#[ :// im trying to figure out what plotted thing we haven't actually done yet. ]

[sweetertork]

okay the monkees timeloop would go something like this: theyre filming an episode that they hate and they know will never air and its one of the most absurd theyve ever done and while the plot isn't very timeloopesque, a lot of the direction and the things that happen onset foreshadow what's about to happen. mike and peter are the only two who get stuck at first. theyre forced to relive the same of day of filming over and over . something something two musicians who didn't know what they were signing up for the most at war with the monkees phenomenon peter with his guilt abt being fake and his innate desire to make the monkees a real band and mike with his "im better than this shit" attitude and his strong belief that they will never be a real band . they try to tell micky and davy on multiple occasions but micky half believes them and davy is like stop fucking around and everything resets. they try again and micky believes them and he starts retaining his memories when it resets around and begins to experience the loop. mike and peter fight about telling davy because peter is certain the only way to break out is if davy joins them but mike is like no we gotta figure it out ourselves meanwhile micky is still recovering from a mental breakdown over this whole thing <- science nerd who doesn't believe in god or fate or any of that. eventually they tell davy. He's a) furious that he'd been excluded this whole time and b) shocked and amused that they hadn't figured out a solution already. peter starts to formulate the song do i have to do this all over again. mike/peter tensions are high throughout the whole thing but don't ever really get resolved. davy spends the whole loop bullying mike. micky eventually recovers and ends up having a ball on this bitch and leads them in finding the solution cos he eventually becomes the only one who's taking it seriously enough to fix it because peter has slightly given up and is on the verge of crying at various points. something happens that means they can finally break out but i haven't figured out what it will be yet. something kind of humiliating for them but also very heartfelt and by the end they're pretty close but it's bittersweet because it's implied that once they leave the set everything they went through together becomes a thing of the past and none of them know how to deal with it properly so while it has a lasting impact on their psyches and their relationships it doesn't actually fix anything . okay that's my vision thanks everyone for listening

[no-shxme]

since ive had people asking about it, here's

an overview of my writing process:

its very long (but split into 4 sections) so i will be posting it below the read-more. i fr threw up all over the post and it covers my writing process specifically. because i write unreliable narration >> canonic characters, etc this will prolly not be as useful for like, idk, crack fic writers or whatever else. basically this is what works for me. it might not work for you, but feel free to peruse, im sure no 2 writer's processes are exactly the same. (AND THATS COOL)

Step 1: The Idea & Start

usually my fic starts with a single scene/mood/line, and the whole fic is started around that. (for ex: my fic Teeth started bc of 1 set of lines that we haven't even gotten to yet. [sob]) this also helps me be more motivated, as i become pretty desperate to get that scene/mood/etc written. (as i write i often find new goalposts to write to, which helps keep me motivated, yeah)

occasionally i will write out an initial drabble (like 1 or 2 paragraphs) set in the story idea i have, just to see if i like whatever's going on before i commit.

before i start i decide my setting or at least whatever parts of the setting are relevant. (i wont go into it here bc that's not exactly process.) then i'm game to start.

i've heard a lot of writers struggle with starting a fic and ending it. starting a fic isn't usually a problem for me but if i don't like how the beginning is looking it's usually because i've started it too far away from relevant plot. i don't want to write too much beginning set up, so my solution is always to delete what i have and restart the scene closer to when something happens.

(for ex: when writing everything that went wrong over the summer, the story started earlier and was going to have kayn discover rhaast at the end of the first chapter. but halfway through i decided it was bad. i didnt want to reveal too much and it was kinda boring, became a slog of wordlbuilding. i hated it so i deleted it and instead we meet rhaast in literally the second paragraph.)

imo if you are having trouble with starting stories, literally just throw yourself into the action, its the best way to jog a stuck start. move up the timeline, make things move faster. ask yourself if you really need all the space before the action happens. this method also be used on other scenes, not just beginnings.

it's generally a good idea to figure out what the minimum amount of time you need to complete your story. (this plot that takes place over three weeks, can it be done in three days instead?) but i dont always do that for fanfiction, more my personal writing. fanfiction can be loose and slimy, thats okay. i'm not gonna stress myself over it like i do with my book lol. for me fanfiction is like a vacation. since the characters are already established i can be free to experiment stylistically and try new things.

