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moe-broey · 2 years ago
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SORRY I HAVE TO SHARE. IDK how I even would describe it it's just one of the weirdo Takumi moments ever
LIKE. Maybe it's my own autism showing LMFAO BUT I GENUINELY CAN'T TELL IF HE'S JOKING OR BEING SARCASTIC?? And added to this I feel like there are MULTIPLE INSTANCES where Takumi will literally just say anything. My man does NOT know how to socialize.
Funniest option is he just failed the Autism Sarcasm/Joke Gambit himself where You (autistic) say something sarcastic or as a joke and it just falls completely flat. Some flat affect bullshit. Can somebody fucking help him
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lymtw · 26 days ago
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"Come here," Toji says, at the sight of the involuntary pout that works wonders to express your internal, dispirited mood. His attention is divided very unevenly between you and the movie playing on the TV, you holding the greater part of his focus. He's watching you for his own peace of mind, hoping that every time you take a break from the movie, to check your phone, you'll spare him a look. You've been quieter than he knows you to be, and you're not sitting even remotely close to him. He's on one side of the couch and you're on the other side.
A few seconds pass since Toji spoke up, and he wonders if you even heard him in the first place, because you didn't respond. He passes on repeating himself when you shift your eyes from the TV to meet his gaze, and though your gloominess isn't because of him, you can't offer him any sort of indication that you're good.
"Sorry, i'm not in the mood to take my clothes off, Toji," you say, your voice a gentle, pitiful excuse for sound. If your voice could be seen, it would be similar to the tragic way that grass blades slowly try to stand up, after being stepped on. If the sound of your voice could be felt, it would be the void-like, almost nauseating feeling in your stomach, that comes with ignored hunger. You sound detached from the bright person Toji knows, and clearly, you're not okay.
"I'm not asking you to undress yourself. I want you to come to me," Toji responds. "You're sitting so far over there, away from me, like I did something to you. For being the most reasonable person I know, this isn't fair, at all." His eyes stay on you as he awaits your response, but he is only met with the sight of you looking down at your hands.
"Be fair. You didn't help me get better at communicating, just to turn the tables on me like this." His tone is sharper, out of urgency. He wants to know what he can do for you, but it's hard to do that when you're there, yet, not there. "Just... come here, ma," Toji tries again, his voice a little softer and understanding. "Please. Let's talk about anything." He pats his thigh, directing you to one of the reserved spots he holds for intimate conversations with you.
You know Toji's stubbornness will not leave you alone. It's impossible to hide anything from him once he's onto you, so you stop prolonging the inevitable and silently do as he says.
You turn off the TV, before walking over to him and settling on his lap. You sit there, with a racing heart, because Toji's attention feels like a spotlight on you. His hands interlock at the small of your back and rest there, as he waits for you to say something. Silence invades the moment while you figure out where to start.
"What's wrong?" He asks, when there is no attempt to speak made by you. Immediately, your throat begins to ache, and your eyes start to sting. It's a question known for breaking people, and you're on the brink of becoming another victim. You think you can widen your eyes to keep them dry or blink away the tears, but the outcome doesn't favor you. Toji's hands shift so that they're splayed out on your lower back. They move up and down in soothing motions, as if he's trying to coax your strong emotions out with the comforting gesture. Like a gloomy sky finally giving in to rain, you cave in to vulnerability.
"Baby?" Toji calls, watching as sadness takes over your features. He sighs as he pulls your twinkly-eyed self into his tight embrace. He hates when you cry. The sound and the sight is the equivalent of pouring acid on his heart. It's torture for him to see that his baby, his sweetheart, his love, has been reduced to streams of tears, but he knows that getting it all out is for your own good. This is the 'alcohol in the wound' part of the process. You don't want to do it, but you'll feel better, afterwards. Just like a real physical wound, Toji will make you get it done. Scream if you must, curl into him like you are trying to go through him, he's not going to abandon you.
"Just breathe, sweet girl," he instructs, when he hears the heart wrenching sound of your stuttered breaths. "Breathe. Give me a good one," he says, rubbing your upper back. You inhale, the act still heavily stuttered, before you exhale. "Good. Again." You repeat the process and get the same trembling breath as a result.
"Fuck," you choke out. Your head feels like it's pulsing, your abdomen burns, your chest feels heavy, as if you have chains tightly wrapped around your torso, and your throat aches. It's all so overwhelming, you feel like there's a disastrous storm ruining you from within.
"Sweetheart, please breathe. You're gonna turn blue any minute now." Toji can't hold you any tighter without crushing you, but he wants to, so badly. This is the lowest he's ever seen you and it's killing him. He has never made you this upset. It's hell to even imagine what you must have endured to get to this point.
"You're safe. I have you," he says, bringing a hand up to cradle the back of your head. "I'm here, baby."
Toji's shoulder is damp from your waterfalls of tears and he can feel an excessive amount of heat radiating from your trembling body. Your crying ceases and all that can be heard are sharp, short inhales and puffs of air, as you try to regulate your breathing. Toji continues running his hands over your back, soothing the tired, tense muscles of your shoulder blades.
"We are gonna have to talk about this later, doll. I know that might not sound like the most fun thing to do, but it'll make you feel better. I want you to feel better."
Toji is mindful of your silence. He knows your voice isn't in the best condition to speak after your surge of emotions, and you're probably exhausted, but this isn't a dead end for him. He'll figure out your needs, and he'll take care of you. Anything to bring your happy, smiling face, back.
Toji allows you to pull away from his shoulder, and instantly takes in the sight of your pretty, ruined face. You don't look at him, and he assumes that your appearance is to blame. Your eyes, they're red and puffy, glimmering in the light with your now contained feelings, and you're still sniffing like you need to blow your nose. It's terrible to see you this way, but he would withstand much more than this, if you needed it.
"How does a bath sound, for now? A bath and then some food? You hungry, mama?" He asks, his expression involuntarily soft, as he runs the pads of his thumbs beneath your eyes, attempting to clean you up a little.
"No," you say, quietly, with the fragility that remains of your voice.
"I'm gonna pick up some food while you relax." Toji almost laughs at the subtle roll of your eyes. "That's my bad. I shouldn't have asked in the first place. You need to eat something."
He doesn't want to put you through any more stress, but when he needs to take care of you, during times like this, he knows what you need more than you do. Your reasoning is clouded by your emotions, and you'll let go of yourself, because your thoughts rewind over and over to what's plaguing your mind. Toji knows you'll be glad he did this for you when you feel better.
"Let's get that bath ready," he says, securing your legs around his waist, before he stands up from the couch. Your face is buried in the crook of his neck, and you breathe in his scent, until you reach the bathroom.
Toji flicks the light on and sets you down on the counter. A chaste kiss is pressed to your tearstained cheek, before he lets you go so he can prepare your bath. You turn your head to look at yourself in the mirror and hate the messy sight before you—the product of your meltdown. You turn on the cold water and splash some on your face, hoping to decrease the puffiness of your eyes, even just a little bit, while Toji is busy. You dry your face afterwards and check your appearance in the mirror, again, to clean up any remaining gunk in your eyes.
When you finish, you turn back, just in time to watch Toji rise from his knelt position by the bathtub. He makes his way back to you and stands between your legs, offering you a contemplative look, and a "hm" to go along with it. No words are exchanged when his hand reaches out to gently cup your jaw, allowing him to turn your head in any way he wants. He leans forward to examine you more closely, to check if anything is "broken". He can see you pressing your lips together, trying not to laugh, as he continues to snoop around.
"Oh," he says, like he found a cable that has simply been disconnected. He turns your head a little, and keeps inspecting the problematic area, building up the suspense for you. You couldn't say it, but him finding something scared you a little, considering you had just looked at your reflection and didn't see anything.
"Don't move, doll. I'll get it." His hand rests on your shoulder, the other on your thigh, as he leans in closer and closer, until his body heat coils around you. He presses a kiss to the side of your neck. It's featherlight, almost like a gentle breeze. Another one lands on the same area, then another, and another, until he hears your little laugh, a sound that brought both of you mutual relief. Your relief came from understanding that Toji didn't actually find anything off, while Toji's came from the miracle of him being able to make you laugh, after what went down not that long ago.
"Two seconds, ma," he says, beneath your ear. He pulls away from you and goes back to the now foam covered, sweet smelling bathtub. He leans down to turn the faucet off, and returns to you, afterwards.
"It's all ready for you," he says. A smile curls on his lips when you raise your arms, signaling for him to pull your shirt off. "You wanna keep your bra and underwear on?" He asks, as he pulls the hem of your shirt up. You nod, just before the material goes over your head. He sets it aside and helps you down, off the counter, so you can take your sweatpants off. You pull your phone out of your pocket and set it on the counter. Your fingers hook into the waistband of your sweatpants and tug downwards, until they just slide down your legs and allow you to step out of them.
Toji watches you carefully step over the edge of the tub, one foot sinking through the foam and into the warm water, followed by your other foot. You crouch down, slowly, until you are able to sit down and eventually lay back. You close your eyes once you're in a comfortable position and just let the warm water and the pretty smell work its magic on you.
Toji kneels beside you, and observes you in a more serious manner than before. His gaze lingers on those tired eyes of yours, for longer than any of your other facial features. Your eyelids are still swollen and the bags beneath your eyes are prominent. The longer he stares, the more he thinks back to how you were so distressed, to the point where you forgot how to breathe for a few seconds. It scared him. He didn't get a single word about what was wrong, from you. You couldn't say anything other than that single curse, but even then, you sounded like you were being strangled by your own emotions.
Toji knows this is only a temporary fix— this calm sight of you resting in a bubble bath. Your feelings won't be swept under the rug, because he knows that if it were him going through this exact situation, you wouldn't just give him a hug and call it a day. No, when you take care of his mind and heart, you hold him in your arms and don't let go until he's the one trying to cage himself in your embrace when your arms loosen around him. You keep your voice at an intimate volume as you tell him about your day, because sometimes he isn't immediately ready to talk about what is bothering him, but he still wants to hear you. You cook for him, you give his tired body massages, you shower him with love and affection, and when he's finally ready to tell you what's going on, you listen closely to everything he has to say and you offer him your utmost support. You love and protect him to no end, and he has become shamelessly clingy towards you, because of it.
He wants you to feel as loved as he does. He wants you to know what it's like to experience the same level of care you give him. He may not be able to replicate it to a T, but he's willing to try for you.
"Hey," Toji calls, tenderly running the knuckle of his index finger back and forth, over your cheek. You hum, and blink open your eyes, giving him your attention. "I'm gonna go get us some food. Stay on the phone with me and keep me company until I get back, yeah?"
You nod. "Yeah, okay. Can you bring me my phone, please?"
Toji gets back on his feet and takes one large step towards the counter, retrieving your phone, before taking that same step back to leave it next to you, on the edge of the bathtub.
"Be right back, doll. Pick up the phone as soon as I call, okay?"
"Okay."
His hands grip the edge of the bathtub, to prevent him from falling in, as he leans in to peck your cheek once more. His weight shifts onto one arm so he can bring a hand to your face and rub the kiss into your skin with his thumb.
"Love you, ma."
"Love you, too."
With that, Toji stands up straight and heads towards the door. He takes one last look at your pretty face, before exiting the bathroom and closing the door behind him. He grabs his phone from the couch, his keys from the hook on the wall, and messily slides his shoes on, not bothering to put them on correctly, since he won't be getting out of the car, anyways. He secures the inside of the house, before heading out, and once he's outside, he finds his house key and locks the door. He fishes his phone out of his pocket and makes haste of clicking the phone icon, and then your contact, as he keeps walking to the car. His phone is now against his ear, and he listens as the line rings once... twice...
"Hi, Toji."
"Hi, baby."
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astrowrld300 · 4 months ago
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Astro Observations
Pt 2
It's so unreal how well Taurus placements can cook. Especially if there's Cancer in the big three. Taurus suns also have natural green thumbs
Cancer suns with Gemini Venuses are in constant conflict between they're ego and what they actually desire for love
This is definitely becoming common knowledge on the internet but all Libra placements that are personal and not generational are gay to some extent. Something about the scales allows them to go both ways I don't know . Depending on the placement and degree, it might make them uncomfortable, or the may proudly embrace it. But personal Libra placements can definitely go both ways
Cardinal signs are obsessed with each other, even though they're so toxic for each other.
5th house and Leo placements really love music. Leo rules the 5th house which is all about music, creativity and fun. So these natives really feel it.
Having your sun in the 11th house is a beautiful placement and creates a selfless person, but its the only placement for the sun to not be about "I" anymore. The sun is all about ego and self, ruled by Aries, but the 11th house is all about the collective, friends and the "greater good". Your ego is also heavily influenced by the collective and how you insert your self into the world.
Taurus moons have round/visible nostrils. They all have a green thumb for cooking as well
Aquarius suns and moons have very square shaped jawlines. Both the men and women.
The best sun+rising combo I've ever seen for Aquarius suns has to be Cancer rising. The blend is really heavenly and harmonious, the Cancer really softens out the Aquarian features perfectly (talking about the women idk about the men). This is only physical though
The best combo for Cancer suns definitely has to be Virgo in the big three. Either in the moon or rising, Virgo gives Cancer this snatched look that blends perfectly with the bone structure of cancer suns. (I'm also mostly referring to women here I don't know about the men) Although physically pretty, the combo creates a super insecure individual
Travel is such a big theme in the lives of natives with personal 9th house placements. It almost becomes the focus of life if there's a stellium.
