#[ character development ]

[literaryvein-reblogs]

Writing Guide: Character Development

Physical Description Template

Name:

Age:

Height:

Gender:

Sexuality:

Nationality:

Ethnicity:

General health:

Physical description (e.g., face, hair, body):

Clothing preferences:

Job/s:

Likes:

Dislikes:

Relationship status:

Any unusual traits or habits?

Backstory Template

Where were they born?

Where do they live?

As a child, what did they want to be when they grew up?

What do they actually do?

What gets them out of bed in the morning?

Are their parents still alive?

What is their social class?

Where do they like to socialise?

What is the defining moment of their life so far?

What is their greatest fear?

What’s the biggest lie they’ve told?

Are they religious?

Cat person or dog person?

Behaviour Matrix

Instead of creating detailed character profiles, you may consider making behaviour matrices instead.

Example

Selfish — Altruistic

Aggressive — Passive

Dishonourable — Honourable

Disordered — Ordered

Believer — Sceptic

Fervent — Restrained

Apathetic — Inquisitive

How to use this matrix:

For each row, pick from one of the columns.

This defines your character based on attitude and response, and avoids injecting any kind of ethical commentary.

These attributes are not inherently good or bad and, when combined, form a surprisingly nuanced sense of who the person is and how they might react to any given situation.

Even better, this behaviour matrix also allows for and actively encourages contradictions, which are the foundation of any interesting character.

Source ⚜ More: Worksheets & Templates ⚜ Writing Resources PDFs Plot ⚜ Character ⚜ Worldbuilding ⚜ Tips & Advice

[seraphinitegames]

youre telling me a hasnt said ily in 900+ years? not even once to their best friend forever n?

Lol! I had so many asks on this :D

A doesn't tend to say things and is much more a fan of showing them.

Even if people (such as F and N!) would enjoy to hear it expressed to, hehe!

Thank you so much for the ask! :)

[aventurineswife]

I HAVE ANOTHER IDEA

AVENTURINE X READER THEY MARRIED THEY HAVE A CHILD (or children idk) AND LIKE YEAH ITS CHRISTMAS AS A FAMILY AND AVENTURINE GETS EMOTIONAL

A Family of Our Own

Summary: You and Aventurine, now married, are celebrating Christmas as a family. Your life together has evolved beyond the high-stakes gambles and manipulative games that once defined Aventurine’s world. As you enjoy the holiday with your child, Aventurine becomes unexpectedly emotional. He reflects on his past, his trauma, and the family he never thought he'd have. In the warmth of the holiday and the love of his family, he grapples with feelings of gratitude, guilt, and the realization that happiness may finally be within his reach.

Tags: Aventurine x Reader, Winter Special, Family Fluff, Christmas Celebration, Emotional Vulnerability, Hurt/Comfort, Character Development, Domestic Life, Love and Healing.

Warnings: Mentions of past trauma, Emotional moments, Brief references to violence in Aventurine’s past, Light angst (in Aventurine’s emotional struggles).

The flicker of golden lights from the Christmas tree cast a warm glow across the room, reflecting off the delicate glass ornaments. The soft hum of holiday music played in the background as your child giggled, unwrapping presents under the tree. Aventurine, dressed in a velvet green robe that matched the festive decor, sat on the couch, his usual confident smirk softened into a serene smile.

The air was filled with the scent of cinnamon and pine, a reminder that you had finally managed to convince Aventurine to let the holidays be about more than just the game of life he so often played. This year, it was different.

He leaned back, watching the scene unfold before him: your child holding up a glittering card-shaped ornament, exclaiming about how it was "just like Papa's lucky charm," and you, laughing softly as you adjusted the tree's golden star.

"Careful with that," he teased, his tone light but carrying a flicker of concern. "That ornament's as fragile as the odds in my favor when I first gambled on you."

You turned, raising an eyebrow. "Oh, you mean the safest bet you ever made?"

He chuckled, the sound warm and genuine, far removed from the sharp laugh he often wielded to mask his emotions. "Safe? Hardly. I was convinced I'd lose you the moment you realized what a mess I am."