Step 2: The Writing (The Slog)

(The longest section of this post)

I actually have SO many notes for my writing process so this will be all over the place.

Whenever I write ANYTHING my goals are the following:

keep things concise, without crazy exposition or information overloads.

to me writing is kinda like a puzzle, or a combination lock. i have a line or thought and i just continuously swap words around in my head or on a doc until something clicks. my goal is not just something that fits, it's something that fits BEST. (i am not always successful at this.) so yeah sometimes a line sounds good, but how do i make it sound BETTER. i am always thinking about lines. all the time. i am always turning a scene in my head trying to find the best angle. im literally doing it right now.

this is a stylistic choice that might not apply to everyone, but i love writing unreliable narrators and therefore always write them. in fanfiction i like trying to keep the characters close to their canon personalities, so a lot of the following advice is through that lens.

WHEN IT COMES TO PLOT:

by the time i write my first scene i usually have an idea of the ending. i'm not too terribly focused on it but i definitely prefer to know it. its just something i have to reach eventually. usually little plot ideas will start sprouting up like checkpoints between the start and the end, and then it's just the matter of figuring out how to bridge the gaps between them. one of my favorite tricks i like to use for longer or difficult plots is work backwards. (i call it Keyframing)

(for ex: let's say i'm writing a story about a knight who marries a dragon, but i can't figure out how the hell that's gonna happen. an easy way to come up with ideas is think: what's 1 thing that has to happen between the start goal (there's a knight) and the ending (married to a dragon)? it could be something simple. the knight has to get to the dragon's lair before he can get married. okay, great, there's another plot checkpoint. now what's 1 thing that has to happen between the start and getting to the lair? and also what's 1 thing that has to happen between getting to the lair and getting married?

as you keep adding 1 thing to the plot between points, it basically writes itself, or gives you a very good list of things that HAVE to happen in order to progress the story. then you can add embellishments and tweak it, but its a good method i use for avoiding over-complicated plot. periodically i also ask myself: can this be simplified further?

in cases where i don't have an ending in mind (about 35% of the time) i let my characters drive the plot. this is very easy because i write unreliable, character focused narration. all i think is: ok what're they gonna do. how would they do xyz. hows this affect them. i'll also think about my end goal for the character as it slowly develops and ask myself if it's realistic for them. i don't write crack so if it's something a character won't do then i just won't write it. i'll figure out some other goal or method to achieve the same effect, even if the scrapped idea is cute. :C the end result is usually a more convincing character. (once again this is literally just how i write ff. you DONT have to write like this) in many cases the goal is fine but the method isn't, so i have to rethink how the character realistically reaches that goal. (this was very much the case in my fic, One Promise)

WHEN IT COMES TO WRITER'S BLOCK:

here's my methods for getting over writer's block in no particular order:

taking a break. (or a nap)

reading poetry (this helps bc i try to write poetic) or just read, if im in a pickle.

changing location. (if you write on your phone/laptop. just go somewhere else)

delete the scene and restart from a diff angle. (not advised tbh. i dont think this is a good method, even if it works for me. im only listing it bc its something i do.)

to a lesser degree: changing the font, listening to music i would never listen to normally. or not listening to music at all.

walking around in circles talking to myself about whatever line im chewing on. :/

Okay now im just gonna list a mixed bag of shit that pertains to my literal writing process:

i use google docs because i like to write on my phone and my tablet. i will write in bed before sleeping or in the car. ill write wherever. occasionally i will also use scrivener on my pc for writing assistance. or ms paint. (dont make me go into it)

i almost always try to write what the CHARACTER sees or experiences, versus what a narrator would see. (for example, in my fic Teeth, sett's ears are mentioned a lot. it's because talon keeps noticing them.) this is super important in my writing as it also serves meaning and makes things more concise. oh a character is an artist? so they might notice the technique in a painting. versus the same painting viewed by a carpenter, who might focus more on describing the picture frame. i have specific thoughts on (confident) character voice/unreliable narration, but this post is long lol. if anyone wants to hear it lemme know.

for the most part i only try to describe what's necessary. im not trying to introduce too many characters BY NAME or too many places or too much detailed description-dumping, unless im trying to hide something. ESPECIALLY IN FAN FICTION. one thing i keep in mind is that the reader will fill in the gap. like i could write 'a kitchen with green walls and one window' and boom you already have an idea of what the kitchen could look like. i could write a character using a stove and different readers might imagine that stove in two different places, as pertaining to their imaginary kitchen. that's fine. as long as the location of the stove is unimportant then i dont need to describe it. basically if it's not Vital to my vision then i often don't bother writing it. (this also allows me to push themes and sneak things, but this post is too long)

often while i write im thinking ahead, so ill start noting future lines/plot ideas to use at the bottom of the document so i dont forget them. if it's a long fic my lines-to-be-used will be like, pages long lol.