Having your moon at 17 degrees (a critical Leo degree) makes you hella dramatic with your feelings. They're still valid, but you come off as a drama queen when feeling them.
Cancer suns are just as insecure and attention seeking as Leo when underdeveloped. Even though they're not sister signs they're ruled by the sun and moon, so essentially they are each other inside out.
Pisces is represented by the fish and the suns usually have big/swelled features and look a little bit like fish. Virgo placements have sharper/more defined features and Aries placements have prominent/tighter features.
Neptune aspecting Venus is a very underrated beauty indicator for transits and natal charts
Sagittarius rising are blessed with good luck in life since their chart ruler is Jupiter, the planet of luck. They also have hips on the larger side since Sagittarius rules the hips
Capricorn rules the skeletal part of the body and the native suns really have that skeleton bone structure in the face
Moon conjunct Rising is one of my favorite placements synastry placements for friendships. They are each other inside out and understand each other without words.
The most underrated house for the moon imo is the 9th house. The moon does really well here, there's a natural optimism and lightness to their feelings and emotions. I think this is from the influence of Sagittarius and Jupiter. They're also really funny people naturally and have a kind of intelligent humor
Cancer and Taurus placements are such big foodies. They also know how to cook very well and genuinely enjoy getting fat over other signs. Obviously all signs have the ability to cook, but Cancers and Tauruses make that home cooked comfort food that tastes like the feeling of your mom carrying you to bed.
5th house moons never feel emotionally fulfilled unless they're feeling some kind of fun or pleasure in life.
Taurus suns are the definition of work smarter not harder
Aries Mercuries are so smart especially if the sun is in Taurus or Gemini.
Geminis are known to talk with their hands and Italy's rising sign is literally Gemini...
You can always tell someone is Somali from the size of their forehead and the countries rising sign is literally Aries
Venus in the 8th house natal and synastry is that kind of ride or die love
Capricorn sun men actually think people what to hear their life lessons/lectures. It's really corny but they genuinely think they're helping. They also care so much about their rep but will never admit it. It makes sense because they rule the tenth house which is the house of popularity and is associated with our public image and rep. So obviously when Capricorn is in the sun, planet of self, their ego is closely tied with how they're perceived by others.
Scorpio moons are low key delusional but it's okay you guys had a rough childhood/relationship with your mother
The sexual attraction is crazy when you have the same mars sign as your partners rising sign (example. Leo mars-Leo rising) or if you have your mars opposite to their mars (example. Leo mars-Aquarius mars)
Aries moon women in red or leopard print is so perfect
Your gonna love the sun sign of whatever your rising sign is since the sun will naturally embody all the traits that you admire and will effortlessly be everything you want to be portrayed as.
Taurus risings, suns and moons look like bulls
Cancer venuses can lowkey hold down gemini venuses, it’s really harmonious for friendships. Not as compatible relationship wise because cancer venuses really don’t mess with how gemini venuses love. The love languages are just too different but when there are no constricting boundaries and it’s more of a playful friendship this pairing really works
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alchemistc · 2 months ago
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"Evan's not here," Tommy says, and Eddie scowls at him as he pushes past Tommy, already aiming for the kitchen as he hitches the six pack he'd brought with him up under his armpit. It'd been a - a thing. A 'my best friend and my new friend are too busy sucking face to spend every spare moment distracting me from my problems' thing, a thing where Eddie sort of finally understood exactly why Buck had hip checked him on the basketball court months ago. He wants his best friend back. He wants the ease of his friendship with Tommy back.
Which is - Christ, he's selfish, is the thing. A month without Chris there to keep him occupied and Eddie has had some startling realizations about himself. ("You're not selfish, Eddie, you're the most selfless person I know." from Buck and "So fix it," from Tommy, a rare night out with the both of them because he'd headed date night off at the pass by asking Tommy to go out for drinks before he and Buck could make plans without him).
"My world doesn't revolve around Buck," Eddie tells him, and screws the cap off a beer to hand it to Tommy. Tommy's doing that judgmental face he gets when he wants to say something bitchy but hasn't put the words in the right order yet. And - Eddie's not lying. Buck is a fixed point, an ever present life-line, but he's not the fucking sun.
Neither is Chris, apparently, which is news to Eddie and he's - spiralling, still. Quietly, calmly, and he's only punched one hole in the wall on a bad night.
"You ever go to Frank?" Eddie asks, like Frank is the only therapist in the greater LA area, and Tommy rolls his eyes, disappears long enough for the muted sound of the television to go quiet.
When he comes back Eddie's reading the label on his beer bottle
"Apparently I resent you," Eddie says, and Tommy chuffs a laugh.
"Apparently?"
"No, I -." The words had been just as hard two hours ago. This little trip was his own design, he'd been told specifically to sit in it for a while but Christ, an hour a week isn't enough time to talk through his issues and it's not like he can tell Buck he resents him for finding something he's happy and stable and solid in. So. Tommy it is. "You and Buck are good together. I'm happy for you both. I am."
Tommy settles against a countertop with his hip digging into the Formica. His kitchen has gained a dutch oven that looks suspiciously like the one Buck has been showing Eddie for like six months that he couldn't justify the cost of because he's not around enough to use it as much as he'd like.
"I'm not usually the one without his shit together," Eddie says.
"No offense, Eddie, but I thought the whole point of therapy was you realizing you rarely have your shit together."
Also true. He's - usually better at hiding it though. Kim was a joker stacked up on a wobbly house of cards and he'd known, somewhere in the back of his mind, that she'd bring the whole thing tumbling to the ground. Mass casualty event. No survivors.
"You make each other better people," Eddie says, which is the wrong thing to say apparently because Tommy scowls.
"If you wanna completely ignore all the work we've both put into ourselves," he snipes, and - yeah. Fair. Buck's been in therapy for years now. Every once in a while he'll pull something out of his ass that makes Eddie's skin itch - something so mystifyingly self-aware that it makes Eddie want to claw into his chest cavity and rip out his fucking heart. And Tommy - well, he doesn't know much but it's not like Tommy's the paragon of perfection. He's worked through some shit. Is still working through shit, if the aftermath of his and Buck's first real fight is any indication.
"I've never been with someone who makes me want to work on myself," Eddie admits, and the lines around Tommy's eyes shift. He sighs.
"Never gonna find that if you don't want it for yourself."
Yeah. Frank's said as much. It's just - Eddie doesn't have a starting point. Tommy had the whole hiding his true self thing, and Buck had the dead-brother-shitty-parents thing, and he's whittling them both down to the sharp edges of themselves in his mind, which isn't entirely fair but it's easier than trying to confront what the fuck his own problem is. Dead wife, his kid in another state, a contentious relationship with his father, a whole backlog of PTSD he's never really confronted head on. Weird feelings cropping up about a religion he thought he'd left in the dust and sand of Afghanistan and a hole he's been trying to fill up with other people since - well, he doesn't even know since when.
Tommy's got his dog tags laying in the bottom of an empty fruit bowl on his kitchen table. Eddie's never seen them before, and some part of him knows Tommy'd brought them out for a conversation with Buck he'll never hear himself, and he aches. He doesn't want them, but he wants what they have, wants to be able to talk about the difficult shit without closing in on himself, wants to have someone to come home to, wants -
"I spent six months imagining my therapist's head exploding every time she made me talk about something uncomfortable," Tommy tells him, and takes a long drag off his beer. For the first time since he'd knocked on Tommy's door, Eddie actually feels a little bad about interrupting his night, but that just leaves him spiralling some more because Eddie usually feels bad about everything, all the time, so why hadn't he felt guilty about this until now? And why does he feel guilty about not feeling guilty?
"I just want him to fix me," Eddie says, and Tommy laughs. Laughs hard and long enough that Eddie's feeling offended. Off kilter and pissed off and -
"You're not a single loose wire, Eddie. Can't just replace a cable and have a clean slate. You gotta change your oil and replace the spark plugs and top up the coolant, over and over again until you die."
It's the sort of metaphor Eddie'd like to lob across the field of engagement just to watch it get shot to pieces. It's apt, though.
"Feels like the whole engines gotta go," Eddie tells him "Transmission's shot and my catalytic converter keeps getting stolen and the mufflers been welded back on so many times that it's half-solder."
"Christ," Tommy says, which. Yeah. Exactly. "Well you can't exactly send yourself to the junk yard for scrap and buy a newer model."
"Buck does," Eddie snaps, and Tommy rolls his eyes. He'd been there the last time Buck brought up his 1.0 days.
"Half the time a system update patches ten bugs and creates twenty more."
"So Buck's buggy, is what you're saying."
He rolls his tongue over his teeth. "You are running off faulty software and you've been refusing to update to the new version because you heard it'd burn the battery faster, is what I'm saying."
Eddie doesn't have a whole lot of charge to begin with. And the metaphors are starting to muddle in his brain, too many different ideas battling around when he's already spent an ornery hour talking to Frank and another trying to convince himself he doesn't resent his best friend for accepting his own fucking flaws and working on them.
Tommy sets the beer bottle down. Eyes Eddie for a moment, and Eddie wonders how often he levels that look on Buck, how Buck feels when Tommy flays him open and digs through his insides. "You wanna go hit something for a bit?" he asks, and Eddie nods so quickly he nearly smacks his nose into the brim of the bottle in his own hand. He's about done feeling his feelings, for the moment. He'll probably end up being annoyed that Tommy makes him wrap his hands before he takes some aggression out on the bag hung up in the corner of Tommy's garage, but maybe when Tommy gets annoyed with him and does that takedown maneuver that knocks the wind out of Eddie's lungs when they're sparring he'll let that go.
Tommy flicks his forehead on the way to grab him something to wear. "That's for calling my boyfriend buggy, jackass," he says, and laughs himself all the way down the hall when Eddie splutters after him.
His bedroom door snicks shut by the time Eddie's recovered enough to remind him that he'd been Eddie's friend first.
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cy-cyborg · 1 year ago
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Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them
When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.
Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.
You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.
Let me show you two examples:
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Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?
intended answers below:
Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.
So here are some similarities between the chairs:
Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.
Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.
So lets look at some specifics for the green wheelchair:
Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.
While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).
The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?
There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?
The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).
There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.
Ok, now let's look at the orange chair
This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.
The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.
The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.
This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.
The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.
This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.
And here are the characters who own these wheelchairs
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The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.
The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.
Conclusion
Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.
I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.
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saphronethaleph · 5 months ago
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The Deal
“Only through me can you achieve a power greater than any Jedi,” Palpatine said. “Learn to know the dark side of the Force, Anakin, and you will be able to save your wife from certain death.”
“What did you say?” Anakin asked.
“Use my knowledge, I beg you…” Palpatine pleaded.
“You’re a Sith Lord!” Anakin said.
He reached for his lightsaber, then paused.
“That story you told, about Darth Plagueis,” he said. “You mean – that was true? He really did discover a way to save people from death?”
“Yes, Anakin,” Palpatine agreed. “And I will-”
“So,” Anakin interrupted, frowning. “How do you know it? You said his apprentice murdered him in his sleep.”
“Because he taught everything to… his apprentice… before dying,” Palpatine explained.
“Again,” Anakin said, patiently. “How do you know it?”
“I was that apprentice!” Palpatine explained.
“So you killed your master in his sleep, and you ordered me to kill your apprentice, Dooku,” Anakin said. “You know, Chancellor, this isn’t a great job offer.”
“But think of what you have to gain, Anakin,” Palpatine said. “I can save your wife. Isn’t that what matters?”
“...yeah,” Anakin agreed, still frowning. “So when did Plagueis die?”
“About… fifteen years ago, now?” Palpatine said. “Maybe sixteen? Something like that. Why does that matter?”
“Just wanting to make sure I’ve got all the information, Chancellor,” Anakin replied. “Who have you been healing? Because I don’t actually think you’ve got any loved ones.”
He made a face. “Obi-Wan once took me aside and told me about what to look out for when an older man was going to try and touch me in the wrong way.”
“You see?” Palpatine asked. “He doesn’t trust you!”
“I see his point, though,” Anakin said. “Because you don’t have any loved ones that I can think of, like I say… so who have you been healing?”
Palpatine frowned.
“...why does that matter, Anakin?” he asked.
“Because it sounds like you learned how to do this at least fifteen years ago and you’ve never actually tried it,” Anakin clarified. “Which really sounds like you can’t do it, or even if you could before your medical license has expired.”
“I most certainly can!” Palpatine said, his patience fraying slightly. “Anakin, I am trying to help you!”
“Okay, then,” Anakin replied. “Teach me now.”
Palpatine made a face.
“If I do that, then how will I know you won’t betray me?” he said.
“...you’re saying that the only thing that would keep me from betraying you is if you don’t teach me the healing technique,” Anakin said, nodding. “So you’ve got no reason to get around to teaching me. I know how to lure an Eopie, Chancellor.”
“It will take too long to teach you, anyway,” Palpatine declared. “We can’t do it tonight. It won’t fit.”
“You’re really trying to help me, huh?” Anakin said. “Because all the visions I’ve been having about my wife dying are about it happening soon…”
He stopped.
“Actually, how do you know about that? I don’t think I ever told you.”
“Oh, please, it’s obvious that you’re married-” Palpatine said, rolling his eyes.
“I mean about the certain death bit,” Anakin explained. “It’s a bit of a guess.”
