#[Character Study]

[inbabylontheywept]

Would you mind sharing the psalm and why you felt that person was the most humanist Mormon? I'm not religious at all but I find these sort of things very interesting.

In exchange I could offer the reason for my url ?

I'm warning you, this is kind of a mega essay, and it's fucking unhinged. Click at your own risk.

(Alright. You clicked.)

Psalms 137

By the rivers of Babylon we sat and wept

when we remembered Zion.

There on the poplars

we hung our harps,

for there our captors asked us for songs,

our tormentors demanded songs of joy;

they said, “Sing us one of the songs of Zion!”

How can we sing the songs of the Lord

while in a foreign land?

If I forget you, Jerusalem,

may my right hand forget its skill.

May my tongue cling to the roof of my mouth

if I do not remember you,

if I do not consider Jerusalem

my highest joy.

Remember, Lord, what the Edomites did

on the day Jerusalem fell.

“Tear it down,” they cried,

“tear it down to its foundations!”

Daughter Babylon, doomed to destruction,

happy is the one who repays you

according to what you have done to us.

Happy is the one who seizes your infants

and dashes them against the rocks.

———

Mormonism has layers. Different cores of believers, cultures within itself. The largest group of Mormons also dominate its image within the larger culture. You know them as the nerdy, cheerful, bubbly dorks on South Park, or the hopelessly naive childlike weirdos from the Book of Mormon musical. Strangely sanitized, "wholesome" people that are, clearly, unwhole. Missing some essential part of the human experience.

(Pain, maybe?)

I think that embracing this image is letting Mormonism view itself as what it wishes it was. A group with all its rough edges sanded off, all its raw and desperate humanity scrubbed away. A clean and godly and slightly unsettling image of joy.

That isn't how it started.

Now, most people know the story of Joseph Smith. Fourteen year old farm boy starts a cult because the whole world if full of idiots, I won't repeat it because you've probably already got it from South Park. But at some point that weirdo cult did become a religion, and I would point to that moment as the Mormon War of 1838.

I don't know how far after the founding that was. Enough that Joseph Smith was a grown man. Enough that the Mormons had around 15-25 thousand members. They'd moved to the Illinois-Missouri area and were establishing settlements.

(They creeped the locals out. Of course they creeped the locals out.)

Eventually, they got pushed out of the county they'd claimed. Jackson County, it was. The state couldn't actually take that county from the people that expelled them, so to try and make the Mormons "whole" for the land they'd bought (ignoring the houses and farms they'd already set up) it gave them a new county.

Next election that came around, that county was sieged. Voting was blocked. Now, the people of the state were terrified that this weirdo voting block was going to take them over. They probably weren't wrong. Some former Mormons had straggled in from the county revealing a frankly corrupt land dealthat the early church had used to transfer resources to itself, and that served as a tipping point. To prevent their state from becoming a religious basketcase, a mob sieged the Mormon county during the next election.

The state tried to return order by sending the militia in to break up the siege, but the militia mutinied. They joined the siegers. A ground of strange, extremist violent Mormons known as the Danites rode out and attacked local settlements that were known to house the families of the militia members.

The Governor at the time - Lilburn Boggs - sent out an executive decree. The Mormons were traitors, and were to be killed on sight. It is the only religion in the US to have ever had such an order made against it.

The Mormons surrendered their county and went to Nauvoo, Illinois. There were again expelled from that city in 1846, and traveled west.

They died in great numbers and they never forgot the homes they lost.

———

I tried to tell the story as sympathetically to the people of Missouri as I could. The Mormons made messes wherever they went, and they unsettled everyone they interacted with. But they were attacked as well, and had a history of violence against them. It should not be totally surprising that they became insular and strange.

Many (most?) Mormons that learn all of their history wind up leaving the religion. It has twists and turns and knots and it is incredibly, overwhelmingly human. I think that's where the facade of Mormon perfectionism comes from - the shame of that. The desire to be something else. But being human is all I've ever wanted. And occasionally, there are people faithful in the church - layers upon layers deep - that know their history.

And they are angry about it.

I think it's more common than people realize. Did you know that until 1930 Mormons swore literal religious oaths of vengeance against the US government for the deaths of Joseph and Hyrum Smith?

I always felt like these were, in some way, the real Mormons. They knew their history, and they loved their church, and they hated what it had suffered all those years ago.

They scared me, those people. But they seemed complete. More complete than the people that had carved out everything that didn't make them smile. They'd walked into the mirror, and touched their shadow, and danced with. Melded with it.

And I knew a few like that. I was taught by one. And he didn't convince me, but he interested me. Gave me some respect for the people I left behind.

———

In the game Fallout: New Vegas, there is a character named Joshua Graham. He's a Mormon. Not like the silly children in adult bodies that they always use on TV. He has gravitas. He has put away his moral compass before, to pursue the dream of one powerful man. Poured his soul into it, helped that man conquer the whole west in piecemeal. He's a somewhat on the nose analogy of the Mormon people themselves, following Joseph Smith. And when he finally failed, when he fought a battle he could not win on the gates of the Old World Hoover Dam, he was lit on fire and thrown into the Grand Canyon to die.

But he did not die.

He says he survived because the fire in him burned brighter than the fire around him. And it seems that way when you speak with him in game. There is something compellingly bright to him. Not shiny like a new toy, or a Utah teenager that hasn't seem just how grim the world can be. He's something blinding, compelling.

But that brightness casts shadows.

He is vicious. He was saved in the canyon by the family he left, the old Mormons of a new world. And he's trying to find that part of him again, regain the soul he lost pursuing someone else's vision. But that old vicious animal part of the covenant is with him. I see Joshua Graham and I see the animal that the Mormons became to survive the West.

And in the game, there is eventually a choice given.

You can lead the tribe Joshua has joined up with out of their Zion. Their Jackson County Missouri. Peacefully and perfectly and inhumnanly transcendant, the way the Mormons wish they actually were about everything. You can give him the chance to be what Mormonism has always wished it could be. Or you can fight with them and help them reclaim their paradise, but get your hands stuck deep in the muck of this world.

Joshua Graham knows his history. He knows all the homes his people lost. And whatever brightness he's trying to regain, whatever soul he's trying to win back from the world that takes and takes and takes and takes - he wants to give it all up again to let these people keep their home.

He knows his past and he is angry.

And as the player, you help him make peace with one of two things: Being human by being fallen, or keeping his soul at the cost of reliving the ancestral trauma of losing Zion yet again.

Both were pretty visceral decisions for a Mormon teenage Babylon to make.

(Tagging @boonebignaturals in this because I need a witness to my madness.)

[k1ng-r0wan]

YES, please write a fic about this, this is such an amazing concept for a fic

I think it’d be a little tricky to execute because fanfiction would technically open the forth wall again I think? But I don’t think that should stop anyone from exploring this idea

Do you guys think that after the Deadpool movies end, and the curtain closes, and the camera is no longer on him- do you think Wade talks as much?

Do you think that maybe it feels like walking off a full stage to find yourself in your dressing room alone, staring at the mirror?

We always see him talking but he knows about us watching. He is acutely aware he has an audience. Do you think he knows when the audience is gone and the big unseeing eyeball shifts away to find entertainment elsewhere?

I’m not saying he’s normal when our backs are turned, or he’s not himself, but maybe the performance… turns off. Maybe it sorta takes Logan by surprise when Wade is quiet for the first time since he met him by his own violation, thinking about being perceived always, or existing in countless different versions of shows, comics, universes.

What do you think he does when he knows he’s not being watched? Maybe he does nothing different, but I imagine it would be hard to ignore.

He hit the camera in the D&W and grabbed the mic. He always knows where the fourth wall is. When there is no fanfic or movie or comic or show, do you think he sees the fourth wall anyway? Or is it kinda like seeing something in your peripheral?

I’m probably gonna write a fic about this all one day.