JUST WRITE. I JUST WRITE. sometimes its slop, that okay. i try to write every single day.

whenever i return to a wip i reread it to get in the Groove.

as i write i sometimes make comments (in google docs) on some words that i know are placeholders. like i'll write a sentence and think: i need to change that word, but im too in the flow to do that now, so i just make a quick note so i dont miss it when editing. i have shorthand for it too, like for example, WC stands for 'word choice' and REP stands for 'too much repetition.' sometimes im lazy and dont do this ._.

speaking of repetition, one of my lil tricks is to start a list of repetitive words as i write. i will often throw in the names of characters, and some common pitfall words for me (words that i have a tendency to use too often). this is helpful for....

Step 3: The Editing

okay first i take a break. the length often depends on how long the fic is. if its a shortie then i just play a game or 2 of league or smth. i must banish the story from my brain.

when i come back i give it a read over and edit whatever issues i see, reword, blah blah. i also use Ctrl + F with my list of repetitive words! this way i can clearly see problem areas where i've used the same word too close together. i will also Ctrl + F grammar missteps, namely double spaces, double periods, and double commas.

for word choice ideas i use wordhippo :3c sometimes i recognize that a line needs to cook so ill come back to it.

i also do character checks where needed. (Would they REALLY do that?) at this point i can identify a problem area pretty easily so i dont do it that much anymore.

then as my final editing step i read the whole thing aloud. this step is so important that i never skip it, even on long ass docs. reading it aloud to myself is vital. when i read it aloud i can actually test the dialogue and see cadence issues and random mistakes that i never catch anywhere else. for longer stories this is done chapter by chapter as finished, which is,,, thank god lol.

if im unsure about a story then i'll let it ferment for a while (days, weeks) before i come back and edit, just to make sure im not crazy or smth.

Step 4: The Posting

i post in ao3's rich text format, so it keeps some of the formatting. then i hit PREVIEW and then i hit EDIT again. bc ao3 is finicky about italics and will add weird ugly spaces bc of that. so to get rid of them i use my CTRL + F method again to check for space + periods (literally a space then a period), space + commas, double spaces (again), etc. i also center those *** things that people use as scene breaks bc they're never centered. takes like 5 minutes.

then i post and try not to feel immediately awful lol.

anyway that's my writing process. this ended up super fucking long holy shit. sorry i like, rambled and blabbed. i try to be thorough. there's a lot more that i can talk about not pertaining to the process itself but like, yeahhhh. thanks if you read all this, hopefully its not terribly boring.

[toldabetterstory-archived]

IT HAD BEEN A TYPICAL DAY, if typical days often included feeling the weight of a small jewelry box in your jacket pocket --- waiting for the dinner you were set to have that night with your partner. somehow, sherlock didn’t think that constituted typical. at least not in his areas of knowledge in regards to social regularities & protocol. he’d been trying to calm his nerves by focusing on a personal experiment of his, examining fibers under a microscope. john was making himself very much noticed, seeming to be vibrating on the spot for whatever reason. nothing appeared to be wrong, nothing he had learned to recognise, anyway --- so sherlock figure it was another thing that he just didn’t understand; but it didn’t change the fact that it was making him incredibly tense. with a sigh, he rose from the kitchen table to make a cup of tea. filling the kettle with water, he thought he heard a shuffle about the table. turning to place it on the stove, he noticed john had jumped from his spot & was now by the microscope, trying to look casual.

SHERLOCK COCKED AN EYEBROW CURIOUSLY, lowering the kettle & regarding john. “ what are you doing? ”

--- @strongmoralprinciple liked for a starter

[completeoveranalysis]

~

Warning! This post contains spoilers up to chapter 170 of Tsubasa (and Chapter 71 of xxxHolic). Please skip this if you have not read that far.

Please also make no comments about what happens after that point in either manga.

~

SO here is the other splash image that really stuck out to me:

This time not because of the Seresu arc but because of how the Infinity arc itself ends.