He frowned, visibly thinking. “And, uh… okay, so what you’re saying is that… you’re a Sith, you want to take direct control of the Jedi, and that’s because of the war against the Separatists, who were led by Count Dooku. Who was your apprentice… and then for me, personally, you want me to turn to the Dark Side so you can teach me a healing technique you’ve never actually used yourself, while you’ve killed the last two people who worked directly with you the moment they were no longer useful to you.”
Palpatine looked pained.
“That’s a very negative attitude, Anakin,” he said.
“I want to make sure I’ve got all this straight, is all,” Anakin replied.
Mace Windu’s commlink beeped, in a specific pattern that indicated it was a member of the Council.
“Windu here,” he said, raising the device to his ear.
“Master, I quit,” Anakin told him. “Also I married Senator Amidala at the start of the war, Palpatine was the Sith Lord, and I’d quite like to sleep for a week at some point. I’ve had a very long day.”
“...what?” Mace asked, a bit overloaded himself.
“Like, I’m pretty sure my day has had the sun go down three times so far,” Anakin went on. “Also the Chancellor exploded when I killed him. It’s okay, he was shooting lightning at me, that makes it fair.”
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thesilmarillionblog · 1 month ago
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𝐁𝐄𝐇𝐈𝐍𝐃 𝐓𝐇𝐄 𝐒𝐂𝐄𝐍𝐄𝐒
Summary: You play Soldier Boy's wife in the new movie. He's a method actor, and so are you. 
Pairing: Soldier Boy / F! Reader
Warnings: +18! (Minors DNI), SMUT, Soldier Boy is cheating CC, rough sex, oral sex (m! receiving), kinda role playing, kinky, unprotected sex, dirty talk, porn without plot lol, set in late 1970's
Word Count: 3283
A/N: English is not my first language.
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"Cut!"
Soldier Boy winked at you, pulled his lips back, and loosened his firm arms over your back as the director ordered. His hand continued to touch you daringly during the romantic scenes, so it must have been fun for him to witness your heart race. After licking your lips, you faced the director, who had been discussing the specifics with the rest of his staff.
With an anxious expression on his face, the director wanted to tell Soldier Boy something, but he was too scared to say anything since Soldier Boy wasn't the most sensible person when it came to providing guidance. Whatever was said to him didn't matter. Never.
The director then collected all of his stuff and gestured for you to join him. After taking the iced coffee, Soldier Boy turned to face the anxiously breathing and sweating director in front of him. 
“Now what?” Sitting in the chair, Soldier Boy stretched out his muscles and asked in a harsh voice.
Soldier Boy became irate every time he was given instructions to act with greater enthusiasm and better, suggesting that the director, Mr. Nathan, must be dying of dread and worry. 
“It's a romantic film,” Mr. Nathan remarked, appearing to become agitated as he brought up his hands on his hips. “And the subject at hand is war. It's meant to be intimate and heartfelt.”
“And?”
“You shouldn't behave as though you're going to have sex like you're in an adult film. I hope you don't take offense, sir. You're an excellent actor. However, would you mind being a bit more romantic? It would be quite beneficial.”
Snorting, Soldier Boy said, “Fuck that. A sentimental war film, huh? Jesus... I have no doubt that young soldiers would find greater use for pornographic films if we produced some. Believe me, If I fuck her and then leave her to join war, that would make women and men all cry their eyes out. Are we really making this trash movie for housewives only? Who approved this fucking script anyway?”
“Sure and no, sir—no, definitely not. I'm among those who approved, of course, and I can tell you that the script is excellent. Act a little more genuine. This is a movie that everyone should see. If you'd prefer, we could change the actress. If it would help you to be partners with Crimson Countess, maybe we can arrange that.”
The director looked at you, and you crossed your arms over your chest. Stupid coward. That would be the beginning of your best work, but his terrified ass was prepared to destroy your career before it had ever begun. 
“Oh fuck no!” Soldier Boy gulped down his cold coffee. “Not her dry pussy coming over here. My co-star is talented and fine enough.”
You were going to defend yourself in front of the director, but luckily Soldier Boy was kind enough to stand up for you, which made things much better. You were giving him every indication that, in the end, you would do anything to get this job. You would never have taken part in a greater movie before, and Soldier Boy would be the ideal match for it. That was the top of your career already. He was attractive and interesting, but it was difficult to resist and melt into him at the moments when he was meant to give you a gentle kiss. Clearly, that wasn't his thing—being gentle and loving.
It wasn't your thing either.
Mr. Nathan sighed and answered, “Sure,” becoming tired of Soldier Boy not caring at all about what he was trying to say. “We're all going to have some break, and then we can go on filming, is that alright?”
“All right. Whatever,” Soldier Boy said. His specialty was not romantic war films, obviously. He sounded so corny in situations that you could be positive he detested every single love phrase he ever delivered. But none of you had the guts to tell him that out loud. 
If he wasn't concerned about his acting in the first place, that didn't matter to you. There were times when you found it amusing that he was exaggerating in order to enrage the director. It was difficult for you to not break your character in these situations. The kissing scenes, however, were exceptional. You would have let him fuck you if he had made the move right then. He was only getting you wet with his tongue. 
As soon as Mr. Nathan left, Soldier Boy stood up and stepped toward you, looking intently at you. Your entire body tingled with anticipation. Desire was already causing your legs to tremble. 
With a low tone, he said, “Follow me,” and handed his empty cup to someone. 
With joy, you followed instructions. You had already been thinking filthy stuff since the morning. Your pussy was swollen, and your underwear was already wet since he had been teasing you so much. 
He locked the door when you followed him to his trailer.
He approached your body and looked at your long skirt before saying, “So,” and licked his lips. “What are you thinking about that guy who said that? About acting and anything else?”
As his thumb lingered on your breast, stroking it to make you go wild, you put your hands over his chest, excited about what was about to happen. Your thighs tensed with yearning. 
Whispering, "He might be right," you ran a hand down his chest and felt his hardness through his trousers. 
He smiled a bit at you when he realized you were ready for a quick fuck. You continued to softly touch him there, and his cock hardened. 
With a sigh, “About?” he began to undo your dress so he could see your tits. 
“About your acting,” you muttered as his harsh hand continued to torment you. “You should act more romantically and intimately.” 
“Hmm,” was all he said. 
He palmed both of your tits after he had finished unbuttoning your dress. 
“I consider myself to be a method actor,” he said, grinning arrogantly at you. 
You smirked and said, “What a coincidence; me too,” as you unzipped his pants. You lowered his pants and waited for him to give you guidance. “But what would your girlfriend, Crimson Countess, think about that?”
“I don't see an issue if you seal your pretty mouth. I also don't want to fuck her dry cunt forever. Now, get on your knees,” he said rudely, then, putting his hand behind your head, he pushed you on your knees.
Your pulse was pounding as you followed instructions. It wasn't that you were inexperienced, but it also wasn't that you were doing it for the first time. It had only lasted a minute or two until you had completed it in the past. It hadn't pleased you. You had immediately stopped. 
You were ecstatic to see Soldier Boy's massive, pulsating cock, though. You wrapped your hands around his thick shaft, and you licked your dry lips, sensing its weight in your palm. It was exciting and tantalizing to consider sucking the strongest superhero on the planet. 
You murmured, looking at his face and lightly brushing the tip with your lips, “What do you want me to do?” It was apparent that he was beginning to take pleasure in and enjoy what he was seeing. “Sir.”
He grinned at you and tightened his grasp behind your hair when he heard the final word, letting you know how weak you are in comparison to him. After all, you were both method actors, and the game you were playing was harmless. He was definitely thrilled.
He continued, taking his big cock in his hand and pressing it against your lips. “You're a naughty one, aren't you? About to be railed and excited to suck your co-star's cock. Not because you want to get the job, but simply to be fucked.”
“Maybe,” you said, licking the tip with your tongue. It didn't taste horrible, but it was salty. “Maybe I just want to get fucked by a supe; maybe it's because I want to keep my job.”
He finally lost patience with you and shoved his cock inside your mouth when you continued to tease him. You obeyed and took his cock in your mouth. You could take the head since his shaft was far too big for you, yet it was clear that he wanted more.
“Or perhaps I agree with the director's wish for my co-star to act more intimate in his part.” You teased him and palmed his heavy balls, adding, “Would you act more romantic just like you are expected if I was there, standing while your cum inside me?” You were certain that he would come early enough.
“You shouldn't worry about it. My cum will be flowing between your legs as you wander around,” he groaned. “But you'll suck that cock nice firstly.”
He pushed his cock into your mouth again before you could respond. You started to lick it by slowly getting used to the size of it before figuring out the right rhythm.
“Take it more,” he moaned, pressing your head on his cock. You were too aroused to resist, yet it was difficult to withstand his strength.
You attempted to take more of his throbbing cock by opening your mouth wider and placing your hands on his knees for assistance, but it was too huge.
“Fucking take it,” he snapped, annoyed by your poor attempt. Taking complete control, he then reached behind your hair with his other hand and stilled your head.
He made you choke around him by forcing half of his cock into your mouth with such power that you gagged uncontrollably. But you were determined to push yourself to the very limit. Under the mercy of the most powerful supe made you feel things. You had no idea that you needed such treatment in order to suck a cock properly. You became more and more wet as he applied more pressure, made you choke, and filled your mouth with his cock. 
When you finally had enough of him, he withdrew so he could grab your mouth and start to fuck your face.
"You like that, don't you?" He moved your head to his cock because he enjoyed it. "You like being used like this? You like being controlled, huh? Yes, fuck. Take it!"
His cock, which was covered in your saliva, began to pulse in your mouth as he continued to fuck it. You clenched up, knowing what was about to happen. Your fingers gripped his legs more tightly as you tried to keep up with his power. 
He asked, “You want it in your mouth?” However, it was obvious that it wasn't a question. Both of you and him were lost in pleasure. 
Soldier Boy pulled back his cock and rubbed it on your reddening lips and waited for your response. 
“Yes, please,” you moaned. “I need you finish in my mouth.”
He groaned, “Anything for my co-star,” and pushed his shaft back into your mouth as hard as he could. It was hot inside your throat. 
You shivered in delight and disbelief as he started to flow in your throat, releasing his hot sperm. You moved a bit to relax, but he gave a loud grunt and stilled your head. 
He moaned, “Fucking swallow,” as he continued to thrust his cock farther. You were so out of breath that tears were streaming down your face. He was cursing as he filled your mouth with his thick cum.
When he makes you taste him, you close your eyes and let him release his hot semen into your mouth fully. Though you weren't sure whether you liked the taste at all due to how strong and salty it was, you really enjoyed the whole process. You felt slick there; the way he was controlling your body was beyond perfect. 
He withdrew his cock back once he had finished fucking your mouth. 
Grasping your chin firmly, he said, “Let me see it.” 
Your mouth opened. Excited, you could feel your legs quivering and hoping he wasn't done with you just yet. Even though you weren't sure whether you had enough time to go all the way, you needed to be touched so desperately. 
He said, “Good girl,” seeing that you swallowed all. “Get up now.” 
Without allowing you to react, he made you stand once more. It was absurd how he was still hard destipe spilling inside your mouth seconds ago. You wondered how frequently he would need to come in order to soften. It may have been because he was a supe. The cause didn't matter to you. Thank goodness he had the energy to continue. After all, you had your own needs. 
“I hope we are not finished yet,” you stated, indicating your intentions with another stroke of his now firm cock. 
“You want to be fucked badly, don't you?” Your long skirt was pulled up by the tough hands of Soldier Boy, who gave you a sly smile. “You enjoy getting fucked by engaged men?”
When his erect cock brushed your thighs and you felt out of breath, you taunted him, “Only the supes.”
He chuckled and had a brief look at your underwear. You were relieved he hadn't ripped them off. He removed your tits from your white bra and pushed your unbuttoned shirt down. You arched back properly when he gave your nipples a little play.
“Let's check to see whether you're wet enough to handle it all now. Tell me you're not a virgin.” He gave a warning but added, “I'm going to fuck you raw anyway.”
“I'm not,” you moaned, impatient for him to get inside. This time, you were unable to stop pleading. “Could you please fuck me already?”
The way you begged him made Soldier Boy smirk. “Since you're begging so nicely...”
He grabbed your hair into his palm, then gave his cock five or six firm strokes to make himself completely erect. He then bent your body into the trailer's wall and positioned himself behind your entrance. 
When you actually noticed how much bigger he was than your hole, you gasped. Not that you didn't get fucked, but it had really been a while. 
“Relax a little for fucks sake. Take it properly, or it's going to hurt. I won't give a fuck,” he warned, pressing himself farther inside of you.
You tensed up. He was pulling your hair a little and knowing that if he utilized his strength a little more, he could break your neck. That should have alarmed you, but instead it enhanced your excitement. Being at a supe's mercy as he fucked you was more exciting than any other sex you had ever had because you never knew if he might lose control while trying to get his pleasure. 
He made you scream with pleasure and pain as he pushed his entire cock inside of you, pushing back with one strong motion. You began to moan and tried to fix your balance, but he instantly stilled your body by pulling your hair.
He moaned in rage, “Don't fucking move,” and proceeded to fuck you senselessly. Your eyes watered with every move he made, and your insides ached a bit. Both the pleasure and the pain that you experienced were immense.
“That's how you should get fucked. Like a slut you are. You are a slut, aren't you? You wanted me to fuck you there?” He groaned while continuing to penetrate you from the back. Your hair was tugged again by his hand. He needed a response. 
“Yeah,” you moaned, placing a hand against his severe grip on your hip. “I needed you to fuck me right there.”
