#@rogersrogers334

[thewidowsghost]

The War Gone Wrong (Obviously) - Stark! Reader x Steve Rogers

This is written for @rogersrogers334​.

3rd Person POV

Tony and (Y/n) Stark, the father-daughter duo, stand in the shadows as a projection shows Maria, Howard, and a Younger Tony talking.

After the projected scene is over, both Tony and (Y/n) walk out, side by side, to the front of the stage.

"That's how I wished it happened," Tony says softly into the microphone. "Binarily Augmented Retro-Framing, or BARF."

"You really need a better acronym," (Y/n) teases which makes the crowd laugh for a minute or so before the attention turns to the two Avengers. "An extremely costly method of hijacking the hippocampus to . . . clear traumatic memories."

Tony blows out a candle, "Huh." The whole scene around Tony and (Y/n) dissolves. "It doesn't change the fact that my parents never made it to the airport . . . or all the things I did to avoid processing my grief, but . . ." Tony takes off his glasses. "Plus, six hundred eleven million dollars for my little therapeutic experiment? No one in their right mind would've ever funded it.

"Help me out, what's the MIT mission statement?" (Y/n)'s voice echoes through the hall now. "'To generate, disseminate, and preserve knowledge.' And work with others," she adds, "to bring it to bear on the world's great challenges."

"Well, you are the others," Tony picks up (Y/n)'s words - the two having rehearsed this. "And, quiet as it's kept . . . the challenges facing you are the greatest mankind's ever known."

"Plus," (Y/n) says, amusement lighting in her eyes, her voice taking on a teasing tone, "most of you are broke."

The crowd chuckles again and after a moment, Tony says, "Oh, I'm sorry. Rather, you were. As of this moment . . . every student has been made an equal recipient of the Inaugural September Foundation Grant. As in . . . all of your projects have just been approved and funded."

The crowd of college students breaks out in applause and cheers.

"No strings, no takes . . . just reframe the future!" (Y/n) says over the cheering. "Starting now!"

Above the audience, the teleprompter now reads: Tony: Now I would like to introduce the head of the Foundation, Pepper Potts

Tony stares at the words sadly and then says, "Go break some eggs."

The two exit the stage, side by side.

Ignoring one of the teaches and one of her father's assistants, (Y/n) walks over to the bathroom and changes into a pair of casual clothes for the mission she was supposed to be on.

Approaching her father, (Y/n) says a quick goodbye, and the twenty-four-year-old woman closes her eyes and disappears, arriving in Lagos, Nigeria.

(Y/n), like her mother, was a mutant. (Y/n) had the powers of teleportation, absorption, and the ability to control elements, as well as the ability to shape-shift. 

Glancing around for a moment, (Y/n) pulls on a pair of sunglasses, places her COM set in her ear, and walks over to the Black Widow, who is sitting by herself with a tea in her hands.

"Morning, ma'am," (Y/n) greets Natasha Romanoff, "you mind if I sit here? There are no more open tables."

"Sure, go right ahead," Natasha says, hiding a smile at the sight of her best friend. Natasha and (Y/n) had been friends since Natasha had joined SHIELD, as (Y/n) and their partner, Clint, had recruited her.

A waitress walks over and (Y/n) orders a coffee, listening in on the conversation between Natasha, Wanda, Steve, and Sam going on.

"All right, what do you see?" Steve asks.

"Standard beat cops," Wanda murmurs around her cup of coffee in her hand. "Small station. Quiet street. It's a good target."

"There's an ATM in the south corner, which means . . ." Steve begins but Wanda cuts him off.

"Cameras," Wanda says.

"Nice Wanda," (Y/n) murmurs, and Wanda smiles softly at the approval in the older woman's voice.

"Both cross streets are one way," Steve says into the COMs.

"So, compromised escape routes," Wanda guesses.

"Means our guy doesn't care about being seen, he isn't afraid to make a mess on the way out," (Y/n) says softly.

"She's right," Steve says and (Y/n)'s cheeks dust a slightly darker color. "See that Range Rover halfway up the block?"

"Yeah, the red one?" Wanda asks. "It's cute."

"Looks like my first car," (Y/n) says with a soft laugh.

"Not the point," Natasha says and (Y/n) grins. "The point is, is that it's bulletproof, which means private security, which means more guys, which means more headaches for somebody."

"Probably us," (Y/n) adds. "I should have stayed with Dad.”

Wanda laughs but then says, her voice more serious, “You know I can move things with my mind, right?”

“You know I can set things on fire, or freeze them, or throw them at people?” (Y/n) says. 

“Looking over your shoulder needs to become second nature,” Natasha and (Y/n) say in unison. 

“Anybody ever told the two of you that you’re a little paranoid?” Sam asks. 

“Not to my face,” Natasha scoffs, exchanging an amused glance with (Y/n) for a moment. 