Here's the link to the original post the image is from if you'd like the full context, but the particular quote from that post I want to use as a reference is here:

"Syaoran also sits on the throne - which as far as I can tell, isn’t his. ... The only one ever wearing the crown they’re all wearing [on their clothes] is Sakura. Now, does it make sense that Syaoran has usurped her throne? Heck yeah! He’s stolen everything from her. He’s stolen her journey (they’re following him now, always a step behind), he’s stolen her feathers, and he’s stolen the person she’s in love with."

Where I was kind of on the right track but couldn't have possibly guessed what all the chess imagery was ultimately feeding into. Looking back now the initial liveblogs for all of these Chess-related splash images are such a big mix of different iconography, so it’s very fun reading through all my old guesses back then. I think I did a really good job of trying to decipher some of it, especially the Cinderella and Snow White imagery in Chapter 140, but the Chess was a bit trickier.

Which, like, understandable, because the chess game that was happening in the chapters was stressful as heck and did not end well, but there is a nice conclusion to it with this image which is easier to read now - especially in regards to Sakura. Because it's made very clear to the viewer that the symbol of the Queen piece is in reference to her; both in these splash images (where she wears the crown at one point, and every character wears the symbol in ways that reflect their allegiance to her) and in the plotline, where she functions as the Queen of the battles taking place. Here is another good example of the symbol being used for Sakura with it right there on her throne, and the two Syaoran's wearing the symbol in smaller ways to represent their relationship to her. But with that all in mind? I had no idea what it was really getting at with Syaoran on Sakura's throne here.

BUT NOW I DO.

If you go back to that example I just gave with Sakura sitting on her throne? It's a different throne! It still makes it very clear that she's undeniably the Queen piece, with the symbol in gold actually being a key part of the throne itself.

And the throne Syaoran sits on? It has the crown symbol as part of the decoration, but it's not representing him, it's just a small symbol to show that matches Sakura's throne. This throne is his own.

He's the King piece.

(And, important distinction; the throne is not Lava Lamp's, but our original plotline Syaoran who is now in Autopilot mode.)

This wouldn't have occurred to me the first time through because I was focused so much on what this might mean for Sakura, and how she related to everyone else, but the way the Infinity Arc ends really hammers this home. After all, Sakura is the mastermind in this arc - everything that happens is according to her plan. She's not playing chess just during the literal chess matches, but during the entire plotline, moving every character and circumstance into place to enact her final plan; to activate both Chi's at once, absorb both their feather's, and trigger Fai's curse - resulting in her pseudo (if purely physical) death. But like we see in the plotline, this isn't a loss - it's a win. It's exactly how she planned things to unfold, and it will lead her to winning the game.

Just in case anyone isn't familiar, in Chess the queen is the most powerful piece capable of the widest variety of moves - but the queen is not the endgame goal. You can lose the queen piece in any game and (besides losing a powerful piece) it's not the end of the world. You can still win the game without the queen piece. It's the King piece that's the Win/Loss condition. The King is the piece you have to keep safe at all costs, even if you lose other pieces in the process. The second the King dies, the match is over. You've lost.

And this matches exactly how Sakura played the series events. She was the Queen in control of every move, and Syaoran was the Win condition she was focused on. She foresaw Fai killing Syaoran in the future - which, for her, is the Losing Scenario. She planned everything to avoid this, and she succeeded! She lost the Queen piece (ie, her physical body) but won the ultimate goal of keeping the King safe. She won the 3D future chess game that she was playing by herself, and positioned herself in the place that would have the most benefit for the victory at the end. (Which I still haven't seen, but she was VERY confident about this having a better result than Fai killing Syaoran.)

I'm also super happy that this ties in really well with the fairy tale allusions I talked about back in Chapter 140, but in ways I wasn't aware of back then either.

I talked about Snow White and how the apple (that shows up in a lot of the splash images in Infinity) may have been referring to Sakura's tendency to sleep a lot. What I didn't realise was that Sakura was essentially about to pull the Big Brain Snow White maneuver on herself to ultimately win her chess game. While in Snow White the poison apple is a trap, here Sakura sprung the trap intentionally. Fai is the apple she bit into deliberately - she arranged it so that killed her body, breaking his own curse, and sent her to the World of Dreams (and thus, she is asleep) which also placed her in a Glass Coffin (aka The Jam Jar of Dreams - Im sorry I have no memory of what it's really called). So the Snow White metaphor is now complete.