He was obviously pleased with your response since you could almost hear him smirking. 
“Oh, yeah. Are you not embarrassed to want to have sex with an engaged man? Allow him to use your body any way he chooses. Show him that you are better than his future wife. You like the idea of a supe cheating on his girlfriend with you?” His filthy words caused your walls to contract as he gave you a strong and quick fuck. You were embarrassingly wet. 
You teased him, “So what?” in between moans. “In the film we're in, we're husband and wife, right? We need to get into the role properly.”
“Do you think you can wear my sperm right there and yet perform your role properly? What would they say if they knew? Will you tell them you wanted me to fuck you so that you could do your role more effectively? Do you want everyone to know your cunt is full of my cum? Is that it?” 
You knew that the game you were playing was making him more thrilled, so when he bent your body harder, you let out an excited gasp. He widened your legs and placed both of his hands on each side of your hips. Without his support, you would have already fallen. 
You screamed out, “Yes, please, please,” as your walls continued to clench around his thick cock. “Husband.” 
“Oh fuck,” he groaned as he got closer. He firmly gripped your bouncing tits and gave them a firm squeeze. “I'm going to fill you so good. Going to satisfy my wife's small greedy cunt nicely. Do you really want that, baby?         Where do you want me to cum?”
Moaning, “Yeah, oh fuck, fuck. Please come inside, husband.” Your orgasm hit so hard you had to scream his name this time. You were sure some of the staff heard your screaming. Your walls clenched badly. You got his dick wet with your slick as your legs were trembling frantically. You felt like you were about to pass out from the intense fucking you were getting from him during your peak.
He moaned, “Whatever my wife wishes,” as he continued to penetrate you despite your oversensitivity. He then began to come inside of you with a loud grunt. Before he came, he held your hips so forcefully that you felt he was going to break your body till he was satisfied. 
He cautiously removed his cock after giving you a bit more pleasure and making sure he had emptied his balls within your pussy. He gave you a hard spank on the ass and complimented you on your well-done move, seeing how his sperm was flowing between your legs. 
You grinned to yourself and pulled up your underwear when you knew you were fucked well for real. You could let him fuck you again since his hot sperm in you felt so nice. 
As he was complimenting you, you could hear him stuffing his dick back into his pants. “Now that was a good fuck.”
You looked at him and fixed your shirt, skirt, and hair. “I'm glad you enjoyed,” you said, biting your lips. You could still taste him.
“I'm sure I'm not the only one who enjoyed it,” he said, immediately lighting a cigarette and giving you a sly smirk. 
You were told to expect on the set in five minutes when someone knocked on the door right then. You smiled to yourself, undisturbed by the stares from the staff, and spent the remainder of the day with Soldier Boy. You both believed that the method of acting had had the intended impact on you and him. The director was pleased with the two of you. After the break, Soldier Boy was acting better, at least. If only they knew the reason.
It's true that method acting helped you get into your roles better. Particularly behind the scenes.
⋆⋅☆⋆☆⋅⋆───⛥───⋆⋅☆⋅⋆───⛥───⋆⋅☆⋅⋆
Comments and reblogs are very appreciated. Let me know what you think please. For more, here's my MASTERLIST. ♥︎
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vidavalor · 3 months ago
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Near the end of S2, two plots from S1 are directly referenced, so they'll be fresh in our minds as clues to what is happening in the S2 finale. While different plots, they actually have something rather interesting in common that could hint at the reason why it is these two plots we need to remember.
The first storyline is Gabriel not knowing that he was dealing with Crowley and not Aziraphale during the body swap.
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What's interesting about this reference is that it is specifically about the body swap plot from Gabriel's perspective. Whether he figured it out or not between the seasons is unknown but, by the end of S2, we now know that since Gabriel has his memories back, he can put together what Crowley told him and he definitely knows now. What's the point here?
Gabriel thought he knew who he was looking at in S1 but it took until the following season for him to be told he didn't.
Hmm... hold that thought while we look at the other referenced plot...
That's the bookshop fire.
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Aziraphale refers to it directly when explaining to Nina about the fire in the shop being the reason why they now have so many fire extinguishers. The reference here, though, is that the one having greater difficulty dealing with the fire and who is the reason for the battery-operated candles and fire extinguishers is the one who saw it happen and that's Crowley.
This is where these two, referenced plots start to have something in common...
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Crowley's confusion during and immediately after the fire is regarding who is responsible for it. He thinks Aziraphale dead because he can't sense him and the shop is ablaze, leading Crowley to think that it was likely demons at the behest of Satan who did this. He's not entirely sure but when we see him soon after, he's drunkenly recounting how he wound up getting involved with Lucifer, indicating that he thinks Satan took Aziraphale from him.
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Unlike the Gabriel story with the body swap, this question is answered almost immediately for Crowley so the story can go forward for the rest of the season. Aziraphale appears to Crowley and explains that he was discorporated.
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So, we have two plots from S1 directly referenced ahead of the end of S2-- and both of those plots come down to having the identity of someone backwards.
Gabriel thought he was looking at the angel Aziraphale, but it was really the demon Crowley. Crowley thought it was Satan who took Aziraphale and the bookshop from him, but it was really The Metatron.
Crowley. Thought it was Satan. Who took Aziraphale and the bookshop from him. But it was really The Metatron.
And Gabriel thought he had identified the being in front of him as an angel... but it was really a demon.
In the mirrored S2, those are some pretty big hints that the being identified as The Metatron who just took the bookshop and Aziraphale is really Satan.
There's also writers-stand-in character Furfur whose only contribution to the group scene is to remind the audience to remember a specific part of the Job minisode from back at the start of the season:
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The bit where it was an example of Hell doing Heaven's punishing for them.
Furfur then also draws another paralleling line between Job and Aziraphale by saying Job was a lovely man Furfur never met, which is a dialogue callback to this bit in 1941:
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The bit where Hell walked through the door.
Are you totally sure this is The Metatron?
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Or is it more likely that Bildad had the season endgame foreshadowed for us nicely back at the start?
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stellas-and-tonitruses · 10 months ago
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⚠ SPOILERS FOR CHAPTER 93 AHEAD! ⚠
now that we have finally met demetrius, it seems like a great time to dissect his first scene and proper conversation! :]
his wide, unfocused stare hides ✨unexpected complexity✨, as expected of a desmond
he's impatient (common desmond trait at this point)
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he's nonchalantly exceptional, as we expected and have been repeatedly told thus far
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...but most importantly, amidst a sea of accomplishments, he is burdened with a lack of people skills and visibly frustrated by it, as evidenced by his conversation with damian in this chapter.
the analysis and speculation continues under the cut!!
so, a breakdown of the main meat of his introduction
similarly to every single time there's an interaction between damian and another desmond, damian is the one who reaches out first by calling out to demetrius, who immediately asks him what he wants. damian tries to begin with small talk, congratulating him on his accomplishments of the day
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demetrius is brief and to the point, but it doesn't feel to me like he is annoyed here. perhaps curious, perhaps indifferent, we don't know -- demetrius is a boy of few explanatory thoughts, after all
merely in the next page, demetrius is revealed to have a blank mind for most of this conversation.
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i don't believe this is a sign that demetrius was experimented on or anything. obviously, this does not rule out that he has been experimented on, but i don't think his lack of thoughts are indicative of that, nor do i believe anya was too far away (in previous chapters, she has read the thoughts of people at greater distances than this with ease!). i think this has something to do with his upbringing, but also very importantly his state of mind at the moment
his eyes are wide open, but his stare is unfocused. i think this is an intentional choice to hammer in that he's not really here at this moment, listening to what is undoubtedly to him pointless praise. he has likely tuned all of it out completely.
(as a side note, if we wanna involve anya in this situation more, we could assume that he is intentionally cloaking his thoughts from anya or any other potential mind-readers, but while i do think donovan is very likely involved in project apple, i severely doubt the financial benefactors of project apple would spend likely a lot of money to figure out a way to shield the thoughts of a middle schooler, regardless of who his dad is, from potential telepaths. as far as we know, anya is the only one with this specific power and demetrius is unlikely to have any information that would incriminate the operation. if that was an issue, i don't see why they wouldn't spend their money to protect melinda's mind, since she likely has way more info than demetrius ever could.)
moving on from that side note though,
we do not see demetrius' face as he says this! this is important to me
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we are left unaware to whether or not he is disappointed or just trying to abscond to take a nap (he really needs one)
but then, he says this:
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this, to me, is a direct attempt at connecting!! he's trying to reciprocate the small talk, the praise, trying to continue the conversation. his thought, "i don't understand him," may feel contradictory but to me, it only underlines his frustration about this, because he knows what damian is going to say next:
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even though it was expected, this is not what demetrius was hoping to get out of this. his downturned eyebrows give a feeling of discontent. he is not blank, he is visibly frustrated, visibly annoyed.
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and we are thus made aware of a boundary demetrius and melinda both share:
never mention donovan.
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for one reason or another, this is the boundary damian has overstepped with both his mother AND his brother now, without ever being informed that it IS a boundary in the first place
so demetrius, upset, turns around to leave and throws this at damian:
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this is important, because damian has shared a very similar sentiment to anya before, albeit in a mournful tone.
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demetrius likely feels similarly neglected by his parents, but is long past feeling sad about it. he has moved straight to anger, understandably!
but the bigger reason for his frustration, imo, relates to a problem damian once again ALSO has: people treating them as a gateway to their father and nothing more.
demetrius has more than likely also been treated like this, and probably still is unless his peers have learned not to engage because of his brief, snippy responses, so he is familiar with the feeling of being used.
...and damian unknowingly treated him the exact same way, even though he's also grown to hate it.
of course, he's 6 years old and he meant no harm by this -- he's just a lonely boy trying to be noticed by his neglectful parents, after all, what else could he possibly do?
but for demetrius, this is the end of the conversation. he is not his father's manager, he's not even that close to him, so why does his brother only ever talk to him when it relates to their father?
as he said before: he doesn't understand him, and why he keeps doing this. does he not know there is little info to be gained?
he doesn't understand their father either, with his impossibly high expectations, never pleased, never happy, never available
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and lastly, as ewen and emile try to introduce themselves
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demetrius has one final thought.
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and he casts aside this entire conversation, leaving the scene as empty as he entered it.
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of course, the chapter doesn't end here, but this is where demetrius' involvement in it does, leaving us with a newfound understanding that while to damian, demetrius represents everything he can only strive to become... to demetrius? his accomplishments ring hollow in the face of everything he wishes he could understand.
we do get an extra flashback that hearkens back to a better yesterday, but while donovan is lacking some very important details (those scars, that dead disinterest that follows his every move -- he seems mirthful somehow here), we don't know if this scene represents a time when they were closer or if it's simply evidence that as far back as everyone can remember, demetrius has been doing nothing but studying all the time
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could this be evidence of something nefarious relating to project apple? eh, not particularly, not to me. the boy's just studying hard, any relation to project apple would have to be more recent in the timeline imo
TL;DR:
demetrius has been built up throughout the past 92 chapters as a figure larger-than-life, and this has been thanks to most of our knowledge of him being directly affected by damian's perception of him, as the younger brother living under his shadow
however, he has now been humanized by his flaws: a short temper and a lack of social skills that comes paired with a clear want to connect, to understand, to converse. he seems to be a very lonely kid, everyone around him either jealous, putting him on a pedestal or actively seeking to use him under the false impression that he has important connections, and although he doesn't mean to, damian has unknowingly been treating demetrius in the same way, only seeking him out when he wants to know something about donovan.
interestingly, him and melinda share the same trigger, that being donovan himself, though we do not yet know if their reason for this is also shared.
CLOSING THOUGHTSSS
it has been so exciting finally meeting this little goober-- i thought i might never see the day 😭😭😭
thank you to whoever read this far, i literally made this blog just now so! HOPE I DID WELL!
💖
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janelovxx · 4 months ago
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Giyuu Tamioka Boyfriend Scenario 
♡ Love Language ⁠♡
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Fluff
Giyu Tamioka x Reader
!!!: Demon slayer do not belong to me.
✧⁠*⁠。✧*⁠。✧⁠*⁠。✧*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*
Dating the cold and reserved water hashira is definitely not for the weak. It takes time even when just befriending the guy but dating him and being his girlfriend? You will definitely be the one who will have to confess. Everyone knows he is cold, quiet, reserved, and blunt. Showing affection is not definitely not his suit, you're wondering how he shows his affection? Of course he'll do it on his own way and pace.
✧⁠*⁠。✧*⁠。✧⁠*⁠。✧*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*
✧He is not a man of words and showy when it comes to affection but! Definitely an act of service guy.
✧Can't carry all the bags? He got it! Having a hard time cleaning the house? He'll help. Anything you need, you may not notice it but he'll definitely act on it.
✧"Do you need help?" "I'll do it" "Is this alright?"
✧but aside from Act of Service, Gift giving is definitely his love language.
✧ You're chatting and you said you wanted to get this? He'll get it right after his mission on the way home! You don't need things he bought for you? You gotta need it girl! It's from him!
✧ "huh? For me?..but! Why?"
"You wanted it."
✧Aside from getting what you want, He'll definitely got something that reminds him of you.
✧ "This reminds me of her." "Is there [F/C] available of this?" "I hope she likes this"
✧⁠*⁠。✧*⁠。✧⁠*⁠。✧*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*⁠。✧⁠*
Imagine him on his way coming back from a long mission and pass through the city where there's stall outside selling cute stuffs or accessories like hair clip, cute bracelets and stuff. He'll pass by and definitely buy something that reminds him of you. He will probably buy something matching but subtle for him to wear.
