#[i wanna do more of these kinds of metas they're fun to put together]

[manasurge]

My Characters

Thought I might as well do this since I like how a few of my in-game characters turned out, so here's my roster so far (subtracting a few that are in limbo). Tried to put it in order to most to least used. I'm not one to make my in-game characters as OCs, but I still like to give them a name/aesthetic/theme that matches together (and colour-coordinated) so it sort of seems like they could (also for fashion wars reasons. Name above their respective images below). Also I like giving them singular names. (oh gosh I really hope this automatically shrinks the length of the post bc it's not giving me the "Read More" option >_>') My Main: Vespaura (Mesmer/Mirage). Crystal Bloom/Branded themed. Still waiting for proper crystal aesthetic looks lol (none available in game atm are what I'm looking for). I'm pretty much on her almost all of the time since I'm a ho for Open world and I love GS lasers, clones, portals, and evasion hax (I'm squishy so I need the survivability and sustain, and I tag almost everything, so it works well when doing metas and stuff).

Mourynn (Necromancer/Scourge) - This is the one I took my OC's name from lol, so it's funny seeing her in game bc I forget sometimes lsjflksf. I Tried to make her look like an infected/toxic/poisonous Awakened Nightmare Courtier Duchess, and the squiggly tentacles are meant to portray turning into the necrotic glider below. I really wanna get her a bunch of Mordy and Zhaitan leggies (one day~)

Ferahla (Revenant/Renegade) - I actually updated her back piece and colours a bit since this new back piece was released bc it fit her look much more. I tried to make her look gnarly (also this outfit makes her look a bit nakey, but I'm kind of okay with that tbh alsjflskdjf), and I'm trying to match her to the Chuka leggy for whenever I get around to finishing it. Renegade is also one of my favourite specs cuz I like being at ranged and having the support of Kalla and her Lesbian Warband.

Faihan (Ranger/Soulbeast) - I still adore her look and her name is one of my favourites too. I was sort of going for a pheonix/firebird Hunter (bloodborne) kinda vibe. I couldn't decide between capes so she has one for Power and one for Condi. Also it's tricky to dress for leather armour, so I like how this turned out.

Vaipaura (Mesmer/Virtuoso) - All my mesmers have similar names bc I think it's funny to headcanon they're just different AUs of each other (not gonna show Chrono here bc she's in Limbo. Her name is Vastaura). I wanted to give Vaipaura a Regal Canthan Noble Madam kinda vibe (also I just love the combo of this outfit and backpiece). She also has Exordium cuz it also matches this look too. However I still heavily prefer playing Mirage bc despite this one being great for DPS and very neat. It's just super squishy with not a lot of survivability/sustain and no clones to distract, and it feels so slow, but regardless it is still fun to play as well (I just miss spamming dodge all the time :( I also miss my clones)

Mortesque (Necromancer/Reaper) - I'm not 100% sure if this will be the final look for her or not, but I was mostly just trying to match her to Zhaitan's Bite when I finally unlocked it a little while back. As you can tell I really like greatswords (the only 3 leggies I have are GS lol)

Shroudryss (Thief/Specter) - My newest sapling. I'm stll not 100% sure about the outfit, but it'll do for now. Specter is really fun!! I really like fancy magical mobile classes. I need to play thief way more tbh since it's more of less up my alley (this one will be my first to go to)

Jadesta (Engineer/Mechanist) - Her name and look are very on the nose. HOWEVER I am proud of the name I gave to her mech: Caladborg (also I really like the Aetherblade look here and at least it's easy/fun to give her stuff for fashion wars)

Prismysta (Revenant/Herald) - I wanted to make her fit the pretty pearlescent look of Glint's facets, and I did want one light-themed cute character. Also there was just so many pretty pieces that wouldn't work with Vespaura that I thought it'd work well for her!

Hexirax (Thief/Daredevil) - I still super need to change her name bc it for sure as hell does not suit her at all lmao!! But since I still needed a pink Sylvari, I thought it would be funny to make it my Daredevil (also the weapon worked well for this so I made her Sakura themed. Her outfit is still subject to change if I find something better)

Vallotash (Guardian/Dragonhunter) - Still not sure what to do with her yet (might switch her elite spec, idk yet), but I'm still super proud of her name and I forgot I made this look on her. I like the colour combo, and I still might keep it (subject for change tho, but I don't hate it)

[fullofmemories]

katrina + self destruction

1. Loui.se Gl.ück  |  2. Jea.nette Win.ters  |  3. Ra.iner Mar.ia Ri.lke  |  4. Su.e Zha.o  |  5. Ave.tt Brot.hers  |  6. Ha.lsey / Mi.tski  |  7. Shan.e McC.rae  |  8. @/arsonsug.gesstion / @/vindi.ctivesuggestion  |  9. Mot.her Moth.er / Gir.l in Re.d  |  10. Sa.fia Elhi.llo

do not reblog.

[thedamageofherdays]

This week's (16-08-2021 - 22-08-2021) reading log is here. This week's reading log is super duper long and filled with lots of good things (my apologies for the long post, I really could not find a good spot to do a read more). I discovered some new favourites and re-read some old favourites and while I had an intense week personally at least the fics I read were absolutely phenomenal. I do recommend checking out the warnings as some fics are a bit heavier/angstier and you might wanna be prepared. Most of these fics are Stucky but there are a couple of other ships in between.

If you are looking for more fun and/or good things make sure to check out the @marveldisabilitycelebration as well to see all the awesome art, fics, meta, etcetera people created! And while I am mentioning events I am a mod for let me also just quickly mention that sign-ups for the @stuckygiftexchange are still open until the end of the month <3

Favourites are marked with a 🌻 Fics that are only available to AO3 users are marked with a 🔒 and Tumblr fics are marked with a 🍀

🌻 The Bends by dreamsinthewitchouse @dreamsinthewitchouse [Danbeau, side Stucky, 2k words, Teen]

Memory is not a house you can just walk back into after finding the key you thought you’d lost. It’s a thing you wade into and out of, rewriting it as it rewrites you.

It’s not without its rewards, either - recovering a memory about Maria and Monica, about her life, feels better than socking a thousand bad guys in the face, better than all the photon blasts in the world.

Then again, realising there’s still memories she can’t access, even after all this time, feels like drowning in space.

Not the one out there - the one inside her.

🌻 Sweet & Salty by musette22 @musette22 [Stucky, 3k words, Teen]

Idiots in love. That's it. That's the fic.

When life gives you lemons by moonythejedi394 @moonythejedi394 [Stucky, 34k words, Explicit] (11/15 chapters)

Or 13 Terrible Things to Do With Lemons Other Than Making Lemonade

Steve Rogers is a home health nurse. He works for an agency, which assigned him to the aging Winifred Barnes, the one and only Silent Era Hollywood darling. As her needs increased, she requested the agency assign Steve to her full-time. She could pay for it, so she got it. Steve then moved in with her, becoming her caregiver; he cooked, he cleaned, he managed her medications, he made sure she was comfortable.