“Nor mine, probably cause my Dad could sue anyone for some odd reason, but, you know, whatever,” (Y/n) says. “Anyway, why?”

“Did you hear something?” Natasha asks. 

“Anybody tell you that you two are perfect together?” Sam asks and (Y/n) holds back a fit of laughter and from the expression on Natasha’s face, she was doing the same. 

“Eyes on the target, folks,” Steve says, keeping Sam from saying anything else. “This is the best lead we’ve had on Rumlow in six months. I don’t want to lose him.”

“Oh, that’s why we’re here,” (Y/n) says. “Watch me get deaded by Rumlow if he’s here.”

“Okay Crazy,” Wanda says, holding back a laugh as the sound of Natasha smacking (Y/n)’s arm sounds through the COMs. 

Unknown to everyone but Steve, a garbage truck begins pushing its way through traffic, showing no regard to pedestrians or other vehicles. 

“Sam, see that garbage truck?” Steve asks. “Tag it.”

There is a moment of silence before Sam speaks, “That truck is loaded for max weight. And the driver’s armed.”

“It’s a battering ram,” Natasha realizes and (Y/n) sets a twenty on the table and stands up, heading for the alleyway where she’d teleported from MIT. 

(Y/n) teleports on top of the truck then just outside the Institute for Infectious Diseases Ward. 

Soldiers in black armor emerge from two trucks that had driven through the entrance to the Institution. 

“Go now!” Steve orders, readying his shield. 

“What?” Wanda asks. 

“He’s not hitting the police,” Steve says. 

“Yeah, no kidding,” (Y/n) grumbles as one of the soldiers shoots where she’d been standing a few moments before, while some of the soldiers shoot gas bombs into the building above (Y/n). 

Her fists lighting on fire, (Y/n) knocks out a few of the soldiers before Steve shows up.

“Nice of you to show up,” (Y/n) says with a warm smile towards the super-soldier. 

Steve smiles and says into the COMs, “Body armor, AR-15s. We make seven hostiles.”

Sam flies in and up to a rooftop, spinning and using his wings to block the gunfire, taking out two soldiers in the process. 

“I make that five,” Sam says. 

Wanda arrives and flies over a rooftop into the courtyard, blocking bullets with her powers. She takes control of a soldier and lifts him upwards. “Sam,” she calls, and the Falcon flies down and catches the soldier with one of his wings. 

“Four,” Sam says with a grin.

One of Sam’s drones flies by, scanning the inside of the building. “Rumlow’s on the third floor.”

“Aye Wanda,” (Y/n) says, running towards the girl. “Just like we practiced.”

“What about the gas?” comes Wanda’s questioning voice, her Sokovian accent thick at the moment. 

“Get it out,” (Y/n) says. 

Wanda uses her powers to lift (Y/n) up and through a window. 

(Y/n) grabs one of the soldiers and pulls off their gas mask. 

(Y/n) advances, taking out about five solders before making her way to the Bio-Hazard area. 

“Rumlow has a biological weapon,” (Y/n) warns. 

“I’m on it,” Natasha tells her, riding in on a motorcycle. She turns it on its side and skids it towards a soldier, taking out a few more in hand-to-hand combat. Rumlow comes up behind her, dragging her onto an armored vehicle. Natasha tries to electrocute Rumlow but it doesn’t work. 

“I don’t work like that no more,” Rumlow taunts. He throws her through a roof hatch into an armored vehicle, drops in a grenade, and shuts the hatch. “Fire in the hole!”

“Get out of there Nat!” (Y/n) calls, moving to stand on a balcony. 

Rumlow catches sight of her and sends a bomb her way and (Y/n) gets blasted back into a wall. 

Scrambling her feet, (Y/n) presses a hand to her bleeding forehead and breaks into a run as another blast shakes the building behind her. 

Another blast sends (Y/n) through a window and she falls over the side of the balcony, onto a metal container, and down onto the concrete below. 

(Y/n) groans, rolling over and staggering to her feet, her arm pressed tightly to her ribs, guessing some had broken. “Oh man, those are broken,” (Y/n) grumbles and Wanda rushes over, throwing an arm around (Y/n)’s shoulders, taking some of her weight. “Thanks.”

“No problem,” Wanda says. 

Steve, Sam, and Natasha rush after Rumlow and the soldiers, Steve finally pinning Rumlow to the ground. 

“Something’s about to happen,” (Y/n) says, her eyes widening, hearing the conversation between Steve and Rumlow over the COMs. Then she turns to Wanda, “You gotta trust me? All right?” Wanda nods and (Y/n) teleports them to where Steve and Rumlow are. 

(Y/n) wraps her arms around Rumlow and nods to Wanda, who shoots the two into the air, not a moment too soon it seemed, because Rumlow explodes, (Y/n) screaming as she absorbs half the blast. The remaining energy hits the side of the building, shattering glass windows and setting the building on fire. 