But also Cinderella! In the image for 140 Sakura is trying on a glass slipper - so she's Cinderella figure as well. But at this point in the plot the clock hadn't struck midnight just yet - like Cinderella, Sakura knew the exact time limit she had to work with, and for her the timing had to be PRECISE. She spent all of Infinity stressed out of her mind about this plan she couldn't trust anyone else with, knowing full well that if she missed the window even slightly it would ruin absolutely everything and they would all lose. Which, funnily enough, makes Yuuko the fairy godmother, since she provided Sakura with the magic she needed to make her plan happen (via wishes). This also means that Fai stabbing her with the sword is the exact moment the clock struck twelve - and like the spell finishing, Sakura could finally drop the act and explain what she had done, even as all the magic disappeared (ie, her luck being traded away). There's even a detransformation sequence of a sort, with her body and soul going in two different directions. But either way, the Cinderella metaphor is also complete!

And with all that done the last part I want to talk about is back in the image of Syaoran on the throne. He's framed on either side with the curtains that portray the chess board, and they're tied back by chains with him in the very centre. He is visually chained to the board - which, like, of course he is. With his Autopilot programming in place he's essentially just a chess piece without any will of his own - a winning piece, for sure, but he's still being moved around without his choice. He's playing the game on auto, making the moves that will lead him to the winning gambit, but without his individual soul he has no choice but to keep playing until the game is over. The goal he's working towards isn't even his - it's Evil Wolverine's. So in the same way that everyone else was a chess piece in Sakura's strategy (if, sort of, willingly), including Sakura herself, Syaoran is a piece being moved around in Evil Wolverine's favour - though if he dies, it's game over for Sakura's side as well.

I'm unclear if Syaoran dying would be a game over scenario for Evil Wolverine, but at the very least it would end the game he is currently playing.

So, in the hyper future 3D chess game that Sakura was playing by herself she couldn't properly win the game for her side by taking out Syaoran because he's her king piece too. Syaoran is the piece at the centre of everything, and will be the key to winning the game for either side. We just have to wait and see if Sakura's gambit will pay off in the way she thinks it will.

[secretsandwriting]

This is what won as well as responses to almost if not all the comments left.

After this I'll make the new one to go over some of the options you guys brought up to refine it.

Ok, so first here are the things that are done and will be in the next one.

Y/n will be a vigilante. (83.3% voted yes)

Enemies forced to work together (76.7% voted yes)

Enemies to lovers (76.7% voted yes)

Dating to stay undercover (53.3% voted yes, 23.3% voted its fake dating, thats always an option)

Fashion (76.7% voted Fashion)

People might die. (36.7% voted just not the batfam and co, 26.7% voted no please let everyone live, and 26.7% voted maybe as long as I don't like them)

Angst response is easier to show then to type out.

So now were on to the three questions where you could type your answers.

Things you don't want.

+ means there different requests I put together

Stalker ex boyfriends + SA and yanderes + Crazy ex + Allusion to s*xual *ssault + dark themes, r@pe, abuse, cheating + S**ic*de. It's a really bad trigger for me. If it ends up in play, trigger warning in advance.

First off, I don't really want to do any of these and I know I've done some of them before so I get why you're bringing it up. I'm actually trying to avoid them more now because its not the best for me to be writing them and all that.

As for the dark themes, its based off DC so I can't promise that not coming up as for trigger warnings, I'm not the best at them but I do try to put them before any part that has things in them so that's a given. But for the most part the only ones of these I see happening is the dark themes and those would mostly be the normal Gotham things.

Pet’s Dying, My pets dying lol

I mean, I figured out a way to help stop that so you don't have to worry about it.

Really gritty violence?

The nice thing about smau is that people don't normally post that type of thing on social media, escpecially if your trying to keep your identity secret. Also I don't like how I write things like that so I try to avoid it. There might be mentions of it happening but I doubt I'll ever go into too much detail on it.

SLOW BURN LIKE NO SIS I CAN'T HANDLE THAT

Well, since undercover dating won there won't be too much to slowburn.

If it is enemies to lovers, please don't make them too antagonistic

No this would be my favorite version of enemies to lovers. They may be enemies but they know that the other isn't actually that bad but they have pride so its really just petty in general.