Winifred's children treated him less than ideally. He was the help, after all. And then Steve had the audacity to go and turn out to be eldest son James Barnes's soulmate. No one saw that coming.

🍀 SamRhodey Tumblr Fic by ipoiledi [SamRhodey, ? words, Teen?]

“Wilson, this is Rhodey; Rhodey, Wilson,” Tony Stark says, and suddenly some six foot tall sexy guy is shoved right in front of Sam, and they both stumble a little, bumping into each other. This is a crowded party. “You guys have things in common, right?” Stark asks. “Uh, Army stuff. Talk about that. I hate wallflowers; stop wallflowering and talk to each other.”

Shorteralls by moonythejedi394 [Stucky, 6k words, Explicit]

The first time Bucky ever saw Steve Rogers, he was struck by how Neanderthal-like his response was. It was immediately followed by a bout of mental scolding. The second time was just about the same. The third time, it was actually appropriate for Bucky to start a conversation with him, at which point he was determined to be the gentleman.

No such luck. Steve Rogers is, always has been and always will be, a relentless flirt. These days, Bucky's Neanderthal-ist feelings about Steve are consensual and highly appreciated. More so now that they're having a baby.

what the fuck are perfect places anyway by tigerlilycorinne [Stucky, 6k words, Teen]

Steve clears his throat and stands. “Well, I should head in. I might want to begin packing.”

Bucky stills. “You won’t,” he says, trying to sound commanding. It only comes out uncertain. “Don’t.”

Steve shakes his head. “Maybe not tonight,” he says, and Bucky knows they’ll be discussing this again soon.

“Then stay. Play… play cards with me or something.”

Steve’s eyebrows jump up, his mouth tugging up in another of his bemused smiles that do things to Bucky’s insides, but he drops his hand from the doorway and steps back into Bucky’s room. Somehow, Bucky feels as if he’s won—not the war, just the battle.

Steve won’t stay forever. But he’ll stay for cards.

Steve and Bucky, on the run after Civil War (with a few alterations to canon), are laying low in Wakanda. But they can’t stay there forever.

🌻 honestly thought i’d be dead by now, but what you can trust is that i need your touch by moonythejedi394 [Stucky, 105k words, Explicit]

Bucky is 37 years old; he’s unmarried, hasn’t had a Sub of his own, is definitely not ripped, comfortable at his job as an Advanced Practice RN at Brooklyn General ER, and just got his Five Years coin from AA.

Steve is 26 years old; he’s unmarried, his last and only Dom has Alzheimer's, he's worryingly muscular, uncomfortable in his job as the government’s poster Alpha for masculinity and strength, and worries more than he should about his BMI.

Unfortunately, Steve and Bucky meet initially in a not-cute moment. Bucky’s tired as shit thanks to the sudden alien invasion that shook New York and Steve is tired as shit because he hasn’t slept more than 20 minutes at a time in – well, since 1936, probably. Bucky’s Alpha instincts get irritated at the sudden presence of another "Alpha" into his territory and Steve’s suppressed submissive tendencies latch onto this grumpy bachelor Alpha and he only suppresses it further.

Bucky’s grumpiness and Steve’s duckling impressionism aside, both of them are a mess. But since both of them are a mess? Their messes seem to fit pretty well together.

Deep Sea Diving by Aida Ronan [Stucky, 5k words, Explicit]

Steve's wallowing in heat-related misery under a shade tree in Central Park when a man walks by in bright red booty shorts and a crop top. RIP Steve Rogers. It was nice knowing you.

honey, make this easy by steebadore [Stucky, 8k words, Explicit]

Bucky likes the way he looks. His silk button up with the tiny gold polka dots feels soft on his skin and is tailored perfectly; no pulling at his chest or belly. His hair falls in shiny dark waves and his skin is smooth and dewy. He looks expensive. He looks taken care of. He looks like Steve’s.

🌻 let's take it back to the start by howdoyousleep @howdoyousleep3 [Stucky, 6k words, Teen]

How it all began.

This sleepwalking through my life. by barthelme [Stucky, 1k words, Explicit]

The internet is an interesting place and when Bucky came home (or, when he came to live with Steve), Steve did a lot of research. Apparently, it’s not safe to wake a sleepwalker. He assumes that waking a sleepwalker with traumatic dreams and PTSD is beyond just being frowned upon.

And he tells himself--has told himself--that this is safer for Bucky. That if he were to stop him and wake him up, that Bucky would be mortified to be slurping on his best friend’s cock. That all of the improvements he’s made would be lost, would be repressed, would be just--

They’d be back at square one.

So he lets Bucky do it.

🌻 the way i've been craving by howdoyousleep [Stucky, 3k words, Explicit]

"Lunch break at 12:30. My office. Hope you’re hungry…"

It’s the ellipsis that sends Bucky’s insides swimming warmly, his heart beating twice as fast against his ribs where he sits in class. Senator Rogers is concise, direct, to the point. Without an ellipsis this is lunch, this is a meeting. With it though?

This is a booty call.

nasty but classy by howdoyousleep [Stucky, 4k words, Explicit]

“No, you don’t have to know the purpose, that doesn’t matter. Nat showed me this challenge where couples drink a lot of wine and get drunk together but they can’t touch each other. And whoever touches the other first has to...has to give the other head.”

🌻 Put It on Repeat, It Stays the Same by giselleslash [Stucky, 20k words, Explicit]

Steve and Bucky have a one night stand that turns into a friends with benefits situation. A weekend snowed in at Bucky’s apartment brings to light how much that really doesn’t suit either one of them.

Greetings to the New Brunette by victoria_p (musesfool) [Stucky, 10k words, General]

"You said he should have a hobby. That it would help."

"I meant, like, knitting or coin collecting. Motocross, if he was feeling antsy. A baby's not a hobby. It's lifetime commitment."

🌻 Rogers & Barnes: Partners by triedunture [Stucky, 10k words, Teen]

Steve and Bucky have to pose as a couple for a mission. Nat insists it really is the only option. She's checked.

The complication: unbeknownst to even Natasha, Steve and Bucky's friendship has been rocky ever since Bucky confessed his tender feelings and Steve left him out in the cold. Can asexual, completely-in-love-with-his-angry-best-friend Steve complete the mission and win Bucky's heart?

(The answer is yes. Yay!)

this will be our year (took a long time to come) by biblionerd07 [Stucky, 4k words, General]

Bucky's therapist is worried he's using Steve as a crutch and wants him to try going on outings without Steve. It wouldn't be terrible, honestly, if Bucky could just manage to open his mouth and say something to Steve.

I'll hold my breath by Little_Lottie (tfwatson) [Stucky, 8k words, Mature]

Sometimes Bucky’s hands flex in Steve's direction. Neither of them knows exactly why, but at least one of them has a hunch.