After buying that stuff, he'll go home immediately, not wanting anything but to rest after his long and exhausting mission in your arms.
When he got home, the sound of the door opening was the only signal that will warn you that he is home. You ran to him as soon as he went home, greeting him with your usual smile and affection.
"Welcome home, Love"
And of course, there's nothing greater than your daily hug and peck of kisses on his cheek after he went home after every mission, indication of relief that he is back once again.
"Here." He will just put the pouch of that gift on your hand as you look at him curiously before opening that. There is a cute hairpin designs with gem stones.A blue one specifically.
"This is so...so cute! Thank you so much love!"
And of course there's nothing greater than seeing your wide smiles and sparkling eyes at things he'll do for you. It will never fail to quicken his heart beat.
Oh how lucky he is.
And of course, he'll always remind himself to buy you something after his missions so there will be an award for you for always waiting for him and also,
To always see your sparkling eyes indication of excitement and so those smiles that will never fail to squeeze his heart in affection.
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formosusiniquis · 2 years ago
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inspired by this post by @ruelogy
ao3
Eddie knows he got to Hawkins a little later than everyone else. He wasn't born and raised in the six miles of town with the same eight people his whole life. There was a whole social services kerfuffle that meant he didn't land in this small town hell hole until he was the ancient age of thirteen. He knows he's destined to forever be the freaky new kid with the shaved head and the group home eyes who joined in the eighth grade. But even without all that he is fucking positive that there was no Henderson in any of his three graduating classes.
Yet here Henderson the supposed younger sits painting him a mystery week after week. Steve said this, Steve did that, Steve may very well be a delusion if the way the others giggle and sigh every time he gets brought up is any indication. Cause it goes like this: Henderson comma Dustin is a fellow Hawkins transplant. Son of a single mother -- divorced or widowed, Eddie knows enough now to be sure that fueled the Hawkins gossip mill for weeks -- who brought her young son with her. Son, singular. Dustin joined the first grade class of Michael Wheeler, Lucas Sinclair, and William Byers and that is as they say history. If there had been sons, plural, this mysterious older brother should have by all of Eddie's figurings joined Hawkins junior high right around the same time as a miserable Eddie. There should have been whispers about two new kids, there should have been someone for him to commiserate with, befriend.
Yet week after week young Dustin sits at Hellfire spinning yarns of a brother who was, what, homeschooled? Sent to a private military academy? Boarding school? Stayed at home with the mysterious father that Dustin doesn't mention -- and Eddie knows enough about fathers that go unmentioned not to break the silence -- but suddenly decided after he graduated to come join his mother and brother in Hawkins? Cause the thing is, Hawkins isn't that big. If pressed he's pretty sure he could name at least 90% of both of the classes he was supposed to graduate with and at least 75% of the group he's stuck with this year. He'd at the very least recognize them on sight, and not just cause he's dealt to the greater portion of the high school. Eddie pays attention, there are only like 400 students at the high school at any time, he should by all accounts be able to say, "Oh yeah that scrawny, bespectacled loser is Steve Henderson."
Except maybe there is no Steve Henderson, he's already faintly sure there's no Suzie so what's one more fictional friend from Dustin Henderson. Maybe this Steve is just the product of a fractured mind brought on by too much hands on parenting. Eddie knows people think all of his bad behavior is the product of underparenting, but if the opposite causes imaginary siblings he'll take the hand he got thank you very much.
Cause, sure he's doing his best to be third time lucky with this whole high school thing. He does know that compared to the should be starry eyed, but actually unsettlingly wary freshmen he is an ancient being of chaos. Yes, he feels every ounce of the five year gap between 19 and 14 when he speaks to them. But beyond all of that, he is still young. Still capable of swooning now and then; and the now is when Dustin describes his big brother and the then was all the other times Henderson the older has been detailed.
"Well that's cause I'm not really sorry, Mike," Henderson is on a tear already when he makes it to Hellfire, "I told you I have plans already."
"It's not that big a deal," Lucas placates, "we can do it another day."
"My parents won't be out of town another day," Mike sneers, "Will, you wouldn't ditch out on an all night Nintendo marathon for a date with Steve would you?" He says it like Will is the voice of the populace or something.
Maybe he is, and going by the way Will flushes a bright pink up to his bowlcut the voice of the people would in fact rather go out with Steve Henderson than hang out in a basement playing video games.
"It's not a date, he's my brother, and yeah dude I'm gonna skip out on watching you scream at Mario to go to an all night Stephen King movie marathon." Dustin says.
And swoon. That sounds like a dream.
"Like Steve would ever do something that cool, you can just say your mom won't let you come over cause my parents aren't gonna be home." Mike is surlier than usual, a trait he has noticed happens a lot when Henderson the elder gets broached. Eddie's theories range from misplaced sibling jealousy to repressed queer crush on Steve.
"C'mon kiddies save the tantrums for your mommies," he doesn't have a taste for it regardless of the answer, puberty is a bitch he's glad to be seeing the back of and Wheeler can go from being an angel to the kind of brat you do want to narc on just a little. "The rest of us have hoards to slay, maidens to save, things that don't involve listening to your play date fall apart."
He desperately wants to ask Henderson where they're movie night is taking place, because it sounds amazing and not at all because he wants to finally see this mysterious brother.
“It wasn’t even mine!” Henderson is moaning by the time Eddie makes it from O’Donnells to the cafeteria. He wasn’t that late, five minutes to plead his case for his grade at most, but Henderson could monologue with the best of them and it took about as much to get the kid going as it did Eddie, which was saying something.
“And you and Erica made fun of what was under my bed.” Lucas says with a smirk and a roll of his eyes.
“What was under your bed?” Will asks.
“We are not going to let Dustin get out of the fact that his Mom found his Star Trek porn that easily,” Mike shrieks, he sounds like he’s trying to mind his volume but it’s still too loud for a public venue, “You gave me shit for weeks about that Penthouse you found under my bed.”
“We gave you shit because you stole it from your dad,” Lucas corrects, not that anyone but Eddie hears it.
Cause as Lucas speaks Dustin is shouting, “It wasn’t fucking mine! It has to be Steve’s but try telling my mom anything about her favorite son.”
Three sets of disbeliving eyes look over at Dustin, but it’s Mike who says, “There’s no fucking way anyone is gonna believe it was Steve’s dude, just give it up.”
“I don’t even like Star Trek that much!”
Eddie has been having dreams of a mystery boy with a gorgeous head of hair and Dustin’s sweet smile. He likes horror but will pretend to get scared so he has a reason to hide his face in Eddie’s neck, and when he gets there he’s a biter. “Now, now Henderson, what kind of self-respecting nerd doesn’t enjoy the dulcet tones of Mr. Spock.”
Henderson wrinkles his little nose, what a twerp or maybe he’s thinking of his brother’s zine again, “It’s okay, but who goes to sci-fi for philosophy when you could watch space battles and deathstars.”
Eddie spares a prayer for Dustin’s English grade. “Well at least one Henderson has taste.”
He’s never had a younger sibling in Hellfire before, Gareth and Joey are only children and Jeff is way older than his miracle baby sister, so it is a treat to watch the way Henderson goes red, white, and then green as he cycles through a series of emotions surrounding his brother so fast it gives Eddie a headache.
“Dude, he probably bought it for you not knowing what it was,” Mike says, “it’s not like Steve is watching Star Trek.”
"You didn't see it."
"Maybe it was a prank?"
Eddie tunes them out, returning to the Steve in his imagination. They're slipping out of the movie they just finished, the one they bought tickets for, Steve giggles -- Eddie thinks he'd have a nice laugh, thinks he makes his brother laugh a lot -- and tugs him into The Voyage Home. "You gonna think of your favorite captain while we hide in the back row, Stevie?"
"Kirk is an Admiral now, he has been for three movies. Some fan you are."
He wonders if it’s creepy, this mental file he’s compiling on Henderson’s brother. It’s not like he knows the guy, truly a backwards fucking miracle in this two stoplight nothing of a town, but Eddies’ always liked something that he can sink his teeth into and pull apart. That’s what Steve Henderson feels like to him, like if a rubix cube was also a steak. He’s lost track of the metaphor in his own head, it’s whatever.
Cause Steve Henderson loves horror movies, but watches sappy romance flicks with his mom when they both have the same day off. Steve Henderson’s favorite color is yellow, but he only wears it on days that he can barely get out of bed; Dustin says that like it’s a warning sign for the others “Steve has his yellow sweater on today,” explaining away his absence at the arcade that afternoon. Steve Henderson could have any girl he wants -- this factoid Eddie takes with a salt, lime, and tequila -- but he never goes on dates anymore and only hangs out with his best friend and coworker. Steve Henderson baked a brownie so good Jeff moaned in the middle of Hellfire but can only over or undercook pasta when he tries.
Dustin loves his brother. Dustin thinks he’s the worst person to ever grace this side of the planet.
That Eddie thinks is at least typical for siblings, barring the Byers who seem to be so close knit they’d put the Bradys to shame.
“Henderson, my man, why the long face? We’re about to begin the most dangerous leg of your quest yet!” Hellfire was getting a delayed start -- the drama club was actually using their prop closet, go figure -- it was just him and Henderson lurking outside so Eddie did have to find his fun where he could get it.
“Steve and Robin went up to Indianapolis and they’re gonna be gone the whole weekend.” And yeah, he probably could have guessed it was about big brother Henderson. Dusty has the cutest case of hero worship when he wasn’t wishing big brother dead. “They say they aren’t dating, and it’s just for her birthday, but a weekend trip seriously it screams romance.”
“And you’re mad they didn’t bring you?”
“I could have been out of the way! Do you know the kind of specialty tech shops they have up there? I need some things you can't get in Hawkins to improve Cerebro and it's twice as much to get them mail order. I could make myself scarce for a couple hours so they can get it on.
He smacks the bill of Dustin’s cap, knocking it down over his eyes, but nobly refrains from giving him a noogie, “Dusty if you ever want to pop your little Mormon girl’s cherry, maybe don’t say shit like ‘get it on.’”
“Suzie is an angel, don’t be crude, man.” Dustin’s hands are quick as they smack him away, that must be another little brother trait.
“An angel, huh, another point in the ‘girlfriend isn’t real’ category. How many imaginary friends do you have, kid? A girlfriend in Utah and a brother that no one but your party has seen.”
The rest of Hellfire starts to trickle in, having used their time waiting for their table more wisely than Eddie has. Dustin’s comment is delayed only momentarily as he says hi to the rest of the freshmen that he definitely saw only a few minutes ago. “For the record, Suzie is very real. And you…” It’s the way he trails off that makes Eddie nervous, the way a light goes on in his eyes that sets the hair at the back of his neck on end. His danger instincts are finely honed and that's the same, 'I'm smarter than you look' Henderson was wearing when he managed to sniff out half the traps Eddie had laid out last session. "You should meet Steve, I bet I could get him to pick us up next week instead of Nancy."
He thinks this must be what the raccoons behind the trailer park feel like. The obvious trap of the shiny silver cage that's been baited so sweet it's hard to resist walking in anyway. "Sure, Henderson, tell the mysterious brother to stop by. Have him bring one of those zines that definitely belongs to him."
Dustin is especially vicious as dispatches with every creature that Eddie throws at him that day. It’s hard to be that upset, he’s feeling pretty fat and happy sitting in whatever animal control rodent trap Henderson thinks he’s got him in.
The next week’s session comes in a haze of vague daydreams and intense session prep. He’s had Steve Henderson on the brain for so long that he all but forgot about his little tête-à-tête with Dustin the week before. Forgot if not for the way that Baby Henderson is vibrating at the Hellfire lunch table when Eddie arrives.
“Steve is coming to get us from Hellfire today!” Eddie personally thinks this doesn’t quite deserve the level of reaction that it’s getting, but Henderson is so worked up no one even needs to prompt him to keep him going. “He had to leave right after his weekend trip to go deal with lawyers and shit.”
“Are they still..?” Lucas trails off, he’s clearly concerned but for all that Eddie hates that the kid is looking down the barrel of jock life he is extremely emotionally adept.
“Mom and Steve both said it was handled now. They won’t answer me when I ask any questions.”
Ominous, everything about Steve Henderson was so fucking weird. A kid who didn’t exist all through high school, that he’s never seen in town, who has lawyers now?
“Maybe Hop could,” the kid started to ask, hopeful.
“Mom says that it’s Steve’s business and we should all stay out of it unless he asks for our help.” Will responds by rote, something he’s clearly already tried before.
“So the infamous Steve Henderson is going to grace us with his presence today?” Eddie knows the answer already, but like most of his vices he can't resist indulging.
"He's taking us all out for ice cream after," Dustin agrees, "you could come too Eddie, I'm sure Steve wouldn't mind!"
"Steve minds everything," Mike grouses.
"Steve always buys your triple scoop sundae."
Eddie thinks Steve Henderson would have elegant fingers. He thinks about how they might toy with the straw of his milkshake while he smiles, coy and teasing, at Eddie, who he's charmed by. This Steve lets Eddie snatch the cherry from his drink, blushes when he gets his stem returned tied in a knot by Eddie's tongue.
"Well if Steve is buying, who am I to refuse an invitation?"
He does not end Hellfire early because Steve Henderson is coming. 
