#<- like the book I guess but I'm one of those ppl that needs smthing to be SAID for it to be said

[nathaniel-underwood-is-an-intj]

Post Ptolemy's Gate ramble

So I just finished Ptolemy's Gate, thoughts are a bit all over the place and aside from mentioning the obvious I thought I'd dump some thoughts here.

Piper's apathy certainly shocked me. I know she's stressed running the council and she's got loads of organisation to do but oof she sure did come across as cold in her conversation with Kitty. Kitty has that kind of apathetic resignation of grief but it really felt like Piper had already put it behind her despite it only being two days before. Her boss that she worked for died horribly to save them all and she didn't even seem to share a quiet moment of grief with Kitty idk it just felt a little brutal 😅 I had an impression of her being really sweet so I was a bit taken aback.

One thing that really stood out to me was Nathaniel's apathy to the situation, I found it really interesting. I guess something could be said about it being the magician in him.

Nathaniel really has this duality to him, the obvious being Nat vs John Mandrake and of course Nat + Bartimaeus but in chapter 36 part ii something that caught my attention

'it was the feeling of consummate superiority, the delight of power weilded without peril. He danced beneath the night sky, smiting down his enemies.'

It already seems as if he's being elevated to something other- a martyr perhaps, except martyrs have causes and ideals, they do something because they have a strong belief in their justness. And Nathaniel:

'He felt aloof disconnected and alone. If his hatred for demons he had killed was dull and almost matter-of-fact, so was his sympathy for the people whose lives he saved.'

So he seems almost like an avenging angel, I love the religious imagery, especially because it seems to call back to Bartimaeus comparing his body to a holy mosque. But also divine rage is the driving force for an avenging angel and he's no longer even angry at the destruction caused.

'Pride spurred him on.' this almost makes him seem God-like?? His sole motivator is the pride of a deity, and I love that. But it's also just very true to him as a boy, pride spurred him on against Lovelace and against Duval and Whitwell.

When he's alone with Bartimaeus he's taken on this air of not being entirely human. He feels alone and solitary from everything including humaity. But when he rejoins Kitty, Piper and the rest of the magicians waiting for him he's reinvigorated - 'he felt a surge of joyful impatience - 'he would detroy Nouda, rescue the commoners and return to Kitty.' it seems as though he has to be surrounded by people to remind himself he's one of them. It could be seen as an effect of sharing a mind with Bartimaeus, but of course it could be Nathaniel's own human pride and his memories of being othered even as a child. Just gives the impression of this human / higher entity duality.

But also I partly got the impression that this hints to depression- I'm sure it's hardly out of the realm of possibility for Nat to have it. Though it's never stated I think several moments in the books make a good argument for it, including the above- just the numbness to everything. And I guess the sudden change in demeanor at 'surge of joyful impatience' can be read as hopefulness, but it reminded me of the saying that when people have decided to follow through on their s*icidal ideation they come across as happy and like a weight has been lifted from them. Nathaniel is impressively calm for someone who realises he's gravely injured. And while he can be seen as a martyr or hero for his final actions, the hollowness he felt at that moment gives it a more bitter edge.

I think it's made even more sad when compared to Anthony Lockwood, who has that same sense of pride - because he's trying to make his dead parents proud and because he's trying to hide the fact that he doesn't like himself very much. Nathaniel gives this same impression. And Lockwood at the end had reason to be proud, he uncovered a huge conspiracy, his agency became the most famous in London. And Nathaniel had reason to be proud; he's managing to wield the staff of his childhood hero, something he had dreamed of doing, he's had the bravery to unite with a spirit and he's going to take down the biggest threat to London.

But Lockwood gets something Nathaniel doesn't-

There's this subtle idea seen through Lucy's eyes that Lockwood's biggest achievement was fighting through his s*icidal ideation and discovering he has something to live for, even just seeing his friends again.

And Nathaniel just doesn't get that moment.

He sort of acknowledges that he doesn't have to be a powerful leader, that he doesn't need his colleagues approval, that he doesn't need to erase the fear the commoners have of him and other magicians, but without these things he doesn't know what to do with himself. He has no plan for the future, because even before he's injured the idea of a future doesn't seem to have much appeal to him. He already appears to have given up on trying to uncover who Nathaniel is, depite finally having the opportunity to. Like after everything- being beaten, the fear of his colleagues trying to harm him and burying himself in the John Mandrake persona to protect his sensitive side- he doesn't want to uncover the remnants of that boy because he's worried it'll be too difficult to put himself back together.

Or maybe he feels that he already has discovered who Nathaniel is, a deeply unhappy, hollow shell of a person, whose personality has been pulled in so many directions he no longer has a sense of self. He's been stripped back to the barest version of himself and found he doesn't even have the foundations upon which to rebuild himsef. Like discovering dry rot in your walls and you keep pulling and pulling bits of rotting wood away from the home until you've finally got it all, only to realise the house has come down around you- there's nothing left.

He doesn't get this moment where he works through his trauma, where he realises he has a support system, where he realises he's loved. I don't know if Nathaniel ever really knew what it felt like to be loved. I don't think he did. Ptolemy's death was awful and heartbreaking but his short life was filled with affection. And Lockwood realises people do care about him, depite being told that no one does. It hurts so much that Nat felt isolated and alone his whole life, right up to the last minute. Potential love confessions aside, Nathaniel never got a chance to sit and bathe in the warmness of affection. Like Bartimaeus tells him, it's about 'being not doing.' Nathaniel never got to understand the importance of just being, of simply existing as himself or of being happy. He constantly had to be working on the next goal, the next plan, because if he stops working he'll be forced to sit with his thoughts and realise how unhappy he is. And the thought of that is just too much to bear, it's so much easier to give in.

The ending gave the impression of being very romantic, while sad. Nathaniel gets to be remembered as a hero and never has to confront the consequences of his actions with wars in Europe and America that he had a direct role in. Acknowledging his role and dealing with fallout are two very different mountains to climb. And I think that idea of dying like a hero perfectly appeals to Nathaniel's prideful tendencies, and maybe he views it that way to hide the fact it's a convenient way out of his unhappiness and confronting what he's done. It's quite interesting to see that after he's been stripped back to nothing and can't figure out who or what he wants to be if he gets the chance, he still has that vanity and arrogance to him- despite not really being good character traits, they're so authentically Nathaniel, he's been that way right from the start and it's nice little peak of the real him at the end, being so humanly flawed.