Bucky touches everything but Steve, even though Steve is all he really wants to touch.

Start from the Beginning by Mumble_Bee [Stucky, 13k words, Explicit]

What about a sex pollen fic where the pollen-ed one doesn’t remember getting hit in the face with a sex flower, and wakes up midway through the depollenating?

Or: the one where Steve wakes up on his back with a stranger buried balls-deep in his ass.

Match by emphasisonem [Stucky, 4k words, Mature]

The situation’s actually kind of funny from the right perspective, Bucky thinks as he reads the message for what feels like the hundredth time. He’s finally matched with a hot, funny guy. Tall and broad and clean cut. An absolutely breathtaking smile. Bucky’s walking wet dream. And he’s good. They haven’t messaged on the app, but Bucky already knows him.

He knows him because Steve Rogers is an art history professor at his university. His art history professor.

Best friends and married since childhood by StuckySituation [Stucky, 1k words, General]

Inspired by @/peterssquill's post in tumblr: "bucky and steve got married on the playground when they were like eight and though neither of them would ever admit it to anyone, even each other, they still consider it official"

~♥~ ♥~ ♥~

“Natasha, stop trying to set me up with every woman you meet, I’m-”

“Too shy? Too scared?”

“No, I’m-”

“Too busy? You’re mostly retired these days, not a good excuse anymore.” Natasha smirks and then drawls: “Or just too gay?”

Steve flushes at that, even if isn’t true -- he’s bisexual, not gay. “Let it go, Nat, I’m not looking for anything. I’m already married, for fuck’s sake.”

Clearly not what she expected. “What.”

Steve grimaces. He didn’t mean to tell anyone that, ever.

“Sorry, can’t talk about it right now!” he says and jumps out of the plane.

Nobody Should Be Alone on a Holiday by emphasisonem [Stucky, 2k words, Teen]

“So, um-” Bucky begins speaking again, pulling Steve from his less-than-work-appropriate thoughts. The brunet has shoved his hands into the pockets of his dark slacks, and he’s shifting from one foot to the other as he smiles shyly. “I have a question for you.”

“Shoot,” Steve grins, leaning back in his chair and crossing his arms over his broad chest. Bucky swallows deeply as one of his hands comes up to pull at the collar of his button-up, and Steve can’t help following the motion of his Adam’s apple.

“I was, uh-” Bucky continues- “That is, I heard you don’t have Thanksgiving plans?”

In which Bucky finds out that Steve's going to be alone on Thanksgiving and invites his coworker to spend the holiday with him.

🌻 It's Been A Long Season Through by thiccbuckybarnes @thiccbuckybarnesfic [Stucky, 49k words, Explicit]

Bucky Barnes is in desperate need of a change in scenery, which is why he makes the foolhardy decision to quit his job, leave his asshole of a fiance, pack up his life, and move to his grandfather’s old farm all within a single day.

He expects confusion, hardship, and maybe even failure. But love? He wasn’t expecting that.

--

Or, a Stucky Stardew Valley AU that nobody but me wanted and that’s ok.

oh, peach pit, where'd the hours go? by thiccbuckybarnes [Stucky, 10k words, Explicit]

Can't see the forest for the trees.

--

Or, Steve learns that just because he and Bucky got their happily ever after, it doesn’t mean the past won’t come back to bite them.

I'll find my way by rainbow_nerds [Stucky, 725 words, Teen]

Steve had watched Bucky fall, and nothing had been the same since.

AU-gust day 19: Daemons

special delivery by glim @glim [Stucky, 6k words, Teen]

It's not that Steve's bad at taking care of himself when he gets sick; he just wishes he didn't have to all the time.

At least he can order most of what he needs online. That's some small comfort, that he can have soup and ice cream and everything else brought to his door.

at first chance i'd take the bed warmed by the body by spacebuck @spacebuck [Stucky, 8k words, Explicit]

This close, Steve can see exactly how beautiful his hands are. He’s never really noticed before, or at least he’s never really had a reason to notice, but the man’s hands are large, tanned like he works outside all day. There’s an endearing callus on the heel of one of his palms, and Steve can’t quite work out when calluses became endearing.

Steve pauses the video. Swallows hard. Casts his eyes around for anything that’ll keep his mind off the hands on his screen, off the words inked into those hands, the delicate shape of a bird’s wing, the curling edge of a vine.

He looks down. The name of the channel is right there, blaring the man’s name right into Steve’s brain until it feels like he’s known it all along.

Bucky Barnes.

OR: the one where Bucky's a youtuber who solves puzzles on camera, and steve's smitten and horny

🌻 Rock On! by millesable @marvelousescapism [Clintasha, 700 words, General]

“Hey, Romanoff!”

He lifted his hand, index finger and pinky finger raised, thumb out, all other fingers tucked. Their secret sign; their confession for the world to see, safe in the knowledge that the world wasn’t listening.

“Rock on!”

🌻 You Like the Way I Look by dontcallmebree @iamthe-wo-manwhocan [Stucky, 2k words, Explicit]

Bucky sidles up to him, hand boldly coming to rest on his chest. “What about you, big guy? Care for a dance?” Steve watches Bucky’s eyes twinkle with satisfaction, somehow already knowing he’s got Steve on the hook.

A decade out of the ice, Steve Rogers returns to New York. Reeling from a battle against the Chitauri, a night with the troublesome Bucky Barnes might be just what he needs.

Join the Rebellion by rainbow_nerds [Stucky, 765 words, Teen]

Bucky knew he shouldn't be out after curfew, but he couldn't resist the urge. He didn’t know where he was going, but he knew it was where he wanted to be.

AU-gust day 20: Dystopia

🔒 Five Days in December by mywingsareonwheels @mywingsareonwheels [Evanstan, 4k words, Teen]

“Shit shit shit shit...” muttered Chris to himself, glad that the sound of piped Christmas carols was drowning out his swearing amid the picture books. Most of the store was heaving even though it was Sunday, he’d been recognised at least three times, finding presents for all of his nieces and nephews was proving far more of a headache than expected, and he’d just sent a pile of copies of "Strictly No Elephants" tumbling off the bookshelf.

He scrambled about trying to pick them all up, and then dropped them again as someone bumped right into his backside. He lost his balance, caught himself against a bookcase, and a landslide of "Carter Is a Painter’s Cat" joined "Strictly No Elephants" on the floor. He yelped.

“Ah fuck, I’m so sorry… Chris!”

* * * * * * * * * *

London, December 2021. Amid cats, books, and the cold English drizzle, Chris finds everything he was hoping for and thought he would never have.

