumor has it you're Jeremiah's favorite sister

@jeremiah-rose / @pxtitxrosx

"I have waited my whole life to hear him say I'm his favorite. Just don't tell Charlie."

[thewalrusespublicist]

omg can you speak more to your latest post about the reverse happening in 1980, I’ve never about the coherence of the narrative actually :O

Yeah an alternate universe would be crazzyy because our main narrator and star witness of the Beatles would be resident shit stirrer … John Lennon.

John

Fucking

Lennon.

The thing with Paul is that he’s kept to a pretty consistent narrative for the past 40 years or so: John broke up the Beatles cause he wanted to move on, army buddies, they loved each other etc. You can criticise it (I certainly do), but it’s coherent. It’s also one that has allowed John grace and promoted love and community as a core message, something that the other last surviving Beatle Ringo is more than happy to support. It works, we get it, it's a good message in many ways.

Whereas John … wooo boy. The only idea we have of what John would have been like is the 70s where he couldn’t even make a narratively coherent sentence.

If you take his comments and put them together, the Beatles break up was because the guys were blokes he got bored of but also the temple he loved too much but also a marriage that had to end but also a mistake in many ways. Simple, right?

And who was Paul again? Oh, well he was his closest friend ever but also someone he was never very close to and a genius but also artistically dead and yeah, he talks to him often but hasn’t spoken to him in a decade and could talk about him for days but also never thinks about him and is his dear one but also a straight and his ex-coworker who he didnt really work with much … wait no fiance/brother that he would do anything for. Whatever emotion John felt at that moment was his new forever truth/cope and that was the shit he was sticking to on record for those five minutes.

 And that’s John in normal factory mode. Now imagine the nuke that would be losing Paul, his Paul. Imagine every extreme feeling and every defense mechanism under the sun all going off at once and right in the interviewer's face like a deranged grief firework show. Then the added mess of Paul being seen as a saint and Paul the person not being there to reality check John’s view of him … chaos. On top of all that, if Yoko is right and John did contemplate an affair with Paul, you think he wouldn’t have spouted that at some point AMONGST OTHER THINGS WE DON’T KNOW ABOUT? 

Trying to work out the whole Beatles saga would be like trying to find Bigfoot but the compass is pointing in every direction and through several detours through an inexplicable amount of orgies, scandals and psychosexual drama.

 Who were the Beatles? God knows, apparently only the best band ever of bffs/coworkers who were so overrated and boring that John couldn’t wait to leave/never wanted to quit. Who the fuck was Paul McCartney? Duh, the most beautiful perfect wonderful genius man who had ever lived, one of the great loves of John’s life whose memory will stalk his dreams and waking hours until his dying day and has seances for on the reg. Oh he's also a sheep fucking devil who was hated and who intentionally and maliciously slept with half of London and wrote 'nogoodsongsshutup' in an evil plot to trick John to make music with him until Yoko freed him from his spell. What was their relationship? ????????? (okay maybe not everything would have changed lol but we would have so many more details on John’s side). There’d be no message from the Beatles tale, no story, no cohesion. Just a free-for-all pile of disparate tales of love, hate, treepanning and heartache to sift through.

In any case, I would love to see the madness that would be their version of Beatles tumblr.

[survivalxofxthexfittest]

@sadavang

The Hangover (2009) dir. Todd Phillips

[bambi-kinos]

I've heard Paul say that Linda and John have something in common. What do you think about this ? What's the difference between Paul's love for Linda and his love for John?

Paul likes people who are good at getting what they want. John had that in spades, Linda lied her way into being a photographer, even Heather Mills was good at that since she had to bounce back from losing her leg. That is probably one of the big things Linda and John had in common, they wanted to live their lives on their own terms. Paul is someone who would have lived his life completely on rails until he found John so that's a quality he would admire immensely.

I think Linda, John and Heather also did something that no one else in Paul's life was willing to do: they validated his anger. John said "your father is fucking awful let's get the fuck out of here." Linda said "your bandmates are fucking awful let's get the fuck out of here."