He does, by pure coincidence, need to piss 15 minutes before things are set to wrap up. If that gives him enough time to clean himself up a bit that's just luck. This isn't for Steve Henderson.
His bathroom break, and definitely not pre-date primp session, puts him at the back of the pack when Steve Harrington's maroon beemer pulls into the lot. It feels a little bit like sophomore year again. When his hair was in another awkward stage of growing out and curled around his ears, he didn't have his mom to help him with the curls anymore and he didn't know what to do with them now that they seemed to twist and turn in new directions post-buzz. He caught the sweetest looking boy with puppy dog eyes staring and he'd been so embarrassed about getting caught he'd touched his own locks. Hairsprayed into oblivion and locked firmly into place the touch was ripped away and a shy, 'what can you do' smile was shared between the two of them. It feels a bit like junior year when Steve Harrington broke the keg stand record as a sophomore. Rounding the corner from tipsy into drunk or maybe bypassing it altogether for blackout, he wandered over into Eddie's domain. He had that same shy little wave, but a stronger confidence. He sidled up to Eddie and wrapped a curl around a finger. He tugged, just a bit, the way kids do when they want to see if it'll bounce back. "Yknow you'd be pretty if you were a girl." The slip slide of his definitely drunk tone didn't take Eddie out at the knees any less.
The car curves up closer to the front steps and Henderson is shaking like a rocket leaving Canaveral. He actually starts to take a step toward the still moving car when four hands clamp down on him saving Steve last-name-to-be-determined from a vehicular manslaughter charge. Eddie is the last to release him when he hears that car slide into park. The engine has barely had time to rumble to a stop before Steve Harrington is out of it. A toothy smile splits his face and, hidden behind Byers and Wheeler, Eddie watches as Steve Harrington proceeds to engage in the nerdiest fucking handshake he's ever seen. Steve Harrington finishes dying by what seems to be lethal lightsaber disembowelment and waves at the other three teens. 
"Alright let's rock n roll if you twerps want ice cream before I drop you off. Joyce will kill me if you're late."
"Steve, can Eddie come with us?"
As Henderson asks Eddie now sees the exact size and shape of the trap he is in. The actually dweeby, dungeon master and drug dealer forced to watch the hot, once cool older brother bow to the obligation of Midwestern courtesy now that he's been ambushed with Eddie's existence. Or worse he'll have to stand there and pretend to be unbothered while King Steve shoots both Hendersons hopes and Eddie's dreams in the face with one curled lip.
He never could have imagined the furrow of confusion between his brows. The way lips wrap themselves around his name, tasting it. He hadn't, in his many fantasies, pictured golden brown eyes though he often thought of them snapping up to him like they were now.
A rosy blush blooms across Steve's face. He has the same shy finger wave he did as a freshman. "Depends, Dust, are you gonna give up your shotgun dibs or are you gonna make your troop leader sit in the back with the rest of the Party.” 
He watches as if in slow motion as Henderson lunges for Steve, the elder is laughing as the younger wraps his arms around his neck. There is something very intensely attractive about the lingering jock of it all. How Steve is still upright even as his teenage brother dangles from his neck. “You know it’s Dungeon Master, you get it right with Erica!”
“I have a lot of respect for Erica, the things she does with goblins and kobolds is masterful. You asked me about the lead up to a trap so obvious it felt like an eagle scout showing his little cubbies poison ivy." It's bitchy and nerdy in all the best ways, and then Steve H- Steve looks up at him and winks, "No offense, Munson."
"None taken, Stevie." That seems to catch them both by surprise, the lack of a certain last name to fall back to -- and weeks of imagining what it might be like to interact with the guy who is and isn't right in front of him -- has Eddie overly familiar. "I drove here though." His van stands like a monolith alone in the middle of an empty parking lot.
"Oh."
"But I could meet you there? Are you going to the Dairy Queen by the library or the haunted one?"
"It's not actually haunted," Byers pipes in with frightening sincerity.
"But yeah, the haunted one," Steve says with a boy next door grin.
"Then I will meet you and your charges there Sir Henderson." He bows and only immediately regrets it, now that the once Harrington lord of the school is out of his line of sight. His brain feels like it could short out, faulty wires sparking against memories and daydreams and general hormones.
A sheepie he saved from the slaughter snorts, another - probably Mike - whispers "Gross." There's a grunt that Eddie hopes is the traitor catching an elbow from one of the others. 
But it doesn't. fucking. matter because Steve Whatever laughs, practically giggles at Eddie and his antics.
And Dustin's rocket has come in for a rough landing, "I'm going to regret this, aren't I?"
Steve's hand envelopes the top of Dustin's head, he nearly palms it. It's not quite a noogie, more like he shakes his head for him. "Dusty-bun, why would you regret introducing me to your Dork Mother?"
"I'm gonna tell Ma you're being a bitch again."
"She won't believe you, I'm her favorite." He shoots another wink toward Eddie, a joke he's being allowed in on.
Level headed Dustin Henderson, who explained to him, in depth, how getting overly emotional impairs higher level critical thinking, stomps his foot. "You're so full of shit."
"I am. She chose me, she got stuck with you."
"Steve!"
He laughs at the despair he's caused, ruffling cap covered hair again until Dustin stomps out of reaching distance to climb in the Beemer with the other boys. Brown eyes are bright with mischief when he looks to Eddie, and he's struck by a thought. He was right, he hadn't ever met Steve Henderson before today. This is not the same boy who sat in the cafeteria with a closed mouth smile listening to Tommy H. and Carol. "Let me walk you to your car?" He asks.
"It's right there, Stevie, and do you really want to leave that band of miscreants alone with your car?" He's playing with fire, but the fear of getting burned has never stopped him before. He leans in close, whispers, "They might steal it."
Steve pales, a haunted look in his eye. He shakes it off, squeezing his eyes shut tight,  and that soft smile slips across his face again. "Let me watch you leave then." That smile slides into a smirk, as he looks Eddie up and down.
He was right about getting burned, his face feels like it's on fire as he flees the scene. His tail is definitely not tucked between his legs because Steve is absolutely staring at his ass right now. He doesn't remember how walking is supposed to feel, but it's probably not like this. It would be embarrassing, the fact that he probably looks like a baby deer discovering he has knees for the first time, if it weren't more important that he makes sure each foot is planted so he doesn't acquaint himself with the ground below him. Safely encased in the van, he chances a look through the windshield and confirms that Steve is watching him.
He waves, and yeah it is gratifying to see the guy who at one point had half the girls in school fawning over him duck his head like he's embarrassed at getting caught staring. Sinclair leans up from the back seat, Eddie watches him clap Steve on the shoulder and make a comment on… something, probably him. It makes the rest of the car laugh and Steve thunk his head down on the steering wheel. The horn sounds, an echoing burst of noise that cuts off just as quickly as it starts when Steve jumps in his seat. The seat belt stops his jump short, and he sends another flustered wave Eddie's way when he notices him still watching.
Maybe he'll mention this to Little Red, his new neighbor has mentioned stealing young Henderson's brother and making him a Mayfield instead. A joke that makes a little more sense now. Sinclair has been making moon eyes at her and baby Hopper at lunch for the last week. That will be a better punishment than anything Eddie could do to him at the table.
He waves back at Steve, gives him his most winning smile -- the one he practiced in the mirror for charming pretty boys if he ever got out of the armpit of Indiana. Mimes driving like he's in a bad movie. Across twenty feet and two windows, he can't hear Steve laugh, needs to get to somewhere where he can. He can see the smile though, the dorky thumbs up.
He lets the Beemer pull out in front of him, watches it for just a moment as reality sets in. Reality. He's going to meet Steve Henderson for soft serve. It's a dream come true.
Arwen shifts into gear, and he slides out behind Steve and the sheepies. A whole new world of daydreaming unlocked.
Maybe next week Steve Henderson will let Nancy pick the kids up next week. He'll slip in the back doors of the school, unnoticed by everyone. Stealth bonus obscene for a fighter class. Eddie is moving slow as he moves minis and graph paper maps into the tackle box Wayne gave him, back to the door he misses his rogue slip through the door until he's already grappled.
"Was it a good game, Munson? You win?"
"It's not like one of your sports, Henderson, the wins aren't as clear cut."
Hands start to wander, "Isn't any time you pull one over on the Party kind of a victory?"
"In which case I do stand victorious, your sweet baby brother lost his brand new axe to a mimic."
"Hmm, you know what we used to do after a victory in my 'sports?'"
A hand has migrated to an especially interesting place. "What?"
"We'd hit the showers."
Eddie shakes himself out of the daydream, easing just the smallest bit harder onto the accelerator. He needs something to cool himself off with. He also really wants to see Steve again, to make up for lost time.
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the-microphone-explodes · 5 months ago
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So recently this Tweet went viral on Twitter, which is generally stating something that is rather common that I have also noticed on the app. (I will say that I do believe antisemitism and anti-black racism to also be extremely normalized as well, perhaps to an even greater extent).
That being said this was the general response (found in the quote retweet and the comments) to the above tweet:
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I wanted to put this together and show it to others on here because it seems that it is strongly indicative of how hated Indian people are in progressive spaces. And before someone comes after me to say this is largely online, I will state that this rhetoric is eerily similar to the discrimination I faced growing up as Indian and that I continue to face. Additionally, people online are people in real life, they carry this rhetoric in the real world too and Indian people exist online too, we see how people dislike us.
To dissect and debunk all the sentiments in the tweets above would take an immense amount of time and energy that I do not have. Even archiving and collecting these tweets caused me to fall into a spiral of stress and tension. You don't have to go through all of it, much of what is expressed is vile, but I am trying to point out something. And it's that racism against Indians has become normalized, perhaps even encouraged, obviously in right-wing spaces but in progressive and liberal-left wing spaces as well. If you click on the accounts of many of these people, you can see them advocating against other forms of racism, homophobia, transphobia, anti-Palestinianism etc. These are progressives, not your run-of-the-mill conservative bigots. Hostility is growing against Indians, out in the open, and it seems that not many are willing to combat or acknowledge it.
The tactics are the same of course, to take a vocal minority of a group of people and paint the vast majority as the same, effectively portraying the group as if it has monolithic ideas. This is obviously a ridiculous thing to do, but even more so when one realizes that India is home to 1.4 billion people, not counting Indians living in other countries. These are all individuals who hold their own complex ideologies and beliefs, it is not possible to condense them down to one stereotype.
Am I denying that Indian people have our own issues and bigotry (to say the least) surrounding anti-Black racism, misogyny, islamophobia, casteism etc. Absolutely not! I have spent much of my life trying to unpack these sentiments drilled into me from a young age, and I have tried to help my peers do too. I have also spent time in real world activism combating such issues, because it is the only way forward to a more equal society.
But just because our society has prejudice does not mean we should be subjected to such bigotry from other progressives or have the discrimination we face not be taken seriously. Even the worst among us does not deserve to have racist sentiments spewed against them because bigotry is wrong, point blank. We don't deserve to be called rapists, to be accused of all being racists, and say that racism against us is "self-inflicted". Indians do not deserve that, we just don't.
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dipperscavern · 4 days ago
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about to go to bed, but this post got me thinking… cregan x reader w strange interests.,… walk with me here
people have always been a bit… unaccepting, when it comes to you and the things you like. they’ll enjoy your personality well enough, laugh with you at feasts, treat you courteously at gatherings, but decide they don’t enjoy your company the moment you show a different part of yourself.
one that takes a special interest in poisonous plants, knows how to prepare a body after death, collects bones and feathers, charts astrology… and your pets are usually quite successful in labeling you as completely mad.
you understand to some extent. different is strange, and people reject the things they don’t understand. such is the games of highborns (a rather cruel dance, really.) but you found you couldn’t find it within yourself to try and change. after all, comparison is the thief of joy, as your beloved old maester would say.
you were alright with solidarity, if being alone meant being yourself — but the old gods have always been said to have a sense of humor.
it seems cregan stark is not so off put by such oddities. quite the opposite, in fact.
your pet spider doesn’t repulse him, like it does the others. while he would’ve been most content to allow you the sole responsibility of spider-handling, it didn’t take much convincing on your part. only a simple statement of reassurance, a small smile, a warmth of your cheeks at his interest, and cregan finds himself sat on the bed as you retrieve your eight-legged friend.
whatever doubts he harbors instantly vanish as you sit across from him, un-cupping your hands to reveal a much bigger spider than he previously thought. tarantula, he’s heard the maesters say (with horror.)
while one holds the maesters’ worst nightmare, your other hand reaches for his. he takes note of your warmth, the softness of your hands in comparison to his own. people usually don’t touch him without permission, and, perhaps strangely, he wishes you to never hesitate when doing so.
he uncurls his palm for you, and before you transfer the creature, you softly ask for him to “please don’t scare him.” — and cregan’s heart skips a beat, because he knows at that very moment, he would heed your every request. anything you ask of him, it is yours.
perhaps this revelation would produce a greater affect on lord stark if he wasn’t so encapsulated with staying still while your creature begins to crawl from your palm to his own.
its great work to not tense himself or pull away when it happens, but you watch him so intensely, waiting to pull your creature to safety at any indicator. so he stills. you ground him, even if unaware.
once your creature is fully in his palm, it seems comfortable. sitting itself, abdomen flush to cregan’s palm to encompass the warmth he offers. you sit like that in silence for a moment, cregan observing it’s markings, and you waiting for the warden of the north’s assessment of you and your creature.
after some time, cregan speaks, tone different from the usual one of lord stark.