* * * * * * * * * * * *

Reaching for Fire by dixons_mama @dixons-mama [Stucky, 7k words, Explicit]

Bucky has always felt a fire in his heart (and other body parts) when it came to his boss, Steve Rogers, but he's made sure to never feed those flames. When he finds out about Steve's second job, though, he's tempted to let that fire out.

i've been dreaming of a face like yours by thiccbuckybarnes [Stucky, 3k words, Explicit]

Bucky is about to busy himself with making a small dinner for himself when he stops in his tracks at the figure drinking a cup of coffee in the kitchen, leaning against the counter and smirking at him.

It’s Steve.

“Surprise, sweet boy,” he says before setting his cup down.

--

Or, PWP reunion sex

🌻 Somewhere, Under Your Skin by thiccbuckybarnes [Stucky, 16k words, Explicit]

Bucky Barnes treats himself to a one-night stand after having a very bad no good day.

The sex is good--great, even. Might be the best sex of his life.

But Bucky wouldn’t have slept with the guy if he had known that he was going to continuously run into him every day for the next fucking month.

--

Or, a Big Grump Bucky has a hot one night stand with a college kid who is popping up everywhere in his everyday life and he doesn’t know how to deal with it.

(Written for HYBB Bingo Square: Grumpy Bucky)

i've played heartstrings before but not in your key by thiccbuckybarnes [Stucky, 11k words, Explicit]

He glances down, seeing a folded couple of papers, before peering up at Bucky. The older man is biting his bottom lip, making it pretty and red. Steve wants to run his tongue across where his teeth are digging into his flesh.

"What's this?" Steve asks, setting his phone down, emails forgotten. Bucky shrugs and looks away.

"I dunno. You tell me, genius," he says, sounding bratty enough that it makes Steve's dick twitch in his pants. Jesus, there has to be something wrong with him.

Steve glances once more at Bucky, who now has his arms crossed against his chest and is pointedly not looking at Steve, before picking up the stack of folded papers. He opens them, seeing a collection of maybe five or six sheets of paper. His eyes immediately land on the list of familiar words with negative next to each one. -- Or, Steve Rogers is a jealous, possessive little shit that wants nothing more than to mark up his boyfriend and stake his claim. And Bucky knows it. (And he likes it.)

🌻 I'm Home (With You) by BonkyBornes @padfoot-and-the-marauders [Stucky, 2k words, General]

In any other circumstance, the apartment would've been perfect. But it was today, and the fact that he was here meant he wasn’t out searching. He knew they hadn’t had any leads for weeks and he knew Natasha was right; all three of them were exhausted and a break would do them good. It just felt wrong to Steve that he was comfortable while Bucky was still out there—somewhere. Probably cold. Probably hungry.

The knock came again. Sighing, Steve unwrapped his hand from the dog tags and remembered how to move. Cold wind and snow greeted him when he opened the door. The solitary figure was walking down the steps, collar popped against the chill.

“Did you need something?” he called.

The person stopped. They were still. And then they turned. *

Or, the Christmas Steve deserved after Winter Soldier.

The portrait by rainbow_nerds [Stucky, 915 words, General]

Steve Rogers has a Gift. He can help people find their soulmates, all he needs is some art supplies, a quiet place, and eye contact.

AU-gust day 21: soulmates

Maybe A Muse by buckybarnesdeservestobehappy [Stucky, 2k words, Mature]

When Bucky Barnes needs extra money, he’s appalled that his best friends think he should become a model for the art department on campus. Shy, nerdy, and socially awkward, he’s not sure that’s something he feels comfortable doing. Still, he needs money, and he likes the idea of becoming someone’s muse. The problem is he had no idea two things would happen. First, one of the students in the class is exactly his type; second, he has to model nude.

[vickyvicarious]

Parker: "Teach me to like stuff."

.

Okay, so. I have some thoughts about The French Connection Job's Parker+Eliot subplot. And I think I wanna approach it separately, scene by scene from each of their perspectives, because we have a couple different things going on here. It's still a little more of a Parker meta than an Eliot meta, but I have enough to talk about on both sides, and they're connected enough not to be in separate metas, that I am going to do it this way.

Also going to put this under a cut because it gets long.

Parker

This whole subplot comes on the heels of the last episode, in which there was a lot of banter throughout about Hardison and Parker's dates, and him wanting to branch out into other things than just bungee jumping or whatever. We have seen hints of this throughout S5 so far, even though we're only a few episodes in at this point. They went on a world tour that was pretty much just jumping off of stuff, Hardison said something about them figuring things out. We saw a cute domestic scene of the aftermath of them watching a movie together, except Parker 'fell asleep again' and missed most of it, and Hardison eventually went off to work on his laptop. Parker tried to comfort him last episode about dust mites and ended up freaking him out instead. She talked about how she liked fire and Hardison complained she was missing the point of his offer for a candlelit picnic. They did end on a very romantic note with her still making the effort to make it happen but getting rained out, and him recognizing her effort and listening to him, and projecting the stars around the dark room then having the picnic inside. They are clearly very happy together and both making the effort to meet in the middle, but there are still some disconnects. Which makes sense this early on anyway, but it's not out of place for Parker to start getting worried about her limited interests here given the context of them contrasting Hardison's more widespread interests.

Starting right off the bat - there's a picture limit so I can't show these early moments, but throughout the first part of the episode we see Parker looking visibly upset/pensive. Hardison notices and asks her what's wrong, but is immediately distracted by his package arriving, and then the team gets into the briefing and he doesn't get to talk to her again. (Sidenote that this is pretty OOC for Hardison, and I have to assume he would at the very least come back to her later, but they were clearly trying to get Parker talking with someone else this episode and apparently couldn't come up with a better way to do it. His writing outside of the kitchen stuff was kinda off this whole episode anyway, what with the whole tip thing.) She was about to open up to him, however, which is important. There's also a scene shortly afterwards where she confides in Nate, again after he notices her being upset and asks what's bothering her. She claims everyone but her has 'a thing', and names a few of them. He asks her what she thinks when she sees Michelangelo's David, and when her answer is an immediate assessment of how it's guarded and what she'd have to do to steal it, he kind of hesitates and then goes right back to running the con. He basically gives up on helping her with this once it becomes clear that a quick sentence or two isn't gonna cut it.

So after those brief, unhelpful conversations, that's when she makes a move. She was responding to others before, but this time she comes up to Eliot, clearly nervous. And she asks him to help her feel something.

(I find it very interesting that she doesn't ask Sophie. Sophie is the person who she would usually go to for something like this, after all. But, aside from this being an Eliot-centric episode and just like them sidelining Hardison's possible assistance earlier the writers want Parker to talk with Eliot not Sophie, I think there are maybe a couple reasons why she might go to him here. First, just distance. Eliot is right downstairs, meanwhile at the moment Sophie is however far across town at her theater. Certainly not saying she wouldn't go to Sophie eventually, but maybe that's why not first. Second, she and Eliot have an understanding, one that's been explicitly acknowledged since the start of S4. They are similar in a way entirely unlike the rest of the crew. So while Sophie may understand emotions best, Eliot is the one most likely to know what Parker is talking about when she says she just isn't feeling anything. Which by the way I'm gonna get more into later on. Thirdly they're in love but that's not actually relevant here since all of the team love one another.)