When it comes to Heather, there's a few articles from that era talking about how Paul is visibly angrier than usual and it brings to mind this quote from Brian:

Paul is endowed with an immense talent, he hides a great inner tenderness and a formidable sensitivity under angry outside. In my opinion, it is the one that most appeals to strangers, autograph hunters, fans and even other artists. He has a beautiful smile and a formidable enthusiasm that he uses, not to be laughed at, but because he knows that these are assets that can make people around him happy.

...Therefore, I do not take into account his mood swings and hold him in high esteem. I would not want to lose his friendship under any circumstances.” - Brian Epstein, A Cellarful of Noise, 1964.

It's interesting that Brian saw an angry outside to Paul when we would not call Paul angry. But Brian saw more than most and saw Paul's rough side and tl;dr I think that's what Brian is referencing here. I think that Heather Mills saw that in Paul and said "stop acting like you're not an angry person, why are you repressing this?"

Linda had a saying for Paul as well: "it's allowed." She didn't judge him for having feelings. When Paul was starting out with John, John didn't judge him for having feelings either.

I think the difference between Paul's love for Linda and his love for John is that Paul trusted Linda more. John was someone that Paul loved deeply but by the time Linda came along, Paul could only safely love John from a distance. The LSD hysteria, the heroine, the Yoko shit, it was all too much and Paul couldn't keep standing next to the blast furnace. Who fucking would? It's not fair but the addict's lot in life is to drive away everyone who loves them until they are alone.

Linda was someone more worldly and she already survived a failed marriage. John at that point was prone to severe mood swings and hysterical outbursts; Linda notably was not. When you're in Paul's situation and you see a sane person who isn't calling himself Jesus Christ reborn and who isn't trying to foist some weird avante garde artist on you? You cling to that lifeboat. Linda wasn't going to stab Paul in the back for money, she wasn't going to call Paul's lawyer racial slurs, she didn't bitch and whine that everyone was an evil racist that was trying to stop her from being with her twoo wuv. Linda in many ways was very similar to pre-drug addiction John Lennon: she knew what she wanted and she went after it.

Paul was able to love her up close because he trusted her more and because she demonstrated that he could trust her. Paul did love John but it was something he did at a distance which frankly was the only thing he could possibly do. John was a black hole of vanity and selfishness that was dragging everyone down with him which is why George got out while he could and Ringo made sure to live far away.

Part of John and Paul coming back together would have included John getting sober and proving that he could stay sober, that he was committed to sobriety for sobriety's sake, and that he wasn't going to go off the rails trying to sabotage Paul's career while Paul was trying to provide for his children. Otherwise Paul should have and would have kept a distance and refused to commit to anything interesting. I think Paul learned his lesson when he showed up to the Dakota and John turned him away saying "you can't just show up like its Liverpool in the 1950s."

That's another key difference between Paul loving Linda and loving John. Linda actually wanted Paul around, John didn't. Paul loved Linda actively and loved John passively.

[beatleskinkmeme]

Summer of Love Fanworks-a-thon Master Post

Please check out these fanworks and leave a comment!

Grateful for him by @johangeorghohman

5 + 1 things, 5 times George wished that Paul never met John (because George has a big fat schoolboy crush on Paul) + 1 time he was grateful that they did met

everything to be discovered by @backbenttulips

John and Paul exploring a romantic relationship with each other during the 2000s-2010s, and navigating life as famous old people and grandparents.

the size of a loneliness by @backbenttulips

Brian survives his overdose in 1967. John and Paul come stay to make sure he gets better, taking care of him in their own emotionally inept way.

Knocking at Your Door by @eveepe

5+1 fic. When they’re kids George learns that an easy way to calm Paul down when he’s getting the horrors is to give him a quick little kiss on the mouth. It becomes his go to method to soothe Paul when he needs to.

I Fancy Me Chances With You by @hootiepgh

Paul participates in a charity auction during the 70s. “Bid on a date with Paul McCartney” John pays an absurd amount of money to win. Paul is shocked. They go on the date and they’re both very awkward, neither are sure why John paid so much and what it entails.