“Does he have a name?”
you can’t help but smile at his words, and he can’t help the way your expression makes one of his own tug at his lips. “Bones.”
“Bones?” he repeats, face relaxing in his surprise. his words don’t contain any malice, only a question in its tone.
you nod tentatively, as if awaiting judgement. “When found in the kitchens, a cook tried killing him with a chicken bone.”
his gaze momentarily flickers to the spider as he nods his head, a sort of understanding passing between the wolf and the arachnid. something else is there, too. a fondness for you unfurling in his chest — how you can find beauty in such things; things deemed unwanted by most people.
cregan’s gaze finds you again, and you look at the spider in his hands with such reverence it makes his lips part in silent adoration.
you’ve captured him, he thinks. he’s damned.
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canonicallyobserving911 · 7 months ago
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Buddie: Eddie supports Buck in everything!
Here's one of the many reasons why Buddie is endgame!
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One of the many things I noticed during the beginning scenes of 7x6 that heavily included Buck and Eddie was Eddie’s undying and never-ending devotion to Buck. He's always been like that so it wasn't a surprise to me but IMO, apparently, TM wanted the new viewers to see it too. Also, it was probably included as a reminder for those who've been watching but may have forgotten.
Here's what I mean.
Chimney clearly said he didn't want a bachelor party and he said it so EVERYONE could hear it, including Eddie.
But Buck was adamant about it and he wouldn't give up (in 5x2 Eddie said it to Buck that he never gives up and Buck learned that from Chris in 3x1 - 3x2 when they were talking before and after the Tsunami). Eddie knew Chimney didn't want one but he never dismissed Buck’s intentions of wanting to do something that he believed Chimney should experience. It's who Buck is and Eddie knows him to his CORE and so much so that he indulged him by not only suggesting they go as Crockett and Tubbs from Miami Vice but also he was the only one who complied with Buck's wishes and came in an 80s costume.
He was the first person there and he made sure Chris was cared for so he wouldn't miss it. And he was THE ONLY ONE IN ATTENDANCE WHO STAYED WITH BUCK ALL NIGHT. They partied like it was 1999!
Eddie’s love and support for Buck was on full display and it's what he needs in a life partner. Buck doesn't need someone who just wants to kid and son him and who doesn't support him in EVERYTHING the way his supposed LI is doing. T*mmy didn't even try to oblige him and his response was nonchalant and stand-offish like he thought it was ridiculous. Also, him being on standby didn't have anything to do with it since they have to CHANGE CLOTHES WHEN THEY GO TO WORK ANYWAY. Hello, they wear uniforms.
My point is Eddie’s still waiting for Buck to get it. He gave him his heart years ago but he's patiently giving him the space and the time he needs to realize it on his own. He's supportive and he doesn't dismiss him and most importantly, he loves Buck unconditionally and that's what makes BUDDIE THE SUPERIOR SHIP.
They have spent years loving each other and being there for one another and IMO, it's the reason why TM is putting them front and center in every episode. He said he was going to show their "coupling" (his word) and that's what he's doing. Anyone watching should be able to see they're PERFECT for each other. Also, there's no denying how much chemistry they have and they haven't even kissed yet. But trust when they finally do kiss on screen, it's going to be EVERYTHING because all the years they've spent loving each other will pour out of their hearts and they'll put their all into it. It will be the most satisfying of beginnings for them. They will be each other's last everything and they'll grow old and spend the rest of their lives together.
They've built a life and a family for the past six years that's based on trust, love and devotion and if the Diaz parents showing up in a future episode is any indication of what's to come, I believe Eddie's WILL is about to come into play in a big way and there won't be any room for Eddie to deny what it means. It was a love confession and he did it in the best way he knew how at the time. He loves Buck and Buck loves him and that's what matters.
They're in love with each other and they share something greater than a couple of on screen kisses since they've been sharing a life and a family for the past six years.
They're best friends.
They're soulmates.
I ONLY SHIP BUDDIE!
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Dawning Oasis ILLUSTRATION BY ROBYN!!! *falling over in happiness*
I do not know if there is a greater joy for a writer than for a beloved artist to have drawn something from their words. I was able to commission @haykebyr aka @dredgensimp and of course I begged for Drifteris.
To my great delight she chose to draw a scene from my story A Dawning Oasis.
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The Drifter’s eyes shifted as he talked to a visiting guardian in the Annex, tracking movement behind them. For just a moment his entire face lit up in uncharacteristic glee and then he resumed his usual detached-but-friendly expression. His smile never faltered as he accepted the dark chocolate motes being gifted to him.
He nodded appreciatively at the guardian transmatting away and then his eyes flicked back, snake-like, to focus on the silhouette of an additional shadow in the Annex doorway, his smile becoming a delighted grin. Eris Morn stepped out of the darkness, her green glowing orb in her hands.
“And here I thought my Dawning couldn’t get any better!” The Drifter flipped the coin in his hand into the upturned helmet on his work table, landing it perfectly without even looking at it, as he stepped forward, arms wide offering a hug he knew she would decline. “How’s everyone’s favourite former Hive god doin’ today?”
“Germaine,” Eris glanced over her shoulder before walking up to him swiftly until she was close enough to reach out and lay her hand lightly on his wrist. “I have come seeking refuge.”
“Any time, anywhere, Three-Eyes,” he said, his voice flirtatious while his eyes flicked over her face, carefully analyzing. His gloved hand shifted to brush his armoured knuckles up against the inside of her wrist through her own gloves. She did not flinch away.
“I find myself wearing thin, my composure fraying. It is worse than usual this year. I seek solace… a respite from the near-constant persecution.”
A look of concern came over his face. The flirtatious grin was gone. “Of course Moondust,” he said quietly. “Is it… nightmares?”
“No. I can handle those. I can handle the screaming of the Hive through the ascendant plane. I can handle the whispers. What I cannot handle is…” She looked up at him and sighed deeply, her hand on his arm tensing. “...the cookies.”
The Drifter threw his head back and laughed. “Sick of ascendant oatmeal raisin already? Wanna trade? He spread his free hand out and indicated the set of small boxes piled up on his work table. I have enough dark chocolate motes to last me for the next century. Don’t tell our heroes, but I’ve been sneaking down to the Eliksni quarter every night and redistributing the Dawning cheer.”
“I have nowhere to redistribute mine. They are in piles everywhere. On my work tables, on my ritual surfaces, on the bed, the counter, the floor. I trip on them when I wake. I stumble over them when I try to go to sleep. Even now I fear well-meaning guardians will find me here with you and inflict more upon me.” She stepped closer to him, her voice a low whisper. “If I were to never see an ascendent raisin again, or any raisin for that matter, I would not sorrow.”
His eyes glittered in delight at her willing invasion of his personal space.
“Got a gambit match starting in seven minutes,” he said quietly, not wanting her to move away. “Come up to the Derelict with me and watch the show? Best seat in the house, and… not a single cookie on the entire rig.”
He raised an eyebrow enticingly, tilting his head.
“None at all?” Eris asked hopefully.
“Derelict’s a cookie-free zone, Moondust. Not only that but anyone transmitting on board, that ain’t with yours truly, goes straight to the gambit ready room. They won’t be able to find ya if you’re with me. No festivities. No decorations. No well-wishers. And…” He waved his hand with a dramatic flourish. “...not a single baked treat to be found. A veritable oasis in the overwhelming oppression of holiday cheer.”
He grinned and leaned forward playfully as he spoke, expecting her to draw back or bristle in her usual frustration with his constant flirting. She did not move away.
“I would very much appreciate coming with you.” Her three green eyes stared at him earnestly from behind the cloth wrapped around them, her hand still on his wrist, a look of relief on her face apparent even through her perpetual black paracausal tears.
Time seemed to slow as they lingered in each other’s space longer than was necessary or normal for either of them. He caught his breath and leaned in even closer. She still didn’t pull away.
The obnoxious clang of the Drifter’s pre-game alarm rang out and Eris jumped back with a start, her now-free hand frosting over instinctively to defend herself.
He swallowed, blinking, a frustrated smile on his lips over the ruined moment.
“Five minutes till go time,” he explained, wistfully.
Eris relaxed, the frost dissipated from her fingers.
“You comin’ with?”
She nodded.
“All aboard the escape-from-Dawning express!” He held out his hand once more.
She took it eagerly and firmly in a way that made him briefly hold his breath without realizing he was doing it.
The world shimmered around them as the Drifter’s transmat kicked in and transported them. They appeared in a small room with consoles on three sides and sixteen monitors all showing different views of the same area.
“Make yourself at home. I’ll be right back,” he said, squeezing her hand and releasing it with reluctance before walking through the door, out onto the catwalk.
Eris watched him through the doorway, out of view from the people below. The rogue lightbearer stepped up the metal stairs to his usual platform, tumbling his coins across his knuckles.
“All right, all right, all right. Let’s see what we’ve got.” He looked back at her with a grin and a glint in his eyes briefly before turning back to the guardians assembled for the game. “Hive!” He held up the coin. “Bring a sword.”
Eris heard the murmurs from the participants and listened as several of them swapped out their weapons and gear while the Drifter continued with his pregame patter.
“I’ve always wanted a pet Hive.” He said as he tossed a coin from one hand to the other, flipped it in the air and bounced it off of his ankle. “The ascendent plane must have all kinds of…” He spun around with a grin to wink at her before turning back to the group on either side of him. “...I’m oversharing.” He whirled his arms at the elbows and pointed forward. “Transmat is go!”
He sauntered back into the room with a grin.
“A pet Hive?” she asked him. “Really?”
“I mean, outside of the mass-murderin’ psychopathy and universe-spanning genocide, they’re really just overgrown shrimps, right?”
Eris Morn, Bane of the Swarm, from whom the Hive had taken everything, glared at him reproachfully.
“Besides,” he continued as he walked past her, turning to look into her surgically and magically implanted eyes as he moved toward the console, “on the right person, Hive eyes can be weirdly cute.”
Eris tensed and the soulfire-glow in her eyes flared.
“Not to mention,” he continued, “...cook ‘em right and they’re delicious, make ya see colours for days.”
“Watch yourself, Rat,” she growled through clenched teeth.
He picked up a headset and pushed a button by his ear. “Lock and load, hotshot,” he spoke into the microphone. “Bring those motes to the bank.” He pushed the button again.
“Awww don’t be mad-mad, Moondust. You know I only tease you so much cuz I like you.”
She tilted her head in surprise at the forthrightness of his statement. He stepped close to her, gently touching her elbow. She looked down at his hand and back up at him but did not pull away.
“I’ve got maybe two minutes before I have to say somethin’ again.” His voice was warm now, gentle. “Let me make it up to you. Can I start ya some tea?”
She sighed deeply, her irritation leaving her. “An acceptable peace offering. I would like tea, yes.”
“Sit down in the chair. I’ll be right back.” His eyes sparkled as he walked backwards into the hall before slipping through a doorway.
Eris stood still for a moment, considering his offer. Then she walked to the chair at his console and sat down stiffly, resting her soulfire wreathed Ahamkara bone in her lap.
Not much later, the Drifter reappeared beside her to push two buttons which lit up blue when he touched them. He tapped the mute button on his headset. “Hostiles, incoming at the beach!” he barked excitedly into the microphone. Then he hit the button on his headset again.
“Water’s set to boil.” His voice was soft again. “When’s the last time you ate, Crota’s Bane?”
“I… do not remember. Probably this morning? It was this morning, yes.”
He crouched down next to her, folded his arms on the arm rest for the chair she was sitting in, looking up at her. “I got soup in the crock pot. Been cookin’ all day. Hot and ready. I was gonna have some for dinner now. There’s lots. Will you eat it if I bring you some?”
“Is it made of Hive eyeballs?”
“No. It’s made of chicken, lentils, vegetables and a creamy coconut curry. It’s good. You’ll like it. Trust.”
“That… does sound nice.”
“Is that a yes?”
“Yes.”
He half-stood and reached across the console, leaning across her and bringing his face close to hers. Eris tilted her head quizzically at him but did not move away. He pushed two more buttons which turned blue like the first two. He then pressed the button on his headset, his nose still inches from hers. “Incoming hostiles, at the trees,” he called out before clicking the mute button again.
He stayed there, close, his eyes lingering first on her lips, then looking back into her eyes, and then back to her lips. The corner of her mouth quirked into a half smile. The Drifter’s eyes half-closed and opened his mouth to say something when a shrill continuous whistle pierced their ears from the hallway behind them. They both flinched away from each other in alarm.
He blinked several times, the frustrated smile once more on his face.
“Hmmm…” There was a hint of gentle amusement in her tone.
He opened his mouth as though he were about to say something to her and then shook his head, standing up.
“Incoming tea, from my kettle,” he said it the exact same way he’d have announced it in gambit, as he walked briskly out of the room.
A few moments later he was placing a steaming mug into her gloved hands and pushing more buttons on the console.
“High value target’s on the field. Hunt it down and put some rounds in it,” he said into the headset before re-muting himself.
“Is that team down one person?” Eris asked him, pointing at a screen.
“Yup. The one that jammed out’s getting a warning for that. That’s rude.”
“Do they always lose when they’re only three?”
“Depends on how good the ones are that’s left behind. Mostly yes,” he told her. He pushed the mute button. “Portal’s up. Go say hello!” He waited and then pointed at one of the screens with a grin as Eris watched one of the three-person team run to the other side.
“Embrace the Darkness,” he told the invader.