(Y/n) drops back towards the ground, her eyes blurring slightly and Wanda shoots her arms up, catching (Y/n) and lightly lowering her to the ground before the Scarlet Witch looks up at the building in flames and covers her mouth with her hand. 

“Oh my . . .” Steve’s bright blue eyes, wide with shock, his mouth hanging open murmurs, “Sam . . . we need . . . Fire and Rescue . . . and a MedEvac team . . . on the south side of the building. We gotta get up there.”

Wanda glances down at (Y/n), whose forehead was bleeding, her right arm resting on her stomach, and the side of her face slightly burned, the woman’s (E/c) eyes fluttering shut. 

Natasha and Sam show up a few moments later and Natasha stares wide-eyed at her best friend’s unconscious body resting in Wanda’s lap. 

Natasha rushes over and helps some of the medical workers lift (Y/n)’s body onto a stretcher. 

The next day finds Natasha and Steve fussing over (Y/n) as she sits up in the Med Bay in the Avengers’ Compound. 

“I love all of you, but stop fussing over me,” (Y/n) says, getting to her feet and shrugging off Natasha’s hand on her shoulder. “I’m injured, not dead.”

Steve smiles at the thought, the same words as he had said to Natasha and (Y/n) a few years back when they were on the run from SHIELD, well, HYDRA. 

“Steve,” (Y/n) stops the super-soldier as she, Steve, and Natasha walk out of the Med Bay together. “Would you check up on Wanda? She probably feels responsible for what happened.”

Natasha turns to (Y/n) as Steve walks away, towards Wanda’s room, (Y/n) guesses. “Don’t you ever do anything that stupid ever again,” Natasha scolds her friend. “You did it in DC and Sokovia before now. You’re going to kill yourself by the time you die.”

“That’s incredibly strange wording there Miss Romanoff,” (Y/n) says with a smile. 

Natasha goes to say something but Sam walks up and leads Natasha down to the briefing room. 

A few minutes later, after (Y/n) had changed into a pair of jeans and a loose t-shirt, she makes her way down to the briefing room, leaning on the doorway as she listens to Thunderbolt Ross, the Secretary of State, speak. 

“Five years ago,” Ross begins. “I had a heart attack. I dropped right in the middle of my back-swing. Turned out it was the best round of my life, because after 13 hours of surgery and a triple bypass . . . I found something 40 years in the Army had never taught me: Perspective. The world owes the Avengers an un-payable debt. You have fought for us, protected us, risked your lives . . . but while a great many people see you as heroes, there are some . . . who would prefer the word ‘vigilantes’.”

“And what word would you use, Mr. Secretary?” asks Natasha in a falsely respectful voice. 

“How about "dangerous"? What would you call a group of US-based, enhanced individuals who routinely ignore sovereign borders and inflict their will wherever they choose and who, frankly, seem unconcerned about what they leave behind?“ Ross says and (Y/n) steps forward into the room from the shadows. 

“You don’t think we’re unconcerned about what we leave behind, Secretary?” (Y/n) says in a soft voice, which still carries through the silent room. “I think the Avengers, above all others, know what it’s like to lose the ones they care about and the wreckage left behind.”

Steve and Natasha look over to see (Y/n) standing behind Sam’s chair at the back of the room. 

��But,” (Y/n) smiles with a look of disgust in her eyes, “if you must, please, continue.”

“Thank you, Miss Stark,” Ross says, rolling his eyes and pressing a button on a remote in his hands. 

News footage from past Avengers and SHIELD matters flash on the screen as he speaks, “New York.” A Chitauri leviathan. Terrified citizens. A soldier firing a gun. The Hulk smashing into buildings, sending dust clouds engulfing the camera.

Rhodey’s expression turns regretful and he glances over his shoulder at Natasha. 

“Washington DC,” Ross continues. Three Insight helecarriers, firing on each other. The destroyed Triskelion. A helicarrier crashes into the Potomac throwing up a massive wave while in the background, (Y/n)’s body hits the river below. 

Sam is the one who looks down this time, and Steve spares a glance at (Y/n), whose expression had hardened into one of carefully controlled anger. 

“Sokovia,” Ross says, pressing yet another button on his controller. Terrified citizens running. The city rising. A building falling over. Wanda and Tony continue to look at the screen, Wanda swallowing thickly at the sight of her former home behind destroyed. 

“Lagos,” The burning building. Paramedics moving bodies. A dead girl. An unconscious (Y/n) being lifted into an ambulance.

Wanda looks particularly affected by the footage from Lagos and (Y/n) steps forward to place a comforting hand on the young woman’s shoulder. Steve also sees how discomforted Wanda seems and intervenes. 

“Okay, that’s enough.”

Ross nods to an aide and the images disappear. 

“For the past four years, you’ve operated with unlimited power and no supervision. That’s an arrangement the governments of the world can no longer tolerate. But I think we have a solution.” Ross receives a thick book from one of his aides and slides it across the table to Wanda. She picks it up and then slides it to Rhodey. 

“The Sokovia Accords,” Ross tells the Avengers. “Approved by a hundred and seventeen countries . . . it states that the Avengers should no longer be a private organization. Instead, they’ll operate under the supervision of a United Nations panel, only when and if that panel deems it necessary. You say that it's enough to be a man. But there are gods. And the rest of us, what are we? They’re giants, we’re what they step on.”

The conversation has (Y/n) remembering what Phil Coulson had told Mike Peterson before he had become DeathLok. 

“The good ones, the real deal,” comes (Y/n)’s voice and everyone turns to look at her once again. “They’re, we’re, not heroes because of what we have that you don’t. It’s what we do with it that matters.”

Steve nods and sends (Y/n) an admiring glance. “The Avengers were formed to make the world a safer place. I feel we’ve done that,” Steve adds to (Y/n)’s words.

“Tell me, Captain, Miss Stark, do you two know where Thor and Banner are right now?” Ross asks, meeting Steve’s eyes. 

“I have a guess,” (Y/n) says, meeting Natasha’s green gaze. “Asgard.”

Ross ignores (Y/n) and says, “If I misplaced a couple of 30 megaton nukes . . . you can bet there'd be consequences. Compromise. Reassurance. That's how the world works. Believe me, this is the middle ground.”

“So, there are contingencies,” Rhodey guesses. 

“Three days from now, the UN meets in Vienna to ratify the Accords.”

Steve glances at Tony as Ross heads for the door. 

“Talk it over,” Ross finally says. 

“And if we come to a decision you don’t like?” Natasha asks. 

“Then you retire,” Ross says and Natasha stifles a smile. 

A few minutes later, (Y/n) finds herself sitting at the counter in the briefing room, her fingers pressed to her temples as Sam and Rhodey argue behind her. 

“I have an equation,” Vision interrupts. 

“Oh, this will clear it up,” Sam says, turning to listen to Vision.

“In the eight years since Mr. Stark and Miss Stark announced themselves as IronMan and Phoenix respectively, the number of known enhanced persons has grown exponentially.”

“Are you saying it’s our fault?” Steve asks his eyes remaining on (Y/n), whose fingers had begun tapping lightly on the countertop in front of her.  

“I’m saying there may be a causality. Our very strength invites challenge. Challenge incites conflict. And conflict . . . breeds catastrophe. Oversight . . . oversight is not an idea that can be dismissed out of hand.”

“Boom,” Rhodey says. 

(Y/n) glances over at her father, who was lying on one of the couches, one hand on his face. 

When Natasha speaks, he removes his hand to look at her. “Tony,” Natasha prompts. “You are being uncharacteristically non-hyper-verbal.”

“It’s because he’s already made up his mind,” Steve guesses.

“Boy, you know me so well,” Tony gets up, wincing, rubbing the back of his head. “Actually, I’m nursing an electromagnetic headache.”

He walks over towards the kitchen and grabs a mug. “That’s what’s going on, Cap. It’s just pain. It’s discomfort. Who’s putting coffee grounds in the disposal” Am I running a bed and breakfast for a biker gang?” 

Despite the negative thoughts running through her head, (Y/n) cracks a smile at her father’s question.

Tony sets his phone in a basket and taps it. The phone projects an image of a smiling young ham. Tony looks down, then back up, and pretends to notice the picture for the first time. “Oh, that's Charles Spencer, by the way. He's a great kid. Computer engineering degree, 3.6 GPA. Had a floor level gig at Intel planned for the fall. But first, he wanted to put a few miles on his soul, before he parked it behind a desk. See the world. Maybe be of service. Charlie didn't want to go to Vegas or Fort Lauderdale, which is what I would do. He didn't go to Paris or Amsterdam, which sounds fun. He decided to spend his summer building sustainable housing for the poor. Guess where Sokovia.”

(Y/n) swallows thickly and glancing at her teammates, she can tell that the others are also affected by this. 

“He wanted to make a difference, I suppose,” Tony says softly. “I mean, we won't know because we dropped a building on him while we were kicking ass.” Tony takes a pill with some coffee, then faces the others. “There's no decision-making process here. We need to be put in check! Whatever form that takes, I'm game. If we can't accept limitations, if we're boundary-less, we're no better than the bad guys.”

“Well said,” comes (Y/n)’s quiet voice, though everyone in the room heard it. 

“Tony, someone dies on your watch, you don’t give up,” Steve says. 

“Who said we’re giving up?” Tony asks. 

“We are if we're not taking responsibility for our actions. This document just shifts the blames.” 

“I’m sorry,” (Y/n) says softly and the others turn to her once again. “Steve,” she pauses for a moment. “That’s dangerously arrogant,” there is an apologetic undertone to her words and now Rhodey speaks. 

“This is the United Nations we’re talking about. It’s not the World Security Council, it’s not SHIELD, it’s not HYDRA.”

“No, but it’s run by people with agendas, and agendas change,” Steve argues. 

“That’s good,” Tony presses. “That’s why I’m here. When I realized what my weapons were capable of in the wrong hands, I shut it down and stopped manufacturing.”

“Tony, you chose to do that. If we sign this, we surrender our right to choose. What if this panel sends us somewhere we don't think we should go? What if there is somewhere we need to go, and they don't let us? We may not be perfect, but the safest hands are still our own.”

“If we don’t do this now, it’s gonna be done to us later. That’s the fact. That won’t be pretty,” Tony says, shooting an apologetic glance towards his daughter. 

“You’re saying they’ll come for me,” Wanda’s gaze flickers to the others. 

“Us,” (Y/n) corrects, meeting Wanda’s fearful green gaze. 

“We would protect you,” Vision says. 

“Maybe Tony’s right,” Natasha says, shooting a glance at (Y/n), then Wanda.

Tony looks at the former assassin, surprised. 

“If we have one had on the wheel, we can steer. If we take it off -” Sam interupts Natasha. 

“Aren’t you the same woman who told the government to kick her ass a few years ago?” Sam asks as (Y/n) rises from her place slumped against the countertop and walks over to sit by her friend. 

Natasha looks over at (Y/n) and sends her a comforting smile. 

“I’m just . . .” Natasha begins but (Y/n) continues for her. 

“She’s reading the terrain,” (Y/n) explains. “We have made . . . some -”

“Very public mistakes. We need to win everyone’s trust back,” Natasha finishes. 

“Focus up,” Tony says, still staring at Natasha in disbelief. “I’m sorry, did I mishear you or did you agree with me?”

(Y/n) cracks another smile as Natasha replies, “Oh, I want to take it back now.”

“No, no, no,” Tony argues. “You can't retract it. Thank you. Unprecedented. Okay, case closed--I win.“

Steve’s phone buzzes and he pulls it out to check it. (Y/n) glances over at Steve, a question in her eyes. 

(Y/n) knew that Steve had feelings for her - and (Y/n) did as well - and judging by the look on Steve’s face, she knew it had to be about Peggy. (Y/n) knew that, deep down, Steve still loved Peggy. 

“I have to go,” Steve says abruptly, dropping the Accords onto the coffee table and going downstairs. 

The others in the room glance at each other for a moment before Wanda stands up from her place next to Vision and (Y/n) stands up, following her. 

(Y/n) jogs after Wanda, catching up with the young brunette. “Wanda,” (Y/n) places a hand on her shoulder, but the girl continues to walk. “Wanda, stop.”

“What?” Wanda snaps, turning on (Y/n). 

“What are you going to do?” (Y/n) asks softly, her hand remaining on Wanda’s shoulder. 

“What are you going to do?” Wanda asks in return. 

“I’m going to sign,” (Y/n) says softly. “I think you should too. Like my dad said, if we don’t do this now, it’s going to happen later.”

(Y/n) gives Wanda’s shoulder a comforting squeeze before she turns, walking away. 

A few days later, (Y/n) and Natasha walk into the cathedral where Steve had just been mourning the death of Peggy Carter. 

(Y/n) smiles nervously at Steve as he speaks, “When I came out of the ice, I thought everyone I had known was gone. Then I found out that she was alive. I was just lucky to have her.”

“She had you back, too,” Natasha says, shooting (Y/n) - who was standing at her shoulder - a glance. 

“Who else signed?” Steve asks. 

“Tony. Rhodey. Vision.” (Y/n) answers. 

“Clint?” Steve asks. 

“Say’s he’s retired,” Natasha says, and (Y/n) and the redhead share an amused smile. 

“Wanda?”

“TBD,” Natasha answers. 

“We’re, well, off to Vienna for the signing of the Accords,” (Y/n) says. “There’s plenty of room on the jet,” she offers, hoping with all her heart that Steve would come. 

Steve sighs and bows his head and (Y/n)’s composer seems to fall. 

“Just because it’s the path of least resistance doesn’t mean it’s the wrong path. Staying together is more important than how we stay together,” Natasha tells Steve.

(Y/n) had the feeling that her best friend was trying to convince herself as well. 

“What are we giving up to do it?” Steve asks, avoiding meeting (Y/n)’s eyes.

Natasha sighs and Steve shakes his head, unconvinced. 

“I’m sorry, Nat, (Y/n),” Steve says softly. “I can’t sign it.”

“We know,” (Y/n) says softly. 

"Then what are you doing here?" Steve asks. 

"I didn't want you to be alone," (Y/n) says, stepping forward to wrap the super soldier in a hug. 

(Y/n) pulls back after a moment, holding back tears as she says, "Good luck, Steve." 

Natasha puts a comforting hand on (Y/n)'s arm and the two walk out of the cathedral. 

A few hours later, (Y/n) and Natasha are standing in the UN building signing papers for the Accords. 

"Excuse me, Miss Romanoff, Miss Stark?" asks a UN staffer. 

"Yes?" Natasha responds.

"We need your signatures," the staffer says. (Y/n) and Natasha sign the papers. 

"I suppose neither of us are used to the spotlight," comes a voice and the two women turn to see Prince T'Challa standing in front of them. "Though, Miss Stark, it seems to follow you everywhere."

"Well, it's not always so flattering," Natasha answers with a smile. 

"You seem to be going alright so far. Considering your last trip to Capitol Hill . . . I wouldn't think you would be particularly comfortable in this company."

"Well, I'm not," Natasha replies. 

"That alone makes me glad you're here, Miss Romanoff," T'Challa continues. 

"Why? You don't approve of all this?" (Y/n) asks. 

"The Accords, yes," T'Challa answers. "The politics, not really. Two people in a room can get more done than a hundred."

"Unless you need to move a piano," comes King T'Chaka's voice. 

"Father."

"Son. Miss Romanoff. Miss Stark," T'Chaka's says in return, nodding to his son. 

"King T'Chaka," (Y/n) says, nodding respectfully to the king. "Please let us apologize for what happened in Nigeria."

"Thank you. Thank you for agreeing to all this. I'm sad to hear that Captain Rogers will not be joining us today."

(Y/n) and Natasha share a glance. "Us as well," (Y/n) answers.

"If it is okay, I would like to have a word with Miss Stark," T'Challa says and (Y/n) nods. 

Smiling at Natasha, then nodding to the king, (Y/n) follows T'Challa to the window. 

Before T'Challa can say anything, T'Chaka begins to speak. "When stolen Wakandan vibranium was used to make a terrible weapon, we in Wakanda were forced to question our legacy. Those men and women killed in Nigeria were part of a goodwill mission from a country too long in the shadows. We will not, however, let misfortune drive us back. We will fight to improve the world we wish to join. I am grateful to the Avengers for supporting this initiative." (Y/n) spots something outside and she nudges T'Challa, pointing to a news van outside where several officers were milling around the back. "Wakanda is proud to extend its hand in peace."

"Everybody get down!" (Y/n) and T'Challa yell, sprinting towards where the king was still standing, giving his speech. 

An enormous explosion goes off between the two buildings sending (Y/n) and T'Challa flying back. 

(Y/n) staggers to her feet, her hand wrapped around her bleeding forearm, and watches, horrified as T'Challa finds his father lying on the floor with his eyes closed. The Prince grabs his father's wrist and feels for a pulse, but King T'Chaka lies still. Devastated, T'Challa lies across his father, then lifting him and rocking him. 

Natasha darts forward and pulls her friend down onto the floor and rips off part of her sleeve to wrap around (Y/n)'s arm, (Y/n)'s eyes wide with shock.

The survivors are evacuated from the buildings and fire crews begin to hose them down.

Natasha and (Y/n) sit on the bench beside T'Challa's. 

"I'm very sorry," Natasha says softly. 

T'Challa glances at the two, holding a silver ornate ring which he toys with between his fingers. "In my culture, death is not the end. It's more of a . . . stepping-off point. You reach out with both hands and Bast and Sekhmet, they lead you into the green veldt where . . . you can run forever."

"That sounds very peaceful," Natasha replies, her voice still soft. 

"My father thought so," T'Challa answers, placing the ring on his finger. "But I am not my father."

"T'Challa. Task forces will decide who brings in Barnes."

T'Challa clenches his fists, "Don't bother, Miss Romanoff. I'll kill him myself."

3rd Person POV

Steve - in his uniform - strides through an underpass, then jogs onto a private runway, heading for a grounded chopper. An electro-disabler slams onto the chopper and Steve looks up. 

Above him, Tony and Rhodey descend, landing on the ground. 

"Wow, it's so weird how you run into people at the airport. Don't you think that's weird?" Tony asks, his helmet retracting.

"Definitely weird," Rhodey answers. 

"Hear me out, Tony," Steve says. "That doctor, the psychiatrist, he's behind all of this."

T'Challa, clad in his Black Panther uniform, leaps over a truck. "Captain."

"Your highness."

"Anyway," Tony says, walking behind Rhodey. "Ross gave me thirty-six hours to bring you in. That was twenty-four hours ago. Can you help a brother out?"

"You're after the wrong guy," Steve answers calmly. 

"Your judgment is askew," Tony replies, some of his anger showing now. "Your old war buddy killed innocent people yesterday. 

"And there are five more soldiers just like him. I can't let the doctor find them first, Tony. I can't."

"Steve . . ." It was Natasha's voice now. ". . . you know what's about to happen. Do you want to punch your way out of this one?"

"All right I've run out of patience. Underoos!" Tony calls. 

A figure in blue and red spandex shoots what looks like a web, stealing Steve's shield and binding his hands, landing on a car. 

"Good job, kid," Tony praises. 

"Thanks. Well, I could've stuck the landing a little better. It's just the new suit… Well, it's nothing, Mr. Stark. It's--it's perfect. Thank you," Peter stumbles over his words.

"Yeah, we don't really need to start a conversation."

"Okay. Cap . . . Captain. Big fan, I'm Spider-Man." 

"Yeah, we'll talk about it later. Just . . ."

"Hey, everyone."

" . . . Good job."

"You've been busy," Steve interrupts. 

"And you've been a complete idiot. Dragging in Clint. 'Rescuing' Wanda from a place she doesn't even want to leave, a safe place. I'm trying to keep . . . I'm trying to keep you from tearing the Avengers apart," Tony finishes. 

“You did that when you signed,” Steve answers calmly. 

“Alright, We're done. You're gonna turn Barnes over, you're gonna come with us. NOW! Because it's us! Or a squad of J-SOC guys . . . with no compunction about being impolite,” Tony scowls at Steve. 

Steve holds up his hands and Clint shoots the web off with an arrow. “Alright, Lang.”

“Hey, guys, something . . .” Peter says. 

He gets kicked back and a full sized man is now standing beside Steve, holding out his shield.

“Oh great,” Tony says. “There’s two in the parking garage. One of them’s Maximoff I’m going to grab her.” Tony flies off in his suit. “Rhodey, you wanna take Cap?

“Got two in the terminal, Wilson and Barnes,” Rhodey answers. 

“Barnes is mine!” T’Challa shouts. 

“Hey, Mr. Stark. What should I do?” Peter asks. 

“What we discussed. Keep your distance. Web ‘em up,” Tony answers.

“Okay, copy that!” Peter uses his webs to swing away. 

Scott Lang - Ant Man - faces Natasha. “Look, I really don’t want to hurt you.”

“I wouldn’t stress about it,” Natasha replies. She kicks him in the groin and he miniaturizes, throwing her head over heels. She zaps him off her wrist and he slams into a nearby truck, leaving a small dent. 

Tony is now hovering over Wanda and Clint. “Wanda, I think you hurt Visions’s feelings.”

“You locked me in my room,” Wanda retorts. 

“Okay first, that’s an exaggeration. Second, (Y/n) wanted me to protect you. Hey, Clint.”

“Hey, man,” Clint answers, readying his bow. 

“Clearly, retirement doesn’t suit you. You get tired of shooting golf?”

“Well, I played eightteen, I shot eightteen. Just can’t seem to miss,” Clint fires an arrow which Tony deflects. 

“First time for everything,” Tony replies. 

“Made you look,” Clint smirks. 

“Suddenly a sar slams past Tony and he looks up as dozens more come crashing down. Wanda moves her glowing red hands until Tony is burried under a pile of cars. 

Tony flies over to Natasha once he unburries himself and helps her up. 

“Is this part of the plan?” the redhead asks. 

“Well, my plan was to go easy on them. You wanna switch it up?” the billionare asks. 

Clint spots the Quinjet. “There’s our ride.”

“Come on!” Steve calls. 

Steve’s team runs towards the Quinjet but they are stopped by a fizzing stream of energy slicking across the runway and they stop. Looking up they see Vision hovering overhead. 

“Captain Rogers,” Vision begins. “I know what you believe what your doing is right. But for the collective good you must surrender now.” As he speaks, the rest of Tony’s team arrives. 

“What’d we do, Cap?” Sam asks. 

“We fight,” Steve answers. 

“This is gonna end well,” Natasha says. 

The two teams stride towards each other with grim determination etched on their faces. 

“They’re not stopping,” Peter says. 

“Neither are we,” Tony replies grimly. 

Steve blocks a punch with his shield from Tony as he lands. Clint fires an arrow at Vision as Rhodey flies after Sam and and Bucky, trading blows with T’Challa.

An explosive arrow hit Tony.

Natasha throws Scott as Peter wings through the air, struggling to evade flying vehicles.

Bucky lands punches on T’Challa. 

Clint and Natasha battle with batons and eventually, Clint pins her down with his bow. 

“We’re still friends, right?” Natasha asks. 

“Depends on how hard you hit me,” Clint answers.

Natasha spins the archer with her legs and jumps to her feet. As she’s about to kick his head, her foot stops and glows bright red. With a wave of her hand, Wanda throws Natasha back. “You were pulling your punches. 

As Natasha’s thrown back, someone catches her before she can hit the ground. 

“Nice to see you,” the figure says with a ghost of a smile as she sets the redhead back on her feet. 

“(Y/n)! What are you doing here?” the redhead asks. 

“I’m making sure nobody dies today!” (Y/n) yells over her shoulder, running to where Steve was talking to Peter. 