I'll Never Do You No Harm by @hootiepgh

Aftermath of the "I want a divorce meeting," when Mal drives Paul home. Paul is broken and crying. Mal calls John and tells him how upset Paul is. John comes over. All the angst please!

But as the words are leaving his lips, a noise comes from behind by @hootiepgh

Mid-1969, Allen Klein and the Beatles are having a private meeting with Allen still trying to convince them to have him be their manager. He gets really frustrated and lashes out at one or all of them, and in an act of self defense Paul, Ringo, George, and John end up accidentally killing him. Afraid of what might happen if anyone finds out, they all agree to cover up their involvement in the crime. Their personal lives/ marriages start to crumble as they're forced to rely on each other as the only people they trust. Would like the inclusion of McLennon and George X Ringo

If I Needed Someone by @hootiepgh

Paul gets shot during the 1966 Memphis concert. John (doesn't) deals with the angst and the guilt.

Taking Trophies by @m1ssunderstanding

AU where John and Paul see each other sooner, forced into confrontation around 1971 when things were at their worst with John spewing his anger to the public and Paul taken aback by it. Of course this leads to some post-breakup, angsty, possessive sex.

Everybody Loves Somebody by @bewareofdarkness

Soulmark AU, the four of them are soulmates

invisible string by @scurator

McHarrison boat vibes on the Queen Mary for the Venus and Mars release party. Um, bonus points for George showing off that he won Bob Dylan in the divorce

deeper than oceans you run by @timrothencrantz

AU where they went through with doing Beatle island and establish their commune (?) or whatever the plan was. Polyamory ensues. This either fixes everything or makes everything worse (or somehow both)

yellow, orange, and blue, i love you by @menlove

Soulmates au where one sees colour for the first time when you touch your soulmate. I believe it would be fun to see how this would play out. This one could be a fic, a comic page or even an illustration where the boys realise what happened when they introduce themselves, whatever the artist prefers!

take it away by @monkberryfields

Younger John meets an older Paul at a record shop. Paul offers to teach John how to tune his guitar and play a few chords but at a price...

Posy by @ohjohnnysblog

Mclennon does a roleplay where they pretend John is a shy virgin groupie. Bottom! John

Banana Milkshakes and Armpit Hair by @crepesuzette2023

Will someone finally come on Paul's eyelashes?

I ain't no fool, and I don't take what I don't want by @crepesuzette2023

Mal and Paul make love al fresco during one of their trips. Paul wears nothing but the flimsy scarf he's seen wearing here.

all by design by @forthlin

the classic “john and paul do increasingly sexual things with each other while coming up with increasingly elaborate justifications for why it’s not gay” scenario, except they both DO know that it’s gay, they just each think they’re pulling a fast one by convincing the other one that this is normal guys-being-dudes behavior.

I've Just Seen a Face by @javelinbk

when John met Paul

Meeting on the Turret Stairs by @sleeper9

a John/Paul moment backstage (Hamburg/touring years/rooftop/artist's choice) based on the piece, Hellelil and Hildebrand, the Meeting on the Turret Stairs by Frederic William Burton.

Oh no, he's beautiful by @sleeper9

The first time John wears his glasses around Paul he finally gets to actually see Paul's face and oh no, he's beautiful

Run For Your Life by @pie-of-flames

A recut of any footage into some kind of Beatles horror movie trailer (maybe Paul is dead?)

**This will be updated as we get more fanworks!!

[johnwickb1tsch]

andar conmigo ~ part 15

A Walk in the Clouds/Don John crossover outline/fic- Paul Sutton x fem!Reader x Don John triangle ~ You grow up at Las Nubes vineyard, and have to go home to your dying father. You take your fake new husband, Sgt Paul Sutton, with you...Your old flame don John does not like this at all. Warnings: angst, survivor's trauma, smut, FLUFF chapter map

-You stay together for a few days in the hotel in town to recover from your ordeal. Burns, Paul’s slashed arm, a possible concussion, raw scrapes at your wrists and ankles, and the lacerations upon your back that you feel sharply every time you move. A persistent cough dogs you without mercy, your lungs raw from smoke and the pure heat you’d endured in the inferno. 