[rootspiral]

Agatha All Along deep dive: episode 4 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3])

It's episode 4 If I Can't Reach You / Let My Song Teach You, time for two of my favorite things: glam rock and homosexuals. which are basically the same thing if you think about it.

she's like damn, billy, that was ruthless. honestly this is going to make her care about billy even more, not only he's powerful, not only he reminds her of nicky. now he's a murderer too?? perfect son is perfect. I love how she's studying sharon's body with her detective Agnes face, her mind is going a million miles a minute

her third-wall-break winks destroy me. and that poor hairdo. all gone expect for the giant turd on top.

alice being truly and genuinely sorry about sharon. lilia and jen being gossiping hags

agatha honey you're so dainty and feminine, look at you. and that's an interesting and not at all painful tree shape you picked. (I would have never noticed any of this without brightening the scene, it's outrageous. everyone involved in this show is amazing except the lighting department. shame on you lighting department)

whatever alice does openly and sincerely, agatha does secretly or as a joke. parallels, parallels

jen is like, can you believe this bitch

without being asked, alice goes to help digging the grave

that is the idiot I fell in love with and I'm way past regretting my choices at this point!! I know how rio feels now

"coven two" is one of those lines that make you laugh on first view and shred your heart in a million tiny pieces at every following rewatch. this show HAS to be watched at least twice, don't ever trust reviews or complaints by ppl who didn't, because they missed at least half of what makes it great.

a clown running from the tragic truth that her son wrote the Ballad, making sad clown noises all over the Road

when alice is called to referee as the Resident Ballad Expert and agatha looks at her expectantly hands in pockets, somehow extremely obnoxious, extremely gay and extremely sad at the same time

alice is SO above bickering. jen is being a baby because she's mad at agatha, lilia is being a baby cause she's grumpy and a contrarian, billy is sixteen, agatha is, well, agatha. alice is the only adult in the building

just one, huh? that's fine. that's fine. who needs a heart anyway.

the common gypsophila or baby's breath symbolizes sincerity, purity, innocence. does it symbolizes sharon? or is billy leaving it on her grave a metaphor for his naivety and good intentions gone wrong?

billy's romantic ideals of what it means to be in a coven have just been shattered. he set out, consciously or not, to teach something to these witches and of course it didn't work. he is the one who needs guidance, he is the one who's making a mess of things. he's just a kid.

agatha going !! when billy says he wishes he could go home. agatha covertly pointing out that he has a replacement body and she would really like to know how. she's observing him so closely, trying to puzzle out the mystery. exactly like she did with wanda inside the Hex. not revealing her cards just yet, testing and manipulating him. when that strategy blew up in her face so spectacularly the first time! she's so smart and so reckless it makes her practically an idiot

case in point: she's making up stupid rules trying to manipulate billy into shaping the Road the way she wants. that's right, agatha. let's summon another poor victim you can siphon, wonder who's gonna show up! (and she KNEW sharon was laying dead ten feet away and SOMEONE was bound to be in the neighborhood. dumbass.)

aww he's so proud of himself for having brought the spellbook. he's being helpful! he's made his four moms happy!

check, debatable, check

debatable and debatable

I'm gonna give that one a BIG check

yes I know advil spells "vidal", thank you tumblr for letting me know that one. also same, alice.

'esse viridis non es facile' IT'S NOT EASY BEING GREEN?!?!!?!?!?!?!?!?!?!?! oh I knew my high school latin was bound to come in handy at least once in my life

(by the way the set + costumes combo is giving me such hocus pocus vibes, but you could never tell because the SCENE IS SO FUCKING DARK) (NO I WON'T SHUT UP ABOUT IT)

BWAHAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAH

I mean girls, you chose to follow the head clown, you have to travel in the clown car. that's on you.

WHY IS THE PRINT SO SMALL???? I LOVE YOU PATTI LUPONE

admit it we all wished it was sharon for a moment

oh?? is that mayhaps someone you know, agatha???

and that's a wrap, see you guys tomorrow!

no, I'm kidding, I'm kidding. I'm doing another one tonight. I need to shove all the rio scenes in my eyeballs NOW

go to episode 4 part 2

[starcatchingsnake]

…thinking about the impact being shown someone else’s life and death, dying yourself, being violently brought back to life, and then inheriting that person’s aura and powers would have on a person.

Specifically Aira Shiratori, how would witnessing someone destroy their whole being for their child, only for it to amount to nothing, change a person, how would the trauma that she experienced continue to live on through Aira?

Would she begin to hate the smell of Seiko’s cigarettes because the heavy cloud of smoke makes her forearms itch, and her eye burn with phantom pains? Would the ash invade her lungs and would a child’s scream pierce her ears?

As she breathes in the scent would she even realize why her body has tensed, as in preparation for a battle? Or why her heart rate has skyrocketed, why she’s now clutching at her chest, eyes darting around frantically for the source of her unease?

Is that part of why she’s distanced herself from the Ayase household? Why she holds Momo at an arms length when she’s grown closer to the rest of their friends? Is the smell of burning which clings to Momo’s clothing why Aira remains reluctant to grow close? Because no matter how hard she tries, that pain and indescribable panic always surfaces whenever Momo’s near?

How long would it take before all of these new sensations and constant anxiety over the simplest of things broke her? How long until she’s begging to be let go of all of this?

[maybe-im-dark]

Jason Stryker Wasn’t Evil, He Was a Product of His Father’s Hatred

Let’s talk about Jason Stryker from X2: X-Men United. He’s often labeled as the creepy mutant who tortured others with his illusions, but let’s dig deeper into his story. Because, spoiler alert: Jason wasn’t evil. He was a victim.

Jason wasn’t born with hatred or malice in his heart. He was a kid—a vulnerable, frightened child with a unique gift he didn’t ask for. When we hear about his father, William Stryker, pulling him out of Xavier’s school because there was no “cure” for his mutation, we start to understand the pressure and pain Jason endured at home. His parents, likely furious at what they saw as their son’s “failure,” turned him into a target for their fear and disgust. Imagine being a kid in that environment, belittled and berated simply for existing.

It’s not hard to picture the constant verbal and emotional abuse Jason faced. William and his wife probably reminded him daily that he was a "disgusting mutant," an "abomination" that needed fixing. Those words cut deeper than any weapon, especially from the people who are supposed to love you unconditionally. The shame and self-loathing they instilled in him festered, turning into anger—anger he couldn’t control.

And then came his mother. The one person he probably thought would protect him. But if William convinced her that Jason was an irredeemable monster, she may have become just as complicit in the abuse. Jason didn’t choose to drive her to suicide; he lashed out in the only way his mutation allowed. His illusions weren’t an act of malice—they were a desperate, anguished cry for help. His horrifying images weren’t designed to kill; they were his attempt to make her understand his torment, the pain she and William caused him every single day.

Jason wasn’t born a monster. He was made into one by his father’s hatred.

By the time we see him in X2, he’s not even a person anymore—he’s a tool. William has stripped him of autonomy, turning him into a pawn for his own twisted vendetta against mutants. Jason, drugged, brainwashed and lobotomized, has no agency. Every illusion he casts under Stryker’s orders is a reflection of the years of manipulation and control he’s endured. He’s as much a victim as the mutants his illusions torment.

What’s heartbreaking is imagining the life Jason could have had. If William had left him at Xavier’s school, Jason might have learned to control his powers. He might have found love and acceptance among others like him. He might have grown up as someone who used his illusions to inspire wonder and joy instead of fear.

But William didn’t allow that. He chose to see his son as a failure and a disgrace, and that choice destroyed Jason. It’s not Jason’s fault he became what he did. It’s William’s.

So no, Jason Stryker wasn’t evil. He was a child who needed love and got cruelty instead. He was a boy who could’ve been saved, if only his father had allowed it. Jason deserved better. And so did every mutant who’s ever been told they’re less than human.

[c1trvswurld]

Some tags I thought were rlly good and also summerized my feelings on genuinely writing and portraying them.

This is why personally I cannot vision love at first sight or really fast burn depictions of theor relationship because for me bare minimum it would have to take YEARS for them to even speak on a friendship level. Bc at the end of the day these are two grown men who probably have completely different concepts of what love is and how it should be displayed (especially with hanzo being in the clan). For them to actually ever really catch feelings besides like maybe initial sexual attraction it would have to be a constant uphill effort that I don't think either of them are emotionally mature in their own regards to continue. There relationship to me is one of one sided spark of the moment feelings that fade in a months worth, it's a messy situationship that neither of them want to define bc that would force them to have agency, its toxically relying on the other either sexually or emotionally when all hell breaks loose. Bc on some level they understand the desperation, but you know that they can't pull you out of deep waters when they're drowning themselves.

A relationship like there's would last for years and thrive like some nasty ass nuclear yaoi oroboros. Bc they the only people they could drop the act around but are disgusted and scared when it gets to real and to damn tangible.

That's why the typical meet, slowly fall in love, confess, date, and be married forever thing just doesn't work for me with them. I can invision them dating. But simply not for long and definitely for a selfish benefit. I think they could even lie enough to themselves to get married but that'd fall apart quickly as well.