IF YOU KILL THE MAIN CHARACTER AGAIN IM COMING FOR YOUR KNEECAPS

Jokes on you I took my own knee caps

jason being a whore

I love this but you don't want it which almost makes me sad but ok anon. I'll try not to make Jason a whore.

No kids: just everyone being young and living it up without being too idk domestic?

Ok, idk how to avoid making it too domestic but I'll try.

Anything you do want?

Having to live together. Cohabitation

Easy. I got you anon.

Titus and co as well as Jason bestie + bat cow 💕 + reader may be enemies with dick but reader and damien have a brother-sister bond

These three kinda go hand in hand and I like all of them.

Soulmate au? Secret dating?

Probably not soulmate au and secret dating would have to be a side relationship because Dick and Y/n would be fake dating. So I could do it, but I need another couple to do it with.

Stupidly cute fluff + happiness maybe + Some sweet domestic fluff is always nice :)

Already wanted all of these in it, so you three are thinking on the same wavelength as i am.

SASSY PET RACCOON LIVING HIS BEST LIFE , FAKE DATING where maybe ONE of the batfam still don't believe that they are dating and try everything to prove that they aren't which leads to Dick and reader to try absolutely anything to convince everyone

I love it. Thank you. However the pet raccoon isn't confirmed yet as there were a bunch of other options people put in so I'm going to have that one run again.

john mulaney quotes

THE FACT I NEVER THOUGHT OF THIS I TRULY SAD. THANK YOU FOR TELLING ME!! THIS WILL DEFINITELY HAPPEN

Flustered Dick, even if lowkey + Dick's ass

I'm combining these simply because together, they give me some great ideas.

y/n having literally EVERYONE wrapped around her finger (maybe one exception idk)

Ok, but really. This is a great idea. Everyone just loving her but one of them sitting in the corner like. "Idk man, something about her isn't right..." Proceeds to sip drink.

CAR CHASE CAR CHASE And maybe slowdancing in the rain

So these were sent in by the same person. I like both! I like both a lot. I just figured out how to do a car chase in smau so its all good!!!!

Soft, moonlit whispers as one of them bleeds deeply + Dicks reaction to love interest being hurt, badly. I always love that. + fluff, and angst (maybe reader getting injured really badly)

I might get in trouble for this, but I do like the ideas... A lot...

More action

I'll try! I've found it a little hard with smau and I'm not the best action writer but I do want to add more action so I'll try to figure out how to do more.

Anything else or is it all covered?

pls for gods sake, for my sake, for your sake, don't kill the pets

Ever since I got this, it was one of the first so its been a little while. I keep wondering if its a threat? But again, pets dying isn't planned. I should have enough to go for plot so that there is no need to kill pets.

A lil bit of CRACK just batfam crack in general oh and maybe BATCOW making an appearance

The only problem with batcow, is pinterest doesn't have many pictures of cows that look like they could be pets because there are rarely people with them so thats why batcow hasn't shown up. Since I have more time to plan this one, I'll look for more options and see if I can find any.

what if, and hear me out, we made it gay🌈? or, at least, masc fem reader?

No, simply because I'm not comfortable writing it as the main relationship/character. I've tried before and I didn't like it in the least and scrapped a week work. So If I tried I doubt I would finish it, if I did, it wouldn't be good because I would probably just give up part way through. So I can definitely do ships and all that that aren't the main but for some reason every time I've tried to do it as a main relationship, I hate it. Sorry!

it would be cool to have more poc or lgbtq rep

I'm actually planning for more poc to happen in the current one. I noticed lack of poc not long ago and confused myself as to why so there will definitely be more representation.

As for lgbtq, I'll try. I was planning on trying to have at least one ship or something because I haven't. But as long as its not the main relationship I can do it so that I'll at least post it.

kiss ily muah

I love you too! muah! I really needed this, thank you!

NO KIDS PLEASE AND THANK U

Ok, No kids and you're welcome.

If there is an instance of fashion, could they help each other get ready, and laugh and joke a lot?

You genius you! Of course I love it!

Nope everything’s perfect! love from yours truly fuzzycloudsz <33 + All covered + All good! + We good + That's all. I love your stuff. + its covered !!!@ cant wait!!! + All good

I'm glad I got everything then! Thank you guys! I'm glad you like my stuff and that your excited for the new one!