Your child, curious and full of energy, interrupted with a wide-eyed question. "Papa, what's a gamble?"

Aventurine's eyes sparkled with amusement. "It's a game of chance, little one. Like when you open a present—you never know if it'll be something you love or something silly."

"Like socks?" they asked innocently.

"Exactly," he replied, his grin widening. "Except I don’t gamble on socks. I gamble on life. And your parent," he added, glancing at you, "was the highest-stakes game I've ever played."

You rolled your eyes playfully, settling beside him on the couch as your child became engrossed in their new toy. "And yet, you always seem to win."

His smile faltered for just a moment, his gaze growing distant as he reached for your hand. The weight of his past—the lies, the betrayals, the scars—lingered in the unspoken spaces between his words. "Not always," he murmured, his voice quieter now. "But this… this is a victory I never thought I'd have."

You squeezed his hand, grounding him. "You're here, Aventurine. With us. That's all that matters."

He exhaled slowly, his usual mask slipping away completely. "Do you know how terrifying it is? To love something so much, to have something to lose?"

Your child’s laughter filled the room again, and his eyes flickered toward them, shimmering with unshed tears. "I never thought I’d have this—a family, a home. It scares me, because it feels… fragile. Like if I blink, it’ll all disappear."

You rested your head on his shoulder, your voice steady and sure. "It’s real, Kakavasha. You’ve built this. We’ve built this. Together."

His name—his true name—spoken in your voice always unraveled him. He pulled you closer, pressing a kiss to your forehead. "You’re too good to me," he whispered.

"And yet, here we are," you replied, smiling. "Aventurine, the great gambler, finally learning that not every win comes with a price."

The night unfolded with warmth and laughter, the three of you sharing stories, unwrapping gifts, and basking in the glow of the season. When your child finally fell asleep under the twinkling lights, Aventurine carried them to their room, his steps careful, his expression softer than you’d ever seen.

Later, as you sat together by the fireplace, his arm draped around your shoulders, he spoke again, his voice thick with emotion.

"Thank you," he said simply, his eyes meeting yours.

"For what?" you asked, leaning into him.

"For showing me that some gambles aren’t about winning or losing," he replied, his smile small but genuine. "They’re about what you’re willing to risk. And for this—for you, for them—I’d risk everything a thousand times over."

You smiled, brushing a hand through his hair. "Merry Christmas, Aventurine."

He kissed your hand, his voice soft but steady. "Merry Christmas, my love."

For once, Aventurine didn’t feel the need to chase the thrill of the unknown. This was enough. This was everything.

[gayass-spider-thing]

Me when it's time to torture my poor ocs

Oh shit I just realized I can post the "Gaussian Blur Wizard That Gaussian Blurs You" here

[ocprompts]

who would your oc burn the world for?

[girl4music]

Those last 2 episodes. Appropriately titled ‘Heart Part 1’ and ‘Heart Part 2’ because my heart is so full. I have so much to say and have no idea where to start with it.

So much happened. Every lead character’s individual arc was thoroughly concluded in a very satisfying way. Even some of the recurring ones got an endgame so there’s a lot to cover in this recap of a fantastic finale and I feel so fulfilled on great storytelling and great representation packed into a neatly tied up ending.

MAJOR SPOILERS: do not read this if you have not seen the finale of ‘She-Ra and the Princesses of Power’.

I guess I’ll start with Shadow Weaver because she had an endgame that I had predicted. Well, sort of. I said that Shadow Weaver’s arc can only go in 1 of 2 ways. I said it was either personal attainment (villainy) or personal sacrifice (heroism). So I wasn’t surprised when it was the latter. But I wasn’t able to trust in her going that way sincerely until she started attacking that monster, told Catra that she was proud of her, took off her mask and then told them both ‘you’re welcome’. I couldn’t trust that she was sincerely helping them to achieve releasing and channelling the Heart of Etheria’s magic�� which by the way, is what almost brought them to the brink of destruction the first time they tried to do it. However, I understood that because She-Ra was the conduit for that, that it could have a different outcome. Still destructive but destructive only to the opposition. I think anyway. I might have to rewatch that part again because I don’t think I fully understood what was going on there. But yes, Shadow Weaver went out in a heroes death rather than was the cause of her own demise out of hunger for power and a desire to attain the magic of the Heart Of Etheria for selfish aim. I was happy with it.