The only way they work for me is if they are a long lasting qpr thing tbh.

Because a quick bedding and a shoulder to lean on can be a single night, a mutual loving and respectful relationship is work. Work that I am don't think either of them can put in. At least not in this stage of their life.

Wrote about this in the tags of another post, but my biggest yeehan petpeeve is seeing hanzo be feminized when being shipped with Cole or any man perceived as more masculine than him in fandom. I'm fine with ppl having their size difference fantasies, but let's be real? Hanzo is just as if not more buff than Cole. Like, have you seen the size of his tits? His forearms? Literal beefcake. The only thing tiny on him is his waist and his ankles that I'm still a 100% convinced are mechanical ( idc overwatch canon he cannot be that top heavy with such tiny twigs).

But back to my point. The whole appeal to yeehan. At least personally--is the homoerotic nature of putting two men who are the pinnacle of traditional nastolgic masculinity in their own respective cultures together and making them scissor hard like barbie dolls. Then, be too caught up in their masculinity and internalized homophobia to talk about it during the morning after.

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.

[themaidenofwords]

Have I mentioned how gut wrenching the slow progression from "Jonathan Sims-- Head Archivist of the Magnus Institute, London" to "Jonathan Sims-- The Archivist" is?

These are Jon's introductions of himself. He had already had people simply calling him "The Archivist" way back in season one, but he never introduced himself that way. He declared his title of Archivist as what he saw it to be-- a job title and nothing more.

And then we reached season three and there was a gap where we had "Jonathan Sims, former Archivist" and the words were still spoken as one would a job title but with a certain sense of grief that was incongruous with the professional veneer.

And finally, the reveal of what the Archives were and what being The Archivist truly meant happened, and Jon stopped pretending-- even to himself-- that it was just a job. No, he was Jonathan Sims-- The Archivist-- and it was spoken with the gravitas and responsibility of a king's title. It was now part of who he was.

And then, season five, and it's no longer "Jonathan Sims--". It is merely "The Archivist". Because Jon believes his humanity to have died along with the world he was tricked into dooming. His person-hood is secondary-- and can perhaps be considered more of a job title now in a similar way to how Jon referred to being The Archivist in season one. In season five, Jon believes his entire being to have been consumed by the Watcher. The Archives and his job as the Archivist can no longer be seen as a job, or even as a part of who he is, because it is ALL he is. There is no part remaining of Jonathan Sims, because he is The Archivist first and foremost. He doesn't believe his own humanity great enough to be mentioned.

He is, of course, wrong. But it wouldn't be a tragedy if he didn't realize that until it was too late.

[lime-bucket]

Im saying this not as an opinion but as a matter of fact that hades should have never been the default villain in modern greek myths retellings,becuz dionysus had been always a better fit by leagues & i feel like writers/artists both overlook & underestimate him.Like the fucker wasnt just a silly drunk god,his whole domain tethered on the thin line between ecstasy and madness,embodying both chaos & pleasure. All of these qualities historically had made him simultaneously adored & feared within & outside of his fanatical cult,& circling back to the madness part,idk if yk this but dionysus have this lil tale in wich he caused his followers to go drunk w/ frenzy at a party they literally ripped apart the son of hypnos, i repeat hes so powerful he made a buncha humans kill A GOD! & he didnt face any repercussions fr that!!!

Now ik im skipping on other infos but all of this sounds to me that dionysus is perfect fr the charming & sinister mastermind trope

[writerin-progress]

No one asked, but I'm still going to elaborate on this cuz why not.

It's useless, don't do this It's hubris to try He's ruthless, you knew this I told you, didn't I? He's abusive, elusive The truth is, he lies

I know you don't want to let go

This can obviously be from any single book after the first one. We see Percy try and try again to convince Annabeth that Luke is wrong and evil and she will not listen. It's especially obvious in the fourth book where their main conflict is how Annabeth wants to give Luke a second chance, but Percy doesn't think he deserves one.

Annabeth has known Luke for years. He was her only support left in camp that was with her from the start. She idolized him he was her everything she didn't want to see and/acknowledge all the changes, the negative ones that he went through with time. She didn't want the person who she saw as family to leave her, so she ignored it. She ignored how bitter Luke became after his quest, how he was never the same again because she didn't want to lose him like she lost everyone else. She's fighting an impossible battle of wills, yet her Hubris doesn't let her go down so easily.