“Look kid,” Steve says as (Y/n) comes up behind him. “There’s a lot here that you don’t understand. 

“Mr. Stark said you’d say that,” Peter replies. “Wow.” He fires webs which stick to Steve’s leg and shield. He pulls and Steve slides towards him. Peter kicks him backwards and then rolls clear. “He also said to go for you legs.” As Steve runs to get his shield, Peter webs his hands and pulls. Steve grits his teeth, spins and somersaults, propelling Peter through the air. 

Steve catches one of Peter’s webs and tugs the boy near him, knocking him down with the shield. Peter recovers and pull himself on top of a gangway. “Stark tell you anything else?” Steve asks.

“How about don’t beat up kids?” (Y/n) asks teleporting in between the kid and Steve. 

“Go,” (Y/n) tells the kid, then readies her fists at Steve. 

Growling with frustration, Steve throws his shield at (Y/n) but (Y/n) stops it with a jet of water. 

(Y/n) charges at Steve but is stopped by Bucky, who had launched himself at her and pinned her to the ground. 

Bucky goes to punch his metal fist into her face but (Y/n) teleports away. “What the!” Bucky exclaims. 

Vision had just shot a shining beam of energy at the control tower and it collapses towards the entrance of the hangar. Wanda holds other hands, keeping the tower from collapsing, letting Steve and Bucky run through it. Rhodey descends behind her and fires a sonic disruptor and Wanda holds her head and screams. The tower falls around Steve and Bucky but they make it into the hanger. 

Natasha, who was in the hangar, catches sight of the tower falling on top of another figure. The two had made eye contact before the tower had collapsed on top of her, (E/c) on green. 

“Tony!” Natasha yells, running past, completely ignoring Steve and Bucky, who run past her into the Quinjet. “We’ve got a big problem!”

“Romanoff, what is it?” Tony asks. 

“(Y/n) . . .” the redhead trails off. 

“What happened?” Tony asks frantically.

“The control tower, it collapsed on top of her,” Natasha breathes. “We need somebody who can lift heave things.”

Tony, Rhodey, Wanda, and Clint show up soon and the five dig through the rubble and Natasha heaves one chunk of rock, moving it. 

(Y/n) raises up her arm, her hand trembling and everyone rushes over to move the rest of the rock. Her hand falls, palm facing up, and she exhales, her breath ragged. 

“I hope one of y-you can c-carry me,” (Y/n) stammers. “Cause I think my leg’s b-broken.”

The last slab of rock is removed and everyone looks at each other. A sheet of metal was stuck in her abdomen, and blood was pooling under her. 

“Y-you’re gonna have t-to c-carry me.”

Tony comes out of his suit and takes his daughter’s hand in his own. Natasha moves to take the other. (Y/n)’s eyes close in pain for a moment and then she opens them again. 

“I-I think i-it’s bad,” (Y/n) voice trembles. “Cause I can’t feel it.” 

Her eyes close once more and then she opens them again, looking at her father. 

“D-dad? W-when di-id you get h-here?” (Y/n) stutters and Tony squeezes his dying daughter’s hand. 

“Oh sweetheart, I’ll always be here.” Tony says, a tear falling from his eyes. 

“T-that’s sweet,” (Y/n) slurs. Her head lolls to the side and she sees Natasha and Clint, the archer’s hand placed on his redheaded friend’s shoulder. “Nat. C-clint.” A tear streaks down Natasha’s face. “D-don’t c-cry. I-I’ll be o-okay.”

“Only you could comfort us like this,” Natasha says, tears falling onto her hands. 

(Y/n) looks over at Rhodey, and his helmet retracts. “U-uncle R-rhodey?”

The man nods. 

“W-watch m-my Dad,” she says. “H-he tends to be r-reckless sometimes.”

“I will,” Rhodey promises. 

“Doll, that’s not every nice,” Tony scolds lightly and (Y/n) lets out a soft laugh. 

“Wanda,” (Y/n) says, addressing the youngest. 

Wanda looks up from her feet. 

“Y-you’re so s-smart and t-talented,” (Y/n) tells the young girl. “And d-don’t le-et anyone tell y-you different.”

Wanda chokes down a sob as (Y/n) falls limp against the rocks under her. 

Natasha runs her hands gently through her friend’s hair and (Y/n) jolts conscious once again. 

“N-nat,” (Y/n) stammers. 

“Breathe, just breathe (Y/n/n),” Natasha murmurs. 

“N-nat, t-ell St-teve I’m sorry,” (Y/n) slurs.

Then she falls limp . . . 

She breathes her last breath . . . 

And falls silent, not moving again . . . 

Well, this was, well, this made me cry writing it, so . . .

Word Count: 7,164 words

So yeah, I don’t know if this was what @rogersrogers334​ was looking for, but here it is. 

Anyway, Imma go cry in the safety of my bed now . . .

Love,          Kaitlynn ❤️😍