Glimmer and Bow: I decided to talk about these 2 lead characters together since part of their arc involves each other. It was no surprise to me that they would declare their love for each other. I mean Glimmer has always had a crush on Bow and they’ve been the very best of friends since they were children. I wasn’t sure about Bow at first but I knew intense romantic feelings would develop and I’m glad it was Glimmer who said it first. I am a bit disappointed that there wasn’t a kiss on the lips but I think I understand why that was. I’ll get there. Be patient. There’s way too much to talk about first and I really want to save Catradora until the very last section because I’ll have the most to say about them as a lot of their arc informs well… pretty much the whole TV show.

Glimmer individually had more of an arc in the TV show than Bow did so a significant amount of my meta goes to her. It was mainly how she was fairing as Queen but also how useful she could be to the team because of it. Then of course there was Micah. Reuniting with him but having to battle with him because he was an unwilling agent of Horde Prime. I laughed with pure joy when the influence on him ended and he said “Hi, I’m your dad.” I really felt for Glimmer when she was desperately trying to heal him and she said “I won’t lose another parent!” So it was so satisfying for me to realize she healed him and that she poured all the love she could into that heal and when she succeeded, the proud smile that he wore must have made her feel like Queen of the world, never mind just her little town of Brightmoon. She deserves it.

Likewise it was wonderful to see how proud Bow’s dads were of him when he gave that rousing battle speech to the reawakened masses of Etherians, telling them to be their own warriors and fight for their home. It was right that it was Bow to do that rather than Adora or Glimmer because that is what he had trained himself to do from the beginning. He wants to be an archer battling on the side of the greater good and not a historian. So to see his dads holding each other, proudly watching him… it brought a tear to my eye, I have to admit. So beautiful!

Hordak and Entrapta: I had no idea that I would get a closure for Entrapta, let alone Hordak. I did and I’m so happy about it because even though she was only a recurring character, Entrapta buried her way into my science, tech and engineering loving heart (with a spanner and a blowtorch? You will never know 🤣) but I am glad that she got over her obsession enough to focus on what really mattered. Saving her friends.

The fact that what stopped Horde Prime wasn’t Adora or Glimmer or who you would expect, but Hordak and Entrapta? That hit so hard with me. To give THEM the hero moment of defeating the villain. I was like “Oh my god! That’s brilliant!” Because it is. Think about it. Who do you think Horde Prime tortured the most? His Little Brother! I still don’t know if that was literally or not. 🤷‍♀️ Was he actually related or was he just another clone because he did call Catra his “Little Sister” too? That’s still so creepy to me. But yeah, for Hordak to get that moment of retribution was absolutely delicious for me and then for Entrapta to reach him when Horde Prime tried to take over through the Hive Mind? So, so, good! That made total sense and it was brilliantly executed!

Scorpia and Mermista: The only reason to lump these 2 characters together is because they were chipped and controlled the longest that they caused significant damage to Etherians. There’s not really much to say about them other than that they’re going to have huge headaches now that this is all over due to how far gone they were. I mean I’m glad that they were able to save them but I just don’t know what the aftermath will be for them or whether they will be the same ever again.

From the way I watched and interpreted the TV show, I understood that one of the main narrative themes of it was psychological conditioning and I’ve been in awe that this children’s show was brave enough to tell that very dark story,… let alone see it right through until the end because it’s an ambitious, elaborate and difficult narrative undertaking. Especially to do it properly,… which they definitely did. To tell the darkness of… well… basically radicalization and genocide but to do so in such a way that it could teach and motivate kids to develop on their innate judgement and discernment so if - god forbid - they ever end up in that situation, they’ll know exactly what to do about it. With team She-Ra being their idols, they’ll be able to fight conditioning. I can imagine that’s what the creators intended with this and I cannot acknowledge and commend them on it high enough. I think that ND Stevenson and the entire creative team are incredibly courageous and amazing to make this a main thematic narrative all throughout this TV show and handle it with skill and compassion that it does not once come across as too much for PG.