Then we have Percy. Someone who has lived in an abusive household, who has seen how toxic relationships work. He knows how hard it is to leave someone who is toxic and yet means so much to you. He tries to get her to see reason. He tries to avail her senses, her hubris, but it just doesn't work. Annabeth is ironically trapped in a careful web of lies and love that she never wants to get out of.

And just like before I can see that you're sure You can change him but I know you won't

The devil doesn't bargain He'll only break your heart again It isn't worth it, darling He's never gonna change He'll never be Prince Charming He'll only do you harm again I don't mean to meddle But the devil doesn't settle No, the devil doesn't bargain

Annabeth tried so many times to convince him to change him only to ultimately fail. She feels like only she can stop him.cuz surely their time on the run together meant something to Luke as well.

Percy doesn't feel happy about the fact that he is right. He doesn't gloat. Instead, he feels so sad for his friend, because thats what they are friends before they were anything else. Percy has seen how no one was there for Annabeth, and he wants to be there for her, to protect her from Luke and his schemes, but he can't. Because he can never replicate what she had with Luke. He plays the role of a concerned friend, but his concerns get sidlined because of everything else.

I'm not one to lecture Talk down to a friend I don't mean to pressure Mean to condescend But I just want what's best for You in the end I know you don't want to let go

Again, he doesn't want anything bad for her. He knows she's hurting, and he wants to take away the hurt from her to let her know she has him on her side. But the circumstances and emotions don't convey them. Instead, Annabeth feels like Percy is just jealous or that for the first time, he feels like he knows something she doesn't and that he doesn't kno what she Thalia and Luke were, so he doesn't have the right to lecture her on this.

The song 'Devil doesn't bargin' by Alec Benjamin, is literally just Percy warning Annabeth against Luke and telling her to stop trying to change him.

[clowns0up-felix]

I LOVVVEEEE doing background studies for botw/totk (even though I hate drawing backgrounds, make it make sense??),,, and the last pic with link being teleported was insanely fun to draw!!! All of these are screenshot redraws btw,,, I might draw more

Im screaming I have so many small Zelda hcs but I can’t think of ways to put them all into interesting comics and drawing without getting overstimulated,,, I might do one very long post for them in the future? Idk

Speedpaint for the last piece :D

[stargazingtranquility]

Remus doesn’t thinks he’s hot as fuck because he isn’t his own type. His type is pretty boys with light eyes and devilish grins. He is a giant with no coordination and a pension for grandpa sweaters. This is why he’s immediately attracted to Sirius. Even Regulus and Barty trip him up once in awhile. Remus Lupin has a fucking type, okay.

James, on the other hand, is attracted to personality and vibes. His type is mean, a nice smile, and long fingers. This is why he knows he’s fucking hot, because his vibes are immaculate. This is also why he’s had a crush on Sirius, Remus, Lily, Regulus, Dorcas, Frank, and Marlene.

They’re both messes.

[atimesfeeler]

Not me rewatching all of Paradox’s scenes so I can write him for my doofenshmirtz idea. He’s so cunty lmfao, I love him.

[rootspiral]

Agatha All Along deep dive: episode 3 part 3

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3])

lilia: falling through time, desperately trying to help alice

agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene

I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.

baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others

alice's smile at seeing a vision of her mom T-T

why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.

we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.

daang great zombie makeup on the teacher lady

lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile

agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that

I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.

while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate

agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!

@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!

of course these two don't know what a sous vide is, one is dirt poor and the other eats people.

I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb

the shock and terror on her face when she hears nicky crying

another great special effect achieved only with lights and the cast shuffling out of frame

they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.

kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds

agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.

and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more

patti during that hot ones episode

NOW YOU GUYS REMEMBER HER. and of course it's alice who does

your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)

how it started: jen pushing lilia out of the way

how it ended: "you are my sister in the craft" 🥲

I love you patti lupone

alice is strong! alice is noble! alice is pure of heart!

gee i wonder why

they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"

agatha shoving everyone and then kicking jen twice for good measure

my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.

And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.

Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?

I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!

we get to episode four tomorrow, and y'all know what, or rather WHO, that means!

go to episode 4 part 1

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[amalasdraws]

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