Anjélica is able to slip away once to check on you. She tells you that Las Nubes has fallen into chaos. No body was ever recovered from the ruins of the house, but it was such an inferno that there’s no conceivable possibility don Juan survived. You hug your sister tearfully, certain you’ll never be able to return to your childhood home again. You do not know how your misadventure will pan out for the rest of your family, living in the shadow of the Aragóns.

When doña Maria sends a representative to your door to make noises about murder and arson, you tell them you’ll be glad to tell the world in court about what depraved things her son Juan Aragón y Espinosa did to you. The papers will eat up every sordid detail. To people like the Aragóns, saving face is everything. It would be their worst nightmare. 

They went away, and you haven’t heard from them again. 

You are sure they will rebuild, and the winery will go on, eventually under Juan’s younger brother, Pedro, who has been away at school. 

You have mixed feelings about Juan’s death. 

A part of you mourns the loss of your childhood companion. The more logical part of you insists that there was nothing left of that boy in the prideful monster Juan became. He fully intended to destroy you for the sake of his own ego, one way or another. He left you to die, and you should feel nothing for him. 

You always thought you would have been burned as a witch in an earlier century. 

You never imagined it was a fate you might actually face in the present time, had your sister, Paul, and the Veterans, bless them all, not banded together to save you. 

Now you and Paul have harrowing nightmares about your pasts, together. You cling to each other at night in your little room, taking turns soothing the other. 

What a pair you make. 

Paul helps change the dressings upon your shoulders. Some of it will heal, but you will be scarred for the rest of your life by what Juan did. You watch Paul work in the mirror, see the dismay upon his handsome features as he peels back your bandages. The wretched words fall from your lips before you can stop them: “Am I ugly?” 

His touch upon you freezes for a moment, taken aback by the vehemence of your outburst. 

You’re afraid that’s your answer, until he asks a question back: “Do you think my scar is ugly?” 

He surely means the long raised cicatrice that stretches the entire length of his abdomen, a souvenir from war shrapnel that nearly took his life in France. You turn in his arms on the bed to look at it, for he is shirtless behind you, only wearing blue-striped boxer shorts and a bandage around his upper arm, every inch your battered war-hero. Your heart is filled with so much love you fear it might explode, and you climb into his lap with your arms around his shoulders.  

“Of course not,” you answer without falter.  

“Why not?” His hands on your waist anchor you, pulling you closer. There’s no where you feel safer, as though finally you’ve found the place where you belong. You cup his face in your hands, tracing those high cheekbones with your thumbs. His eyes are liquid pools filled with so much earnest yearning–this man is so good, so valiant, so true, and you don’t know what you did to deserve him. 

“Because…I love every part of you, Paul Sutton. I love you.” Realizing the magnitude of this admission, you start to cry, but then somehow, you start to laugh too, ducking to hide in the bend of his neck “I’m so sorry.” 

“For what?” he asks through his own tears and laughter, flummoxed by joy and squeezing you carefully in his strong arms.    

“For…everything. For being me. For what happened. For getting you involved–”

He effectively shuts you up with his mouth on yours, a bone-melting kiss that renders you soft and pliant in his arms. “I wouldn’t trade you for anything,” he insists with his forehead pressed to yours. “I would only change…that you got hurt.” 

You’ve never really talked about Juan’s demise, and the parts the two of you played in it. You find that your only remorse in that moment…is that you have no remorse. 

You kiss him again, a lingering lock of lips that feels like offering up a piece of your soul to this man. You feel him smiling against your mouth, and for the umpteenth time you think your heart will burst. 

“Will you say it again?” he asks, so shyly with such a sparkle in his dark eyes. He is breathtaking beyond words, and in that moment you don’t know how you haven’t told him, every day and every hour. 

You never told him what you said to Juan to earn the worst part of your thrashing–you never intend to, you know he would just feel guilty, and that is not a weight you intend to lay on his shoulders, when he already carries so much. But you know what you said that night is true. This man owns you–in the way two puzzle pieces meet, or a lock that has finally found its long lost key–and incredibly…you are fine with that now. There is a freedom in this acceptance of the truth that makes you absolutely giddy inside.  

“I love you.” You say it again, and again, between kisses and running your hands over his form you adore so well. He shudders as your nails graze his scalp and your hips press into his, finding him at full attention between you. Suddenly what little clothing you’re wearing is too much between you. Yet he catches your hands when you reach for the buttons of his shorts. 

“Sweetheart…I want to,” he sighs raggedly. “I want you so much, but you’re hurt, and I–” 

You kiss him again, merciless in your sudden need to devour him whole and lick the bones clean. It’s amazing, how desire acts as such an effective painkiller.  “I’ll be fine. I will not be fine, if I can’t have you inside me.” 

He laughs, that beautiful, unassuming sound that fills you with sunlight. “Honey…” 

“Come here.” He lets you–of course he lets you, you could not budge this strapping man without his cooperation–nudge him over until he can lay back on the bed, and you can straddle his hips. As you undo his buttons you can tell Paul is fighting a war with himself, torn between need and worry. Taking off your brassiere helps slightly–you can’t help but grin with a bit of wickedness as a small sound escapes him, looking up at you. 

“Y/n…” 

“I’m alright,” you tell him gently. “Because of you. Let me thank you.” You feel the burn in your back, the sharp ache as you stretch your skin to lean down to press your lips to his scar, but you have no intention of stopping. 

“You don’t need to thank me…” His breath hitches, his fingers tangling in your hair as you brush the velvety tip of his manhood with your chin 

“I want to. I want to be close to you.” 

That much he agrees with, and you watch him nod, eyes half-lidded, before taking him into your mouth. 

Though he clearly loves it, his head thrown back into the bedclothes, he only lets you savor him for a little while before he tugs gently on your hair, urging you up, needing you too, guiding you with those big hands on your hips until you are sinking onto his thick length, and the both of you see stars. 

“Go slow,” he cautions you sheepishly. “Or I’ll lose it.”

You are so pent up with desire and emotion that you know you won’t last long either. You savor the delicious stretch of him inside you, riding him slowly with your breasts in your hands, his thumb on your ripe little clit driving you mad. He brings you like the sun cresting the horizon, a warm and bright pleasure that fills your center and spreads through your bones. You know he holds on by a thread as your greedy cunt milks every last drop of golden ecstasy from him, his strong fingers digging into your hips with a moan. Breathless, you take mercy on him, uncoupling to take him in your mouth once more. The taste of him spilling upon your tongue is divine–his throaty moans the most wonderful sound. 

With a satisfied sigh you curl up beside him, resting your cheek on his ribs, shuddering for his featherlight fingers tracing over your hair, careful of your shoulders. That disbelieving laughter you love so much draws your attention back up to him, finding him looking down at you with so much joy shining in those lovely dark eyes. 

Not for the first time, you think he’s the most beautiful thing you’ve ever seen. 

“I love you so much.” 

“I love you too,” you answer with a smile, and in that happy moment you know you are equally blessed and ruined. 

The latter, you are finally ready to accept with an open heart.  

___

epilogue to follow...

[franklyimissparis]

hi there can i ask what are your favourite fics??

ahhhhhh this was so hard to narrow down since i think i have something like 300 beatles fics bookmarked on ao3 (plus a ton saved from livejournal but i’ve only included ao3 ones here). at first i was gonna pick a top 5 or top 10 but that was too hard so here are my top 24-ish i think? could have picked a lot more tbh. i only included fics that are completed, even though there are a lot i love that are either WIP or abandoned. also didn’t include any modern AUs though there’s a lot of those that i love as well! if anyone has any specific requests for other fic reqs i’m always happy to suggest more :)

on our way back home by kathleenishereagain

this fic has the most kudos in the fandom for a reason! old paul time travels back to the touring days and his relationship with john changes from there. love the way they integrated the magical realism into this and it’s just such a beautiful, touching story.

knowing that the sun is there by tarenas

john comes out after brian dies. lovely look at john’s individual relationships with all of the beatles and cynthia (but especially his relationship with paul of course)

cutting water with a knife by savageandwise

may’s perspective on john and paul. love love love. heartbreakingly realistic and so poignant. feels like it could have been a cut chapter out of loving john.