Catradora: (Yes, I’m using the ship name because the way they tie up their individual character storyline arcs seamlessly also ties in with their romantic arc and you do not know how hard it is to find this with WLW ships.)

First off, I want to point out something that may or may not have been pointed out before with Catradora but this is just how it came across to me in the narrative given I interpret psychological conditioning as a main theme within it. To me, a lot of the reason why Catra is the way she is as a villainous character when it comes to receiving love and affection has do with this factor. She’s so closed off and repressed to the point that she cannot even see that she’s corrupting and sabotaging herself. She is a lot like Xena in this way. But a major striking difference for Catra is that she physically loses the one person in the world that stops her from doing this, whereas Xena physically gains that one person. Trust issues, abandonment issues, parental issues all tie in together - but that was all tolerable when Adora was around her. As soon as Adora leaves her behind in the Fright Zone and, furthermore, begins to oppose her as the hero of Etheria, she spirals so hard and so fast that all of those issues - which were always issues caused by the abusive treatment from Lord Hordak and Shadow Weaver - come crashing down one by one on top of her because she no longer has the person who makes those issues just inconveniences for her. Not only that but … it feels like personal betrayal for her that Adora fights her. She genuinely does think that Adora hates her. I mean who wouldn’t if they were in her shoes (paws?) and had the ���upbringing” and “nurturing” backstory she’s had? So Catra has this preconceived notion that Adora never cared about her and left her because she thought she was better than her and was chasing after heroic glory and believes that she was too weak to go with her. In a way it’s a personal vendetta out of misunderstandings Catra has against Adora and those feelings are intense not just because the Horde brainwashing is that deep and severe but also because her love is that deep too and she can’t differentiate which feelings are which. So she becomes She-Ra’s mortal enemy because in her mind, She-Ra is what has taken Adora away from her.

But obviously, from Adora’s side, She-Ra was sprung on her, Etheria was sprung on her. In fact her entire world upended once she recognized her life for what it was. A lie. That she was the villain brutalizing innocent people. She couldn’t go back to them even if she had wanted to because everything she had ever knew was fraudulent and she had been coerced and deceived into being a weapon. And what I really like about Adora’s individual arc is that eventually this was revealed to be true on both sides of the war. She was a weapon for evil and for the greater good. But all she wanted - as all heroes do - was just to protect and defend her loved ones. That’s it. Catra could never see it that way though and it makes sense that she couldn’t given her conditioning was even worse as it involved one-on-one attacks from Shadow Weaver as well as whatever the treatment was with the entire group. Catra’s psychological conditioning was much more personal, intimate and isolated so what was ingrained into her had much deeper and stronger layers added on to it. Hers was a solid brick wall built trauma complex. Those are always much harder to recognize and escape from but with the right therapy,… it can be done. Given her issues weren’t so bad when Adora was around her but got much worse when Adora left her… it is clear that Adora represented a sort of therapy for her. Adora helped her keep all the crippling thoughts of self-doubt and self-contempt at bay. But they were on full volume when Adora left and kept attempting to kill her.