Eris leaned forward to watch.
“Well done,” she murmured appreciatively as the hunter took out two guardians with headshots from a sniper rifle. Then she gave a small gasp in delight as they danced around the remaining two, dodging and swapping weapons before bringing them both down with a submachine gun.
“Wooo!” The Drifter leaned back and whooped into his un-muted headset.
Eris’ face split into one of her rare open-mouthed smiles at his infectious glee.
“Your invader's back and they just took out the entire opposing team! Glad they're on your side.” He hit the mute button. “With an invader like that, those poor bastards might just pull this off. I’m excited to see how this turns out.”
“As am I,” Eris said quietly, her smile subdued but still present as she watched intently with him, sipping her tea.
He pointed to a progress bar on one of the screens. “When this gets to 100, press this button here,” he reached out, took her hand gently, and placed it on top of the button.
“Won’t you need to know when to talk?” she leaned in as she asked him while he was standing.
Her nose brushed against his ear.
He froze and sucked in a shuddering breath. She smirked and leaned back.
“I um…” He swallowed and gave her a small, almost shy, smile. “I’ll be able to hear it on the feed.”
“Hmmm…” She let her chin rest on her other hand, smiling back at him like she had just won something. “And this is so you can go get the soup?”
He stared back at her, the smooth charismatic mask temporarily gone, his expression uncharacteristically soft. “Yeah,” he said, as though he had forgotten what he was doing entirely and she’d just reminded him.
Shortly after he disappeared into the hallway behind her the number of motes hit 100 and Eris pushed the button, as directed. From down the hall she heard his voice with his usual practiced gambit tone, “Opposing team’s got a primeval. They kill it, they win.”
Eris continued to watch as the other team's mote bank also approached 100 and found a very similar button on that side of the console. As they hit their target she pressed it.
“Ok, you can still win this. Focus on that primeval,” she heard him talking into his microphone behind her. Eris turned to watch him enter the room walking slowly, a bowl of hot soup in each hand. As he placed a bowl on a flat spot in front of her, he silently mouthed the words ‘thank you.’ He placed his own bowl next to hers, flipped a different switch, said “Portal's up. Grab your gun,” to one team and then, with another switch, “Invader's on the field. Get ‘em!” to the other.
Eris smiled at how he always sounded like he was supporting the side he was talking to as she removed her gloves. She ate a spoonful of soup. It was warm and delicious, the taste of it shifting on her tongue, giving her too many flavors at once to process.
“It's very good, but also very complex,“ she said quietly.
“All good curry is,” he whispered before pressing the button on his headset again and continuing to call the match from a stool he’d pulled up next to the chair she was sitting in.
The three-person team had only just begun to damage their primeval when the Drifter pointed out to Eris how their opponents were on the last leg of the primeval damage phase.
“Alas,” she said softly into her soup. “They tried.”
“Oh, it ain’t over yet.” He leaned in closer to her again. “I mean, it might be, but let’s see what our hotshot from earlier can do.” He reached across her and flicked a switch. “Portal’s up,” he said through his headset, “Go make a mess.” He clicked the mute back on.
“There’s no way they can possibly win at this point.”
“Oh yeah? Wanna bet?” His eyes sparkled in glee.
“I have nothing to wager.”
“If the underdogs win, you come over here for dinner tomorrow night. And before you ask, no screeb guts or Hive eyeballs. Actual dinner with actual food.”
She frowned. “A… date?”
“Yeah,” he tilted his head to look her in the eyes. “A date.”
“I do not date.”
“I know. That’s why it’s a bet.” He shook his head side to side slightly to accentuate each word.
She pursed her lips. “And what do I get if the other team wins?”
“Whatever you want,” he said quietly with more intensity than he’d intended.
“Hmmm… if they win…” she began.
“Yeah?”
“You ‘redistribute’ my cookies for me.”
“Deal.”
The four-person team converged on their taken primeval, guns blazing. Eris and the Drifter watched as the primeval’s health indicator decreased rapidly. The hunter from the three-person team ran in, jumped up, and flung two kami into the middle of the fray, summoning a stasis whirlwind.
“Ugh. Too slow,” Eris critiqued. “That will not kill them quickly enough.”
The Drifter reached behind her to flick a switch swapping one of the screens to an over-the-shoulder view of the invader. He left his arm draped over the back of the chair. Eris noted the positioning of his arm while swallowing another spoonful of soup, but said nothing.
The invading hunter switched to their heavy weapon slot, pulling out Xenophage. Eris sat up straighter and smiled grimly as the first opponent fell with one shot, feeding the primeval and raising its health up from a sliver to a still-manageable, but significant chunk.
The Drifter chuckled in her ear as another guardian fell to Xenophage, feeding the Primeval further. “That’s your gun, isn’t it?”
“Yes,” she said, her voice proud. “It is Omar… from my fireteam. His spirit is within it.”
“Still a badass.”
“Yes.” her voice was warm. Then she sighed in disappointment as the invading hunter was taken down by a well-placed punch from a solar titan.
Still holding his soup bowl, the Drifter held up one finger away from it and pointed, drawing Eris’ attention back to the screen focused on the primeval. The stasis whirlwind was still going.
The hunter who had invaded was resurrected on their own side. They immediately began emptying Xenophage into their own primeval from across the map as they ran in. As Eris watched, alerts of the four-person team’s deaths popped up on the screen and their primeval’s health bar skyrocketed back up to full.
“It continues after they are dead!” she said excitedly.
“Yup. There’s a reason people hate stasis hunters more than most in this game.”
The four-person team’s portal came up and their invader ran in, but the three-person team made short work of their primeval, dancing together as the Drifter praised them for their hard-fought win.
Eris leaned back in the chair against his arm. He stumbled over his closing commentary when she touched him. She smiled and finished her soup as the Drifter continued to tell the exiting gambit players how well they would be paid.
With the game over and all participants transmatted away, the Drifter leaned forward and tapped several buttons, killing the feeds and opening up a single screen with a list of people waiting in the queue. He took his headset off and set it beside his empty bowl on the console, his arm still draped over the back of the chair.
“Want more soup?” he asked her gently, leaning in more than was necessary.
“Perhaps later,” she handed him her empty bowl.
He turned back to her after nesting her empty bowl within his just as she leaned forward and their faces once more became far too close together.
They smiled at each other, neither one moving.
“How long until your next match,” she asked, touching his face with her fingertips.
“Ten minutes,” he whispered, staring into her eyes through the cloth that was covering them.
She curled her fingertips slightly and he leaned forward, his eyes fluttering closed as their lips met in a gentle kiss.
After a few moments he pulled back slightly, sucking in a shaking breath. She leaned in further and her hand slid around his neck to press their mouths together again.
Kiss after kiss followed. Reverent. Hungry. Teasing. Soothing. Hard. Gentle. He clung to her as though she might disappear at any moment. She pressed her lips against his tightly, drinking in his affection like he was water in the desert.
Eventually they had to breathe for a bit, but, loath to separate, they instead panted softly against each other’s necks, still holding tight. At some point he had slid off the stool and was partly in her lap, one knee on the floor. Her fingers were laced into his hair. Their breathing was in sync. The Drifter’s hands were soft and trembling, brushing against her face, her neck, pulling her close. Eris’ hands were cool and almost claw-like in how tight she held on to him.
“Hey-o! Drifter! Time for gambit!” someone shouted from one of the platforms in the ready room.
She felt his eyelashes blinking against her skin. He felt her lips smile just behind his ear.
She leaned back, cupping his cheek in her hand, her fingers buried in his beard.
“Driiiiifter!” someone else called.
“You should go start the next match,” she whispered.
“Screw the match,” he whispered back. “Is… is this real?”
She kissed him again. “Yes. Go start the match. I will wait.”
“Promise?”
“Yes.”
He got up to go and then sank back down to his knees, kissing her one more time before backing away, shaking his head, adjusting his headband, willing the mask of the meretricious rogue back in place.
Cheers echoed through the doorway as he appeared, his coins tumbling on his knuckles once more.
Eris had followed him and stood to watch, just out of sight.
“Took you long enough!” someone called out.
“Ya know what, just for you…” the Drifter pointed and snapped his fingertips, holding out the coin that had appeared with his trademark sleight-of-hand. “Scorn approaching.”
Everyone groaned.
Eris laughed silently and the Drifter’s eyes twinkled as he glanced back at her through the doorway before returning his gaze to the people assembled below.
"Never trust a Scorn!” he told the group as they were preparing for the match. “They're little balls of instinct. Shoot first, talk to it later.”
“You had to piss him off. Scorn are the worst,” someone said on the left.
“You ain’t seen me pissed off, brother.” the Drifter pointed at him. “For both our sakes, let’s hope you never do. Prepare for transmat!" He whirled one arm around his head and sent them off.
Eris handed him the headset as he stepped through the doorway. He put it on and then immediately pulled her into a kiss, pressing his whole body against hers.
He broke away from her lips reluctantly, tapped the side of his headset, spouted off some words of encouragement, and re-muted it so he could sink back into her lips again.
Three matches later, Eris was comfortably snuggled against the Drifter in his lap, pressing buttons for him with calm precision as he called the matches between tender feverish kisses, soft clinging touches.
Here they were, two of the most hardened, vicious, efficient killers, survivors of more horrors than any reasonable person could withstand and, for the first time in longer than either of them could remember, they were both content, smiling, quietly drunk on being gentle with each other.
. . .
The next evening, after a long shift at her post in Sanctuary on the Moon, Eris returned to her living quarters for a few moments of solitude before she would need to leave for the dinner she’d promised to attend for losing her gambit bet: her ‘date’ with the Drifter.
As she entered through her doorway she froze. Something had changed. It took a moment for her to realize what it was. She stood in the middle of her rooms looking around, first in surprise, and then genuinely impressed. There was not the slightest trace of an ascendent oatmeal raisin cookie anywhere.
At some point while she was working, the known thief, conman and criminal she had spent the last evening passionately kissing had snuck in through her perimeter defenses, skulked undetected past the many guardians who had been visiting her all day, bypassed the locks on her doors, and stolen every single one.
“A happy Dawning indeed,” she whispered to herself as she prepared a Hive portal to the Derelict, a small smile on her face.
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lucybellwood · 1 year ago
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I’ve been meaning to repost this mini-essay I wrote for Global Maritime History back in 2015 for AGES and since today's dash is full of people lamenting the burden of Boat Knowledge this seems like the right time.
ONWARD FOR TALL SHIP ART TIPS!
I often get questions from people who are concerned that their illustrated boats aren’t going to be up to snuff, and the short answer is generally: don’t sweat it. If you’ve drawn a thing that has a hull in the water and sails in the air, you’re off to a great start, and if you consult a few handy reference images, you’re bound to end up with something that looks mostly ship-like.
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HOWEVER. There are a couple things that often get lost in translation which—if you pay attention to them—can make the difference between a passable tall ship and a vessel that definitely looks like you know your baggywrinkle from your bunghole. Here’s two tips to get you started.
Flags in the Wind
Generally when we think of a thing that’s going fast, we imagine a flag streaming out in the wind behind it, right? Well, when it comes to square rig sailing, things aren’t always so simple. If the wind is coming up from behind a ship—or from the side—to push it forward, the flag may be flying in a direction you wouldn’t expect! How are the yards angled to catch the wind in the sails? What’s driving the vessel forward? Sailors often look to flags for a quick indicator of wind direction—use that thought process when drawing your ships.
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Keep Your Shrouds Tight!
Those rope ladder-looking things sailors are always clambering up? They’re called shrouds, and they also form a large part of the tensioning system that keeps a ship’s masts stable and upright. Stays (lines that don’t move i.e. stay put) are arranged throughout the rig to maintain even aft-to-fore pull on the masts and prevent them from keeling over. Shrouds form the lateral component of that system, so here’s an important fact: they will not be saggy. No saggy shrouds. No saggy stays. In addition to making the mast unstable, it’d be a devil to climb in heavy weather.
Note: the ratlines (the “ladder rungs” of the shroud) can have slack in them—it’s the vertical lines that should be tight.
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When the crew is “tuning the rig,” they’re putting slack in all the stays and then re-tensioning them to ensure that the whole operation is as stable as possible, so unless you’ve got a bunch of idiots running your fictional vessel, keep ’em tight.
And another thing…
I see a lot of people running their shrouds down to the deck, rather than alongside the vessel. Don’t do that! I mean, okay, sometimes shrouds do attach to chain plates on-deck, but most of your classic Golden Age of Sail vessels will have them running alongside to the channels. Also: they end in deadeyes to help with the tensioning of the line and to keep things stable, so don’t forget your deadeyes!
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Honestly, these are the biggest things that I see artists flub when drawing tall ships, so if you can keep them in mind, you’ll be head and shoulders above the rest!
If you’re looking to go more in-depth with your research, I would recommend…
Seeing if you can find a modern replica of the type of ship you’re after and then centering your reference search around the name of that ship. I get far more extensive results when I’m searching for “Privateer Lynx” rather than “1700s topsail schooner.” Don’t discount the many photos tourists will have taken while visiting these ships!
Nose around on model ship-building forums. There is no greater boon to the modern nautical artist than these obsessive craftspeople, who will spend hundreds of hours replicating classic ships in minute detail—often photographing the whole process so you can actually see how the rig of a vessel is put together! God bless ’em.
And that’s all I’ve got! I hope you’ve enjoyed this brief foray into accurate tall ship representation. Fair winds and following seas!
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