i’m so tired, my mind is set on you by dornfelder

god how i wish this is what would have happened in india. i’ve read this fic so many times, it just feels so real i keep coming back to it.

india, actually by inspiteallthedanger

jane notices that john’s india tapes are all of paul a la love actually. love jane in this and paul and john’s dynamic is great.

grow old with me by inherownwrite

john and paul in scotland in the 80s - paul breaks his arm and gives john a fright. such a tender picture of what could have been had things not ended how they did.

i was a younger man then (now) (post hoc) by fingersfallingupwards

using the time traveller’s wife premise in quite literally the best way i have ever read. the way it unfolds is…. stunning.

having coffee by dornfelder

old paul and john reflecting on life and being outed in the 80s through an interview. lovely.

to lead a better life by downtothelastdrop

1966 ringo mistakenly thinks john and paul are together, leading to a revelation of paul’s own.

going nowhere by inspiteallthedanger

fix-it where after surviving the shooting, john moves back to england.

if i could choose my own name, it’d be the one that falls best from your lips by kandakicksass

one of my favourite reincarnation fics ever. i really enjoyed how simple it was, how the pieces just slid into place so naturally.

the birthday party by merseydreams

everyone reunites for ringo’s 40th in july 1980. an excellent look at the dynamic between all the bugs and how things could have gone.

something old something new by inspiteallthedanger

john shows up to pattie and eric’s wedding causing a beatles reunion for the first time in years and some shenanigans and talks with paul. this fic is hilarious and THIS is my george, i love him so much

1967 by please_dont_wake_me

paul and john stay in paris after their 1961 trip. they return to liverpool in 1967 as a couple. this feels so real, the way every minor character is written… the dynamics between them all - every detail is excellent.

the beatles holiday au series by econhomework

an AU that follows john and paul (and george/ringo) being a committed couple in the 60s/70s and having their children via surrogacy. i’ve been subscribed to this series for years now and it’s a lot of fun getting an update that builds upon the last around every holiday, giving a little snippet into their lives as the kids grow up chronologically. (they also have other fics set in this AU in their beatles fic requests series)

the brother dearest series by javelinbk

jim and mimi get married, causing john and paul to become step-brothers (sort of). interesting premise and an even better execution of it. not to mention the idea of jim and mimi getting together will never fail to make me laugh (but also sort of makes a lot of sense???)

how much was mine to keep by mynamesbetty

paul is ‘unstuck in time’ and lives his life out of order a la slaughterhouse five (one of my favourite novels). done very well.

take a sad song and make it better by javelinbk

1980s paul moves his ex-boyfriend into his house because he’s an idiot but i love him. great fix-it.

christmas lights (keep shinin’ on) by distinguished_like

paul invites john to the mccartney family christmas party, leading to some discussions between the two. very cute early years fic.

here today by herspecialagent005

december 1980 except john and paul are hosting a dinner party for some friends in scotland, with magical realism elements. ugh loved this so much, especially linda and just all the little details of john and paul settling into a life together.

kissing the blarney by tikk

paul is the blarney - this turns into a superstitious ritual in the band which emotionally complicates things but ends very satisfyingly.

writing letters (on my wall) by 15clubsaday

70s paul writes to john under a pseudonym while they aren’t speaking. newly finished and wonderful!

the jumper by merseydreams

john sees denny laine wearing HIS jumper and flies back to england to retrieve it. this fic has everything: miscommunication, john being a dumb shite, jealousy, confused denny laine, paul in all his 70s glory, and lesbian linda. truly could not ask for more.

back to where you belong by sleeprettydarling

george on johnandpaul throughout the early years. i’m a big sucker for the george & johnandpaul dynamic and how complicated and devastating it can be so naturally i loved this.

[muzaktomyears]

George Harrison remained an enigma to many people, even those who were close to him. For a man who lectured passionately about karma and the meaning of existence, he seemed self-protective and closed off. Witty when called upon, there were also moments when he could be quite boorish. Perhaps it was because he was only twenty years old when the Beatles became a global sensation. That might not seem particularly young in today’s world of social media fame, but at the time, it was uncharted territory for the kind of adulation he was experiencing.

It was also difficult living in the shadow of Paul and John. In the beginning, they were openly dismissive of him. Paul said he always thought of George as a little brother. At first, John pretended not to know his name and sardonically referred to him as “that kid’’. Ironically, one of George’s compositions, Something, became the most covered song in the Beatles catalogue.

This interview was conducted at George Harrison’s palatial home, Friar Park, in Henley-on-Thames, on November 5, 1980. George was gracious but cool. He made a pot of tea in the drafty, vast kitchen of his 120-room estate, and spent two hours lecturing about Transcendental Meditation and the details of a limited edition of his autobiography, I Me Mine, which is certainly how he must have felt getting out on his own.

In 2000, George was diagnosed with oropharyngeal cancer. George died on November 29, 2001, in the company of his wife, Olivia; his son, Dhani; musician Ravi Shankar; and Hare Krishna devotees who chanted verses from the Bhagavad Gita. He was 58 years old and left nearly $100 million in his will. George told Olivia that he didn’t want to be remembered for being a Beatle, he wanted to be remembered for being a good gardener.

‘It was a transcendental experience that was beyond the mind’

On taking LSD

LSD was just such a violent, big experience. Before it I was totally ignorant, and afterward I knew I was totally ignorant and I was now on my way to having some sort of knowledge. I related it to the childhood experience of Catholicism and going to church on a Sunday and seeing all that phoney baloney. The moment I’d taken LSD, it just made me laugh because I understood it inside, just in a flash. I understood what the whole concept of God or religion was just by seeing it. I could see it in the grass in the trees.

It was an absolute truth; like a light going ching. I took three very powerful trips — big, very important — and then it left me a bit unsure because I had to try and figure something out. By that time I had gotten into Indian music and spent time in India, [and] there was so much about it that felt like home to me. Not the surface that you see — all this poverty and the flies and the shit everywhere — [it] went beyond all that. Smells in the atmosphere and the people’s attitude and the music, the food, the religion, everything about it … home.

‘I’d hear his voice wailing at five in the morning’

On the death of Brian Jones of the Rolling Stones

I liked Brian a lot, and later on, I realised it was probably because we were both Pisces. We both had similar natures. He was also similar in that he had a Keith and a Mick, whereas I had a John and a Paul. We both had that problem of two mighty egos to deal with in order just to try and survive. I was very susceptible to dope, and Brian [Jones] was even more susceptible. He’d come [to my house], and I’d just hear his voice wailing at like five in the morning: “George, Geeooorrgggeeee.” So I’d wake up, see what was going on, and I’d look out the window, and he’d be all white and just shattered walking around the garden — just looking for somewhere to be.

I would always meet him at that time of day and just try to calm him down. And I saw him a lot before he died in that sort of circumstance. The last time I saw him, I think, was when I’d been in hospital to have my tonsils out and he came to see me in hospital and the next week he was gone. He was like all of them who kicked the bucket — it was sad because there were too many pressures, really. Not just the pressure of being famous and having the press hounding you day and night and young fans hounding you day and night. Plus the drugs hounding you day and night.

‘F*** it — I could do better than that’

On his childhood inspiration, Cliff Richard

I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold. I remember going to see Cliff Richard and thinking, f*** it — I could do better than that.

‘I think being Elvis was lonelier than being one of the Fab Four’

On fame — and Elvis Presley

We kept realising we were getting bigger and bigger until we all realised we couldn’t go anywhere —you couldn’t pick up a paper or turn on a radio or TV without seeing yourself. I mean, it became too much. We became trapped, and that’s why it had to end, is what I think … We were like monkeys in a cage. I think it was helped a bit by the fact that it was four of us, who shared the experience. I mean, there was more than four of us, there was Peter Brown and Brian Epstein, but there was only four of us who were actually the Fab Four — whereas Elvis had an entourage and maybe 15 guys, friends of his, but there was only one man having that experience of what it was like to be Elvis Presley. I think that was far lonelier than being one of the Fab Four because at least we could keep each other laughing or crying or whatever we did to each other. It was definitely an asset being in a group.

(source)

[jolieblack]

Jolie’s notes on

The Lion’s Mane (Sherlock & co podcast)

Oh, this case made me so happy. 🦁🪼⛴️

Sweet domesticity in Baker Street, then a client ringing the bell bringing a dramatic case… This is another ACD story with quite striking hidden horror. You don’t really think much about the state of the body when you read it, but when you really start thinking about it, it is horrific. And off they go, our heroes, to solve another mystery and right another wrong.

Heroes with a pension plan, of course. Because of course Mariana would have set that up for them all. I love how this show keeps finding modern ways of showing how well Mrs Hudson cares for those two crazy boys.

Heroes who drink tea with marshmallows, too. Sherlock being a big petulant child about those cracked me up.

Loved Maud‘s early reference to tentacles, too. 🦑

Archie being able to sense when people are sad. 🥹

The non-consensual bathroom sharing made me laugh, too, but can people PLEASE just stop making fun of men who sit down to wee? Housewives and cleaning staff all over the world would be so much happier if all men just did.

"It‘s a trolley stuck in a wall." 😂 Trust Jonk to turn absolutely everything into a rant against the rich. 😝

And then they’re off.

Loved this modern version of "Holmes and Watson get on another train for a case", and John waxing poetic about the countryside by night. I have looked out of the window of a night train at the starry sky in the not too distant past myself, so this scene struck a particular chord. But I‘d just love to see more of this reflective, quiet John. He hides him too well usually.

And talking of beautiful, evocative mental images, the moment when Fjara rises out of the sea mist gave me absolute goosebumps. A sight that makes even Sherlock Holmes go "oh my word" must be a sight indeed. And all that with just voices and music. Amazing work.

I also loved how the mythical aspect kinda crept in slowly but unstoppably, and I spent the longest time wondering why Maud had mentioned none of it. In retrospect, of course there was zero reason why she would have. I kinda forgot that Sherlock Holmes stories love playing with our fears of the supernatural, only to supply a completely natural explanation in the end. But that’s quite an achievement in itself! Well played, Joel.

I’m quite happy with the solution as such, too. The original story has always been a little fantastical, that the waters of the British Channel should contain one single organism who could inflict such damage on a human being. But the combination of Lion’s Mane burns, chemical burns, previous fistfight with probably head trauma and quite possibly also a touch of the Martini effect together could totally do it. I’m glad Ian Murdoch survived, btw, I thought he was going to be the third corpse.

I also really appreciated the Lion/Liona throwback to Rache/Rachel in Study in Pink (which seems to confirm to me that we have seen Study in Pink already and it won’t come back).

And the accents! I loooooved the accents. I think they’re a major part of the reason why I listened to this case three or four times before I even managed to pause the flow to take these notes.

Jonk was really taking cringe to a whole new level in his interactions with the locals, though. This is really a part of Watson’s character that they entirely made up for this adaptation and while Paul plays it to perfection, it never sits quite right with me. I’m glad John was his kind and sensitive self with Maud though.

Sherlock wading in rock pools with his trousers rolled up is a mental image that will stay with me for a long while. Check out this lovely art by @noodles-and-tea

"Sexy murderous sea demons?" - "Very, very unlikely." 😂

"We‘re cutting the engine *and* the conversation." & "You are not a priority." 😂

Poor John, nobody wants to hold his hand…

THE JELLYFISH

There’s a reason why the scene with the submarine submersible has inspired a lot of fantastic fanart. I’ll just let these speak for themselves:

Behold the Lion’s Mane by @starfruitsomething

Lion’s Mane by @abstractfrog

The Lion’s Mane Part 3 by @sealbug

The Lion’s Mane by @reibub

Lion’s Mane Comic by @abstractfrog

I’m so glad they went and found Fitzi McPherson in the end, too. I didn’t expect that and it was a lovely touch.

I may also be a tiny bit obsessed with Sherlock competently handling boats. Very happy to see this several times in this story.

All in all, pure enjoyment this time around. Story, atmosphere, humour, acting, straight As all around for the entire team. More, please!