Okay, so let’s finally get on to their romantic arc and how the finale not only concluded their individual character representation and development arcs but also ended their ship slow burn. It wasn’t until the fantastic episode of ‘Save The Cat’ did I realize they were going there. See,… to start with, I knew that they were going to become a canon WLW couple at some point otherwise I would have never started watching it. That was the draw for me. That they were both lead characters in a canon WLW ship in a children’s TV show. That floored me. But I was not prepared at all for what I got to see in the finale. It was groundbreaking. It was phenomenal. In fact I’m sure it was life changing for many queer kids to see that kiss happen the way it did. Or… just happen on-screen at all. Look, I am so used to the “implied” and “assumed” and “disguised” when it comes to WLW physical intimacy that I just do not ever expect blatant leaves-absolutely-no-doubt-whatsoever kisses. I certainly don’t expect WLW kisses written and portrayed as “the power of love” kind. It’s extremely rare. To see it in a children’s show nailed me to the floor. But furthermore - added on to that astonishing feat - is that both lead characters overcome all their issues and obstacles through that very act like… a fairytale story. It’s like… when the Princess kisses the Princess, all is well… there’s no stopping either from that point on. It seems corny but it all just depends on how it’s done. But the fact is you don’t see it done between WLW at all. So to see it done WELL alongside seeing it done at all… I mean Indy knew that he had an assignment with this but the phrase “he understood the assignment” doesn’t cover or justify what was accomplished with this and I can’t believe it’s took me this long to see it.

Every TV art/entertainment creator should watch this TV show and regard this finale as the perfect example of what queer representation can and should provide in TV because this was just the epitome of what true love is. But the fact it was between 2 female lead characters.

I can’t even begin to explain how much it meant to me but I will spend the rest of my life trying to express it because this really was a groundbreaking achievement and I will be adding this WLW ship to my very short list of WLW ships that shape and satisfy every piece of me.

I have had the best fucking time watching this TV show and I will be doing reruns of it for god knows how long because I am sure there is so much more there for me just like there is with Xena, Buffy, Charmed, Dragon Ball Z, Wynonna Earp and Arcane. All these beloved shows are timeless to me for a reason and She-Ra is the same.

I hope you all enjoyed reading my recaps of my very first watch of ‘She-Ra and the Princesses of Power’.

Merry Christmas and a Happy New Year to you all. 🎄

[lovewillthaw-j]

Left: Moana (1) | Right: Moana 2

Idea by @sliceoflove

[oc-loving]

what's your oc's favorite beverage? do they usually prefer hot or cold beverages?

[short-wooloo]

We're really not gonna talk about how Blitzo now knows what insurance is?

[srslylini]

oh my god I never realized just how much they fucked up Viktors character, they literally took away his core believes this time around

the one of choice and the one of wanting to help for the GOOD.

had they done this in a good way I wouldn't be complaining, characters morals can definetly change *abruptly* if done right but here? All of the suddeny he said "fuck choices" and oh my god that stupid fucking **** ******* ******** timeloop, that I will hate to my deathbed, makes this even worse cause it retcons all we got from Viktor in season 1.

Did he ever truly MAKE a choice? Well no. This could have been their tragedy but they didn't even think about it and just completely changed an established character out of a whim. They couldn't find a way to write sense into why Viktor did what he did in season 2 so they just.... completely and unreasonably turned his character upside down.

and THEN they killed him off in the weirdest way possible. In the end season 2 really spit on all its characters

Viktor in season 1: "There's always a choice."

Viktor in season 2: "Sike! Choice doesn't exist, you losers!"

Wizard Viktor: *forces a fucking time loop*

[literaryvein-references]

When your Character...

Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight

Hates Someone ⚜ Kisses Someone ⚜ Falls in Love

Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns

is...

A Ballerina ⚜ A Child ⚜ Interacting with a Child ⚜ A Cheerleader

A Cowboy ⚜ A Genius ⚜ A Lawyer ⚜ A Pirate ⚜ A Spy

A Wheelchair User ⚜ A Zombie ⚜ Beautiful ⚜ Dangerous ⚜ Drunk

Funny ⚜ In a Coma ⚜ In a Secret Society ⚜ Injured ⚜ Shy

needs...

A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison

A Coping Strategy ⚜ A Drink ⚜ A Medicinal Herb ⚜ A Mentor

Money ⚜ A Persuasion Tactic ⚜ A Quirk ⚜ To be Killed Off

To Become Likable ⚜ To Clean a Wound ⚜ To Self-Reflect

To Find the Right Word, but Can't ⚜ To Say No ⚜ To Swear

loves...

Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils

Dancing ⚜ Fashion ⚜ Gems ⚜ Herbal Remedies ⚜ Honey

Mushrooms ⚜ Mythology ⚜ Numbers ⚜ Perfumes

Roses ⚜ Sweets ⚜ To Argue ⚜ To Insult ⚜ To Kiss

To Make False Claims ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga

has/experiences...

Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings

Bruises ⚜ Caffeine ⚜ CO Poisoning ⚜ Color Blindness

Facial Hair ⚜ Fainting ⚜ Fevers ⚜ Food Allergies

Food Poisoning ⚜ Fractures ⚜ Frostbite ⚜ Hypothermia

Injuries ⚜ Jet Lag ⚜ Kidnapping ⚜ Manipulation ⚜ Mutism

Pain ⚜ Paranoia ⚜ Poisoning ⚜ More Pain & Violence

Scars ⚜ Trauma ⚜ Viruses ⚜ Wounds

[these are just quick references. more research may be needed to write your story...]

Writing Resources PDFs

[literaryvein-reblogs]

Food in Fiction Writing

Often, we structure our days around food; a family meal, the office lunch break, dinner out with friends or maybe late-night instant ramen to get you through a deadline. But how do you include these moments in fiction writing? And what can you make this say about your characters?

Food as Habit

Giving your character eating habits and tastes can really flesh them out.

Try to think about where they eat, who with, and what?

Habits make our characters come alive, giving them the sort of real interior life that readers can identify with.

Make use of their tastes in moments of emotion – after a climactic moment, do they come home and relax by cooking, or try and escape to a fancy restaurant among friends – or do they not have the energy to eat at all?

Food is a great way to show character rather than telling.

Food as Subtext

Another great way food can show instead of telling is to use it in a conversation, when people are saying one thing but meaning another.

Often, when people argue, it starts off as a small problem – like burning the dinner, or what restaurant to choose.

Use food as a starting point in conversations when people are letting out their emotions through another meaning.

Let your characters debate their marriage through a restaurant without enough vegetarian options, or show someone’s romantic interest through appreciation of a badly cooked meal.

Food as Structure

You can show a lot about the order of a character’s life through when they eat.

Meals are a very everyday moment in your story that can provide order or disorder – if your character has to meet someone for lunch, obstacles preventing this can provide tension.

Eating is often entangled with a tight sense of time, so use this to your advantage.

Even small moments of tension and disorder can add a lot to your story.

Food as Sensation

Food invites rich and flavourful description.

All our senses are engaged while eating – not just sight and taste.

Think about how you can describe the intense smell of a curry, the way it feels as you chew it, the sizzling sound of the frying pan and the bubbling of the rice.

Create a rich sensory experience in your reader, maybe try and make them hungry.

A full-bodied description will make your scene come alive.

Food as Setting

Food is rich in cultural associations and tradition.

Do some research into where you are setting your story and explore what people there eat, when, and why – your character might be eating Sil (pickled herring) in midsummer, as is the tradition in Sweden, or celebrating Diwali with Besan Ladoo and other Indian sweets.

It is important to build a sense of specificity into the food.

But don’t fall into the trap of problematic food and cultural stereotypes – a character could just as easily be eating a burrito in Manchester as in Cancun, Mexico.

Food is often a shortcut to cultural understanding.

In the same way that literature connects stories with disparate readers, food itself acts as a vehicle for empathy in the communication between cultures and communities; both food and literature connect the self to the other in an act of empathy.

The act of eating is intimate, and hunger is vulnerable.

Picture your protagonist at her weakest, then give her a big plate of meaty spaghetti bolognaise, a Styrofoam tray of late-night cheesy chips, a ripe fresh peach, a hot bowl of Pho, or maybe an ice cream sundae.

At once, the writing will be enhanced simply for all of the rich sensory detail, and we will also see this character more clearly – she is given something physical, and a tension rises between the comfort of the food and the struggle of her situation, whatever it may be.

Stories thrive on tension and its release, and food is an incredible tool to either deflate or enhance that tension.

Food is inexorably connected to humanity, and so naturally plays a significant role in literature.

Food writing offers sensuality, symbolism, tension and empathy – for your readers and your characters alike. 