Eliot

On Eliot's side, she approaches him when he's busy in the kitchen. This whole job is stirring up a lot of old feelings in him right from the start. Toby was someone who 'kept him from falling all the way down', and Eliot is deeply concerned for him. At the same time, the way they are running this con is allowing Eliot to take on the role of teacher. Even though his students aren't anything like the eager students Toby has just had taken away from him, Eliot wants so badly to take advantage of this opportunity to teach them - maybe even all the more because they're resistant. He's being given a very rare opportunity to indulge his belief that food is life and to share it on a larger scale. To use the knife to create, not just destroy. Leverage often walks a line between doing both (taking down the bad guys and helping people) but Eliot doesn't often just straight up get to just do the 'creating' part. (I mean, he loves the destruction too, he genuinely loves beating people up and taking down bad guys, but this is a rarer pleasure.) So he's pretty preoccupied with that at first, and initially dismisses Parker just like the other two guys did.

But when she just looks quietly disappointed at his response, he goes still and watches her. We cut away from them here so we don't see his actual response, but it's immediately clear that he's realizing this is actually something deeply important to Parker, and well worth his time.

On to the next part of this scene below.

.

[Eliot sets a dish down in front of Parker]

Parker: "...It's just food."

Eliot: "It's not just food! Alright, some people could look at it and just see food, but not me. I see art. When I'm in the kitchen I'm, I'm creating something outta nothing, you know what I mean? And sometimes I crush it, sometimes it's crap, but either way - it makes me feel something."

Parker: "Feel what?"

Eliot: "Just... feel."

Parker: [murmuring] "Feel... okay." [looks down at the food and hesitates]

Eliot: "You know, I didn't feel anything for a long time. Then Toby taught me how to cook, and after he did, I started to feel stuff again. That's why I share it through my food - this is my art. This is my art, Parker." [Parker nods, looking worried] "It's like lettin' a stranger in your head, just for a second. And you allow them to feel what you're feeling." [pause] "Look again." [he pushes the plate a little closer to her. Parker takes a deep breath and slowly sets her elbows down on the counter as she stares down at the plate. Eliot watches her closely.]

Parker

At this point I want to talk a little about what Parker means when she says "feel something" and talks about "having a thing." Because we've seen her have interests outside of straightforward thievery before. Sure, most of her hobbies revolves around stealing - casing local banks for fun, for example. But she clearly has a deep love for Christmas and for chocolate. So why doesn't she count those kinds of things as 'feeling something'?

I think it comes down to what Eliot's talking about here. It's a sense of art. Not even necessarily making it yourself, although that certainly applies. Parker likes sweet things like chocolate and donuts, but although she really really likes them they don't make her feel any truly deep emotion. It's more tactile than anything else, just a pleasant flavor. Her love of Christmas isn't the same either in her eyes because it's not uniquely hers. It's something she loves to celebrate but she can't do so all year round, and plenty of other people like Christmas too. This one comes a lot closer, because it definitely seems to be tied up more in community and family for her than something like enjoying chocolate and piñatas, but it still doesn't belong to her in the same way that cooking does to Eliot or theater does to Sophie. And while theoretically her love of base jumping and so on could maybe count, it is still so tied up in her thieving that it doesn't feel separate. She's really good at drawing but only thinks of it as a useful skill, not a creative outlet - this is similar to that.

She has been branching out into a lot of new experiences and emotions lately, and while she's struck out deep into uncharted waters with her relationship with Hardison, once there she's only seeing more and more things that she just... doesn't get. She loves spending time with him, and enjoys what they do together, but she doesn't understand all of those things. Not on a deeper level. She wants to feel that sense of connection to something, wants to feel deeply emotionally moved by something.

And honestly? I think she's way up in her head about it. I'm not trying to dismiss her struggle here at all, but I do think she is stressing herself out about having something uniquely her own. About having a huge interest that speaks so strongly to her personally. And those are amazing to have, but it's really not necessary. She doesn't need a strong secondary passion so much as she needs to let go of trying so hard to force herself into something.

And what's happening in this scene in particular is that Parker is trying so so hard to force herself to feel something. It's evident in her face throughout the whole scene, in her body language. And she is so terrified that it's not going to work that honestly, I'm not surprised at all that it doesn't.

Eliot

On Eliot's side of this scene, he feels like he recognizes where Parker is. This entire job has him remembering how it was to feel nothing. Her phrasing got to him deeply. He wants to reach out and teach her to see something more, just like Toby taught him.

He knew a bit about how to cook before Toby. But it was only seeing Toby's passion that struck something in him, that awoke a part of himself he might've never known before. For Eliot specifically, cooking being an art isn't just something he likes. It's something that brings him hope.

Eliot doesn't believe in redemption. But he believes in actions. And what Toby did, by teaching him to cook, was to teach him that his actions can be good. That he can create, not just destroy. That all is not lost - not 'for' him necessarily, so much as 'in' him. There is a deep empty place inside himself that he can enter so so easily. The difficulty is crawling back out again. Cooking was his rope out of there. He still finds it difficult to express his emotions very often, particularly verbally, but when he makes someone a meal he puts a part of himself into it. And yet doing so doesn't take anything from him, it just adds more.

This is all very vague and figurative and may make no sense, but the takeaway I want to have is that Eliot is opening up to Parker on a very deep level here. He feels like he recognizes what she's talking about, and it was a very bad place for him. (Again, I don't think she is quite that badly off at this point in canon, but I digress.) And while making food allows him to feel that he is demonstrating his love for someone, that he is sharing a part of himself with them, he recognizes that she isn't receiving that. What she's getting, is just a plate of food. Tasty food maybe, but nothing more than that. And so Eliot verbalizes everything to her in a way he rarely does.

And then he keeps trying. This scene obviously doesn't end up making her feel something, and we don't get to see the immediate aftermath of that, but we can glean a little about how they feel based on their reactions. And Eliot is deeply determined to help Parker feel something from his food. He insists that she play the food critic; even speaks directly to her and reminds her to consider what they talked about.

.

In the restaurant, we start out with Parker dutifully playing her role but feeling nothing much beyond just the role. Eliot checks in with Parker, she acknowledges that the food is good but doesn't make her feel anything, and he makes improvements based on her feedback. Then something abruptly changes.

Parker: "I can taste garlic, and mushrooms... and something else that makes me feel different."

Hardison: "Wait, was that for me, cause I-I don't get it."

Parker: "No, it's the food. I get it." [smiles] "I feel something."

+

Parker: "Mmm! These black noodles are amazing!

Eliot: "Parker, it's tagliolini nero con gamberi."

Parker: "Mmm." [eats a huge forkful] "Mmm. Mmmm. These are really good."

Parker

What just happened here? Last we saw from Parker, she'd failed to feel something from the meal Eliot made especially for her in the brewpub, and she was clearly disheartened. She felt it as a failure, very much in the sense of a disappointment. She didn't want to try again, didn't think it would work, and tried to protest when Eliot said she would be the food critic. Even once she got to the restaurant, nothing was happening for her.

The difference wasn't in the flavor of the food. The moment Parker started to feel something was right after she said she felt nothing and Eliot, instead of being disappointed or giving up, took it as a challenge. He changed his recipe, he improved it specifically to better reach out to her. He kept trying.

And yeah, maybe the bone broth helped it taste better. But that wasn't the point, not really. The point is that Parker had gotten herself stuck in a hole, trapped herself in this cycle of not understanding how things make you feel and then believing that she just couldn't. She wanted something of her own and she didn't have it and she didn't immediately get anyone else's thing either, and that was it. She just wasn't capable. She was other. This is an old old fear of Parkers, dating back to Archie or even before. Something in her just isn't capable of being like other people. She wasn't worthy of being in Archie's real family, and she's not able to feel passion for anything outside of stealing. (Setting aside the fact that she loves her team, that all she needed was the right family. That you don't have to be a creator to feel passion, and you don't need to be passionate about any particular thing in order to feel deeply and find beauty in the world.) Parker has empathized deeply with people, has felt so intensely before and is constantly trying to learn more and new ways to be. But because she is noticing her teams' passions now, she has this ideal that she wants to reach, and none of that is good enough for her. She doesn't even know exactly what her ideal involves, but she can't get to it.

But when Eliot doesn't give up, that gets to her. If he views his food as sharing himself with others, Parker finally gets what he's been trying to give all along. It's all about him trying again and again, changing his approach to match her better. That's what she feels, that's what she enjoys.

And once she starts, the floodgates open. She loves the black noodles. She is so happy, she is relieved. There was this huge resistance that she couldn't get past before, but Eliot persisting helped her to break past that and now that she is out of her head about it she can enjoy the food in a way she never has before. Because she feels his love for her in it.

Eliot

Eliot is trying so hard to connect to Parker. It's not really different from what I said in the last Eliot section, and basically the same as what I just said in that Parker section, but I want to emphasize a little more just how much this is about love on his end.

Eliot loves Parker. He loves her, and he wants so much to help her. It doesn't honestly matter that he does this with food, except for the fact that food is what matters so deeply to Eliot himself. He can't reach out to her in the same way through any other medium. And we don't get to see his reaction to Parker's moment of realization. But I think it would be such a deep sense of joy. This is as fulfilling for Eliot as it is for Parker. It's exactly what Eliot has been hoping for this whole episode, to teach someone else to see food in the same way he does. It doesn't matter if it only lasts for a moment or a single meal. That's enough. He has been the support Parker needed through this time of self-doubt. And it is all the more meaningful to him because this isn't just a random student, this is Parker.

He told her he loves her through his food, again and again, and she eventually felt it. She understood. That must mean so much to him.

.

I wanna end with one more brief note on Parker. Does she get her own "thing" this episode? No. No she does not, and this scene shows us that. Parker is not suddenly interested in food or cooking. The importance of that meal was purely derived from Eliot on the other end of it, focused on her and trying his best to reach out to her.

And I don't think this is something only Eliot could have done for her either, not really. The difference between him and the others this episode is mostly in persistence. However, it's also about her mentality. Hardison has built/done things for Parker before and she felt them just as deeply - but the context was different. She wasn't looking for a sense of beauty or art in the world at large then, and so even though she felt the love in the gift just as much, it didn't make her feel like she could find that kind of emotion in other things. She just wasn't looking for it. Also, it was made easier for Eliot to reach out because there's that connection Parker has with him, that understanding that they are on the same level somehow. She doesn't feel that with Hardison - and she loves him all the more for him being different from her, but he also I think can intimidate her with how good and open he is, with how much he can feel in so many different directions. It's part of why she got so worried about herself not being able to do so this episode.

Like, the team has scolded Nate for not having a life or interests of his own outside the job not too terribly long ago! And Parker has had her own joys before! But she isn't seeing that this episode, too caught up in this fear about not having her own 'thing', not feeling anything that way. So while anyone could have helped her through this, it was easiest for her to let Eliot do so + for him to understand what she needed from him. (Hardison in particular was rudely robbed the opportunity, but they all love and support her and could have reached her. Not to detract from Eliot doing so, but also I don't wanna sound like no other method of reaching out would've worked.)

But as soon as she feels something once with Eliot's help, that relaxes those fears. And then Parker is free to look in other places. She remembers Nate's comment about art, and maybe even tells him what she plans based on him knowing where she is at the end of the episode. And then she goes to visit this statue. In her own way which means breaking in, but without any goal of taking it. She just goes to look at the art. And she feels something again.

Parker doesn't gain some big passion at the end of this episode. She doesn't need to. She never did. She just learns how to let herself relax from that restrictive frame of mind. To simply be in the moment and enjoy things for the sake of what they are. To feel - not really in any way she was incapable of before, but intentionally now. It's a quiet victory, in the end. It doesn't mean she's going to get a new hobby or change her lifestyle at all really. But she's let go of a fear and is now intentionally seeking out new connections with the world beyond her once-limited parameters.

[astarkey]

Fun meta asks: 2, 3, 17, 18 and 20! ❤❤❤

This one is also a long one!!

2. Tell us about what you’re most looking forward to writing – in your current project, or a future project: Well, there are some stuff I'm looking forward to writing in projects I've thought about writing but I haven't written yet, and others that I haven't written in a while. Like "Off the Grid," I'm looking forward to writing the dynamic between Cooper and Meredith and how they try to work together to get out of situations. Because... yeah, in the words of Kate Fuller, it's better to work together than doing it all by yourself lmao. Idk, I wanna finish this fic because the plot and the characters are so damn good and it's interesting to get into the mindset of the characters even though I know very little about them, but it's like the more I think about them, the more I get an idea. It's like they're doing the work for me lol! And I'm just too busy in my Meredith and Cooper feels because it's like I see it! I see their relationship and it's like I want what they have :'(

3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (consider this permission to write it and/or share it anyway) Oh gosh, okay so... that au fic I have that I haven't written yet (the one where it's like Queen of the Damned and Richie's part of this underground vampire corporation to rise to the top and Kate's part of the secret organization where they search for the... you know, supernatural stuff, and she pretty much stalks Richie until Seth, who's also a vampire, stops her and he and Kate fall in love with each other. That one) and I've had this scene in my head for the longest damn time, but I have absolutely nowhere to put it because it's like in mid-story and I haven't even started writing the fic. So here I go, once again, freestyling this snippet of the scene because... yeah, I have no idea where to put it!

Seth stares at himself in the mirror, running his fingertips along the two small scars on his neck; the ugly memento his brother left behind as a reminder of what he is.

A bloodsucker.

An immortal lapdog to Satan who's cursed to feed off the blood of others and live for eternity on this wretched earth, alone.

He wishes he died a hundred years ago that day. He would've loved to go out his own way, the way it was intended without Richard's interference. He took a bullet for him when they wanted Richard dead; bled out for him when he saved his little brother's life; and yet his brother's selfishness got in the way, and he wasn't ready to let go of Seth just yet.

This isn't what he wanted to be, though. Nothing like this.

He hears the door squeak and whips his head around and pulls out a gun tucked from behind his back. He sees the person from the other side of the door cautiously walking into his motel room, and when he sees their face, he's half surprised to find it being familiar.

"Hi," Kate greets, unarmed this time.

"What are you doing here, Fuller? How'd you find me?" he asks, still pointing his gun at her.

"Well, I saw you had your front door open, so I-"

"No, no. What are you doing in here? How did you know where I live?" he asks again.

"I asked around and I… followed you."

"You're stalking me now?"

She shrugs and retorts, "Kind of like how you always seem to show up conveniently whenever I follow your brother around?"

Seth pops his brows, surprised by her witty comeback, and lowers his gun. "Touché, princess. You still haven't answered my question."

"What question?"

"What the fuck are you doing here?" he asks again, slowly.

Without giving him a verbal answer, she reaches into her satchel and pulls out a small, semi-tattered book, handing it to him.

"What's this?" he asks while taking the book from her hand. He opens the book and reads the first few lines of the first page, stopping at a sentence he remembers too well from memory, much like his handwriting.

"It's yours isn't it?" Kate asks.

"Where the fuck did you find this?" he asks sharply, still gazing at the journal that holds too many haunted memories he threw away for his own good. Little did he know that decades later it would fall into the hands of this girl, and it would reach his lap once more.

17. Do you think readers perceive your work - or you - differently to you? What do you think would surprise your readers about your writing or your motivations? I don't think so. I think most of the time they perceive how I intended to write my work. I don't know if anyone's perceived it differently. I don't think any of my writing or my motivations would surprise readers lol. My writing's at an amateur level and I don't really have any motivation besides getting an idea written out.

18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them. Yeah, like a bunch of weird abandoned plotlines.

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?) OFF THE GRID!!!! Like, gah, the dynamics, all of the characters' stories told like in the classic style of Robert Rodriguez, THE FUCKING COLORS OF HOW VARGAS' POWER IS THE COLOR RED AND THAT COLOR'S LIKE A SYMBOLISM OF CONTROL AND MEREDITH IS WEARING THAT RED JACKET LIKE SHE'S STILL IN CONTROL AND SHE DOESN'T TAKE IT OFF UNTIL SHE FEELS LIKE SHE'S NOT UNDER HIS CONTROL ANYMORE (THAT SHIT DID NOT EVEN REGISTER TO ME AT ALL UNTIL LIKE MONTHS AFTER I THOUGHT ABOUT THIS STORY), the "you're not worth the bullet," I'm just gonna scream about this story forever. I'm still screaming, too, about the sethkate Christmas fic because of the fucking HANDS. Screaming about that for the rest of my life.

Thank you so much for asking me!!!

[verobatto]

Destiel Chronicles

Vol. LXVI

It was a love story from the very beginning.

You are the one in my heart (Part II)

(11x13)

Hello! I bring to you another meta from this collection – the second part! We will keep talking about broken hearts and how in love Dean is with Castiel. I know you love this topic. And I just decided this will have a third part because I have so many things to say...

First of all, I want to say thank you to @destielle , she's the beta reader of this mess. Thank you for making my meta look so pretty 😘💕💕

Cheating and love triangles

Episode 11x13 is titled 'Love Hurts' and it fits perfectly because, remember how Dean felt so hurt when Casifer tried to use him as bait? Okay. We all agree he suffered a heart break then, and that’s why the Banshee could get to him. Now, this episode talks about broken hearts, too… but also about a cursed kiss: Amara's kiss.

The episode opens with a husband cheating on his wife with their babysitter. It’s a love triangle functioning as a Destiel mirror, but they add in some spicy confusion to the subtext: Melissa (the depressed wife) is the Cas mirror, we have Stacey, the babysitter, for Amara and Dan as Dean.

So when we have Stacey saying: "Ew, I can taste her mom lipstick…you’re telling her tonight, right?" we get the mirrored thoughts of Amara after kissing Dean, who is, too, already taken, compromised – bonded with Castiel. 

And when Dan says: "I told you it’s not that simple. Mel and I…we’ve been together since we were your age. We have a house, a baby…we have a whole life together." He's talking about marriage, a serious commitment, which works as the perfect parallel to Dean and Castiel’s long-term relationship.

So when the Qareen appears in the form of Dan and rips Stacy's heart out from her chest (and vice versa a little further into the episode), we are still talking about broken hearts. But we get confused because Dan admits his love for the babysitter, and therefore could never hurt her. Because you don't hurt the one you love (obviously if Dean had listened a little closer to Dan, he surely would have recalled that nefarious chat with Casifer where he proposed to put Dean in danger).

So, going with the assigned roles, let’s say if Dan is Dean and Stacy is Amara, does that mean when Dan is saying he loves Stacy, not his wife, that Dean loves Amara, and not Cas? No. Not at all. Because the upcoming scenes and what Dean says by the end of the episode will clarify: THE KISS AMARA GAVE HIM IS A CURSE AND HE IS NOT IN LOVE WITH HER.

Now, I want to share with you my beta's clarifying thought, that calmed my shipping heart...

"Hi, destielle here, rudely taking advantage of beta’ing to add a thought: I think the babysitter merely posed as a temptation, something Dan tried out because it’s kind of forbidden and dangerous and therefore exciting, plus conquering a girl stimulates his self-worth but - breaking up with his wife never really was a heartfelt intention. Because getting it on with the babysitter is not only a clichée, but also only fun for a little while, because everything, in the end, will lose its newness and therefore allurement and so I suspect he knew that sticking to what he has, a long-term thing that lasts, is the better road to go by far. Plus there’s a difference between true love and excitement induced infatuation. The ladder will fade, love will last and grow stronger bc it’s built upon a solid foundation."

This is so true, and couldn't be more agreed! Thank you Hannah! 😚💕

The Cursed Kiss

This was a very blatantly straight forward episode, because first it was opened with a recall to AMARA's kiss to Dean. And then they showed us how the Qareen’s curse jumped from one to the next victim via kiss. So, you have a deadly kiss, a cursed kiss… The mark of Cain’s kiss, darkness’s kiss, AMARA's kiss… that wasn't love, that wasn't good. AMARA's kiss is dark, bad, cursed and deadly.

AMARA's kiss poop? 🤣

Who's in Dean's heart?

We already know the answer, but let's dig into it anyway…

The first scene with the Winchester brothers takes place in the Bunker's kitchen the morning after Valentine's day and Dean is having a hard time trying to restore himself… he's walking funny on his way to the fridge… if you know what I mean. But mostly we wonder why that is. He's not the guy for a one-night-only-girl anymore, so what was the matter? And immediately after that question we asked ourselves Dean says this to his brother…

Sam: Is that a hickey? (Dean spits out his food)

Gif set credit @spnwhenever

Dean: And? It was valentine’s day. I can’t help it if I’m a hopeless romantic.

Sam: You got half of that right.

Dean: Just doing my civic duty. Helping all the single ladies. You know the best thing about February 14th. You don’t have to be Mr. Right. Just Mr. Right Now

Sam: That’s classy

Is this the old Dean talking? Nope, definitely not. It’s Mr Dean ‘Broken-hearted’ Winchester talking. And we get it now… Saint Valentine's day, he wasn't with his Mr. Right (Cas)... He just took what was right in that moment. It’s very very sad. But Dean needs to frame it more classy, to make it more cool.

Now, I want to talk a little about Melissa. When she realizes she maybe went too far with her spell, she turns to Dean and Sam, and she says this…

Melissa: yes. A return to love spell. All I had to do was chant it and seal it with a kiss. I didn’t mean for any of this to happen. I swear. I just wanted my husband back.

This is sad too, and gives us, if we take that as a feeling mirrored from Cas, a perfectly reasonable explanation as to why he said ‘Yes’ to Lucifer in the cage. And again it’s the motive of the CURSED KISS, one with dark intentions… we already learned AMARA's kiss is bad and not good, but now we get even more confirmation of this when Dean kisses Melissa, taking the curse on him that way. WE GET IT WRITERS!

Gif credit @clairvoyantsam

Sam: So the curse is transmittable?

Just like Cain's mark, the curse, the kiss, the love spell, all of them are transmittable.

Sam: Apparently not in him. The person who holds the Qareen’s heart is the one who commands it.

Sam is giving us a lot of clues here: Who has AMARA's heart? Dean. But who has Dean's heart? Castiel. So Dean can direct his own will to reject AMARA's offer. And this is the secret why DEAN CAN RESIST HER.

So, with this statement in our heads, let's analyze the Qareen’s and Dean’s encounter…

The Qareen takes the form of people’s darkest desires. So… he took AMARA's shape.

The Qareen sensed Dean's longing in his heart, but it failed in personifying it. Because Dean's darkest desire is not dark, it’s full of light, but is hidden, because it’s so repressed. His deepest is a secret, it’s his love for Castiel.

Amara: Who I am doesn’t matter. The real question is who are you?

Dean: What do you mean who am I?

She can't read him, Dean Winchester is a mystery, she can't get to his true feelings, she can't reach them. Dean has them sealed away very, very deep down in his soul. Like a treasure.

Amara: You’re a mystery. I can see inside your heart. Feel the love you feel. Except it’s cloaked in shame. When it comes to this, you can’t help yourself, so why fight it. Just give in.

When she says Dean Winchester is a mystery it’s because she really can't read the truth in him, but she knows it’s somewhere in there. She feels it, but can't quite grasp it. And she says 'it's clocked in shame.' Because it is, because Dean Winchester is ashamed of his feelings for Castiel. He knows he shouldn't feel how he feels for his best friend, for a ‘man’, for an angel. He thinks he doesn't deserve him. So, when the Qareen touches herself saying 'when it comes to this, you can't help yourself, so why fight it. Just give in.' It’s simple when it’s about women, when it’s about a curse, a love spell, the attraction is there, the curse is there, he knows it, but they're not Mr. Right. They're just there… the girls on Saint Valentine's Day are available and Amara is almost irresistible because of the curse. But Dean Winchester doesn't give in to that because he loves Castiel.

And then, Qareen!Amara can’t rip Dean's heart from his chest. Because she is not the one in his heart.

We need more evidence? What about this last dialogue between Sam and Dean…

Dean: It was Amara

Sam: That surprise you?

Dean: That doesn’t surprise you?

Sam: Honestly?

Dean: Honestly? You seriously think the sister of God is my deepest darkest desire?

Sam: She isn’t?

Dean: No! She can’t be!

Gif credit @samwinchesterlesbian 👇

Dean puts all his fierceness into these words, BECAUSE HE IS SURE! HE KNOWS POSITIVELY IT CAN'T BE, BECAUSE HE LOVES CASTIEL.

Sam: Why not?

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah

Dean is afraid of the power Amara has over him, that’s it.

Dean: Standing here right now, every bone in my body wants to run her through. Send her back to that hole she crawled out of. But when I’m near her, I don’t know. Something happens and I can’t explain it, but to call it desire or love…it’s not that. I’m screwed man. We wanna kill the darkness. We need to kill the darkness. And I don’t think I can. I’m sorry to do that to you, ya know, but when it comes right down to it…

The most important thing here is that Dean is aware of the curse, of the power, he knows what Amara does to him, and he is sure that it is NOT LOVE. How can he be sure that it’s not love? BECAUSE HE KNOWS WHAT LOVE IS, BECAUSE THERE'S SOMEONE IN HIS HEART ALREADY, AND THAT'S CASTIEL.

To Conclude: 

If the episode with Mildred showed us Dean was pining for someone, telling us Dean is in love with someone, then this one is yelling in our faces that person isn't Amara. And if it’s not Amara plus ‘cloaked in shame’, and Dean has gotten his heart broken recently by someone we know, we are talking about the same person: Castiel.

So it’s logical! And we made the equation just like the writers wanted us to solve it: DEAN WINCHESTER IS IN LOVE WITH CASTIEL, BUT HE'S ASHAMED OF THIS FEELING. AND AMARA HAS A DARK POWER OVER HIM THROUGH A TRANSMITTABLE CURSE: CAIN'S MARK. CANONICAL FACTS! But yeah, I'm not discovering a new world here...

I hope you liked this mess. See you in the next one!

Tagging @metafest @magnificent-winged-beast @emblue-sparks @weirddorkylittlediana @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @poorreputation @bre95611 @thewolfathedoor @charlottemanchmal @neii3n @deathswaywardson @followyourenergy @dean-is-bi-till-i-die @hekatelilith-blog @avidbkwrm @anarchiana @dickpuncher365 @vampyrosa @foxyroxe-art @authorsararayne @anonymoustitans @mybonsai1976 @love-neve-dies @wildligia @dustythewind @wayward-winchester67 @angelwithashotgunandtrenchcoat @trashblackrainbow @deeutdutdutdoh @destiel-is--endgame @destiel-shipper-11 @larrem88 @charmedbycastiel @ran-savant @little-crazy-misha-minion @samoosetheshipper

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If you want to be added or removed from this list, just let me know.

If you want to read the previous metas From s11, here you have the links: Vol. LXII, LXIII, LXIV, LXV.

Buenos Aires, June 16th 2020 18:45 PM