Even if you're not writing foodie fiction or lavish descriptions of every meal, you can still use food to help readers learn about your characters. For example:

A character you want to depict as adventurous might try unusual foods from their region, like crunchy grasshoppers or grubs for an American, or a character can show that they're stressed and busy by forgetting to eat or chowing down on prepackaged food because they don't have time to cook.

You can show readers a character's heritage or familial background by having them cook or remember beloved family recipes, or demonstrate that they're artistic by having them plate their food beautifully.

A tip for writing about food is to use all 5 senses in your descriptions to really help your reader see, smell, taste, feel, and even hear the food.

Try and avoid words that are general and can make it hard to envision something specific. Let's take an apple.

We could call it delicious and beautiful, but that doesn't help us understand the specifics of what it looks and tastes like.

But if we say that it's shiny red, that it smells fruity, tastes sweet but also puckeringly tart, and that your teeth crunch on its firm white flesh, you can almost envision it yourself.

Wine-tasting can help you find words for fleeting and elusive flavors.

Keep a book of adjectives that work well for flavors: salty, sour, sweet, sugary, sharp, spicy.

Smell is important too: vinegary, burnt, fishy, fruity.

Temperature may be a little easier: hot, warm, cool, cold, iced.

Texture: dry, slippery, hard, damp, nutty. And so on.

How to Describe Food in Writing ⚜ The Vocabulary of Wine

Sources: 1 2 3 4 ⚜ More: Notes & References ⚜ Writing Resources PDFs

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Writing Fantasy

[ld-666]

Bonus points if it's someone that's normally really serious and the first transformation happens when they are working so they are trying to stay focused as they become more clown by the second. Especially if they are in denial despite multiple people pointing it out.

1048

your character is a werewolf but instead of turning into a wolf they turn into a clown. a wereclown

[writing-chats]

ultimate character development template

basics

name: meaning of name: nicknames/titles: age: gender: location: birthday: strengths + example where it's shown: weaknesses + example where it's shown: how it affects others:

emotional depth

attachment style + how it manifests in the story: physical fear: emotional/abstract fear: happy memory: sad memory: object of significance: philosophical outlook/belief: what characters are ignorant about themselves: how confident are they: goal: long-term dreams: what they're embarrassed/ashamed to tell others about: regrets: source of pride: source of misery: what they admire above all else: do they believe in fate:

personality

mbti: enneagram: big five: character archetype: star sign: who they pretend to be on the outside: who they actually are/how they feel towards the mask: mental health conditions: how it manifests for them: iq: eq: humour: reputation:

habits

bad habits: mannerisms when stressed: mannerisms when content: mannerisms when scared: mannerisms normally: verbal mannerisms/distinctive speaking style: how do they move across a room: what do they say and what remains unsaid: how they express love: hobbies:

appearance

defining features: eye shape + colour: hair texture + colour: skin texture + tone: vibe: height: build: clothing: any bodily disfigurement (scars, etc.): overall attractiveness: their opinion on their appearance: appeals to:

relationships

who they trust most: what they wish they could do for them: what's holding them back: who they hate most: what they wish they could do to them: what's holding them back: relationship with the protagonist: relationship with the antagonist: siblings: relationship with them: parents/step-parents: relationship with them: previous broken relationships: why did it break: what others expect of them: who believes in them: their mentor character/who they look up to: political/religious/other affiliations: what makes them different from every other character: non-human relationships + why: romantic "type" + why: relationship dynamics:

backstory/background

primary emotion towards their past: primary feelings while in their past: where did they grow up: defining incidents: earliest childhood memory: saddest memory: happiest memory: major accomplishments: their opinion on it: notable people in their backstory: effect on them today: trauma: what have they already lost: financial circumstance:

progression

why are they important (eg. why're they the only one able to do something?): what do they learn about themselves throughout the story: what do they learn about the world: how do they feel towards their newfound knowledge: character arc (positive, negative, neutral): how relationships change because of their actions: what mistakes do they make: what scene is their character highlighted: do they get what they want: why or why not: what happens to them after the story ends: